#tell us why it's important that he does it

[royalarchivist]

Phil briefly talks about QSMP, the admin situation, Quackity, the new team, and the harassment both Quackity and the admins have been receiving.

Please listen to the clip and read the transcript in its entirety. Keep in mind that things can easily be taken out of context (even this clip, though I did try to include everything he said).

If you'd like to see the full unedited conversation, Phil started talking about last week's interactions with YD and Bad ~1h 57m into today's VOD, which led into this conversation about QSMP.

[ Complete Transcript ↓ ]

—

Phil: Yeah, she's great. Another- another reason why QSMP is just like... fuckin' incredible. That was like, not even ever going to happen without QSMP. Like, obviously it's had its problems, it's go– it's had its problems. Those problems are being rectified. All the people that were wrong'uns have been fired [Laughs] And Quackity's put a new team together. So like, I'm so happy that I'm like– that Q is doing everything he can right now to make it like, right.

But I am still just sad that Chayanne and Tallulah are just asleep, that is just making me real sad. So I've been like, logging on whenever I can to just like, hang out and stuff and just, you know, be around. But I am- I am just sad boy now. [Laughs] I've like– throwing all those penguins into the- the Spawn area was like, my limit. And the like, laughing with YD and Bad kind of cheered me up a bit.

But yeah, I'm sure most of you can agree. It's like, once- once you've been making content on a server a certain way, it's- it's been like, 6 - 8 months of like, the same like type of content I've been making on that server. It's been very lore-heavy, it's been very Egg hanging out with the Eggs and just chilling. Like, not even like doing anything crazy. We would just hang out. But yeah, I'm sure everyone's in the same boat. Like, we all just like, miss that, you know?

So... just gotta wait around. Just gotta wait. Wait for things to get better. Trust in Big Q.

But yeah, moments- moments like the other day, Chat, where me, Bad, and YD were just hanging out just like kind of... you know, it just kind of like... What's the word I'm looking for? Like, drills home how important the QSMP is and can be for connecting people. Not just now, but in the future. And like, that- I feel like that is something that's definitely worth protecting, or something that's worth like, seeing happen in the future with other people. Not even thinking about like, if I'm gonna be interacting with anyone like, thinking about like other people interacting with other people in the future. It's fucking- It's so cool.

Like, imagine seeing like, brand new streamers that you might've not have heard of interacting with people that you know right now. Not necessarily me or people that I know, but like– like, the connections that we've all made.

Dude, Me and Kristin went to fuckin' Switzer-France to hang out with these people! [Laughs] Cellbit and Lore traveled from fucking Brazil to Switzer-France to hang out! The- these connections are like, mental. Just never would have happened without the server, and that's definitely something worth protecting. And like, ensuring it is done the correct way in the future.

That means a lot to us Chat, it does– [Briefly responds to Chat] It means a lot to us and like, obviously the admins being well-taken care of is like, at the fore-front.

And Quackity speaks very highly of this new team. He's like- he's chatted to us like, in calls and stuff. He's been keeping us up to date on everything that's been going on behind the scenes, everything that he can tell us anyways. And like, he is very happy with this new team. He pretty much said that they are like, very passionate about the project, and we can like, trust that he trusts them to do a very good job. So...

Yeah, I'm excited but like, we just have to kind of like, wait. Like, there's a lot being changed around, there's a lot of plans. But the good thing to know is that the people that caused harm have been removed. And now the people that are like, in charge are like, very passionate about the project and just want to see everyone happy and succeed and be taken care of. But these things take time. So we just have to hang about, we have to wait.

[Responding to someone asking about what happened with QSMP and the Admin situation] I'm not going to go into too much detail, you can find out exactly what has gone on, and it's not as simple as black and white. It's- there's a lot of gray areas in there, and it's like very complicated, so you can go look it up yourself, but ultimately, all you need to know is that the initial admin team, the like, head people at the top that Quackity put in charge like ages ago when the server first started were making decisions that were like, not good for the health and also the well-being of the actors, and like, admins and like, the staff. So like, some staff were fine, other staff had a shit fucking time, and it was unfair and terrible and went unnoticed for a while, and then it all came out and Quackity's been like, fixing it since.

Most recently, he stepped down from the team because of like, how serious shit was getting. Like, people online have been fucking awful. And it's very dangerous at the minute for like the ex- like, members of the team, and also him. It's like- it's terrible.

So it's very heated, very– it's– again— and it's not as simple as just like "This- this is– this is right, this is wrong." It's like- it's very- there's a lot of muddled areas, and it's not as easy as just saying "This is exactly what happened." I'm summarizing. I'm literally just summarizing. But all you need to know right now, the latest update is that the team that are in charge are very passionate about the projects and are like, much, much better and will take care of the new people and the admins and all the actors and stuff a lot better than the last fucking team because the initial problem was that Quackity kind of like, took a bit more of a step back and he wasn't like, overseeing every single thing that was going on behind the scenes, but now he's had to- he's had to take a step back, he's been forced to take a step back, but he's left it in the hands of a team that he truly trusts this time. Like, he's actually fully-vetted.

So HOPEFULLY– again: there's more things that need to be done behind the scenes, and I'm not an official spokesperson, I'm just a person playing on the fucking server that my friend has made, and I'm very happy to support him, and I trust that he will do and continue to do the right thing.

But yeah. Not as simple as just [Snaps fingers] "This is this." It's like– there's so much fucking like, middle ground and shit that's gone on. And that's all I'm gonna say on it! 'Cuz otherwise it's just gonna go on and on and on, and people are gonna be like, "What do you know?" and be like "I don't know shit!" And the stuff that I do know, I probably can't talk about right now. There's like, certain things that like, can't be said, for legal reasons and stuff.

#Philza #QSMP #Quackity #QSMP Admins #April 15 2024 #Transcribed #Edited #This isn't the cleanest edit but I was trying to get this out fast

[vexwerewolf]

why is it that we only have like two licenses from any mech producer that’s a good guy? For a game where like there are clear good and bad guys (even if who you play isn’t necessarily linked to that) it seems strange to me that the only loot and XP you get is… more benefits from the bad guys

I can tell you the answer, but to do so, we're gonna have to talk about a completely different TTRPG.

If you've read @makapatag's truly excellent Filipino martial arts TTRPG Gubat Banwa (and if you haven't, here it is), you may notice that every single character class description (with one notable exception) ends with one of these babies:

I am not Makapatag, and I cannot write with quite as much grace and eloquence as he can, but I will try:

If you choose to become a Lancer, ask yourself why you mock the name of peace with these weapons of war. You call yourself a saviour, but your steed was forged from the murder of a world. You stride across the sky in a colossus built in your own image, so why are you too cowardly to give it your face? Why do you believe these machines of death can preserve life?

It is important to note that the admonitions in Gubat Banwa are not just there to make you feel bad; they are there as legitimate questions. The Sword Isles have seen so much blood, death and tragedy. Wars are not glorious and killing is not a game. So, knowing all of that, why have you taken up this discipline - no matter how noble and virtuous it might claim to be - to shed more blood, to bring more death, to write more tragedy? What could possibly drive you to this? What need is so great that you must kill?

The thing with Gubat Banwa is that there are legitimate answers to these questions! There are bad people doing bad things, and some of them will not be stopped with words or kindness. Sometimes, as sorrowful as it is, killing is the correct choice to prevent greater suffering and deeper tragedy - but adding less misery and death to the world is still adding some amount of it. Even the most necessary wars will drench the ground in the blood of the innocent.

A sword is a tool meant to kill humans; while it can be used for other things, it is not well-suited to anything other than this. A mech is, in its most basic essence, just a very complicated sword: it's usually used on things larger than a person, but it's still a tool built to kill.

So why have you taken up this path? Humanity was saved from the brink of extinction and has created wondrous technologies like printers, cold fusion and mind-machine interface, and yet you use them to play soldier in a giant metal man. Why do you choose to take up this machine of death, built by the greedy and pitiless? Why do you think these machines can ever make things right?

Because sometimes, despite everything, they can.

Warhammer 40K shows an awful world full of monsters and monstrosity, and in the darkest moments of its history, Lancer's world looked just as bleak, but Lancer's world differs in one crucial way. Warhammer's world has long given up trying to be better, but Lancer's world never did. Lancer's world kept insisting a better world is possible, and it used what tools it had to make it so.

Sometimes the correct choice, no matter how bitter it may seem, is to kill someone. When you need to do this, a sword is a perfectly good choice for the job.

If you find yourself discomforted by the fact that all the people you can buy mechs from are corrupt and immoral - good! You have correctly engaged with the text. You have understood that the sort of people who would make giant walking death machines and sell them for profit are not good people. But you still have a job to do, and you need the correct tools, and those people have them.

Lancer is not a game about a perfect world - it is a game about a deeply flawed and imperfect one that does not let its imperfection stop it from trying. You have to try to make a better world, even with imperfect tools made by unpleasant people.

#lancer #lancer rpg #lancerrpg #lancer-rpg #gubat banwa #philosophy #ethics #ttrpg

[luvyeni]

❛CONTROLLINGBF! SUNGCHAN❜ ( headcannons )

warnings? 18+

request: imagine you in a relationship with sungchan, his controlling nature dictates every aspect of your life, from your appearance to your social interactions. despite his intentions to protect and care for you, his constant need for control suffocates your sense of independence, leaving you yearning for freedom and autonomy.

authors note. i hope this is what you meant , i hope you like it🤍

MINORS DO NOT INTERACT

CONTROLLINGBF!SUNGCHAN who isolates you from everyone, never letting you leave home alone or without his premission.

CONTROLLINGBF!SUNGCHAN who basically does everything for you — waking up before you, picking out clothes for you to wear — clothes that he picked out and bought. "i don't really like this." "what do you know baby , you'd wear shorts that look like panties and a shirt that shows off what's mine if i let you — just be a good girl and put this on."

CONTROLLINGBF!SUNGCHAN who doesn't makes you tell him everything when you go out , where you're going; how long— and who's gonna be there. "it's only for a few hours." "with them? no baby im sorry remember last time you went out with them, she had you out all night drinking, not this time, tell her you won't be coming."

CONTROLLINGBF!SUNGCHAN who has a iron clad grip on your arm when you're out for you so you don't go so far with out. "but— i won't wait for you if you get lost, so no let's go."

CONTROLLINGBF!SUNGCHAN who doesn't see why you're so sad all the time, he's gives you a nice life , he takes care of you, buys you things, he doesn't understand what's so important about going outside. "i just want so space and to do things alone for once chan , just once, it's so suffocating being with you sometimes."

CONTROLLINGBF!SUNGCHAN who gaslights you when you start talking about going out without him. "it's only a few hours chan and you like this friend." "baby what if you get hurt , you know you can never pay attention that's why i come with you, how about we stay in tonight, please , maybe next week okay?" and just like always you say —"okay."

