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#that feels super out of character for me tbh
saclarclay · 1 year
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I’m sorry I didn’t stay for long as I didn’t sleep the whole night so I took a couple off quick ss of people n probably from miles away cus hhhgghvhcgfcgxdxds//slap
andofcourseIendedupnotcatchingeveryone’sname like there were so many people n the name just overlap one another n me being the smart me didn’t click on you cus I again it was such a quick ss take I was running as I exit the game
Feel free to take your character from miss Orinvia’s daycare 🙏//no
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averlym · 6 months
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whshdfhfjf.,,,
#close up!! because i firstly Did Not render them with such insanity in order for tumblr's lack of general resolution to make it blur#look at all the lines!!! teehee i still really really like this style of digital painting it's super super fun to do!!! and also secondly#because i went back and added a tag ramble and as i seem to often be doing??? lately?? reached the 30 tag limit and went 'hm ok how else..'#anyway the tag essay on that one is now up and talks about the artwork generally and miscellaneous thoughts!! that said. i need a space to#ramble about beatrix at Length because look you don't draw and paint etc a character for like ten hours without having a lot of thoughts#anyways ! i digress terrifically. tag rambles are more like trains of thoughts masquerading as subways and you get on and it's unfortunately#a rollercoaster track. but this is My Blog and i can do Whatever I Want as long as i don't hurt anyone <- affirmations!! also Harm Principle#lately it's been like *kicks up feet* *opens tumblr tags* *treats it as own personal journal* and tbh Good for me!! anyways back to beatrix#fun fact ! the thing that pushed me over the edge to go watch the musical after looking through the tumblr tag was a very specific poll.#and the fact that the winning option was blue hair and pronouns made me double over laughing so hard i had to go see the source material#mm i feel like lately the academic Context has been tossing me essentially into a blender HAHA ;-; so everyone in adamandi is to some extent#a Mood. but bea-specific (haha be specific)(sorry!)(wow this is the same reaction mechanism of my friend who points out innuendos)(...)#i think it's the wanting to prove herself. like from the whole abuela etc thing there's proof here she's got a Stable Support System of sort#and instead what beatrix continues to do is push themselves. 'i guess u could say i'm married to my work? god that's depressing' // no one#here to enforce that // abuela tells me to rest says i'm constantly stressed and i'll just get depressed like before but i still have to try#like. that shred of desperation that pushes you to the brink to neglect yourself (well i guess physically but also your morals..) and like!!#the whole 'lose half your soul thing' proves she's self aware!! like they know what they're doing is super dubious yknow! but they're still#they're still doing it even if it goes into conflict with their morality system in a way and then they justify it to themselves (see pt 1#of ghostwriter) and the whole wanting to achieve at all costs Despite the self awareness. (i think? this aspect also applied to quincy. but#thoughts on him will come later). more beatrix specific also is the fact that they genuinely adore their work.. 'i just love it here where#you know they'll be printing forever and you are just part of it' because that does kind of resonate with me. also the being behind in the#competition is real!!! i'm maybe talking about Art as a subject because that same drive for it exists on my good days i think. even#even when nothing seems to be going right and you've ended up at the back the intent passion inherent in what you do is still there!!!#the genuine. care she has for reporting. is so !!!!! to me... other beatrix thoughts include 'why reveal yourself at the end' aka vincent's#'u should have stayed silent u had a smart plan' like rip to them but i would not // it feels with bea's complex character i can't imagine h#her Not doing that. like the guilt is real i guess. and i am running out of tags but! smth also about her fervent hope or smth that she'll#eventually get to where she wants. and the resilient determination.. 'i won't let their deaths be pointless there's more good i'm gonna do'#they're so so real for that. i'm not sure if it's a good or bad thing; seeing myself reflected in aspects of characters like this.. but it's#it's there regardless. smth smth just make your peace with the person you are ig!! tldr beatrix campbell my beloved. hehe#adamandi
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thedreadvampy · 7 months
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I tried listening to Olivia Rodrigo and I'm sure this is really good for its target audience of Teen Girls Going Through A Breakup but has she actually ever put out a song that isn't about a guy cheating, breaking up with her and moving on to someone else?
