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#surface finishes
gautamshah · 4 months
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1644 RELIEF in SURFACES
1644 RELIEF in SURFACES -Gautam Shah Relief is a surface characteristic, formed, sculpted, engraved, by or such other ‘reduction’ processes or created by deposition. The relevant parts seem to emerge out of the surface background or substrate. The relief forming process also includes, rounding the edges of the sculpted areas and further lowering, levelling or sculpting the background. A relief…
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candlebel · 2 months
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Amo al robopayaso. xd
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shimmershy · 7 months
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Legend has it, an 'angel' who has seen the surface will descend from above and bring us freedom....
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frogatz · 4 months
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you'll see them again !
too many thoughts and things done with Intent to fully explain myself . partially bc this was supposed to be much much longer, but i think i would like to play more in the space of post-game loop.
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ourhouseishaunted · 10 months
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trips and dozens of shitty sketches of trigun women fall out of my pockets
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Archetype Exploration: Perfect Soldiers
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(Hey, please look at this blog's pinned post before reading this post; it gives a lot of context for the lens I'm looking at these characters through, k thx. also, shoutout to @finalgirl-nihilbliss for guessing the archetype)
CW: Abuse, Projection, Surface-Level Media Analysis
If your comfort character exhibits any of the following symptoms:
constant brooding
face frozen in a perpetual scowl
possession of a "dark past" they don't like to talk about
frequent blank stares into the middle distance
constantly trains for something uncertain
You may have just found yourself in the presence of a Perfect Soldier.
Perfect soldiers are characters who were groomed, often from birth, for the sole purpose of inflicting harm on their fellow man. These characters are efficient, tactically-minded, and above all else, violent. Perfect soldiers will often excel at combat and strategy, but struggle with emotional sensitivity.
Note that just because these characters are violent and closed off now doesn't mean that this is their natural temperament. Often, perfect soldiers have some kind of natural compassion that was stomped out through years of abuse training. This can come in the form of a sole loved one who tragically died, but more often than not, it simply manifests as a soft side sanded away.
If the Perfect Soldier doesn't start that way, who is to blame for their transformation? In sci-fi and fantasy, this transformation is usually caused by a morally corrupt institution built to churn out perfect soldiers (the Jedi Academy, the Galalunan Military Academy, the Space Marine Legions, etc.). Other times, perfect soldiers are groomed raised by a cruel and abusive father figure (Endeavor, Bro Strider, Belos, etc.). Some settings even blend the two by having an institution with a twisted general (think Shadow Weaver from She-Ra).
Typically, if a perfect soldier has a character arc, it's usually one of healing and letting go of their anger. This almost always contains at least two of these three steps in the order of your choosing:
The perfect soldier leaves the institution of their torment, either by circumstance or by excommunication. Once on the outside, they'll typically find that their raw might is irrelevant to their survival, and they'll instead need to rely on their lacking social skills. This exit from the comfort zone will prompt the soldier to learn a lot of people skills, typically leading to a "softening up" of sorts. Note that this doesn't have to be a literal escape from a physical place. Rather, it could just be a character being outside their guardian's zone of influence.
The perfect soldier discovers some imperfection with their guardian/institution. Perhaps there's some kind of inconsistency in its moral values. Other times, the soldier finds a secret the guardian/institution has been covering up. Whatever it is, this will prompt the soldier to question their leaders' infallibility.
The perfect soldier meets a person who shows concern for them in spite of the soldier's outward hostility. This outside party will likely witness or hear about the perfect soldier's tumultuous upbringing and take pity on them. This will likely prompt an attempt to reach out to the soldier, something which may or may not be rejected. Whatever the case, this act compassion will likely stick with the soldier, and prompt them to think about their own worth.
An arc like this usually resolves with a direct confrontation with the abusive mentor(s) who turned them into a weapon of war. If the soldier is a member of the supporting cast, this may come in the form of some heroic self-sacrifice, usually to protect the aforementioned outside party. Alternatively, if the soldier is a protagonist, their confrontation will likely be much more active, and may even be a proper fight. The soldier tends to win this fight either with the power of friendship or compassion but this isn't a strict requirement. If the writers really want to get spicy with it, they might even spare their tormentor, really leaning into the idea of abandoning violence (note that this runs the risk of coming off as a "forgive your abusers" narrative).