CONTROLLINGBF!SUNGCHAN who uses sex as form of distraction to keep you from even thinking about going outside, holding you close like you're going run away, thrusting deep into your cervix whispering into your ear. "you're mine, from your head down, this pretty pussy including, it's mine , and i'll kill anyone who says other wise." and you believe him, he hasn't killed anybody, but you wouldn't put it past him.

CONTROLLINGBF!SUNGCHAN who wants to consume your every being , he'll do what ever he needs to do to achieve that.

©️LUVYENI

#kpop x reader #kpop smut #riize x imagine #riize smut #riize x you #riize imagines #riize headcanons #riize hard thoughts #riize hard hours #sungchan hard hours #sungchan x reader #sungchan fanfic #sungchan imagines #sungchan smut

[exhuastedpigeon]

WIP Wednesday

The Eddie goes to confession fic has gained a life of it's own. It's currently 10k with a few more sections to go.... if you want to be tagged when I post it you can interact with this post :)

“Is that why we don’t go to church?” “Do you want to go to church?” “No! It sounds really boring and if it hurts you then I never want to,” Chris says, mouth set in a stubborn line that looks so much like Shannon that Eddie can’t help the tears that fall. “Don’t be sad dad. I’m really proud of you. Mrs. Yang says it’s really hard for people to live their truth. I don’t actually know if that’s the same thing but she said it’s important to support people in our lives when they tell us important things.” “Mrs. Yang is your English teacher?” “Yeah.” “I’ll have to thank her,” Eddie says, wiping his eyes and then wiping tears off of Chris's face too. “That was a really good way to respond, Chris.” “You’re a really good dad,” Chris says and then he wipes furiously at his own eyes. “Except you made me cry before school.” “I’m sorry,” Eddie laughs, a little wet. “Does the McDonald's make up for it?” “Yeah,” Chris sighs, but he hugs Eddie again. “I might have more questions later. Is that okay?”

tagged by @devirnis @dangerpronebuddie @daffi-990 @tizniz @wikiangela <3 thanks loves

no pressure tagging: @sunshinediaz @spagheddiediaz @goforkinard @neverevan @inell

@rainbow-nerdss @thekristen999 @thewolvesof1998 @theotherbuckley @elvensorceress

@alliaskisthepossibilityoflove @acountrygirlsfun @rosieposiepuddingnpie @acountrygirlsfun

@watchyourbuck @eddiebabygirldiaz @spotsandsocks @wildlife4life @monsterrae1

@loserdiaz @steadfastsaturnsrings @underwaterninja13 @cal-daisies-and-briars

@diazsdimples @jesuisici33 @butchdiaz @honestlydarkprincess @ladydorian05

@bi-buckrights @shitouttabuck @loveyourownsmiilee @sibylsleaves @fortheloveofbuddie

@epicbuddieficrecs

and anyone else who wants to share!

#wip wednesday #buddie wip #buddie #my wip #WIP: Give your heart and soul to charity

[writingforstraykids]

I owe you a kiss - Pt.8

Pairing: Minchan x femReader (mention of Changlix)

Word Count: 3478

Summary: Three weeks later, you're still feeling left out. Your therapist suggests communicating your worries to your husbands, but this doesn't go as planned.

Warnings/Tags: fluff, angst, therapy, verbal fight, anxious!chan, min gets defensive

A/N: After part seven I thought I'd be done with one part more tops...well. Once more, there'll be another chapter after this. Ideas/wishes are always welcome, I'll see what I can include🤭🖤

PART SEVEN | PART NINE

Three weeks later 

“And you still don't want your husbands there for the appointments?” your therapist asks kindly. She has been for weeks now. 

“No,” you shake your head firmly. 

“May I ask why?” she asks patiently. 

“Minho has a lot to deal with on his own because he remembers…also, he hates hospitals,” you start and nervously fidget with your hands. “Chan is…different.”

“Different, how?” she responds with another question. 

“Distant is the wrong expression by now. He's trying to show me how much he loves me, but I can tell when he gets overwhelmed. He's still figuring things out, finding his place back home,” you tell, and she nods along, taking some notes. “I just…It's not all bad. He gets enough sleep now, makes sure to eat enough, and takes care of himself. It's just so different from what I remember.”

“And Minho? Is he getting the help he needs?” she asks. 

“Yes, he sees his therapist every two weeks. Weekly, if it's really bad, she always manages to squeeze him in,” you tell her. “He tries to hide it, but he still has nightmares. He's able to drive again if he has to, but he gets anxious easily.”

“And where does that leave you?” she asks patiently, nodding at the wooden board between the two of you. There's a figure for Chan and another for Minho, standing close next to each other. Behind them are several smaller figures in darker colors, symbolizing their fears and struggles. And there's you. Yours is smaller than theirs, standing further away as if you're facing them. 

“Alone,” you say, swallowing hard as you notice the distance between the figures. You hadn't thought much about it putting them there but they're painting a clear picture. 

“Are you?” she asks gently. 

“Sometimes,” you nod. “I don't feel like it when I'm alone with one of them. But if it's all three of us…I feel like they don't need me,” you say and subconsciously fondle the tiny head of the figure behind you, symbolizing your negative thoughts. 

“Do you want to change something?” she asks, picking up on it, and you set it between yours and the ones of your husbands. “Add anything?”

“I'm scared of losing them,” you say, and she nods at you, letting you choose another one. You put it next to the one you just moved. 

“May I comment on something?” she asks, and you nod. “You put your husband's fears and struggles behind them. But yours are in front of you, forming a wall between you all. Why's that?”

“Uh…because they've communicated theirs openly with me and are working on them. I didn't tell them I'm scared to lose them or all of the other thoughts running through my head,” you admit. 

“Mhm, so theirs are out in the open…why aren't yours?” she asks patiently, and you drop back into the comfortable chair. 

“I don't know,” you confess. “Maybe because I feel like I can't put more on their shoulders.”

“What happened when Chan told you he's scared to push your boundaries? What happened when Minho panicked?” she asks, flashing you a kind smile. 

“I comforted them, told them it's okay,” you say quietly. 

“And what makes you fear they wouldn't do the same with you?” she asks, making you lower your head a little embarrassed. 

“I don't know,” you admit quietly, feeling tears burn in your eyes. “I should tell them, right?”

She hums gently. “Communication seems to be very important to keep your relationship intact as you're all dealing with certain things.”

-

You're exhausted after your session, but you know you'd have to open up more about your own fears. You follow her outside into the waiting area to pay and frown as you see Chan talking to the receptionist. “Channie?” you ask, confused, and he looks up with a soft smile. 

“Hey, baby girl,” he says sweetly. “I thought I'd come pick you up, I finished early today.”

“Oh,” you nod and open your handbag to get your wallet. Chan introduces himself to your therapist, a warm smile brightening up his gorgeous face. You take out your card, and Chan gently shoves it back inside. 

“Already handled,” he tells you. 

“What? Channie, I had to pay for the whole month today,” you protest. 

“I know,” he nods and gently zips your handbag closed. “It's fine.”

“Thank you,” you nod gently, smiling as his hand finds yours. 

“You got everything?” he asks, and after you nod, you two say goodbye. Once you're in the elevator, Chan pulls you into a strong hug and kisses your hair. “You look like you've been crying. Rough one?” he asks caringly. 

“Yeah,” you nod, burying yourself in his warmth. “Thank you for picking me up, Channie angel.”

“Of course,” he tells you, rubbing your back. 

As you lean into Chan's embrace, you're reminded of the session's revelations. His warmth is reassuring, and it pushes against the shadows of your own unspoken fears. You wonder how to begin sharing them with him, how to bridge the gap that your silence had unknowingly broadened. "I have a lot on my mind," you finally say, your voice muffled against his coat.

Chan's response is soft, filled with his sweet patience. "I'm here whenever you're ready to talk," he assures you, his hand steady on your back. The simplicity of his promise makes something within you ease slightly. Perhaps sharing your inner conflicts wouldn't be as horrible as you feared.

“Thank you,” you nod gently. 

Chan leads you outside the building and to his car, your hand still in his. “I wanted to take you out for coffee, but would you rather go home? Whatever you say is fine, beautiful,” he assures you, and tears brim your eyes. 

“Our favorite spot?” you ask gently. 

Chan smiles sweetly, dimples showing. “Yeah,” he nods, giggling as your face lightens up. 

“I would love to,” you tell him. 

-

When you're back home, the atmosphere shifts as Minho greets you both from the sofa. His smile is shy, a reflection of his ongoing struggles, yet sincere. His eyes light up when he sees you. "Everything okay?" he asks, a subtle concern in his tone.

You nod, squeezing Chan's hand before letting go. "We need to talk, all of us," you say, surprising even yourself with the firmness in your voice. Minho's brow furrows slightly, but he nods, understanding the seriousness of your tone. He gestures towards the empty space next to him. 

As you all sit down, the weight of the moment hangs heavily in the air. You take a deep breath, gathering the courage to be as open as possible. "I've been feeling a bit overwhelmed," you begin, your voice stronger than you feel. "Not by you two specifically, but by everything. The fears I've kept to myself are... they're getting heavy."

Chan reaches for your hand again, his touch a silent promise. Minho leans in, ready to listen, to help shoulder the burden you've carried alone for too long. You share your fears—of losing them, of not being enough, of the future that seems so uncertain sometimes. With each confession, the walls you built crumble.

“You know you can always come to us when those thoughts get too much to handle, yeah?” Chan asks gently. 

“You're always there for us, honey, don't forget we're there for you too,” Minho adds agreeingly, gently rubbing your thigh. 

“I know…A lot of it is in my head, but I miss you two,” you admit. “I can't even explain it, but I miss you so much, and I just wish everything would be normal again,” you say, tears brimming your eyes. 

“Y/nnie,” Minho whispers and shakes his head, tears brimming his own eyes. “We have to work with what we got. A lot has happened, and we can't pretend it didn't. We have to find our new normal,” he tells you and timidly takes your hand.

“But we're always here, yeah? You're still our beautiful wife,” Chan chimes in. 

“Well, then start acting like it!” you suddenly burst out, and seeing the hurt and confusion lacing their features you quickly get up. “Start acting like I'm your wife and not just your crush you hold hands with from time to time.” 

“Seriously?” Minho asks dangerously low and Chan swallows, already fearing an outburst of both of you. “Tell me you're joking.”

“I'm not,” you snap at him. “Obviously, I'm not.”

“What the fuck do you need me to do then? What do I have to change, huh?” he snaps right back at you, getting up as well. 

“Guys, please,” Chan tries gently, but you both ignore him. 

“I don't know! But it feels like shit, I'm just some bystander to you two being all lovey-dovey all day!” you burst out. 

