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archangelofzion · 2 days
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*dreamy sigh* oh I loved that scene in Coda where Beth threw herself into Daryl’s arms and he just whispered softly to her that he was there and then they sat by a fire later on, her head against his shoulder before asking him how he survived, and he looked softly down and said “To find you.” Then they shared a tender, passionate kiss and the episode ended. 😌
NO YOU’RE DELUSIONAL!!!
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battleswanofciya · 2 days
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Bethyl shippers be like: It WaS a SeRiOuS pIgGyBaCk😭
It’s me, I’m Bethyl shippers
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brokentofuthinks · 6 months
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✨Domestic Bethyl (AI) Pt. 1✨
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galadrieljones · 10 days
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Daryl's Arrows: Symbolism, Pt. 1 (Green and White)
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It has been a while since I've made a TD post. I'm hoping to make a comeback these days, and in my first attempt to do that, I'd like to talk about a topic I've been paying attention to for several years now: the symbolic nature of Daryl's arrows.
Daryl's arrows change color over the course of the series, as I'm sure you've noticed. In the past, we've seen colors and color combinations including red, yellow, green, white, and black. Sometimes they're dirty. Sometimes they're tattered. Sometimes they're pristine. Sometimes they're seen and not used. Colors in TWDU always mean something, and Daryl's arrows are no exception. In this series of posts, I want to look at how Daryl's arrows are used as foils for his psychological state, and how they often reflect his relationship and symbolic proximity to Beth. As one of the most visually compelling characters in the series, Daryl and his vast inventory bear many clues in terms of how he feels and where he's headed. With Daryl, who is a stoic character, what we see is often much more important than what we hear.
First, just for reference, in case you're unfamiliar with the anatomy of an arrow, I'll be referencing two key parts in these posts: the FLETCHING (or feathered "wings" around the back of the arrow), and the NOCK (the, often colored, slotted tip at the end of the arrow, opposite the arrow point, aka the arrow tip, or arrowhead).
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The changing color of Daryl's arrows is not confined to just the fletching. His nocks change color as well and are equally important.
The Prison: Green
As is everything with Team Delusional, this analysis originates with Scott Gimple, and like so much else we are still striving to understand, episode 3.12 "Clear."
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If you look closely at the shot from above, you'll see Daryl's *new* crossbow, leaning against the gun rack on the righthand side of the screen. Daryl begins the series with a much simpler design. The pictured more advanced compound crossbow is given to him by Michonne and Rick, after they bring it back from Morgan's cache, which is like Gimple's magical well full of hints and symbols. Beginning in the very next episode "Arrow on the Doorpost," Daryl trades his old crossbow for the new one, which he will use *almost* (more on that later) exclusively for the remainder of the series, and which he still uses now (or did up until recently, when he lost it in Portland, ME).
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Daryl's *new* crossbow (pictured above) is special, because when it's given to him, it contains arrows with special, alternating green and white fletching, as well as green nocks. It's important that this crossbow and, more specifically, THESE arrows, are gifted to him, as opposed to being choices he made for himself, and I will talk more about choices soon.
"Clear" immediately follows the mini-arc in season 3 in which Daryl leaves the prison with Merle and then returns. The theme of coming "home" is pervasive in TWDU, particularly with Daryl, who, for much of his character arc, has seemingly been without one. Further, the act of making a decision to settle down, to stay in one place, to commit himself has unabashedly occurred to Daryl only two times over the course of the series: 1.) In the episode "Home," when he chooses to return to Rick and the prison, even if it means leaving Merle behind, and 2.) in the episode "Alone," when he chooses to stay and to "make it work" in the funeral home with Beth.
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Every other time Daryl has decided to "settle down" or to "stay" somewhere, such as Alexandria, the Commonwealth, and the Nest in France, it's either been because of inertia, coercion, obligation, or some combination of the three.
