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#tempt me at midnight
charcubed · 10 months
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Disneyland's Rogers: The Musical, propaganda that turns Steve Rogers into more myth than man, and revisionist history (possibly) to a purpose
Any of my thoughts in this post could just be me reading too far into things. I'm very aware of that, and please know that this post exists just because this sort of thing is fun for me! This is a thought exercise where we propose "What if we live in a world where the MCU is actually doing a cool and interesting thing as a longcon?" If you have anger at Marvel, that's valid and relatable, but please don't get angry at me or imply I'm an MCU stan who doesn't think critically about the mouse. Thanks!
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Breaking news: I'm back on my bullshit!
A quick personal recap: I infamously hated Avengers: Endgame for a long list of reasons (and I even rewrote the movie). One of those reasons is that I've always taken issue with Steve's ending. But in the years since then, and as the MCU's phase 4 has evolved, my frustration at Steve's "ending" has turned into an ongoing and legitimate theory that the MCU could be slowly leading into a loosely adapted Secret Empire plot line. I know we've all been joking about Steve being trapped or about an imposter Steve since 2019, but uhhh, it's kind of not a joke to me anymore? It feels weirdly plausible at this point and so I enjoy discussing the potential.
You can find a full elaboration on that here, where I wrote out my "Steve was snatched by HYDRA" theory in 2021.
In that post, one of the things I mentioned at the time was Rogers: The Musical being in the Hawkeye trailer.
[The musical's] very existence is an example of how in-universe the stories of the lives of the heroes are being commodified, especially (in terms of how they’re framing it) for Steve’s. The heroes are no longer seen as people, if they ever were. They are, as Kate Bishop says to Clint in a recently released clip, more about “branding.” Sam Wilson will be redefining the shield moving forward in a Cap context, but simultaneously, the world is still enamored by Steve Rogers as a symbol in his own right. And that is ripe for manipulation as a Trojan horse to control public opinion… whether in the context of things like this by themselves (is the musical portraying Steve accurately, or is it painting an inaccurate picture of him the world accepts as fact?) or in future (is this propaganda that makes the public see Steve a certain way and continue to love him, to set up a fake or brainwashed Steve coming on the scene later?).
Now a form of the musical exists in full, at Disneyland and all over Youtube. Considering some of its baffling content – which I will break down below – this perspective seems even more strongly worth considering.
I have two main reasons for why I'm defending examining this musical so closely:
1. It is (arguably) an in-universe piece of media that has bearing on the MCU canon. It isn't like any other typical Disneyland attraction; its very existence is meta and it was in canon first. Obviously it's seen in Hawkeye, but there are also posters for it in several different phase 4 properties. It's lurking in the background indefinitely. So what can this musical tell us about what the wider public within the MCU is being told about the life story of Steve Rogers?
2. This Secret Empire graphic – which is animated in the center of the stage of a prolonged period of time – feels like a literal sign to pay attention.
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Granted, this is obviously still ancillary material. 99% of the MCU audience will never see this musical, whether in person or on YouTube. But just because it isn't a vital piece doesn't mean it's automatically an entirely irrelevant piece.
They've given me an inch with that sign and I'm taking a mile.
So if you're interested, please join me on this journey :)
For the record, let me just say that I salute the creative team behind this show. It's pretty fun and the songs are catchy, the sets and costuming are cool, and the cast is overall very talented.
It's also fucking maddening. LMAO.
Why? Firstly, because of the seemingly deliberate ahistorical inaccuracies. We all know Ant-Man is wrongly shown in the Battle of New York, which originally "came from [the Hawkeye showrunner] and Marvel, as something to further aggravate Hawkeye as he watched the show, and also as a comment on how movies and articles and people always get something wrong." It seems like they expanded those meta nods, but most inaccuracies are now in service of glorifying Steve and Peggy's "love story." Yes, romance objectively makes for good theater; but again, I feel that this is worth examining considering the full context.