“You’re pushing us away, you know that?” Minho retorts, his voice dripping with frustration and hurt. “You say you feel left out, but you've got walls so high, I need a damn ladder to get over them! Every time I try to initiate anything more than the crush behavior, as you put it, you back away.”

“I-” you start, but you can’t form any clear sentence in response. Minho is right, you’ve been denying him to go any further repeatedly.

Chan’s face grows pale, his eyes wide as he watches the confrontation unfold, seemingly frozen in place. “Can we... please not do this?” he stammers, his voice cracking under the strain. “This isn’t helping any of us.”

“You stay out of this!” Minho snaps, turning his glare briefly to Chan. The sharpness in Minho’s tone slices through the tension like a knife, leaving Chan blinking back tears, his hands shaking slightly as he tries to compose himself. “You don’t have to participate in this fight, but let me say my piece.”

“I’m trying to help!” Chan protests weakly, his voice trembling at the thought of you getting into a serious fight. Minho and you almost never fought, but if you did, it was always ugly, hurtful, and fucking loud. He didn’t like it before, but he could barely take it now, getting overwhelmed.  “I don’t want to see us fall apart over misunderstandings and hurt feelings!”

“Well, it’s not just about feelings, Chan!” you shout, your voice breaking as the tears start to fall. “It’s about being seen and heard in this relationship. I feel invisible most days, like I’m just here to fill a space between the two of you! It’s like you don’t care about me.”

Minho blinks at you, and you can tell he needs a moment to process your words. Then he explodes. “If you really feel this way, if everything I do is that useless and meaningless…then I don't know what the fuck I'm still doing here!”

“Minho,” you whisper in shock, and Chan's tears fall freely now. 

“Minho, please don’t say that,” Chan shakes his head, looking at him anxiously. 

“No, seriously, fuck this. Fuck you,” he says harshly, and you know he's trying to cover his hurt with anger. “I don’t care about you, yeah sure,” he goes on. “I stayed by your bedside for weeks, praying that you’d wake up. I have done nothing but respect your boundaries, give you the time you need, and make sure you’re comfortable. What the fuck do you need me to do to think I actually give a fuck about you?!” he shouts at the top of his lungs, and it has both you and Chan flinching heavily. It’s rare he loses composure like this. He’s breathing heavily once he’s done, staring at you with fierce but such vulnerable eyes it makes you sick. He nods to himself as you don’t answer and grabs his phone from the sofa. “You don’t even know what you need. How the fuck am I supposed to, huh?”

“Min, please,” Chan whispers, sensing how hurt his husband truly is behind his mask of anger. 

Minho’s expression softens for a moment, his anger faltering as he sees the tears streaming down his face. “I need a break,” he announces. “I’ll sleep in the guest room; I can’t do this right now.” He shakes his head and meets your eyes for a brief second. “Thanks for the talk,” he says sarcastically as you don’t respond to his prior statements.

You stand still for a second as he leaves before collecting your things as well. 

“Y/nnie,” Chan tries weakly.

“Don’t,” you say sharply, shaking your head. 

Chan flinches as the door to your bedroom slams closed and slumps onto the sofa, biting back a sob. He blindly reaches for his phone and blinks away tears to find his best friend’s number. Felix picks up after the second ring. “Lix, I-I know it’s late-,” he starts weakly.

“Where are you?” he asks worriedly at the distressed sound of his voice. “Do you need me to get you?” he asks, already getting up to search for his keys. His husband shoots him a questioning look, and Felix mouths Chan’s name. Changbin frowns worriedly, getting up as well and grabbing his keys. 

“Can I stay at yours? Just for tonight?” he sniffles helplessly. 

“Of course, Channie,” Felix says soothingly, slipping into his shoes. “You’re at home?” he asks carefully, leaving the house with Changbin right behind him. 

“Yeah…home,” he says, choking on the word. 

“We’ll be there in ten minutes, okay?” he asks gently, waiting for Chan’s quiet hum in response. “Deep breaths, Channie hyung, I’m sure whatever this is it can be fixed.”

“I’m not sure,” he answers shakily. “I’m really not.”

“They got into a fight?” he asks carefully, knowing how much it upset Chan. 

“Yeah,” he whispers. “It was bad, Lix, really, really bad.”

“I’m sorry, Channie,” he says softly. Only a little later Chan meets them in front of the house and they pull him into a tight hug. 

Changbin soothingly rubs his back. “Come on, Channie hyung, let's go,” he gently urges him to the car, handing him a tissue. “You can stay as long as you need to, okay?”

Chan nods and gets into the car, sinking into Felix's arms as the younger one sits down next to him. Felix gently rubs his shoulder and sighs. “It's gonna be okay, Channie.”

Three days later

Waking up, you notice Chan's side of the bed is still made, untouched from the night before. Minho is already downstairs, the clatter of dishes breaking the uncomfortable silence that had settled over the house. As you walk into the kitchen, Minho’s posture stiffens, his usually warm eyes clouded with frustration.

“Good morning,” you say hesitantly, your voice barely a whisper, hoping to ease into the morning peacefully.

Minho nods without meeting your eyes, continuing his task. “Morning,” he replies shortly. 

“I was thinking we could all go out today, maybe get some fresh air together,” you suggest, trying to find a way to get you three to deal with what happened.

Minho pauses, placing a plate down a little too hard. “Chan isn’t feeling well,” he says shortly, finally looking up at you with a mix of irritation and exhaustion in his expression.

“Is it his headache again?”

“Probably,” Minho mutters, turning back to the dishes. “Or maybe it’s just an excuse.”

“What’s that supposed to mean?” you ask, your voice rising slightly in concern.

Minho sighs, a long, tired exhale. “It means maybe he’s just avoiding us. Avoiding this,” he gestures vaguely between the two of you.

“Minho, that’s not fair. You know how much he’s been struggling with everything,” you counter, feeling your heart rate pick up as the beginnings of anger mix with your worry.

“And what about us?” Minho snaps, his composure breaking. “When do we get to talk about how this is affecting us? You’re so focused on Chan. What about me? What about what I need?”

The accusation hits hard, opening a floodgate of emotions you’d both been tiptoeing around. “I’m trying to be here for both of you and fix this!” you exclaim, frustration overtaking your initial intent to keep the peace.

“Well, maybe try a little harder because I don’t feel it!” Minho’s voice escalates, his tone harsher than you’ve ever heard.

“Guys? What’s going on?” Chan’s weak voice comes from the doorway. His usual bright eyes are dim and shadowed with pain.

You both turn, startled, as Chan leans against the frame, looking between you two with a growing sense of dread. “I just needed some air, that’s all,” he murmurs, clearly caught off-guard by the newly thickened tension.

Minho’s expression softens slightly at the sight of Chan, but his frustration is far from appeased. “We’re just talking,” he says, though his voice suggests it was anything but a simple conversation.

Chan glances at you, his eyes searching for an ally. “It doesn’t sound like talking,” he comments softly, his tone hurt.

“You wouldn’t know; you’ve been avoiding us!” Minho’s outburst swiftly redirects the tension back to Chan.

“That’s not fair, Min,” Chan protests, his voice weak but filled with hurt. “I’m just trying not to make things worse.”

“By not talking? By hiding away?” Minho counters, his voice laced with bitterness.

“Enough!” you finally shout, unable to bear it anymore. “This isn’t helping anyone. We’re supposed to be in this together.” Both fall silent, the echo of your shout hanging between you. The air is thick with unsaid things, each of you caught in your own thoughts. “We need to fix this,” you say finally. “We can’t go on like this.”

Chan nods, looking exhausted. “I know,” he agrees quietly.

Minho doesn’t speak; his jaw clenches as he wrestles with his emotions, but his nod is agreement enough. You all sit down at the dinner table, facing each other.

Chan’s voice is gentle as he suggests, “Let’s each say something we feel without interruptions. Just listen to each other. Really listen.”

You nod, taking a deep breath. “I feel overlooked,” you begin, the words raw but necessary.

“I feel helpless,” Minho adds, his voice thick.

“I’m afraid of losing you both,” Chan admits, his eyes glossy with unshed tears.

The room grows silent as each confession hangs in the air. You all look at each other, the vulnerability shared creating a bridge that had been missing in the chaos of your misunderstandings.

Chan reaches across the table, his fingers brushing against yours. "I'm sorry," he says, his voice steady despite the emotion. "I’ve been so wrapped up in my own shit that I didn’t see how isolated you felt."

Minho exhales deeply, the tension easing from his shoulders as he acknowledges Chan's words. "And I... I've been so focused on not falling apart myself that I forgot to make sure we're all okay," he admits, his gaze shifting between you and Chan, a silent plea for forgiveness in his eyes.

It's your turn to respond, the atmosphere allowing for more open and heartfelt communication. "I've been afraid of burdening you both with my fears," you say, the admission freeing in its own way. "But I see now that keeping them to myself only creates more distance. I need to share more, not less," you continue, feeling a bit lighter with each word. "I need us to really be in this together."

Minho's hand finds yours, squeezing gently. "I've been scared," he admits, his voice cracking slightly. "Scared that pushing too hard or not enough could end up driving you away. But I see now that not communicating is just as damaging."

Chan, still visibly shaken but slowly regaining his composure, adds, "I thought I was protecting you both from my issues, but I was just isolating myself further. I promise to be more present, even when it's hard."

The conversation turns into a lengthy discussion in which each of you takes turns expressing thoughts and emotions that had been buried under daily routines and misunderstandings. It’s not just about voicing grievances; it’s about rediscovering each other's needs and reassessing how to support each other better.

Chan proposes a weekly check-in, a safe space where anything can be discussed without judgment, ensuring that no concern is too small or too trivial to be voiced. Minho suggests more one-on-one time with each of you to strengthen individual bonds that contribute to the health of the collective relationship.

In the following weeks, the impact of that conversation becomes evident. Slowly, the dynamics in your household start to shift. There's a newfound gentleness in your interactions, a deeper consideration for each other's mental spaces, and an active effort to engage without overwhelming one another.

Feeling less isolated, you find the courage to share your smaller daily fears and joys, discovering that these moments of sharing contribute significantly to your feeling of closeness with your husbands. 

In a relationship as complex and intertwined as yours, challenges are inevitable.

PART SEVEN | PART NINE

do not repost, translate, or plagiarize my works in any way here or on other platforms. ©️writingforstraykids 2024 -

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[deacons-wig]

I'd prefer if we never got to see the origin of Vault Boy and Vault Tec's branding in the same way I'd rather not get a canon answer of who started the War or how. That's the point of War Never Changes.

Vault Boy is a sinister figure in his cheerful embrace of Armageddon. Giving the Vault Tec brand a face and a name and a backstory feels so unimportant to what is actually interesting about Fallout. What's important to me is the big picture pre war, and the details of what comes after.

