#sweet revenge is my friend i just read a review of it and like yes i love carefully crafted endings to 70s tv shows

[cherchersketch]

#CherCher reviews manhwa: the other one

I always aim to enjoy the manhwa I find, be it through favourite tropes or recommendations from others. But sometimes it just doesn’t work out. And it felt kind of weird to group these together in the recommendations list so I decided to make a separate one for those that I ended up not quite liking, or even DNF-ed.

Of course, preferences are subjective so what didn’t work out for me might not be the same for someone else. Honestly, sometimes I’ve found books I enjoy through other people’s DNFs. Also, sometimes certain series start out slow and get better later on so this is also for me to keep track of some I might want to go back to in the future. Maybe.

So this is the list of meh to total DNF.  

Here’s a list of some terms I use in these Please mute “manhwa live reactions” if you don’t want spoilers to the ongoing ones since I occasionally have to scream

The ones in italics are completed series. Yes, most of them are ongoing ;w;

It’s not bad if you’re bored and enjoy the tropes 50 Tea Recipes from the Duchess Beatrice Bloody Sweet Devoted to Diamond Empress of Another World Follow the Bread Crumbs From Maid to Queen I choose the Emperor Ending I’ll Save this Damned Family I wasn’t the Cinderella Justice for the Villainess My Red String of Fate Princess of the Animals Sincerely, I became a Duke’s Maid The Demon Queen has a Death Wish The Destroyer fell in Love with Me The Devilish Duke Can’t Sleep The Duke’s 99th Bride The Emperor’s Mask The Male Lead’s Female Friend The Predator’s Fiancee The Remarried Empress The Stereotypical Life of a Reincarnated Lady The Villainess is Retiring

I totally DNF-ed these  Some might get a second attempt if I ever run out of other manhwa (lol) or if someone tells me a spoiler that compels me to pick up the title again. Many are totally not my thing, too boring or I read up on spoilers and I didn’t like where it was going/the ending. Not gonna even take the time to write a whole post for these so I’ll just hide them behind the cut.

A Match made in Mana Crimson Karma Ironically, would have preferred this if they focused more on the FL’s character development and less on the romance, which felt a bit too forced and fast-paced. Wish it had developed better because I don’t mind the dynamic of the main pairing. Dragon Raising Manual I actually quite like the main pairing but didn’t really enjoy where the plot was going.  Kill the Villainess I enjoy the isekaied-person-just-wants-to-unalive-to-escape premise but the actual plot was just really boring so I didn’t want to continue. Little Rabbit and the Big Bad Leopard Marriage and Sword Just got bored. My BFF is a Tyrant in Training It just...got really boring My Boyfriend is a God Read because it’s on Manta. ngl, kinda cringe instead of funny.  My Dear Maid! Another one from Manta. Got so bored and I have no interest in the main couple. From spoilers I’ve seen on Reddit, it got a really rushed ending after being cancelled so yikes. My Hubby is Too Cute! I don’t mind a cliche but it wasn’t interesting enough. Also the mature-brain-in-a-kid’s-body FL started drooling over the ML’s dad abs and like that’s a nope from me dawg.  No More Turning a Blind Eye Love a good revenge-on-the-cheating-husband plot but, again, boring, and kind of dumb The Evil Cinderella needs a Villain [ complete] From what I remember, this was just dumb. And not in an entertaining way. The Fake Lady and her Rabbit Duke The Tyrant Husband has Changed The Tyrant’s Secret Secretary The Villainess Needs her Tyrant Once again, love a good revenge plot. But the 2 leads were crazy, not in a very attractive way, and even with the official translations I didn’t understand wtf they were thinking. Also the faces were just forever =.= Love a good yandere but this was just boring.

#manhwa #CherCher reviews manhwa #manhwa opinions #someday these will all have their own links lol #slowly making the posts

[duck-era-lexi]

olivia rodrigo GUTS review

i didnt write this yesterday bcuz my house power went out cuz of hurricane

______

all american bitch - oh okay so this is a ROCK album. comparing this to traitor is funnnyyy, and this is coming from someone who's fav sour song is traitor. this is abt just like patriotism in a teenage girl gen Z type shit way, like a loyalty to the basic bitch culture lmfao

bad idea right - damn i love this song, the lyrics make me like be like ughhh girl r u fr right now. it's abt her going back to her ex because she's irrationally attached to him, but the way she tells the story is so funny. she's so sassy and it's so extra

vampire - ah yes the taylor swift song. this is very sour olivia but she sounds older, it's abt dating an older guy. the vampire metaphor isn't perfect but i love the "girls your age know better." i don't really take it as alt pop type beat despite the dark metaphors. vocals are absolutely amazing but like i havent listened to the rest of the album so ...

lacy - where is rock... i can imagine this being a skip because it's a very quiet song in a very loud album. this is about being lacy in like the sex appeal way of lace but also fragile and sensitive. i don't really like the melody it's kinda dull but the lyrics are particularly intuitive. OR it's about a person??? news articles r confusing me but lacy the word makes more sense to me

ballad of a homeschooled girl - the song that's everyone talking abt, the ex disney prodigy life. Very rock again and i also take this as a possible gifted kid anthem. yes olivia is a theater kid but no hate theater kids don't listen to olivia rodrigo or any type of mainstream music. sorry i got off topic but yes prodigy toxicity

making the bed - wow okay back to pop. song abt being objectified and used as a housewife, and the irrational behaviors that come with that. working too hard in a relationship, but she's also very quiet and sort of unsure about speaking up.

logical - someone not making sense but it's a super dramatic loud song. similar tones to vampire in terms of intensity and super strong on the men Bad and Stupid annoying bitches. "love is not logical" basically the entire song not super deep

get him back! - yo this album kinda's exhausting. can girl catch a break. this is literally about teenage delusion... i guess it's also about that "sweet revenge" but the entire thing to me reads like absolute teenage girl delusion. her narrative is that he sucks so she's gonna get him back and then break his heart even further. ok sure

love is embarassing - kinda self explanatory. cute song and she sounds like she's trying to cope by lifting herself up. it's like that feeling you get when you deal with drama and you're complaining to your friend but at the end of the day you still have to go out and live your lives so you're just like "yeah it's whatever i guess... but kinda stupid"

the grudge - this is about after a breakup, hearing your ex's voice in your head telling you you're not good enough. but at the same time you hold a grudge against them they are also negatively affecting your life in Your head. "cuts are never equal"

pretty isn't pretty - beauty is pain and yeah i agree with this one heavily. this is abt teenage girl bullshit insecurity, and how all the pretty girls are built from inherent insecurity and not feeling good enough.

teenage dream - song about not being good enough, and getting the teeange dream but not being able to sustain the life. and thinking it's all your fault. i'm also pretty sure this is about her blowing up at 17 and thinking that she'll never achieve the same popularity and success she did with her debut album.

______

conclusion- i hope olivia gets a good man in her life. the most positive song relationship song in this is "bad idea right" and that's well... certainly a stretch. olivia is compared to taylor swift a lot but it's probably much more accurate to compare her to paramore. comparing this album to fearless is crazy, taylor's albums are generally much more positive (regardless of the authenticity of that) while olivia talks a lot about the corruption behind most of gen z's personas, and the issues teens struggle with. but like... girl u deserve better <3

#ale reviews #olivia rodrigo #guts

[theblob1958]

i love watching series finales of tv shows, especially when you can see the care put into them, because i love seeing the conclusions to these stories and what you're left imagining after it's over. they also always either emotionally crush me or leave me downright giddy and i love feeling both those emotions. the exception to this, of course, was the supernatural finale which left me feeling nothing except disgust

#i like endings!! satisfying conclusions to narratives are good to experience!! #mash finale emotionally crushed me a left me for dead on the side of the road for 2 days #unfortunately the s&h finale left me extremely giddy like can't stop smiling through the episode for some reason #sweet revenge is my friend i just read a review of it and like yes i love carefully crafted endings to 70s tv shows #m.txt

[emjee]

so you wanted to like Bridgerton

…but you couldn’t get past the gender politics/massive consent issues/rich people/crime of wearing stays with no shift underneath/insert your reason here.

Behold, I present to you this list of some of my favorite romance novels categorized by my own reactions that mayhap you share:

(But first, a note: I have read all of the books on this list, but in some cases it has been quite a while, so I’m not going to list content warnings because I frankly don’t remember all of them. I recommend checking Smart Bitches, Trashy Books, author websites (KJ Charles has her content warnings listed by book), and reviews if you’re concerned. If you DM me about specific books I can also do a quick search and give you an answer.)

(Actually, a second note: Please obtain these books through means that support the authors as well as small business, if possible. If audiobooks are your thing, check out libro.fm, which allows you to support an indie bookstore through digital audio purchases. If you prefer paper, order from an indie if you can--The Ripped Bodice is a romance-only bookstore that has paper copies of authors who can be hard to find in paper elsewhere, like KJ Charles. Where you have to get your ebooks depends on what your device is, but please pay for them. If you can’t or don’t want to, (which is fair!) check and see if you library uses Libby and/or Hoopla, which allow you to borrow ebooks as well as audiobooks. I believe Libby and Hoopla is only available in the US, but I might be wrong.) 

I’m not going to do a summary for every book because this post is already long enough but I’m happy to answer questions about any of them!

If you liked the brotherly shenanigans, but weren’t into the weird controlling thing Anthony had going on:

The Turner Series by Courtney Milan (Unveiled, Untamed, and Unraveled) is about Ash, Smite, and Mark Turner, three brothers who have made it through life so far by relying on each other. If you want schemes and revenge on rich people, start with Unveiled. If you want to read about a law professional who actually cares about justice, start with Unraveled. If you want a book-length purity culture takedown, start with Untamed.

The Brothers Sinister Series by Courtney Milan (The Duchess War, The Heiress Effect, The Countess Conspiracy, and The Suffragette Scandal) listen Courtney Milan’s just really good at brothers and sibling relationships in general. If you want a duke who’s a class traitor, start with The Duchess War. If you want politics and wild fashion, start with The Heiress Effect. If you want friends-to-lovers plus SCIENCE! start with The Countess Conspiracy. If you want the best suffragist newspaperwoman ever to appear in fiction and the forger who falls in love with her, start with The Suffragette Scandal.

If you were very happy to see people of color in an English historical drama, but have some reservations about the way it was handled (see this video about colorism, racebaiting, and implicit bias in Bridgerton):

A Gentleman Never Keeps Score by Cat Sebastian (this one’s gay)

After the Wedding by Courtney Milan (this one has a bi heroine)

An Unseen Attraction by KJ Charles (also gay)

The Duke Who Didn’t by Courtney Milan

Wanted, a Gentleman by KJ Charles (also gay)

Unfit to Print by KJ Charles (also gay)

If you were like “none of these members of the aristocracy are sufficiently embarrassed that they’re members of the aristocracy”:

The Soldier’s Scoundrel by Cat Sebastian (also this one’s gay)

A Duke in Disguise by Cat Sebastian (this one has a bi heroine)

The Duchess War by Courtney Milan  

The Suffragette Scandal by Courtney Milan (The Duke Who Didn’t, also falls under this category)

If you thought, “actually I’ve decided I’m not interested in the aristocracy, no matter how embarrassed they are”

Try anything by Rose Lerner, especially Sweet Disorder, True Pretenses, and Listen to the Moon.

If you thought, “dear God please just use your words and talk about sex” (a.k.a. books about women who are DTF):

A Delicate Deception by Cat Sebastian (this one also includes a bi for bi main pairing, and every single main character is queer)

Gilded Cage by KJ Charles (this one has a bi heroine)

Extra shoutout to The Duchess War, listed above, for A+ communication between the two protagonists about the sex they do and don’t want to have.

If you did kind of agree with “reformed rakes make the best husbands”:

The Ruin of a Rake by Cat Sebastian (also gay)

Band Sinister by KJ Charles (actually very little reformation goes on here, which makes it better, trust me, and gay as hell)

If you were like “yeah yeah can we get back to Benedict and this artist guy? Is it too much to want them to make out?” (a.k.a. this is the section for queer books I haven’t already mentioned)

Anything by Cat Sebastian and KJ Charles, with honorable mentions for:

Unmasked by the Marquess by Cat Sebastian

The Society of Gentlemen Series by KJ Charles (A Fashionable Indulgence, A Seditious Affair, and A Gentleman’s Position)  - extra shoutout for the research that went into this series and how historical events directly impact the plot and the characters’ decisions, it’s really quite masterful.

I have also heard wonderful things about Olivia Waite’s The Lady’s Guide to Celestial Navigation and The Care and Feeding of Waspish Widows, but I haven’t had a chance to check those out for myself yet.