Alternatively, the lack of a grand confrontation can be a form of narrative resolution in and of itself. Living well is the best revenge, after all, and showing that our former perfect soldier has moved on to a happier, more peaceful life can be a far stronger statement of growth than a glitzy fight to the death.
(This is the part where I tie this whole thing back into the gimmick of the account. If you just wanted a Trope Talk style summary of the archetype, you've seen all there is to see. Thanks for reading, and don't forget to do your daily clicks.)
Why do you keep submitting this?
So, out of all the characters that I've seen submitted, this is easily the most prolific character archetype. At the time of writing, somewhere between 40-50 characters that have been posted roughly fit this archetype, and that's not including any of the characters I haven't posted yet.
Why do submitters connect this particular trope with trans women so damn much?
Firstly, it's important to consider that in most western fiction, the soldier is an inherently masculine archetype. From the classical epics of the Odyssey and the Iliad, to the superheroes and action stars of modern-day blockbusters, there's a very real conflation between a character's manhood and a character's capacity to do violence. A lot of mainstream military propaganda does the same, suggesting that men who enlist are more "authentically masculine" than those who do. This archetype serves as a critique of that idea; it shows us that this masculine ideal can be, and often is, a soul-crushing experience. In a sense, the idea of transitioning serves as an escape from this image.
Furthermore, it's important to consider what this character arc is actually about: a miserable character discovering that a better life is possible, and making steps to achieve personal peace. Often, these characters are fiercely loyal to the institutions that take advantage of them. These characters are often fine with it because they can't conceive of a better world. Once that's presented to them, that's when they start to leave. Frankly, given that a lot of people still don't end up knowing about trans folks until they're adults, I'm surprised more trans people don't connect to characters like this.
Finally, this arc gets back to the core question at the center of this blog: could transition have saved her? The archetype, in its construction necessitates a level of misery, ergo it implies that the character needs saving. It's no wonder these characters tend to garner a lot of Hurt/Comfort fanfic (Anakin Skywalker alone has more Hurt/Comfort fic than some of my favorite fandoms period). There's an inherent desire for these characters have better lives, and maybe some estrogen could do it.
This is my best guess, anyway. If you have thoughts, feel free to share them.
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upathosarts · 7 months
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wtf revue of souls real (more pics below the cut)
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neurotraum · 1 year
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Last year also started with a pencil ghost boy and where am I now
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quirkle2 · 5 months
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Shigeo still doesn’t know how to answer. He hasn’t answered, and he knows that’s weird, and maybe a bit creepy, but it’s also characteristic of him, so maybe he doesn’t need to stress over it. He simply sits there in the heavy rain instead and watches Reigen’s pink tie get dragged by the gales. And then Serizawa crouches down, lowers his hand out, and shelters Shigeo’s head with the draped fabric of a clear umbrella. In Shigeo’s world, the rain stops.
scene from my wip fic recondite :]
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arinmoss · 8 months
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Hatsune Miku doodle
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iamhereinthebg · 3 months
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Haven't they broken several rules they've established just for everything to revolve around Tsukasa? Like...
1. A mystery can't be defeated in their own boundary (and yet Tsukasa somehow ripped Kako's heart out in his own boundary)
2. You can't use your tsueshiro in a boundary without permission (and yet Tsukasa ordered his to hold down Mirai)
3. Nobody could move because the school's time was frozen (yet Tsukasa did, as well as Yashiro, and Hanako who if I remember correctly suddenly unfroze on his own to break down into tears)
The earlier chapters were way better at following previously established rules and concepts compared to whatever's going on right now
They did ! :))) (want to explode)
I can understand the idea that Tsukasa is a rule breaker, he did destroy the previous n°3 in his own boundary too and it was an interesting twist! I can understand the idea and why it can be interesting, but the way AidaIro using all others characters/plots to make him stand out is just terrible. Dirsregarding rules is not a new thing about AidaIro unfortunately but Tsukasa really wins all medals on breaking them.