What is interesting to me is exploring how propaganda is designed to convince people how close they are to annihilation--or homelessness, unemployment, obscurity, or being The Other and therefore destined to suffer--in hell, in oppressions, being ostracized. Honestly insert any sort of marginalization or suffering here. Crony capitalism uses propaganda to market products designed to manipulate people into buying distance between themselves and that annihilation. Putting themselves "behind the thumb" of Vault Boy, so to speak. Buying a lifestyle. Vault Boy does it with a wink and a smile, inviting those who can afford it to buy their way to safety while using capital and fear to perpetuate the cycle. I don't need the specifics to understand this.

Some ghoulnaysis below the cut:

I'll admit, my initial reaction to pre-war Ghoulgins being the inspiration for Vault Boy was funny! Mr. Cooper Howard, washed up actor experiencing an existential crisis being shoehorned into corporate propaganda that then haunts him for the next 200+ years? Selling manifest destiny, racism, the Rugged Individual, the revisionist history that cowboys were a) white and b) more than a brief footnote in the history of the colonization of North America's west. The commodification of entertainers/creatives/public figures. Selling identities to be packaged into a product that will outlive them? Only to have that person live alongside that role they regret (?) playing... kinda tasty, if we have to give Vault Boy a backstory, though I didn't get a clear sense of his actual feelings about being used as a propaganda guy which I think is a failure of the show to commit to the narrative they set up, which happens with a lot of the show's (lack of) engagement with Fallout's larger themes anyway.

But The Ghoul (stupid name!!! weird and boring choice!!!) is just such an uncompelling and repellent character to me. I love a good bad guy or even anti-hero, but honestly he lacks any interiority. He's an evil karma character (eats people, waterboards and mutilates people, sells people to organ harvesters...like? that literally makes you evil in the games...) but the narrative pushes him as an antihero or someone with gray morality because he what..."likes" dogs? And isn't as decayed or unsettling looking as other ghouls (implying handsome=good or interesting). People aren't afraid of him because he is a ghoul, they're afraid of him because he's evil and will hurt them! Sometimes for no reason! I see the callback to the director telling him to shoot his co-star and Cooper saying he's "the good guy," but is that why he becomes so fucking evil post war? Really?

I don't know why he does what he does other than...the world sucked before and sucks now so he might as well represent the basest of human behavior? That seems to be the thesis of the show--unless kindness and community is engendered (by the vaults, by Management, by a civic government, by corporations) people will descend into chaos.

So why have this poorly executed anti-hero be the origin of Vault Boy? What are the narrative choices being made here? Is it just Rule of Cool?

Personally I would like a pathetic, rotting wet cat of a ghoul, some sort of carved out husk of a washed up movie star either trying to relive his glory days, or avoid them--having given up hope of finding his family after 200 years--being dragged into Lucy's orbit and being constantly reminded of his Vault Boy fame, that she is a walking Vault Girl with her Okey Dokey's and Golden Rule. He'd be a joke, a footnote of the old world. He'd be mean and snarky, even unpredictable and uncooperative--have a public persona of friendly curiosity and a private, cynical one.

Pathetic Ghoulgins would remind audiences of the cost of capitalism and imperialism without resorting to the thesis that war never changes means that people are inherently cruel and will resort to violence, rather than existent corporate and political power structures intentionally create the conditions in which people accept perpetual cycles of exploitation and harm for the sake of their own safety and comfort, despite knowing the cost of maintaining the status quo, and not seeing or believing that distance between the status quo and total annihilation is measured by the smiling thumbs up of a cartoon mascot.

I'm sure there are other ways The Ghoul could have been a successful character as well but.... That's satire. That's interesting. That's Fallout.

#fallout #fallout tv #fallout prime #fallout tv show #the ghoul #cooper howard #vault tec #“let people enjoy things” well i enjoy critical analysis #i dislike the big picture of the show but i love fallout enough to dig through the mess #fotv critical #fallout critical

[inchidentally]

ok so I haven't done an insane and pointless landoscar post in a while so !!

I blurted most of this to @mecachrome and needed to like ground myself abt it but like.

Lando allowing himself to oscillate between extremes of Taking Your Affection For Granted/Being an Absolute Menace and Please Look at Me/Please Tell Me I'm Important to You is smth we only see him do w very very specific people. he's got to feel very secure that their attention and patience w him go hand in hand. namely we know of Max F, Jon, some of Lando's karting friends, and now Oscar. with literally everyone else he makes an effort to soften or balance himself and fit their energy (which tbh is how most of us are w friends and colleagues). but Lando is not Just Anyone and Not Just Some Guy so there's a special extra sector of friendship and affection there to be achieved if someone has the desire to.

and somehow to me it's like, Lando realizing so early on that Oscar really really really knew him and then gradually realizing that Oscar was continuing to study and learn him, it basically jumped his feeling of safety around Oscar to a degree he normally only feels around ppl he's known for a very long time.

and that a peruse through these two tags it becomes clear that Lando feels secure in putting Oscar through the paces of Lando's least happy and amenable moods possible. bc !! Oscar just smiles through it and doesn't get offended and almost sort of pushes through it as if to say you're not going to annoy me away mate, I've decided we're friends and that's it.

bc it's a test he knows Lando does when he's decided you're a Safe Person. like in Bahrain and Lando jokingly goes ugh! hi Oscar! and IMMEDIATELY switches to Osc bc he's in a Mood about having to discuss Bahrain as if they possibly could've learned much about the car yet and there's nothing rly to discuss but he doesn't want to take it out on Oscar … and then ! Oscar sees the pout on Lando's face, ignores everyone else and does this lean in and starts teasing Lando abt the repetitive questions they're being asked ! and Lando ! breaks out into this big smile and his mood just lifts !! bc Oscar knows exactly what to do !

and somehow that's all tied into how insanely clingy they both were at the start of the season and Lando esp was going a bit crazy with posting and reposting and commenting on content with Oscar or him and Oscar and how he felt this need to explain to Oscar why he went to see Daniel and not him bc wowwww he rly missed Oscar and the way Oscar just watches him and laughs at all his jokes and doesn't ask Lando to Be Anything Other than Himself bc Oscar takes the good and the bad bc it's Lando! Oscar had folded Lando into his life long before they even knew they'd be teammates!

which parallels the end of season video in Abu Dhabi or the Saudi post race video 'Straya Mate' and Lando is about to jump out of his skin to get Oscar to look at him !! and in those moments Oscar is a combination of tired and rly not enjoying media but Lando canNOT HANDLE when Oscar isn't watching him and Oscar seems sort of fed up with cameras so he STARES at Oscar's face and wriggles around and builds up to jokes bc he just needs to see himself having that effect on Oscar! and Oscar never lets him squirm for long and caves in to any joke Lando makes no matter how bad. and all of that fits so much w the sort of "soft dom" moments where ultimately, Lando views Oscar as one of the few people in his life who will Take Care of Him and who Knows What Lando Needs. but also !! it's a return of what Oscar does for Lando!

bc we've all seen him be like this w Max F and Jon and how no matter what flavor of Lando gets thrown at them - sweet or sour - they know just how he works and would never ever betray that level of trust by getting bored or disinterested or fed up with him. Max definitely has the most ability to scold Lando to order but tbh that happens v rarely and mostly he just mutters to himself or the camera and totally folds to Lando anyway.

but the difference is that Lando has years of proof on his side w Max and Jon and the other ppl he feels like this with. Oscar however is still a New Friend and he's got this whole settled, grown up life outside racing and Lando's relying a whole lot on the degree of commitment to McLaren that Oscar has shown again and again. they have friends in common and a drift compatible bond as teammates but they don't broadcast their interactions like most drivers do w other drivers so who knows how much Oscar has integrated in Lando's life outside of that? and I can only imagine Lando does NOT cope well with losing people he's brought into that degree of trust even tho from what we know he's never had that happen. but Oscar is so self-contained and reserved about the deeper parts of his personality so all of us sure can't say exactly how he'd react to him or Lando going to another team and you wonder how much Lando does ??

and godddd then we got this little glimpse into their natural dynamic and I end up finding myself hoping especially for Lando's sake that their friendship keeps getting stronger over the years they both know they have for sure together bc it's feels v safe to say that Oscar being someone else's teammate and not being Right There throughout the season would not be good for Lando !! </3

*obligatory reminder that I write these posts purely for fun and no I do not hinge any of my happiness in life on two men in racey cars - bc some ppl cannot tell what fandom is for and think everyone's deadly serious

#landoscar #inchidentallyanessay

[la-pheacienne]

"X character didn't truly love Z character, they just loved the idea of them", what does that even mean? Especially when it's used for stories with a very clear-cut, in your face romantic theme/undertone. Like, what does that mean? How does one distinguish the two? Did romeo love the idea of juliet or the real juliet? Did gatsby truly love daisy or did he love the idea of daisy? Who will tell us? Gatsby did lose his life for that woman so why does it actually matter if he loved an "idealized" version of her or the "real her"? Is it really important for the story? Does it actually change anything or is it just a catchphrase? Can you clearly distinguish the people you have loved for what they truly were, from the people you had merely idealized? Even if you can, does this distinction make your feelings for them any less real and intense and impactful for your life? Like I don't care if I loved the idea of someone or the real person, all I care about is what I felt and how it affected me and changed my life. That's what fiction does, it gives you the ability to connect with real, intense, unfiltered human emotions which are an integral part of human experience. Fiction is not therapy. Please stop sanitizing art thank you

#the great gatsby #romeo and juliet #love #whatever #aspa rambles #grantaire didn't really love enjolras he loved the idea of enjolras #yeahh SO ? #Romantic novels: am i a joke to you #romanticism

[therantingsage]

Misc additional observations/notes relating to the implication analysis post that I either forgot to add or omitted for pacing reasons.

This one's embarrassing to admit, but I literally did not remember this until the post was done and posted:

N being bad at keeping things to himself is literally the first thing we learn about him when he starts talking. "Inclusive reflexes" isn't what teaches Uzi this, it's literally the first thing she finds out about his character, so she has no excuse. There is no plausible deniability she knows her boyfriend can't keep secrets.

((Unrelated to anything but since I'm talking about the pilot like. Why does he fan himself here. Dude you don't even have feelings for her yet bro what's this about. Guy who really likes strong personalities I guess))

N's tiny little smile in Promening when Uzi admits to wanting his help. He's like, critically underappreciated by the people around him before this so Uzi reaching out to him here must be so meaningful to him. He wants to be helpful and she's letting him be.

And Uzi, too, despite being stubborn about it. N being so eager to offer help in the first place isn't something she's used to, either. I'm pretty sure the (correct) general consensus is that this is the episode she falls for him, and honestly all the blushing has very little to do with why I think that's the case.