You actually kind of liked the costumes, but you would like to read about historically accurate wild fashion in which everyone wears the proper linings under their stays and corsets really dear Lord is it too much to ask:

The Heiress Effect by Courtney Milan. The wild outfits are a plot point, trust me, and have historical basis to boot.

These books are concentrated on nineteenth century England, because that’s when Bridgerton is set. (Courtney Milan’s books are Victorian, not Regency, but they’re going on the list because I said so, Netflix Adapt Courtney Milan Next And Do Not Mess It Up challenge 2k21). If you’re looking for non-England-set romance novels in any of these categories, hit me up and I will see what I can find.

“Hey MG, this list is made up of like…the same four authors.” Yes, alas, I have grown wildly picky about my romance novels in the last few years and this is the core of what I know well enough to confidently recommend.

I’d love to hear what people think of these!

#reader's advisory #mg says stuff #romance novels #romancelandia

[five-rivers]

Solutions to Nonlinear Equations

For @currentlylurking for the Phic Phight.  :)

.

“Ancients, Vlad.  I’m not rejecting you because I’m a rebellious teenager and you’re an adult, I’m rejecting you because you’re incredibly creepy.”

Vlad sniffed in what he hoped was an aristocratic manner and raised an eyebrow, minutely adjusting his grip on Daniel to keep him pinned to the floor.  

“We’re human-ghost hybrids, Daniel.  I’d hoped that you’d have realized by now that we are meant to be ‘creepy.’”

Daniel squirmed and began to mutter into the carpet. “Clockwork never acts like this, I’m fine with him—”

Vlad pulled back as if burned.  He hadn’t heard that name in—in—

In a long time.  

Years.  

The thought was almost expelled from his head when Daniel managed to elbow him in the jaw hard enough to make him see stars. Before he knew it, Daniel had slipped from his grasp and zoomed away.  

Whatever aspersions Vlad cast on Daniel’s mastery of his ghostly abilities, the boy was fast.  When he put his mind to escaping instead of picking a fight, he managed it more often than not, to Vlad’s great frustration.  Hence Vlad’s usual strategy of needling the younger half-ghost until fighting was the only thing on Daniel’s mind.  

He set down on a nearby roof.  There went his plans for the day.  Which, admittedly, had consisted of distracting Daniel while his ghostly minions set up a nasty surprise for him at the school, hence making him fail his test, which would, in turn, convince Maddie and Jack to let Vlad set Daniel up with a tutor, something he had suggested to them earlier, and—

Well.  Daniel would find them, now, no doubt.  

Ah, well.  

He had more important things on his mind, now.  Such as, how in two worlds did Daniel know Clockwork?  Because Daniel never just said things like that.  He barely knew anything about ghost culture.  He wouldn’t know to bring up obscure, secretive, ghost historical figures.  He wouldn’t know what that particular name would mean to Vlad.  

Tongues of fire flared out of his fingers, bringing a measure of stability to the gyrations of his core and his emotions.  

Daniel knew Clockwork.  And, it seemed, met him with some regularity.  Enough for him to compare his actions to Vlad’s.  

Would that ghost never be satisfied with ruining Vlad’s life?  Was he not satisfied with—

He cut off the thought, shaking his head.  Never mind that.  

What Vlad needed to do was find Clockwork.  Which meant inducing Danny to go to him at a time when Vlad when Vlad could follow.  Which meant determining when he had visited Clockwork in the past.  An undertaking to be sure.  

He closed his eyes and teleported to his lab beneath his mansion.  

“Maddie!” he called out, even before his body had fully reformed.  

The hologram flickered to life with a faint crackled from the projector.  “What is it, sugarpie?” it asked with a smile.

“Review the audio recordings from Fentonworks,” ordered Vlad.  “Search for the term ‘Clockwork.’  Report findings to me.”

“Sure thing, honey!”

Vlad had to review the cheerfulness settings on the Maddie program.  Maddie was upbeat, but not that upbeat.  This was almost sickly sweet.  

He threw himself into a nearby chair.  

Clockwork.  He thought he’d never hear that name again.  Not after he’d been literally and figuratively ghosted by him.  

He telekinetically pulled a book off his shelf. He ran his fingers over the leather tooling on the cover.  The book had been given to him by Clockwork, years ago, when he was still in that hospital.

Clockwork had been the one to first show him the Ghost Zone, and all the wonders in it.  Clockwork had been his friend, his only friend, through that long, agonizing hospital stay. He had been supportive, wonderful, kind. He visited often, though not on a regular schedule.  He’d helped Vlad ride out the waves of misery and anger that so often threatened to overwhelm him.  

Then, without warning, nothing.  

No goodbye.  The last time he left, he had even said something along the lines of ‘see you soon,’ although the memory was frayed from age and Vlad could no longer recall the exact words.  For a long time, Vlad had worried something disastrous had happened to Clockwork. But then he had finally managed to build his own portal, reach the Ghost Zone under his own power, and, according to every search he did, every line of inquiry that bore fruit, Clockwork was just fine.  

Vlad had been furious.  He had been betrayed.  He had spent the better half of a decade trying to plot revenge against Clockwork, before realizing that was akin to plotting revenge against a god and turning his sights to a more manageable target.  

Now…

Now, Vlad just wanted answers.  Both as to the reason behind his abandonment and as to why Clockwork was apparently repeating history with Daniel.  

“Sweetie pie,” said the hologram, with a chime, “audio processing complete.  There are over ninety-nine instances where the word ‘clockwork’ is mentioned.  Would you like to play the selected files?”

“Yes,” said Vlad.  “Include the video portions where available, and the thirty seconds immediately prior to and following the mention.”

He turned his attention to the nearest screen.  He had a lot of videos to watch.  

There was an envelope pinned to it.  It was sealed with wax, impressed with the image of a pocket watch and the initials CW.  Vlad attempted, and failed, to suppress the growl that grew in the back of his throat. Was this a joke to Clockwork?

He tore the envelope from the screen, ripped it open with equal viciousness, and began to read.

.

Three cups sat on the tea service tray next to the teapot.

“Are you expecting someone else,” asked Danny, “or am I going to break one of these?”

Clockwork chuckled as he began to pour the tea.  “The former,” he said.  “Although you may always surprise me with the latter.”

He handed Danny his cup.  Danny inhaled deeply.  It smelled sweet.  “What is it?” he asked.  

“A chamomile blend,” said Clockwork.  “For calm.”

“I think Sam drinks chamomile before she goes to bed,” observed Danny, offhandedly.  “Who’s coming?”

“You’ll see soon enough.”

Danny made a face.  “Do you have to be mysterious all—”

The front door of Clockwork’s lair slammed open, and Danny jolted forward in alarm – the only people who regularly did that were the Observants, who didn’t much care for Danny – but Clockwork put a steadying hand on his shoulder and rewound his tea into his cup.

“Clockwork!” came the expected yell.  The yeller, however…

“Is that Vlad?” asked Danny, not quite scandalized, but more than a little surprised.  

“Why, yes,” said Clockwork.  

“Did you – Clockwork, did you invite him here?”

“Other than the Observants,” said Clockwork, “no one can enter unless I will it.”  He took a sip of his tea.  

“But,” started Danny.  

Clockwork raised a hand.  “Don’t worry, he’ll find us soon enough.”  He repurposed the hand to pat Danny’s knee.  “And even should he prove to be in a combative mood, I will not allow you to come to harm.  You are safe here, Daniel.”

“Thanks,” mumbled Danny, looking away, towards the door in the sitting room through which Vlad would presumably enter.  

Sure enough, a few seconds later Vlad half-flew half-skidded into Clockwork’s sitting room.  He leveled an accusatory finger at Clockwork.  “You!” he proclaimed, with a great deal of venom.  

“Hello, Vladimir, I’ve poured you some tea.  Why don’t you sit down?  I understand it has been some time.”

“You under-?  No!  I will not sit down!  I will not drink your tea.  Not after you abandoned me for over a decade, just like that bumbling oaf—”

“Hey!” interjected Danny, not only because Vlad had once again insulted his father, but because he could tell that Clockwork, regardless of his stoic façade, was actually quite upset.  

“Don’t interrupt me, Daniel,” snapped Vlad.  “You don’t know what this, this ghost is. What he does.  You don’t know that he gets close to you, makes you think you’re friends, and then drops you without a moment’s notice.  Did you think it was funny to string along a man in dire straits? Did you?”

“I did not abandon you, Vladimir, I—”

Vlad scoffed and went on a tirade that Danny honestly found hard to parse.  But it sounded like Vlad and Clockwork had known each other in the past and then fallen out of contact in a way that aggravated Vlad’s abandonment issues.  Which didn’t seem like Clockwork at all, but Vlad sounded extremely certain and insistent, and Clockwork’s upset was actually finding its way into his voice, now.  Danny didn’t—

With all the force and abruptness of epiphany, Danny realized what was going on here.  

“Wait, wait, wait,” said Danny, putting down his cup. “Vlad, breathe or whatever.  Clockwork, you did tell Vlad that you experience time nonlinearly, right?”

“Of course,” said Clockwork, clearly offended.

“But Vlad, ah, had you gone through natural portals often when you met Clockwork?  Or, like, did you ever see him without him initiating contact?”

“I didn’t have my portal built yet, Daniel, so, no.”

Danny turned to Clockwork.  “Why did you-?  No that doesn’t matter.  Haaauuuhh, Clockwork, do you have-?”

Clockwork waved a hand and a whiteboard appeared.  

“Thanks,” said Danny, picking a marker up from the little shelf on the bottom.  He uncapped it, then recapped it.  “Actually, before that.  Vlad—” he pointed at Vlad, who looked about one second from exploding “—you have some idea of how old Clockwork is, right?  Or at least how old ghosts can get?”

“Yes, Daniel,” said Vlad, managing to overlay his supercilious ‘I know better than you’ attitude over his still obvious anger.

“Okay, great.  So, just to establish, Clockwork has been around at least since, uh, beginning of time?”

“Give or take,” agreed Clockwork.  “Although I have not experienced it all directly.”

“Right,” said Danny.  “Just, already, his perception of time is different from our because of age differences.”

Vlad looked slightly less angry, and slightly closer to curious.  

“But, then, there’s the larger issue,” continued Danny.  This time his uncapping of the marker was decisive.  He drew a flat, straight, horizontal line across the whiteboard.  “This is our timeline.  We deal with time linearly.  We’ve also got, I don’t know, parallel timelines, like this.”  He drew several more lines.  “You following so far?”

“Yes, Daniel, I’ve read my share of science fiction.”

He was probably rolling his eyes.  Curse his solid-colored red eyes.  It made interpreting his looks and figuring out where he was looking during a fight much more difficult.  

“Anyway, Clockwork isn’t on any of these lines. Because he experiences time nonlinearly.”  He drew a squiggly up and down line on the board that resembled the world’s saddest sine wave.  Or cosine wave.  There wasn’t a y-axis on the not-quite-graph, so it wasn’t like anyone could tell the difference.  They were effectively the same.  

And Vlad still made fun of him for failing math. Danny knew plenty about math.  He just didn’t have time to do the work.  Mostly because of Vlad.  

“Now, that, that is Clockwork’s timeline.  It isn’t always in contact with ours.  It’s, like, solutions to a system of equations. Nonlinear equations,” he specified, in case it had been too long since Vlad had encountered basic high-school-level algebra.

“It is somewhat more complicated than that, Daniel,” said Clockwork, exasperated.  “It’s more of—"  

“Yeah, but this gets the idea across more than the whole parade metaphor, doesn’t it?”

“I would say not.  This doesn’t even begin to touch on my abilities.”

“That’s because we’re just talking about your perception of time,” said Danny.  He considered for a moment.  “And also your ability to interact with our timeline.”

“Which includes my ability to perceive multiple timelines.”

“But that’s complicated, and I still don’t get it,” complained Danny.  

“It is less complicated than what you are currently trying to explain.”

“To you maybe, but the whole point of this is that you aren’t seeing things the same way we are.  You disappeared on Vlad, what, a decade ago?”  He looked to Vlad for confirmation.  

“A decade is hardly any time at all,” said Clockwork with exasperation.  He sipped at his tea.  

“It was fifteen years.”

Clockwork made a somewhat dismissive motion with a gloved hand.  “It’s a tiny fraction of your life as a whole.”

“It’s… closer to a third of his current lifetime,” said Danny with a wince.  “Or a fourth?  I don’t know how old you are, dude.”

“I went to college with your parents.”

“I know, and you were already graying then. Your age is weirdly hard to place.”

Vlad gave Danny a look, but his body language was no longer screaming ‘I’m going to beat the snot after you.’  Danny counted that as a win under the current circumstances.  He disliked Vlad, but in a fight with Clockwork… Well, Clockwork could demolish just about anyone.  