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As you said, he was able to move when time was stopped and for which reason?? We don't know. Hanako was able to move once Akane and Teru got to him, probably because Akane is a clock keeper and can somehow give the permission to people to move.
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I said it before and I will say it again, but wanting to show a character is powerful/cool by making the others characters look stupid is terrible writing, and that's the feeling I got with Tsukasa in general. (and chapter 109 is just a whole sequence of the characters being made fun of)
We don't know where to stand because he has every kind of tropes attached to him. They want us to understand he is some kind of martyr who is 'omg poor lil Tsukasa who was so selfless at only 4yo boohoo' (no matter which translation I read for the red house arc, he is believable somehow with Kou but then we get the flashbacks with Amane and it's gone). They put him in an 'angel' position and naive position in a lot of aus, want us so bad to understand deep down he is a nice boy. When we watched him do every possible horrors on screen. And don't get me wrong, I don't mind this, it's cool. Him forcing Mitsuba to eat, creating him, the way he treats some characters... It's the way they are not doing that to other characters who is so strange in my opinon. They know how to handle grey characters like Hanako or Teru (from the reader's pov) so I don't why they try so hard to put Tsukasa in a good light.
He is not a believable kid character in the red house arc, being smarter than Kou and Nene is not making him cool, it's just making Kou and Nene absolute idiots.
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Him destroying his shackles thanks to Mirai power? It's not him being clever, it's Mirai and the clock keepers being made fun of. Him knowing what Hanako should be doing by using Nene? Not making Tsukasa cool, it's making Nene just as an object for Hanako's love, and to get a reaction out of him, most of the time by making Hanako look stupid. (I could go hours on why Nene is just here to serve as a mean to Hanako's character since some arc rather than being her own person but that's for another day)...
I understand that Tsukasa is like 'the antagonist and should be some steps ahead of the portagonist' but it's just so repitive in the way he is unpredicatble that it became boring and predictable. I was overjoyed to see him like this in chapter 108. (which was let's be honest the only good chapter in this new arc)
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Tsukasa is really good here, which is why the drop of quality in chap 109 is even worst. Seeing a new side of him as a supernatural and his sorrow/hatred for Amane is really great. He even moralizes Nene about why sometimes you just need/have to get yourself out of situations alone, and that's how he himself proceeds because his brother never went to see him in 50 years. That he had no choice but to do so. It's great! Really great! To see that he is also an unpredicatble character and who decides to do what he wants not taking people's opinions in mind, because even his older never helped him when he called for him during all this time. It adds a good layer to his character and seeing him weaker/not really knowing what to do is something we desesperatly need for his chacter. But as everything in chap 108, chap 109 throws it out of the window and goes back to the usual ' we have set ups but terrible pay offs' things that has been happening a lot in the recent arcs.
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He is also way too OP. As you said suddenly his tsueshiros could move again and he got rid of Kako. Even Hakubo and Teru being ones of the most powerful characters, were defeated once, Tsukasa never was seriously. It's never explained why he is so powerful (probably because he has an entity inside him/he eats others supernaturals) but the difference of levels is just insane, and absolutely not compelling to read.
We don't know why he is doing what he is doing and they try so hard to make him mysterious. They want us to get to know him without saying anything relevant or his backstory. We are left with whole chapters of absolutely nothing. Welp too bad I am not patient enough to see Tsukasa doing random stuff when half of the characters have rushed characters development or none because 'there isn't much time'.
AidaIro want us to understand they love him and that we should too but they are just destroying every other characters rather than make him loveable.
I hate what they did with his character, his role is terrible because it's destroying eveyone else's. Tsukasa is the favorite and it shows, but it's so badly done that I can't help but hate him.
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ambitionsart · 2 months
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So... Deadlands but make it a Guild?
Putting it under read more because there's a lot.
So given the Deadlands characters have very little backstory we are headcannoning a lot here. Bare with me.
Edie, I imagine as a rouge (was torn with bard), who uses her sweet charms to get the information she needs. Picks up shifts in taverns in exchange for a roof for a few days.