Because, like...no one really bothered even pretending to get along with her. Like, aside from Thad, but that's for like one scene total before N enters the picture, and Uzi's "how do you know my name, people willingly talk to you" implies to me that they didn't have a lot of, if any, meaningful interactions before that point anyway. And then here comes N, who despite how they'd parted, doesn't even seem upset with her. They both spent their time apart terrified of things being bad between them....but it all just melts away when they reunite and the mutual genuine concern shines through. It's great.

N maybe has fragments of memories of life at the manor, not a lot, but he probably has the vague sense that people used to be nicer to him in general. So it's not as foreign to him. Uzi does not have that luxury so having N be so enthusiastically in her corner definitely touches her heart. And it shows through in how she interacts with him in this episode.

There's lots and lots of little moments in Cabin Fever that I like but this tiny sheepish blush is a funny one. Like he just. Alluded to talking about her. And that flusters her for some reason. We have no idea how much time has actually passed since the last episode but its clear from how little it takes for this reaction to happen that her feelings have grown stronger. She likes him and its cute.

This scene is one I want to talk about in more detail, though. Home establishes that V still has faint lingering feelings for N, so it's not that hard to assume that her behavior here is at least partially motivated by jealousy. She's petty and vindictive and jealous...but most importantly she's perceptive.

Uzi has abandonment issues, which I think is easy enough to understand so I'm not going to elaborate on it. But V figured that out, and makes this threat with the knowledge that Uzi is worried about being abandoned. Uzi fears the idea that she wouldn't be missed if she disappeared, and here comes V, claiming that the one person she cares most about wouldn't care either. Hitting her where it hurts, trying to convince her that her fears are justified and inevitable.

It's likely that this moment contributes to her eventually going feral. That the stress overheats her faster.

She's incredibly vulnerable, when she snaps out of it. Shares that specific fear with N, who reassures her. Because this whole scene is him telling her that no, he wouldn't be able to just get over it if she was gone, because their brief time apart in this single episode was already something that scared him. That she's already become important enough to him that her absence was keenly felt.

It's probably around here, or a bit after this point in the nebulous timeskip between this episode and the next, that N falls for her. Scratch that, his whole speech, as I said in the prior post, just...really feels like some kind of romantic-adjacent confession. But I don't think it WAS explicitly them confessing feelings for each other. N figures out he likes her in this episode I'd like to think, but that speech was the closest he could come to admitting that. Cuz. Y'know. Uzi needs reassurance in other ways right now, no point in muddying the issue.

((and also not news to anybody I'm sure but the song that plays during that scene is LITERALLY called 'Falling...for you??' so. y'know. hindsight is 20/20 this is genuinely the moment he realizes his feelings for her are romantic))

And additional thing I like that I think about a lot, but the way he deliberately choses to switch his hands to claws when he pries her wings open. "I'm a monster, leave me be" she says, to which he replies "Hey, look, I am too, see? It's ok". It's great, he's mirroring, trying to make her feel seen. And by the vulnerability of her next line, it works. They really just, understand each other so damn well.

Home stuff. The fact that the first word that comes to mind to describe him is 'cute' is funny enough, but the fact that she even goes so far as to SAY it out loud before hastily correcting herself. Looking at her bf's baby pictures-coded. Has to keep her image up tho, this version doesn't know her so she can't be too weird or open about it.

But she still wants this version to think she's cool cuz she's a dork who likes him. It's unclear how much of this episode is diegetic when you subtract Uzi, but since these are memories and not proper time travel, we don't know to what extent Uzi's trying to avoid affecting the events. She might not care at all. Did the real N even go down to that basement willingly at any point? I doubt it. But we don't know! And also that's not what I'm making this post to talk about.

Funny Solvercam-Uzi body language on display. Delighted he recognizes her finally, spits out something edgy to play it cool (genuinely my favorite Uzi line of all time), sheepishly looks back at him, and shyly averts her gaze when he thanks her before looking back. Had she her regular face I'm sure she'd be smiling and blushing about it. It's cute as hell. It's very open delight, when you think about it. But still awkwardly teenage. It's easy to see this and have it make a whole lotta sense if they were already dating at this point. Got that meaningful eye contact going on. She likes making him happy so she's proud she succeeded.

Him trying to help steady her when they land. She blushes and slaps his hand away like 'dude I'm fine people are LOOKING at us stoooooop >:('

Her tail chewing on him is fine tho because we don't know if she controls it fully or if it does things subconsciously. And also the others aren't actually looking at them in this shot. Neither of them make the tail stop chewing so at the very least N doesn't mind.

Still flustered easily when he shows her he cares tho. Early-relationship 'hehehe he likes meeee' moment, adorable. Still clearly giddy that someone cares about her.

He's so conflicted after 'Tessa' tells him Uzi needs to die. He loves her, he loves her so so much, but Tessa is his oldest friend. All the memories he has of her paint a picture of someone he's supposed to listen to. Someone he can trust. Someone who wouldn't lie to him. He spends the rest of this episode bracing himself for a goodbye he doesn't want to give and its heartbreaking.

And despite his fear...Uzi still manages to comfort him the best way she knows how. And it gets him to smile! Because that's what the two of them are to each other. He's scared...but she's with him, so its less scary.

They've both caught up to the moment. 'Oh. We're still holding hands while the other two can see oh god'. They're both tight-lipped. She bumps him and they let go, maybe N thinks 'oh, right, yeah, not in public' but then they hold hands again but with intent this time.

And once again, it gets N to smile! And a second later Uzi does too! Awkward little moment of intimacy that must be so refreshing for them because there's so much heavy stuff happening but now they get to be distracted thinking about something lower-stakes.

To me, this bit is an interesting parallel to the Cabin Fever falling scene. He tends to be pretty perceptive about Uzi's worries. He's a good listener. Uzi fears abandonment, he fires back with a promise to stay with her.

But here, the thing Uzi fears is that things are being kept from her. That these two are keeping secrets from her. But instead of assuring her that they'll talk later, like they said they would, he instead chooses to use this moment to put his foot down with 'Tessa'. He just lost V maybe, and he's not willing to lose Uzi too, so he's decided she must be wrong about this being the only solution to the problem.

Up until that very moment, she didn't realize hurting her was on the table. It comes out of nowhere, freaks her out, and confirms her fear that she's not being told something. So she runs.

And the guilt he feels for scaring her off is heartbreaking. Half this episode is limb-chopping, genuinely, so the fact that he chooses this bone-saw to cut himself free instead of the litany of other things he has that he knows are quicker can't be a coincidence. He's punishing himself. And, additionally, probably reminding himself of V, hiding things because he worries the truth will hurt. Which makes the V hologram showing up moments later thematically very appropriate.

Can't add anymore pictures to this so maybe I'll make a part three later lol

#Murder Drones #Nuzi #biscuitbites #md N #md Uzi #Uzi Doorman #These aren't as vital to my point last time but I still think about them

[not-goldy]

I wanna eat it. * Points camera at Jimin * Arrest me. Do Cardio with Me/Grunts. Do you want Rameyon? Rabbit spit is spicy. I want you. I will give him a kiss. I can handle it. Yes, he can handle it. Jungkook you're no joke. You liked being tied up, don't lie. Runs fingers through hair, breathes heavily, licks lips before wishing his bro a happy birthday. Hickeys, neck biting, neck kissing, ear sucking, tiddy slapping, thigh pinching, crotch footsie, hand licking, neck stradelling, hands all up on each other's asses at every opportunity. You like me that much? I'm shameless, so is that why you like me more? Jk starring Jimin down when he tied his own hands up and was being walked around on a leash. Both getting in each other's face & lip space, inching closer and closer til one backs off, multiple times. What are they even doing? If they haven't acted on it, I know they both got blue balls because of all the teasing they been doing & basically daring the other to just go for it & come and get it already.

For real hun

Arrest me.....

Like which bro says that to his bro free me

It's even more disturbing when we've seen Jimin creep out and cringe hard at other members trying to flirt with him. He be hitting them with the don't do that. And I recall two members almost washing out their mouths with soap after an accidental kiss

Pretty sure I'll get burnt at the stake if I said to my sister, Arrest me. Yet they want us to believe two bros would have no problem saying that to eachother.

I want you- then Jimin giggles and tells him that sound isn't good if people hear him say that- dude knew Jungkook wasn't thinking of him as a brother when he was saying that shit. Why warn him off if it's harmless and most important of all STRAIGHT.

Jungkook is bent on being gay with Jimin. Yall should call a spade a spade. He means that shit from his gay chest when he says them and he understands what it means to flirt with a man yet he does it anyway no matter how bad you want him to present a clean hyper straight facade.

Let's eat ramen- GET THE FUCK OUTTA HERE WITH YOUR HORNY GAY ASS

We ate beef- yea sure. Get all that meat King. Beat it up eat it up catch all that bull meat charge it up add that gizzard lips to it munch on it lick your finger sprinkle the fruits on top of it and get away with it cos the naive straight bunch have no clue what the fuck you talking about.

And if we say anything then suddenly we are the crazy ones

How a bunch of boys who grew up together even develop the desire to play flirt with one another is troubling to me not gonna lie

I have female besties I've known since kindergarten- one tried to grope me while we shared a bed and that disgusted me to the core cos I will never with her she's a sister at this point and so so so so not my type LIKE AT ALL.

The only way I can flirt like that with a friend is if I harbored romantic feelings about them from the very start or if I never thought of them as "friends" but as potential suitors

It's wrong to give each other a boner in the name of "fanservice" cos at the end of the day blue balls a bitch, bitch

[amethystina]

I'm waiting so excitedly for your updates, old and new, I can't begin to tell you! You are the fandom treasure! And as I'm waiting and biting my nails I wanted to ask something, what do you think about the final scenes of episode 8 where Gaon has dinner with his professor and tells him he chooses Yohan's side. How come Yohan knew where to find them and the precise moment to come in and pick Gaon up, was he following them or did he and Gaon had a deal?

And what's with leaving his car to stand next to Gain and look at professor? I love this scene so much but I don't know if I understand its message right. Was it posturing, laying a claim on Gaon or what? I tend to feel that Yohan was possessive of Gaon when it came to professor and his police friend and I think I feel some of it in this scene but I'm not sure, I just don't have a clear grasp on it. Would love to know your thoughts!

Aww, thank you so much, sweetheart! This is definitely the first time I've been called not just a fandom treasure, but the fandom treasure. Thank you 💜

Ah yes, the "Ga On runs off with his new sugar daddy" scene. Or, as I sometimes like to call it, the "You just don't understand, dad professor — I love him" scene.

I'm joking, obviously.

(... or am I?)

