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#surrealist literature
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“The n… th day God regretted having created Heaven and Earth.
He wanted to destroy his work. But it had fallen into the public domain.
So he descended in himself, divided himself into three to diminish his responsibility, invented the Serpent – and changed pseudonyms.”
Claude Cahun
Disavowals
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thechimerasdiary · 1 month
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reviews | literature | novels | play of form
𝐓𝐞𝐧𝐝𝐞𝐫 𝐢𝐬 𝐭𝐡𝐞 𝐭𝐡𝐨𝐮𝐠𝐡𝐭 𝐨𝐟 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧
Lisa Samuels’ complex coming-of-age story dances the surrealist dialogue
.·:*¨༺ __________________
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Les Chants de Maldoror with an illustration by René Magritte, 1948.
Sink your teeth into the soil and hold onto it. Figuratively speaking, this is exactly what Lisa Samuels’ unnamed main character does at the beginning of Tender Girl (2015). Like evolution, the novel’s story begins in the water and ends on land. And an evolution it certainly is – the evolution of a girl who is new to the sweet achings of the human world. Samuel’s thirteenth work is a coming-of-age story of the unusual kind: with a strange protagonist and stranger prose.
Tender Girl opens by washing up its leading figure on the shore of humankind. Girl, as she is simply called throughout the story, is a peculiar hybrid being – half human and half shark. For the first time, she steps out of the ocean and carefully makes her way into a strange new world. Drinking up the unfamiliar encounters with a wondrous soul, she learns to navigate the complexity of human existence and what it means to be a woman. As she grows up, Girl experiences love, and violence, and art, and grief, and motherhood, and loneliness – and the language of herself. Lisa Samuels approaches this exploration in a complex linguistic way. One which often eludes the rules of syntax and grammar, instead radically striving for a stormy stream of consciousness.
"That untranslatability being the half-slipped land-slide kind of 'person-hood' she's noticing in the other body eyes and talk she hears conveyed. How do they keep from fundamental loneliness?"
- Tender Girl (2015)
Although not expressively labeled as surrealist, Tender Girl certainly is evocative of the style: the work embodies the idea of a metamorphosis of being. Through its themes and its form – both of subversive nature – Samuels’ novel conducts a conversation with the past movement. 
(Tender) Girl is the child of a well-known father: the work takes direct inspiration from Les Chants de Maldoror, a poetic novel written by the French author Comte de Lautréamont in 1869. Lautréamont’s piece approaches transgressive topics such as violence, evil, and absurdity through the actions of its misanthropic main character Maldoror. In one scene, a bizarre sequence of events climaxes when he violently mates with a shark. In the diegesis Samuel has created, her protagonist is the offspring of this brutish encounter, and Tender Girl an informal follow-up of the 19th-century tale. 
Decades after its initial publication, Les Chants de Maldoror was embraced by the Surrealist movement, being hailed as a ‘proto-surrealist’ masterpiece for its subversive themes and absurd contents. Lisa Samuels expands on Lautréamont, plucking Girl from the tree of his fictional sphere and giving her a unique voice. Through this continuation, the author places her protagonist in direct relation to the avant-garde movement: both Les Chants de Maldoror and Tender Girl are explorations of transformations. Just as the source material which Girl is given birth from utilizes surrealist concepts, so, too, does Samuel’s work absorb and reform them. 
"She licks her tears away from her lower face, her pink tongue on the blue of her skin. The strawberries and the tentacles are softer than anemones."
- Tender Girl (2015)
The novel’s linguistic style is an ungraspable creature, an ever-changing chimera of words. The author thrusts away any coherency of sentence structure or syntax or grammar, freeing language from the shackles of coherence. Seldomly can the reader guess how a sentence will end. Samuels’ prose is an immediate representation of the protagonist’s fluctuating feelings. While Girl shifts and changes and grows in the world she explores, the narration responds. Through this, Tender Girl holds the theme of metamorphosis in its very form.
Lisa Samuel’s novel has glistering sharp teeth, and they have sunken deeply into the soil of Surrealism. Tender Girl is an anamorphic absurdity in contemporary shape, its complex form speaking the same language as the concepts that have conceived it.
__________________ ༻¨*:·.
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pensivegladiola · 9 months
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Assassin of Reality by Marina Dyachenko
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agirlnamedbone · 1 year
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Kim Kyung Ju, tr. Jake Levine (I Am a Season That Does Not Exist in the World, 2015)
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onlinesweetheart · 7 months
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<3
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mabith · 3 months
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Riddle me this. Disability benefits review mental status appointment. WHY do they ask if you drink caffeine, then if you have ever had a drug or alcohol problem and nothing else on that theme. Usually they'd ask if you drink alcohol at all. If they're leaving that out (which they should probably, it's all fucking stupid), why are they still asking if you drink ANY caffeine. How is this useful information!
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1-d-a · 1 year
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Suddenly he was in my cabin, naked, with butterfly wings between his shoulder blades, his penis erect, powerful and golden, his dog tags on a silver chain around his neck. I clung to him and everything became luminous, fabulously colored, as though we had entered the mystical aura of a chakra with dozens of petals. When he broke my seal, he inserted in the center of my abdomen not only an ivory liquid, but also complete knowledge, as though his cannula of supple flesh had become a cord of communication between our two minds, through which, in a flash, we said everything to each other, we knew everything about each other, from the chemistry of our metabolisms to our complexes, preferences, experiences, and fantasies. (...) We both rose and fell, and neither of us had memories or a life of our own. We had come into the world (but which one?) only for the moment of our coupling, like two insects, in a halo of concentric circles of light. And that was how we would always be: standing, stuck together, united above in our gazes and below by that seminal cable, through which I felt millions of bits of information invading me. Mircea Cărtărescu Blinding (1996)
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scumgristle · 1 year
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Hey bb... wanna see some hot action?