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Perhaps you can see by now that Daryl and decision-making are important factors to this character analysis. The truth is, Daryl is a passive character. He doesn't make many decisions that are driven by a strong internal motivation or code. He makes decisions because they're easy, because they're what he *should* do, or because they're what someone else told him or asked him to do. Very rarely does Daryl make a choice based on his own desires or his own code. He is reactive at times, ie: He makes emotional decisions driven by rage, revenge, annoyance, etc.. But these are not deliberate choices. They are passionate, in the heat of the moment, and he may even come to regret them or to change his mind.
We can see this clearly at the end of Daryl Dixon season 1, in which we really have no idea whether Daryl desires to stay in France or if he desires to go home. We don't know if he's going home simply because he thinks he should, or because he truly wants to, or because he just has some chip on his shoulder about staying. We don't even know if he considers the Commonwealth, or Alexandria for that matter, to be home, because he didn't choose either of those domains for himself. They were chosen for him, and he's just sort of been drifting in and out ever since. If anything, in the first season of DD, we learn that Daryl seems to be a man without a home, and a man without strong motivating factors to make choices, or to act.
We learn in Daryl Dixon that one very important potential motivational factor for Daryl that is entirely missing from his life is that of a family of his own. And no, I don't mean friends, or found brothers and sisters, or nieces and nephews. I mean a wife and children (his OWN children, not Rick's children).
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SO what does this have to do with Daryl's new crossbow? Well, first of all, Daryl's crossbow is gifted to him, a bit of "supernatural aid" to help him along on his hero's journey. The arrows, as well, are a gift. In the second half of season 3 and the first half of season 4, we see Daryl display unprecedented feelings of happiness and a focused purpose. He is given this chance, but ONLY once he chooses to stay.
In 3.10 "Home," Daryl makes his first major choice, which is to return to the prison, aka to return home. Once he starts using his new crossbow, he will then use the green and white arrows exclusively for the rest of season 3, all of season 4, and some of season 5 (until the episode "Spend"). The one major common denominator to this run is his proximity to Beth.
The color combination in these arrows is green and white, which parallels clothing and jewelry worn by Beth in the first half of season: Beth's earrings and her outfit in 4.1 "30 Days Without an Accident," and Beth's outfit in 4.2 "Infected."
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The "Beth lookalike" dead girl in "Infected" shows an interesting juxtaposition as well.
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In 4.4 "Indifference," one of my favorite examples of foreshadowing for Daryl and Beth, in a scene in which Daryl's arrows look very green against the verdant landscape, Daryl finds a rare piece of green jasper on the ground. As he's cleaning it off, Michonne initially responds suggestively, smiling, as if she knows something we don't. She says, "It's a good color. Brings out your eyes."
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Daryl responds quickly, correcting her to say that it's for Mrs. Richards, who has become ill. But this surprises Michonne. That's clearly not who she thought it was for.
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The piece of green jasper that Daryl finds looks suspiciously like the stone Beth wears in her earrings. Toward the end of the episode, Daryl can be seen studying the jasper pensively in the car while the rest of the team gets ready to go. This moment is rarely discussed, but I believe he is actually thinking about Beth when he holds the jasper that day, ready to return home from a long, hard journey. I also think Michonne might have known that something was going on. Of course, we may never know the truth on that, but Michonne is a romantic character, and if anyone was going to notice Daryl's feelings for Beth, it might just be her.
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Remember that green jasper is rare. It was chosen here for a reason. It is viewed as containing powers of protection and healing, as well as relief from obsessive behaviors and compulsions. You can read more about the properties and historical significance of green jasper here.
In any case, the color green is, of course, easily attributable to Beth, whose last name is green. This is specifically true when it's seen around Daryl. When it's seen around Rick, we might alternatively associate green with Hershel. But while Hershel might be Rick's "Greene," Beth is Daryl's "Greene." And when Daryl's arrows "trend" green, that means that her story and her relationship to him is creating psychological friction with his character on screen. It means, not only that she is "with" him, but that he accepts her there, and he is still the man he was trying to be at the time that he first chose the prison, and the time after the prison that he spent with her.