I would say that Ga On and Yo Han made an agreement beforehand, yes. They probably talked about Ga On's choice to switch sides and while Yo Han would no doubt have loved for Ga On to continue on as a double agent (feeding Professor Min intentionally faulty information) Ga On is way too honest for that. So he probably insisted that, no, he'll call Professor Min, meet up with him, and just flat out tell him that Ga On's spying mission is over. He's now going to elope work with Yo Han instead.

And I find it hilarious to think that, most likely, Yo Han was just sitting in his car, perhaps scrolling through his phone, waiting for his newly acquired sugar baby to finish telling his semi-father figure that he's going dark side. Because Ga On gets up and starts walking before Yo Han drives up, meaning that it's not like Ga On saw the car coming and went "oh, better wrap this up now." It was probably the other way around, where Ga On leaving the table was the signal for Yo Han to come pick him up.

So yes, they definitely had an agreement, especially since Ga On seems to know in exactly which direction to walk, even before the car shows up, and doesn't look the least bit surprised by Yo Han's arrival.

They planned that shit.

Brutal.

As for the fact that Yo Han gets out of the car? Well, buckle up, my darlings, because I think we should take a detour to discuss intent.

Now, intent isn't necessarily important when you want to interpret a scene, but I like the extra nuance it can offer. And by intent, I mean what the scriptwriter/director might have intended with a scene. Why is this scene here? What was the plan behind it? How is it supposed to impact the overall story? How does it tie into the rest of the plot?

Which is never something you can say for sure, of course, unless there are interviews expressly stating it, but, a lot of the time, we can guess.

The intent behind this scene, in its simplest, purest form, is to show that Ga On is switching sides. And, with that in mind, it makes sense that he crosses that road to Yo Han's car (if you know me and my metas, you know how much I love lines, characters crossing said lines, and the symbolism of that) and stops to stand next to Yo Han. It's a very simple yet effective way to show Ga On's choice and where it will take him.

Into Yo Han's arms.

NOW. Intent is very useful because, depending on how skilled the person writing is, you can hide a lot of subtext and leave room for a lot of interpretation with a cleverly formulated intent. That's how censored shows get away with so much, because they can point to the perfectly reasonable, heteronormative intent behind a scene and pretend that there aren't also a lot of subtler nuances to the reading.

And, if they're extra bold, they also add hints in the presentation and execution.

The scene where Yo Han invites Sun Ah to the house is a perfect example of this, where the intent is to make her feel lonely, like an outsider, as she's invited to observe this warm, comfortable family. Not a bad tactic as far as manipulation goes, I have to say. So, in other words, very reasonable intent — makes sense with what they're trying to achieve.

The fact that it ends up looking more like Yo Han is proudly showing off his doting, doe-eyed househusband who's passively-aggressively and not-so-discreetly staking his claim is... well, that's just an accidental side effect, isn't it? Not intent at all.

And that's true. It's not intent that makes it look gay.

It's the presentation of the intent.

(Sidenote: To be a fly on the wall when Yo Han and Ga On came up with this strategy. Because, clearly, they were both in on it and, I mean, how did that conversation go? Inquiring minds need to know.

Like, how did they go from: "We need to throw her off balance. We'll invite her to the house, show what she's missing out on, but also give her hints that she could have it all, if she's willing to surrender" to Ga On going: "I'll cook a fancy dinner. That'll make her jealous."

I mean, he's not wrong but, like, Mr. Sugar Baby. What? x'D

Also, imagine Yo Han's face. Transcendent.)

Anyway. Intent can also ruin a story. I think most of us have read a fanfic and gone: "... that character wouldn't do that. This makes no sense." That could be a sign that the author's intent is clashing with the characters or the story they're trying to tell. Or, put more bluntly, that the author is so focused on forcing an idea that they don't realise that they're going against the logic of the story or characters' personalities. Things happen because they want them to, not because it makes sense, meaning that the intent isn't tied to the story or characters, but what the writer wants. This is badly planned intent.

And, most of the time, readers can tell when the intent is off, even if you might not be able to put your finger on it while you're reading. But if you're feeling a niggling doubt at the back of your mind, wondering why this scene is here, what this scene even means, or why this character suddenly seems to act so strangely, it could be that the writer didn't plan it well enough.

That's not to say that a reader must always know the intent behind a scene. Ideally, the story should be good enough that they don't have to stop and think about things like that. If the intent and internal logic are sound enough, it should just flow naturally.

Because, when it comes down to it, pretty much all scenes in a story have an intent and that intent should be in harmony with the characters' personalities and how they would choose to behave. And I don't mean that there can never be conflict or that characters can't disagree — I mean that all scenes should have a reason for being there. It doesn't have to be a deep or complex reason, but there should be a reason that ties into the overarching plotline. And characters shouldn't be forced into a scene they have no business being in. Intent is very important from a crafting standpoint.

And intent is one of the things that makes The Devil Judge such an absolute joy. Because while there is always a perfectly reasonable — and very heterosexual, we promise — intent behind most scenes, they often choose to present the scenes in a way that leaves room for a much queerer reading. Now, that can happen with almost any story, but what sets The Devil Judge apart is that it seems to be entirely intentional.

The presentation is by no means subtle or accidental.

Like, they didn't have to make Ga On shuffle up in a soft, comfortable sweater and greet Sun Ah like a caring househusband, but they did. That was a conscious choice.

And this scene you mention, with Yo Han getting out of his car when he's picking Ga On up, falls into a similar category in my mind. The surface-level intent is clear — show that Ga On is switching sides — but he could simply have said so. He could have borrowed a car and driven himself. Yo Han didn't have to come pick him up. And he certainly didn't have to get out of the car.

But he did.

And that might be what you're picking up on when you're saying that you're not sure if you're understanding the message correctly. Because in a drama this clever, that puts so much effort into details and, again, intent, it feels almost a bit odd to leave this gaping hole, doesn't it? Yo Han stepping out of that car should mean something, right?

And, once you've gotten this far, you've got a couple of options to choose from to fill in the blanks. Either you can assume that it was just something the creators chose to do because it looked/seemed cool and therefore might not mean much at all. And considering that this drama does that a couple of times, this could honestly be the case. Maybe they just thought it would be more effective to have Yo Han to step out of the car? To really hammer it home to Professor Min what's happening?

Your other option is to bring in the harmonisation between intent and characters. Because, if the writer is good and their characters consistent, you should be able to pick up on secondary layers of intent, running parallel with the main one. Because while each scene has an intent, each character IN that scene also has one (though perhaps it would be more comfortable to call it purpose at this point?).

In other words: If "it looked cool" isn't the answer, could we find it in the character's behaviour instead? What is their intent, based on their personalities and previous actions? Does that give a more satisfying answer?

What reason would Mr. Kang "Abyss" Yo Han have for stepping out of that car?

I, personally, think that the answer is pretty simple.

He is absofuckinglutely staking a claim.

He's stepping out of that car because he's a Possessive, Dramatic Bitch and wants to rub it in Professor Min's face. He wants to show that he's won, that he's turned the spy Professor Min sent, and that he's, quite literally, taking Ga On away.

Yo Han is basically going: "Thanks for the sugar baby — I'll make sure to ravish savour treasure him."

So while the main goal of that scene is to establish that Ga On is switching sides, the intent Yo Han adds with his actions leaves room for a very gay reading. In fact, I'd argue that doing so only makes the scene more believable, since Yo Han's actions are otherwise kind of... unnecessary? He has no reason to step out of the car and make himself known, unless it's for the dramah.

Again, the presentation of the intent is where the magic happens.

So, why this long, godawful rant about intent, you ask? When I could just have answered the question right away?

Because while I know that I'm preaching to the choir in terms of this drama being gay as hell, I just want to highlight the importance of intent and how it can change the reading of a scene. I think intent — or specifically the harmony between characters and intent, and the various layers of intent — is absolutely fascinating, especially in this drama.

Especially if you want to argue that it's gay.

Because there is, in fact, some scenes where I just... I can't. The intent and characterisation don't match at all — unless you add a queer element. Like, this drama is so clever. Not perfect, mind you, but so clever. And so careful with especially Yo Han and Ga On's characterisation. Very little is left to chance.

And so, if you keep everything I've said about intent and characters in mind, and I ask you to explain the intent behind this one, singular shot, can you do so without making it gay?

I'm not joking when I say that this scene, right here, was the one that definitively made me go "oh fuck, this is gay gay."

Because in most others — if not all — I can find that safe surface-level intent which means that the people behind this drama can claim plausible deniability. Of course it's not gay! Look at this perfectly reasonable, heterosexual intent!

Except this one.

There's no explanation for this. Ga On has no reason to look this jealous unless his jealousy is the main intent behind this shot. There just isn't. And it's only made worse by his huff and the way he clenches his jaw a couple of seconds later. Not even the argument that Sun Ah is their enemy so letting her fix Yo Han's tie might be dangerous can justify this, since that's not a look of concern or alarm — that's jealousy.

The intent is jealousy. Plain and simple.

And that's why intent is important. Because, if push came to shove, the intent behind this one, singular screenshot could, theoretically, be the only evidence you need if you wanted to defend a queer reading of this drama.

Because there is, quite frankly — in my humble opinion as the fandom treasure — no other way to explain the look on his face in a drama this meticulous and obsessed with details.

In this scene, unlike all the others, the queerness isn't just in the presentation anymore — it's in both the intent and presentation.

So, if you want the scene that says "this shit's gay, fam"?

This is the one.

Thank you for coming to my TED talk.

#Amethystina Replies #Anonymous #Dear LORD I went off on a tangent here #Sorry about that #But I also stand by it #That screenshot of Ga On keeps me up at night #Because THE INTENT #TELL ME WHAT THE INTENT IS #By the way #I feel a need to point out that I don't actually NEED Yo Han and Ga On to be canon #But it drives me ABSOLUTELY INSANE that some of these scenes exist #Because now they're just messing with me and my hyper-analytical mind #... filed under things going on inside my head I guess #It's never quiet or boring #That's for sure

[multiverserift]

An often overlooked aspect of character and relationship building is the question: "How do the characters adress each other?"

It's a surprisingly interesting facet of DS9. I think Worf not once calls Quark by his name, it's always "the Ferengi".

Rom calls him only "Quark", I think, once or twice in the whole run of DS9. Otherwise it's always "Brother" or "my Brother". While Quark uses "my Brother" mostly derogatively, but when things get ugly, he says "Rom!"

[For all people reading this not familiar with Star Trek, another example: When Dean Winchester says "Sammy" you know things are escalating horribly.]

If someone knows an instance where Worf calls Quark by his name, let me know. I am looking for this for years. Maybe I heard it in the german translation.

Sisko is always called "Ben" by colleagues, which looks like an intimate name. Until you realize that he is called "Benjamin" only by his most intimate familiar, Dax. And mockingly and twisted, by Dukat. His full name is his pet name, while the abbreviated version is his more distanced, regular used name. Awesome detail.