Not that Clockwork would.  Just that he could.  

“Daniel—”

“Please, Vladimir.  Just sit down.  Try the tea. I made it for you.  I knew you would be upset, although I could not see exactly why.”  Clockwork was almost pouting, now.  “Fifteen years is such a short time.”

“Clockwork, I’m fifteen.”

“I know,” said Clockwork, patting Danny on the knee. “Your timeline is so small.  And cute.”

Vlad was now distinctly on his back foot, offput and disarmed.  “His timeline is cute?”

“It is.  Don’t worry, yours is almost as cute.”

Vlad opened and closed his mouth like a dying fish. Danny pushed the whiteboard away.

“Don’t worry about it too much,” he said.  “Like I said, different perception of time.”

“I really didn’t mean to make you feel abandoned, Vladimir.  I simply wanted to give you some time to, ah, how should I put this?  Have space?  Find yourself?”

Vlad sat heavily on the couch.  

“You get used to it,” said Danny.  “But, Clockwork, do you think you can talk him into having fewer evil plans?  Because, really.  There are way too many.  Like, one a week.  They’re destroying my grades.  Have you ever seen anyone else who had weekly evil plans?”

“Evil plans, Vladimir?  Really?”

#danny phantom #phic phight 2021 #phic phight #danny fenton #vlad masters #clockwork

[space-girl-and-droids-art]

Clone Wars: Stories of Light and Dark- Book Review

“Clone Wars: Stories of Light and Dark” Is an anthology of stories narrating some of the arcs of the clone wars from the perspective of the characters. It gives more details and depth to some episodes, as well as giving us information that makes us have a different view of the events.

This is not exactly a review, but mostly my reactions to reading the book. I do recommend it, if you loved the clone wars and want another perspective on some of the arcs this will be a good read. That said, this does contain spoilers for the clone wars.

#1 “Sharing the same Face” -Jason Fry (from the episode “Ambush”)

Okay this was once one of the most light-hearted episodes of the series and now I ended up crying. I did not expect an order 66 reference here. Every time Yoda addresses Dooku is painful. Seeing how Yoda perceives the clones is really heart-warming, but knowing how it all turns out in the end is really sad and during the whole text you are really aware of that. In the show you kind of forget about what’s going to happen for a while, but this text just keeps you thinking about it constantly. It was a good read, I loved it. I found it really interesting knowing Yoda approaches the clones the same way he approached his students at the temple, and knowing what his opinions on the clone army it was a good detail. Loved this one.

Did I care that much about this episode before? No. But watching it right after reading this made me cry for half an hour. (I am a really emotional person, so take this with a grain of salt.)

#2 “Dooku Captured”- Lou Anders (From the episodes “Dooku Captured” and “Gungan General”.

This was a funny read, and the fact that the events are narrated by Dooku Himself made it even more hilarious. It’s supposedly a holorecording Dooku was doing for Sidious, and you can tell by his words that he was so done. Poor Dooku deserves a meditation day after it. You can tell how annoyed he was by the whole situation and his perception of Anakin Skywalker and Obi-Wan Kenobi. They really are bothering for the count. I’m surprised he didn’t retire after this event, man’s gotta be really tired. Also, when they were tied together, they just shared a braincell and most of the time, Dooku was the one carrying it. The love he had for Qui-Gon does not extend to rest of the lineage, clearly.

At first it was really slow, but after they get captured by the pirates it just gets funnier. Good story to read after the sadness the previous text gave me.

Also, the fact that Dooku canonically records himself venting to Sidious is hilarious to me. Like, can you imagine being Palpatine and receiving daily vlogs from your apprentice ranting and complaining about Anakin and Obi-Wan? Dude was tired, of course he would let Anakin decapitate him in the end.

#3 “Hostage Crisis”- Preeti Chhibber (from the episode “Hostage Crisis”)

For an Anidala shipper this is a must read, because you will know exactly what Anakin thinks of his wife and how he views Padmé. This text was more Anakin centric (I believe the next one is Padmé centric) and it was a delight. I haven’t read much in canon about stuff that involves Anakin’s feelings so this was really good.

The scene from the beginning of the episode? Is hotter when you read it, trust me. For a clearly SFW text, this was intense. I’m pretty sure I can guess all of Anakin’s kink only by what was implied in his thoughts. Is also really sweet to see how much she cares, but also know why everything went downhill at the end. Good retelling.

#4 “Pursuit of Peace”- Anne Ursu (from the episodes “Heroes on both sides” and “Pursuit of Peace”)

I really love Padmé Amidala. My favorite senator. If you have seen my review of Queen’s Peril you KNOW How much I love her, and even when this text was written by another author, I still got the same feeling about her. Padmé is amazing. This arc is one of my favorite of the Clone wars because it’s the arc that let you see that it wasn’t a black and white kind of situation, both sides were being played. An none of them were really worrying about their people, they were in it for the money. I love reading Padmé’s thoughts on the whole situation. Also, the way this story is written makes what went down with Padmé and Anakin in the third episode make more sense and more in character. She is a strong, good, and smart politician. But she is also motivated to see the light in the dark and preserve the light, it gave me major Qui-Gon from “Master and Apprentice” vibes. It did make me tear up a little, because when I finished it, I realized everything she did was for nothing. She was too kind in a galaxy already so corrupted.

Also, Palpatine stop calling her “my child” you disgusting sith lord, I know you are responsible for her death and so do you, so shut the f up. Padmé was doing everything right and she hasn’t done anything wrong in her life whatsoever.

“Just because there’s darkness in something does not mean you do not love it. You show it love, you show it light, and you hope it chooses the light”.

She was talking about the senate but you just KNOW she isn’t really talking about the senate.

This story re-telling broke me, just as the first one. I am not ready for the next one. Do I have to? Man, I really don’t want to go through Umbara again.

#5 “The Shadow of Umbara” -Yoon Ha Lee (from the episodes "Darkness on Umbara," "The General," "Plan of Dissent," and "Carnage of Krell”)

I was, indeed, not ready for it. It doesn’t really add much to the story… except pain. Rex’s pain, to be precise. Let my man mourn Hardcase :C I just wanted to give him a hug, him and all of the clones to be honest. Fives was as good as always, but re-reading his lines knowing what happens to him made me sad. I hate Pong Krell, get you dirty hands off my babies. I don’t think this re- telling made me sadder, but that’s only because it was just as painful as the episodes.

Dogma my beloved, you deserve everything.

I love how this arc develops Rex character and his attitude towards the war in general.

#6 “Bane’s Story”- Tom Angleberger (from the episodes “Deception”, “Friends and Enemies”, “The Box” and “Crisis on Naboo”.)

Is Cad Bane the Regina George of the Bounty Hunters?

The answer is yes. Yes, he is.

I wasn’t really excited to read about Cad Bane at first, I felt that everything that had to be said about the guy had already been stated in the show. He was just a mean bounty hunter in space. But this was actually pretty funny to read, specially because it’s narrated in first person from Bane’s perspective on what happened with Kenobi. And it’s hilarious.

He is basically re telling the events to Boba and Bossk while he is in jail again. During his story you can learn a few things about him as well, specially what his thoughts are in relation to some important topics. You would think he is only concerned about the money and blasting people, and you would be right. But he also does have an opinion on what’s happening on the galaxy at large, on the jedi, on Palpatine and Dooku. But those opinions don’t affect how he gets the job done. It was really interesting seeing him internally judging Kenobi for being a liar, and knowing something is wrong with the jedi order if they pulled that off. He knows everyone is being deceived, but doesn’t know how. That’s why he doesn’t care, and doesn’t get involved on anything unless you offer to pay him. Money moves him, but not the people who has it.

It was a good story, and I also liked to see how Bane respects Boba and sees him as the one that’s going to take his place eventually.

We know from the deleted episodes that Cad Bane was supposed to be killed by Boba Fett, but we haven’t seen that in canon yet. I really hope they answer what happened to Cad Bane in the current canon, I would love to see that in a comic, or in a book.

#7 “The lost nightsister”- Zoraida Cordova (from the episode “Bounty”)

I love Asajj Ventress for a million reasons and this story just made me love her even more. It’s the same story from the episodes but with an insight of what Ventress is thinking about. Which is unsurprisingly very depressing but the story itself turns out to be pretty uplifting.

It’s about her thoughts on what happened after the massacre of her sisters, her family, and how she deals with everything she had already lost. How lonely and worthless she feels. But during the course of the story, we see her reconnecting with who she is, and learning her value. Learning she is a powerful person, master or not.

It was also really sad to see how she compared herself to others. She was really sad and angry that nobody cared about what happened to her people, no one that cared about her. She saw how people wanted the girl in the box back and thought about how nobody would ever do the same for her and it was sad.

I also find very depressing that she couldn’t mourn her family.

But then she said this:

“What made her so special? What made her worth—No. She couldn’t think that way. This girl’s worth didn’t diminish her own. “

And like, I’m 100% rooting for her here.

Also, I love that once she realized the girl from the box was being smuggled to be essentially a child bride, she didn’t hesitate to scam the old creep. She may be an assassin, but during the course of this story you learn that she is disgusted by men who take advantage of female beings. I also love her internal monologue after the guy was bothering her in the cantina and how she just knows that if she can defend herself, she will do it with no hesitation.

Lovely story, I love knowing more about Ventress. Beautifully written.

#8"Dark Vengeance”-Rebecca Roanhorse (from the episodes "Brothers" and "Revenge")

It’s so on brand for Darth Maul to have his entire story be about Kenobi. It’s narrated by him, but directed towards you, like he is telling the reader a story. That in some stories could be like an awkward thing, but here it was well done. I love Maul and like, I could picture us having that conversation, well, me listening to him monologuing.

I really liked that he started telling the story from the events that happened on Naboo. You get to really see what happened from his perspective and understand why his hatred of Kenobi only grows over time.

Also, Darth Maul was like “I can excuse murder, but I draw the line at being rude”. Which is so morally wrong, but very fitting to his character. He is really upset at Kenobi for not caring about what happened to him. From what I gathered of the info that he let us know, he would probably like it more if Kenobi killed him instead of having to spend all those years in the garbage. Nobody cared for him enough to go and check up on what happened to him. That doesn’t excuse murder though.

The interactions he had with Kenobi let us know that it was not very jedi like the way he treated Maul, ignoring his rage and letting it consume him. Obi-wan just kept adding fuel to the fire because he was also really angry at Maul for the murder of Qui-Gon, not realizing that that would only make Maul be even angrier. And we know how that ended up for Satine Kenobi.

Final thoughts: Savage, I love you.

#9 "Almost a Jedi"-Sarah Beth Durst (from the episode "A Necessary Bond")

I thought this story was going to be from Ahsoka’s point of view. It was not.

I’m not mad at it though.

The story itself does focus on Ahsoka but it’s narrated by Katooni. It’s basically about how much she adores Ahsoka and wants to be like her, but also doubts herself a lot. She thinks she is not good enough to be a jedi. But her experiences both with Ahsoka and with Hondo Ohnaka makes her change her mind.

I want to say that I love the fact that it’s canon that she drew a poster of Ahsoka for her room because she really admired her that much it's so wholesome. It’s cute, and also let us see the perception the younglings had of Ahsoka.

Also, the bond between Hondo and Katooni is really wholesome. This also made me realize that this encounter with a young jedi is the reason he is immediately friendly with Ezra in Rebels. Ezra and Katooni do share similar personality traits sometimes.

Deep diving in Wookiepedia after reading this I found out that Hondo’s ship in Galaxy’s Edge is called “The Katooni” and now I’m sad thinking he was probably devastated when he learnt about Order 66 and what Vader did to the younglings. Great now I’m angsty about a chaotic evil space pirate.

I think it was confirmed by Dave Filoni that those kids are dead now. May the force be with them, they were good enough jedis.

#10 "Kenobi's Shadow"-Greg van Eekhout (from the episode "The Lawless”)

This is the re-telling of one of the saddest clone wars episodes. The episode just lets you think that everything’s going to be alright, that they are going to survive together, lets you hope that they take off just in time… and then it doesn’t happen. I’m still not over Satine’s death. And this made it even sadder. There were so many points their story could’ve gone differently, but their story was already at an end.

This is in third person but heavily focusing on Kenobi’s thoughts along the way. He really was close to turn to the dark side, but his love for Satine and his grief made him not surrender to it. But he felt an anger, a justified one, but an anger that I have never seen in a jedi other than Anakin Skywalker. And we all know what happens to him.

It was a good but sad reading. I won’t be reading this one again. It’s too much. I knew what was going to happen and it still hit me hard. I wish things would’ve gone differently for the both of them. I wonder if we will get flashbacks to this in the Kenobi show.