like babe he's not coming back it's been 2 years you gotta find something else in your life
#red said#it's not to my taste. tbh#content aside pop music is going through a very early 2000s breathy oversinging phase#hated it with xtina and alanis hate it with ariana and olivia sorry#it's a personal taste thing but to me however hard you go with the backing track that kind of soft pretty vocal style kind of#drags it back into midtempo sludge for me#also tbh it's just extremely normal music. like i went over to her yt bc people were talking about how Weird vampire is#it's not though????? it's super not????#anyway the only one I've got anything out of is good 4 u cause she sounds more involved and less self-pitying on it#every other Olivia song I've heard sounds kinda the same bc they all have the same earnest self-pity vibe#which is what a lot of people need out of music! music that makes them feel the depth of their anger and sadness!#but idk it's never done it for me i like there to be something of a tongue in cheek or a hysterical edge#i think most of the songs I've heard from her are just too controlled and polished for them to not sound to me#like she's the person who sees you crying cause your partner is in hospital and goes YEAH I KNOW HOW YOU FEEL#MY EX CHEATED ON ME 5 YEARS AGO AND IT REALLY TRAUMATISED ME AND I'M STILL NOT OVER IT and then you have to comfort her#like i recognise she's a 20 year old making music for teenagers so that is. appropriate.#but i struggled with the wallowing then too. were i a Teen at school with Olivia's character i would be so desperate to tell GROW UP#and it's not the lyrics it really is the music#heartbreak is a perfectly good theme to write on but oh my god not every song about it needs to be a mouthful call to arms
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purgeshubble · 1 year
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for real, josh and claire are two autistic homosexuals who cared about each other so much (as kids n teens) and were like,,, oh I guess we date forever ? and then when they broke up were like, but we are still forever right ?
and jesus christ i love it so much
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hawkinslibrary · 6 months
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there's a new article out about the play. i think it's paywalled for people outside of the us, so here's a twitter thread with screenshots. i've also typed it all out under the cut here:
LONDON – Next month, the Upside Down extends its tentacles into London’s West End with “Stranger Things: The First Shadow,” a prequel stage production that expands the world of Netflix’s sci-fi/horror blockbuster. 
And the creative team behind it hopes the play will be as groundbreaking as the series itself.  
“We’re about to bring the actors, who’ve just been in this cocoon of a rehearsal room for seven weeks, into [the theater],” producer Sonia Friedman says of “The First Shadow,” which is set to open Noc. 17 at the Phoenix Theatre. “We’ve been making sure it can stand alone without the special effects, because it’s all about story. We are going to blow people’s minds. We are going to terrify with some of the most startling, extraordinary things with the physical production.” 
The project originated with director Stephen Daldry, who approached Netflix’s then-content chief Cindy Holland after the show’s first season aired.  
“One of the conversations Stephen and I had been having was, ‘What theater have we ever seen where you get genuinely scared?’” Daldry’s co-director Justin Martin says. “It was an interesting challenge and provocation. We talked about other [Netflix] titles, but this one felt like the most imaginative and the most challenging to try and find a stage language for.” 
“The goal was to figure out, what does a mega episode of ‘Stranger Things’ look like on stage?” adds Matt Duffer, who created the series with brother Ross. “It was a very long, multi-year process to figure that out. But where they’ve landed is incredibly exciting.” 
For the Duffers, the idea of expanding the “Stranger Things” universe in new forms was an exciting prospect. They're currently working on several spinoff shows, including a children’s animated series and an anime series. The play exists on its own, but it also informs the narrative and characters fans know.  
“The idea was to explore Henry Creel and his backstory and fill in a gap that we don’t explore in Season 4,” Ross Duffer says of the villain also known as Vecna. “The play was being developed simultaneously with us writing Season 4 so we were adjusting as we went. It was an interesting way to develop a story, but to do it concurrently like that made sure everything locks in mythology-wise.” 
Development on “The First Shadow” began during Season 2. Daldry approached Friedman after seeing the magic and spectacle in her company’s production of “Harry Potter and the Cursed Child” at London’s Palace Theatre. The creative team spent time brainstorming the story during the early months of the pandemic with screenwriter Jack Thorne, but eventually decided they needed someone who knew the series intimately. 
Kate Trefry, a writer on “Stranger Things” since Season 2, was an obvious choice for Daldry, despite the fact that she’d never written a play before.  
“Season 2 is really when we started to expand this world and mythology,” Ross Duffer says. “So Kate knows that as well as us. She's been with us in the trenches for so many years that we were so happy that she had this opportunity to do this.” 
