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#sputnik v
factcheckdotorg · 1 year
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indizombie · 2 years
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Governments across the globe have wasted more than a billion doses of the Covid vaccines, even as many people, including health workers, particularly in the low-income countries are yet to get at least a single shot, according to a report by science and data analytics company Airfinity. With 25 million doses, Russia's Sputnik V has the highest wastage figures, followed by AstraZeneca, with claims of 19 million wasted jabs, the report said. Of the 14 billion vaccine doses supplied globally to date, 1.1 billion have been wasted and gone unused.
‘1.1 billion Covid vaccine doses wasted globally: Report’, Deccan Herald
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sociedadnoticias · 7 months
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Aplicarán Sputnik V y Abdala en campaña de vacunación contra Covid
Aplicarán Sputnik V y Abdala en campaña de vacunación contra Covid #PeriodismoParaTi #SociedadNoticias #Salud #Covid #jorgeAlcocer #ConferenciaPresidente #AMLO #Conferencia #Mañanera @lopezobrador_ @GobiernoMX
La Secretaria de Salud informó que cuenta con cerca de 10 millones de dosis de vacunas contra el SARS CoV-2, pero que habrá de adquirir unas 10 millones de dosis más. Por Carlos Lara Moreno | Reportero                                     El gobierno federal, a través de la Secretaria de Salud, anunció que para la próxima aplicación de la vacuna contra Covid-19 se utilizará la vacuna Sputnik V y…
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dig1taldrift3r · 11 months
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Не могу точно оценить, ибо контуры будущего ещё не определены, но мы живём в великие времена, компадрес. С Днём Победы!
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apas-95 · 9 months
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People who act like Laika's sacrifice was some unique soviet cruelty are being silly and need to re-evaluate how history's been presented to them. Animal testing of flight exploration has always been the norm, and the reason has always been that it is dangerous and could easily lead to death. Two-thirds of the monkeys the US launched on its repurposed Nazi V-2s died. The dogs the USSR launched into space before Laika were recovered, and were in fact the first higher animals to be recovered from a spaceflight, as all the US's monkeys so far had died - not a single monkey would survive US spaceflight until two years after Laika's flight. These animals were all sent into space, but only briefly, in a ballistic trajectory. Laika was sent into orbit. Laika's ship was the second ever to reach orbit, after Sputnik 1. It was not possible at the time to recover anything from orbit. The next Sputnik flight with animal passengers, Korabl-Sputnik 2, successfully recovered the first ever animals from orbit. Laika was the one lone point at which recovery was not planned - the pivotal one, where we had finally been able to reach orbit, to be able to stay in space, not just pass through it; but could not yet bring anything back. If survival were impossible up there, it may not have been worth it to continue. Yes, they knew Laika would die - but, empirically speaking, so did the US for each and every monkey it had launched. Survival was not the norm, and was a feat achieved so far only a few times, by the USSR. It is sad, yes, and perhaps unethical - but it was in no way unique.
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usnatarchives · 1 year
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Apollo 8, the first manned mission to the Moon
The Apollo 8 mission was a historic moment in space exploration. Launched on December 21, 1968, it was the first mission to send humans beyond low Earth orbit and into the depths of space. The three-man crew, consisting of Frank Borman, James Lovell, and William Anders, became the first humans to ever see the dark side of the moon.
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The mission was a major turning point in the space race between the United States and the Soviet Union. In the years leading up to Apollo 8, the Soviets had taken the lead in the race to the moon, launching the first successful satellite (Sputnik) and the first human into space (Yuri Gagarin). But with the successful completion of the Apollo 8 mission, the United States regained the upper hand, setting the stage for the eventual moon landing by Apollo 11 just six months later.
The Apollo 8 mission was not without its challenges and dangers. The spacecraft, called the Saturn V, was the largest and most powerful rocket ever built at the time. It was so powerful, in fact, that it could have easily blown up on the launch pad.
Once in space, the crew of Apollo 8 faced a number of challenges, including the danger of being hit by space debris, the difficulty of navigating in deep space, and the extreme cold and isolation of being so far from Earth. But they persevered, and on December 24, they became the first humans to orbit the moon.
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During their time in lunar orbit, the crew of Apollo 8 conducted a number of scientific experiments and they read from the book of Genesis during a Christmas Eve television broadcast to the people of Earth. After completing ten orbits of the moon, the crew of Apollo 8 returned safely to Earth on December 27, 1968, but not before taking this famous “Earthrise” photo, which shows the Earth rising over the moon’s horizon and is now in the holdings of the National Archives.
Check out NARA’s 50th Anniversary of Apollo 8 page here: https://www.archives.gov/news/topics/nasa-anniversary-collaboration
Image 1: AS08-15-2561 - Apollo 8 - Apollo 8 Mission image, Moon https://catalog.archives.gov/id/16670925
Image 2: 6377057. A Technician places two inflight pens and a penlight in the spacesuit pocket of Frank Borman, Apollo 8 commander. In approximately four hours, Borman and fellow Apollo 8 astronauts James Lovell and William Anders are scheduled to lift off on a lunar orbiting mission. https://catalog.archives.gov/id/6377057
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ddlcaskblog · 28 days
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*cracks knuckles*
All right, Monika. I didn't want to have to do this, but you've given me no choice. Since you're so eager to know what our reality is like, it's time to show you...THE TRUTH.