Also, I really need an Obi-Wan Kenobi and Satine book of their time on the run.

#11 "Bug"-E. Anne Convery (inspired by the episode "Massacre”)

I can’t talk openly about this story because it’s not actually featured on the clone wars. It’s a really good story, specially if you want to expand on the lore regarding Dathomir and the Nightsister in the new canon. It’s perfectly executed, and even when the story isn’t about any of the main characters it hooked me from start to finish. Definitely one of my favorite stories of the book and If I had to pick one story from this anthology to read again it would be this one.

It has more gruesome details than the others and the atmosphere is dark, and I loved it. I would read a whole Dathomirian Nightsister novel written by this author if it was in this exact same style. I really liked it a lot.

In summary, I really enjoyed reading this Anthology. I would really recommend it to anyone who is fond of the Clone Wars or the prequels era. Adults, Kids, Teens, Young adults. I think I would’ve enjoyed this book as a kid as well, and I enjoyed it a lot now in my early twenties. It contains a little bit of everything and that makes it a really complete anthology.

#star wars books #book review #clone wars #the clone wars #star wars #hondo ohnaka #ahsoka tano #swtcw #assajj ventress #darth maul #ventress #feral opress #dooku #kenobi #anakin skywalker #prequel trilogy #tcw #yoda #clone wars stories of light and dark #star wars novels

[kittyprincessofcats]

She-Ra S5 E06 - Taking Control

Yes, I am still determined to finally finish these reviews because I have thoughts on all of these episodes and still want to write them down (even though it’s been ages), so here we go. Spoilers for the rest of the season in case you haven’t watched it yet.

So let’s get into it:

- I love that they just took Wrong Hordak with them and that they’re actually calling him “Wrong Hordak”.

- Adora obsessively checking on Catra all the time is so sweet ❤️ (but also sad because she just came so close to losing her for good).

- “I honestly can NOT believe it worked.” Yeah, I’m with Bow on that. But like I explained in my Save the Cat review, I actually love that their super risky plan ends up working, as it already shows that Horde Prime is not as invincible as it seems.

- “Well, friends and one person who threw me off a cliff once.” I’m so here for all the “former enemies who now casually reference all the times they hurt each other in the past” banter, you have no idea!

- “I am honored to provide nourishment for my exalted brothers.” I love Wrong Hordak. Pretty much every one of his lines is a winner.

- Change in the opening: Only a tiny one (for now), but Wrong Hordak has been added to the heroes’ shot in the end and his expression is hilarious.

- Catra’s flashbacks to Horde Prime submerging her in that pool are so painful. (I saw a theory on here somewhere that this is why Catra’s fear of water seems even worse in season 5 compared to before. It makes sense when you consider Horde Prime tortured her in that pool. Side-note: This also makes me want to have a word with all those people who complain that Catra’s redemption was “too easy”. She literally went through extreme torture and mind-control to protect other people, but go off about how that’s “easy” or not a vaild reason for those people to forgive her, I guess.)

- Gosh, just the fact that she’s so panicked when she wakes up 💔

- I love how Adora, despite being so concerned and wanting to reach out for her, holds back and gives Catra her space.

(- Side-note: Let me take this moment to shamelessly promote what’s most likely Noelle’s fanfic: Don’t Go by Annacharlier on AO3 does an amazing job filling in the blanks between Save the Cat and Taking Control and explaining what goes on in Adora and Catra’s heads here. Give it a read if you haven’t already!)

- “I keep having this horrible vision of a blonde girl who thinks she’s better than everyone barging into my room all day.” I love how Catra’s still her snarky self, though. And how Adora isn’t even mad and just smiles at this.

- Okay, so the obvious topic of Catra not wanting to face everyone she’s hurt aside, I find it interesting how Entrapta is the only person she doesn’t use a nickname for - she calls them Arrow Boy, Sparkles and Entrapta. I think it’s a mix of her knowing Entrapta better than the others, and her respecting Entrapta more.

- The entire fight between Adora and Catra is such a good scene (as sad as it is). Catra doesn’t want to face all her mistakes (she didn’t think she’d actually live long enough to have to), is plagued by obvious guilt and still doesn’t really realize that Adora came back for her because she cares about her (hence her accusation that Adora “just loves feeling like a hero”). Adora on the other hand thinks that things should be okay now because she saved Catra and they’re together again, so why can’t they just make up? She doesn’t realize that Catra needs a bit of time to really digest everything that’s happened. And that “I never hated you!” moment? Beautiful. I think it’s a huge thing for Catra to realize that even when they were enemies, Adora’d didn’t hate her.

- Many She-Ra episodes have two plots going on at once and one of them happens to be way more interesting than the other. In season 1, it was often “the Horde plot is more interesting than the Bright Moon plot” for me. In this episode, it’s a very clear “the plot in space is more interesting than the one on Etheria” - sorry.

- I’m glad we finally got a Spinnetossa kiss, though!! This season is just bringing all the gay!

- Micah freaking out about Glimmer potentially not liking him (not realizing that Glimmer’s really not a kid anymore) is also kind of cute.

- I love Glimmer’s expression when Adora complains about Catra. She just looks so #done with all of this.

- Adora calling Catra a “stubborn brat” is amazing. (Though tbh, I misheard her at first and thought she said “stubborn cat” - which would be true, too.)

- “Did you think she was going to just instantly become a totally different person?” That’s a very good point and I’m glad the show didn’t make Catra just insantly act completely differently.

- “I believe - in Horde Prime.” Look, I could just quote all of Wrong Hordak’s lines here because they’re just too good 🤣. Also, the fact that his apron says “Smooch the chef” in first one’s writing? Amazing.

- Poor Bow being the designated driver and having to fly into an asteroid field. Love how excited Entrapta is about it, though.

- I just noticed that when Catra’s getting those flashes after the ship is hit, the first image she sees is of Krytis!

- “Once again, Catra is ruining out lives!” Okay, but that’s really not her fault this time. Though I get that Adora’s just being overdramatic here. (“Then try not to hit anything!” 🤣) Also, my first thought was Wrong Hordak was sending the trace signal, not Catra’s chip - but the chip does make more sense, since Wrong Hordak was cut off from the hivemind and Horde Prime also couldn’t find Hordak for years.

- Honestly, the group on Etheria should have left that party way sooner. Something was so obviously super off there, and they noticed it as well - but still stuck around for way too long. (But then again, they had no idea about the chips at all, so maybe that’s a bit harsh.)

- The way Spinnerella moves her neck when she says “something weird just happened” - very nice hinting/foreshadowing there!

- “Me? Why would I wanna hurt you? Ooooh, you mean because you sent me to Beast Island, stole my work and used it to rip a hole in the fabric of space and time? I get it. Hold still.” 🤣🤣🤣🤣 Have I mentioned I LOVE ENTRAPTA??? I love how she’s not even mad at first and then so genuinely proud of herself for “getting it” - but also, since this is pretty much the worst thing Catra’s ever done and something she (rightfully) feels a lot of guilt over, I’m glad the show took the time to address it. Yeah, it’s played for laughs here at first, but then the episode actually seriously addresses it.

- “We’re doing this. Then if you think hiding from the people you hurt will make you feel better, we’ll drop you off and you’ll never have to see us again. *sigh* You’ll never have to see me again.” THIS MOMENT. Okay, let’s get into this: I like that Adora’s not letting Catra get away with anything here. That she tells her straight-up that they have to remove the chip or else Prime will find them, that she questions if hiding from everyone she’s hurt will really make Catra feel better, but that she also agrees to drop her off if Catra really wants that. And I like how Catra, now that Adora is offering her what she said she wanted earlier, realizes she doesn’t actually want to lose Adora again either. Adora offered to let her go, and Catra realized she doesn’t want that. I also really like Catra asking Adora to stay: It shows that Adora’s presence still makes Catra feel safe, hence why she wants her there for the chip removal procedure, but it also nicely foreshadows the finale, where Catra will ask Adora to “stay” again. Also, all that hand-holding and blushing? Cute.

- “I’m not protecting you, I’m protecting them.” YES. And here’s where Micah shows that he does take Frosta seriously and does understand how strong she is - good!

- Catra seeing Horde Prime’s thoughts: First of all, it breaks my heart how tiny and scared she sounds when she talks about Horde Prime “using” her (but also not really because I’m evil and I’m here for the angst). Then, I like how she insists she has to do this because otherwise Adora will “do something stupid and get herself killed” - Catra is super protective of Adora. And again with the hand-holding and asking Adora to stay with her 😭. I also like that it really works and Catra ends up finding out what Horde Prime is doing and even seeing what’s going on on Etheria.

- Also: I like that Horde Prime is genuinely furious about Adora saving Catra. That the whole reason he changed his strategy and started chipping people on Etheria is because he’s genuinely pissed about that and wants revenge (something Double Trouble will again confirm one episode later).

- Can we also talk about Adora and Catra immediately reaching for each other and hugging when the ship gets hit?

- “She-Ra, if you really are out there: Are you getting this?” Okay, but that’s just the thing: She literally is getting this! I like how the two plots connect here and how Adora becoming She-Ra and defeating the ships in space also helps Swift Wind power up and save the others.

- Everyone’s already talked about this at length, but I love She-Ra’s new transformation! The symbols representing Adora’s friends (winged boots for Glimmer, heart for Bow, mask for Catra), the way better outfit and hair in a ponytail, the beautiful galaxy background with those lights, the triumphant orchestra version of the transformation music - I’m here for all of it! (Also for Catra’s little blush at the end there.)

- She-Ra destroying the ships in space is epic.

- Catra’s apology to Entrapta is such a huge moment for her and such a nice scene! I like how she technically didn’t even have to do it: Entapta didn’t expect an apology and was already on her way out. But Catra has been feeling bad about this for a long time and realized now that she doesn’t actually want to run away. And after we’ve seen Catra being awful to everyone and feeling guilty over what she did to Entrapta since early season 4, it feels so good to finally hear her genuinely apologize for it (and genuinely apologize to someone other than Adora in general). And Entrapta patting her head with her hair is so precious 😭. I love both of them.

- The scene of Catra joining everyone else at dinner is so good 😭😭😭. How she’s finally ready to face them, but still sits away from them, not expecting to be forgiven or accepted, how Bow and Glimmer make room for her and invite her to join, how her ears perk up at that, Glimmer offering her food, that glance between her and Adora... YES. Catra is someone who’s been rejected and made to feel like an outcast her entire life, and she was convinced everyone hated her now. Bow and Glimmer inviting her to sit with them here was so important.

- I love Entrapta asking if the food comes in smaller sizes. She just has a thing for tiny food and I can respect that.

- And... oh no, Spinnerella is chipped!

This was another really good episode! I like how it shows Catra’s growth and shows her working on herself. I also like how things weren’t just immediately okay between her and Adora and that she still has to work on actually redeeming herself even after her heroic sacrifice. But I also think it’s realistic that Adora and Glimmer aren’t holding a grude against her, since she literally went through hell for them. Her apology to Entrapta was really beautiful and all the soft moments between her and Adora make my heart melt.

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#spop #spop s5 #spop s5 spoilers #Taking Control #Catradora #Wrong Hordak #Adora #Catra #Bow #Glimmer #Entrapta #Spinnetossa #Spinnerella #Netossa #Micah #Frosta #Swift Wind #Horde Prime #spop meta #long post

[meandmyechoes]

The more I think about Dark Disciple, the more I find something odd.

[28th March 17:46]

I keep referring to it as a ‘favourable experience’, and there is no question the writing is what made me fall totally head over heels about quintress, but I also just, can’t?

I mean, yes. It’s very passionate, dramatic, scenes and gestures I can only dream of. But I also, don’t really see it in that ’omg they totally belong together here are my sixty headcanons of them’ sense?

I am very involved in the pairing, but also don’t really, actively ‘ship’ it — like the way it was an open book with Rhayme or Latts Razzi (since it’s the same author that indoctrinated me to Captain Rhayme). I could imagine them being happily ever after and silly shenanigans and slow-burn. But the concept of a quintress fairytale ending is so wild. I can only ask how much it is tainted with my personal view on relationships.

I know the plot leaves little room for “the future” and fed us well on all tropes possible. But, it just never occurred to me to put them in any other clichés or invent a missing scene.

Winding up, I don’t think their relationship is "weak", but it’s very motivated by circumstances and once you take that out of them, you are a little bit lost. For example even during the illicit affairs month, I… can’t really propose one date that does not seem tonally insensitive. (I can think of them being cloak dorks and Vos bringing her to ice-cream, that’s it, after a long hard moment) Really, all I possibly want is that sweet, sweet angst and canon is already there so I have no complaint.