From early on, no one wanted to simply remake the first season. Daldry wanted the story to be what Martin calls “in the center of the conversation,” rather than a secondary narrative, so a prequel made the most sense. 
“When we met with Stephen we had just cracked this Henry Creel stuff in the writers room,” Ross Duffer says. “We said, ‘Well there might be an opening here.’ And Stephen really fell in love with it.” 
“There are questions of ‘Why Hawkins?’ and ‘How did all this stuff happen?’” Martin adds, referring to the show’s fictional Indiana town, which becomes a hotbed of supernatural activity. “This felt like a good way to address that.”  
“The First Shadow,” set in Hawkins in 1959, is told over two chapters. Several familiar characters appear, including Bob Newby, Joyce Maldonado and Jim Hopper, who are in their last year of high school when a new student named Henry Creel arrives. Nearby, Dr. Brenner is getting his start in his lab. There are also new characters, like Bob’s sister Patty Newby. Trefry calls it an ensemble play with Henry Creel as the “spine” of the story. Beyond that, everyone involved is as tight-lipped about the plot as they are about the forthcoming grand finale of the Netflix original. 
“It’s about outsider kids who come together to solve a mystery,” Martin says. “And in doing so find themselves and each other. That's really ultimately what ‘Stranger Things’” does so well and why so many people connect with it.” 
Trefry adds that it’s also “about the loss of innocence and coming of age and how you are changed and ruined and saved by these formative events that happened in high school.” 
“So, hopefully, you’ll see that Hopper and Joyce and Bob are all presenting echoes of the trauma that is at the center of this play,” she says. 
In the first season of “Stranger Things,” Joyce, Bob and Hopper seem surprised by what’s going on in Hawkins. But Trefry confirms there’s an explanation for why they don’t immediately connect it to their high school years.  
“The climactic events that happen within these two stage episodes had to be something that could be written off as not magical or science fiction,” she says. “It had to be spectacular and make sense, but we had to go forward in honesty with our characters.” 
As a TV series, “Stranger Things” has a recognizable aesthetic. The Upside Down and its monsters are familiar to viewers, so a stage version needed to incorporates similar visuals.  
Because Trefry had never written a play, she didn’t worry about whether certain effects or scenes would be possible, which upped the ante for everyone included.  
“She cross-cut scenes as she would in the show and wrote crazy visual effects sequences as she would in the show,” Matt Duffer says. “She wasn’t limited by that because it then just presented a challenge for Stephen to solve, which is fun. The opening sequence of the play -- I don’t think anyone even knew if it was possible. I'm still not sure how they’re doing it.” 
Friedman and Daldry put together a notably skilled creative team. Friedman set the bar high from the outset, telling them, “I need to be taken to a new dimension of what is possible with theater.” 
That team includes illusions design and visual effects artists Jamie Harrison and Chris Fisher, who are responsible for the onstage magic in “Harry Potter and the Cursed Child.” Harrison and Fisher spent nearly a year coming up with the effects in “The First Shadow” and have continues perfecting things during rehearsals. 
“It’s very pressurized because there is nothing worse than a bad effect because the audience knows straight away,” Harrison says. “We have to go through quite a lot of watching our work be quite bumpy before it gets smooth. And we have to bring the actors from zero magic skill to being very expert in a condensed period of time.” 
“When you have the world of ‘Stranger Things,’ people know it,” Fisher adds. “They have those big sequences, so we naturally are creating big sequences. We’ve pushed it and I think by us pushing, the directors and Kate have pushed us even more and said, ‘Now we know you can do that, we want this.’” 
As a series “Stranger Things” relies on CGI alongside practical effects, but onstage everything has to be done for real. 59 Productions are creating the video design and visual effects for the play, which will work in tandem with the illusions and Miriam Buether’s set design. Harrison says that “anything that can be achieved in film can be achieved in theater.” 
“In film, people want absolute reality,” Harrison says. “For the effects to be visually real. In the theater, we have a level of imagination that we can use as well. For example, in the piece we’re creating there are a lot more blood and guts.” 
Trefry adds that the stage show is genuinely terrifying. “It’s scary like ‘Stranger Things’ is scary,” she says. “There’s a little bit of like guts and gore, and then there’s also real trauma – people dealing with real stuff.” 