And secondly, Steve's ending is framed as an offer presented to him, convincing him it's the happy ending he deserves because he's tired. In my mind, these two big elements go together, and I'll walk you through the details of what happens in the musical before I tie the thought threads back around into some theorizing.
For your reference, here's a list of the main songs and story beats:
• "U-S-Opening Night" - the Starkettes (who are basically a Greek chorus) frame the show's story, and then it turns into an ensemble that loosely takes place at the Stark Expo. • "I Want You" – Steve's "I want" song about trying to enlist in the army. • "Star-Spangled Man With A Plan" – Steve performing on the USO tour obviously, and then there's a reprise with an added voiceover that (very briefly) covers the Howling Commandos' rescue + the war via comic book imagery. • "What You Missed" – Fury and the Starkettes tell Steve some pop culture things he missed while he was frozen, + they tell him about the Avengers. Then Fury goes down a list of other hero characters, including the Guardians? Doctor Strange? Wanda?? It plays loose and fast with time, because many non-2012 characters are bafflingly mentioned in this nonlinear Avengers list – including the Winter Soldier (???). • "Save the City" – this is the song seen in Hawkeye, with the civilians + the Avengers all involved, but it's slightly different here and expanded to also reference other battles. • "End of the Line" – Old Steve presents main Steve with the time stone as an opportunity for his happy ending, and they reflect on things together. (Yes, this is insane.) • "Just One Dance" – Steve and Peggy reunite and sing about their love. • And then there's basically a reprise of "Save the City," with the Starkettes and the whole cast closing the finale out.
Right out of the gate, let's address this: the main reason you're going to see some fans pissed about this musical is not only that Steve and Peggy's ~epic romance~ is made a pillar of the story... but also that Bucky's importance/involvement in Steve's life is minimized as much as possible.
And they took Bucky-related elements from canon and made them center more around Peggy instead.
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• For some weird reason, Peggy is in the Stark Expo scene. When a soldier is hitting on the Starkettes ("hey sweetheart, I wanna dance!"), Steve tells the soldier to show the ladies some respect. The soldier grabs Steve and throws him down, and then Peggy swoops in to yell "Pick on someone your own size!" and punches the guy before walking away. So she's given Bucky's TFA line verbatim, and she is given the role he had of saving Steve from bullies. There is blatantly no reason they couldn't have had Bucky still serve that function and be truer to "history," because he briefly enters this scene in uniform less than a minute later to announce he's shipping out to the 107th – and then he spins off with a date on his arm. (We don't see Bucky on stage again until the full cast comes out for the finale!)
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• After the Star-Spangled Man show, Peggy rushes in to talk to Steve. Steve is excited about his USO performance (???) but she urgently tells him to listen as she says that the 107th has been captured. Peggy apparently knows it's Bucky's division, and she knows Steve is going to go, so she tells him that she's already arranged transport for him. This is a subtle twist from the truth of how it went down in TFA, in which Steve recognized 107 as the number of Bucky's division, and his dogged determination inspired Peggy to relent and help his rescue mission. Here, Peggy is given a stronger role in the Cap origin story. And before Steve rushes off, Peggy sings a short untitled ballad hoping for their dance, so Steve pauses before he leaves to ask her to go on a date with her when he returns. • The most egregious Bucky-to-Peggy change of all is the song "End of the Line," in which the infamous Steve and Bucky line/promise (that broke Bucky's brainwashing...) is re-contextualized to be about ???? Peggy waiting for Steve in the past??? Old Man Steve and regular Steve sing it together. But we'll go back to that in a minute.
Again, I get it, yeah? It's for theater. Whatever. But in reality, the obvious logical truth is that Peggy is centered (to the point of taking elements from Bucky's story, and in turn Bucky is downplayed) because they needed to convince the audience that Steve going back in time to be with her makes sense. Steve's time travel ending had to be justified, so the Peggy and Steve "love story" had to be a pillar in this with everything else being given lesser weight.