*shows her footage and reports of the Hindenburg*
*shows her footage and reports of Pearl Harbor*
*shows her footage and reports of D-Day*
*shows her footage and reports of FDR's death*
*shows her footage and reports of V-E Day*
*shows her footage and reports of Hiroshima*
*shows her footage and reports of the end of WWII*
*shows her footage and reports of Harry Truman's upset 1948 presidential win*
*shows her footage and reports of Douglas MacArthur's firing*
*shows her footage and reports of Sputnik's launch*
*shows her footage and reports of John Glenn's orbit of Earth*
*shows her footage and reports of Marilyn Monroe's death*
*shows her footage and reports of the Cuban Missile Crisis*
*shows her footage and reports of JFK's assassination*
*shows her footage and reports of Lee Harvey Oswald's assassination*
*shows her footage and reports of Lyndon Johnson dropping out of the 1968 presidential race*
*shows her footage and reports of MLK's assassination*
*shows her footage and reports of RFK's assassination*
*shows her footage and reports of the Apollo 11 moon landing*
*shows her footage and reports of the Apollo 13 crisis*
*shows her footage and reports of the Kent State Massacre*
*shows her footage and reports of the Munich Olympics crisis*
*shows her footage and reports of Richard Nixon's resignation*
*shows her footage and reports of the fall of Saigon*
*shows her footage and reports of Elvis Presley's death*
*shows her footage and reports of the Iran Hostage crisis*
*shows her footage and reports of John Lennon's assassination*
*shows her footage and reports of Ronald Reagan being shot*
*shows her footage and reports of the Challenger explosion*
*shows her footage and reports of the fall of the Berlin Wall*
*shows her footage and reports of the beginning of the First Gulf War*
*shows her footage and reports of the Rodney King Riots*
*shows her footage and reports of the Waco standoff*
*shows her footage and reports of the O.J. Simpson saga*
*shows her footage and reports of the Oklahoma City bombing*
*shows her footage and reports of the Flight 800 explosion*
*shows her footage and reports of the Atlanta Olympics bombing*
*shows her footage and reports of Princess Diana's death*
*shows her footage and reports of Bill Clinton's impeachment*
*shows her footage and reports of the Columbine Massacre*
*shows her footage and reports of JFK Jr's death*
*shows her footage and reports of the 2000 presidential election controversy*
*shows her footage and reports of 9/11*
*shows her footage and reports of the beginning of the Iraq War*
*shows her footage and reports of Hurricane Katrina*
*shows her footage and reports of the Virginia Tech Massacre*
*shows her footage and reports of the 2008 Great Recession crash*
*shows her footage and reports of Barack Obama's 2008 election*
*shows her footage and reports of Michael Jackson's death*
*shows her footage and reports of Osama Bin Laden's killing*
*shows her footage and reports of the Sandy Hook Massacre*
*shows her footage and reports of the Boston Marathon bombing*
*shows her footage and reports of the Pulse Nightclub Massacre*
*shows her footage and reports of Donald Trump's upset 2016 presidential win*
*shows her footage and reports of the Vegas Country Festival Massacre*
*shows her footage and reports of the Parkland Massacre*
*shows her footage and reports of Donald Trump's first impeachment*
*shows her footage and reports of Kobe Bryant's death*
*shows her footage and reports of the COVID Pandemic*
*shows her footage and reports of George Floyd's killing*
*shows her footage and reports of Jan. 6th*
*shows her footage and reports of Donald Trump's second impeachment*
*shows her footage and reports of the fall of Kabul*
*shows her footage and reports of the Uvalde Massacre*
*shows her footage and reports of the Maui wildfires*
.
.
.
Keep in mind, Monika, that this is a VERY small sample size of what our world--indeed, my native nation in the United States--has had to deal with over time. This is just some of the stuff we humans in this universe have been able to capture on live film or tape, and we've been around for MILLIONS of years.
If you STILL feel brave enough to want to traverse this world, well...there's not much I or anyone else could probably do to stop you. But you deserve to know the truth--what it was you were ACTUALLY driven to kill the other club members for.
If you need some time alone to reflect and gather yourself, I understand. If you need someone to talk to, I get that too, and I'm here if you need me.
Take care and be good to yourself--and the other club members. <3
M: "..."
M: "Just...Don't show the girls."
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namesetc · 2 years
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names based on space crafts
apo - apollo - apolla - apolline - apollina
atla - atlantis - atlanta
astro - astra - astrae / astray - astral
an / ann - ancil - ancila - ancillary
bhask - bhaska - bhaskar - bhaskara
chal / chall - challenge - challenger
chan - chand - chandler - chandra - chandry - chandray - chandraya / chandrayaa - chandrayaan - chandrika
cart
col / coll - cole - cola - colu - colum / column / columb - columbi / columbie - columbia
cas / cass - cassi / cassie - cassini
disco - discover - discovery
d - del - delta
end / ende - endev / endeav - endeavor / endeavour
emi / emie / emy (emisat)
eos
en - ent - enter - enterpri - enterprise
finder
fly - flyby
fi / fy - fight - fighter
fal - falcon
gal / gall - gali / galy / galie - gale / gail - galila - galilay / galilae - galilao / galileo
globe
hy - hysis
iris / irs
irnest - irnes / irness (irnss)
kara
kal - kalpana
lite / light
land - lander
mars
micro
mage - magel / magell / magelle - magellan
moon
orb - orbit - orbiter
ocean
ori - oria - orio / oreo - orion
path - pathfinder
rover
ross (SROSS)
rock - rocket - rocker - rocketier / rocketeer
shuttle
sput - sputnik
sate - satel / satelle - satellite
star / starr - starry - starfighter - starship
survey / survay - surveyer / surveyor
ship
sat - saturn
ufo
voy - voya - voyage - voyager
ves / vess - vessel
v
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didanawisgi · 1 year
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dustedmagazine · 11 months
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Little Richard: I Am Everything (Magnolia)
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How does one tell the story of an artist as influential as Little Richard? The same way you tell the story of the Universe, by keeping it simple: A long time ago there was the Big Bang. 
Little Richard: I Am Everything, a new documentary directed by Lisa Cortes, presents Little Richard’s existence as an analogous cosmic event. Rock ‘n’ roll as we know it exists because on December 5, 1932, Richard Penniman was born in Macon, Georgia.
Cortes isn’t the first to frame Little Richard in terms of cosmic energy. As Nick Tosches once put it, “[v]ia his pure white-energy raunch and total over-simplification, [Little Richard had] the power to make people say 'fuck it' and turn their backs on their own control conditioning and just go out and debauch and catch a glimpse of the violent, drunken, loving, dancing Universe.” I Am Everything is similarly reverential, but the power of the film stems from its focus on Little Richard’s strange, conflicted human experience. 
Growing up, Little Richard, as he would later be nicknamed, was scolded in church for singing too loud — an impressive feat for a Pentecostal. He exuded a preacher’s charisma and even as a young boy parishioners asked him to pray for them. When he started playing piano, he banged on the keys the way that Sister Rosetta Tharpe, an early influence, banged on her guitar. The idea, Little Richard said, was to drum away at your instrument until you reached “the peak.” 
The nature of that “peak,” would remain a lifelong tension. That erratic blurring of sexual and spiritual extasy, one of rock music’s central paradoxes, is what made his music both threatening and irresistible. 
