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#someone write this for the love of god
stevebabey · 1 year
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no one asked but this is the post that inspired this! thank u immensely for the luv <3 number 1 comment was wondering what steve’s bids were & from his pov, so without further ado...enjoy — part one here!
Begrudgingly, Eddie has to admit that Robin might be right.
It’s impossible not to be looking for the bids since he brought them up to her. Even though Eddie was fully expecting to tell Robin to suck it, maybe even wager what little money he had against this working out, Eddie can’t help but watch for them in every interaction. And fuck, she’s right.
They’re little, but they’re there.
The first one Eddie would’ve missed if he wasn’t looking for it. Actually, that’s a lie; Eddie does miss it, until Robin points it out, the nosy bitch. It’s minuscule and honestly, it just seems like Steve asking his opinion — which friends do all the time! It’s why Eddie brushes right over it.
“Okay, be honest,“ Steve had said, walking and talking as he entered the living room where Robin and Eddie were sprawled across the couches. They were both waiting on him, the three of them set on heading out to the drive-in to catch a film.
Eddie can’t fathom why Steve felt the need to change his outfit for it, but when he returns, he gets it. It’s not quite the usual polo Eddie had grown to like on Steve, this one hanging a little looser, the colour a bit darker than Steve’s usual choice, the sleeves a little shorter — almost midway to a muscle tee.
Steve’s fingers fiddle with the distressed collar of the shirt, smoothing invisible wrinkles and fussing over nothing. He swishes back his floppy hair with a flick of his head. “It’s a new shirt, I know it’s a little different - but what do we think?”
He says we but he’s looking at Eddie.
Eddie, who has taken to trying to reel in his gawp because what the fuck Steve? It’s like he’s well aware of what drives Eddie insane and has specifically leaned into it. Some evil goblin in Eddie’s brain whispers think how good he’d look in your shirt and he squashes it, giving a visible twitch to shut down that train of thought.
From the other couch, Robin clears her throat loudly and smiles sweetly at her best friend. “It looks great, Steve.”
It’s sincere and Steve’s mouth tugs up, nearly a smile but his gaze fast-tracks back to Eddie. Eddie nods in agreement, a bit sluggish from his distracting thoughts and god dammit, the extra exposed skin of Steve’s arms are so not helping. “Yeah, looks... looks good, man.”
Steve smiles, lips pressed together but his shoulders curl in just a bit, deflating just a tad. From where Steve can’t see her, Robin waves her hands wildly and catches Eddie’s attention. He watches as she gestures wildly and it takes a moment to realise what’s she mouthing — ‘A bid! That’s a bid, you idiot!’
Oh fuck, Eddie thinks. Cos it totally was; the question, the focus on Eddie. He doesn’t even think about the logistics of it, of the fact Robin was right, just jumps right into picking up the bid.
“You trying a new style?” Eddie asks and then thanks whatever god invented the whole fake-it-to-you-make-it schtick because he’s feeling so far from casual or confident. “Going metal on me, big boy?”
Eddie just manages to catch the grin that breaks across Steve’s face as he turns away, giving a scoff — it comes out too soft though, giving away his complete lack of annoyance. He pulls that usual Steve Harrington pose, hands sliding onto his hips, and screws his face into some melted smiley-grimace. “Shut up, Munson.”
Eddie grins and goads on the blush that’s beginning on Steve’s neck, a glorious tinged pink colour. “If this shirt is any indication, you’d pull it off just fine.”
Eddie watches the blush climb higher as Steve ignores the comment, his smile still giving him away. He grabs his coat and pats down his jeans — ridiculous tight acid wash jeans that Eddie hates he’s somehow become attracted to — ensuring he has his keys and wallet. Once assured, he looks up at his two friends again, brows raised, and says, “Ready to rock and roll?”
That comment alone has Eddie seriously reconsidering his type in men.
There’s only a brief moment to talk about it when Eddie and Robin cajole Steve into going and getting them both popcorn to get a moment alone. Steve had scoffed, face twitching in the way it did whenever he tried to hold back a bitchy comment, but he still stomped off in the direction of the snack stand.
The moment he’s out of earshot, both voices explode in the back of Eddie’s van.
“What did I say—”
“Jesus H Christ, you were right—”
“Literally how many times do I have—”
“Oh my god, you were right—”
“ —before you realise I’m always—”
“Robin.” He cuts her off, hands landing on her shoulders. Robin eyes them warily, lips still parted from how her rant had been cut off. “Robin, I’m gonna kill you.”
“What?” Robin’s nose scrunches up. “What the hell are you—”
“Oh Christ, I can’t believe- how long have you noticed those bids?” Eddie’s aware he sounds a bit estranged, eyes probably wide and it doesn’t help when he softly shakes Robin back and forth. She lets herself be shaken, hair flying back in forth. “I can’t believe you didn’t tell me! You are such a bad gay friend!”
