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#still has an impact on me
cor-lapis · 5 months
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Fontaine is in remarkably good shape after getting completely submerged. Even Dvalin threw a few signs on roofs and whatnot
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Kaveh and al-Haitham redesigns are mine (still WIP), while Nahida's is by fallencrowkarma
Masterpost of other quest sketches
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clouvu · 4 months
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Offering lil doodles of them bc my eyes have been opened
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lollitree · 6 months
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when the law starts catching up to you
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caramel-flan · 5 months
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A little doodle! the new event is so sweet! 🍃⭐
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closet-keys · 20 days
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*for the purposes of this poll, I'm talking about like specifically meeting someone who came out to you at some point about being trans
this does not include yourself if you are trans, in that case I'm talking meeting another trans person! cause sometimes we're isolated and don't meet other trans people until later on in our lives & those can be really meaningful experiences!
things that do not count: hearing/reading about trans people as a Topic or Issue, seeing trans people in television/movies/porn, seeing trans people post online, reading a book or article by a trans person, seeing someone you assume is trans, knowing of a trans person but never talking to them, etc.
there's a level of community and intimacy here I'm getting at-- the first time a trans person talked to you about transness and their experience or understanding of themself
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elvyn · 3 months
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One of my fav genshin ships
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alligaytorswamp · 1 year
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when you are so gay your soulless eyes start shining ✨
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radish-snail · 6 months
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Give me the power to bring the world revolution!
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daisy-mooon · 6 months
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"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck
#pjo fans stop being weird about black annabeth challenge IMPOSSIBLE!!!!!!!!!!!!!!!#first off annabeths race isnt important to her story. annabeth could be any race. her skin colour doesnt actually impact her. her hair does#now im not blonde but im a white girl so let me explain why some pjo fans need to stfu. i have grade 9s. im called stupid for my appearance#im not insulted bc im white or bc i have blue eyes or brown hair. im insulted bc women are judged on their appearance. im insulted bc SEXIS#annabeth isnt really called dumb for being blonde. shes called dumb bc shes female. and ppl are more likely to stereotype women than men#this is especially true for black women! whatever sexism white women get is always horrifically multiplied for poc women#black hair frequently gets called unprofessional untidy unhygienic etc. its VERY likely that show annabeth has been called dumb for her hai#does this make the casting “accurate”? no. but castings don't have to be accurate. they have to ADD to the character.#annabeth being black ADDS to her character because it showcases how women (esp black women) are devalued for their appearance#movie annabeth wasnt bad for having brown hair or white hair she was a bad adaptation bc she was ooc#i just think its ironic that a core aspect of annabeth was being judged for her looks. and now show annabeth is getting judged for her look#like. you guys really missed the point here.#anyways disagree all you want but book annabeth is still blonde. no one is erasing her. theres a new PJO book w blonde annabeth SEPTEMBER 2#GO READ CHALICE OF THE GODS IF U WANT BLONDE ANNABETH OMG! adaptions and source material can be separate and coexist!#rant over sorry#pjo#percy jackson#annabeth chase#pjo show#percy jackson and the olympians#the lightning thief#discourse#shitpost#percy jackson show#pjo discourse#riordanverse
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freshgenshinmemes · 8 months
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canonkiller · 2 months
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do you consider your self made?
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thunderboltfire · 1 month
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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gummi-ships · 8 months
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swordsonnet · 10 months
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lately, i've seen more people in the online autistic community acknowledging the struggles of people with higher support needs, which is of course an important development. but for some, that seems to come with the implicit assumption that low needs autistics "have it easy" or experience no stigma at all, which is just wrong??? people with low support needs are still disabled by their autism and still face discrimination because of it. sure, they are impaired to a lesser degree than those with higher support needs, but that doesn't mean you can just erase their struggles, y'know?