The connection between Daryl's arrows and Beth begins literally, but after "Coda," the connection becomes symbolic. We'll get there soon.
I also do want to point out that though this connection is somewhat subtle in season 3, once we get to season 4, with Gimple at the helm, the connection becomes much clearer and more overt. This supports the hypothesis that Beth and Daryl are Gimple's "pet" creation, something he always wanted to explore but never could, because they and their relationship are not a part of the comics. But via Daryl's arrows, he is able to keep their relationship alive in the background.
After the Prison: White
After the prison, when Daryl and Beth are physically together, and then we transition into Daryl's search for Beth in Atlanta, Daryl's arrows remain the same: alternating green/white; however, some unique shifts occur, in terms of emphasis.
Here's a shot from "Inmates," as Daryl pulls an arrow out of a walker's head near the train tracks.
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This shot is from "Alone."
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And here's one from "Consumed." This is one of my favorite shots of Daryl in the entire series.
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In all of these shots, the arrows, which alternate green AND white for fletching, are specifically arranged in front of the camera so that the fletching looks entirely WHITE. White arrows are angelic in nature, protectors. They accompany Daryl and Beth’s discovery of the deceased innocents from the bus, imploring faith that not all hope is lost, as some of the children lived. They accompany Beth as she shoots Daryl’s crossbow near the cemetery, once again calling on us to "have a little faith," as even though Beth is caught in a trap, she is rescued by Daryl. And as you can see in the shot above from “Consumed,” the two white arrows literally resemble the wings of an angel, balanced delicately on Daryl's shoulder as he gazes out over the city, eventually seeing the Grady van in the distance, a major clue.
Note that per the "Consumed" shot, we see this same arrangement, double-white, from two separate angles, showing its purposeful nature. The first, just Daryl from the side (above), the second, both Carol and Daryl, head-on (below). Though they mirror one another in body language, Carol looks down, unsure of her fate. Daryl looks straight ahead, a man of conviction.
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In "Consumed," Daryl is communicated as a hopeful, motivated man, helping Carol through her crisis of faith and disconnection from her purpose and identity as the two of them search Atlanta for signs of Beth. He finds and takes the book about overcoming child abuse, a clue that he is making conscious choices to get better, and he is entering a real path to renewal and self-improvemet, all thanks to his time with Beth. Note, too, that angels do not only flock to Daryl via his arrows. He is also protected in the falling van, by the crucifixes on the back windows, and the holy Mother Mary, watching over him from the dash. In the shot below (right), you can also see, once again, the duality of body language between Daryl and Carol. Daryl is braced, staring straight ahead, ready for anything, while Carol, in her crisis of faith, breathes heavily and cowers in fear.
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Carol endures bad injuries from the crash, which are worsened when she is hit by a car. Daryl, however, emerges without a scratch. This theme of protection and indestructibility, for Daryl, will return in the future. In the episode, Carol tells Daryl that he has "become a man" now, and we see him perhaps as driven and committed to any cause as he will ever be. That cause is finding Beth. You can see this once more very clearly in the final shot of the episode, in which even Noah notices, looking at him like “WTF did I just walk into?” For the third time, too, we see Daryl noticeably squared up, facing straight ahead in the shot, showing commitment and determination, while Noah's expression is unsure.
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Also, if you look closely at the shot above, you can see, one more time, a single white, angelic arrow, perched just above the dash.
Daryl shoots one more white arrow over the course of the series, but it's not for a very long time. In 6.15, "East," just before the group is ambushed by the Saviors, Daryl, angry about Denise, having had his crossbow stolen by Dwight in 6.6 "Always Accountable," goes out searching for Dwight to take his revenge. In the scene, Daryl wanders a clearing as the bright sun shines down upon him, directly reminiscent of the sun coming through the trees in "Them." So reminiscent, in fact, that it is the same exact shot, just inverted both horizontally and vertically and adjusted with a red filter. Quick aside: Below, you can see the original two shots, the lefthand shot from "East," the righthand shot from "Them."
