how to look at your brother in a platonic and god-honoring way
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idk why there's so much discussion around the ~*morality of traumadumping*~ when it's a VERY solvable social conundrum. all you need to do is ask something like "hey is it ok if i talk about this thing? it's kind of heavy" and respect the answer
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actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-
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for real WHERE does the idea that [utdr humans] are nongendered so that "you can project on them" come from. their literal character arcs are about NOT being a blank slate to be filled in by the audience
i think i understand the assumption on some level for undertale, because there is a very intentional effort to make you identify with the "player character" in order to make your choices feel like your own (the beating heart of undertale's metanarrative lies in giving you an alternative path to violence against its enemies after all, and whether you're still willing to persue it for your own selfish reasons. YOUR agency is crucial).
of course, the cardinal plot twist of the main ending sweeps the rug from under your feet on that in every way, and frisk's individuality becomes, in turn, a tool to further UT's OTHER main theme: completionism as a form of diegetic violence within the story. replaying the game would steal frisk's life and happy ending from them for our own perverse sentimentality, emotionally forcing our hand away from the reset button.
i think their neutrality absolutely aids in that immersion. but also, there's this weird attitude by (mostly) cis fans where it being functional within the story makes it... somehow "editable" and "up to the player" as well? which is gross and shows their ass on how they approach gender neutrality in general lol.
but also like. there's plenty of neutral, non PCharacters in undertale and deltarune. even when undertale was just an earthbound fangame and the player immersion metanarrative was completely absent, toby still described frisk as a "young, androgynous person". sometimes characters are just neutral by design. it's not that hard to understand lol.
anyone who makes this argument for kris deltarune is braindead. nothing else to say about it.
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Hey! So I've been following you since you posted a lot about good omens in 2019ish? I remember you talking about wing fics vividly, but I just want to ask:
How are you doing after season 2?
Good! I enjoyed season 2, and I look forward to seeing how things resolve in season 3.
I think there are a lot of folks upset about various things, for various reasons, a lot of which boil down to "the season didn't go how I wanted it to/thought it should go" or "the season didn't end wrapped up neatly like S1 did." Neither of which, imo, are fair judgments of a season that a) isn't that person's story and b) was meant to be a bridge not an ending. Everyone is entitled to their opinions, of course, and to their feelings, but I do wonder how many have taken honest assessment of those feelings and opinions.
In my opinion, it's unfair to claim a story is bad JUST because it didn't do what you wanted it to do. It's not a bad story just because characters didn't act how you predicted or wanted, either. Some of the responses I've seen hinge almost entirely on "but canon didn't do what fanon/I decided is best" usually with the caveat of "before I even saw the season" and that's... ignoble at best. It's fair to criticize poor storytelling, but I feel like you have to have the whole story, or most of it, to do that, and we don't have that. We're actually smack in the middle of the story, by my judgment.
This season was never meant to be The Whole Story, we have known for a long time that there is a season 3 planned (whether or not it's ever able to come to fruition is a separate issue, it has been planned since a long time ago). As such, I don't think it's fair at all to the story to be angry that the season didn't stop at a nice, neat, happily-ever-after, because this isn't the end of the story.
To quote one of my favorite authors, Peter S. Beagle: "Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story."
They cannot have a happy ending until they've fixed the problems, and even before the end scene there, problems abounded. The unicorns are still unrescued. It's still the middle of the story.
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This might be juvenile, but do you have any tips on not comparing yourself to others? (Especially when it comes to note count or popularity.) I’ve been posting a story for over a year and it hardly gets any traction. It’s tough for me to see new creators post and get hundreds or even thousands of notes. I hate that I’m doing this but don’t know how to quit it!
this is not juvenile!! i struggle with this myself, especially knowing that i hit my peak years ago and i've been on the decline ever since – but only by numbers alone! i'm more proud of my story than i've ever been, i'm more attached to my characters, i'm putting more love and thought into everything, but i had to be realistic with myself and understand that i'll never pull even half the notes i did in 2020. gone are the days when i would wake up to 3 new anons about my story and dms from people every day (i can't believe i used to get overwhelmed by it...) and i would be lying if i said it didn't make me sad sometimes, because we're humans and our brains are practically wired to crave the hit of happy chemicals you get from seeing the stupid number go up 😭 it does feel demotivating. it makes me feel less urgency to post quicker if i convince myself that no one is waiting for me anyway, which means i post less, which means even less people stick around, which makes me post less, and on and on. it's a tough thing for me to come to terms with in all honesty.
