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theepsteinlist · 7 months

Text

"epstein" client lists

florida/LA:

ring leaders:

epstein and gf

r. kelly

jay-z

michael jackson

michael vick

donald trump

perps/victims: (i.e. their victims who joined the criminal conspiracy)

kelsey mayfield

megan thee stallion

beyonce knowles

targets: pretty runaway rich girls who wanna be ~bad girls~ for a weekend and ~seduce an older man~

epstein was known locally to strippers as mr. brown

nazi blood diamond money laundering:

doc martens

chanel

wal-mart

chick-fil-a

james avery

dr pepper/snapple/green mountain/keurig

walgreens

siemens

mcafee

doordash

uber

ubereats

hobby lobby

mcdonald's

coca-cola

american eagle

nazi pedophile blood money (m)/(b)illionaires:

robert a. eckert

sheila a. penrose

john w. rogers jr

miles d. white

richard childress

jen foyle

truett cathy

david green

meg whitman

john mcafee

alice walton

brian kelley

travis kalanick

mark zuckerberg

tony xu

texas:

new braunfels: ring leaders:

amy allen

sam allen

lori hines

donna simpson

targets: high school kids who just wanna ~have fun~ and ~have a safe environment to drink in~ because "there were adults present so it's safe"

perps:

sergio zamora

bryce parrock

chris allen

travis allen

clayton mott

curtis kostan

travis kostan

calvin hoffman

ashton henderson

hannah jeroswhatever jerosezswki

lisa pickens

rachael lee muschalek

courtney cashion

taylor davis

raelynn haggerty

adam sheldon

devin kelley

zach rhoades

ryan walker

taylor akins

samantha rich

stephanie gawlik

charlie miffleton

chris tysdal

ross johnson

reed edwards

paige beyer

landre nattinger

aubrie iverson

andrew shafer

matt durbin

spencer jergins

clint whitley

tim word

chad laborde

chez council

"victims"? (participants with a wide spectrum of consent that were nonetheless assaulted/exploited)

maggie osborne

esmerelda ??? (zapatos?)

liz perez

autumn reno

angel ??? (bustos?)

destiney sheldon

katie turpin

kiki grossman

lauren laborde

lindsay smith

stephen lupton

landre nattinger

ashton henderson

hannah jerosewzski

kkk:

ring leaders:

david duke

greg abbott

ken paxton

vance lesseig

walton family

taylor swift

david green

perps:

james reno

edwin braun

marisol padilla

chuck kirchhof

tom muschalek

dunno mr. zeitler's name

aforementioned men's wives

oakwood baptist church of new braunfels

community bible church of new braunfels

vance langley

coach schmidt

coach mclean

mrs. lindsay

ms. pradervand

mr. baker

mr. trollinger

mr. ??? (other NBHS short term criminal justice teacher in 2009)

officer broussard

shelby lesseig

rachael lee muschalek

kelsey mayfield

henry desroches

thomas neupert

michael brennan

mark hardiman

dr. hardiman

sam allen

judge and mrs. gray

targets: young teenagers that were ~special~, i.e. identified by the duke talent program

victims:

sam coronado

samantha allen

mitchell ridsdale

aaron criddle

ben turrubiates

akash motani

faizal khan

sterling demasters

zach mares

ethan poulter

jordan thiem

edward stockwell

anthony castilleja

charles tandy

jonathan dockall

emily brandon

lauren knipe

heather brown

josh burlison

the trix family

the piranha family

gavon payne

emma roddy

alison kim

sarah perrilloux

amanda and mary pike

sarah stiponavich

stephen phipps

allie alcala

jeremy priest

jackson faires

alex mott

marco martinez

brandon anderson

scott antoine

amber antoine

star hernandez

jessica atwell

rylee young

jamie hand

suzanne stricker

emily langendorff

olivia langley

taylor francis

ana castro

maria chavez

tanner brewer

katie ha

zach parrish

anthony tran

kylie blair

cullen nisson

ranger wallace

taylor mares

kathryne mares

jayme zigler

evan zigler

gracie payne

ellie payne

manuel deleon

the dione triplets

justin and taylor schwarz

araceli ayala

jamie bell

cassie barrett

jordan d'eri

rachel jones

andrew bryant

michael trombold

stephanie bryant

ashley bryant

daniel schroeder

kirsten schroeder

alexandria ingram

julianna pappalas

kindell hardin

edward yu

alexis lewis

katherine davis

ana ??? (katherine's girlfriend, texas a&m track team 2013)