And the inherent selfishness of him doing something as big as going back in time also had to be justified... which is why they do their best to convince you Steve fought so much he deserved it.
Let me elaborate on that by describing the lead-up to the "End of the Line" song.
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So, right before "End of the Line" is "Save the City" – which includes Steve belting "I can do this all day!" repeatedly, of course. It's the 2012 Battle of New York as the Avengers come together to win.
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As they begin to disperse, the song then transitions to a voiceover alert mentioning Sokovia being under attack by artificial intelligence (a.k.a. Age of Ultron). The Avengers group rushes back to center stage to say "Save the city! Help us win!" together for battle again.
And then things get fucking weird.
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Because the next voiceover threat is "Washington DC. Attack: the Winter Soldier." This is not accurate to the order of events! The Winter Soldier events were before Age of Ultron; the public of the MCU would also know this.
And suddenly on stage Steve is now in the center while everyone else gestures to him. Instead of singing with him, they're telling him "Save the city! Help us win!"
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Then, another voiceover: "Wakanda, under attack" (Infinity War) and again, Steve is centered while everyone else points to him. The ensemble says, "Save the city, help us win! Save us all from the state we're in! Got to hear you, got to hear you, got to hear you say..." as Steve is buckling to his knees under their pointing. And as the lights go down to one spotlight on him and everyone else leaves, he says "I can do this all day" one last time, but now it's subdued.
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The implication is that Steve has been fighting and fighting, people leave him or he loses them, and he's tired.
And then fucking Old Man Steve arrives.
He says "On your left," because yes, they gave him Sam Wilson's line. BATSHIT.
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So now there's two Steves on stage! There has been no mention of Thanos or infinity stones or anything up to this point! (I can only assume that's because in the MCU universe no one would want to be reminded of the trauma of "the Blip" – though it's pretty wild that they're allowed to know about magical time travel?)
Steve is baffled by Old Man Steve's arrival. I, too, was baffled by Old Man Steve's arrival.
As Steve questions how this is possible, Old Man Steve shows him the time stone from his pocket – and only the time stone – which Steve recognizes.
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OLD MAN: "You've got to remember where you've been to know where you're going." STEVE: "Where am I going?" OLD MAN: "A date with destiny." STEVE: “Destiny. So we’re the hero till the end?” OLD MAN: “That’s the thing about endings, Steven. They can be rewritten.”
Lmao???????
Steve starts singing about how he hopes this means they "win" and calls himself a "tired hero."
STEVE: "But sometimes I wonder, who will save the savior? Can we really do this all day? So here I am, now and also then. Just a man, looking back at where he's been." OLD MAN: "The road is rough but wounds are healed by a thing called time. You can't forget what's waiting at the end of the line."
Me, watching this: the fact that he says this out of the blue makes absolutely no sense.
There's a bit more singing, including "end of the line" repetition, and then Old Man Steve pulls out the time stone to essentially show visions of... I don't fucking know. Past, present, and future?
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That's pre-serum Steve, Steve with Mjolnir, and Sam Wilson as the new Cap. This is the only reference to Sam in the whole thing.
More singing, and then: Peggy's silhouette.
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OLD MAN: "Can't forget who's waiting..." STEVE: "I can't forget who's waiting..." BOTH: "Don't forget who's waiting..." STEVE: "At the end of the line."
At this point I'm like, what in the hell?
Did Old Man Steve just brainwash normal Steve into thinking "end of the line" is now about Peggy? Because uhhhh, sorry, that's what it feels like!
Then Steve uses the stone to go back in time, reunites with Peggy, etc. etc. finale.
It's truly some crazy shit.
[drags hands down face]
Look... there's a lot to unpack here, and there's a lot that gets me about it. I know this is dramatized for the stage! I KNOW! But the fact that Old Man Steve shows up to convince Steve he should go back in time makes me want to gnaw on furniture.
Another person essentially uses the lure of a life with Peggy to tempt Steve into doing this, dramatized or not. That is how it's framed.
