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#teenage pov
lanavecorona · 4 months
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today i offer you tmnt art. tomorrow???? ¯\_(ツ)_/¯
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the-lavender-clown · 3 months
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Ok now THIS is what I’m talking about!!
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I cannot describe how obsessed I am with this drawing!! It turned out SO GOOD and SO CUTE!!
Thank you to my lovely beta reader for this doodle suggestion
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tangledinink · 5 months
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interdimensional fankid playdate...? 👀 @beannary @star-sparkler
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(they're having a playdate, too.)
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tapakah0 · 7 months
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@somerandomdudelmao *inhale-exhale* I so much wanted to make something with this song and your story, there were some attempts before (with Casey) but I'm so happy that in the ends this song represents the whole episode "And the two they left behind" *giggle* Now I have a full complect... There are plenty of things I'd like to say but I can't put them out properly, I just wanted to show as much love as I could at such amount of time and hope I was able at least a little bit Looks like it will be the last animatic directly related to the bad parts of the comic *bows* Song: Glass Animals - Agnes
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Good People - Final Part
Part One🦇Part Two🦇Final Part
It is not often that Wayne is happy with the monotony of work. Tonight is one of those nights, if only because it allows him to think about where he went wrong speaking to Eddie. He had never meant to imply he thought Eddie was like Al; he'd meant the apple and tree comment to for Richard and Steve. However, he does acknowledge why Eddie drew the conclusion that Wayne might have thought Eddie would follow in Al's footsteps.
Wayne's being a hypocrite, applying the logic to one boy, but not the other. And even though he never, not once, thought that Eddie would become Al, he'll never be able to take that thought from Eddie's mind that he had. He can apologize until he's blue in the face, Eddie might even forgive him, but he's not sure Eddie will ever believe him. Not truly.
And how could Wayne expect him to?
No. That's a shame Wayne will take to the grave.
Next strike to Wayne's conscious; the misjudgment of Steve Harrington, and how it ties into the fact Eddie accused him of not trusting his judgement, and, moreover, Eddie being right. Wayne hadn't trusted in Eddie's trust of Steve.
He should have. It's been years since Eddie came home crying about a boy, but what father doesn't see their kid crying over their first heartbreak and doesn't grow protective? And with Eddie, it's even more terrifying. Getting mixed up with the wrong boy could mean bruised ribs, black eyes, or worse.
In a town like Hawkins, a boy would just have to claim Eddie made a sexual advance and his murder could (would) be justified.
Now add the manhunt and being suspected of murderer to that. Well, Wayne's scared for Eddie's life almost every minute of his day.
But it's no excuse. Or if it is, it's a poor one.
Wayne doesn't know the full story but he does know that Steve was with the group of people on Eddie's side; that he was there with the Henderson kid, the Buckley girl, and Nancy Wheeler, digging Eddie out of the rubble from the earthquake, getting him to the hospital as fast as they could.
Steve Harrington was part of the group that saved Eddie's life, and that should have meant more to begin with. Instead, Wayne's been waiting for a shoe to drop that very well isn't coming.
He's going to fix this.
He'll give Eddie his space to be angry with him, and he'll try again in a few days.
When Wayne gets home, around 6:30am, Eddie's van is gone. He's not surprised. He probably left shortly after Wayne did, not leaving sooner just to avoid him.
There is a note on Wayne's bed when he makes it there. Says he's at Steve, and instead of letting Wayne know when he'll return it just says the words 'be back' followed by a bunch of questions marks. He ends it with 'call if worried' and leaves a phone number that must be for the Harrington residence.
Another hurt Wayne can't blame on anyone but himself.
Wednesday passes. Wayne eats breakfast, goes grocery shopping, pretends to care about his shows before sleeping the afternoon away to prepare for another graveyard. Eddie has not returned when he wakes, and two short hours later, he's off to work.
Eddie's van remains gone.
Returns from work Thursday morning and repeats Wednesday. He replaces grocery shopping with laundry and cleaning out the leftovers for trash day tomorrow morning. Goes to work.
Friday morning he returns home. No Eddie. He waits for it to be a more appropriate time, a little before 10:00am to call the number Eddie left.
It rings, rings, rings, then, a voice he hasn't heard in years. Richard Harrington's voice sounds as cold as it always was as the answering machine recites, "You've reached the Harrington's. We are not available. Leave a message."
"This is Wayne Munson. I just wanted to make sure Eddie's- that's he's alright. Let him know that I called. Checked on him. He doesn't need to call back but I'd appreciate it."
He hangs up the phone, lump in his throat. He misses his boy, and he wants to make his right, but he can't force that. Eddie has to always want to make it okay between them.
He's usually off Fridays, but he asked to pick up a shift. He can't face Linda without having fixed this. He spends the morning and afternoon doing all the small fixes he'd been putting off. Anything to keep him busy. He goes to sleep at his usual time, and wakes up two hours before his shift like normal.
Check's his answering machine but if anyone called while he was asleep, they didn't leave a message. There's still no van when he heads to work.
The plant tells him to leave an hour early. He tries to argue to stay but he's just waved off, told to go get some sleep because he's been looking a little worse for the wear.
He gets back to Forest Hills around 5:40am and finds there is another car parked at his home. Not Eddie's van, but the sleek maroon BMW that belongs to Steve Harrington parked where the van usually is.
When he pulls into his spot, the headlights of his truck light up Steve, sitting on his steps, wrapped in a coat. It can't be more than 50℉ outside right now.
Steve stands as Wayne cuts the engine and climbs from his truck. He gets to the front of his truck and Steve speaks.
"Eddie's okay," Steve says, hands shoving deep into his pockets, "I tried to get him to call you back yesterday but, well, you know Eddie."
Wayne nods, because he does know Eddie. "I appreciate you tellin' me. But you coulda just called."
"I could have."