Other elements of the production will hint at the series as well. For instance, Harrison and Fisher met with the creature designer from the series during their design process to ensure “visual continuity,” although they won’t say which creatures appear in the play. And D.J. Walde’s original music recreates the familiar synth theme song with a theremin that matches the late 1950s setting.  
For the Duffers, bringing the “Stranger Things” universe to life on stage satisfies their love of practical effects.  
“The downside of CGI is that the audience is conditioned to the fact that we can basically do anything,” Matt Duffer says. “But there’s something about seeing it actually done. When I saw ‘Cursed Child,’ my jaw was dropping in a way it rarely does now with these big movies. We want to do the same here.” 
Because Trefry wrote the play while Season 4 was in development, the series’ writers were able to retrofit elements of that season to reflect the stage show. The events of the play will also help to “enrich” Season 5, Matt Duffer says.  
“There’s a ton of conversation and dialogue between this play and the events that happen in Season 5,” Trefry says of the final season, which is over halfway written. “It was about trying to create something that is canon, but where you don’t have to see it to see Season 5. But if you do see it, it’ll make Season 5 better.” 
“There are hints of where [the show] is going to go,” Ross Duffer adds. “I think when [Season] 5 comes together, all of those pieces will hopefully click.” 
“The First Shadow” tickets are currently on sale through Aug. 25, 2024, although Friedman confirms the case signed one-year contracts and the production is open-ended. The plan is to bring the play to Broadway and the rest of the U.S. as soon as possible.  
“Hopefully it can get to as many places as it can so as many fans as possible can experience it,” Matt Duffer says. “That’s one thing we’re trying to figure out: How do we make sure people are able to see it before Season 5 releases?” 
“The First Shadow” marks the beginning of a broader universe for “Stranger Things.” The Duffers say they can’t “focus on the spinoffs until we’re landed the plan with Season 5,” but so far they’ve enjoyed letting other artists re-imagine their ideas. 
“This was originally pitched as a standalone story and so to be here now is surreal,” Ross Duffer says. “But this has been the most rewarding experience for us creatively." 
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the-awful-falafel · 1 year
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monsterkisser fake peppino fans, can y'all please make sure your version of the character clearly and visibly passes the harkness test at minimum before getting too weird about him or his relationships with other characters, ok thx bye
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mzcain27 · 1 month
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Finished the live action avatar
It’s not a perfect adaptation, I think the biggest thing is they have taken a lot of the fun out of it, Aang doesn’t wanna go do kid stuff, Iroh is way more serious, BUT I don’t necessarily blame like the series itself as much as I blame the current state of tv being in constraints of like 8 episodes and wanting people to binge it in the first few days and everything.
I hope they let Azula be as scary as possible next season, I think they just wanted her introduced a bit earlier since everyone was gonna be waiting for it, I hope they let Iroh chill out a bit more, but in general from my point of view if you see people bashing this series with as much vitriol as the movie then they’re being super dramatic. There are parts that could absolutely be better but like I said those issues go hand in hand with issues with all of tv right now. I think it’s decent at least, I know it’s a beloved series but some people are being HARSH
#bring back filler and characters just hanging out#and stop expecting people to watch shit in the first 30 seconds before you cancel it#for reference I think it’s a better adaptation than the new Percy Jackson tbh#same kinda vibes in the exposition dumps and kinda treating the audience like idiots but avatar just slightly bumps above percy for me#other minor issues are the acting at times but some of those times are literal children#a lot of people seem pissed at the zuko portrayal but season one zuko is dramatic af a lot of the time#and I think Dallas Liu just turned that up a bit and made him angrier which I’m not mad at#I wish katara was a little snarkier I saw someone mention her rage being kind of hamstrung and they were kinda right#it’s not entirely gone but it’s not there as much as I’d like#cgi is kinda whack at times too but that’s everything atm as well not avatar specific#the martial arts pretty good too esp fire bending they still clearly took from Shaolin kinda styles#I do wish they’d speed aang up a bit though#both in general but also stop using slow mo when he’s doing shit#anyway#I’m not super mad at it#if they don’t fuck up toph and do some better characterising of azula and iroh we might actually see it to the end#and some more episodes for like actual development but I feel like that’s wishful thinking with Netflix rn#even like 10-12 would be better and then sokka could’ve had his development with the Kyoshi warriors#and aang can show more of his reluctance and fear because he’s a twelve year old pacifist#avatar#avatar the last airbender#avatar live action#atla
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designernishiki · 8 months
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today on tumblr user designernishiki’s autistic-with-a-special-interest-in-psychology deep dives: dissecting the hell out of kiryu/nishiki’s childhoods and kazama’s parenting (or lack thereof) and how it all relates to their emotional development (or lack thereof). they will never be safe from my psychoanalyses