Garnet is just Prudance 2.0. Since we don't know much of backstory, I can imagine her being a reserved magic user who does not talk about where her magic comes from, because lets be honest a less than savoury patron really doesn't go down well. (Also the idea of her having like a deck of many things, or where her patron picks the cards delt to deal damage would be fun)
Silas, I'm sorry this man is a barbarian. There is no other thing he could be, it's the unfiltered rage. Though I liked the idea of him duel wielding blades like his pistols. Also having miss matched armour to reflect he used to be someone important, the hints of his 'law man' image.
Nate, Okay so. Nate I struggled with. I'm thinking a paladin of some kind? Also I don't know how to translate, was at one point dead and now lives on alcohol and jerky, other than the common stereotype of Dwarves. So. Yeah. Sorry Nate. Though I do imagine him keeping his shirt as if it was something his late wife embroiderd for him and now it's too sentimental to get rid of so it's got patches holding it together.
Delacy, the idea of this relatively human party having a child half orc running around with them felt apt but also the level of humor of oxventure. Also Delacy being an unusually strong child also very good. I can imagine him being a fighter or some combat specific class.
If anyone has any better ideas, hit me up I'm not 100% on all of these, so please add your own to them.
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Can't seem to stop drawing this guy
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00fairylights00 · 3 months
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I Guess You Just Don’t Love Me Anymore
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GIF from @glowing-starlight on Tumblr
I was so taken by @ash-arts-but-sinful's post which mentions P being jealous of the cat and @oldworldghost’s post which contains the idea of him becoming more mischievous and sassy as he becomes human that I just had to write a little something, I hope it’s alright that I drew on your thoughts for some inspiration!
As a disclaimer, I haven’t finished my first play-through yet so this is more of a character study based off of what I’ve experienced in-game and what I’ve been seeing on Tumblr instead of delving heavily into the world-building and established story that exists within the game. So hopefully no spoilers and it’s very likely that this won’t at all line up with the in-game timeline.
Big thanks to @cupidsredcollar beloved for proofreading <3 
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For as long you had known Pinocchio you had never known him to be a jealous individual, in fact, when you’d first met that bleak, overcast morning in Hotel Krat you had been almost unsettled by his uncanny nature. 
His features were perfectly human, aside from the metal prosthetic he’d been fitted with. He had freckles and soft hair, a face that looked fashioned from a real person instead of the smiling caricatures Krat’s puppets were usually fitted with. 
But despite his boyish features, his face barely moved, he nodded along to Sophia as she gave him the task of locating his father, Mr. Geppetto, and tilted his head in question as Lady Antonia explained the concept of lying but his brows didn’t so much as pinch, his lips didn’t quirk and his eyes looked straight through you as you had wished him safety on his travels.
So watching in real time as he came into his own was something you cherished greatly, you continued to watch him grow and change, become something new. Pinocchio chose to spend a lot of his down time with you, he said he found you interesting, that you had a way of explaining humanity that made sense to him and over the last couple of weeks something had started to shift in him.
No, Pinocchio had never been a jealous individual, for as long as you’d known him.
Until today.
Your morning had started normally, woken up by the cool feeling of P’s lips against your forehead, human hand smoothing back your hair. He mumbled something about needing to go out, you tried to convince him to come back to bed, he tried to convince you to get up (he always wins).
P drags you down to the kitchen, you eat and he watches, something that was initially a little awkward but you’ve come to really look forward to, then you farewell each other at the rear entrance of the hotel. 
He holds you close to his chest, resting his lips to your hairline and making you promise to look after yourself and your companions while he’s away, you make him promise to be careful though you know he’s not always able to, often catching glimpses of Sophia muttering blessings and incantations under her breath in the foyer.
“It’s just Ergo hunting today, I’ll be more than careful.” He whispers, human arm winding around your shoulder. You breathe him in, hands to his chest feeling the odd sensation of his heart, not quite a tick but not quite a beat. 
You lean up to kiss against the slant of his jaw, his mechanical pulse jumping in response. He looks down at you, you catch the fondness in his blue eyes without mistake, he captures your lips in his, holding on for a second longer than he knows is necessary (it’s not like you mind though).
Lounging against the doorway, watching him walk towards the entrance of Elysion Boulevard, he turns and gives a last longing look over his shoulder before stepping through the wrought iron gates and disappearing from view.