ajay patel

james lamon

emily lamon

dionne diaz

mirea ayala

katelyn warner

kirby fisher

kyle fisher

tyler rougeux

kyle rougeux

josh chappell

kyle chappell

jaimee chapell

emily chappell

tyler mcdonald

marissa maddon

john maddon

tessa loge

eden bonneville

jack rhodes

andrew romero

lauren laborde

sarah laborde

stephenea sotcheff

sophia sotcheff

david mis

britton ware

will stapleton

canaan hoffman

caitie hoffman

sarah kreuger

ben jacks

ben triesch

gabe ramos

gene jacobson

aj jerosewszki

daniel phipps

daniel schumacher

eric stiebing

stephen rapp

maisha rumman

shradha thakur

vamsi vishnubhotla

michael carl

lindsay smith

lindsey kubena

samantha partida

steven partida

victoria rich

jennifer koepp

jenniffer flores

anne manzano

elizabeth villarreal

denise ortiz

kevin korpi

brad arnold

ed gonazles

david eckert

felicia curtis

trent wenzel

coach woodall

coach kilford

mrs. bock

mrs. lopez

ms. wetz

ms. caldwell

ms. biggs

mrs. thompson

oldest batey girl

oldest gorski girl

any other teenagers in central texas that have died in car crashes since 1980 or so

bharadwadj tanikella

hayley gray

colby callahan

austin milam

heath burley

california:

los angeles:

ring leader: grayson bauer

targets: young runaway artist girls

perps:

harvey weinstein

bill cosby

jack antonoff

dr. luke

jay-z

beyonce knowles

travis scott

drake

janelle monae

megan thee stallion

erykah badu

mark oliver everett

metallica

marina diamandis

breandan urie

lorde

victims: (ranging from financial abuse to outright sex trafficking)

grimes

ellie goulding

rina sawayama

billie eilish

shakira

avril lavigne

amy lee

ky voss

poppy

christine and the queens

cupcakke

K.I.D

la roux

kreayshawn

chloe chaidez

tove styrke

tove lo

bebe rexha

ximena sarinana

angel haze

azaelia banks

ashnikko

colbie caillat

charli xcx

kim petras

kacey musgraves

mia rodriguez

melanie martinez

jazmin bean

ivy levan

iggy azaelia

alice glass

cardi b

nicki minaj

hana

tatu

boa

charlotte sometimes

meiko

lana del rey

borns

sky ferreira

florence and the machine

sarah jaffe

alex winston

jessica hernandez

tegan and sara

caitlin rose

ralph

alice merton

miguel

hailey williams

emily king

rett madison

king mala

leikeli47

princess nokia

post malone

k.flay

sirah

sir babygirl

caroline polachek

yaeji

moses sumney

glasser

king princess

dorian electra

lil nas x

slayyyter

phoebe bridgers

harry styles

alicia keys

lil mariko

carrie underwood

kelly clarkson

mount moriah

zz ward

miranda lambert

the chicks

beyonce

frank ocean

chance the rapper

kesha

MNDR

ariana grande

britney spears

christina aguilera

alessia cara

mac demarco

ghost

juanes

weezer

sam fender

jason isbell

mexican institute of sound

la perla

gera mx

royal blood

st. vincent

white reaper

biffy clyro

the chats

off!

PUP

corey taylor

cage the elephant

vishal dadlani

divine

shor police

diet cig

flatbush zombies

dj scratch

ha*ash

jose madero

moses sumney

j balvin

chase & status

backroad gee

the neptunes

jon pardi

sebastian

portugal. the man

aaron beam

volbeat

the hu

tomi owo

phoebe bridgers

miley cyrus

watt

elton john

yo-yo ma

robert trujillo

chad smith

dave dahan

mickey guyton

dermot kennedy

mon laferte

igor levit

my morning jacket

pg roxette

darius rucker

chris stapleton

tresor

goodnight, texas

idles

imelda may

chery glazerr

izia

kamasi washington

rodrigo y gabriela

kimbra

d'angelo

worked with grayson, benefitted from him, but were not aware anything was going on or did their best to help:

st. lucia

tame impala

the hush sound

straylight run

anamanaguchi

the naked and famous

bastille

blue october

guster

old 97's

frank turner

awolnation

sea wolf

my chemical romance

atreyu

avenged sevenfold

greenday

blink-182

slipknot

blaqk audio

AFI

fall out boy

young the giant

san francisco:

ring leaders:

marc benioff

elon musk

travis kalanick

evan spiegel

steve jobs

jeff bezos

mark zuckerberg

steve chen

bill gates

michael dell

ren zhengfei

eoghan mccabe

secondary: grayson bauer using this circle for remote revenge crypto shills from 20mission and burning man preying on runaways as well

targets: queer tech-inclined teenagers

perps:

zach snow

dan granquist

jeremy whittington

taran patel

jim spagnola

seth tager

walter harley

jose garcia

connor cook

andrew zigler

chris sullivan

"anna lytical" (billy)

kelsey mayfield

caroline rhoades

henry desroches

mark hardiman

ben angel

ian coldwater

"belgium solanas" (michael troy judd)

meagan clawges

nalini prakash

lovi yu

peeyush aggarwal

victims:

