Yeah, i think it's about half past that time to put out another track. It's #EDMFriday o'clock ! 🙂 Well, since back when my life went to shit, i have noticed that the global circumstances aren't gonna obey the laws of mercy or gain compassion, but rather try, more actively, to kick the floor from beneath my feet. 🤢 No money, no mood, it's cold as fuck and i haven't ate anything for almost a week, after i threw away my last salary at a scary amount of diluted dugs.... so i bring you the third "A" in a row with surprisingly themed sequence -"Alcohol addiction" - that's the name of the track,... right after Abstinence Syndrome and Acid Bottle....
French DJ Gesaffelstein jumped to fame outside of electronic music circles in 2013 when his name turned up in the production credits on Kanye West’s “Black Skinhead” and “Send It Up” from Yeezus. West’s creative process at the time was committee-oriented to the point it’s difficult to pinpoint who brought what to each song (I remember Kid Cudi once complaining about vocals he’d cut years before showing up on a West track he found morally unhygienic), but both “Skinhead” and “Send It Up” reflect the pulverizing synth bass that is Gesaffelstein’s trademark. On 2011’s Conspiracy Pt II EP, Gesaffelstein resembles some of the throbbingest acts in early ‘00s electronic music: Justice at their most forceful, or his idols Dopplereffekt on the hunt. “Viol” absolutely goes if you’re feeling sinister, with percussion programming that sounds like a machine press pushed to the edge of failure and an admirable commitment to pressing the same black satisfaction button till you’re raw; on the flip, “Opr” is more abrasive still.
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This is not subtle stuff, and techno purists probably found it a bit gauche. But for West, who in retrospect seems (a la Prince) to have been subconsciously trying to make a party album so depraved it would force him into the arms of Jesus, Gesaffelstein’s brutish style was the perfect gauntlet for fisting. I ended up with this record, which is now surprisingly expensive, in a stack of odds and sods records my friend Miles abandoned when he left Montréal, and if I rarely have occasion to throw it on, it’s nice to know I have at least one blood rave 12" available if I ever need to soundtrack my home being invaded by leather daddy vampires.
Hey! Do you like groovy synths? Funky bass solos? A murderous robot bangin' out the tunes on drums? An intergalactic guitar wizard? ATOMIC KARATE, HIGH KICKS, and GOOD VIBES?
You should check out TWRP!!
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They're a band from Halifax. And space. And the 80's. And also the future. And they're here to rock your socks off with their own brand of groovy, synthy, interstellar funk-rock. They also made the intro music for Creator Clash 2!
Sonic Heroes: Main Theme of Sonic Heroes • We Can: Theme of Team Sonic • Stage 01: Seaside Hill • Stage 02: Ocean Palace • Follow Me: Theme of Team Rose • System Screen: Select • Stage 03: Grand Metropolis • Stage 04: Power Plant • Special Stage: Bonus Challenge • Stage 05: Casino Park • Stage 06: Bingo Highway • Battle: Casino Area • This Machine: Theme of Team Dark • Boss: Robot Carnival / Robot Storm • Stage 07: Rail Canyon • Stage 08: Bullet Station • Team Chaotix: Theme of Team Chaotix • Boss: Egg Albatross • Event: Disquieting Shadow • Stage 09: Frog Forest • Stage 10: Lost Jungle • Special Stage: Emerald Challenge • Stage 11: Hang Castle • Stage 12: Mystic Mansion • Stage 13: Egg Fleet • Stage 14: Final Fortress • Event: Metal Sonic... the Ultimate Overlord • Last Boss ver.1: Metal Madness • What I'm Made of...: Last Boss - ver.2 / Metal Overlord • Event: Finale... Adventure Must Go On