They look at each other for a moment, and just as Steve opens his mouth, probably to tell Wayne he's going to go, Wayne speaks first, "you wanna come inside and have a cup of coffee to warm up?"
Steve tilts his head slightly to the left before he says, "are you sure?"
"I'm sure."
"Alright," and then Steve steps away from the stairs so Wayne can climb them and let them into the trailer. Steve follows behind silently but with familiarity. He's spent so much of his time here since spring break- the shame crawls through Wayne again. He'd assumed, once upon a time, that Eddie and Steve spent more time here than at Steve's because why would Steve want the trailer park boy in his big fancy house? Now, though, he wonders if it's because this place felt more like a home, even with Wayne's cold shoulder.
Steve sits at their little kitchen table, a luxury they didn't have before because there was no room in the single wide, one bedroom they'd had before. The new double wide (with three bedrooms) offered them a bit more space for a dining area.
Wayne's still suspicious of the government's offer to replace their destroyed home, but he wasn't foolish enough to deny the offer when it was made to him by Jim Hopper (newly returned from the dead back then).
"How do you take your coffee?" Wayne asks, once the machine finishes filling the carafe.
"Oh, I can fix it-"
"Nonsense," Wayne waves him back to sitting, "just tell me."
"I like it with just enough milk to take the scalding heat out of it," Steve says, and while Wayne's not sure just how much that it, he tries anyway.
He sets a cup in front of Steve before taking a seat across from him. "I really do appreciate that you came to tell me Eddie's okay. I want to give him his space but...."
Steve sips his coffee before shooting his cup a small smile. Wayne must have got the ratio right. Then, he looks to Wayne and the smile drops, a more serious expression taking its place and he says, "Eddie wouldn't really tell me what your fight was about, other than, uh, me and that you... overheard some of what I said last time I was here. I don't, like, want to come between you and Eddie, but I'm not, I'm not going to let you scare me away. So, just tell me what I have to do to get Eddie to believe we're cool, and I'll do it. Anything, except for getting out of Eddie's life. 'Cause I won't."
"I would never ask you to do that," Wayne says. Steve squints at him, a look of suspicion now. Completely warranted, given what Steve has known of Wayne thus far. "I owe you an apology, Steve. For how I've been treatin' you."
Steve's eyes go wide, "Oh. What? Why?"
"You've been nothin' but good to Eddie. For Eddie. And I refused to see that. I made a judgment about you without knowin' anything but your name." Steve let's out a soft 'oh' at that, but Wayne plows on, "And that weren't fair, and it weren't right. I can't undo it, but I want you to know I regret it. I'm sorry."
"Okay," Steve says, after a moment. "I forgive you."
It's Wayne's turn to be surprised. He's a bit speechless. So much so, he takes a page right out of Eddie's book and asks, "are you sure?" which is a question he's never asked after having an apology accepted before, but one Eddie had asked a lot when he first came to live with Wayne, and they were learning to co-exist.
"Yeah. I get it."
He doesn't like that answer. Doesn't like the he contributed to the mind set that gave Steve that answer. "You're allowed to be mad at me for it."
"I think Eddie's mad enough for both of us."
It doesn't feel like closure. It doesn't feel like forgiveness, but Wayne doesn't know what to say. He can't just start sprouting all the bad things he thought about Steve; there's no reason Steve should have to listen to that. But without hearing it, Steve doesn't even know what he's forgiving Wayne for. "I'll be honest with ya, Steve. It feels like you shouldn't."
Steve frowns at him. "Why?"
Why? Why? For all the reasons Eddie yelled at him, and all the things Linda said, and all the agony he's felt these last few days. The guilt and the shame that still eat at him, even as Steve Harrington says he forgives him. "It's too easy."
Those three words have Steve leaning back against the chair. His eyes dance around Wayne's face before taking in the whole of him. Or, what Steve can see of him with from across the table. When Steve meets his eye again, Wayne sees recognition there. "If you can't forgive yourself, I get that. I do. I-I've spent most of my life as one big apology. And I'm not saying that I, like, don't still feel like- what I mean to say, is that, I forgive you. I'm not, like, gonna hold it against you that you were just trying to look out for Eddie, man. Like, two years ago your fears would have been justified, so."
"Don't make it right," Wayne argues, but he doesn't know why.
"No," Steve agrees, "but I'm forgiving you anyway. You think you're the first person to hear the name Steve Harrington and assume you know everything you need to know about me already?"
Steve's words sound like they could be confrontational, but his tone is light. Teasing? Wayne says, "no. Suppose I'm not."
"Every person I love has done that," Steve says, and the ease of which he says that has Wayne feeling some sort of way. Eddie's words echo in his mind 'you made me help him feel that way'. How many other people have made him feel like he's a bad person? "Even- even Eddie. He made a point, during spring break, to, uh, well, he didn't apologize for anything because there was nothing to apologize about, but he made a point to tell me I was very 'metal' and a 'cool dude' so.... I know my name comes with, like, a shadow or a curse or whatever. I think it will for as long as I live in Hawkins, but that's," Steve flaps his hand in the air, as if that fills in for the word he can't find, and it's a move so reminiscent of Eddie. "Anyway, if you aren't actually, like, ready to accept an apology, you shouldn't be making one."
Wayne sits in that for a moment. There's a lot more to Steve Harrington than he'd ever thought. So much he doesn't know, actually, but he thinks he's okay with learning more. This boy told Eddie he was half-way in love with him earlier this week, and while Wayne never heard Eddie say it back, he knew anyway. It's why he was so protective. "You're pretty wise for your age."
Steve grins and shakes his head. "Nah, that last part was all Robin. She says it all the time to me."
"Well, then you best stop apologizing when you ain't ready to accept the forgiveness," Wayne parrots back the words.
Steve throws his head back and laughs.
They finish their coffee with silence and small talk. Steve tells him about how he never thought he'd miss his job at the video store but working at Melvald's is making him long for the days when the biggest complaint was late fees. Apparently, there's so many more things to complain about in retail.