matthew allen

samantha allen

janus rose

c boucher

chelsea manning

keffals

ben turrubiates

emily johnston

gavon payne

jamie delton

chris koch

amanda le

naomi wu

tux pacific

sev welker

alison kim

cara mazzi

ruby ??? (caroline's old roommate)

nick ??? (caroline's ex-boyfriend)

rachel forbes

daphne gunawan

trisha day

sidney powell

srijita mori

rebecca ??? (srijita's partner)

scott conger

erin nielsen

qinlin chen (catherine chen)

hank yang

kevin ren

aaron wong

matt hwang

chloe cauley

zane witherspoon

ana garcia

jeremy cruz

john lewis

lida wang

waylon clanton

wyatt clanton

tyler mcdonald

jasmine christiansen

new york/london/vegas && norcal/socal rivalries

ring leaders:

bernie madoff

jack antonoff

joanne rowling

evan spiegel

fox news, et al

new york times, et al

washington post, et al

the guardian, et al

noah pentecost

mark zuckerberg

jp morgan/chase bank/etrade

viacom

verizon

disney

scientologists

perps/profiteers:

lin manuel-miranda

bari weiss

sarah jeong

juliette sieve

ravi gill

will yang

jesse yang

sahil bhumi

???? (their armenian friend from stanford 2012 class)

antonis kartanapis

marko salkovic

erykah badu

oakstop coworking space

wag dogsitting app

kent from youtube & his sri lankan sugar mama

gabriella from wag

stephenie meyer

"e.l. james"

john green

hank green

susan collins

meg cabot

angela santomero

john kricfalusi

tom cruise

george r. r. martin

david benioff

targets: expressive, artistic teenagers envied by big money bankers and "feminist" writers

victims:

tori holland

janus rose

andrew bryant

daniel schroeder

max parks

amanda le

kelsey mayfield

samantha allen

josh burlison

ben turrubiates

henry desroches

nico ??? (from shippo)

sev welker

rachael kauffman

janelle monae

kim petras

scarlett ??? (my friend in the london club scene)

james sampson

james twigg

james sanchez

maria nunez

young asian women, age 18 - 22, going to raves and to vegas (i.e. "asian baby girls")

john lewis

lida wang

katie holmes

stacy london

carrie brownstein

boston

ring leaders:

richard stallman

steven pinker

mark zuckerberg

targets:

queer software engineers

perps:

priscilla chan

victims:

amanda le

samantha allen

josh burlison

jamie delton

jamie hand

katie ha

emily johnston

chris koch

cara mazzi

jasmine christiansen

mark hardiman

chicago && washington dc

ring leaders:

barack obama

rahm emanuel

beyonce knowles

joe biden

targets: pretty, light skinned, liberal teenagers interested in politics

victims:

samantha allen

emily brandon

lauren knipe

andrew zigler

andrew bryant

michael trombold

carissa nietzche

cassie barrett

jordan d'eri

haley gray

ben turrubiates

jose garcia

ana garcia

victoria benson

cj dehart

austin scarborough

stephen lupton

michael morton

michelle moon

jeff stevens

becky pickert

ashton nicole casey

carter freeman

#epstein

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go-redgirl · 5 years

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Diahann Carroll, Pioneering Actress on ‘Julia’ and 'Dynasty,’ Dies at 84

She also landed an historic Tony Award, plus an Oscar nomination for her performance in 'Claudine.'

Diahann Carroll, the captivating singer and actress who came from the Bronx to win a Tony Award, receive an Oscar nomination and make television history with her turns on Julia and Dynasty, has died Friday. She was 84.

Carroll died at her home in Los Angeles after a long bout with cancer, her daughter, producer-journalist Suzanne Kay, told The Hollywood Reporter.

Carroll was known as a Las Vegas and nightclub performer and for her performances on Broadway and in the Hollywood musicals Carmen Jones and Porgy & Bess when she was approached by an NBC executive to star as Julia Baker, a widowed nurse raising a young son, on the comedy Julia.

She didn't want to do it. "I really didn't believe that this was a show that was going to work," she said in a 1998 chat for the website The Interviews: An Oral History of Television. "I thought it was something that was going to leave someone's consciousness in a very short period of time. I thought, 'Let them go elsewhere.' "

However, when Carroll learned that Hal Kanter, the veteran screenwriter who created the show, thought she was too glamorous for the part, she was determined to change his mind. She altered her hairstyle and mastered the pilot script, quickly convincing him that she was the right woman.

Carroll thus became the first African-American female to star in a non-stereotypical role in her own primetime network series. (Several actresses portrayed a maid on ABC's Beulah in the early 1950s.)

Baker, whose husband had died in Vietnam, worked for a doctor (Lloyd Nolan) at an aerospace company; she was educated and outspoken, and she dated men (including characters played by Fred Williamson, Paul Winfield and Don Marshall) who were successful, too.

"We were saying to the country, 'We're going to present a very upper middle-class black woman raising her child, and her major concentration is not going to be about suffering in the ghetto,' " Carroll noted.