Fans of Little Richard specifically and rock history in general are likely familiar with the raw information that I Am Everything offers. But in addition to the more expected talking heads —  Mick Jagger, John Waters, Billy Porter — some fresher contextualization comes from Black, queer academics and music historians. “The south is the home of all things queer” says writer and sociologist Zandria Robinson, and she means “queer” in every sense of the word. Homosexuality was illegal, as was drag (the maddeningly circular nature of culture emerges as one of I Am Everything’s subtler themes) but the edges of that reality were “soft.” Little Richard performed with minstrel shows and on the vaudeville circuit, sometimes appearing as Princess LaVonne. 
Like many raised in the church, Little Richard always suspected that rock ‘n’ roll was the Devil’s music. That persistent belief, Jagger notes, “can’t be much fun for those involved,” an observation that further emphasizes how heavy Little Richard’s baggage was in comparison to some of his imitators. 
In 1957, the story goes, Little Richard saw Sputnik in the night sky and interpreted it as a sign from God to repent. He enrolled in Bible school, hosted a buy-back/burning of his records, started making Gospel music, and married a woman. Over the course of his life, he would waffle between publicly denouncing homosexuality and embracing it. As one commentator puts it, “He was good at liberating other people by example, he was not good at liberating himself.” 
Little Richard didn’t come from nowhere: Artists like Billy Wright and Esquerita heavily informed his flamboyance. But it seems most everyone else came from him. Jimi Hendrix, of course, got his start in Little Richard’s band. The Beatles opened shows for him when, as he said, “only their mothers knew their names.” Paul McCartney developed his wild yelp by imitating Little Richard, and Jagger copped his stage moves. 
When Little Richard is given his due, he’s credited with inventing not only rock ‘n’ roll but helping to invent the teenager. Greil Marcus called it “Little Richard’s First Law of Youth Culture:  attracting kids by driving their parents up a wall.” As Waters puts it, “the first songs that you love that your parents hate are the beginning of the soundtrack to your life.” In a recent New Yorker profile Paul Schrader, another artist pulled between the spiritual and carnal, recalls his mother smashing the radio after catching him listening to rip-off artist Pat Boone. One imagines that if it had been Little Richard, she might have burned the house down. 
Eternally offered a kind of ambient credit by musicians and critics, the lion’s share of the specific attention (and money) is paid to the (often white) artists Little Richard inspired, or who arguable just straight up stole his shit. (In terms of respectful homage, there’s a chasm between McCartney’s “Long Tall Sally” and Boone’s “Tutti Frutti.”) It’s as if the man is at once too bright to look at directly, and too Black and queer and alien to fully acknowledge. 
He often made his rightful frustration known. In one clip, Little Richard and David Johansen, fully in his Buster Poindexter era, present the 1988 Grammy for Best New Artist. Little Richard, usually unpredictable on live TV, says of Johansen’s pompadour, “I used to wear my hair like that. They take everything I get. They take it from me.” He opens the envelope and declares himself the winner. It’s a joke but it isn’t. “I have never received nothing,” he continues. “Y’all ain’t never gave me no Grammy and I been singing for years. I am the architect of rock ‘n’ roll and they never gave me nothing. And I am the originator!” He gets a standing ovation, which is something, but it isn’t enough. 
Almost every review of the film mentions this moving, uncomfortable scene, because it teases out one of Little Richard’s most powerful realities. He didn’t always seem to know what he was supposed to be doing, or even who he should be, but he always knew what he was worth. 
Margaret Welsh
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whatsupbomb · 2 years
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Random asteroids I've found (most of them are in Russian or Belarusian)
❗PART 1❗ ➡️ from Z to S ⬅️
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LETTER Z
Zvezdara (#1700): gifted in astrology/talent to read stars
Zverev (#2323): animal
Zubritsky (#121594): smug
Zubov (#10022): teeth
Zuber (#6635): bison
Zolotov (#8142): gold
Znannya (#11481): knowledge
Zlata Koruna (#4408): golden crown
Zhukov (#2132): beetle
Zephyr (#12923): marshmallow
Zelezny (#9224): adjective "iron"
Zech (#2623): prisoner
Zavist (#7440): jealousy of someone or something
Zappala (#2813): woman who desperately fell in love
Zamka (#119890): castle or lock
Zajic (#10626): rabbit
Zagreb (#187700): person who stole something
Zagar (#6746): tan
Zadornov (#5043): full of life
Zabori (#175017): fences/obstacles/restrictions
LETTER Y
Yatsuka (#7097): "I'm a beach"/self-reproach
Yarilo (#2273): Slavic god of Sun
Yamaguchi (#15841): "I'm allmighty"/self-appreciation
Yangel (#3039): "I'm an angel"/self-proclamation of innocence
Yada (#23241): poison
LETTER W
Wygoda (#15160): benefit from something or someone
Wirt (#2044): virtual sex
Winokur (#17262): to drink wine and smoke
Wilke (#4117): fork
Wielicki (#173094): the greatest
Weseley (#25513): to encourage a person
Werkhoven (#13357): supreme person
Washi (#9063): yours/gratuitous donation
LETTER V
Vydra (#21290): otter
Vsetin (#27079): online
Vreeland (#287374): land of lies
Volk (#6189): male wolf
Vodop'yanova (#4851): drunk from water or vodka
Vodicka (#44885): water
Vnukov (#216910): grandchildren
Vityazev (#17356): powerful man
Veverka (#2710): squirrel
Vetter (#18377): wind
Veseli (#2599): positive person
Verulamium (#4206): treacherous person
Vertinskij (#3669): tireless
Verkhivnya (#155116): supreme woman (high priestess)
Verish (#84225): naivety
Vera (#245): religion/belief
Vartovka (#27525): return/comeback of someone
LETTER T
Tsvet (#2770): colour/flowers blooming
TRIUMF (#14959): triumph
Tost (#13334): toast/fried bread
Tolstikov (#3357): obese person
Tigris (#13096): female tiger
Thekla (#586): woman who has a huge crush on someone/horny woman
Thalia (#23): waist
Terzani (#199677): torment/regrets
Teply (#12852): warm (could mean your child cause they like to bask next to their parents)
LETTER S
Szkody (#170011): disobedience
Symmetria (#9669): symmetry
Svoboda (#2559): freedom
Sveta (#4118): light
Svecica (#8443): to glow with your aura
Sudachi (#12435): rumours about you
Succi (#13689): beaches/people you hate
Stravinsky (#4382): one who plays people off against each other
Straczynski (#8379): frightening/horrendous
Stone (#5841): moaning
Sterpin (#2463): forgiving person
Stana (#35446): state of mind
Sputnik (#16260): partner/assistant/secretary
Spector (#18132): spectrum/variety
Sor (#4865): family conflicts
Smyslov (#5413): meaning
Smirnova (#5540): obedient
Smetana (#2047): sour cream
Slovtsov (#7453): words
Slavia (#2304): glory
Sladkovich (#4781): sweet
Skovoroda (#2431): frying pan
Siva (#1170): gray-haired (in Belarusian)
Sita (#244): a person who dumps his trash on you
Sirataka (#12445): orphan
Simeisa (#748): encouragement to laugh
Shuttleworth (#14310): a person who wants you to question your abilities/bully
Shaposhnikov (#1902): hat or high boots
Severny (#1737): adjective "north"
Severi (#30305): noun "north"
Sedov (#2785): gray-haired (in Russian)
Scott (#876): cattle
Schramm (#113952): scar
Scholl (#2959): school
Sassi (#7500): "go suck something"/offensive someone
Salacia (#120347): salad
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txt-oona · 3 months
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 ⠀❅ ⠀⸺  basics. 