It’s just… I don’t really get why it has to be the two of them that fall for each other. I understand why they did, and I believe it— Perhaps it’s much more a physical attraction thing that I don’t really have personal experience with.

I don’t know if quintress classify as slow-burn because 10 chapters still seem a little quick in the grand scheme of things. (aside: I’m quite disappointed Ventress wasn’t doing much in the last quarter of the book.) My point is, they do feel a little bit puppet to tropes, and while it’s deliciously written, there’s not much potential outside of canon. And that lack of inspiration makes me grimace a little.

[3rd April, 01:39]

I’ve scrolled through the dd tag and let the book sank a little. I am better articulated to talk about the sexist criticism now.

It’s a romance story, and when I judge it by that (lower) standard, it ticks the boxes. However, it might be a weakness as well, due to the projectability of the heroes. And yes, the whole assassination is dumb. Yet, tcw has been consistently this dumb at us. The last two times when she’s more rooted in the dark she failed, sent Savage and failed, so she’s gonna do it again with Vos… after she put down her desire for revenge. right. and surprise! Our “assassination” plan is to find Dooku and duel him directly. right…

I’ve read a review that says the romance takes away from the plot. However, the romance IS the plot. The book IS supposed to revolve around the two of them. I do agree them becoming begrudging allies then partners is a more unique approach, more rewarding as foils as well. but I guess a romance is easier for the conventional to process ¯\_(ツ)_/¯

With the “Ventress lose agency in falling for Vos”. Now, I can’t dictate how each of us buy into their physical attraction and chemistry (or lack thereof), and there’s no denial that a conscious human being is making that choice for the fictional character, I think the stance on this topic varied person to person from the above two factors, which are very different starting points.

I kept Katie Lucas’s foreword vividly in mind while reading. She said this is a story about people seizing chances to rebuild. That there’s always a choice. Cliché as it is, I believe ~the power of love~. I believe there exists someone you’re willing to sacrifice everything for, to overlook everything for, to forgive - to love them, warts and all. So, yes whether you think Ventress loses her agency to the romance, or if that’s a conscious choice on her behalf, is swayed heavily by how much you buy that they are the one.

[10th April, 10:30]

Yesterday I’ve been thinking a bit more about this. I do love this ship, I just don’t believe they’d be two people who find each other again and again in every life time, in every universe. That’s why, as magnificent as fireworks, it also won’t last.

To explore this, it’s not entire impossible for quintress to separate peacefully after this incident, but would that cheapen the build before? The entire motivation of dark!Quinlan hinges on his vision of their future. And say, Ventress did saved him and survived. How would he balance being a Jedi and his feelings - that’s publicly exposed to the Council? (sidenote: i really don’t like Ch. 27 where a bunch of old men are questioning their love life, but uhhh yes, I’m a sensible person!) For now, I’m seeing another Obi-Satine situation. And honestly how bad that an outcome is. It’s not like Ventress died for her war crimes! The show gave her a full pardon! So Idk man. Why can’t she leave him because she loves him and she exiled herself and they never see each other again WHY NOT FILONI WHY NOT.