but it helps to remember that i would be writing even if no one is reading. and i know that, because i have! i've written entire novel-length fics that i've never published, i've written countless short stories in the frozen pines universe that i'll never post, i've created alternate universes that will never be shown, etc. i do it because the idea is in my head and it needs to Get Out and i'm kinda just a conduit for that. that might not apply to you, and that's okay! everyone is different. the important thing is to really sit down and think about WHY you write and what you get out of it. which part of the process makes you happiest? what makes you feel a sense of fulfillment / satisfaction? play to your strengths. try not to spend your time doing things you think other people will enjoy and instead, spend more time on the things that make you happy. for me, i haaaaate editing and i always have, so lately i've been trying to speed through it a little bit quicker even if it means the final product won't be as appealing to others. (this is still a work in progress for me...) i have more fun when i experiment with different writing styles, which might not appeal to others because it takes longer and i don't really have a recognizable style, but i don't care anymore because i'm having fun! ask yourself what YOU want from your story, and then write for yourself and only yourself.
essentially what i'm saying is: there will ALWAYS be people more popular than you, and there's no guarantee that when you find the popularity you seek, you'll be able to keep it. so you need to find some sort of intrinsic motivation to continue or you'll just keep comparing yourself to others forever and you'll deny yourself the joy of creation! "comparison is the thief of joy" could not be more true!!
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Oof I'm kinda scared to ask... Why do you not want to be an artist professionally?
Its just like, incredibly miserable in my experience.
Everyone wants their dream job of being paid to draw whatever the hell they want but 99% of the time you are hired and tasked to draw things that you don't have a lot of interest in, professionally speaking, and constantly getting your artistic efforts undermined by the rest of the team (this is esp. true in the videogame industry) artists always try to push for better designs and get their takes watered down for the sake of general public pleasing. Also you don't have a security blanket unless you're under long term contract. Most freelancers live gig to gig with the fear of not being able to support themselves if they don't take a job to take a break. Videogame and movie jobs arent stable because companies never keep the art teams, they are laid off and rehired whenever there is a new project
During my major, I drew nonstop for 4 years for class. Not always things I enjoyed, but also not always things I didnt like. In fact I enjoyed my major immensely! It was so fun. But the burnout is very, very real, and the workload was similar (even inferior to) regular art jobs.
What happens if you like to draw in your off time? You spend your days making and pumping out art nonstop for hours, and then on your free time breaks you draw some more? I personally couldn't do it. I just wanted to do other things
And like.... I spent the first three years being told by teachers (people with stable, contract based jobs) how cool of a job it is to do art, and then the last year getting grilled on how insanely hard it is to make it out there. If you don't have connections, money, an audience, a studio, it's actually impossible. You need to be your own lawyer, abide by the very strict self employment rules that take a severe chunk out of your earnings. Do all of your finance/schedule/marketing etc while on top of that constantly producing work (I know there's people who can do it but, personally, I cannot)
I really admire the people who were able to build themselves up as artists from the ground like this (because its definitely possible, just insanely hard)
Also, making something you love into your job ends up being miserable too. I experienced this with patreon, which I posted to as like a chill thing and it just got increasingly hard to make content for it or just post in general, even drawing my own ocs and sharing stuff about them started to feel like a chore.
Maybe it's just me though, this has just been my personal experience but yeah in general I realized I am immensely happier just keeping art as a hobby or its gonna suck my soul out (Since I already experienced it)
I don't mean to discourage anyone, I think the world in general needs more artists. But for that we would need to actually be taken seriously and valued, which sadly we are not, at all. And if there's anyone reading that is considering art as a job: it is absolutely grueling. It's not an easy job. Even if you desperately love art it can suck the life out of you and the joy for what you do
(As an extra sidenote. Artists are usually exploited using this mentality as well. That they are supposed to love their job. So they expect you to work your wrists off "For the passion". Dont fall victim to it)
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There is so much nuance to the ep 6 scene between KJ and Lauren, I can’t get over it.