BIRTH NAME : lee oona ( 이우나 ). 
BIRTHDAY : february 12th, 2001. 
PLACE OF BIRTH : incheon, south korea
ZODIAC SIGN(S) : aquarius + snake. 
ETHNICITY : south korean. 
NATIONALITY : south korean. 
LANGUAGES : korean ( fluent ), english ( fluent ), japanese ( conversational ). mandarin ( conversational ). french ( basic ).
 ⠀❅ ⠀⸺  career. 
STAGE NAME : oona ( 우나 )
OCCUPATION  : idol / member of txt 
YEARS ACTIVE : 2019 - present
TRAINING : one and a half years
COMPANY : bighit / hybe labels
 ⠀❅ ⠀⸺  physical. 
FACE CLAIM : jang wonyoung ( WONYOUNG FROM IVE )
GENDER : cis female
PRONOUNS : she / her
PIERCINGS : 5 piercings ( double lobe / both ears. belly button. )
TATTOOS : none yet.
SCARS : n/a.
HEIGHT : 159 cm ( 5 feet 7 inches )
BLOOD TYPE : o negative
 ⠀❅ ⠀⸺  facts. 
She was born in Incheon, South Korea, but growing up Oona moved around Korea a lot. She stayed the longest in Daegu due to her staying with her grandparents for a while.
Was the last member to be revealed. Like Beomgyu she was revealed as a secret member and shocked everyone with her gender.
Oona’s lucky number is 2. 
Her family consists of : Her mother, her step-father, her older step-sister, her older step-brother, and her poodle, “Muffin”.
Her father died when she was young ( 14 ) and her mom remarried to a man with two kids. One of which is her step-brother, Jeno of NCT.
Is actually childhood friends with Beomgyu. The two met in secondary school and have been friends ever since.
So far she has no tattoos but has a couple in mind for when she turns 21.
Known as “The Nation’s Little Sister”, "TXT's Snow White", & “Dream Girl” by most TXT fans and a huge majority of Korea.
Oona was actually an ice skater up until she met Beomgyu. She honestly hadn’t even thought about dancing until she met Gyu.
Very athletic. Oona has liked working out and running for a while. She has a schedule she adheres to that she likes.
Funnily enough, due to her being taller than average, most issues with height, choreography wise, are virtually nonexistent for TXT.
Nowadays Oona has said she likes to make bracelets to pass time.
Known as the link between SM and the now HYBE Labels.
Oona would like to go to Versailles, France if she ever had an overseas holiday with her members ( Fansign 140319 ).
Owns a matte white mic with piano key IEMs.
Many idols and staff members say she is very wise and people tend to think it's because she has had many lives before this one.
Out of the entire group, she and Beomgyu spent the least time training. She beat him out by a few months, of which she took a break to study for her finals.
Oona has said that she still keeps in contact with a few friends from school. 
Oona has her own room in the TXT dorms. She used to share with Beomgyu, until they moved into their new dorms.
The name Oona is a girl's name of Irish origin meaning "lamb". As her father had stayed in Ireland for a few months just before meeting her mother and in naming her Oona he wanted to combine his love of the country and her mother.
Oona is adept at blending into different groups based on the vibe and energy she perceives and has made many friendships because of this. Some examples being BTS’ Jimin && V, Mamamoo’s Solar, && Wheein, SVTN’s Wonwoo && Woozi, and etc . . .
According to the TXT members, and most fans, her smile can light up a room.
Oona has said that her favorite song of theirs has to either be ‘Dear Sputnik’, ‘Blue Hour’, or ‘FROST’.