Now I’m lamenting more what could’ve been with the two arcs. In Filoni’s original sketch, Aayla and Maul were involved. Man, that could’ve been the dream.

~~~

Part 2: [26th April, 15:15]

It has been… a month, since I finished Dark Disciple and I feel like it’s time to conclude all the thinking this book has made me do.

On the wider reflection about attachment and the Jedi Order, I still have to do more reading on it from other sources to form a concrete opinion. This theme won’t be touched on in this post yet, but I cannot shake how intriguing it is to compare “falling” in love to falling to the dark side. The temptation, and the submission to their emotions, the irrationality, the newfound curiosity, it all incites. Very curiously, it was Anakin Skywalker who commented that one is “blinded by love”

Okay, so what I’ve been scratching my head off the past two weeks is how I look at the romance between Asajj Ventress and Quinlan Vos. How would I define it?

Now this is as much as an exploration of how I view romantic relationships. Well, I’ve decided it wasn’t “love”, it was an “affair”. It was an affair because it’s a rush of passion, it’s a secret, it won’t last. Before I chop my own head off for bluntness, I mean it in, of course they are hopelessly in love with each other, that’s the exact premise of why it moved me so. But it wasn’t a complete relationship, wasn’t a healthy, sustainable one by any objective standards. Then, that’s the exact contradiction. Oh to throw caution in the wind with you, or to build a future with you?

Both are things I want a lot, and the ideal is of course one after the other. What quintress had (in the end) is definitely not something I’d want for myself, but it’s so fantastical, it’s alluring, just like the concept of falling in love - opening up yourself and trusting another person, is - it’s risky. That’s why it’s a sweet, sweet drug.

I’ve been so angry at all the red flags in this relationship. Reading this book, getting into both of their shoes, yelling NO like their best friends. But ultimately, what they had is unique to them and I can’t influence it in any way. Re-reading, I find myself holding myself back at all the places I was furious about going ‘You are smarter than this!’. Because it’s a tragedy, and the beautiful (I guess) thing is they chose each other.

The other day something on the dash inspired me to really think about ship dynamics. I, unashamedly admit, I’m VERY into Obi/Quin/Ventress in any and all combinations. *cough* I will not explain further.

I do accept the premise and I did discover they share quite a bunch of traits, but it confused me a while what made them cross the boundary, and it was, physical attraction (that the book was selling so hard I was blushing hot). I love them both a lot, and I would like to date them both, and I can see myself in either of them. Again comes the contradiction, is it a good thing to have characters so easily projectable, or do I want to see myself in more complex characters like them?

I probably lost quite a few cars stalling this train of thought. And I've been a canon apologist since forever. This book brought me a lot of emotional upheavals and a lot of food for thought. It brought me down to reflect on my romantic worldview and sexuality because I have nothing better to do. It totally challenged me as a writer and it’s just a really good novel by its right, regardless of the absurdity that is The Clone Wars. It’s a lot of firsts for me. And I really should find something better to do.

[26th April 16:00]

I must address that I got spoiled of the ending and the first and second half of the book probably went through some big changes.

If I cried for this book, it’s score would be even higher. And I’ve been so obsessed with discussing the relationship, without shedding light on the characterization, which is definitely an unfortunate side effect. Then it occurs that quite possibly the second half (26-42) deviated even further from the script than the first? It doesn’t have concept art or blocking, plus possibly (heavily) edited to omit correlation to other arcs. My major complaint for the second half is Ventress doesn’t do much and we know NOTHING about Vos, even though he is given screen time in the book. my, I just wish Ventress punch him harder and drag his idiotic mess back to the light sooner.

And to criticism about it being their ‘toxic’ relationship being portrayed as ‘true love’, well, it really depends on how thoughtful the reader is, right? I think if the reader is able to notice all these red flags and gave their own interpretation of the relationship and its outcome, it’d’ve been an educating experience. There’s what for the reader and what for the characters. They don’t know this ‘love’ is destroying them, and what kind of message is it sending? What ‘love’ depicted in the book is true then? I have my answers, and I hope every reader comes to their own as well.

#dark disciple #sw reading #clean version #i yell 'EXCEPT THE FLIRTY PART' every three scenes

[degenerate-perturbation]

Viv Reviews: The Witch’s Heart by Genevieve Gornichec

Being as I am contractually obliged to read all Loki-the-mythological-being fanfiction, I dive bombed this book like a seagull espying a stray french fry on the boardwalk. I had never heard of it before I saw it on the shelf at the bookstore, but reading the summary and the first page, I bought it immediately, started it within a few days, and finished it over the course of approximately four baths. Usually the lag time between me becoming aware of a book and actually reading it is anywhere between a year and a decade, so this is pretty incredible performance.

And this one was actually good! Really good! Or it could have been, if it didn’t absolutely cheese it in the second half of the story.

The first half is extremely solid, if somewhat conventional. It follows the myths, centering on Angrboda and Loki’s relationship. I had a pre-existing attachment to Loki and enjoyed all of this greatly. Was it stunning literature? No. Was it a really solid, satisfying fanfiction? Yes. And I will give the first half of the book solid marks on that front.

I’ll be honest. I read this book for Loki. But I really enjoyed Angrboda as a protagonist here. She minds her own business. She doesn’t hold grudges. She doesn’t want revenge for the trauma and wrongs visited upon her. She doesn’t cling to pride. Overall it paints the picture of an admirable person, who never strays into the saccharine or unbelievable. I like her. Even though I am a Loki apologist through and through, when they part on bad terms, I was fully on her side.

I also really like this Loki. In this book his key flaw is identified not as dishonesty or disloyalty, but as an excessive desire to be accepted. Loki is willing to do anything to continue to be accepted by the Aesir, or rather tolerated by them.  He is ready to suffer any humiliation, any degradation, any pain, any loss, all to keep his tenuous, heavily-conditional place among them. For all us faggots and retards and adjacent undesirables in the audience, this is a familiar emotion. I clapped my hands in delight to watch it all play out; Loki the weird kid who eats dirt trying desperately to keep the cool kids laughing so he can imagine that they are laughing with him, not at him, even if it means betraying his own family.

There is another interesting element to this story and that is the hint of Angrboda/Skadi as the endgame relationship. It’s built up nicely; Skadi and Angrboda are good friends, jealous of one another’s husbands and not talking about it, all the while we the audience know that Angrboda and Loki’s marriage is doomed to explode. When Angrboda is nearly killed and all she loves taken from her, Skadi is the one who is there for her. Aha! I think. So this is why Skadi hated Loki so much, and why Angrboda left Loki to his fate! Hohoho, I can’t wait to see this play out.

And then it just fucking doesn’t.

At the midpoint of the book, the tension drains away, there is no structure to speak of, and Stuff Kind Of Just Happens.

Having healed from the attempt on her life, Angrboda decides to set off on a journey to rediscover her magical abilities. She gives Skadi the standard “I have to do this alone” line, and...Skadi just goes, okay, bye then, and lets her go. And then she just isn’t in the story for a long time.

At this point Angrboda’s goal is to find her daughter, because she knows her sons are fated to die during Ragnarok. Angrboda is unable to die; she always comes back. This is one of the first things established about her and the audience is reminded of it when she fails to die when she is killed, at the midpoint. Aha! one might think. Angrboda will be so desperate to see her daughter that she will repeatedly try to die, and be unable to! Only once she has exhausted every option and given up on despair, only then is she able to access her magic and travel to the underworld without dying! Only by choosing to live can she truly heal and progress in her goals!

But that is not what happens. What actually happens is that Angrboda putzes around for a few years Finding Herself and making friends with local wildlife.  She relearns her magic because Freyja--a character who has hardly been mentioned in the story up until this point--teaches her. Because Girl Power, or something. When she finally does reach Hel, it doesn’t feel like an exciting emotional climax, it’s just kind of another thing that happens. Poor structure!

Here is another example of poor structure: the eventual Angrboda/Skadi relationship.

After they randomly part ways just at the juncture where serious relationship development would reasonably be happening, they next speak to each other after Ragnarok has started. Skadi comes to visit Angrboda. She tells her about the binding of Loki, but leaves out her role in it. Later, she guiltily admits that she was the one who added the snake, because she wanted to make Loki suffer for hurting Angrboda. This makes Angrboda realize that Skadi loves her, and they become lovers. Several months later, Angrboda decides, for no particular reason, that she should free Loki.

Look. I’m not any kind of screenwriting genius. But there is an obvious way that this should have played out according to every law of dramatic tension. Here it is:

Skadi goes to see Angrboda at the start of Ragnarok, and, driven by the impending apocalyptic events, confesses her feelings. They become lovers. Skadi hides her role in the binding of Loki for the duration of their relationship. Angrboda spends months or even years lost in the haze of complacent gay love and resignation to fate. Then, much later, Skadi tells her the truth. This horrifies Angrboda, and is the catalyst which makes her decide to free Loki. The realization that she still cares for her good-for-nothing ex-husband spurs some character development.

But Angrboda and Skadi can’t have any drama or emotional conflict or tension in their relationship. Because Girl Power.

And when she gets there, and witnesses her ex-husband, the father of her children, horrifically tortured and maimed as a direct result of the actions of her current lover, what does Angrboda do? She takes a moment to have a little pow-wow with Sigyn and let her know that there are no hard feelings and we women have to support each other you know. Because Girl Power.

The rest of the story is an incoherent soup of Stuff Just Happening. It has that fanfiction vibe of just trying to get through all the canon plot points while the characters we’re actually focusing on have nothing to do with them. There is one cool part where Angrboda realizes that Hel has a weak heart--so she cuts out her own and gives it to her, and this allows Hel to survive Ragnarok. Loki was the one who returned Angrboda’s heart to her at the start of the story, so this is quite sweet and fitting. But it happens offscreen, and then we are subjected to Hel & Baldur’s romantic banter which is gratingly exactly the same as Angrboda & Loki’s romantic banter.

There is a skeleton of a good story here. But that’s really the best I can say for it. I’m not really sure what happened here--other reviewers have suggested a lack of imagination on Gornichec’s part, and maybe that explains some of it, but I suspect the Girl Power themes also have to do with it. So many scenes and plot points seem only to exist to affirm the theme of Women Supporting Women. I vaguely get the impression that Gornichec is shying away from centering the Angrboda and Loki relationship, too, Because Girl Power. Only this doesn’t work, because it is quite clearly the central relationship, and acting like it’s not just makes for poor storytelling.

I’ve said before that a mark of a good story is one whose prose, plot, characters, and world all uniformly and point in the same direction, creating a coherent Theme. Here it’s more like the Theme was dropped into the middle of the plot by a dumptruck and left there, getting in the way of the actual story and messing up the structure. And structure is seriously important! The book I read immediately after this one was The Rise of Kyoshi by F. C. Yee, another published f/f fanfiction novel, and I won’t be reviewing that one, because it was damn good - in large part due to its tight, coherent structure.

The Witch’s Heart could’ve been it, but ultimately turned out a disappointing fanfiction. Compare Miller’s Circe - but Circe was a better book by far.

#viv reviews #extended speech act

[onthepageoftears]

Hold Them Closer ~ Ch.5 [Jaskier x assassin!reader] || Witcher

A/N: 

Your kind words and reviews mean a lot to me, so please don’t afraid to leave a message/comment!

Summary: Gaining the information you needed isn’t easy, and brings up old memories.

Warnings: language, mentions of death/killing/blood

Words: 2,043

Please Don’t Plagiarize My Work!

Night cascaded the sky around you — it wasn’t nearly as dark as it was in the village you and Jaskier had been holed up in, but the city of Novigrad still had a way of surprising you. The torches only lit the streets enough to see a couple feet ahead of you, but the darkness was comforting. It made you wonder what Jaskier was doing right now, as you made your way towards Arnet’s guild.

To say being back in Novigrad was strange would be an understatement. The nearer you got to the city, the worse your stomach churned. It reminded you of the months prior, of the incident with Rauf and Jaskier and how everything that you once knew seemed to fall apart.

But being completely honest, your life was better than it had ever been. You were happy, you felt safer — despite constantly fearing someone after you or Jaskier’s head. But being with Jaskier did make you calmer, as Geralt noted. You weren’t a machine like Rauf once saw you. You were just…you.

But now, with your cloak hood hiding your face as you wandered the alleyways of Novigrad, you felt more like your old self than you had in a while. The patch that you re-sewed into your cloak felt like it weighed a ton on the fabric, but still, you kept walking. Because you were going to get the information you needed, no matter the cost.

You rounded the corner on the street to Arnet’s guild, slowing your steps as you neared the main entrance.

The last time you were here, Rauf had just died by your knife. His lifeless eyes still haunted your dreams, but being back in the city made you think you would see them around every corner.

You were glad when the door hatch opened before you, where a woman grimaced at your figure.

Silently, you flipped the collar of your cloak so the woman could see your patch.

“Y/N.”

You weren’t completely surprised that she knew who you were — you were more…unsettled.

Walking through the familiar guild had you internally cringing. Assassins all around were sharpening weapons, healing their wounds, hanging around. More than anything, you wanted to exterminate this guild just like your own. But you knew doing that, right now, wasn’t the right choice. Until you found what you were looking for, these people would have to continue on killing others for nothing but coin. You hoped, at the least, that some of these people felt the heavy weight of guilt that you did.

But you doubted that.

As soon as you were lead to Arnet’s room, he got up to greet you, “Y/N. It’s a pleasure, as always.”

You nodded, forcing a small smile on your face as he clapped his hand to your shoulder. “What do I owe this pleasure, child?”

You shifted under his gaze, swallowing the lump in your throat. Though you were far from being an assassin, you had the urge to stab him right there, to end both the suffering you were feeling and the suffering that he would inevitably bring to others — by his hand, or by the members of his guild. Instead, you shook it off, and cleared your throat.

“I have to be honest, Arnet. I didn’t come to catch up.”

Arnet nodded and walked over to the seating area in his room. “I figured as much. You were always a bit more serious than your uncle, though that isn’t a bad thing.”

The words stung you, but you masked it. “I came to ask about my mother."

“I can’t say I know too much. Why do you ask?”

You froze. In all the time it took to come back here, you never really came up with a plan. You tried to, multiple times, but then would get distracted by other nerves. But in this moment, a conversation with Rauf entered your mind. It was after one of your visits to Arnet, when you were still too young to go on your own missions. Rauf was mostly talking to himself, but he spoke aloud: Arnet is a bit of a stubborn bastard. But he knows the sweet taste of revenge. The need for justice.

You took in a breath, shoving the memory of Rauf to the back of your mind before it made you want to smash something.

“Rauf told me the truth. The night before he died.” You swallowed down your lies as Arnet tilted his head. “I’m sure you knew already. That he killed my father.”

Arnet blinked, not showing any other emotion on his face. “I did.”

“He…he told me of the betrayal my mother showed him. That she didn’t remain loyal. But he also told me that he couldn’t kill her for the heartbreak she forced upon him.” You had to swallow the bile that rose in your throat. These lies you spoke made your tongue feel heavy, your saliva thick. “I want to finish what Rauf couldn’t. But his journals leave no trace of her. I can understand why, but…I thought you might be able to help.”

Arnet considered you for a moment. You may have been seen as sort of family to him, but that didn’t mean you were close. You couldn’t read his expression as he took a sip of his drink, so you kept your face as stoic as possible. Stiff as a sober Geralt, Jaskier would say.

“Though I don’t know if this is the best way to spend your time, I can respect the drive you show.” You nodded, hiding the desperation in your eyes. “But I hate to tell you that I don’t have a clue where your mother could be.”

This time, you visibly shrunk in your spot. The disappointment filled your eyes, nearly consuming your thoughts. But you weren’t giving up that easily. “What about the village I grew up in? Do you know where that is?”

Arnet nodded, “It’s in Velen. Not far from the crossroads. But I doubt that she stayed there.”

“Of course.” The fact didn’t matter. You were tempted to jump out of your seat then, to get on your horse and find the village by morning. Even then, you would have more of a lead as to where your mother went. But the sense in you kept you put. You needed more information, just in case.

“And…what do you know about my mother?”

