For #InternationalBatAppreciationDay 🦇:
Art Inspiring Science: The Moche Bat
“The CMA’s bat vessel has traits of the species Dr. Velazco studied. Made on Peru’s north coast by an artist of the ancient Moche or Mochica culture (moe-chay, moe-cheek-ah) (AD 200–850), the vessel inspired him to name the species Histiotus mochica or, colloquially, the Moche leaf-eared bat. He did so to recognize the knowledge of Indigenous peoples and to honor the Moche and their connection to the natural world. Indeed, as he notes in a publication about the species, the bat vessel is so accurately depicted that it allowed precise identification of an animal previously unknown to science and thus stands as a testament to the Moche’s observational skills and profound interest in nature.”
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Bolsas de papel (Paper Bags), Claudio Bravo, 1970
Oil on canvas
40 x 29 ¾ in. (101.6 x 75.6 cm)
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Trifacial Trinity, anonymous artist (Cusco School), between ca. 1750 and ca. 1770
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Paraguayan ñandutí (spiderweb) lace from the collection of Jan and Marshall Johnson, photographed by Gail Harker
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Cândido Portinari (Brazilian, 1903-1962) • Colheita de Café (Coffee Harvest) • 1951
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Doris Salcedo. Uprooted, 2020-22.
804 dead trees, steel
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India del Collao (1925) by José Sabogal
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Big-Eared Brown Bat Vessel
200–850 CE
Central Andes, North Coast, Moche people
Ceramic, slip
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"The Guitar Player" by José Ferraz de Almeida Júnior (1850-1899), Brazilian painter.
Visit Pittoresko for more Vintage Digital Prints, pittoresko.etsy.com
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For #Caturday:
Ceramic bottle modeled in the form of a standing feline, decorated with resist-painted motif.
Gallinazo style (aka Virú culture), NW Peru, Early Intermediate Period, c. 200 BCE - 600 CE.
Spotted at the American Museum of Natural History NYC.
PS: this vessel may depict the Peruvian subspecies of Pampas Cat aka Northern Colocolo (Leopardus colocola garleppi). The Andean Mountain Cat (Leopardus jacobita) is also often suggested, but their range is more southern and higher elevation than where the Virú were? Also note the stripier legs on the Colocolo similar to the ceramic:
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The Absinthe Drinker, after Edgar Degas, from Pictures of Magazines 2, Vik Muniz, 2011
Chromogenic print
54 x 40 in. (137.2 x 101.6 cm)
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“Urutu Snake”, 1928, Tarsila do Amaral.
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'Yellow fever in Buenos Aires'. Juan Manuel Blanes. 1871.
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“Self” by Juana Gómez, embroidery and photography on linen
Gómez, a Chilean artist, says of her work her website:
“My work arises from the observation of nature and the processes that determine how both living beings and the inorganic world are structured and built.”
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Soeki Irodikromo
« Alakondreman »
Acrylic on canvas, 120×150cm, 2018
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