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Now, here are the shots again, with the shot from "East" on the left, inverted once, horizontally and vertically. You can also see the red in how it colors the light filtering through the trees. This communicates that since Beth's death, which he was directly morning underneath the tree in the shot on the right, Daryl's character has been "upside down." He's messed up. What was right is now wrong, and what was wrong is now right, and his descent lies ahead.
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Michonne, Rosita, and Glenn come after him, to try and dissuade him. When they do, Daryl shoots an arrow right past Rosita's face and into a tree. That arrow, the last of the green/white arrows we will ever see, appears entirely white in his hand and foretells that in the confrontation to come, Daryl, unlike two of his brethren, will be spared.
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In my next post, I'll move on to Daryl's red arrows, focusing on Noah's death, 5.15 "Try" and 5.16 "Conquer," as well as 6.6 "Always Accountable," Denise's death and what this all means. I believe that, over the seasons, Gimple has found small ways in which to show that Daryl has been continuously protected by Beth's presence, but that, in his darkest hours, he is not always eager to accept it. 💫
I'm going to tag some other TDers in these posts, just for reference. If you'd like me to tag you in future posts, please just comment here to let me know, and I will! ❤️
@wdway @twdmusicboxmystery @frangipanilove @angelthefirst1
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angelthefirst1 · 1 month
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Umm...
So...♾️♾️♾️
I just realised that the last episode of The Ones Who Live will air on RESURRECTION Sunday 🧐😵✝️
That is not a coincidence!
They could have picked any day to release the last episode, but chose that day!
The end (episode 6) of Rick's story beginning again (TOWL season 1 ) is on the same day that Christ's resurrection is being remembered...
The beginning is the end ♾️
When Rick is revealed at the beginning of the season, he is called Christ...
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Christ, is that him? Michonne nods yes...
Is it a play on words? Yes.
But it's also an eclipsed/hidden but very deliberate way to mark Rick as Christ.
The last episode will air on Resurrection Sunday. Fulfilling the beginning and end.
Beth and Rick's stories are intertwined often reversed, so this is intriguing to me!
I'm truly starting to think that this is the year we get Beth. Too many things are lining up including the fact that Beth (in real time) has been gone 10 years, while Rick (in show time) has been missing 10 years.
10.10 get well soon.
Do I think we will see Beth or a clue to Beth in episode 6 of TOWL?
Maybe...it's actually very possible due to resurrection Sunday.
Maybe we get a hidden coda, like Morgan, but this time the mask stays on.
Who knows... I'm excited to see, but what I'm more interested in is this beginning end pattern because what comes next (after TOWL ends) in TWD universe will be another resurrection.
Enter The Book of Carol.
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I pine for Summer ☀️
The last episode (episode 6) of TOWL, airing on RESURRECTION SUNDAY, is called The Last Time...
Emily released a song called Last Chance not long after she finished on (ended) TWD.
Many who heard the song Last Chance thought it sounded like Emily was writing it about Daryl and Beth, and she was.
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Emily's very first album (first = beginning) was released just after she left (ended) The Walking Dead, and Last Chance (which really indicates both Beginning and end) was a single on it. So, could the episode "The Last Time" be the signal for Beth's return or beginning?
It's all starting to line up.
The album, the song "Last Chance," is off, is called This Is War.
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In the comics, Andrea wakes from a gun shot to the head during the war with the Governor.
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The bullet just gazes her but knocks her unconscious. I am convinced Emily was referencing this war in the title of her album.
No doubt, the end of season 1 of Rick and Michonne's story will also lead to a declaration of This Is War with the CRM. I guess we will wait and see for that one, but we know war is building.
Now Rick wasn't the only one marked as Christ, in fact he was the second or "last" one marked as Christ in TOWL Gone.