#childhood development isn’t actually an area I have a ton of experience researching which is part of what makes this intriguing tbh#because I was basically thinking a lot about how it makes alot of sense that kazama being a semi-absent father figure would result in kiryu#idolizing and idealizing him to the (objectively unhealthy) extent that he does. because he wasn’t around super consistently kiryu would#hardly get to see/experience his flaws and have healthy disagreements and blatant differences with him and etc all-in-all making it so he’d#never really gain emotional autonomy and come to see him as a full-on person rather than an anti-hero character he wants to emulate as much#as possible. and by the time kiryu does come more face to face with kazama’s flaws and moral greyness he’s already well past the age range#where you’re supposed to develop emotional autonomy and have the most neuroplasticity to do so and thus it’s much more difficult for him#to deconstruct the idolized figure of kazama in his head. not to mention kazama died basically just as kiryu started to be confronted with#kazama’s less-than-perfect actions and traits and etc so he can’t humanize him through in-person experiences#it’s. a whole mess#I should save it for the big analysis post and not these tags fhshdjsnd#nishiki may have to be his own post completely because I feel like I’d end up having to talk about why he absolutely reads as borderline to#me and why it makes a lot of sense that certain symptoms/maladaptive thoughts/behaviors grow to be so out of control eventually#I have many thoughts about that boy and I already have many many notes on his potential bpd and image issues in general#hoo boy.#rambling
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swashbucklery · 1 year
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Hey question, if I, a grouchy lesbian with extremely specific tastes, have almost zero interest in male characters unless they’re 1) sensitive gay artistes or 2) very tender and gentle unproblematic nerds, will I actually like playing God of War?
I’m curious about Ragnarok because I’m craving a big open world that doesn’t have SKITTERING HORRORS in it (see: Elden Ring, Bloodborne) and a lot of reviews recommend playing the original God of War first but also the reviewers are all clearly men who are deeply moved by a story about being a shitty father and then learning to be a good one (?) and I think I. . .don’t care?
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it's so cool to go through your own playlist and realize how based you were when you made it
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metalsylvester · 4 days
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Realizing I may have been wrong about my sexual identity a second time is really annoying.
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famewolf · 8 months
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if im being honest and allowing myself to vent a bit about it ... another red flag was when the DM went 'wow i love the detail of your backstory but idk what i can do with it tho ):'
#[static]#it immediately made me feel bad for trying to make a character work with the aesthetic she had given us tbh#i could already tell she didnt seem to be super character story driven so i just made a pretty simple drifter-type#for a post-apocalyptic setting n such and made a group that tied into the whole over-arching premise#i also literally just did bullet points cuz i could tell she wasn't gonna want to read one of the backstories i usually do#and as someone who has mostly dm'd in the past i did my v best to make a character that was super easy for the dm to incorporate in any way#like a solid reason for being there a reason for wanting to adventure with strangers a reason for seeing the mission through no matter what#made a whole small faction and connected them to the overarching theme and plot in multiple ways#wrote down lore and npcs she could use for the faction if she didnt want to make up her own#like all the works and all i got was two sentences back about it ... one of them being like 'cool but i dont like the extra details'#aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhhhhhhhh#ok im done yelling now i just need to vent for a second#i feel bad for feeling kinda bummed about the experience because this is the first time i got to play at a physical table in years#and i know how hard it is to DM#but also when you come to the table with zero notes for the first session its ... probably gonna be disappointing jkfghdf#i DID have fun however because the party banter was hilarious and it was fun getting to hang out with ppl!#but communication between DM and players was not great#also let me be clear she did like that i made so many connections and hooks into the story and it helped her a lot#she was NOT interested in my character's past like ... jobs or npcs#but also u could just Not say anything about it and just be like 'sweet cool thanks for the info' LMAo
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thy-lovelylionheart · 2 months
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I’m so glad I blacklisted Tears of the Kingdom on socials bc the story has nearly made me cry like eight times and I’m glad I haven’t encountered any spoilers at all
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capricioussun · 2 years
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Idk if this is rude to ask but fr why do y’all follow me? Not in a self deprecatory way, legitimately curious, is it art, headcanons, all the weird Underfell Papyrus posting like. What am I bringing to the table of ur dashboard
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whats spy x family about? and is it like- gruesome or horror or etc-
HI YES HELLO OMG OKAY LET'S GET INTO IT BECAUSE I LOVE SXF SO MUCH LIKE IT IS ONE OF MY FAVORITE SHOWS / THINGS TO READ NOW NOT EVEN KIDDING
it's actually a comedy! there is some violence and some underlying darker themes because. they are quite literally on the brink of war. but in the end, the most important aspect of the story is found family.