You sigh, making your way back inside to start on your usual round of chores, helping where you could to take the load off of Polendina who needed more time to focus on Lady Antonia and her illness. You had just returned to the puppet butler for more tasks when you noticed movement on the top of the shelf behind the front desk. 
Sitting tall and proud was Hotel Krat’s resident sweetheart, Spring, tail swishing steadily as she kept watch of the foyer from her perch. The white and orange cat jumped down to the desk as she noticed you, laying down across the dark wood and turning over in gesture for belly rubs; which you gave happily. 
“She’s been very noisy today,” Polendina explained, stroking the cat, “I wonder what she’s trying to tell us?”
“Probably trying to manipulate us into giving her more treats, isn’t that right?” You accused lightly, you were sure that if he could, Polendina would be smiling. 
“There is another load of laundry that needs folding, could I have a hand?” He asked politely.
“Of course Polendina.”
And it seemed you had found yourself a shadow, Spring making an unreasonable amount of noise as she followed you and Polendina around the hotel. She wound between your legs, chirruped in response to your voices and bumped her head against whatever part of your bodies were within her reach. 
It was no surprise that Spring was loved by the inhabitants of the hotel, and it was very apparent that she loved them back, well everyone except for P. Not for lack of trying of course, he followed your advice of trying to build trust between him and the animal but she wouldn’t so much as let P touch her, hissing her disapproval for all to hear.
You’d often watch as P would recoil from Spring, the feline swiping and spitting at the puppet. You couldn’t tell from his expressions if the cat’s dislike for him bummed him out but sometimes as he lay next to you in bed he would lament quietly that Spring hated him, which would award him a sound of humoured pity and a kiss for the cheek.
It wasn’t clear what it was about P that set Spring off so aggressively. In all the time you had spent at Hotel Krat she’d never behaved in such an unfriendly way, even complete strangers who would seek refuge for short periods of time were welcome to interact with Spring freely. 
She would bask in the attention. You hoped that she would eventually come around to the puppet, given it looked like he would be around for the long haul and you just knew the two would be the best of friends if she would stop being so nasty.
But P was patient, far more patient than you were and it showed as you folded and unfolded the same piece of linen for the third time without realising, Polendina placed a gloved hand over your own, silently relieving you of duty.
“Apologies, my mind seems to be elsewhere Polendina.”
“You worry for the boy, it’s only natural that your mind wanders.” You sometimes forget how long Polendina has been around, having been a close companion of Lady Antonia’s for decades. You had a feeling he knew more about human emotions than he let on, somehow he always knew what to say when it came to your thoughts surrounding Geppetto’s Puppet. 
“I just can’t help it, and with him figuring out who he is, I fear he’ll get himself hurt by being too kind.” You wring your hands in your lap, focusing hard on the lines in your skin as you try to keep yourself from thinking of anything too awful.
“He has met humans who have given him trouble before and he has a good head on his shoulders. I would wager that you have nothing to worry about, but I understand that may not put your mind at ease.” 
“It doesn’t but thank you.” Your hand went to Polendina’s shoulder with a smile. “I think I’m going to find something else to do, try and get my mind off of things.”
Polendina nodded once, going back to folding the linens, “I’ll send the boy your way when he returns.”
You smiled in earnest, appreciative of Polendina’s knowing kindness. 
Spring, who had been lounging between you and Polendina, got up, stretching herself out and scampering over to your side. She meowed frantically to grasp your attention. 
Her interruptions continued as you made your way around the kitchen. It wasn’t particularly dirty given how little it was being used now, however, the repetitive action of wiping down the countertops and sweeping the floor were just the distraction you were looking for. 
Your ears perked up at the heavy steps of boots on marble floors, the jingle of P’s belt was something you could identify in your sleep. He stood tall in the doorway, all sweet smiles and fidgeting hands. Happy to see you, always happy to see you.
He was shockingly clean as he approached, resting his forehead to yours as his hands found their place on your waist, all the scolding about tracking oil and muck through the hotel was finally paying off.
You ran your hands over the intricate designs embossed onto the lapel of his coat, smoothing the fabric down before hooking your hands behind his neck.
“Welcome home, pretty boy.” You cooed, brushing your nose against his. 