The first one to be marked as Christ is...
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The sister that was left behind aka a representation of Beth.
Beth was marked as Christ here first (at the beginning of Gone) in the timeline, while Rick was marked as Christ last (near the end of Gone).
We see Rick on-screen before he gets marked as Christ, but Beth gets marked as Christ before we see her.
The time to finally see her again has to be close. Very close.
I also want to add one other extremely unusual thing I discovered, and it's in relation to the X eclipse that is coming up a week and one day after resurrection Sunday on April 8th.
For those who don't know, there will be a solar eclipse on April 8th in the US, and it's been nicknamed the X eclipse, because the path that the eclipse will take, makes an X in conjunction with the path of the last solar eclipse of 2017.
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How is this related to Beth and Daryl?
Well, remember the episode "Find Me" with Leah?
And the solar eclipse they look at together, while Leah all but repeats Beth's line of "Don't you think that's beautiful?"
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The eclipse in "Find Me" is the twin eclipse related to the upcoming eclipse the week after resurrection Sunday.
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Leah was a shadow of Beth, I would now even be bold enough to say she was a blocked or eclipsed version of Beth.
Eclipse means an obscuring of the light from one celestial body by the passage of another between it and the observer or between it and its source of illumination.
In other words, the light or reality is hidden from view.
Well... I spent some time figuring out the timeline of this moment where we see the solar eclipse with Leah and Daryl.
And I'm not kidding you. They are looking at a solar eclipse in 2017.
Most commentators on TWD timeline place Rick's disappearance and being taken by the CRM at the 2013 mark.
The episode "Find Me" actually gives us a good calendar to work by in finding out how much time passes from when Rick goes missing up until this eclipse that Daryl and Leah look at.
First, we see Carol say to Daryl...
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It's been 2 years of Daryl looking for Rick.
OK, so Rick went missing at the 2013 mark, and now it's 2015 (two years later)
We then see additional time jumps marked, adding up to 2.5 years...
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Placing us in 2017!
Leah and Daryl's story was a shadow of finding Beth.
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I've talked a bit about how 10's and X's are symbols of Beth's return, so this is an interesting, albeit odd addition to the X symbolism.
10.10 get well soon flipped ♾️ is 01.01 which represents the beginning and end.
Jesus said
‭‭Revelation 22.13
I am the Alpha and the Omega, the First and the Last, the Beginning and the End.
He also said
Revelation 22.12
Look, I am coming SOON!
X is 10 in Roman numerals, obviously, and we are also coming up to the ten year mark from when Beth "dies."
The current walking dead timeline for Daryl Dixon season 1 places us somewhere in 2023, so a question I have is...will we, at some stage in the future, see Daryl and Beth looking at the X eclipse of 2024 in a fulfillment of the 2017 eclipse...
Emily also wore this hat and posted a caption with it, "Don't F with me today Zombies".
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She posted this back when filming was taking place for season 5, but we never saw the footage reported on from that time.
The crown on the hat is made up of X's that make diamonds, and it combined makes the upside-down pyramids, all of which are related to Beth and Sirius returning.
Make of that what you will.
I'm working on a future post to lay out how both Consumed and Find me are road maps to her return.
Both those episodes focused heavily on Daryl and Carol off together.
She is coming soon... Beth means house of, and she's marked as Christ.
House of Christ.
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frangipanilove · 24 days
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An Upcoming Easter Miracle, Foreshadowed By Jesus in 6x10…?
And just to be clear, 6x10 The Next World was when Jesus was frist introduced to the TWDU...
The opening minutes of TOWL 1x5 mirrored TWD 6x10 like a carbon copy.