imma just briefly describe the plot because. i want to talk about it lol
loid forger is a spy trying to prevent the war (and he is the most infamous spy) (codename: twilight). he gets assigned a mission to get close to this dude to help prevent war stuff. only issue is, this dude is super reclusive and quite literally like only ever leaves his house to attend very specific events for the school his two sons go to. so, the mission loid gets assigned is to get a child and a wife, get the child accepted into this super prestigious school, and get close to desmond (the guy).
he adopts a kid named anya, and unbeknownst to him, she is a telepath and can read thoughts. therefore, she knows that he's a spy. therefore, shenanigans ensue. she likes causing mischief and her favorite show from at the orphanage was this spy show so she's like super into spy stuff.
then comes yor briar. yor works for city hall and is an awkward but kind young lady but also, during the night, she's an assassin (codename: thorn princess). the secret police are these crappy dudes who idk they're just against the spy agency and hate twilight but anyways, they take suspicious people into questioning and that doesn't bode well for you. and being a single female close to your thirties is suspicious and some of yor's coworkers don't like her and were like "lol you're single you could get reported to the secret police" so she panics and is like "well actually i have a boyfriend so like y eah" and they're like "okay bring him to a party at my place this weekend then lol" and she goes to get her assassin dress fixed where she runs into loid and anya (loid is getting clothes for anya) and loid is like "oooh she's pretty, maybe she could work" and anya reads her thoughts, figures out she's an assassin and is like this woman needs to be my mom the drama would be so good and essentially gets it set up.
loid is pretending that his wife died awhile back and he needs a wife for their child (anya) to get into the school his deceased wife always wished she would get in, and asked if yor could be his fake wife. she agreed if loid would be her fake boyfriend for the party so she wouldn't get reported. loid accidentally messes up because of a mission thing he had to do right before the party and tells everyone that he's yor's husband, and then yor is like "lol what if we got married and had like a fake family so you can get your kid into the school and i can still kill people - i mean not get arrested" and loid is like "well this works even better for me"
so in conclusion: loid is a spy named twilight, yor is an assassin named thorn princess, anya is a telepath.
anya knows about loid and yor
neither loid nor yor know about each other or anya
and it's fantastic
#jingyi tag#and that's basically the first two episodes but simplified#it's such a good show i read like the entire manga that's out thus far in like two days i couldn't stop#also the eng dub is kind of bad tbh so if you watch it i suggest the sub - it's a lot better#but yeah at its core this is a show about three lonely people finding solace and happiness together and trying to convince themselves this#family isn't real as they slowly become a close-knit family who care about each other so much#and it's just. f rick. it is so good.#i love loid so much - he's just this tired overworked dude who just needs a nap and i love him#i mean i love all of them like there are only a couple characters that i hate and those are the characters you're Supposed to hate#i cannot suggest this enough#i also bawled when i read loid's backstory in the manga btw like. y eah. i bawled. it got to me.#it's just. they're all so lonely because anya is a telepath due to being experimented on and she was adopted but returned like four times#and kicked out of two orphanages and would do anything to keep loid and yor as her parents and everything loid cared about as a child was#destroyed and he feels like he has no one and doesn't know who he is and he's so scared to be close with people again#and yor is a lonely girl who doesn't read social cues v well and gets ostracized because she isn't 'girl' enough and both her parents died#when she was super young so she had to start working and sacrificed everything so her younger brother could eat and go to school#and they all happen to find each other and#AHHHHHHHHHHHHH#anyways i have. feelings.#hOPE THIS HELPS#corey rambles:)
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colognedecigarette · 1 year
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anyway, go read ikoku nikki.
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