Arnet sighed, leaning back in his chair. “I’ve only heard of your mother through your uncle. She was a beauty, but many women like that are…trouble. Your uncle had his head in the clouds. I told him that more often than he could count, and he always told me to piss off.”

“Sounds about right.”

Arnet chuckled, continuing on with a small smile. He looked like a simple old man telling a story of an old friend; it almost calmed you, until you realized who he was, and who his friend was.

You frowned as he spoke, “He was quite the romantic. Wanted to give your mother everything she wanted —buy her land for a farm, get her a shop to sell her goods. He was ready to give up everything for her. And for you.”

You blinked away the anger that had begun to form in your eyes. If he was such a romantic, he could have left you and your family alone. He could have let his ‘beloved’ live the life she wanted to instead of the one he wanted her to.

He gave up everything for you. That must have meant he gave up his morals, his honor, his humanity, as well. And that was not something to be proud of.

Noticing the amount of time he had been talking, Arnet faltered. He leaned forward in his seat. “Maybe I can find some of my men to help you on your journey. I’m sure they wouldn’t mind—“

“No.” You backtracked, realizing how panicked you sounded, “I mean, I need to do this alone.”

“I understand.” Arnet smiled at you, just for a moment, before standing up. “Well, I’m afraid that is all the information I have for you.”

You stood up as well, “Thank you, Arnet. Really.”

“Thank you, Y/N. For carrying your the burden’s your uncle couldn’t seem to fulfill.”

You couldn’t help the memories that surfaced to your brain. Rauf’s blood. His eyes, glazed over. But unlike from your dreams, these memories made you straighten your back, clench your jaw. Because though Rauf seemed to haunt you, you were glad he was out of this world. Dead. And one day, you would be glad to see Arnet in his place as well.

You nodded your head at the man in front of you, looking straight into his eyes as you spoke. “It is my honor.”

—

As you descended the path away from Novigrad, you realized you hadn’t gotten there in the middle of the night, but rather the end. The sun had already begun to rise as you and Buttercup gradually left the city behind you. The further you got, the better you felt — though now, there was a new feeling rising in your chest. Hope, yes, but also worry. Now that you knew where to go to find your mother, you wondered what would be there to greet you. You didn’t let yourself believe she would still be there, because you knew she wouldn’t. But still, you hoped there would be more of a clue of where she had gone.

Your mind was racing when you caught sight of something on the road away from the city. You pulled on Buttercup’s reigns, slowing her down as your eyes focused on something you really hoped you didn’t see. But as you got closer, you knew it was exactly what you feared.

“You’ve got to be joking.” You grunted, getting Buttercup to stop just on the edge of the path next to another…very familiar horse.

You pat Roach's side before walking a bit further into the woods. And just as you suspected, there a small camp with Geralt and Jaskier sitting around a fire. You were almost amused at their presence — they hadn’t even bothered to hide, being just off the path.  But your frustration slid the smirk from your lips, replacing it with a scowl.

“I told you not to follow me.” Your voice startled the men — and by men, it was mostly Jaskier. He jumped from his spot on the ground, only to give a relieved smile at the sight of you.

You kept your scowl firm as he made his way over to you. “Oh, my. Y/N, how funny it is to see you here! Geralt and I were just on…a stroll. A very, very, very long stroll. Towards the same place you happened to be. What a funny coincidence, hm?”

You blinked. “Hilarious.”

You glared at Geralt as he walked past you two and back to the horses, before turning back to Jaskier. The bard tilted his head, placing a hand on your shoulder with a sigh.

“Come on, we let you go in alone. I just wanted to make sure you got out alone too.” Noticing your glare soften — only slightly — he brought his arm around your shoulders and guided you back to the horses, where Geralt was patting Roach's side. “We couldn’t let you take this wondrous, self-discovering journey alone, could we Geralt?”

Your furious glare made Geralt sigh, finally turning to look you in the eye. “He wouldn’t stop talking”

“Then you should’ve knocked him out.”

Jaskier squeezed your shoulder. “And he is standing right here, love.”

You would’ve swooned at the new nickname if not for the anger in your chest. But just like it always happened with Jaskier, once you looked into his eyes, your shoulders dropped.

“We need to find a place to stay for the night. We have…a bit of a journey ahead of us.” 

Jaskier clapped his hands together and helped himself up to Buttercup with an all too-bright smile. “Ah, just like old times, huh?”

Both you and Geralt rolled your eyes, simultaneously barking out a, “Shut up.”

———————————————————————————————————

And so another journey begins! Let me know your thoughts :)

#the witcher #the witcher imagine #jaskier #jaskier imagine #jaskier x reader #geralt of rivia #jaskier x you #self insert imagine #self insert #reader imagine #Imagine #htc #hold them closer #hold them closer series #kill your darlings #kill your darlings series #kyd #reader series #fanfiction #fanfic #writing #my writing #drabble #joey batey #henry cavill

[onepickyreader]

Now for some short reviews! Specific warnings and spoilery issues under cut.

1. Apron Yankee! 

This was an adorable one shot (and complete)! It had my favorite trope (yes, I am gonna say it, it’s delinquent-uke, there I said it). The story is about two friends,Taiga and Ryuusei, who used to be part of some street gang, until Taiga ends up in a come. When he recovers, he finds out that Ryuusei left that life to become a kindergarten teacher. The manga is full of fluff, with Taiga actively pursuing Ryuusei and not understanding why Ryuusei does not want him in his life. Absolutely adorable! And I think there is a minimum content of graphic scenes.

2. Caste Heaven

Okay.... I know this seems popular, but this was definitely not for me. There is a limit to my suspension of disbelief and this manga hit it. The story is set in a school where the students roles are divided in a pyramid of power, through the finding of a card (like gaming cards, from a deck). Azusa used to be the King, but when the order changed again he didn’t manage to get the King card once more, ending up in a uncomfortable situation. Also people used to hate him so they are set to revenge. And. Then I stopped because I couldn’t go one. I just couldn’t buy that a school could do this... like... no.

3. Sweet Trap

This is a super short 3 chapters one, and complete (webcomic), which deals with playboy Hwang pursuing a guy, mistaking him for a woman, after meeting him at a club. The whole story revolves around Hwang and his sister both pursuing the same guy, and it is adorably lovely. The only negative side point is that the ending comes too soon after a bit of a plot-reveal.

5. Save me Gently (a very new one!)

Oh boy, this is exactly the kind of stuff I LOVE. This is a short review just because the translated chapters are so few, also it is still ongoing. This is a classic: antisocial rude and prone to fight guy (Xiang yang) catches the attention of model student Ming Zhi, who breaks down his barriers with KINDNESS. Yes, please.

now for spoilers and warnings:

1. Apron Yankee!

There’s no real warning for this one, just a bit of violence (and fighting), and  Ryuusei definitely walking that fine line of falling into the “forceful seme”, but thankfully it doesn’t happen (still, be mindful that it gets close to ti!). The whole story had quite a sweet ending, and Taiga is basically a ball of happiness and fluffness.

2. Caste Heaven (abandoned very soon!)

So many warnings. This starts immediately with rape, and then more rape and assault. I kept reading for a bit, to see if it was going into a direction where we story condemned the sexual assault, but it looks like the story purposefully focuses on “horrible people doing horrible things”. Also, implied domestic abuse.

3. Sweet Trap

No warnings here! Also sadly the story ends up when we find out that the guy  Hwang is pursuing was actually pursuing him and looking for him, as he has been in love with him for a while.

5. Save me Gently (a very new one!)

No warnings for now, just typical violence and blood.

#apron yankee #save me gently #caste heaven #yaoi #yaoi manga #short review

[relishredshoes]

Interview given to The Severus Snape and Hermione Granger Shipping Fan Group.

https://www.facebook.com/groups/199718373383293/

Hello DeepShadows2 and welcome to Behind the Quill, I am pleased to have this chance to chat with you.

Many of our group’s members will know you as part of our Mod team but they might also know you as the author of Peculiar and of Good Night, Sweet Prince (written for our last Prompt Week of 2020!)

Okay, let’s jump right in. What's the story behind your pen name? 

I grew up in the martial arts and my 'warrior name' was 'kage urufu' or Shadow Wolf.  When I was in Creative Writing in high school, someone else was writing under that pen name, and they were more popular, and I was told I 'wasn't allowed to copy her name' by our teacher. So I went back and forth between some names and finally came up with DeepShadows. It is because during karate Kamp's ninja night games I would find the darkest spots in the camp and wait to sneak attack my enemies to steal their flags. The 2 comes from the fact that my first ever FF.net account got deleted because I put up lemons there instead of AFF.net.

Which Harry Potter character do you identify with the most?

Honestly, it is a mix between Severus, Draco, and Minerva. Each in their own way was in positions they would have rather not been in at one point in time, but made the best of those situations. Do you have a favourite genre to read? (not in fic, just in general) Strangely enough, I am really into my 70s Feminist Sci-Fi. Like Darkover and Tanith Lee's 'Don't Bite the Sun' Series. As for Fic, I am into many scenarios and it changes according to my mood. Recently I've been into fluff slice of life.

Do you have a favourite "classic" novel?

Oof. Asking me to pick solely one is a crime. I have always loved Gone with the Wind. If I had to point at one, it would have to be it. But I honestly went over 15 titles in my head trying to decide which one would be the winner. 

At what age did you start writing?

I have been telling stories and writing them since I was young. I could read and write at age 4 because my grandmother wanted me to be ready for school. My first written story was at 5 ish and I still have my Crayola blue five-line story about a Unicorn named Pepper.

How did you get into writing fanfiction? 

I got into fanfiction when I discovered that ff.net existed. My first fanfic is still up there under this pen name, but it is miles and leagues from my current quality. Spelling is still atrocious though.

What's the best theme you've ever come across in a fic? Is it a theme represented in your own works?

Honestly, hard to say. I love post-war fics. I love when the narrative is close to canon, but uniquely not, so it handles like it is an extension of the world and not a separate world. 

Theme wise, I am a sucker for hard-hitting drama.

What fandoms are you involved in other than Harry Potter?

I was into Kingsman, but not as a fic writer, but a Tumblr role-player. It's been a while, so mostly now I'm just back to being a Potterhead. It's where I began and where I always come back to.

If you could make one change to canon, what would it be? Do you have a favourite piece of fanon?

Snape lives! You cannot tell me that a POTIONS MASTER who spends ALL DAY every day keeping students from POISONING themselves and who personally makes BLOOD REPLENISHERS for the infirmary would not have been prepared for an attack from Nagini. It is not secret knowledge that Drama King Voldy likes to have her do his dirty work and Severus would have been prepared for the off chance he was discovered and attacked. He lived.

My favourite piece of Fanon.... hmm... I like a lot of Fanon.  It's hard to put my finger on just one piece that I enjoy.

Do you listen to music when you write or do you prefer quiet? 

Music! Nearly all of Peculiar was written to Folklore by Taylor Swift.

What are your favourite fanfictions of all time?

Cake and a Cup of Tea by Cybelle Somewhere I belong by .... I can't remember Not Only a Granger by my friend Ferporcel

Are you a plotter or a pantser? How does that affect your writing process?

I am a Pantser. I have beats and thematic key points I know I want to hit, but the characters sort of fill out the story as I go. Sometimes I surprise myself with where I end up and I love that. Example: Draco/Krum was a total accident in Peculiar, but I love everything about it. 

What is your writing genre of choice?

Hurt/Comfort and Drama/Angst

Which of your stories are you most proud of? Why?

Peculiar and Good Night, Sweet Prince.

Did it unfold as you imagined it or did you find the unexpected cropped up as you wrote? What did you learn from writing it?

Oh, my goodness, the unexpected cropped up. Peculiar was only supposed to be a 25 chapter post-war, post-divorce AU that turned into this beautiful beast. Characters were created as I went, and some side characters became major plot devices or turning points. I learned that sometimes my brain knows what it is doing before I know what it is doing. There were hints and notes of what was going on that I wasn't even aware.

How personal is the story to you, and do you think that made it harder or easier to write?

There are points that are special to me.  It made it easier and harder to write.  Having experience with some subjects Hermione goes through makes it easier to translate the emotions into words, but simultaneously, some of those factors are trauma-based and I had to navigate myself through.

What books or authors have influenced you? How do you think that shows in your writing?

I draw influence from everything I read. That is a key reason I don't read anything similar to my current work while writing because I don't want to accidentally lift from someone else. 

Do people in your everyday life know you write fanfiction?

Two of my roommates are readers and I get people barging into my room after a post a chapter yelling 'OH MY GOD'. I also have a typed and printed review handed in person to me by my roommate that is on my inspiration board where she says 'Fuck you, but with love'. My entire friend group knows I write fanfiction and I get some of them to read it from time to time. My mom won't read peculiar until it is finished because she doesn't want to nag me for chapters.

How true for you is the notion of "writing for yourself"? 

YES! I started Peculiar because I couldn't find what I was looking for. I wanted a high emotion, high stakes, drama and background rich fanfiction in which Hermione has completely broken and has given up on herself. Where she has nothing and no one and has lost that spark in her. I wanted Ron bashing where he is a villain and yet isn't the same time. I wanted Severus to be indifferent to her at first and slowly discover her suffering and set out to help her for the sake of the school, and it develops into more through feelings severed early on just after the war. I wanted her to have to overcome trauma and recover for herself, not for Severus, but instead with him and that they heal from their past together while facing continuous challenges that attempt to tear them apart. Along with other factors that haven't come to be yet, so I won't want to spoil.

How important is it for you to interact with your audience? How do you engage with them? Just at the point of publishing? Through social media?

I love my audience. It actually brought me here. Shout out to Geek and Tattoo for bringing me to this group’s Discord server. I answer every comment, I respond to any statements or comments I notice on social media. I'm an open person with my audience, which is why when I had to go on hiatus, I told them exactly what was going on.

What is the best advice you've received about writing?

Write what feels best. If you don't like what you are writing, no one else is going to.  If you don't want to write a certain scene but you need it, write an article or a letter about it. 

What do you do when you hit writer's block?

I cry. Then I put on the music that inspired the story/scene and I pace my room, going over the potential dialogue and basically acting out what I think should happen until it sounds right.

Has anything in real life trickled down into your writing?

Yes. Many of my OC characters are modelled after some of my real-life friends. And some other events have easily transitioned into events that Hermione and Severus have gone through.

Do you have any stories in the works? Can you give us a teaser?

I am currently writing the next chapter for Peculiar. I won't give a teaser, but I will say that Hermione and Severus give Rita Skeeter a delicious taste of revenge.

Any words of encouragement to other writers?

Don't stop, but also be kind to yourself. Not every writing session is going to be your best, but you won't have better days if you give up. Also, if someone doesn't like what you write, forget them, as long as you are happy with it, that is what matters.

Thanks so much for giving us your time.

#fanfiction #fanfic #snamione #writing #ss/hg

[recurring-polynya]

Bollywood Review Time!

Today, I am going to talk about Om Shanty Om, a very good movie that was Not For Me.

Let me back up. People recommend stuff to me a lot and I try to watch it and talk about it, and I always feel bad when I don’t like it. This one was recommended to me by my friend @serene-faerie​ I want to make it very clear that you, reader, may like this film very much! It was a strange perfect storm of Things I Don’t Care For, and I actually rather enjoyed the experience of picking apart what I didn’t like about from what I did, because honestly, I am always interested in the ways stories are told and what stories say about themselves.

Cut for spoilers and also length

First off the bat-- this is not a film for the Bollywood beginner. It’s sort of a meta-narrative, with a ton of cameos from famous stars and jokes about Bollywood tropes and directors and such. There’s a ten-minute dance number in the middle that’s just famous people showing up to get down and everybody cheers every time someone new rolls in. I have only actually seen a handful of Bollywood films, mostly made after this one (it was made in 2007), and I could tell that there were a ton of gags and references that flew over my head. I got the sense, both from watching it, and from reading reviews, that this was all very well done and funny, I just didn’t have the proper frame of reference to appreciate it.

The main character, Om, is played by Shah Rukh Khan, an incredibly famous Bollywood star whom I had never heard of before watching this film. In the beginning, Om is a somewhat-bumbling movie extra, dreaming of stardom, flipping his hair, and falling in love with a beautiful starlet on a billboard. I… was not taken in by his charms. I feel like I really missed out by not knowing who Shah Rukh Khan was ahead of time. That was sort of an interesting thought to me-- that a famous actor brings the good will of all his previous roles to a movie with him, and that it was very interesting to me to watch a film stripped of that context. I was literally shocked when halfway through the film, he rips off his shirt and had killer abs, I was absolutely not expecting it.