We had cold drinks:
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We had finding food in cars:
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We had drinking soda sexily:
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We had spearmint and baking soda flavored toothpaste:
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We had interrupted sleep:
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Right after Rick and Daryl find the food truck in 6x10, Jesus suddenly appears before them. He comes out of nowhere, and as he does, he delivers this dialogue:
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Ten walkers in 11 minutes. As Noah's t-shirt taught us, 11 can be read "one one". So it could be 10 and 2 (one + one = 2), and it could also be 10x11 as in a reference to 10x11 Morningstar. Jesus was referred to as the Morningstar in Revelation 22. Read this post for more on why that's significant, and how it relates to the Slabtown clock. And keep in mind that Sirius is a Morningstar, which is fitting, because we got a surprising appearance by Father Gabriel, a one-eyed Sirius figure.
Now, I've been talking a lot about licence plates lately. Here we see another interesting exemple:
LK8-4167
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And the reason it's interesting is because we've seen it before, in 5x9 WHAWGO:
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In WHAWGO, we see it practically as we simultanously hear Beth singing Struggling Man, as this was the last episode Beth appeared in (in Tyrese's fever dream). And back when season 5 aired, someone clever in TD (I'm sorry I don't remember who, it's been like a decade) theorized that it could be a reference to Luke 8:
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Why Luke 8, is that particular part relevant? Well...
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...there is that part about Jesus raising a dead girl, I suppose that could be relevant...especially now, just before Easter...
In this post I talk about Officer Lichari's Dodge Magnum and why it's such an interesting vehicle for TD, and in this post I talk more about the symbolism around the rams.
I'm bringing that up again, because the car where Rick and Michonne found the RAMen noodles was in fact a Dodge:
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...and the Dodge logo is a ram...
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And we did see some very fierce taxidermy rams in TOWL 1x5:
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...so yeah! Happy Easter I guess! Let's keep an eye out for suspiscious resurrections!
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drewmoll03 · 11 days
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I'm so tired of people hating on Beth and Daryl as a couple because they have 0 common sense and critical thinking skills. I swear to freaking God I could write A WHOLE ESSAY about how Beth and Daryl isn't supposed to be controversial/weird.
Let me know if y'all want me to write that cause I fucking will🤣🤣💀
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twdmusicboxmystery · 19 days
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Gifts for Team Delusional on Easter!
Okay so maybe Beth didn't show up in the finale of TOWL (spoiler) but thanks to Emilion Fqs, who attended the French comicon, took some videos, and shared them with us, we still have a LOT of hints to Beth's imminent return.
Like, this is downright ridiculous! 😱
youtube
@wdway
@galadrieljones
@angelthefirst1
@bethgreeneprevails
@frangipanilove
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moonshineandladybugs · 2 months
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If I made my own story about Beth being found by Anne (Jadis) to become a B for the CRM, would people be interested in her solo story? (Picture for attention)
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brokentofuthinks · 6 months
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Daryl and Beth Napping (AI)💖
It can't get Emily's face right and im kinda pissed but look how cuteee
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emsee22 · 7 months
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Reasons I believe Beth and Daryl were intended to be a romantic pairing
30 Days Without An Accident 4x1, Daryl's "It's a damn romance novel" comment. Sure, can be played off like teasing, a little bit of jealousy. But the point is, he notices Beth's relationship with Zach. And for some reason cares enough to comment on it.
30 Days Without An Accident 4x1, the hug. Not just that there was a hug, but that they didn't end the scene with the hug. They ended the scene with Beth's sleeve falling off her shoulder and show her putting it back on, and end with their eye contact after that. If this was meant to be brother/sister, or platonic, vibes then why emphasize an erogenous zone like that? That would be creepy. The writers intended it to be romantic.
I don't find Still 4x12 to be a romantic episode, necessarily. I think that one is just building on their intimacy as friends. I do appreciate their openness with each other on the porch and there are elements of that conversation that I view as romantic (namely, Daryl's expression and nervous fiddling with the knife). However, I can understand how people view their pairing as platonic if they only base that view on this episode.