Wayne talks about working at the plant and how the tasks are repetitive and a bit labor intensive, but the graveyard pay is worth it. Steve asks him a few more questions about working at the plant that Wayne's happy to answer and the more Steve asks, the more Wayne becomes aware that Steve might be looking for a change of occupation. He makes a mental note to put in a good word to Floyd, just in case.
Steve leaves with the promise of returning with Eddie, as soon as possible. As he was heading to the door, Wayne asked why he showed up so early.
"Eddie can't stop me if he's not awake," was Steve's answer, a mischievous grin on his face.
Wayne watches from the porch as Steve backs out. Steve shoots him one last little wave with his fingers before heading away.
He goes back inside and washes the dishes. Even dries and puts them away, a feat usually done once a week; he and Eddie have no qualms with using dishes directly from the dish drainer. His only other chore for the day is leaving for work a bit early so he has time to stop at the gas station and fill up the truck.
Grabbing the remote from its spot on the coffee table, Wayne plops onto the couch to spend his day as mindlessly as possible with some TV.
He goes to sleep at his usual time and wakes up at 7:43pm according to his alarm clock; a little over two hours before his shift is to start. It's time for more coffee, he thinks as he dresses for work before heading to the kitchen.
He jerks to a stop when he sees Eddie and Steve sitting on the couch, leaned close and talking softly. He's not about to repeat a past mistake, so he makes his presence known. "Evenin' boys."
Eddie pops up from the couch quick as lightning, taking a few steps towards Wayne before stopping. "I don't like being mad at you."
Wayne nods, "I don't much like you bein' mad at me, either. For what it's worth, I am sorry."
Eddie closes the distance between them, then, and pulls Wayne into a tight hug. Wayne returns it instantly, how can he not? He hears Eddie say, softly, "it's worth an awful lot, you terrible old man."
They part, and Eddie speaks first, "but if you ever pull shit like this again, I won't be so quick to forgive."
"I won't," Wayne says, at the same time Steve says, "he won't."
Both Munsons look at Steve, who grins back at them.
"You think you know my uncle that well already, from one shared cup of coffee?" Eddie asks, sounding amused.
Steve shrugs, "no. I just, uh, plan to stick around, y'know. Kinda hoping there's no dude after me for him to be an angry dad about. I would appreciate it, though, Mr. Munson, if you'd skip the shovel talk bit of all this?"
Eddie sucks in a breath and Wayne's a bit shocked by what Steve's implied. What Steve's admitted, really, out loud in front of another person. Wayne wonders if any boy Eddie's ever liked before would have done that.
"What good's a shove talk when you've already told me you ain't goin' anywhere?" Wayne says, hoping his tone is as light and teasing as he wants it to be.
"Glad we're on the same page," Steve agrees, "but, uhh, do you want me to go? So you can have a real talk?"
"No," says Eddie.
"No," says Wayne, at the same time.
"Oh. Okay. Uh, in that case, you got anything to drink here besides coffee?"
Wayne nods and they all pile into the kitchen to get a beverage before settling in the living room. There will be time to talk later, Wayne realizes. He's going to apologize properly.
Later, though, when he'll really be ready to accept Eddie's forgiveness, because there's no doubt Eddie'll forgive him. So, he's going to sit in the living room and chat with his boys until he has to go to work.
By the time Friday comes around again, he'll be able to tell Linda she was right, everything's going to be okay one day, and maybe ask her on a date he's been putting off asking for since high school.
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Done!! I hope the ending is sufficiently cheesy.
I'm so sorry if I missed you! There were a lot of people asking to be tagged haha
@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @unclewaynemunson @kaij-basil-lionelli88 @swimmingbirdrunningrock @mugloversonly @limpingpenguin @krazyperson @acrolius @salisbury-at-the-stake @littlebookworm86 @savedbytheirmusic @wxrmland @myownworstenemyyy @thelittleclare @awkotaco24 @djohawke @wrenisflying @croatoan-like-its-hot @actualwakingnightmare @krowepoison @jamieweasley13 @yourmom-isgay @irregular-child @oldwitcheshat @abstractnaturaldisaster @wishiwasacasualfan @vinteraltus @zerokrox-blog @warlordess @stevesbipanic @steveshairspray @slowandsteddie @samsoble @waelkyring @just-a-tiny-void @saramelaniemoon @halfadoginatank @nightmareglitter @scarletyeager @hellfireone @rovia2312 @munsonslure @a-little-unsteddie @soaringornithopter @eddiethehunted @starlight-archer @dryptid @inkjette
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explodingstarlight · 1 year
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weaponizing your newfound "youngest" child status
everyone go read @snailsnaps fic "Alpha Stage"-- de-aged Donnie is giving me LIFE
👉 something of a sequel to this
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copperpipes · 3 months
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inspiration hit me like a semi truck
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pinetreevillain · 1 year
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Friends Like These Part 3
Suspend some of your disbelief, but also, Don’t, because the fact that mutants are walking around New York City is played so goofily in the show, I’m channeling that to keep the casual energy for this interaction. After an alien invasion, a giant pig on live tv, and a band of Tunneling Rodents, A Turtle Is The Most Normal Thing In New York At This Point. Or they just don’t care!
First, Previous, Next
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billfarrah · 6 months
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I hope Simon gets to witness Wille being an absolute nightmare to authority figures in season 3. I think it’s a side of him Simon would really love.
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sweeneydino · 24 days
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Boogy.
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luxaofhesperides · 2 months
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Post-Apocalypse + Soulmate AU ; requested by @burr-burr!
When Danny was a kid, he used to imagine how the world would end. It was never a zombie apocalypse or the fallout of a nuclear war, but the death of the sun, the expansion of their star in death that would swallow their planet whole, leaving no survivors.
It would have been nicer than the post-apocalyptic world he stands in now, knowing that it’s his fault the world has ended. 