"Many people were incensed about that. They felt that [African Americans] didn't have that many opportunities on television or in film to present our plight as the underdog … they felt the [real-world] suffering was much too acute to be so trivial as to present a middle-class woman who is dealing with the business of being a nurse.

"But we were of the opinion that what we were doing was important, and we never left that point of view … even though some of that criticism of course was valid. We were of a mind that this was a different show. We were allowed to have this show."

Julia, which premiered in September 1968, finished No. 7 in the ratings in the first of its three seasons, and Carroll received an Emmy nomination and a Golden Globe for her work.

As the sultry fashionista Dominique Deveraux — the first prominently featured African-American character on a primetime soap opera — Carroll played a much edgier character for three seasons on ABC's Dynasty and its spinoff The Colbys, delightfully dueling with fellow diva Alexis Carrington Colby (Joan Collins).

While recuperating after starring on Broadway in Agnes of God, Carroll had found herself digging Dynasty — "Isn't this the biggest hoot?" she said — and lobbied producer Aaron Spelling for a role on his series.

"They've done everything [on the show]. They've done incest, homosexuality, murder. I think they're slowly inching their way toward interracial," she recalled in a 1984 piece for People magazine. "I want to be wealthy and ruthless … I want to be the first black bitch on television."

Carroll made perhaps her biggest mark on the big screen with her scrappy title-role performance in Claudine (1974), playing a Harlem woman on welfare who raises six children on her own and falls for a garbage collector (James Earl Jones).

The part was originally given to her dear friend, Diana Sands. But when Sands (who had played Julia Baker's cousin on several episodes of Julia) was stricken with cancer, she suggested Carroll take her place.

"The producers said, 'How can she do this role? No one would believe she could do it," Carroll said. "I remember the headline in the paper: 'Would you believe Jackie Onassis as a welfare mother?' … The very coupling of the name Jackie Onassis and Diahann Carroll is very interesting, if you think about it. There question was, how do we make anyone believe that she has [six] children? And to be nominated for an Academy Award, to do that, it was the best, the best."

Carol Diahann Johnson was born in Fordham Hospital in the Bronx on July 17, 1935. Her father, John, was a subway conductor when she was young, and her mother, Mabel, a nurse. She won a scholarship to the High School of Music & Art, where Billy Dee Williams was a classmate.

At 15, she began to model clothing for black-audience magazines like Ebony,Tan and Jett. Her dad disapproved at first, then began to reconsider when she told him she had earned $600 for a session.

Her parents drove her to Philadelphia on many weekends so she could be a contestant on the TV talent show Teen Club, hosted by bandleader Paul Whiteman. And then she won several times on Arthur Godfrey's Talent Scouts program, where she first billed herself as Diahann Carroll.

After enrolling at NYU to study psychology, she appeared on the Dennis James-hosted ABC talent show Chance of a Lifetime in 1953 and won for several weeks. One of her rewards was a regular engagement to perform at the famed Latin Quarter nightclub in Manhattan.

Christine Jorgensen taught her how to "carry" herself onstage, she said, and she moved in with her manager, training and rehearsing every day. She soon was singing in the Persian Room at New York's Plaza Hotel and at other hotspots including Ciro's, The Mocambo and The Cloister in Hollywood, The Black Orchid in Chicago and L'Olympia in Paris.

She soon dropped out of college to pursue performing full-time and was brought to Los Angeles to audition for Otto Preminger's Carmen Jones (1954), landing the role of Myrt opposite the likes of Harry Belafonte and Dorothy Dandridge.

At the end of 1954, she made her Broadway debut as the young star of the Truman Capote-Harold Arlen musical House of Flowers. Walter Kerr in The New York Herald Tribune called her "a plaintive and extraordinarily appealing ingenue."

She was cast to play Clara in Preminger and Rouben Mamoulian's movie adaptation of Porgy and Bess (1959), but her voice was considered too low for her character's Summertime number, so another singer dubbed for her.

She met Sidney Poitier on that film, thus beginning what she described as a "very turbulent" nine-year romance with him. (Carroll then had first non-singing movie role, playing a schoolteacher opposite Poitier, Paul Newman and Joanne Woodward in 1961's Paris Blues).

She would become renowned for her phrasing, partially a result of her studying with Lee Strasberg at the Actors Studio.

In 1963, she earned the first of her four career Emmy noms for portraying a teacher yet again on ABC's gritty Naked City.

Richard Rodgers spotted her during one of her frequent singing appearances on Jack Paar's Tonight Show and decided to compose a Broadway musical for her. After scrapping the idea to have her portray an Asian in 1958's Flower Drum Song, he wrote 1962's No Strings, a love story revolving around an African-American fashion model (Carroll) and a nebbish white novelist (Richard Kiley).

His first effort following the death of longtime collaborator Oscar Hammerstein II, it brought Carroll rave reviews and a Tony Award, the first given to a black woman for best actress in a lead role of a musical.