It's a hell of a way to frame it, and it makes Steve's ending stand in even starker contrast to so many other things in phase 4. Desperately trying to go backwards when you shouldn't or to bring back a lost lover is an evil temptation, and it results in a trap or negative cosmic consequences for basically all of the other characters in the MCU.
• In Shang-Chi, Wenwu is tempted by the Soul Eaters beyond the Dark Gate. They use the voice of his deceased wife to convince him to set them free. • In "What If" episode 4, Doctor Strange becomes evil in a desperate bid to save Christine and he destroys his universe. Along the way, he tries to tempt/trap the good Strange who's fighting him by using visions of Christine, but good Strange knows she isn't real. • Wanda's grief and desire to bring back Vision leads to – well, you know. • In No Way Home, Peter trying to undo things is what causes the multiverse problems.
And the fact that they frame it as Steve being tired, so basically the argument is he deserves that time travel ending (just like MCU fans who defend Endgame say in real life)... Well.
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There's no way to make it hold up, especially because in "What If" they explicitly subverted that and had Captain Carter not go back in time despite how she felt she'd "earned" it.
Lastly, in this musical as Steve decides to pursue time travel as his course of action, he basically has the meaning or memory of "end of the line" rewritten for him. I refuse to not think that is some nefarious shit. Yes, it's not out of the realm of possibility that it's just some general Disney erasing Steve and Bucky nonsense.
But... this is on another level to me. I do think that it's a blatant choice that they had to be aware even general MCU fans would call bullshit on. Everyone knows it's inaccurate. "End of the line" is embedded in pop culture consciousness as being connected to Bucky. It just is! Surely that means it's not a stretch to theorize it could be deliberate meta commentary.
How, in the MCU world, would the in-universe playwrights even know the phrase "end of the line"? How the fuck would it be accidentally applied to Steve and Peggy? Not to sound like a crazy person, but who the fuck was rooting around in Steve and/or Bucky's personal business or their brains in order to obtain that knowledge and then remix it, and why? Neither of them would flippantly mention it in the public eye or interviews ever. So where did its inclusion come from?
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And in the finale ensemble, this is Bucky's line when he comes out on stage and salutes + points to Steve: "Don't forget who's waiting..." And Old Man Steve completes it with "...at the end of the line."
What on God's green earth am I meant to do with THAT?
Smh.
The vibes are fucked, folks.
The MCU public wouldn't know enough to say the vibes are fucked. The MCU public wouldn't know the origin of "end of the line" as a phrase. But us? The ones who know the "true story" via the movies? We can call bullshit.
Whether the creative team behind this musical did every aspect of this consciously or not, in my opinion the fact that they had to tweak canon "history" to A) make Peggy's involvement in Steve's life more central and B) emphasize Steve as a tired hero all works as commentary on and almost a condemnation of Endgame's frustrating ending. In a way, it's also what Endgame did with the compass and 1973 moment with Peggy as well.
Steve's ending had to be convincing.
It's theater.
And so, maybe the same is true for the in-narrative perspective of this musical in the context of the MCU world. What purpose would it serve to tell the MCU public a feel-good narrative about how all Steve Rogers wanted was to no longer be a tragic man out of time and get to make a life with his best girl? To frame it as being about how he fought so hard for years and so he earned a happy ending? To minimize and nearly erase Bucky's importance in his life?
Who would want to do that sort of propaganda, and why?
The MCU civilians are given this happy explanation and maybe don't widely question it. Who cares about the details or logistics if it makes a good story, I guess. It's a stretch, but maybe they mostly applaud it. Maybe they're happy for "America's favorite son" (not unlike people who uncritically liked Endgame). In a way, it's even a rehabilitation of his image (after the Accords) like putting the shield on the Statue of Liberty. And maybe they'd even be ready and waiting to applaud if Steve ever made a dramatically selfless and de-aged return to the spotlight or a position of authority.