He’s still struggling to wrap his head around it. To understand that all of this is his fault because he cheated on one test, desperate to pass after being unable to study for it with how exhausting and time consuming fighting ghosts is. Everywhere he looks, there’s more destruction. His own home is rubble, with only the partially untouched Ops Center remaining to let him know that this is where he once lived.
The rest of Amity Park is in worse shape. Buildings are hollowed out, the skeletons of their foundations visible, if they still remain standing. Most homes have been burned to the ground, leaving blackened corners of walls and nothing else. The roads are cracked and difficult to walk through, as if an earthquake tore through the city. Cars are scattered along the road, overturned or left abandoned, doors still open.
Danny has yet to find any bodies. He doesn’t know if that’s a good sign or not. 
He’s only caught a few glimpses of his future self, the cause of all this, and can’t bring himself to chase after that monster. He feels sick to his stomach knowing what he’ll become. 
That monster has to be stopped. The world has already ended, but that doesn’t mean his future self can be allowed to go on like this. If there are any survivors, they need protection. They need to know they’ll be safe to try to start rebuilding, and that can only happen if his future self is dead.
Danny knows what he has to do; he has a responsibility to protect what little remains of Amity Park, and to do that, he needs to kill himself. 
But his head it spinning from the horror of the situation and his throat is tightening up the way it only does when he’s about to have a panic attack.
He needs to stop his future self, but he also can’t stay another second in the ruins of Amity Park without destroying himself.
The guilt sits heavy in his chest as he goes ghost and takes to the sky, flying blindly towards the setting sun. Danny doesn’t know where he’s going, and he doesn’t really care. He just needs to get away for a bit, until he can calm down and put together a plan of attack so he can take out his future self in one go.
He just…
He never thought he’d be a monster. But here they are.
Flying away from Amity Park reveals the truly harrowing extent to which this world has suffered under his future self’s hands. There are no intact cities or towns. Roads are broken beyond repair, highways littered with empty cars, most bridges crumbling into the rivers below them, and everything is covered in overgrowth. All signs of humanity’s careful cultivation of the world has been erased. The earth takes back what humans took from it, covering everything in green. 
There is no movement. No people. Barely any birds flying beneath him. 
What remains of the world is silence.
Danny is terrified that there’s no one left. That his future self has so thoroughly destroyed the earth that no human survivors remain. 
That gives his guidance, some idea of where to go: a big city. Any big city, really. 
He flies lower, searching for some sort of landmark, or a sign that will tell him where he’s going. A rusted over green sign farther down the road tells him that he’s 50 miles from Gotham.
Oh, Danny thinks, Maybe Batman can help me.
If anyone could survive the end of the world, it would be the superheroes, right? If anyone stands a chance at defeating his future self, it would be a superhero. Superman might have been a better choice, but Metropolis is the opposite direction and multiple states away; Danny’s not sure he can make it before his future self catches wind of him and hunts him down. 
Danny has no doubt about what would happen to him if he’s caught; there’s a reason he hasn’t seen any ghosts around, after all.
Gotham is a city of secrets and rumors. What little he’s heard of it is baffling and, frankly, insane. There’s no city in the country like it and Gothamites prefer it that way, stubbornly loving the home that will kill them. For all the manmade horrors they survive on the daily, they would be more prepared for the end of the world than anyone else. 
Gotham may be another casualty of his future self’s destruction, but it also offers him hope.
Danny follows the broken road towards Gotham, pushing himself to fly faster than he ever has before. What should have been a half hour flight is completed in fifteen minutes. 
As soon as the towering buildings of Gotham, dark and semi destroyed, come into view, Danny drops from the sky and returns to human form. The strain from pushing himself has exhausted him and he feels it like an ache in his chest, his heart twisting and trying to burst from how hard it’s beating. 
He collapses to his hands and knees and gasps for breath on the outskirts of Gotham. 
It takes a good few minutes to calm down and breathe normally, then another to gather his strength to stand up and begin walking. 
The world is eerily quiet as he enters the city, feeling the chill fall upon him as he is consumed by the shadows of tall buildings. It’s much more intact that Amity Park, but there’s no denying the destruction that still surrounds him. Buildings are empty and worn down, decaying and slowly being consumed by new growth. Burnt out husks of overturned cars fill the street, leaving Danny to carefully pick his way around them, unable to walk in a straight line. 
He feels like the only person in the world. He feels like he’s being watched by a hungry eyes. 
Danny shivers and walks faster. 
The deeper he goes into the city, the more he starts to hope that he’s not alone in this world. There’s small signs of life: the smell of smoke, recently burned, certain streets cleaned up, makeshift walls constructed from rubble to block access to certain areas of each block.
He swears he can see people move above his head, but anytime he looks up, the windows of every building are empty. 
“Batman,” he whispers to himself, “I just need to find Batman.”
He turns a corner and continues walking. Apartment buildings give way to stores and businesses, all with their windows broken and nothing on the shelves. Then the buildings end abruptly and he’s left staring at an overgrown park that resembles a jungle more than it does a part of the city.
The scent of something sweet lingers in the air. Fruit, perhaps, or flowers. 
If he was left in the aftermath of an apocalypse, he would go to where he could find growing food. If there’s anyone left in Gotham, he’s willing to bet they’re in here, surviving off of what food can be grown in the confines of the park. 
Danny crosses the road and takes three steps onto the grass before someone appears beside him and points an electrified baton at him.
“Who are you?” they demand, eyes hidden behind a cracked helmet, but the bottom half of their face is visible, revealing scars crossing on dark skin. 
Danny takes a step back, eyeing the electric baton warily, and lifts his hands to show he means no harm. “Danny. I came from out of town. I was hoping to find people here.”
“You don’t look like you’ve been traveling.”
His clothes are clean and intact and he has none of the world-weariness that weighs down this Gothamite. Danny winces, and says, “My situation is kinda complicated. But I did just get here. I’m looking for help, actually. Do you know where I could find Batman?”