Search Google for “Midnight Climax”
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have a piece titled |}|_€^|&lt; ^^[=@+ in Kenji Siratori’s HYPER-ANNOTATION #001
and a piece titled "Synodic Ganglia" in this one, also from Kenji Siratori.
read I ONLY WANTED TO MAKE YOU NERVOUS at Coprolaliac Press
supplied video / voice for this short film by Zak Ferguson
available NOW from SWEAT DRENCHED PRESS.
A****n link
FREE EXCERPTS
meanwhile:
CRINGE MYTHOS TONE REELS
and the piece FLOATING STAIN appears in issue 0 of AGON Journal, available for FREE in PDF form.
you’ll see i’m listed as part of the “Male Choir” (N. Casio Poe).
i’m the one that does the big “yeaaaaaaaagh” part.
other music i’ve done (just vocals/lyrics)
here
here too
LIVING ROOM - Corrugated Asshole - got some vocals on this one.
close as you’ll get to a “biography” of my time in music, which i guess is over, but who knows.
same podcast as above, except we all being chucklefucks about trash horror
MUBI page
Goodreads profile
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wowwwokay · 1 year
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Excerpt from Dear Hazel of Squirrelnut by André Breton
Translated by Mary Ann Caws
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“Children today fear only one thing: That their dreams will come true.”
Claude Cahun
Disavowals
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en-elysium · 3 months
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seeking community here to share my craft & to find new artists and their works to fall in love with 🌹follow if you’d like to see collage art, sculpture, poetry, paintings, etc inspired by mythology, religion, spirituality, literature, and the acute feeling of belonging to another time..place. and do be sure to scroll my page if you’d like or find me on instagram: @en_elysium
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"I’ll introduce you to my demons by their first names so you can know them as well as I do." — Kristen Costello
Art by Diana Dihaze
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desdasiwrites · 4 months
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– Drew Magary, The Hike
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storyofthenauseouseye · 4 months
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A Guide to the Father of Surrealism: Andre Breton
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Philippe Jean (1931-1987) — “Elle était subjuguée par Le Monde” [oil on canvas, 1967]
Considering the topics in my last post, The Two Basic Pillars of French Literature, it'd be best to start this excursion with Andre Breton, the man widely considered to be the father of surrealism. The idea of surrealism is pretty straightforward, but it gets tricky the longer you think about it. Ironically, that's the point.
Surrealism is acquired when one pushes away the rational thoughts and everyday logic that goes into making traditional art. Surrealism is dreamlike, bizarre, and often challenging to understand. Sometimes, it's even difficult to look at. By accessing the subconscious, Breton and his peers could create art that had never been seen before (other than the similar dadaist movement, but that was based more on goofy arrangements of rational imagery).
Breton used his ideas on surrealism and put them into two pivotal works of literature that defined his career: The Manifesto of Surrealism and Nadja.
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Left: Fernand Aubrey, MASKS, 1950. Right: Georges Spiro, "Composition Surréaliste" 1960
Le Manifeste de Surrealisme
The Manifesto of Surrealism (1924) is Breton's most famous and widely renowned work. In it, he goes on to explain what exactly surrealism is. Breton was one of many to publish a manifesto on the subject matter. Many of his peers and rivals tried to coin the term and define the movement for themselves, but in 1924, Breton's manifesto became the generally more beloved guide. It would travel the world and be used by artists, writers, filmmakers, poets, and visionaries everywhere. Breton's words would even be included in works he inspired, such as being stamped in braille in Leon Ferrari's famous "Union Libre" pictured below.
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Leon Ferrari, "Union Libre", 2004
Breton's definition of the movement would shortly become famous.
"Pure psychic automatism, by which an attempt is made to express—either verbally, in writing or in any other manner— the true functioning of thought. The dictation of thought, in the absence of all control by reason, excluding any aesthetic or moral preoccupation" (Academy of American Poets).
Discard all logic, and throw away the mindfulness you pay to your work. Surrealism is the logic of dreams, the strangeness in the human subconscious. A twentieth-century American surrealist writer would later simplify the idea to four words: Exterminate all rational thought. I'll let you guess the author.
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Antonin Artaud, La projection du véritable corps, 1948
Nadja
Breton would eventually take this philosophical art theory and apply it himself through literature. In 1928, he published Nadja, a strange novel about a girl. The protagonist rambles on about surrealism, gives a description of a ten-day love affair with a girl named Nadja, and realizes she's insane and that he cannot continue the relationship. Then he gives a detailed monologue lasting a quarter of the length of the novel on how her absence destroys and inspires him.
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Left: Cover of the 1928 Gallimard edition of Nadja, collaged cover by Marcel Mariën. Right: 1964 Le Livre de poche edition of Nadja, interior.
Nadja is a bizarre text. It's non-linear, borders as a sequel to his 1924 manifesto, and the density of the strangeness makes it a difficult read for most people; that means it did what Breton intended.
Breton can take the reader through his surreality through this dreamy, irrational writing pace. Surreality was considered the world where surrealism took place, eventually helping make surrealism into an ideology, not just an idea. Nadja was the first surrealist fictional work to be published. With it, forty-four images were added to the book to help create another layer of dreamy imagery.
And with that, I will end this post the same way Breton ended Nadja.
"Beauty will be convulsive or will not be at all"(162).
Works Cited
Academy of American Poets. “About André Breton | Academy of American Poets.” Poets.org, https://poets.org/poet/andre-breton. Accessed 7 December 2023.
Breton, André. Nadja. Grove Press, 1988. Accessed 7 December 2023.
Further Reading
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thewarmestplacetohide · 5 months
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taxi-davis · 10 months
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Gürbüz Doğan Ekşioğlu
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