But mostly, the public is being conditioned to not know or to forget that anyone else like Bucky Barnes or Sam Wilson would possibly know Steve Rogers the person well enough in the modern day to call bullshit on any of this – or on his hypothetical miraculous future return.
So. Sure, it's probably nothing.
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But what if it's not?
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UPDATE: @faeriecap added to this post with some incredible information and further behind-the-scenes context about the MCU/Marvel stuff at Disney parks! Check it out here :)
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maddiesflame · 4 months
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taylor swift x the hathaways layouts
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crybaby-bkg · 11 months
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sorry I’ve been on such a Dabi high lately but I almost croaked earlier at the thought of being his college gf and just being so opposite of each other!!!!!! you’re all good grades and perfect attendance, easily approachable and sweet smiles. and he’s all grumpy faced and dark clothing, makes people nervous whenever he stands outside smoking right by the doors.
who the hell would’ve thought you two would end up together? it just didn’t make a lick of sense seeing you two from the outside. but when they get a glimpse of you guys together, alone, everything just falls into place.
he’s so supportive of everything you do, no matter how dumb or nerdy he thinks it is. he keeps count of your stitches for you when you crotchet, doesn’t mind being your model for a cropped hot pink sweater you’re creating, wears the knitted beanie around campus that you made for him. he hates not having your attention but he takes some of the same classes you take so that he can help you study, quiz you when you’re not too sure of the subject, maybe even help you cheat if you want (you don’t, but he always offers).
he buys you your favorite drink at the cafes and always carries an extra laptop charger in case you forget. he helps you pick out your outfits when you’re unsure, and loves the opposite aesthetic whenever you stand hand in hand with him. he praises you when you succeed, and comforts you with your failures. he looks like a dirtbag that hangs around campus to be a creepy bum, but he’s there for you through and through <3
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ohgaylor · 2 years
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Taylor Swift’s 10th studio album Midnights redesigned in the style of The Weeknd’s first EP My Dear Melancholy,
[track list version below]
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altruistic-meme · 5 months
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so. it has recently come to my attention that "Midnight Murder" is NOT a game that everyone grew up playing and is instead a game that was probably made up by my family.
but im curious anyway
"Midnight Murder" is a game that's a hybrid of "hide and seek" and "freeze tag" with the one extra requirement that it MUST be played only when it's dark outside.
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justanotherspeck · 1 year
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s1 my beloved
transcript below the cut:
CASPAR: Anyway, this is Midnight Burger. I’m Caspar.
AVA (Outside): FUCK. YES.
CASPAR: That’s Ava, she’s always here.
AVA: (Outside) NICOTINE, GET IN ME.
CASPAR: And this is a... diner.
GLORIA: Are you sure?
--
CASPAR: The huge murder beast is having a coffee break
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ZEBULON: For our marriage is made strong by a singular truth.
EFFIE: That divorce is an abomination.
ZEBULON: … And that we love each other very much.
EFFIE: Yes, also that.
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THE EX: You can’t let that stand in the way of true love.
LEIF: Honey, you lay eggs.
THE EX: Why do you keep bringing that up?!
LEIF: It’s an important detail!
--
GLORIA: Do you ever feel like Leif is almost too relaxed? He goes with the flow no matter what, it’s weird.
AVA: Oh yeah? Watch this. Hey, Leif?
LEIF (In the kitchen): Yeah?
AVA: I’ve been thinking about it and, I don’t know, I still feel like a hot dog is a sandwich.
[POTS CRASHING.]
LEIF (In the kitchen): For fuck’s sake!
--
MARY: Can you help me?
CASPAR: What’s happening?
MARY: The officer outside, he’s been looking for me for days. I’ve managed to avoid him so far but now that’s him outside. Can you hide me somewhere? This desperate plea is brought to you by Arby’s. Arby’s, we have the meats.
---
LEIF: This Molotov Cocktail is brought to you by communism!
[BOTTLE SMASHING]
--
EFFIE: Yes, yes, of course. Our Lord is a God of peace.