The deal of the movie is that, through a series of coincidences, Om meets Shanti, the actress of his dreams (from the billboard). She is played by Deepika Padukone, who I fell for immediately. She is gorgeous and had a ton of charisma. This movie seems like it’s going to be a love story, but it really isn’t. Shanti is charmed by Om’s sweetness, but she’s already in a doomed secret marriage with a scumbag director, Mukesh, who ends up murdering her when she wants him to publicly acknowledge her, which is kinda time sensitive, because she is pregnant. Mukesh had planned to have her star in a lavish movie spectacle called Om Shanti Om, but when she forces his hand, he burns the set down with her locked inside. Om witnesses all this; he tries to save her and dies in the process.

Om happens to die in the same hospital where a famous director’s child is being born, and he is reincarnated as the baby, and grows up to have the life he always wanted-- that of a Bollywood superstar. His name is still Om, but his nickname is O.K., so I am going to call him that to distinguish between 1977 Om and 2007 Om. He meets Mukesh again who is now a super-successful Hollywood producer. O.K. gets all the memories of his past life back, and decides to Get Revenge by proposing to do a remake of Om Shanti Om. He finds a wanna-be actress, Sandy, who looks exactly like Shanti, and has her haunt the set in order to make Mukesh think he is going crazy (and maybe also confess? It’s not a terribly clear-cut plan). You might think that Sandy is the reincarnation of Shanti, but Shanti’s ghost shows up in the grand finale of the film, so I guess she wasn’t?? You also might expect O.K. and Sandy to have some romantic feelings, but they really don’t, and in fact, O.K. is actually pretty mean to Sandy, even though she is extremely sweet and I don’t see how anyone could possibly be mean to her.

The movie is lush. The costumes are elaborate, the sets are lavish, the dance numbers are many and long. There is not a single scene without an off-screen fan to dramatically tousle the actors’ hair. I actually rather liked the last act of the movie where they were gaslighting Mukesh and it was over-the-top, scenery-chewing, Hamlet--play-with-in-a-play madness. A chandelier falls on someone. A lot of the end doesn’t even make a lot of sense or exist in any sort of linear time, cutting between the film-within-a-film and dance numbers and what’s “really happening” and I really had no problem with any of this. I actually really liked the amount of meta that was happening and the breakdown of boundaries, and I found the end to be reasonably satisfying.

So what didn’t I like about it?

The entire film relies on you being charmed by Om and I did not care for him. We all have this set of trope personality types that we enjoy and fall for, and “young person who dreams of making it big on the stage/screen” is a huge swipe left for me. Give me a stolid second-in-command who has been stationed at an ice wall for 30 years to protect his homeland. A incredibly tired dude muttering “fuck” as he wades into a swamp to fight a bog zombie, because who else is gonna? My dude turn-ons include duty and self-sacrifice and really good posture. I couldn’t watch Naruto because everyone spouted off about “their dreams” too much, and I thought Om should have cut his losses and gotten a real job. I am who I am.

There’s a weird fine line between “meta,” that is, stories about storytelling and presentation and media, and movies about being in love with making movies. I like the former a lot and I do not care for the latter one bit. I did stage crew for a high school production of 42nd Street and I have a very distinct memory of thinking “this is a play about putting on a play. Why on earth would anyone who is not an actor want to watch this?” I also hate books where the main character is a writer (yes, Stephen King, this is a call-out). I also hate biopics about musicians and actors. I honestly do not care about the craft, and the “magic of cinema” has never been a thing I have found remotely compelling. 

What I love about reincarnation storylines is the period where the characters recognize the feelings and memories that are tied to their previous lives-- where they see someone and can feel their old emotions for this person, but without knowing why. This is where I live. I eat this with a spoon. I want this to prolong the emotional burn, because the characters don't know what are their own feelings and what comes from their past lives, and that there are conflicts that must be resolved for both lifetimes. Alternatively, you can also use a reincarnation storyline to skip the emotional burn entirely, by just having the character “get all their memories back in one fell swoop.” This is… the opposite of what I want. This is what Om Shanty Om does. I felt deeply cheated.

Relatedly, the entire theme of the movie was "When you want something badly, the whole universe conspires to give to you", a sentiment I wholeheartedly disagree with. I love stories about the conflict between agency and destiny, I think this is a really meaty subject, but once again, the movie used it as an excuse to let the characters sit back and do nothing and have a solution to their problems drop into their laps. I am sure you could make an argument for the charm of this viewpoint, but it is not for me.

I like dance numbers all right, but they are not why I watch Bollywood films. This movie is over two hours long and a lot of it was dance numbers. I was very tired of dance numbers by the end. That being said, the titular song was a bop and I had it stuck in my head for days. “Disco of Distress” was my second favorite.

I do not really feel a lot of nostalgia for the late 1970s, which is when the first half of the film takes place. If noisy patterns and kitsch and big winks and goofy hair is your period aesthetic, you will enjoy this part a lot!

Here’s what I did like!

Sunglasses. There were so many good sunnies in this film. So many. A parade of excellent shades.

Deepika Padukone. She is so adorable, for one, and she charmed me in every way that Shah Rukh Khan did not. I loved her both as the melancholy starlet Shanti and the doofy, gum-chewing Sandy, and also the Angry Revenge Ghost at the end. I would say this movie is 75% Om and 25% Shanti, and I would have liked it a lot better if it were the other way around. Sandy had basically no agency whatsoever; the second half of the plot was basically about O.K. getting revenge on Mukush... mostly for himself? I liked that the first half of the movie didn’t make Shanti fall in love with the puppy-like Om just because he was devoted to her, but it would have been a nice reversal if the jaded O.K. had softened toward Sandy more in the second act, and that there had been a bit of a love story to temper the revenge plot.

The idea of the plot. The plot described in words is very cool to me, and there was a period of about 3 minutes in the film when O.K. recognizes Om’s mother when I got real excited about where this was going, and then I realized it wasn’t going where I wanted and was sad again. I think I might have liked it better if the movie started out with O.K. and revealed Om’s story slowly, through flashback, but nothing about this movie catered to my narrative aesthetic, so I eventually gave up with ways of trying to fix it.

Anyway, as I said, I can definitely see how someone could love this movie! If you are a big Bollywood buff and you love dance numbers and silliness and Shah Rukh Khan, I would recommend it in a second! It was strangely almost tailor-made to hit some of my pet peeves, and I was mad because I wanted to like it more than I did.

That’s my review! @serene-faerie​ I hope you still love me even though I didn’t like your movie. I am always trying to expand my movie knowledge and I learned a lot watching this one, and I don’t regret watching it, even though it wasn’t my fave.

#bollywood #om shanti om #reincarnation stories

[fivour]

1/2/3/4/5/11/12/13/15/16/24/25 i don't think i will ever stop asking you things about your writing hehe (=^･ｪ･^=)

youre keeping this blog alive bro keep askin’

answered 4 in a previous ask.

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1. was being a writer a dream of yours when you were little? or did it spring up when you were older? or is it just a hobby?

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I never thought about being a writer as a kid, it was always something like an artist/teacher/musician aka rock star. I think it’s just a hobby for now although I would like to begin freelancing/commission work at some point. With my career plans, I’ll more than likely have to publish a research book at some point, though, but that’s many years off.

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2. overall, would you say you are more driven by plot or characters in writing? (what makes you more excited about an idea?)

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Characters 100%. If they are little toy soldiers, then I am the nine year old boy’s shithead cat that knocks them into the register vents. I wanna play with them and mess ‘em up.

Plots do not interest me in the slightest and I do not like making them. It’s part of why I don’t usually write longfic, only oneshots and short multi-chapter work.

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3. give an overview/description of some of your past stories. (only if you are willing, of course!)

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Here’s a... fun story: One of my first fanfictions was a story about Percy Jackson family feud. I was sick at home a lot, so I had daytime television brainrot. Anyways, I got multiple reviews telling me I spelled "feud" wrong, some constructive some not. However, I was a spoiled brat and I couldn’t handle not being the smartest person in the room, so I doubled down on "Family Fued.”

I am now an honors English kid and still cannot spell feud, field, or chief without autocorrect. It is my punishment for being an asshole on the internet in 2014.

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5. do you have an idea for a story you don’t feel you can write at this current time? (whether it be because life is busy right now, you need to do more research, etc.)

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Yes. I have a concept and outline for a long DioNilla fic inspired primarily by The Guilty by David Baldacci and this one podcast episode about partners in crime. At this point, there’s two different versions of it and I don’t know which I like more (one hit wonder for revenge or a totally romantic murder spree?). Both would have drastically different legal outcomes, but I’m not law-fluent enough to write either and the courtroom is an unavoidable scene I can’t just gloss over.

I also have an AU inspired by a movie that I’m not sure if I will ever write.

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11. share a passage from one of your works and tell us why you liked it so much.

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This is difficult because I have no recollection of anything I have ever written before yesterday. So I’ll just pick a recent one.

“His shoes are not thick enough to stop his leg from feeling jarred and his toes from feeling smashed, but the pain is enough to distract from the anger bubbling in the pit of his stomach. His heart races, pounding furiously against his rib cage, as if it were a prisoner beating at cell bars. It feels as if it’ll explode right from his chest, and his stomach quickly follows suit, churning with the pure agony that his newfound fury is putting his nerves through.

Fugo is miserable.

Fugo is miserable of mind and body and he wants to hurt something.”

Mabye I cheated a little. But I really like how this fic turned out in general (props to you for requesting it). This passage especially, because I used my own issues with and response to anger as a basis for Fugo’s reaction.

I think this is the most accurately I have ever described how it feels to be enraged and full of adrenaline. Not necessarily wanting to harm something or even yourself; you just need to get rid of the excess of energy that’s exploded inside of you all of a sudden. It’s an itch for action in a situation where it isn’t appropriate.

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12. what is the worst writing advice in your opinion?

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I’ve seen people totally against pantsing/not plotting a work (like, you-aren’t-a-real-writer against it), but I think the only thing I have to do to describe how foolish it is to discredit that method is point towards Stephen King.

An especially bad piece of advice that I’ve seen is to not write things that are not your lived experience. EX: if you are not a cis woman, don’t write a character that is. It defeats the entire purpose of writing and is ass backwards if you want any diversity within a work. Also... research is a thing that most authors do? And it teaches you to be more understanding of that lived experience???

There’s a lot I could say about it, but that sums up my biggest issues with it.

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13. what is the best writing advice?

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Again with Stephen King but... In a Q&A, he says something along the lines of not writing a character, by letting them write themselves. This comment was in reference to a question about Pet Sematary, I believe, which I would call the best and most alarming descent into madness I have ever read, so you bet your sweet cheeks that advice is always on my mind.

As for more general advice, creating/filling out a character sheet (x) is a really good way to figure out who your character is. I used them while writing Art & Pain and it made me realize a few holes I had to patch.

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15. do you tell friends/family about your writing, or do you keep it a secret?

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IRLs: they know I write. All but one or two of them do not know my handles nor that I write fanfiction.

I write original pieces which I don’t exactly hide, but no one knows those handles either.

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16. what are some of your favorite words to use in writing?

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enigma

superstitious

flabbergasted

superfluous

wonder

coursing

ecstatic

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24. best compliment someone has given you about your writing.

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One of the best ones I’ve ever gotten was on a fic under a separate handle, so I won’t share it lol. But it was about how I write emotion and that means a lot to me because emotion is very difficult for me to articulate.

It kind of blows my mind that people actually binge read my work, too... even if it’s just a longfic that would take maximum two hours to read, it’s really flattering that they like my writing that much. Repeat commenters/readers are also one of the best things ever and I love them.

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25. five years from now, where do you see yourself as a writer?

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God, I don’t know. I’ll hopefully be in college by then, so I have no idea what my life will look five years from now (other than the fact I will definitely be worked to the bone). I’d like to think I’ll keep doing it as a hobby, at least.

#writing #ask #writeblr #i hope the keep reading works this time..

[addictedforbooksquad]

B O O K  R E V I E W

╙ C R I E R’ S  W A R  B Y  N I N A  V A R E L A

genre: fantasy, young adult, LGBT, F/F romance

publication date: 1st October, 2019

rating (1-5 scale):

writing:   ★ ★ ★ ★ ★

characters & character development: ★ ★ ★ ★ 

could-not-put-it-down factor: ★ ★ ★ ★ 

general rating: ★ ★ ★ ★ ★

*ARC provided by publisher via Edelweiss in exchange for an honest review*

"For the queer readers. You deserve every adventure."

This is one of the best dedications I've ever seen in a book and pretty much made me cry even before I started on the actual story.

And the story itself? Beautiful. Wonderfully-written. Totally rec-worthy.

I mean...F/F fantasy? Enemies to lovers? Angst and feels?

SIGN. ME. UP!

There are times when stars align just right and characters, world-building, pacing and the romance come together to form something that's more than a story. It's a friend that stays with you when you feel alone. It's a fluffy blanket that keeps you warm. It's an idea that you can't get out of your head. And yes, absolutely, it's one of those times 😉😍 While there might have been some minor details that I could pick on here and there, all I can say in the end is that I just loved this book. I loved the effortless diversity that was just there. I was fascinated by the world that the author created and absolutely satisfied with twists and turns that the plot took. And impatiently curious about all the questions still left unanswered! The romance part was top notch as well - enemies to lovers at its best! Both Crier and Ayla had their individual arcs, independent from romance, and I thought their struggles and inner conflicts were presented really well. It allowed me to sympathize with and love them both, despite their differences and polarizing interests. Even in the presence of all the the angst, I could also see how these two might have more in common than it seemed at first glance.

Crier's journey and struggle to discover who she is and what she wants was fascinating to read about. I can't wait to discover which path she will take in the next books and how she will navigate the politics of the country that's heading towards something she no longer wants to be a part of. Ayla's fight between achieving a goal she’d had for most of her life, including getting revenge, and her building feelings towards Crier was handled so well. I felt both her pain and struggle, and was able to feel for her even when I didn’t agree with her actions.

The angst this book contained was just painfully good, and I feel like we’re just getting started. But that’s what enemies to lovers should be all about. Looking at how invested I managed to become in Crier and Ayla’s story in the span of just one book, I’d say the reward of them getting together in the end will be worth it (yes, I’m assuming they are FOR SURE 100% in for a happy ending, ok?!).

My review won’t do this book justice but let’s try anyway - all in all, Crier’s War is truly one of the best F/F stories I’ve read so far and a compelling introduction to what is shaping up to be one hell of a trilogy. I can’t believe now it will be another year before I get to be reunited with these characters!

They say parting is such sweet sorrow but could I please, pretty please, somehow get my hands on the next book, like RIGHT NOW?

#crier's war #nina varela #lgbtqa literature #lgbtq #litedit #dailylit #bookworm #bibliophile #book reviews #book recs #our reviews #by jo #by kate