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40h40blunts · 11 months
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„Ich komme aus dem Prepperbunker raus voller Ekstase
Und ein paar Spinner wollen Autogramme auf die Atemmaske
Rokko Weissensee befindet sich in der Endphase
Die Releases meiner Alben zählt man jetzt in Hundejahren
Pisse, Kacke, Scheiße du siehst aus wie überfahren
Man kennt mich auf der Straße als den Mann ohne Gnade
Ich warte unter Tage bis die Zungen alle schwarz sind
Ich lebe international: Ich bin farbenblind
Rokko Weissensee ich war das erste Straßenkind
Früher war ich fröhlich, heute spritz ich Sputnik V
Du musst deine Feinde treffen, so dass sie das Sterben fühlen
Erst wenn ich die Welt verlasse werden Bäume wieder grün
Die Beschissenheit der Dinge ist alltäglich und präsent
Ich schlage dich tot denn du redest permanent
Im Tokamak-Fusionsreaktor wurde ich zum Mann
Wenn du mich in Frage stellst, fehlen dir Wissen und Verstand“
- Rokko Weissensee
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lightaflme · 2 years
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— ✦ jiwoo in the chaos chapter: fight or escape
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 ⏤͟͟͞͞☆ concept photos + outfit
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 ⏤͟͟͞͞☆ mv outfits + hair
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alterations:
- his hair is the same in the concept photos and mv
- there is no bag, just the jacket
- in the second mv outfit, he has a few patches and loose threads on his jacket. on the right front side of his jacket near the arm, he has a patch that has the word loser with the s crossed out with a red v, similar to taehyun. he has a second patch on his left arm that is a broken heart. he has a few more, but those are the two main ones
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 ⏤͟͟͞͞☆ lines
loser=lover
0:15 - 0:22 (orig. yeonjun)
1:24 - 1:32 (orig. beomgyu)
2:11 - 2:18 (orig. soobin)
anti-romantic
0:35 - 0:39 (orig. soobin)
1:32 - 1:44 (orig. beomgyu)
2:03 - 2:10 (orig. yeonjun)
0x1=lovesong (i know i love you)
0:27 - 0:31 (orig. huening kai)
1:40 - 1:44 (orig. yeonjun)
3:09 - 3:17 (orig. soobin, still with seori)
magic
0:28 - 0:36 (orig. yeonjun)
1:04 - 1:12 (orig. yeonjun)
2:22 - 2:26 (orig. huening kai)
ice cream
0:44 - 0:46 (orig. yeonjun)
1:43 - 1:49 (orig. yeonjun)
2:23 - 2:31 (orig. huening kai)
what if i had been that puma
0:31 - 0:40 (orig. yeonjun)
1:00 - 1:09 (orig. yeonjun)
1:50 - 1:57 (orig. soobin)
2:50 - 3:00 (orig. taehyun)
no rules
0:21 - 0:24 (orig. huening kai)
1:13 - 1:24 (orig. yeonjun)
1:27 - 1:28 (orig. yeonjun)
2:13 - 2:16 (orig. yeonjun)
2:49 - 2:53 (orig. soobin)
moa diary
0:17 - 0:24 (orig. yeonjun)
1:41 - 1:50 (orig. taehyun)
2:09 - 2:11 (orig. taehyun)
2:19 - 2:20 (orig. huening kai)
2:47 - 2:49 (orig. yeonjun)
dear sputnik
0:07 - 0:12 (orig. yeonjun)
1:23 - 1:30 (orig. yeonjun)
1:49 - 1:52 (orig. yeonjun)
2:39 - 2:46 (orig. huening kai)
frost
0:15 - 0:20 (orig. huening kai)
1:40 - 1:50 (orig. huening kai)
1:50 - 2:00 (orig. yeonjun)
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 ⏤͟͟͞͞☆ notable mv scenes
in the loser=lover mv, he has two split personalities that he can’t control. i will be calling them the loser and the lover (idea credit to @sooellie ily) *he only has one/two personality changes throughout the whole mv!*
the lover is jiwoo’s normal self with his original personality. the loser jiwoo is nothing like him and acts like a troublemaker, as if he’s a whole different person
as jiwoo starts the song, he’s walking and running with a girl, clearly bonding with her. he’s himself when he’s with his lover
during the prechorus, they are laying on grass in a park within the city and having fun while jiwoo is still himself, not having a single care in the world. he then has a small smile on his face as they stand up and quickly takes her hand and starts running with her
in one scene during the second verse, it seems that the girl has said/done something that made him overthink it and he’s slowly getting angry as he doesn’t know how to process it
with the second chorus, she has no idea how to read jiwoo’s face. but, it seems like he has mixed emotions and has tears falling out of his eyes, as if he was trying to say “why would you do/say that?”
in the bridge, he starts yelling out of anger and holds his face in his hands. pushing everything in his way. the girl wants to try and calm him down but is too scared. by the end of the bridge, jiwoo snaps back to reality and pulls down his hood and wipes away his tears. he looks up from his scarred hands and sees the worried girl, only to break down back into tears as she might think he’s crazy
in the final chorus, jiwoo’s getting himself cleaned up as the girl puts a bandaid on a cut on his cheek. while he’s in the car with the other members, his hood is down and has bandages all over him. it doesn’t matter though, he’s always a lover just for you
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masterlist
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claudiosuenaga · 1 year
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O Blue Marble e outras fotos compostas da Terra produzidas pela NASA - parte 1
Por Cláudio Tsuyoshi Suenaga
Poucos sabem que quase todas as fotografias divulgadas ao público pela NASA como sendo imagens totais da Terra vista do espaço, não passam de “composite images” (imagens compostas), confeccionadas com a colagem de muitas fotografias obtidas por satélites em órbita baixa de diferentes regiões do planeta. Ou seja, nenhuma das “fotos” é de fato uma foto, na acepção da palavra, como a própria NASA admite.
A primeira imagem de boa qualidade da Terra inteira foi tirada em 7 de dezembro de 1972 pela tripulação da Apollo 17 (Eugene Cernan, Ronald Evans e Harrison Schmitt), a sexta e última missão tripulada à Lua, quando se encontrava a caminho desta entre 29.000 e 32.000 quilômetros da Terra. A imagem de 1972, tirada cerca de 5 horas e 6 minutos após o lançamento da Apollo 17 e cerca de 1 hora e 54 minutos após a sonda deixar sua órbita estacionária ao redor da Terra, para iniciar sua trajetória até a Lua, se tornou icônica, uma das mais amplamente distribuídas da história da humanidade, e continua sendo a última mostrando a Terra como um todo tirada por astronautas no espaço.
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A primeira imagem chamada “Blue Marble“ (“Bolinha de Gude Azul”), tirada pela tripulação da Apollo 17 em 1972. Foto: NASA.
A imagem é uma das poucas a mostrar um disco terrestre quase totalmente iluminado (ligeiramente giboso), pois os astronautas tinham o Sol atrás deles quando a imagem foi feita. Para os astronautas, a Terra tinha a aparência e o tamanho de uma “blue marble” (“bolinha de gude azul”), daí o nome.
Essa imagem icônica, no entanto, foi recortada e aprimorada a partir de três imagens originais tirada pela tripulação da Apollo 17, conforme se pode ver abaixo.
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Foto:  AS17-148-22725/NASA.
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Foto: AS17-148-22726/NASA.
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Foto AS17-148-22727/NASA.
Esta foi a primeira imagem chamada “Blue Marble”, embora houvessem imagens semelhantes tiradas antes, como a de 1967 pelo satélite ATS-3.
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A primeira fotografia colorida da Terra inteira (hemisfério ocidental), tirada do satélite ATS-3 da NASA em 10 de novembro de 1967. Foto: NASA.
Fotos da Terra do espaço já haviam sido tiradas por foguetes na década de 1940 e satélites nas décadas de 1950 e 1960. No entanto, essas fotos capturaram apenas partes da Terra, em oposição a uma visão completa do planeta.