ZEBULON: Indeed.
EFFIE: Unless you’re a merchant outside the temple, then look out for the chokehold of Jesus.
ZEBULON: Honey!
--
CASPAR: Ava, what are you doing?
AVA: I’m getting this jug of moonshine and going out in the parking lot to watch a fist fight. Suck on that, Stephen Hawking.
--
CASPAR: Oh, no. What are we going to do without all the essential work you do around here? Who will do the incredibly hard work of being an asshole to people?
AVA: That’s not work, that’s how I relax.
CASPAR: Well you must be really relaxed.
---
STEVE: We had come upon a binary star system. I looked upon these two stars rotating around their barycenter and my thoughts turned to my wife. We were like these two stars, locked into an eternal dance only due to chance and gravity, unable to recall a moment where we chose each other and unable to escape this rotation. Knowing that to move closer would obliterate us both.
CASPAR: This went from fun idea to Russian novel real fast.
--
STEVE: Hello, my friends. I am about to go on a date.
CASPAR: Yeah, we heard... uhhh nice work, buddy.
LEIF: Go get ‘em, tiger.
STEVE: I have no idea how to go on a date.
CASPAR: Oh.
LEIF: Shit, okay, uh...
CASPAR: Um... Ask her about her job.
LEIF: Yeah, her life in general.
CASPAR: Listen a lot.
LEIF: Don’t try and be funny.
CASPAR: Try sharing a secret with her.
LEIF: If she asks you to do something illegal, it may be a test.
CASPAR: What?
LEIF: Really gauge the situation at that point, is she kidding or does she actually want to do crimes?
CASPAR: What are you talking about?
LEIF: This is good advice.
CASPAR: Where, the Pirate Isle of Tortuga?
--
EFFIE: Caspar, thanks for being with us today.
CASPAR (Whispering): So great to be here, go fuck yourself.
--
CASPAR: Gloria, we’re going to have to go.
GLORIA: Oh, man. Okay. Guys, gather round.
[HEARTBREAKING MUSIC]
CASPAR: What the hell is that music?
[WOLVES WIMPERING]
GLORIA: V, Jungkook, Jimin, Suga, Jin, RM, J-Hope. I want you to know that I love you all very much. But I have my own pack, and I have to go run with them now.
EFFIE: (Fighting back tears) It’s... so hard to hear her say goodbye to the wolves.
ZEBULON (Also crying): I didn’t realize she named them after the members of BTS.
--
CASPAR: We should get one of those signs that says “This many days since an accident”.
LEIF: Yeah, except ours would say “This many days since your sentient radio quoted the Egyptian Book of the Dead, switched personalities, or steered you into a supermassive black hole.”
CASPAR: ...That’s way too long for a sign, Leif.
GLORIA: Yeah, Leif, that’s—
--
CASPAR: As a straight white male you know one thing about me: I’ve watched a lot of History Channel.
--
GLORIA: Okay, I’m thinking a chair, some rope, and I’ll pour hot coffee on her, let’s do some Guantanamo shit.
JANE (Overlapping): It’s no use, guys.
--
GLORIA: Did the doors to the diner just lock?
CASPAR: They did. Effie, what in the Amityville Horror is happening right now?
--
JANE: Does having you kidnapped maybe count as a romantic gesture at all?
--
CASPAR, narrating: In Ava’s defense, she was unilaterally putting everyone in danger... That doesn’t make it better, does it?
--
AVA: I am going to rip your balls off!
CASPAR: Oh, don’t threaten me with a good time.
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the-one-who-lambs · 4 months
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I'm v full with a yummy meal but gonna go sleep before I braindump too hard about narilamb at 12:45 Normal Hannah Time (10:45 California time) but at least I got revenge on that goose from 20 years ago for biting me in the stomach :)
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katimanki · 11 months
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Turtleneck twinsies💅🏻💅🏻
Yeah no, the shirt choices were not intentional at all, I only noticed when I’d already finished Nancy’s lineart and I wasn’t gonna change stuff at that point anymore💀
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c0pper0tter · 11 months
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Hi my brain has been rotting over the idea of Midnight adopting Kaminari Denki and being the best mother ever but I couldn't find any fanfic for this silly little idea or any other content in general so I'm making it by spewing word vomit about my headcanons.