There’s a long moment of tense silence, then he hears a quiet sigh and the helmet comes off. An exhausted looking man looks at him with one blind eye, turned a milky white, and his voice is low and stricken as he says, “Batman’s dead. But maybe I can help you.”
“Batman’s dead?!” Danny repeats, shocked.
“Yeah. Sacrificed himself in one of the last times Phantom attacked Gotham. Got me and Nightwing out of that encounter alive. We’re really the only heroes left in Gotham, not that there’s much need anymore with everyone trying to survive.”
Phantom killed Batman. His future self killed Batman. 
Danny feels sick to his stomach.
“Oh,” he manages to say. 
The man’s expression softens. “Don’t worry, we’ll help you as much as we can. Why don’t you come on in? Ivy can get you some food if you’re hungry.”
Danny nods numbly as he follows the man deeper into the park. He walks with ease, taking paths that only become visible when he walks them, leaving Danny to follow close behind. It takes some time before he realizes that the plants are moving out of their way just enough that they don’t trip, and when he looks back, the path is covered again, hidden from sight.
He’s taken to the heart of the forest, where the trees shift to the side to reveal a large encampment of survivors all living together. Beds are strung up as hammocks between trees and rope ladders dangle from branches to help people move up and down. The ground is full of small fire pits, a few in use to make make food, and sections in the back full of vegetable and herb patches, separated by berry bushes. 
The people here all look tired and worn down, but they still smile and speak in light voices, adjusted to a new life after surviving so much horror and destruction. He even spots a few people using powers, or just looking different, including one large man who looks like a crocodile. 
“Pick up another stray?” a raspy voice asks, humor lighting the tone. They both turn to see a woman with long red hair and a green tint to her skin be lowered to the ground by a vine. She’s also heavily scarred and her right arm is completely gone, replaced by a wooden limb covered in moss that moves as if it’s always been a part of her body.
“Hey Ivy,” the man greets, “I don’t think this one is staying. He came to Gotham looking for Batman.”
The words make Ivy’s gaze sharpen, and Danny feels a trickle of dread go down his spine. She’s dangerous and standing before her feels as if he’s in the mouth of a hungry beast.
“Is that so,” she says, voice flat. “How interesting. I’ll let you two talk somewhere more private.” Her gaze flicks to the side, and when Danny turns to look, he can see some of the people in the encampment observing them warily, bodies tense and poised to either flee or attack.
Ivy turns and the plants part for her. Danny waits for the man to begin walking before he follows, trying not to feel trapped as the plants close the path behind him. She takes them to a small pond full of water lilies, gives the man a careful look, then leaves, swallowed up by the plants.
“Is everything okay?” Danny asks hesitantly. “I didn’t mean to cause any trouble.”
“Nah, you’re good,” the man replies, “It’s just that people don’t trust me much.”
“Why? You’ve been really nice.”
The man shrugs. “My soulmate is Phantom. He’s the one responsible for doing all this and killing almost everyone we love. I didn’t know until the first time I fought him, but they hate anything to do with Phantom, including me.”
Danny’s heart stutters in his chest. This is his soulmate.
Most people don’t subscribe to the belief that they’re meant to be with their soulmate. Meeting your soulmate is rare enough that most people don’t try, and plenty of people have spoken of how important it is to have a variety of relationships, to not close yourself off for the slightest chance of meeting your soulmate. 
Danny never looked for his; he didn’t want to subject them to his parents, and then he became a halfa and gave up on all dreams of having a normal life or any relationship with someone who didn’t know he was Phantom.
And now he’s here, in a ruined future, standing before his soulmate who understandably hates him for destroying the world. 
“You’re Phantom’s soulmate,” Danny breathes. His hands are shaking. He wants to cry.
The man sighs. “Yeah. I am. Not that it’s stopped him from trying to kill me. Don’t worry, kid, I’m not working with him. I swear.”
“He’s your soulmate and he hurt you.”
“He hurt everyone,” he says, then gestures at his blind eye. “This is barely a thing compared to what he did to other heroes.”
Danny can’t find the words to expression his horror at seeing the damage he did to his own soulmate. His future self is heartless and cruel and bloodthirsty. He has to be stopped.
He doesn’t want to kill his soulmate. 
“I came here for Batman,” Danny says, “Because I thought he could help me stop Phantom.”
“That’s rough, kid. Batman couldn’t beat Phantom. I don’t think anyone can. We’ve tried, but most heroes are dead and we can’t just go out there and risk the lives of everyone here. We gotta focus on survival, not revenge.”
“I have to stop Phantom.”
“Sorry kid, but that’s a terrible idea. Don’t go out there trying to be a hero. You can stay here, alright? Ivy will get you set up and the others will help you settle in.”
Danny takes a step back and shakes his head. “No. I have to stop him. It has to be me.”
“And why is that?”
“Because I’m Phantom,” Danny whispers. 
The man immediately reaches for his electric batons again, taking a step back. “Not funny, kid,” he says with a tense voice. 
“I’m not joking. I am Phantom, just from the past. I’m not supposed to be here.”
“You’re Phantom?” the man repeats. “You. You’re just a kid, and you’re going to destroy the world one day?”
“I don’t want this to happen! That’s why I need to go back, so I can stop the event that will set me down this path. And to go back, I need to defeat the Phantom that exists here.”
“He’ll kill you, kid.”
“That still solves the problem, doesn’t it? If I die here, then he’ll never live long enough to destroy the world. He’ll die too.”
The man stares at him with cold eyes, then turns away, dropping his hands away from the batons. “Don’t turn this into a suicide mission, kid,” he says. “The Phantom who’s here isn’t you. You don’t have to pay for his crimes. Just… stay here and I’ll go fight Phantom.”
“He already hurt you,” Danny says. 