Soon after hosting a CBS summer replacement variety show in 1976, she retired from show business and moved to Oakland. Landing the role of Dominique — the half-sister of John Forsythe's Blake Carrington — in 1984 put her back on the map in Hollywood.

She told the show's writers: "The most important thing to remember is write for a white male, and you'll have the character. Don't try to write for what you think I am. Write for a white man who wants to be wealthy and powerful. And that's the way we found Dominique Deveraux."

More recently, Carroll had recurring roles as Jasmine Guy's mother on NBC's A Different World, as Isaiah Washington's mom on ABC's Grey's Anatomy and as a Park Avenue widow on USA's White Collar. She also appeared in such films as Eve's Bayou (1997) and on stage as Norman Desmond in a musical version of Sunset Blvd.

She was inducted into the Television Hall of Fame in 2011.

Carroll recorded several albums during her career and wrote the memoirs Diahann, published in 1986, and The Legs Are the Last to Go: Aging, Acting, Marrying, Mothering and Other Things I Learned Along the Way, in 2008.

She was married four times: to Monte Kay, a manager and a casting consultant on House of Flowers; to Freddie Glusman, a Las Vegas clothier (that union lasted just a few weeks); to magazine editor Robert DeLeon (he died in an auto accident in 1977); and to singer Vic Damone (from 1987 until their 1996 divorce). She also had a three-year romance with talk-show host David Frost.

In addition to her daughter, survivors include her grandchildren, August and Sydney.

Duane Byrge contributed to this report.

________________________________________________

OPINION: May Diahann Carroll rest in peace! She was a great actress for many years.🙏

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appro880 · 5 years

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Tribute to a Queen!

Diahann Carroll, Pioneering Actress on 'Julia' and 'Dynasty,' Dies at 84

Pioneering and Oscar-nominated actress Diahann Carroll, who broke network television's color line, died Friday after a bout with cancer, her daughter said.

She was 84.

"Carroll was a consummate entertainer and beloved icon whose career spanned nearly seven decades," her daughter, Suzanne Kay, said in a statement. "She paved the way for many and never allowed anyone to limit or define her."

Carroll was the star of "Julia" which ran for 86 episodes on NBC between 1968 and 1971. She played a nurse named Julia Baker who was raising a young son on her own following the death of her serviceman husband in the Vietnam War.

It was a groundbreaking show, marking the first time an African American was cast as the star of a show in a role other than that of a servant.

There had been other black actors on scripted TV before, most notably Ethel Waters as the star of "Bulah," which ran for 78 episodes between 1950 and 1953 on ABC. Waters played a maid in the comedy.

And on "Star Trek," Nichelle Nichols' Lt. Uhura was the Enterprise's chief communications officer, though she was still in a supporting role to William Shatner's Capt. Kirk, Leonard Nimoy's Mr. Spock and DeForest Kelley's Dr. McCoy.

Carroll said she embraced her lead "Julia" character because she stood out as a self-sufficient, confident African American woman.

"There was nothing like this young successful mother on the air," Carroll once told PBS. "And we thought that it might be a very good stepping stone."

The show had some critics who believed it didn't realistically show the daunting social and economic struggles African Americans faced at the time.

“They said it was a fantasy,” Carroll recalled in 1998. “All of this was untrue. Much about the character of Julia I took from my own life, my family.”

But even in the time of her show, Carroll worried out loud if a "superhuman" African American character might obscure the daily struggles faced by the black community.

“For a hundred years we have been prevented from seeing accurate images of ourselves and we’re all overconcerned and overreacting,” she told TV Guide in a December 1968 cover story.

“The needs of the white writer go to the superhuman being. At the moment, we are presenting the white Negro. And he has very little Negro-ness.”

he won a Tony Award, in 1962 for best actress in a musical, for "No Strings."

In 1974, Carroll was nominated for the Oscar for best actress, for her work in "Claudine." The top honor that year went to Ellen Burstyn for "Alice Doesn't Live Here Anymore."

She was inducted into the TV academy's Hall of Fame in 2011 in honor of her television career that included four Emmy nominations for work in ABC's "Grey's Anatomy" and NBC's "A Different World."

Generation X television fans might know Carroll best for her work on "Dynasty," the long-running prime-time soap opera.

In 74 episodes of the show, Carroll played the glamorous Dominique Deveraux, a half-sister of family patriarch Blake Carrington. Her battles, even physical tussles, with Blake's scheming ex-wife Alexis Carrington, played by Joan Collins, were among the favorite scenes of "Dynasty" fans.

"Diahann Carroll walked this earth for 84 years and broke ground with every footstep. An icon. One of the all-time greats," Oscar-nominated director Ava DuVernay wrote on Twitter. "She blazed trails through dense forests and elegantly left diamonds along the path for the rest of us to follow. Extraordinary life. Thank you, Ms. Carroll."