He liked the small intimacies you shared, bunny kisses you’d come to find were a favourite of his.
“You can go and relax if you want, I’m just cleaning.” You offered, but he shook his head. 
Spring had also gotten bored of waiting on you, brushing up against your legs. So there you stood, sandwiched between your two favourite beings. 
And two shadows wouldn’t be so bad if they would stop getting under foot, you laughed as Spring and P fought for your attention while you made your way around the kitchen.
P hovered close, slinging his arm around your waist as you tried to pass him. You stopped short as he pressed his face into your neck, leaning back against his chest and resting your hands over his wrist. You could feel him smile against your skin, a careful, small smile that only he could manage.
At that moment Spring took it upon herself to jump up onto the counter in front of you, hissing and swiping at P, he scowled and pulled you closer.
“Beast,” he scowled, you gaped at P, smacking the back of your hand at his chest.
“Don’t be horrible, she’s just protecting her territory,” you chided, 
“I haven’t done anything to her, yet she spits at me.” He complained, you thought your ears might be playing tricks on you at the distinct sound of a whine in his tone.
“You love her.” You reminded smugly, a truth he was unable to escape.
“Yeah, unfortunately,” he mumbled, you pushed against his hold, trying to signal your want to move and he hesitantly loosened his grip. Hand ghosting over your waist as he watched you go, you threw a smile over your shoulder which he returned in kind.
You gave Spring a kiss on the head, letting her nuzzle her face against yours before scooping her up and putting her down on the floor where she went back to curling around your legs.
“Ah, so the cat gets a kiss but I don’t?” P asked. You snorted, flinging the rag you’d been using to polish the countertops over your shoulder.
You lent your hip against the counter and crossed your arms over your chest, “you never asked for a kiss, how was I supposed to know that’s what you wanted?”
“I feel like it was obvious.” He placed both of his hands on the counter, stretching his arms out straight as he pushed against the granite. 
You rolled your eyes in jest, unable to keep the fond smile from creeping onto your face, playfully exasperated you closed the short distance between the two of you. Lifting up on your tip-toes to press a kiss to the corner of his mouth, he was quick to move his head once you’d pulled back. Hands to your waist and pulling you against him, sealing his lips to yours so quickly it pulled a sound of shock from your throat.
“What’s up with you today, you’ve been awfully touchy.” You teased, twisting the ends of his hair between your fingers. “Not that I’m complaining of course.”
“Missed you,” he murmured, pressing his lips to your forehead tenderly. 
“I missed you too, always miss you when you’re gone.” You placed a hand on his cheek, thumb rubbing gently under his eye.
He pulled the rag from your shoulder and threw it behind you unceremoniously, taking your hand from his cheek to drag you out of the kitchen, a laugh bubbled out of your throat that P was happy to mischievously return.
He led you to the library, seating you at the piano and turning away to rifle through the sheet music stacked in a crate on the floor. He’d been getting better day by day. 
His body wasn’t exactly built to do delicate actions but that never seemed to stop him, in fact, he was inexplicably drawn to all the soft parts of being human even if initially he was afraid to get it wrong. The last thing he’d ever want to do is hurt anyone close to him and for that reason he was acutely aware of the raw strength he possessed.
Though his conscious effort to be gentle made all the difference.
Spring decided she’d had enough of being ignored, jumping up onto the piano bench and brushing up against you, pressing close and then curling down next to you. P turned around, the particular book of sheet music he was searching for held up in his hand, his expression dropped almost comically as he noticed Spring’s position next to you, taking up what was going to be his spot.
“Move her,” he says simply, you throw your head back with a hearty laugh but P’s serious expression doesn’t change.
“No,” you start with a laugh, “Spring got here first, you’ll have to pull up a chair.”
P continued to stand his ground, you wondered if he hoped his very presence would annoy Spring enough that she’d disappear of her own accord, but the cat only opened one eye. She regarded P from her curled up position before nestling her chin back down into her tail. 
It was like Spring knew she was in his spot and was smugly showing off to him, purring loudly.
“P, I’m not moving the cat. Just come and sit on the other side of me.” You insisted, watching as his unappreciated love for the animal won out and he stalked off to get a chair. You chuckled under your breath and passed your fingers through Spring’s soft fur.
