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#stuff like that i keep near and dear to my little weeb heart
lunafaeris-archive · 3 years
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          /This weekend, I’m going to start the process of moving/rewriting/reorganizing all of my headcanons and lore into a new master post on Google Docs. All of the key elements pertaining to my characters and interpretations of demons will stay the same, it’s just that after five years of creating and compiling all of these juicy lore tidbits some of the language and writing is out of date (and makes me self conscious looking back at it, like wow). So that will be a thing and hopefully make it easier for new people to navigate my own lore that I constantly refer to in my interactions.
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sarasanddollar · 4 years
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SARA'S VAGUE SENSE OF HOW CARTOONS PROGRESSED:
as requested by @chintastic and @whatdoesthefauxsay, and specifically requested by @lunagalemaster to be posted to Tumblr!
uhhhhhhhhhhhhhhh early 1900's animation becomes a thing in the West? Merrie Melodies, early Looney Tunes, that kind of thing. Black and white stuff, view in theater only, it's not "adult" but it's really for adults going to the theater and sort of "look at our technical skill!" sort of show (and as a form of escapism from the war, then the Depression, then the war again)
skip on down, Snow White happens, Disney is a phenomenon, we're not really looking at cartoons in the film circuit here tho so I won't be talking abt like Disney movies and Pixar et al. because that's a whole other animal
television gets invented !
"adult cartoons" that are like funny/sexy happen, stuff like Betty Boop, we're still figuring out what animation is for but plot starts to show up esp with the now popular Mickey/Bugs Bunny stuff
It's the mid 1900's, we're out of the war, I don't know what happens in this period, I know the Hays Law becomes a thing so censorship happens pretty fast, and Saturday morning cartoons directed solely for kids are officially a thing, so Inspector Gadget, Scooby-Doo, the Flintstones + the Jetsons, Alvin and the Chipmunks, Tom & Jerry, more Looney Tunes and Mickey Mouse cartoons. A lot of these toe that line between "cartoons for kids" and "cartoons for adults" by including little things that make it fun for parents too
It's the eighties!!! The Industry has figured out that they can make cartoons that [gasp] Sell Merchandise!!! to kids. So toy cartoons come out, that's all stuff like TMNT, My Little Pony, Transformers, X-Men, He-Man/She-Ra, Voltron, Rainbow Brite, Care Bears, and Strawberry Shortcake. The quality of storytelling goes DOWN down down down down and everything is just factory-churned out with the purpose of Selling Toys (tho we still hold a lot of these things pretty near and dear)
The nineties happen. Nickelodeon figures out that cartoons are good and kids like them! And starts airing those instead of live action and puppet shows. They realize, hey, what if... We had cartoons. ALL DAY. Instead of just on Saturdays, for an hour in the morning. They instate an all-day all-cartoon channel that is ONLY their original content (they borrowed stuff like Tom & Jerry up until then), and they follow a brand guideline to make sure it's... The kind of stuff kids like. It's funny, it's interesting, it's creator-driven, and it's not just to sell toys or just churned out to fill a time slot. Quality picks up! This is why 90s cartoons are still a classic today. But also TLDR Nickelodeon killed the Saturday morning timeslot
Cartoon Network follows suit. We get good stuff well into the early 2000s, and then Disney decides to throw in as well - they'd already had shows in the 80s based on their existing brand properties (Little Mermaid, Hercules, Aladdin, and ofc Micky Mouse, Chip+Dale, and DuckTales!) but we start getting original channel-only stuff like, well, American Dragon. More on that later.
The Simpsons. We start to get adults for cartoon that also have heart and morals, instead of just. Sex jokes (Simpsons has quite a few of those too though!). The Simpsons is a cultural icon and influences pretty much every kids cartoon you can imagine, from SpongeBob to Fairly OddParents.
Anime. Anime was beginning to become VERY popular in the States sometime in the seventies (backtracking a bit here) and popular stuff like, AstroBoy, Akira, Speed Racer, started getting ported to kids channels later on (with really bad dubs.) That got a greater and greater influence ESPECIALLY among adult weebs that weren't really as huge a group as they are now demanding Better Quality English-accessible stuff (there's a whole thing on the history of this that I don't have enough internet time to get into) and that started to happen, esp when Ghibli became a huge success, people started going crazy for it, and Disney was like hey ! a market ! and made Good Dubs with A-list guest star voice actors that started the anime revolution overseas
Speeding back up, we start getting things with overarching plots. Avatar happens. Avatar ... Is revolutionary, and that starts making people realize that hey :pikagasp: we can have things that are Complete. Instead of you know axing them halfway or keeping them static status quo for every episode. This is due to the influence of anime on the industry! Remember we're well into the early 2000s and anime is now more mainstream than ever. Naruto, FMA, Black Butler, OHSHC, Death Note, all that good stuff is happening at this point in time.
Avatar doesn't do anything though. It's just, different. Different enough that people remember. (And enough that everyone who worked on it worked on the aforementioned American Dragon - a lot of the same writers and actors, giving it a pretty good internal plot of its own!)
Stuff like Totally Spies happens! That's also anime influenced. Later we'll get stuff like the new Voltron, the new She-Ra, the return of Avatar with Korra, slowly but surely everyone is deciding that Japan is the good trend. Even Winx Club or Angel's Friends over in Italy gets the anime influence! Everyone knows what's up.
It's the early 2010 and cartoon quality goes... Down for a bit, around these points, we get stuff like Fanboy and Chum Chum, Fish Hooks, just, the so random xD rawr humor is what kids are into and the industry doesn't know what to do except gross out humor and barfing rainbows and it's just... Not memorable.
Except Adventure Time nails it and it's a PHENOMENON. I don't know what happened there but something about the childlike wonder and good humor being connected to the (you guessed it!) overarching plot causes a sensation like never before.
Gravity Falls.
Steven Universe.
Star vs. the Forces of Evil.
In Canada, Detentionaire.
A Scooby-Doo reboot during this time called Mystery Incorporated.
Suddenly this is the trend. Starting with ATLA but leading to AT, big scary mystery, big scary villain, episodes that CAN be viewed stand-alone but also super connect? THIS is the industry trend now and we are LOVING it. We love a story that... Progresses. Characters that grow and change. 80s kids are now older and want cartoons that are good, not just. Toys selling machines.
Streaming services killed the television star. It's a LOT easier to do the overarching plot thing now that you can sit and binge something in one sitting instead of waiting once a week/month to see one ep of a thing you already forgot what happened in last time.
My Little Pony!! Gets rebooted. It's 2013 and for SOME reason this has a huge following? A huge following of adult men, where it's a show for little girls. The brony movement was so huge it's often compared to how Star Trek became a big hit among female viewers way back when. This doesn't influence other shows in storytelling terms but it does change marketing - now your only audience might not be what you think it is. Everyone tries to follow suit by selling their shows to "adult fans," it doesn't always work but boy howdy! And well, MLP follows the trend of overarching plot too, best as it can.
It's the late 2010s and we're in the nostalgia age. Now 90s kids are older and they run the market - we're not trying to make new stuff or support new creators, we're trying to salvage what was and make money off what people loved before. Reboot after reboot after reboot, Disney with its big movies and Nickelodeon doing (a great job, admittedly!) with their Rocko, Zim, and Arnold movies. It's working out fine, but it's a pretty big indicator that there are no new ideas - or rather, new ideas are being snuffed out in favor of bad PowerPuff Girls reboots (Cartoon Network not doing so hot, SU is what saved it!)
this is probably not well written I kept backtracking and adding other stuff pff I hope it's coherent ;; ENJOY
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