“What’s a little more hurt? I can handle it.”
“No,” Danny says firmly. He shoves away the fear and hurt in his heart and finds his strength in determination. No more running away. No more hiding. 
The timeline should not exist. He can’t hesitate at the thought of erasing this version of his soulmate from existence; he’s tired and injured and an outcast in the only community that still exists in Gotham. He deserves better. Everyone here does.
And to give them a better life, Danny needs to stop this one from ever happening.
“This is my future. It’s my responsibility. I’ll stop it and make sure this never happens. And… I’m sorry for everything I did.”
“It’s not your fault, Danny. You’re not this version of Phantom.”
That’s not at all true, since Danny’s actions lead to the end of the world, but he’s not going to argue when he’s preparing to fight a stronger, more ruthless version of himself. He takes a deep breath, then goes ghost and floats into the air. 
“Before I go,” he begins, hesitantly, “What’s your name? Since you’re apparently my soulmate.”
The man smiles sadly and answers, “Duke. If we ever meet in your time, tell that version of me to look for my mom’s favorite book.”
It’s an odd request, but if it’s important enough to be asked for, then Danny will do it. “Your mom’s favorite book,” he repeats, “Got it.”
“Take care, Danny. Good luck out there.”
Danny nods and takes one last look at his soulmate, older and worn down, stubbornly getting through each long day, and swears to make things better.
Then he flies off, ready to fight his future self and make things right again. 
. . .
He thinks of his soulmate for years after he’s back in the present. The timeline where his future self exists is gone and the world is safe, but he still remembers the pain he caused Duke. 
When the time comes to apply to universities, Danny sets his sights on Gotham. His parents take him on a trip during spring break to tour the campus, and it’s after the tour, as he wanders around on his own, that he bumps into a student walking out of a building.
“Sorry,” they both say at the same time, reaching for each other to help each other keep their balance. 
As soon as their hands meet, it’s as if lightning runs through him. From the look on the other guy’s face, he felt it to. 
This is his soulmate.
“Duke,” Danny says, amazed and disbelieving all at once. And the request crosses his mind, something he wondered about almost every night since he returned to his time. “Look for your mom’s favorite book.”
“How—?”
“I met you in the future. You asked me to take back a message for the you that’s here. So: look for your mom’s favorite book. What does that mean, by the way? I never asked.”
Duke blinks, then slowly retracts his hands from Danny’s. “My mom’s favorite book was a hand bound journal from my dad. They were soulmates and he wrote about their first year in a relationship together. It’s full of pictures, and she loved it more than anything. That message is to remind me to have faith in soulmates, to believe that something good can happen to me.”
“Oh! That’s… wow, sorry, I didn’t mean to pry into something so personal.”
Duke shrugs. “It’s fine. I needed the reminder. I would have already run away by now if you didn’t say that. You already know my name, but I think now’s a good time to introduce ourselves.”
“Right!” Danny says, flustered. He sticks his hand out, which Duke shakes with an amused smile. “I’m Danny. Fenton. I’m coming here next semester.”
“Duke Thomas. I’m a freshman here and I’d really love to get your number.”
He’s not hitting on Danny, not really, but it still makes him blush. The way Duke looks at him is full of light and laughter, so different from the exhausted and wary way he looked in the future now rewritten. 
This is what the future version of himself tried to kill. He doesn’t understand how anyone could ever hurt Duke when he’s so full of life. 
But he’s safe now. Everyone is; Danny changed the future and what lies ahead is wholly unknown to him.
The world is safe and full of promise. 
No matter what comes, Danny is sure he and Duke are going to be just fine.
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mossghosst · 3 months
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thing i made earlier
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espato · 1 year
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A difficult mission leaves Akechi weak. Does anyone know his address? Now how do we open the door? He should have something in his briefcase...
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rabbiturtletunnel · 3 months
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disapointed leo👀
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Raffaello and Mikey play football while Leonardo meditates, and Mikey kicks the ball against a lit candle, causing it to fall, causing a fire, and the smoke reaches the lifesavers who turn on a red light simulating the fire and throwing water to put it out the fire.
and thats leonardo's face while everyone goes in pain for the fire
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faeriekit · 1 month
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Health and Hybrids (XX)👽👻💚
[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]
🖤Chapter navigation can be found here🖤 Click to browse previous updates.
💚 Ao3 Is here for all parts (now featuring mediocre mouseover translations, only available on a computer)
Where we last left off... A LOT of readers google what an "ostomy bag" is! Danny reestablishes his comfort with the Arabic numeral system!
Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.
💚👻👽👻💚
The next time Diana comes to visit her charge, her gloves are blue. Her scrubs are a pale pink. She is given a new face mask, and a new hair net, and walks through the double doors without needing to be buzzed in.
Alright. Perhaps the boy is not genuinely “her charge”. Still, he is hers to protect and to keep; although her position is, officially, as security to the medical team working with their young patient, the medical team knows as well as she does that the boy does not genuinely intend harm.
Is he prone to outbursts? Perhaps, but very few of them are powered. It is entirely understandable too, according to the mental health professionals on board the Watchtower: trauma affects how well one comports oneself and how one interprets their environment. They may see things, hear things, or misunderstand things, and believe they are under threat. The circumstance makes for a great deal of residual fear and mistrust.
Diana was once raised amongst communities of women with few untouched by battle fatigue. She recognizes the signs of lost time and of reawoken fear. She understands what battle-weary warriors are truly fighting against.
A doctor and a nurse mumble a greeting as Diana passes by them. “Morning, Wonder Woman.”
“Good evening,” Diana returns, eyes crinkling. One nurse visibly glances out the window—and then smiles, sheepishly, having forgotten their location in space. Time zones on the Watchtower are often…flexible; Diana, however, has only just returned from her day job. “How is the patient?”
A doctor jerks their head towards the monitor. It is only ever left on if no one else is in the room; privacy is key to recovery. The active monitor means that the medical team has left him alone for now. “Take a look. You might have to go kid wrangling again, Ma’am.”