Odo even mocks Kira for being interested in Chief O'Brien. Excuse me, I mean "Miles" 😉 In my own comic (not Star Trek related, I'm not brave enough for that), I, as the time of writing this, have only three characters on screen. And I put a lot of thought into the question: How do they adress each other? And even made a bit of fun of it.

Why am I telling you all this? Because Garak and Bashir have a very interesting dynamic. Firstly, there is not one instance of Bashir calling Garak "Elim". Garak calls him "Doctor Bashir" or the classic "my dear Doctor".

Now when we imagine Garak telling Julian how he actually doesn't like him (at all!) and then he says "ok bye. Julian. wink wink 😉" I don't really know if it would feel out of character for Garak. Damn, somebody get Andrew Robinson on the phone and pay him to say it.

If Garak does it slowly with a thick, chocolady sarcastic tone and smirk, I think it would work. But it would also make him VERY vulnerable, no matter how he tries to overplay it. Which would be an interesting scene, to say the least. So it would have the need to feel earned.

It would also be an interesting callback to early twink Bashir, hopelessly in need of human(oid) connection. He forcefeeds Kira the "HEY KIRA I'M JULIAN CALL ME JULIAN! SAY IT!!! JUUUUUUUUULIAN!" stuff very early on. At the end of the Julian and the Federation Ambassadors-Episode, they respect him and call him Julian.

So Garak denying him that indulgence is an interesting trait. And if you're still reading this with me, maybe you agree on that. It's important to notice how our characters adress each other.

Garak denies Julian the un-formality of the first name (what Julian desperately craves), and would propably be shocked or even angry in return, if Julian himself called him "Elim".

What I'm saying it, it would be a big deal. Closing a speech with "Julian" could break that delicate balance and dynamic. Maybe it would work. Maybe it wouldn't.

I would love to hear what Siddig or Andrew think about the question. Or anyone other than the voices debating this in my head. Do you have other examples for this?

#garashir #garak x bashir #elim garak #deep space nine #star trek #julian bashir #doctor bashir #garak #ds9 #ds9 quark

[andreal831]

This fandom needs to back off of Matt Donovan and Zach Roerig

Starting with the ridiculous: Zach Roerig and Julie Plec never dated. It's ridiculous that I have to say this. There is a blurry picture of him leaning in to Julie Plec at some point. I even tried to do the work for you all and could not find one shred of evidence of an actual kiss. Y'all are just wild for this rumor. If anything, my search revealed that Ian and Zach were in a relationship. I mean look at that affection.

Also, with just a tiny bit of research, we can find out that Zach was in a relationship when he started the show and, due to issues at home, he ends up fighting for full custody of his two year old daughter while on the show. The only romantic connection there is any reports on is with Candice King and that was relatively short lived. Otherwise Zach was just a single father, trying to raise and support his daughter.

Now people will try to say Zach is racist as well. I've heard he was racist because of dating Plec. See earlier paragraph. Or that he made racist comments to Kat. Again, there is zero evidence of this. People keep pointing to this interview saying that he either does the Nazi salute or a black power fist and it is such a reach it's ridiculous. He is looking at Kat because the question asked related to Bonnie and Matt and he reaches forward as a hand gesture and then raises his fist in a fairly generic way.

I can't tell if people get Matt Davis and Zach confused because he plays Matt or if people just love to hate on Zach because he plays Matt. Either way, it is disgusting to spread rumors about someone being racist when there is no evidence as far as I can tell. It's also terrible to distract from the actual racism that Kat had to deal with on the show.

From every interview I've seen he seems like such a sweet person. He even said working on the show was a "healing process" and yet the fandom treats him like this. Zach goes to the panels and none of his coworkers seem uncomfortable and avoid him. Not that them liking someone means that person is good, most of them still interact with Matt Davis and yet unfollowed Michael Malarkey.

Now onto Matt Donovan.

First of all, the fact that y'all pretend this man isn't attractive tells me all I need to know. Objectively, Zach Roerig is attractive. You can not like his character but you all just sound goofy.

The biggest complaint with Matt is that he is "useless," but this to me just shows you are watching the show for either the romance or attractive people and not for storytelling.

The role of the "human" in fantasy is so important. We, as an audience, are humans and we need to have a threshold character. A character that reminds of that even though we are rooting for the supernatural creatures, they are still not the good guys. It's why supernatural stories often revolve around humans. It gives the show the humanity that it would be in danger of losing if it just focused on the predatory species. Matt reminds us of the humanity that is at stake in the show.

Matt is particularly important in this show because he not only the sole human in a pack of supernatural creatures, but he is the only one without financial privilege in TVD. Matt not only comes from a family that is struggling financially, but his parents are gone and his sister is struggling with addiction. Matt is working it appears full time while in high school full time. All of his friends are going to parties and given cars and clothes, planning for college; while Matt is having to figure out how to afford his mom's mortgage/rent. Season 1 opens up focusing on how much Elena is struggling with the death of her parents but dismissed Matt's struggles as some lovesick teenager. When in reality Elena at least had a support system. Sure Jeremy was spiraling like Vicki, but Elena and Jeremy had Jenna. Matt was struggling with the purposeful abandonment of his parents and his sister's drug addiction with zero support system. He even loses his childhood friends when Elena and he break up. He only really has Tyler, who, let's be honest is not the best friend in Season 1.

He is also the first person in the show to lose someone due to the supernatural. His sister ends up attacked and in the hospital and he then has to figure out how to pay for that while taking care of Vicki who is clearly struggling even more than normal. When Vicki does end up dead, he knows there is more too it and the entire town, including his friends, gaslight him. Matt has every right to hate vampires. They murdered his sister in cold blood.

Matt is so devastated by Vicki's death that is haunts him throughout the show. He even risks his life just to talk to her ghost for a few moments.

People say Matt hates the supernatural, and he did, but he had reasons. And despite that, he was always there for his friends. Even when he was terrified, and in much more of a risk than his vampire friends, he was always there for them.

Yes, Matt is the one driving the truck when Elena dies and Stefan saves Matt over Elena, but none of that is Matt's fault. He was attempting to save his friend's life with Jeremey's help. How is that any different than Elena having Stefan compel Jeremy to leave town? Let's also not forget who helps Elena feed in her early days. But the fandom never wants to give him credit for that.

Matt is constantly used, berated, manipulated, and compelled by the supernatural around him. Mystic Falls needed someone like Matt to stand up for them since they were unaware of the supernatural world. Even the "good vampires" killed humans. Matt was trying to protect his town.

The last complaint ties it all in, that Matt only survived so long on the show because he was dating Julie Plec. Again, that's a lie. He never dated Julie, and it especially had nothing to do with the show writing. I would also like to point out that the character Matt is based on, Matt Honeycutt, in the book never dies. So why are we surprised he doesn't die in the show? Matt had a lot of close calls and even had a Gilbert ring for protection. No one ever asks why Steven McQeen (Jeremy) doesn't die or assumes it's because he was "sleeping his way to the top." These assumptions are immature and baseless.

All Matt wants to do is live a normal life, something he had to fight much harder than the rest of them for. He is the most consistent friend out of all of them. People love to say "how did Matt get so many girls?" Because he's nice. Because he respected them and fought for them, even if they didn't deserve it. They would all have been better off ending up with Matt.

Honestly, Matt and Cami's purpose are similar to me and both of the actors deserve such a huge apology from this fandom. Some of y'all need to learn to separate a show from reality.

#some of you all need to chill #making up lies about real life people is wild #it's okay that you're mad he pulled more than your favs #he was just a kid trying to survive #why are you all so mad that he made it #most of your favs got to live for hundreds/thousands of years #let Matt have his normal 80 something human years #this fandom acts like being human is a crime #and men having emotions is worse than being literal serial killers #the vampire diaries #the originals #tvd #tvdu

[squib-2006]

I have an idea

An au where Kai never shows up to the chens noodle house meeting cuz he was mad at what Lloyd said and instead ends up going deeper into ninjagos crime scene.

* Kai gets pissed at Lloyd callling him selfish and ends up getting really drunk and misses the meeting with Lloyd jay and Cole

* On his way back he accidentally falls into one of the canals and almost drowns. He manages to get out but a passer by recognizes him and saw him fall in but didn’t see him come back up

* Kai gets back to where ever he’s staying and promptly passes out for like three days

* The person that saw him fall in calls the cops and they assume Kai drowned and begin searching for his body

* Lloyd and the others at this point are already at chen’s island.

* Nya gets a call from the police about Kai and she like them assumes he drowned.

* She begins looking for Lloyd and the others to tell them that Kai’s gone then gets wrapped up in all the Chen stuff

* Kai wakes up to find that he’s on the news for being dead

* He decides to take advantage of this and decides to just go by shogun now

* He also decides to “pretend” to be female cuz he’s to recognizable no ther reason totalyyyy (yes this is a transfem Kai au cuz I do what I want)

* Meanwhile with the ninja when they catch up with Nya they learn that Kai’s dead and are very upset about it

* Chen also fails in his plans because he doesn’t have all the elements and when he try’s to use the spell the staff explodes killing him & clouce

* Skylor is arrested and put into kryptarium for working with her dad (this is very important I promise)

* Lloyd feels really bad about Kai because the last time they spoke he said really mean stuff and he wonders if Kai fell in somehow related to that.

* Meanwhile Kai begins making connections in the crime sphere in ninjago. She wears a disguise (a mask, dress large jacket and other clothing to hide her identity) and grows a reputation for herself

* She eventually starts to notice how shitty life is for lower class citizens of ninjago city and how the criminals and the upper class take advantage of that.

* She starts helping these people (mainly orphans) and creates a safe haven for them where all of them can live safely under her protection.

* She amasses a following for the people she helped + some criminals who have kinda changed their ways and they become a pretty big gang in ninjago city (I don’t have a name for this yet)

* With the ninja morro happens but garmadon takes the place of Kai in it cuz he never got banished (just imagine morro got let out by clouse on accident cuz he still attempted to banish garm but failed) and everything is basically the same up until they confront ronin

* Back with Kai a few months before Lloyd gets possessed she ran into a girl on the street named Natalie. Natalie claims to be an orphan and Kai does what she normally does when she finds a poor starving orphan on the street, she scoops her up and brings her back to her shelter (I don’t have a name for this yet either)

* Turns out Natalie is actually ronins daughter. She used to live with her parents in Styx (ronin was still doing ronin stuff so he was constantly gone all the time and she mainly lived with her mom) until one day ronin refused to pay soul archer his debt and souls archer went after his family. Nat’s mom ends up sacrificing her self to protect nat and nat runs away after. She ends up in ninjago city all alone.