New York native Carroll was born Carol Diann Johnson in the Bronx on July 17, 1935, and raised in Harlem by her subway conductor father and homemaker mom. She attended New York City's famed High School for the Performing Arts.

Actress Debbie Allen, a star of both the big screen and TV versions of "Fame," about the performing arts high school, said artists will sing Carroll's praises "forever."

"Diahann Carroll you taught us so much," Allen wrote on Twitter. "We are stronger, more beautiful and risk takers because of you. We will forever sing your praises and speak your name."

The 6-foot-tall beauty became a model for Ebony magazine at age 15 before her stage, TV and movie career took off.

She was married four times, to talent manager and music producer Monte Kay, retailer Fred Glusman, editor Robert DeLeon and singer Vic Damone.

Carroll is survived by her daughter, Kay, and grandchildren, August and Sydney.

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godsheadangel · 4 years

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I WILL TRY AND POST A FEW MORE NAMES LATER TODAY BUT ITS JUST ABOUT TIME TO SPEAK WITH ALL [24] HOLY💫ELDERS💫FROM PARTS OF HEAVEN💫UNKNOWN

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BLESSINGS4 JAKE TAPPER💫AND HIS ENTIRE FAMILY💫

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BLESSINGS4 DR. SANJAY GUPTA💫AND HIS ENTIRE FAMILY💫

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HAVE A VERY BLESSED DAY MYQUEENS💜

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upshotre · 5 years

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American Singer Diahann Carroll Dies at age 84

American singer Diahann Carroll has died at the age of 84 after battling with cancer. The Oscar-nominated actress, who was the first African American woman to star in her own TV series died on Friday Oct. 4 at her home in Los Angeles after a long battle with cancer. Late Carrol daughter, Suzanne Kay, who confirmed the news of her mother’ s death on her twitter page, expressed sadness over the incident. ‘We are sad to say goodbye to a true icon, Carrol. “The first African-American of Tony winner in a leading role, winning for her performance in No Strings in 1962. #DiahannCarroll,” she wrote. Carroll earned a Tony Award for the musical ‘No Strings’ and an Academy Award nomination for ‘Claudine’ during her long career. The late Oscars nominated actress, winning Tony award made her the first black woman to win the lead actress award. Carroll,who made her Broadway debut at age 19 in the Harold Arlen musical “House of Flowers,” was best known for her pioneering work on ‘Julia.’ Carroll played Julia Baker, a nurse whose husband had been killed in Vietnam in the groundbreaking situation comedy that aired from 1968 to 1971. Her early recordings include “Porgy and Bess” with the Andre Previn Trio, “Diahann Carroll Sings Harold Arlen,” “Best Beat Forward” and “Showstopper.” Also, her later recordings include her 1978 tribute to Ethel Waters and 1997’s “The Time of My Life.” Carroll was married four times( four different men),firstly was to a talent manager and music producer Monte Kay, secondly was retailer Fred Glusman, while the third was editor Robert DeLeon and lastly was singer Vic Damone. She has a daughter, Suzanne Kay in her first marriage, who happens to be a journalist and screenwriter. Also, she left behind two grandchildren August and Sydney. Read the full article

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report47 · 5 years

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Diahann Carroll, the first black woman to star in her own TV Series dies at 84

American singer and Oscar-nominated actress, Diahann Carroll has died at the age of 84. Diahann, who was the first African American woman to star in her own TV series died on Friday (Oct. 4) at her home in Los Angeles after a long battle with cancer. Her daughter, Suzanne Kay, confirmed the news. 'We are sad to say goodbye to a true icon, Diahann Carrol, the Tony Awards shared on Twitter. 'The first African-American Tony winner in a leading role, winning for her performance in No Strings in 1962. #DiahannCarroll During her long career, Carroll earned a Tony Award for the musical 'No Strings' and an Academy Award nomination for 'Claudine'. Her Tony win made her the first black woman to win the lead actress award. Carroll who made her Broadway debut at age 19 in the Harold Arlen musical “House of Flowers,” was best known for her pioneering work on 'Julia.' Carroll played Julia Baker, a nurse whose husband had been killed in Vietnam, in the groundbreaking situation comedy that aired from 1968 to 1971. Her early recordings include “Porgy and Bess” with the Andre Previn Trio, “Diahann Carroll Sings Harold Arlen,” “Best Beat Forward” and “Showstopper.” Later recordings include her 1978 tribute to Ethel Waters and 1997’s “The Time of My Life.” Carroll was married four times, to talent manager and music producer Monte Kay, retailer Fred Glusman, editor Robert DeLeon and singer Vic Damone. Survivors include a daughter, Suzanne Kay, a journalist and screenwriter, and two grandchildren, August and Sydney.

Read the full article

#DiahannCarroll

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biofunmy · 5 years

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Diahann Carroll, Actress Who Broke Barriers With ‘Julia,’ Dies at 84

Diahann Carroll, who more than half a century ago transcended racial barriers as the star of “Julia,” the first American television series to chronicle the life of a black professional woman, died on Friday at her home in West Hollywood, Calif. She was 84.