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otaku553 · 10 months
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The eventual kazuha and sanemi dynamic
#kny crossover#genshin impact#kaedehara kazuha#shinazugawa sanemi#one day I’ll finish writing the first chapter. one day#anyways I love thinking about these two#i think platonic relationships are so fascinating#like you could definitely construe so many different friendships as romantic ships but to me these two as friends has so much potential#sanemi canonically dislikes Giyuu because he gives off a ‘better than everyone else there’ vibe that is purely unintentional#and canonically is friends with Iguro for reasons I still cannot figure out#sanemi’s so interesting because it’s not like he’s a purely chaotic character despite what his first appearance would suggest#the manga and genya’s memories clearly show that he has a lot of respect for oyakata-sama because oyakata-sama is not high and mighty and-#does in fact understand every sacrifice that goes into the battles that they fight that he must sit on the back lines for#sanemi is a very loyal person I think once someone has earned his loyalty even though he owes about showing this in very aggressive ways#I think he goes off against genya especially because genya fighting as a demon slayer goes against everything that sanemi has fought for#since they lost their happy lives sanemi has been fighting for at least one of them to still be able to live normally and he probably thinks#that Genya spat on that sentiment by becoming a demon slayer anyways#anyways I think sanemi and kazuha would have such an interesting dynamic#sanemi has the authoritative upper hand as a pillar but kazuha isn’t even a demon slayer which means sanemi’s position doesn’t do much#beyond acting as an indicator that he is one of the strongest of the corps anyways.#they’ve both lost a lot but sanemi still has someone to fight for whereas kazuha is holding onto the last embers of a corpse’s wishes#and I think them having a talk about their motivations would be very good#because I don’t think at this point that kazuha has very much reason to live beyond carrying on Tomo’s wishes#if the swords are parallels to visions I think Kazuha’s turning point will be when he receives his own nichirin sword#sorry for the long tags lmao
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lovesickeros · 7 months
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× the dove
× info [ cult au + imposter au + tsaritsa ] × warnings [ physical violence [ implied ], blood ] × word count [ 0.7k ]
Her hands are weapons, forged in a tragedy as much as a war of ash and blood that seeps into the earth and rots it from within. To them, however, she is salvation. Her hands are a kindness, not a threat. She sees it in their puffy, red eyes just brimming with tears, their fragile body so delicate and weak is still remains marred by wounds new and old – the gold still stains their skin, even long after it had been washed away.
She has seen it all – and she takes the injured dove beneath her wing with the sickly sweet promise that someday she shall mend its broken wings and teach it to fly again.
And in their stupor, they do not see her clip their wings.
It is for the best.
The wolves still salivate below the nest, waiting for her little dove to fall again – no, she shall not send her little bird to fly when it will just fall into their waiting maws once again.
This..this one is hers, she has decided.
Her little bird who dreams of the sky and the woman who clips their wings..what a tragic pair they must make, she thinks.
Not for her, of course. Yet not to them, either, unaware of the way she grounds them and keeps the key to their cage tightly in her fist.
"Tsaritsa?" The soft, meek lilt of the little bird draws her from her reverie, and she smiles – all teeth and little else, wolfish and predatory.
Yet the bird sees nothing but love in the sharp points of her canines.
As it was meant to be.
"Yes, little bird?"
She coos in honeyed tones, brushing her cold, cold hands against their skin, reveling in the way they shiver and shake beneath the ever present chill in her very bones. They do not fear the claws that ghost across their skin, and the smile they offer that illuminates their eyes like stars only proves her right – she wants to devour them whole. To see the stars in their eyes burn out beneath her teeth, their golden blood burn upon her tongue and down her throat.
"You promised to take me to the gardens today, remember?"
Her pearly, sharpened fangs peer out beneath her lips as she grins wider, unnerving to all but the little bird who sees not the wolf but the wool it wears, her hands finding their place upon their shoulders as she whispers into their ear.
She will guide her little bird where they cannot go, where their clipped wings cannot take them.
She will give them that bittersweet taste of freedom and then watch them try to catch the stars..
Just to drag them back down to earth where they belong.
"Of course, Creator – I am a woman of my word, am I not?"
Such sickly sweet lies come to her with ease – she lies and she lies and they do not see past the woolen cloak of the wolf until its jaw has snapped around its throat and its blood has painted the world a shimmering gold.
She will delight in that, too.
"If I may be so bold, Creator, you have been distant lately..have you grown tired of me already?"
Her words were as sharp as a blade, yet as dull as a rock, as sweet as they were dangerous. Like watching a mouse trap luring in its prey, she would snap it shut as soon as the little bird strayed too close.
"No! No, that's not..you've just been busy lately, I didn't want to intrude."
They remind her so much of a rabbit in those moments, and she so badly wants to know what would happen if she just took a small, insignificant bite..yet she restrains herself with a far too wide smile, her jaw clenched so hard she almost thinks they will hear it creak.
"Intrude? You could ever hardly intrude, Creator – what is mine is yours. Though, perhaps I shall have to lock you in my room to ensure you compensate me for depriving me of your presence."
In just a few short words, she snares the rabbit – her little bird, her Creator. They will see nothing but the sickly sweet lure of her smile, letting out a pretty laugh of their own as they press closer, like a bird wandering into the open maw of the beast lying in wait.
"As long as it has a nice view, I suppose I won't mind."
They jest, but she does not. And oh, how easy it is to ensnare an unsuspecting prey.
"Of course, Creator – just for you."
It won't be long until her little bird returns to its gilded cage, now. Permanently.
It is better that way.
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