Em 1946, pouco depois do fim da Segunda Guerra Mundial e onze anos antes do Sputnik inaugurar a Era Espacial, cientistas como John T. Mengel (1918-2003), pioneiro da NASA que depois supervisionou o Programa Vanguard, começaram a experimentar foguetes V-2 (“Vergeltungswaffe 2”) alemães capturados. Mengel conduziu experimentos na atmosfera superior lançando os foguetes em órbita próxima à Terra. Ele projetou e fabricou a primeira concha de nariz para substituir a ogiva V-2 e começou a colocar câmeras, desenvolvidas pelo engenheiro Clyde Holliday, na concha de nariz.
Em 24 de outubro daquele ano, um grupo de soldados e cientistas no deserto do Novo México obtiveram as primeiras fotos da Terra em altitudes superiores a 105 quilômetros no espaço. As fotos granuladas em preto e branco foram tiradas por uma câmera cinematográfica de 35 mm montada em um míssil V-2 lançado na base de mísseis em White Sands.
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Esta foto, tirada em 24 de outubro de 1946, foi a primeira imagem da Terra capturada do espaço, tirada por uma câmera de filme de 35 mm montada em um foguete V-2 que foi lançado do Campo de Mísseis White Sands do Exército dos EUA, no Novo México, a uma altitude superior a 105 quilômetros dentro do Programa Small Steps. Foto: White Sands Missile Range / Applied Physics Laboratory.
Mais de mil fotos da Terra, de altitudes de até 160 quilômetros, foram tiradas de V-2 dentro do Programa Small Steps entre 1946 e 1950. As fotos, geralmente mostrando grandes extensões do sudoeste norte-americano, apareceram nos jornais e foram examinadas por cientistas do Departamento de Meteorologia dos Estados Unidos.
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Esta foto de 7 de março de 1947 inaugurou uma prática que se tornaria usual, o da composição, pois os quadros do filme tiveram que ser “costurados”. Foto: Johns Hopkins Applied Physics Laboratory.
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Aqui é apresentado o mesmo conjunto de imagens, tornando o panorama completo. Fonte: Foto: White Sands Missile Range / Applied Physics Laboratory.
Antes de 1946, as únicas imagens da superfície da Terra eram as do balão tripulado Explorer 2, que subiu a 21 quilômetros de altitude em 11 de novembro de 1935, alto o suficiente para discernir a curvatura da Terra. Lançado às 4 horas da manhã de Rapid City, Dakota do Sul, o balão de pano de borracha inflado de hélio transportava uma tripulação de dois homens composta pelos capitães do Exército dos Estados Unidos Albert W. Stevens e Orvil A. Anderson, dentro de uma cabine esférica e selada. A tripulação pousou em segurança perto de White Lake, Dakota do Sul, às 16h13, e ambos foram aclamados heróis nacionais.
Os instrumentos científicos carregados na gôndola trouxeram informações úteis sobre a estratosfera. O recorde de altitude de voo tripulado estabelecido por essa missão financiada pelos membros da Sociedade Geográfica Nacional, permaneceu por 21 anos e só foi quebrado em 1956 pelo piloto capitão da Força Aérea Ivan Kincheloe ao voar com um Bell X2 a uma altitude de 126.465 metros.
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Este balão da National Geographic Society – Army Air Corps, estabeleceu um recorde mundial de altitude de 22 km em 11 de novembro de 1935. Foto: US National Archives and Records Administration.
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Esta fotografia tirada pelo Explorer 2 no pico da subida foi a primeira a mostrar a curvatura da Terra contra a escuridão do espaço, com um horizonte a mais de 480 quilômetros de distância. A curvatura pode ser percebida em relação a linha preta. Foto: US National Archives and Records Administration.
Em 5 de outubro de 1954, durante um lançamento no Novo México, uma câmera montada em um foguete Viking, desenvolvido a partir de 1946 pelo NRL (United States Naval Research Laboratory) e projetado e construído pela Glenn L. Martin Company, tirou a primeira foto de um furacão e uma tempestade tropical de altitudes de até 160 quilômetros. A imagem abrangeu uma área com mais de 1.600 quilômetros, incluindo o México e as áreas do Texas e Iowa. Essa também foi a primeira imagem em cores naturais da Terra. O sucesso alcançado pelo NRL nesta série de experimentos, o primeiro a medir temperatura, pressão e ventos na atmosfera superior e a densidade de elétrons na ionosfera, bem como a registrar os espectros ultravioletas do Sol, encorajou os cientistas do Laboratório a acreditar que, com um motor mais potente e a adição de estágios superiores, o foguete Viking poderia ser transformado em veículo capaz de lançar um satélite terrestre.
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A imagem da Terra obtida pela Viking 11 em 1954. Foto: Smithsonian Magazine.
Em 1º de abril de 1960, bem no Dia da Mentira, o TIROS-1 tornou-se o primeiro satélite meteorológico de órbita terrestre baixa bem sucedido, bem como o primeiro desse gênero a tirar uma foto da Terra, fornecendo novas informações sobre sistemas de nuvens, incluindo formações espirais associadas a grandes tempestades. Lançado pela NASA e outros parceiros em um foguete Thor-Able a partir da Estação da Força Aérea do Cabo Canaveral, o TIROS-1 também foi o primeiro de uma série chamada de Television Infrared Observation Satellites.
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Em 1º de abril de 1960, o TIROS-1 tirou esta foto da Terra com seus sistemas de nuvens. Foto: NASA.
Em 23 de agosto de 1966, o Lunar Orbiter 1 da NASA tirou a primeira foto da Terra da órbita da Lua. A sonda foi projetada para fotografar a superfície lunar de modo a que se escolhesse locais seguros para os pousos das sondas Surveyor e das missões do Programa Apollo. Foi também projetada para recolher amostras de radiação, intensidade e impactos de micrometeoritos. A Lunar Orbiter 1 foi lançada em 10 de agosto de 1966 de Cabo Canaveral para uma missão que durou 80 dias.
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A primeira foto da Terra da órbita da Lua, tirada em 23 de agosto de 1966 pela sonda Lunar Orbiter 1 da NASA. Fonte: NASA.
A primeira foto colorida e em alta resolução do nascer da Terra (Earthrise) na Lua foi tirada pelo astronauta William Anders (1933-) em 24 de dezembro de 1968 durante a missão Apollo 8. Nela, a Terra surge parcialmente na sombra, vendo-se em primeiro plano a superfície lunar. Chamada justamente de Earthrise, esta foto (AS8-14-2383HR) foi considerada uma das mais influentes já tiradas, tanto que em 2003 a revista Life listou-a entre as 10 Fotografias que Mudaram o Mundo.