Alright. Diana obliges them.
On the monitor, in little stick-figure form, are three figures, all sitting or crowded around the room’s singular bed. Her patient sits in his little white gown, legs still as ever, as Impulse drapes himself across the bedspread, and Robin (ex-Robin? Third Robin? Doesn’t he have a new name now?) stands at the bedside.
The Speedster wiggles, mouthing out words she can’t hear without a microphone. Robin is focused on something in his hand—a tablet, perhaps? If Impulse is chattering into the air, then Robin is short on answers; her charge, in comparison, looks back and forth between them, likely unable to understand what the two are up to.
Diana’s mask catches her sigh. “Busy, are they?”
“Do you think you can hold the red one down long enough for a refresher on proper PPE usage?” the doctor begs. The question appears to be genuine. “They just zoomed in a little bit ago. We’ve been trying not to disturb them, but without masks and gloves…”
…Her charge was still at risk for possible contamination or infection, as they couldn’t get consistently accurate test results on his immune system. Diana hummed. She could see the problem.
“I shall. Buzz me in, if you will.”
“Yes, ma’am!”
The door clicks open. Diana strides through, unafraid of teenagers or similar ilk, and content with her position as designated scolder.
And, to his credit, the Robin at her charge’s bedside recognizes Diana’s lack of enthusiasm with the situation, and winces with artful precision. Silly boy— as if Diana would believe that any Bat would be ashamed of breaking a rule if they had already chosen to break it. She cannot help but be fond of each Bird’s eccentricities in their own ways. Robin hides the contraband food in his hand behind his back.
Impulse, however, hardly notices her approach, draped over her charge’s casts as he is—a whiteboard in his hand, furiously scribbling away at whatever attempt at communication he has decided to test today. Having met several male teenagers in her recent years, there is a decent chance he has been drawing genitalia as well.
Diana politely coughs into her mask. The gesture is entirely performative. Robin responds by hiding a separate can of energy drink—opened—on the side table behind him, in the hopes of hiding it from view.
Impulse, who failed to notice her arrival, continues to scribble. Occasionally there will be a burst of superspeed, but it will be in contained little bursts. He likely either wants to preserve the marker, or he is taking more care with his attempted art than usual.
Her charge looks up.
His eyes are still a concern—glazed with a green film, they jitter back and forth ever so slightly when he tries to focus on any one object in particular. He hasn’t indicated any discomfort with his eyesight, however, so it hasn’t been addressed beyond documentation.
The crack in his face—from two inches above his white, nebulous hairline and trailing down to his chin—is visible evidence of an injury or gouge of some sort, with new pink skin all around the edges as the only visible sign of inhuman levels of healing. Diana has seen a number of scars, and a number of healed, gaping wounds, but it is occasionally unsettling to set eyes on her charge and see the still-healing brain matter, skull, and inner sinus cavity through a viscous, green, not-quite-organic wound filling material.
There seems to be a consistent rate of healing, though. Diana can only hope that recovery is possible.
“Good afternoon,” Diana greets softly. Her charge’s discolored fingers flex as his face turns to look at her. “Are you well?”
His green-tinged lips part and then come together again. He’s not not paying attention—he listens very well, and has begun to use certain words in English to compensate for his need for communication. That being said, Diana has little idea what he is and is not capable of understanding.
Impulse, however, finally recognizes the newest occupant in the room. “Wonder Woman! Uh—we totally had permission to be here this time! Promise!!” he offers, immediately switching from someone gleeful to see her from someone remembering their misdeeds.
Diana is very lucky that her mask covers her fond smile. If it is her job to be stern today, she ought to live up to the task. “Did you, now?”
Impulse beams sheepishly, and rolls off of the casts of a bemused half-alien boy. “Yes! Remember last time when the nurses all said I could ‘come whenever’ and ‘bring a friend’ and—“
“You were asked to buzz in ahead of time and put on your protective gear?” Diana finishes, wry. Before she is able to scruff him appropriately, however, the superpowered boy is already gone and back—now with an askew hairnet, an upside-down surgical mask, and gloves a size too large for his hands.
“So I did that!” Impulse protests, the mask moving unnaturally over his face. “Look! All dressed up!”
It is a well-intended last minute effort. Alas, it would all be for naught. Diana scoops up a squawking speedster by the nape, and a now-blinded-by-a-misplaced-surgical-mask Robin, and trots them both back to larger medical.
“One moment!” Diana tosses back to her charge, who is, understandably, concerned.
Still. It takes Wonder Woman, two nurses, and a paraprofessional to successfully sanitize and gear up an uncooperative speedster. Robin sulks through the entire process, but capitulates to it with more grace.
Her charge’s green eyes shine and his fingers curl around his few personal possessions as Diana returns to him his companions; she wishes, so dearly, that she could ruffle his pale hair. “All done!”
The teenaged heroes sprawl across his bed just as casually as they had before—if better prepared for their environment. Robin largely gives her charge his space, careful not to impede where he isn’t wanted, but Impulse freely shares affection that her charge, at least, does not visibly deny.
Diana has her own routine to complete. She heads for the intravenous injection bags, pulls out a fresh one, and cracks the seal. After that, it’s shaking to mix the concoction and a fresh replacement.
Impulse grabs one of the toys off of her charge’s side table and brings it into his lap. The board is tilted, and all the slotted-in pieces fall out. He spends some time sorting them by shape, and then by color, until her charge lifts trembling fingers to pick them up, very carefully, one by one.
She’s impressed. His pincer grasp recovery has not been consistently smooth sailing. “Excellent work,” she praises.
Robin looks up from his tablet. Impulse looks back at her and beams. Her charge gives her a brief look, observes that she doesn’t need anything from him at the moment, and gets back to sorting the little pieces back into their allotted slot.