“You are so mean to him, you know? He’s quite fond of you and I think you two would be very good friends if you gave him the chance.” You whispered to the cat who ignored you, continuing to purr unabashedly.
Unbeknownst to you, P watched your interaction with the feline from the doorway, his chest feeling warm in a way he wasn’t quite used to yet. Touched by your words that you thought were falling on deaf ears.
He gave in to your fondness for the cat, pulling his chair up next to you, fingers gently flitting across the keys as you hummed softly, head resting comfortably on his shoulder. He decided he didn’t mind this so much.
Late in the evening, however, he decided he did mind. 
You were curled up in your bed a book in hand and Spring dozing lazily in your lap, he entered the room and his shoulders physically dropped.
“What’s the matter?” You asked, thumb placed between the pages of your book as a makeshift bookmark. 
“Nothing,” he mumbled, sitting down unceremoniously on the edge of your bed to take off his shoes.
You placed the now forgotten book on your bedside cabinet, the act of sitting up a little difficult with the cat in your lap. You reached for his shoulder but he shrugged off your hand, trying to hide the action by stripping off his coat.
He stood and draped the coat over the back of your desk chair and moved to unbutton his waistcoat, all while staring down Spring with a scowl.
It clicked.
“Are you jealous of the cat?” You wanted deeply to believe that your Pinocchio was not jealous of a cat, but you couldn’t come up with a more sound explanation.
“I don’t know what that word means.” He lied, avoiding your gaze entirely, unbuckling his belt and dumping it on the desk, Gemini didn’t say anything so you assumed he mustn’t be awake.
“Yes you do,” you rolled your eyes, “I remember very clearly the conversation we had about it.” 
He didn’t respond, turning his back to you and focusing his attention on rifling through the dresser drawer full of his clothes. The sleep clothes he was looking for were folded at the end of the bed.
“It’s okay that you’re jealous of-”
“I am not jealous.” Quick, concise and with no room for argument, he spun back on you. His snapping didn’t phase you.
“Uh huh,” you teased with a smirk, turning all your attention back to Spring who’d been ignoring your exchange.
Perhaps what you were doing was a little mean, given that before you hadn’t been ignoring him on purpose, but it was too fun an opportunity to pass up. P let out a disgruntled huff, shuffling around in your peripheral.
“I guess you just don’t love me anymore.” He offered with his arms crossed over his chest, your jaw dropped and a shocked laugh fell out of your open mouth.
“You take that back, immediately!” You snapped playfully, sitting up fully and annoying the cat enough for her to get up and move.
“Make me.” The challenge he’d levied would mean conceding to his childish behaviour but after all he’d been through, you thought it only fair. 
You pulled the sheets back and stood from the bed, crossing the room to him. He tried to act as though he was uninterested, tried to pretend that your hands on his chest didn’t affect him, tried to ignore the speed of his heart as it hammered under your palm.
Your hands travelled the beaten path they always did, from his chest to his collarbone, then hooking behind his neck. Trying to pull him down was useless, like trying to topple a brick wall with bare hands, but you caught him staring out of the corner of his eye.
“Look at me.” Your whisper was a command, and he had always been faithful to a fault. “I love you.”
He tried to hide the oncoming smile, dropping his chin to his chest, but you were quick to guide his gaze back to yours. There was no way you’d be missing that careful grin. His eyes were soft and gentle when they met your own, there was hesitance in them that you didn’t want to see, so you kissed him.
He melted against you, arms winding around your back and pulling you against his chest, you hummed and he couldn’t stop the full blown grin from forming on his lips; breaking away to look at you like a giddy school boy.
“Are you going to take it back?” You asked, brushing your nose against his in a bunny kiss. 
“Will I still get to kiss you if I do?” He joked, you rolled your eyes albeit in good nature, hands cradling his cheeks as he continued to smile.
“I think that can be arranged,” you mused, leaning in to kiss him again, the two of you falling into familiar rhythm with one another.
Spring slinked out of the partially open door, tail held high, she had seen more than enough.
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girls when they remember that earthbound 64 was almost complete when it got cancelled
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raiiny-bay · 4 months
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he's a fashionable man
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