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O nascer da Terra visto da Lua em foto tirada pela Apollo 8. Foto: NASA.
Uma imagem ainda mais icônica do que a do Blue Marble de 1972, de cores mais vivas, foi divulgada pela NASA em 2002. O “Blue Marble 2", vamos chamá-lo assim, é tão familiar para nós em parte porque era a imagem padrão do primeiro iPhone.
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O Blue Marble 2 de 2002. Fonte: NASA's Earth Observatory.
O que o tornou ainda mais interessante para nós, é que alguns conspiracionistas de olhos aguçados descobriram nele “anomalias”, especificamente nuvens duplicadas, o que levou a acusações de que não apenas a imagem do Blue Marble 2 é falsa, mas também de que a imagem original da Apollo 17 (Blue Marble 1) também é falsa. Isso, por sua vez, levou alguns a questionar se tudo o que a NASA fez e faz é falso.
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A NASA explica assim o Blue Marble 2: “Esta imagem espetacular de ‘Blue Marble’ é a imagem em cores verdadeiras mais detalhada de toda a Terra até hoje. Usando uma coleção de observações por satélite, cientistas e visualizadores juntaram meses de observações da superfície terrestre, oceanos, gelo marinho e nuvens em um mosaico sem costura e de cores reais de cada quilômetro quadrado (386 milhas quadradas) do nosso planeta. Essas imagens estão disponíveis gratuitamente para educadores, cientistas, museus e público. Muitas das informações contidas nesta imagem vieram de um único dispositivo de sensoriamento remoto – espectroradiômetro de imagem com resolução moderada da NASA, ou MODIS (Moderate Resolution Imaging Spectroradiometer). Voando a mais de 700 km acima da Terra a bordo do satélite Terra, o MODIS fornece uma ferramenta integrada para observar uma variedade de características terrestres, oceânicas e atmosféricas da Terra. As partes terrestres e costeiras dessas imagens são baseadas em observações da superfície coletadas de junho a setembro de 2001 e combinadas ou compostas a cada oito dias para compensar as nuvens que podem bloquear a visão da superfície do sensor em um único dia… A imagem da nuvem é composta de dois dias de imagens coletadas em comprimentos de onda de luz visível e um terceiro dia de imagens de infravermelho térmico sobre os polos. As luzes globais da cidade, derivadas de 9 meses de observações do Programa de Satélite Meteorológico da Defesa, são sobrepostas a um mapa escuro da superfície terrestre. A NASA criou essa imagem para exibir compostos globais de alta resolução do MODIS. Os dados da superfície terrestre foram adquiridos de junho a setembro de 2001. As nuvens foram adquiridas em dois dias separados – 29 de julho de 2001, no hemisfério norte, e 16 de novembro de 2001, no hemisfério sul. As imagens foram renderizadas em Electric Image e compostas no Adobe Photoshop no final de janeiro de 2002.”
Em outras palavras, a NASA está dizendo que o Blue Marble 2 não é uma foto. Em vez disso, a imagem é uma combinação composta de muitas “observações baseadas em satélite” (o que quer que isso signifique), que foram “costuradas” (o que quer que isso signifique) por cientistas e “visualizadores” (o que isso significa?).
Em outras palavras, o Blue Marble 2 é uma farsa – o que explicaria as nuvens duplicadas.
Aqui está uma admissão de Robert Simmon, um dos “visualizadores” que “costuraram” o Blue Marble 2, conforme relatado por David Yanofsky em seu artigo (“The guy who created the iPhone’s Earth image explains why he needed to fake it”) de 28 de março de 2014 para a Quartz: “O cara que criou a imagem do iPhone na Terra explica por que ele precisava fingir: Como se vê, muito do que se pode assumir sobre essa bela imagem não é verdade… Na verdade, não é uma fotografia da Terra. E aquela escuridão ao seu redor? Também não é o espaço. Simmon, visualizador de dados e designer do Earth Observatory da NASA, criou a imagem em 2002. Ele disse ao Quartz que não é uma fotografia, mas uma visualização sofisticada. Imagens da Terra podem parecer comuns, mas na verdade existem muito poucas imagens de todo o planeta. Simmon disse que o problema é que todos os satélites de observação da Terra da NASA estão em órbita baixa ou geoestacionária, o que significa que nenhum deles está longe o suficiente para ver um hemisfério completo. As imagens mais familiares de toda a Terra são das missões Apollo das décadas de 1960 e 1970 até a Lua. Tão realista quanto parece, a imagem é um composto de quatro meses de dados de luz coletados em bandas de 2.300 km (1.429 milhas) de largura, enquanto o satélite Terra da NASA orbita de polo a polo e a Terra gira sob ele. Esses dados foram então unidos e aplicados à superfície de uma bola digital e modificados no Photoshop. Simmon admite prontamente que existem inúmeras falsificações em sua imagem. A atmosfera é borrão do Photoshop. Algumas das nuvens são agrupadas usando a ferramenta clone do Photoshop para cobrir lacunas na cobertura do satélite. A área negra ao redor da terra não é o vazio do espaço. É simplesmente um fundo de cor preta em que Simmon colocou a Terra em cima. (Essa é uma prática comum, diz Simmon: a maioria das ‘fotografias’ reais da Terra – incluindo as imagens da Apollo – apresenta o planeta em um fundo preto). Simmon disse que baseou suas manipulações na realidade, ‘no sentido de que eu observei muitas imagens para ver quão espessa deveria ser, quão azul deveria ser.’ Mas, mais tarde, ele acrescentou: ‘É mais hiper-realista do que realista. Sem essas alterações, a imagem não seria muito parecida com a Terra.’ "
Dada a admissão de que o Blue Marble 2 é uma farsa, temos todos os motivos para pensar em outras mentiras e mentiras da NASA. E uma vez que todas as nossas imagens visuais da Terra vieram da NASA, pois nenhum de nós voou para o espaço para realmente ver a Terra inteira, o fato é que não sabemos de fato como a Terra é.
Em prosseguimento às suas mentiras, em 25 de janeiro de 2012 a NASA divulgou o que chamou de “a mais incrível imagem em alta definição da Terra”, tirada pelo satélite climático Suomi NPP em 4 de janeiro. Tratou-se na verdade de outra composição ou montagem a partir de fotografias digitalizadas tiradas pelo instrumento Visible Infrared Imaging Radiometer Suite (VIIRS) a bordo do satélite Suomi NPP, lançado em outubro de 2011 e renomeado em homenagem a Verner Edward Suomi (1915-1995), considerado o pai da meteorologia por satélite.