* Kai after learning this decides to go and have a chat with ronin (because no one hurts her kids the people under her protection) and she runs into the ninja + garm when she goes to confront ronin (it’s when the ninja try and steal the scroll much to garms dismay because he’s still trying to be good)

* She panics but is slightly relieved when non of the ninja recognizes her (definitely helps that she’s wearing a mask and feminine clothes) ronin does tho due to his connections and questions her on why she’s here

* She doesn’t speak and just attacks him (she’s too worried the ninja will recognize her voice and she thinks that they won’t agree with what she’s doing and will be mad at her)

* So chaos ensues and Kai ends up leaving once she realizes Lloyd’s been possessed by a ghost and decides to dip to not interfere with the ninja’s mission anymore

* The season goes on as planned but the ninja now know who “shogun” is thanks to ronin. Lloyds a bit suspicious because of Kai’s red shogun name but guesses that maybe she was inspired by Kai or it’s just a coincidence.

* When Kai gets back she learns that some of her group members got arrested while trying to stop a fight between two other groups and decides to brake them out of kryptarium

* Cue skylors entrance

* Skylor manages to try and escape in the chaos of Kai’s brake in and almost escapes but is cornered by some guards

* Kai who’s crawling through the vents to get out while her group members have already escaped stops when she sees skylor getting cornered. Cue the love at first sight thing and she decides to help Skylor escape cuz she’s so pretty

* Skylor accepts Kai’s help and they escape and Kai brings her to her shelter

* Skylor has had a lot of time to reflect on her self during her imprisonment and is now glad her dad died cuz she really hated being evil

* Kai and Skylor grow closer together as Skylor joins the group and eventually Kai confesses her true identity cuz she trusts Skylor

* Skylor is confused at first because the ninja put her in prison and evreything but is ok with it because of how different Kai is

* Skylor is transfem in this au too! She she helps Kai realize that she’s not pretending to be a girl and helps her except herself

* They eventually form a romantic bond and skylor takes up a new persona to work under (I don’t have a name for it yet) to match Kai’s shogun persona

That’s all I have for now but this was all rattling around in my brain and I had to write it down

Other important stuffs

* Kai’s more morally grey in this au

* She kinda becomes similar to Jason Todd in the way she acts with her shogun persona

* She basically unofficially adopts all the orphan kids she lets stay in her shelter they all call her big sis sho

* In her group she has her close lieutenants (all ocs that I’m still thinking about names for) including skylor as her right hand woman

* She is a wanted criminal because she has broken some laws

* She doesn’t really use her powers or spinjitzu unless it’s really dire circumstances cuz it could be trailed back to her life as a ninja

* She’s kinda scared of seeing her the ninja again because she feels like she’s betrayed everything they stand for by being morally grey and doing borderline bad things

Feel free to ask me questions about this au (might help me come up with more ideas for it)

#ninjago #lego ninjago #kai ninjago #ninjago kai #ninjago au #kai jiang #kai smith #skylor chen #skylor ninjago #transfem Kai #crime lord Kai au #kai <3 #I apologize for any spelling mistakes I suck at spelling crap dispite English being my first language #Kai gets to be morally grey as a treat #I’m gunna be working on my ocs for this tho #I have never been more attracted to an au idea besides this one #most of my au’s rot in my brain or my notes app but this one was too good not to yap about

[myreia]

15 Lines of Dialogue Rules: Share 15 or fewer lines of dialogue from an OC, ideally lines that capture the character/personality/vibe of the OC. Bonus points for just using the dialogue without other details about the scene, but you’re free to include those as well!

thanks for the tag, @thevikingwoman and @bearlytolerant, ty frens!

tagging: @roguelioness @lilas @galadae @ellstersmash @fourteenthz

@tsunael @birues @ardberts @gatheredfates @anneapocalypse

@impossible-rat-babies @coldshrugs @gefiltefished @consulaaris

sorry if you've been tagged before, I have... lost track of who has done what. 😂 No pressure, ofc! 💖 tags also for anyone else who would like to share their writing! Feel free to tag me even if I didn't tag you or even if we're not mutuals, I'd love to see what you're working on!!

These are from published (and one unpublished) ffxiv fics. Because a lot of my favourite Aureia lines happen within the context of banter, I had a hard time deciding what to cut and where.

— 1: Far From Happenstance [ARR]

“What’s that thing on your arm?” “This? Ah… well… Perhaps this conversation is best saved for later, perhaps in a less conspicuous place?” “Or we could have it now. Your choice.”

— 2: Uncertainty [ARR]

“Tailing unsuspecting women about the city is nothing to be proud of.” “I have done nothing of the sort! Our meetings have been no more than happenstance, a quirk of nature drawing us to the same spot at the same time. I assure you, Aureia, I am not following you—” She stifles a snort, laughter tugging at the corners of her lips. “Oh…” He blows out a breath. “Oh, you’re joking? That was a joke. You have an unfair sense of humour…” “Don’t make yourself such an easy target next time.”

— 3: To Ash and Ember [ARR]

Lahabrea stares at her, startled out of his victory, mouth twisted with contempt. “How—” Aureia raises a hand, palm sheathed in blinding light. “Get the fuck out of him, you bastard.”

— 4: Sand and Stone [ARR]

“This is good for us,” she says quietly. “The Scions, I mean. We’re exposed here. Ascians, Garleans… it’s only a matter of time before they try again. Mor Dhona will afford us some means of protection we’ve lost.”

— 5: Bitter Frost [ARR/HW]

“You press on,” she says after a moment. She cups her palm between them, subconsciously pulling on the aether around her. A faint flame sizzles to life, warming her fingers. “Guilt can only carry you so far before it bleeds you dry. Just know that the next time… the next time will be different. Better.”

— 6: Divergence of the Heart, Chp 5 [HW]

“I don’t care what they say about me. I’m a hero to some, a villain to others. I can live with it.” “You should not have to. If there was a way—” “Please, Aymeric, I’m begging you not to draft a new statute on my behalf. You can’t decree change and expect centuries-old beliefs to shift overnight.”

— 7: Divergence of the Heart, Chp 7 [HW]

“Happiness? What makes you think I’m happy with this? With any of this?” “You’re the Warrior of Light. Defender of Eorzea and a beacon of hope. Blessed by Hydaelyn and beloved by all. What possible reason could you have not to be?”  “Oh, fuck you.”

— 8: Divergence of the Heart, Chp 8 [HW]

She blinks. It shouldn’t be more simple than that. Does he not comprehend why this is so profoundly embarrassing? “And..?” “And how would this fact be of such radical importance that it would be the sole cause of a change in my opinion of you? Do you believe it so crucial to your identity that I should judge you differently for it?” “No, I don’t think that at all. I suppose I feel I’m… a failure, somehow. As a person.”

— 9: For All the Truths Left Unspoken [HW]

“Oh? Because you seem a little haggard, Thancred. Why don’t you look me in the eye and tell me what time you went to bed last night. Or if you went to bed at all, for that matter.” “It is not your concern—” “No, but you could have at least done the decency of admitting what was going on before you started fucking my friend.”

— 10: A Question of Desire [HW]

She cuts him off with a kiss. [Aymeric] groans softly, leaning into it, and she laughs with delight. “Save it for later,” she murmurs against his mouth.

— 11: Bound by Faith, Chp 2 [ShB]

“Under pain of further admonishment, I told her what I could.” “Nothing unfavourable, I trust,” she says drolly. “Who do you take me for, Aur?” “An idiot, if I’m being honest. Next question?” “…stumbled right into that one, didn’t I?” “Yes.” Her eyes sparkle with fondness. “You did.”

— 12: Bound by Faith, Chp 2 [ShB]

“There. That’s it. Aureia was a name I took by chance. Not because I wanted it, but because I needed it. An alias intended for Ul’dah alone, one I intended to relinquish the moment I could escape the city. But then you called me Aur and it… stuck.” She hesitates, her voice breaking. “I don’t know why it felt right, but it did. You gave me a name, Thancred, without even realizing that that was what you were doing.”

— 13: Bound by Faith, Chp 4 [ShB]

“They don’t hurt. At least, not like this. Sometimes, with astral fire…” She closes her eyes and swallows hard. “He did something to me, Thancred. Whether it was his intention or not, he left a mark that is more than skin deep. Like a part of his aether was seared onto mine. It makes me powerful, yes, but… my magic is not always controlled. It’s never been the same since then.”

— 14: Untitled Post-5.3. Fic, Chp 2

She glances at him and finds him glaring at her. It’s not a real glare—behind the dark look and mock exasperation is a knowing smile. “She’s taken full reign of the apartment. Mess everywhere. Looks like a tempest went through the place.” “Far too easy to imagine that.” “I don’t know where she gets it from.” “Oh, I know for certain. That’s the influence of your bad habits, not mine—” “I—listen here, you ass—” “Oh, an ass, am I? Bit early to deteriorate to name calling, no?”

— 15: Untitled Post-5.3. Fic, Chp 4

“Aur… that suite I mentioned earlier… I was quite serious about it.” “The suite or the sex you want to have with me in it?” “The whole matter.” She pauses, holding the soup out to him. “You should finish it,” she says quietly.

#aureia malathar #writing tag #oc tag

[youbutstupid]

Let’s talk about why Maeve Donovan was so important to Spencer Reid

Maeve’s storyline created a lot of controversy within the fandom and still does; rightfully so. Her storyline was not explored too much before she was stripped away from us so it is understandable that fans would question what kind of connection she was meant to have to us and Reid

The reason why Maeve’s death was so heartbreaking is because she was Reid’s one chance to escape and have something normal in his life. We’ve already established that any chance he has had of a normal life was stripped away from him as a child and Gideon bringing him into the team only furthered that

Reid never had a chance to have normal relationships with people outside of his work, and even those relationships were strained purely because of the age difference and the fact that no one can really understand his mind. Maeve was different, by the time we see her we know that they had been talking for about a year and she was his one normal relationship. The one person that his job and his intelligence couldn’t harm. She didn’t tell him to be quiet when he spoke and she was one of the only people to view his intelligence as a part of his worth, not his entire worth

Reid had someone, he had someone who could understand him, someone who wasn’t afraid of his mind, someone who wasn’t tainted by his job, someone who actually loved him for him and valued him for his personality as opposed to just his brains and his looks. She was the first person to view him as someone amazing and her genuinely viewed her in the same way

And then it happens; he should have known he would never get a normal life. His one chance at something normal is turned into yet another crime scene, the same crime scenes he has been forced to look at since he was just 21 years old

Maeve could have been his way out of the BAU, but with her gone he was left with just the relationships he formed with his colleagues and he couldn’t leave because they were all he had. Once again he was trapped to his work and his intelligence being his entire existence. When he imagines her he isn’t just imagining their relationship but the life they could have had

#criminal minds #spencer reid #maeve donovan #mgg #matthew gray gubler