Alone 4x13 is where they really start hammering in the romance. For starters, Daryl's reaction to Beth stepping in the bear trap. Yes, of course you can say he just didn't want her to get eaten by the walker, but compare how he gets down to the ground with her, rubs her foot, and gives her his body for support - even giving her a piggyback ride - to Carol's foot cramp in 10x18 Find Me. He first eliminates the threat, then he checks on her and shows genuine concern for her injury, and offers her physical support. Daryl loves Carol, she's his best friend, but in Find Me, he just teases her and tells her that she shouldn't have come along.
Alone 4x13 when Beth stops to look at the "Beloved Father" grave, Daryl compassionately picks some flowers and lays it on top of the grave for her, to commemorate Herschel. That is not inherently romantic. He also compassionately gave Carol a Cherokee Rose when she lost Sophia. I just think it is sweet. In the same scene, Beth and Daryl hold hands (admittedly, a little awkwardly, but that is primarily on Daryl) and Beth puts her head on his shoulder.
Alone 4x13 when they are looking at the bodies that are made to look very human (although they're walkers) and Beth argues back at Daryl's joke about dolls with why it's beautiful. She looks at him and asks "Don't you think that's beautiful" and all he does is pensively stare back at her. It's a romantic cliche and the pause with the intense eye contact seems to imply that his thoughts are that she is beautiful. At the very least, he sees something in the way she thinks about the world that is beautiful.
Alone 4x13 Daryl breaks his silence thinking about telling Beth that she's beautiful with the shiptease after action patch-up tv trope with "C'mon, let's get you patched up." She sits on the table and he wraps her foot up from the bear trap.
Alone 4x13 how he watches her sing in the doorway, and then how he pushes her buttons about the music "Well there ain't no jukebox, so... keep singing"
Alone 4x13 the bridal carry romance trope into the kitchen for the cute little redneck dinner Daryl set up for Beth. Plus his excitement to show it to her, hence the "I'm going as fast as I can" before he picks up her heard outside the doorway.
Alone 4x13 dinner conversation about what changed Daryl's mind about there still being good people. Beth changed his mind. If it wasn't romantic, why couldn't he just say "you're gave me hope / you showed me there are still good people." But the teasing, the repeated asking, the smile and eye contact, the nervousness from Daryl and then the self-realizing "oh" that is more like a romantic confession than anything else. Plus the fact that the confession is interrupted, another TV trope in romance. Plus the fact that in Alone, Daryl & Beth are foils to Sasha & Bob - who we know for a fact were canon. Difference is Sasha & Bob are reunited by the end of Alone, while Beth & Daryl are separated.
Alone 4x13 he chased after her for hours, from night to day.
Alone 4x13 he was ready to kill Len for disrespecting her "Some bitch must have got you all worked up" "You lost yourself a piece of tail" "I bet it was a little one too, they don't last long out here." If Joe didn't stop the knife, I bet Daryl would have ended Len a whole lot sooner.
In 5x8 Coda, when she starts rushing back to Dawn, to say goodbye to Noah, Daryl tries to stop her.
Coda 5x8 he cries over her body
Coda 5x8 he bridal carries her body out of the hospital, sobbing
Them 5x10 he shuts down with the group. Carol knows there is more to his sadness and she is trying to understand it. She assumes Beth saved him (she did, in a way). Rick knows that Daryl lost something deeper than a friend, hence "I know you lost something back there"
I am going to stop there because that is just the freshest for me.
People don't like this ship because of the age gap, or simply because they ship Daryl with someone else. Here's the thing, I don't believe Daryl was written to be the same age as Norman in season 1. He looks between 26 - 32 in the first season; and he can pass for that until the latter half of season 4, where he starts to really look more Norman's age. I don't think he is meant to be more than 36 in season 4. And honestly, I don't have a problem with the age gap when Beth is a legal adult and it is the flipping apocalypse. With all that said, I think if they were really intending this to be a brother / sister pairing, then it is creepy and there was too much tension and chemistry to make it platonic / familial.
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