This is all my headcanons, if you dont like it shut up and go find something you do like leave me to my thoughts so I can ignore canon
Anyway this all spawned because this scene obviously
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So my brain thought of multiple different scenarios of how she ended up adopting him and a bunch of wacky situations but that don't matter what matters is I think Midnight is a great mom.
She is the mom who is actually friends with her kid. They have a similar sense of humor and enjoy doing stuff together. She is the most supportive and is always hyping kaminari up and boosting his confidence. But she also doesn't sugarcoat things or lie to him. She tells it to him straight.
This isn't important really but it's very important to me. I think they would bond over watching trashy TV and laughing at how horrible it is while getting deeply invested.
Kaminari loves his mom she's just great. She is his biggest supporter. Not only does she encourage him to be his best and validate his interests but she calls him out when he needs it. She also helps him whenever he needs her without being a helicopter parent. Her motto is go be independent but if you get hurt call me and tell me who's ass I need to beat up including if its your's. She gives good life lessons.
I also think it would be funny if both kaminari and midnight just tend to not tell people they are mother and son just to see how long it takes for people to figure it out. Aizawa finds out immediately, the bakusquad take a really long time.
Kaminari is a mama's boy and he is proud of it. "You have mommy issues? What's that like can't relate".
They have mother son shopping trips where they just try to find the weirdest shit they can and buy it. Don't tell me they wouldn't midnight has mop slippers and have you seen kaminari's room!
I don't know why but they give eachother annoying yet endearing nicknames. Im tired of people giving their children adorable nicknames, give your kid something weird out of context.
Midnight: "Wall Socket can you check if the dryer turned off"
Denki: "on it Nightey Night"
They are the type of family where to everyone else they always seem like they are bullying eachother but this is just how they vibe. Kaminari calls his mom a bitch and she responds by calling him a mistake with a smile, they laugh about it after they proceed to call eachother a bunch of crude or mean names.
Also I Headcanon that Kaminari short circuiting actually frightens him alot and can be painful. Midnight is always there to comfort him through it.
They both also have a love for old or classical literature and art and can go on for hours on the weird history and conspiracies about classical novels and Renaissance paintings.
Midnight goes mama bear anytime anyone dares hurt her baby. She gets teasing and jokes but when she gets the vibe someone is being genuinely mean it's on sight. Same goes with kaminari, if anyone says something disrespectful to his mama it's drained batteries and extreme static shock for a year.
I just want them both to be a happy chaotic Lil found family man is that too much to ask, apparently yes.
*cries over headcanons*
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thefiresofpompeii · 3 months
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flying to spain✈️✈️ in a plane today (dad’s got a three day work conference thing and he’s allowing me to tag along) 3 hours in an enclosed narrow space 10 miles above the earth i sure hope nothing bad happens
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harrylights · 5 months
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.
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kyouka-supremacy · 1 year
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I ended up making two different compositions for Akutagawa's birthday edit and they turned out equally good and now I don't know which one to choose 😭😭😭
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maddiesflame · 10 months
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The Hathaways headers
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huehoa17 · 2 years
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"Boy trouble, we've got double
Don't know what to do"
( First sketch below )
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multivcrsity-archive · 8 months
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Would y'all rather see canons or oc's?
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atherix · 1 year
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cub and mumbo is an excellent idea u should definitely include it if u want to !!!!
I am also a huge fan of irony so the whole "grian and Mumbo are low-key jealous of Cub bc he was Scar's first love" ending up with Cub in the polycule is just. Lovely to me. I mean I'm sure people wouldn't mind a slightly bigger polycule right-
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