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A Blue Marble 2012. Foto: NASA/NOAA/GSFC/Suomi NPP/VIIRS/Norman Kuring.
Sob luz visível e muitos comprimentos de onda invisíveis, a NASA alega que ela e seus parceiros “científicos” estão observando o planeta inteiro todos os dias… A imagem abaixo foi capturada em 30 de março de 2014 pelo VIIRS do satélite Suomi NPP. A imagem composta do hemisfério oriental foi compilada a partir de oito órbitas do satélite e de dez canais de imagem, e depois unidas para mesclar as bordas de cada passagem do satélite. Mudanças sutis na cobertura de neve e vegetação disputam a atenção com uma camada dinâmica de nuvens que está constantemente presente e constantemente em movimento.
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O hemisfério oriental da Terra aparece nesta imagem de 30 de março de 2014 tirada por um instrumento a bordo do satélite Suomi NPP. fnte: Imagem do NASA Earth Observatory por Robert Simmon, usando imagens Suomi NPP VIIRS do Laboratório de Visualização Ambiental da NOAA. Fonte: NASA.
Em 8 de janeiro de 2015, o Himawari 8, um satélite de comunicação e meteorológico geoestacionário japonês construído pela Mitsubishi Electric, operado pelo Ministério de Terras, Infraestrutura, Transporte e Turismo (MLIT) e pela Agência Meteorológica do Japão (JMA), lançado em 7 de outubro de 2014 a partir do Centro Espacial de Tanegashima, revelou em suas fotos tiradas a uma altitude de 35.790 quilômetros, que a Terra, sem Photoshop, é cinzenta, e não azulada.
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A Terra “cinzenta” fotografada pelo satélite japonês Himawari 8 em 8 de janeiro de 2015. Fonte: The Japan Meteorological Agency.
Em 20 de julho de 2015, a NASA divulgou outra imagem em alta resolução da Terra, alegadamente obtida de uma distância de 1 milhão de quilômetros pelo satélite Deep Space Climate Observatory (DSCOVR) em 6 de julho. A imagem não é uma fotografia propriamente, como seria de esperar, mas outro mero compósito gerado por computador pela combinação de várias fotos tiradas pelo Earth Polychromatic Imaging Camera (EPIC), ou Câmera de Imagem Policromática da Terra, uma câmera CCD de quatro megapixels.
A Blue Marble de 2015 mostra claramente algumas nuvens formando a palavra SEX. A possibilidade de as nuvens estarem alinhadas coincidentemente a ponto de formar esta palavra é altamente improvável, lembrando também das mensagens subliminares que podem ser vistas em filmes da Disney como o Rei Leão, onde coincidentemente as nuvens também formam a palavra SEX durante uma cena.
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A Blue Marble 2015. Fonte: NASA.
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A explicação oficial dos “teóricos da coincidência” é a de que a palavra SEX é apenas uma formação de nuvens que ocorre naturalmente, assim como palavras claramente formadas, abrangendo centenas de quilômetros, se materializam aleatoriamente o tempo todo sobre nossas cabeças. Fonte: NASA.
Continua na parte 2.
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etes-secrecy-post · 1 year
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Hi, before I explain my post, I want to say something important.
• What you see my blog has become a major overhaul. And despite the changes, I decided that my 2nd account will be now my artwork blog with a secret twist.
⚠️NEW RULE! (W/ BIGGER TEXT!)⚠️
⚠️ SO PLEASE DO NOT SHARE MY 2nd ACCOUNT TO EVERYONE! THIS SECRECY BLOG OF MINE IS FOR CLOSES FRIENDS ONLY!⚠️
• AND FOR MY CLOSES FRIENDS, DON’T REBLOG IT. INSTEAD, JUST COPY MY LINK AND PASTE IT ON YOUR TUMBLR POST! JUST BE SURE THE IMAGE WILL BE REMOVED AND THE ONLY LEFT WAS THE TEXT.
⚠️ SHARING LINKS, LIKE POSTS, REBLOG POSTS, STEALING MY SNAPSHOT PHOTOS/RECORDED VIDEOS/ARTWORKS (a.k.a. ART THIEVES) OR PLAGIARIZING FROM UNKNOWN TUMBLR STRANGERS WILL IMMEDIATELY BE BLOCKED, RIGHT AWAY!⚠️
😡 WHATEVER YOU DO, DO NOT EVER LIKED & REBLOG MY SECRET POST! THIS IS FOR MY SECRET FRIENDS ONLY, NOT YOU! 😡
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Okay? Capiche? Make sense? Good, now back to the post…↓
#OnThisDay: Mar 8th, 2019
Title: The Cuteness Female Six
Here's a "Women's Month" drawing for all six Cuteness Females. 😁
Since it's the celebration of "Women", here it is! The newly members of the so called "The Cuteness Female Six"! ♀ 👩
Here are six members I choose:
♀ I Cuteness Female - Riya Speedster 🐰🏎️(used to be in the 6th, so she's now in number 1)
♀ II Cuteness Female - Vanilla 🐰🎀 (used to be in the 1st, so she's want to be number 2 and Riya's partner)
♀ III Cuteness Female - May 🐰👊💥
♀ IV Cuteness Female - Sputnik 🐷🛰️
♀ V Cuteness Female - Elly 🐘🎒(used to be in the 2nd, but now she's in the number 5)
♀ (And finally) VI - Cuteness Female - Tiff 👧⭐(used to be in 3rd, but I guess I'll put her in the number 6)
BTW: Their number members are still welled intact, as of 2023.
Riya Speedster - created by ME!
Vanilla - owned by ~GlassFu / SmileAhoy
May - owned by BryanVelasquez87 / @bryan360
Sputnik - Astroblast © 2014 Sprout, Universal Kids, Bob Kolar Elly -POCOYO TM & © 2012 Zinkia Entertainment S.L
Tiff/Fumu (Kirby Right Back at Ya) - Kirby TM &1993-2012 Hal Laboratories Inc./Nintendo®
Armors (Gundam Build Fighters, Mobile Suit Gundam 0083, Gundam SEED VS Astray, Turn A Gundam and Gundam SEED C.E. 0073 Stargazer ) - Gundam Series ©SUNRISE, MBS
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