Her publicist, Jeffrey Lane, said the cause was complications of breast cancer. Ms. Carroll had survived the cancer in the 1990s and become a public advocate for screening and treatment.

A situation comedy broadcast on NBC from 1968 to 1971, “Julia” starred Ms. Carroll as Julia Baker, a widowed nurse with a young son. The show featured Marc Copage as Julia’s son, and Lloyd Nolan as the curmudgeonly but broad-minded doctor for whom she worked. (“Have you always been a Negro or are you just trying to be fashionable?” he asks Julia in an audacious, widely quoted line from the first episode.)

Popular with both black and white viewers, “Julia” in its first season reached No. 7 in the Nielsen ratings, the highest position it attained in its three seasons on the air.

Reviewing the show in The New York Times, Jack Gould noted its penchant — then par for Hollywood’s course — for “tiptoeing around anything too controversial.”

However, he added: “At all events the breaking of the color line in TV stardom on a regular weekly basis should be salutary.”

Widely known for her elegant beauty and sartorial glamour, Ms. Carroll began her professional life as a singer and continued to ply that art. She sang on television, in nightclubs, on recordings and on Broadway, where she won a Tony Award.

In films, she starred opposite the likes of Sidney Poitier, Paul Newman, James Earl Jones and Michael Caine. On television, she played the scheming, moneyed Dominique Deveraux on ABC’s prime-time soap opera “Dynasty” in the 1980s.

But it was for “Julia” that she remained most enduringly known. Created by the writer, director and producer Hal Kanter, the show was a novelty for its day: Black women, when they were seen at all in series television, had long been relegated to marginal roles. The few larger parts that came their way were invariably those of domestics.

“Julia” divided critical consensus. It was praised in some quarters as groundbreaking and criticized in others as reductive, Pollyannaish and accommodationist — condemned, in short, for glossing over the stark realities of life that black Americans faced daily.

Though Ms. Carroll publicly defended “Julia,” she acknowledged that in portraying the black experience it made many concessions to the middle-class white viewers it hoped to attract. She also said afterward that her experience playing the character had been both a professional boon and a professional hindrance.

The series made her one of the most visible performers of her day, booked regularly on TV talk and variety show. But in addition, it entailed her becoming a de facto spokeswoman not only for “Julia” but also seemingly for her race, an onus for which she had never bargained.

Child of Harlem

Carol Diann Johnson was born in the Bronx on July 17, 1935, to John and Mabel (Faulk) Johnson and grew up in Harlem. Her mother was a nurse, her father a New York City subway conductor.

(Though Ms. Carroll sometimes stated publicly that her middle name was originally spelled “Diahann,” she confirmed through her publicist in 2017 that she had adopted that spelling as a teenager, when she began entering TV talent competitions.)

A gifted singer as a child, she was performing with the children’s choir of the Abyssinian Baptist Church in Harlem by the time she was 6. She was soon taking lessons in voice and piano, though she objected that they took precious time from roller skating.

As a student at the High School of Music and Art in Manhattan, she began modeling for Ebony magazine. She also began entering television contests, including “Arthur Godfrey’s Talent Scouts,” under the name Diahann Carroll.

In the early 1950s, while still in her teens, she won “Chance of a Lifetime,” a television talent competition, three weeks running. Her prize was a thousand dollars a week, plus an engagement at the Latin Quarter, the Manhattan nightclub.

Because her parents insisted on a college education, she enrolled in New York University. But she left before graduating to pursue a show-business career, promising her family that if the career did not materialize after two years, she would return to college. She never did.

In 1954, at 19, Ms. Carroll was cast in a small part in “Carmen Jones,” Otto Preminger’s all-black screen adaptation of Bizet’s opera “Carmen.” The film starred Harry Belafonte and, in the title role, Dorothy Dandridge.

That year she also made her Broadway debut, in the role of Ottilie, alias Violet, in “House of Flowers,” the Truman Capote-Harold Arlen musical set in a West Indies bordello. Captivated by her performance, the Broadway composer Richard Rodgers was determined to use Ms. Carroll in one of his own shows.

He tried to cast her in “Flower Drum Song,” his 1958 musical with Oscar Hammerstein II. But whatever makeup she was put into, she could not be got to look like any of the Chinese-Americans on whom the show centered, and it opened without her.

Ms. Carroll played Clara, the fisherman’s wife, in Preminger’s 1959 screen adaptation of “Porgy and Bess,” the opera by George and Ira Gershwin and DuBose Heyward. But because the film’s music supervisor, André Previn, deemed her voice too low, her singing — including the emblematic number “Summertime” — was dubbed by the soprano Loulie Jean Norman.

She met with particular acclaim in early 1962, when she at last starred in a musical by Rodgers, “No Strings,” written expressly for her. He composed both music and lyrics: It was his first show after the death in 1960 of Hammerstein.