the motion older!KJ makes as they walk out, reaching for Lauren, realizing just in time that they are, in fact, in her hometown in Ohio and cutting short before she can land what was probably going to be an instinctive kiss
KJ coming in hot with the world’s most polite “hello!” and managing to make what must feel lightly like small talk for thirty seconds before dropping her voice to this shy, slightly-terrified question
the inability to hold eye contact. the faltering, wordless noises. the way she blinks like she’s seconds from just passing out in the middle of this theater--that is exactly how it feels to come out to someone for the first time. the edges of your vision go a little fuzzy, your heart is in your throat, you genuinely feel shaky, and all of that is so present in this performance
the sense of mild defeat in how she just lands on “movies” instead of “girls”, like she’s embarrassed she can’t just say it
the gentle ah hah expression on Lauren’s face as she realizes what this petrified kid is trying to ask her, and how smoothly she doesn’t correct her--just rolls with this safe code word
KJ’s nod and very tiny “uh-huh” without moving like any part of her face. like she’s reverting to standing as still as possible, protective coloring coming up in every inch of her frame
Lauren actually taking a minute to think about it before answering. and and then not giving the answer KJ asked for--”how did YOU know”--but what KJ actually needs to hear. what any kid in her position would: not everyone will get it, but everyone’s journey is their own, and there is no rush
(again, this is why I’m so delighted they wrote it the way they did--KJ and Lauren, not KJ and older!KJ, because older!KJ would have a definitive answer to give. it might be “I always knew, in the back of my mind” or it might be “when I was eighteen and kissed a girl for the first time”, but whatever the answer, it would cement KJ back into a box. this is your future, immutable, and there is no journey you could take that I haven’t already gone on. I’m so fucking glad they didn’t do this, that they let her have the reassurance that any timeline is the right one if it’s hers.)
again, that flutter-blink/quick breath combo that looks like she’s gonna pass out--but this time, there’s relief in it. it’s less “how do I say this Huge Thing” and more “oh thank god, she knows what I’m asking, she knows without me saying, and she’s being kind”
It is beautifully put together, such a gentle way of saying to this baby gay, “Nobody can tell you who you are except you, but whoever that winds up being is so okay. Listen to yourself. Trust yourself. You will be happy, I promise you.” It is a critical bit of advice so many queer people just don’t get, and to write it into KJ’s story is one of the show’s biggest kindnesses.
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ngl i want lxl to double down on the whole “we’re lovers” thing that they have going on in meoto and continue acting as lovers in their future songs. they’ve given their fans enough love, now it’s time for them to love each other on main!!! and hey, maybe they’ll finally be canon—
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Hi GT, I was reading one of your wonderful responses and you mentioned you don't love what they did to Remus, and I have to say I 100% agree. In my opinion his relationship with tonks is weird (regardless of whether people think he had chemistry with Sirius) like he's at least 10 years older than her and he tries to leave her and it just seems like he goes along with HER infatuation without really caring about her very much. It also puts Tonks back into JKR's frequent dynamic for women, which is "badass who really wants to be with a guy who doesn't seem to appreciate her much" (see Hermione/Ron).
Do you have any further thoughts on that? I always found JKR's writing about women in relationships/who want relationships really weird. You definitely do it better.
JKR has many strengths as a writer, but I don't think anyone would say her romances are one of them. I think a lot of authors either consciously or subconsciously look down on romance as a genre because it's associated with sensuality and frivolousness, but writing and selling the idea that two people should and do want to kiss each other is like, really fucking hard to do, and it requires a certain set of skill checks as an author that not everyone has. Just like writing good horror or good fantasy, good romance has tenets and rules and things you can do to get the audience on board with you, and JKR didn't execute a lot of those things (to my satisfaction, YMMV) in the books. Bad romance is also a high-stakes problem, because it risks flattening out your characters and pitching them into OOC territory if the audience doesn't buy that the dynamic evolution is natural. But again, that's something you don't know if you haven't written romance, or tried to, before.
Mostly, you have to really lean into the vulnerability of the thing. Romance is silly and goofy and embarrassing. It makes you say dumb things and act in dumb ways. It can't be ironic or chilled or demure. At some point, to make a real human connection, someone has to get down, take off their dignity, and bare the rotten core of themselves. When we propose, we kneel on the ground. We get dirty. And all authors have a great terror of embarrassing themselves. They're doing something tremendously vulnerable; of course they want people to think they're cool and intelligent. It's embarrassing to put yourself in the head of a 15-year-old boy with a crush. It's embarrassing to write about a suitor earnestly confessing their love, because — what if this is too much? What if it's corny, what if it breaks the audience's suspension of disbelief? What if my readers are laughing at me? What if I'm the butt of the joke?