Impulse rests his chin on the steel arm bar of her charge’s cot. The pose seems…uncomfortable. “Hey, Tim. He got them all right.”
Timothy Robin taps away at his tablet—no doubt taking down documentation of his own. Diana can’t help but feel affection; every Bat and every Bird is so nosy, but if she wants to actually see those notes on her charge, she will have to press Batman for them with a reasonably-sized threat.
“Really?” Robin asks, eyes on the screen. “Do you think the pieces were matched based on color, or actual understanding of the numerical system?”
Diana looks down, line in her hand as she reconnects the intravenous bag. The toy in her charge’s lap is a mock clock face. Each of the numbers is printed onto the removable piece, in different cut-out shapes, and painted different colors.
The atmosphere changes. The air itself tastes different—something like electricity sparks on her tongue. And then it’s gone.
“No, he’s looking to put the clock face back in order, specifically,” Impulse confirms. Ah. Speedforce. Diana should have been able to recognize the feeling by now. “He’s kind of annoyed, actually. It’s like a baby toy.”
“Well, it is a baby toy.” Robin taps away.
“Yeah, that’s why it’s annoying. He knows he should be able to do it.”
Impulse buzzes again, and her charge hums, stuffing his flat hand between the board and the sheet until he can tip it over without grabbing at it. He repeats the same process, the only difficulty stemming from his shaking grip and his shaking eyes.
The urge to pull him close and pet his hair is understandable, Diana reminds herself, but not conducive to his long-term comfort. She smiles at him, as best as she can behind a surgical mask, and discreetly checks his drainage bags to see if they need replacing while she’s already close.
“All’s well,” she declares at last, finished with anything that isn’t social. Thankfully, having two teenagers in the room takes care of her charge’s most frequent issue—boredom. She claps her hands together, and her charge looks up at her, eyes vibrating. “Do you require anything?”
Her charge looks at her. Her charge looks at his friend. “Ouatair?” he tries to enunciate, tongue thick against the green-filled split in his hard palate. “Pleese?”
“Ithinkhewantssomewater,” Impulse rushes to translate, but Diana already knows this request. The water provided is chilled in a refrigerator, and it takes no time for her to find sanitized cup and straw—steel, so as to be safe when dropped, and relatively uncrushable, with a handle for simple gripping.
She presents it to him grip-first. His expression is grateful, and frustrated. No warrior wishes to be in the position of needing constant. Diana can understand the wish to do things on his own.
“Soon,” Diana offers, voice a whisper. “You’re already better off than before.”
Her charge grumbles into his cup. His tongue, half-green, finds the straw for him; he chomps down on the straw, slurps as loudly as he can, and sulks.
Teenagers. Diana finds herself unable to understand how Bruce has so many of them, and understands perfectly well how easy it is to take on a child in need and make them your own.
The cup goes back onto the side-table, half-empty.
“Hey,” Robin starts again. He puts his tablet to the side. The white board is pulled out of Impulse's hands and goes onto her charge's lap, and with only a little whining. “How’s this?”
Her charge mumbles something neutral. His eyebrows scrunch together, but he takes the offered blue marker from Impulse and lets the boy uncap it for him.
“Yeah, it’s more adult or whatever,” Impulse encourages. Her charge sticks out a green-mottled tongue, but takes the marker to the white board and writes. Robin peers over his shoulder to watch. “It’s just the alphabet. A, B, C, D~!”
Her charge hums the tune back to him, continuing seamlessly where Impulse left off. The teen hero beams.
Diana stills.
“Yeah, you got it!” Impulse encourages, and peeks over the edge of the board to see her charge hard at work. His letters are wobbly, certainly, and there are some that he misses, but the alphabet song is a longstanding English-language tradition. He know it. He knows it by rote.
“You missed the ampersand,” Impulse points out. Her charge scowls through the fissure in his face.
…There is no reason for Diana to get excited. Yet. Robin-the-former is already jotting down his own notes, pleased with his observations. There are many reasons and many ways this teenager might have picked up the song. J’onn famously picked up on Earth’s radiowaves before being transported to Earth; this could be further evidence that her charge has some connection to Earth, or it could be a connection to something more bizarre and unusual.
There is no shortage of unusual events these days.
And, of course, Diana runs out of things to do. She smooths down her charge’s blanket, which he hardly notices in his frustration. She refills his water. She is tempted to go grab her copy of The Art of War from her bag in the other room, which she has read before, but which she is rereading at behest of Bruce’s newest initiative: Tactical Book Club. She is optimistic about the opportunities for further education this will provide her comrades-in-arms, if not underwhelmed by the reading material. As long as the teenage heroes are in the room, Diana is obligated to remain with them, in the event that the danger level might…fluctuate. A book would give at least the semblance of privacy to the three.
Her charge makes a noise. “Hay!”
Diana looks up. In shaky hands, resting on his lap, he holds up a largely complete alphabet. There are one or two shaky letters—thorn, which is fairly common, and eth, perhaps less so—but otherwise carefully drawn, very neatly done.
“Excellently done,” Diana praises. The alphabet is a triumph of the physical work it takes to heal.
Her charge beams through his craggy face, buzzing with delight.
"I dunno," Impulse teases, upside down on her charge's legs. "They're kinda wonky."
The boy's face scrunches, smears the color away with a swipe of his arm, and draws something else.
The board shakes with his exertion as he lifts it back into place on his lap, and Diana allows herself to sigh, audibly; sure enough, as she had expected, there is a misshapen, blue, cartoon representation of a penis.
Robin full-on cackles with surprise, but Impulse falls of the bed with laughter.
Unfortunately, it is now Diana's job to figure out how to scold a teenager, and one who speaks no known language besides. Based on the resulting expressions she earns, Diana is unsure if the scolding works, but. Well.
...She tried.
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explodingstarlight · 1 year
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EEPY EEPY EEPY EEPY >:(((
andddd the cropped version 🤙
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