In it, Ms. Carroll portrayed an American fashion model living in Paris who embarks on a romance with an American novelist, played by Richard Kiley. That the romance was interracial was largely incidental to the plot.

The performance won her the Tony Award for best actress in a musical.

The next few years brought a few guest roles on television shows. But jobs remained far between.

“I’m living proof of the horror of discrimination,” Ms. Carroll said in late 1962, testifying at a congressional hearing on racial bias in the entertainment industry. “In eight years I’ve had just two Broadway plays and two dramatic television shows.”

She added: “I’ve asked repeatedly why. Surely I’m not so difficult to include.”

Then along came “Julia.”

Rosy Picture of Black Life

Ms. Carroll’s portrayal of Julia Baker was generally praised for its poise and warmth. For the role, she received an Emmy nomination and won a Golden Globe Award.

But the show as a whole was criticized on several fronts. One was the fact that Julia’s elegant apartment, magnificent wardrobe and saintly, unruffled temperament were surely unrepresentative of the life of any single working mother of a young child.

More serious charges concerned issues of race. Though the show’s scripts dealt with various slights of racism — or “discrimination,” as it was called then — in a gentle, homiletic manner, many critics felt that “Julia” painted a far rosier picture of American racial amity than actually existed in 1968.

In an interview with TV Guide that December in which she addressed the portrayal of black characters on television, Ms. Carroll acknowledged: “At the moment, we’re presenting the white Negro. And he has very little Negro-ness.”

In a first-person article in Ladies’ Home Journal in 1970, Myrlie Evers, the widow of the slain civil-rights leader Medgar Evers, summed up the contradictions inherent in “Julia.”

“Of course, Julia bears little resemblance to me or any other flesh-and-blood woman,” Ms. Evers wrote. “She is a television fantasy like so many others. The significant difference is that Julia Baker is black.”

She continued: “Perhaps the most significant thing about ‘Julia’ is that it is carried by many stations in the South. My relatives in Vicksburg, Miss., watch it every week. Not so long ago, as I can testify, the appearance of a black face on a network program was a signal in Mississippi for the set to go dark. Then a sign would appear: ‘Circumstances beyond our control. …’”

Ms. Carroll went on to play a woman very different from Julia in the 1974 film “Claudine,” a drama also starring Mr. Jones. For her portrayal of the title character, a single mother of six in Harlem, she received an Academy Award nomination.

Among her other films are “Paris Blues” (1961); Mr. Preminger’s “Hurry Sundown” (1967); and “The Split” (1968), based on a novel by Donald E. Westlake.

Her television credits include the mini-series “Roots: The Next Generations” (1979) and the TV movies “I Know Why the Caged Bird Sings” (1979), an adaptation of Maya Angelou’s memoir in which she portrayed Ms. Angelou’s mother, and “Having Our Say: The Delany Sisters’ First 100 Years” (1999), in which she played the indomitable Harlem centenarian Sadie Delany opposite Ruby Dee.

Ms. Carroll had recurring roles on several television series, including “A Different World,” “Grey’s Anatomy” and “White Collar.”

Onstage in the 1990s, she was Norma Desmond in the Canadian company of the Andrew Lloyd Webber musical “Sunset Boulevard,” the first African-American to play the role.

Ms. Carroll’s first marriage, to Monte Kay, a casting director and music impresario, ended in divorce, as did her second, to Fred Glusman, a Las Vegas boutique owner. Her third husband, Robert DeLeon, the managing editor of Jet magazine, died in a car crash in 1977, two years after they were wed. Her fourth marriage, to the singer Vic Damone, ended in divorce. (Mr. Damone died last year.) She also had highly public engagements to Mr. Poitier and the English television journalist David Frost.

She is survived by a daughter from her first marriage, Suzanne Kay; a sister, Lydia; and two grandchildren.

She was the author of two memoirs, “Diahann” (1986), with Ross Firestone, and “The Legs Are the Last to Go” (2008), with Bob Morris.

In one respect, Ms. Carroll said, she was a victim of her best-known show’s success: After she became widely associated with the motherly Julia Baker, her nightclub bookings as a glamorous chanteuse in slit-up-to-there evening gowns dried up for some years.

In mirror image, Ms. Carroll’s glamour had nearly cost her the role of Julia in the first place. Keenly aware of her glimmering image, Mr. Kanter, the show’s creator, was reluctant to consider her for the demure Julia Baker.

Knowing of his reservations, Ms. Carroll arrived for their first meeting, at the Beverly Hills Hotel, wearing a very plain dress. Granted, it was a Givenchy, but it had simple, modest lines.

When she entered the hotel, Mr. Kanter did not recognize her. But he pointed to her anyway.

“That’s the look I want for this character,” she later learned he had said to a colleague. “A well-dressed housewife just like that woman.”

Daniel E. Slotnik contributed reporting.

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