Anyway, I think a lot of really great books have terrible romance subplots for that reason. In The Great Gatsby, we never actually see Gatsby and Daisy alone together. We get their story second-hand, from people who can deliver it in a cool, reflective tone of mystery; we don't see them undressed, undone, emptying their hearts to one another. And Nick and Jordan, the romance we actually get to see develop, are easily the weakest plot in the book. Meanwhile, authors like Tolstoy have an incredible gift for writing romance that feels right, and is sensual without verging into purple prose. But Tolstoy is one of the greatest writers of all time. JKR wrote some very good books that a lot of people loved very much, but for her, the romances were accessories to the story. They weren't a focus. I'm certain she cared about Remus and Tonks's relationship, in the same way she cared about Ron and Hermione's relationship. Both take up too much space to explain otherwise.
TLDR: Writing romance is hard because it's really easy to fuck up, even if you care about it. I don't know that JKR put all that much thought into selling us on chemistry and interpersonal dynamics of the couples she threw together; I think she writes for plot, and the couples emerged as a part of that. That means the couples that don't necessarily make sense on paper lose out majorly because the audience doesn't know exactly what they're rooting for, and the couples that do make sense on paper lack a certain... I dunno, va-va-voom.
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Ough as the end draws near I’m seeing more and more comments that are making me nervous that the ending won’t live up to all the hype & expectations aaaa aa
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fun tcwg fact but one of the hardest opponents lime has ever fought is actually corven, murdas (taller but younger) brother. because post-timeskip lime has zero magic attack capabilities and corven has a broken defense stat
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My absolute favourite 'Wow. You missed the point of this so much that I'm actually impressed how much you missed the point by' that I've encountered recently is someone claiming the ending of Hogfather is grimdark.
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I think I really lose braincells each time you post about couples counselling au - because I have never felt a characterization of Obi-Wan and Anakin fit *so much* to my own headcanon that it drives me crazy. The lack of communication? The desperate need to please (Anakin) the delusion of thinking you're giving someone complete access (Obi-Wan) while keeping them out. It is SO perfect, it's literally my favourite obikin fic, I am so invested in this au. The questions you have them answer at the end. When Obi-Wan said he's "happy to make the list as an obligation" because free time means a lot to an enslaved man. Kit. KIT *stick figure gore of me sinking my talons into your shoulders* When Anakin says he has nothing to hide from Obi-Wan but Obi-Wan never asks and he feels like he's getting away with something each time he learns something while Obi-Wan is like. He can ask me anything. KIT *BLOOD IN MY MOUTH*
ahhh thank you so much!!! i really love writing chapters and answering asks about this fic because i'm really attached to these versions of obi-wan and anakin like. their motivations are so interesting to me, especially at this part of the story, in the beginning, when all they are are motivations
anakin absolutely feels this need to please and be loved and the focus of his master's attentions. he also feels helpless in the face of thinking obi-wan will never let him in like that. he also is unhealthily controlling in small ways (checking and rechecking his closed door, for one, trying to have a say in what he eats out of concerns for his health) but he just loves him so much and he really experienced like.d devastation when obi-wan was temporarily dead that i feel like altered his motivations fundamentally, especially because he restarted his heart so.....probably a tiny part of him....illogically feels as if that's his heart now......
and obi-wan absolutely thinks he is so transparent for anakin!! he has let him in!!! more than he's ever let anyone in at all probably, but it's probably not that much. he's so practiced at keeping him out and hiding his real emotions that that's second nature. not to mention he feels betrayed in his own way at anakin marrying padmé --instead of just having an affair with her-- and he's trying to frantically detach himself before anakin leaves the order because he'll be devastated when that happens. not to mention he can also be shit at respecting boundaries (he reads the messages on anakin's phone when he's asleep)
and it's all just so interesting especially because there's so much narrative bias and just narrative inaccuracies where the narrator/POV character completely reads the other's reactions wrong, which makes the little questionnaire at the end have so much more weight because the counselor is 1000% right when she says that that's what's most important--how they feel about each other and their relationship after honest deliberation and reflection
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