Robin smacks his hands off her shoulders with a frown, her freckly face perturbed at Eddie’s outburst. “Dude, it’s not my fault! May I remind you that until very very recently you were seeing someone else? What difference would it have made?”
Eddie waves his hand, disregarding the point with a shake of his head. His unkempt curls cover his face and Eddie sweeps them back in one motion, “What difference would it have made? Oh my, Jesus—“
Whatever long-winded sentence Eddie was about to spit out is lost by the sound of Steve’s approaching footsteps, effectively shutting both of them up.
Eddie flings himself to the other side of the van, putting an unusual amount of distance between Robin and him like they were being caught doing something they shouldn’t.
Robin frowns at him and gestures wildly with her hands in a way that means what the fuck man? Eddie gestures back, though he’s not entirely sure what his fast hand motions are supposed to mean when Steve rounds the door.
He’s got two buckets of popcorn tucked under each arm and Eddie quickly crosses his arms, tucking his hands into his armpits like his stupid hand motions will somehow give him away. 
Steve looks up, stopping just a way from the edge of the van, and looks at the pair of them. His eyes track from Robin still sitting on one of the old cushions and looking two seconds from burying her face in her hands, across to Eddie. He huffs a laugh and kneels on the edge of the van.
“I know he’s gross Robin,” He begins, tone light, as he holds out one of the buckets for Robin to take. “But c’mon, is the distance really necessary?”
Robin snickers as Eddie makes an appalled noise, both of which make Steve smirk. He holds out the other for Eddie to take and Eddie snatches it, glaring at him over the buttery rim for his comment. Then takes a handful and shovels it in because he can’t think of a witty comment to retaliate. Steve crawls into the van and plops himself between them with a content sigh.
“See? Gross.” He teases, shoving his hand into Eddie’s popcorn bucket to grab a handful. Eddie scowls and chews a little faster when the flavour on his tongue seems to register in his brain.
His eyes stare at the popcorn bucket as he chews, then swallows — up the front of the van, the radio that’s tuned into the correct frequency begins playing the opening credits song as the screen changes. Silence sweeps across the drive-in but despite the sudden hush, Eddie has no qualms about breaking it.
“Sweet n’ salty flavour?” He asks Steve, only half attempting a whisper. Robin shushes him instantly, her focus already on the movie that’s beginning. Steve smiles, looking a bit sheepish beneath the glow of the drive-in screen, but he nods.
“I know you like it.” He whispers with a small shrug of his shoulders. Like it wasn’t a big deal. Fuck, Eddie thinks again and hastily feeds himself another handful of popcorn before he says anything majorly stupid in response to that, like: Oh, amazing- have you noticed the big fat crush I have on you as well?
He doesn’t even need to look at Robin to know she’s smiling, smug as ever.
Steve, God bless his oblivious little heart, doesn’t even realise he’s doing it.
Steve likes Eddie. Eddie is— god, Eddie is different but he’s good.
He’s this strange amalgamation of traits that Steve can’t comprehend how they fit together in one body or how Eddie manages to pull it all off completely charmingly.
He’s loud, he says rude things, he’s fucking dorky, and far too sweet on the kids — he likes to tease Steve, and yet somehow, when Eddie calls him ‘pretty boy’, Steve knows he’s not actually making fun of him.
Steve likes Eddie, likes his boyishly endearing charm, likes his touchiness towards Steve that no other boy his age is like, likes his messy curls and his ‘holier than thou’ attitude about metal music even though Steve doesn’t get it, like at all. And fuck, Steve really wants Eddie to like him.
It reminds him faintly of when he first started working alongside Robin at Scoops. That thought tickles in the back of his mind, something along the lines of how he had wanted Robin to like him for other reasons, but he doesn’t delve into it.
To Steve, it’s simple: he just wants Eddie to like him.
After the night at the drive-in, between Eddie acting strangely skittish and Robin giving more amused snorts than usual, Steve knows something is up.
He knows they must have discussed something when they sent him on popcorn duty, the bastards. He tries his best to not feel left out; god knows Robin and he have more than a dozen secrets they’ve sworn not to tell anyone but each other.
Besides, Steve trusts Robin to come and tell him if he really needs to know, even if it does worry him a bit. He bites down his anxious thoughts, even trying for a moment to see if there’s a pattern he’s been missing.
That train of thought gets derailed when Steve recalls instead Eddie’s delightful reaction to his new shirt — that Steve definitely hadn’t bought for that specific reason.
Even though Robin had given him that look when he’d first shown it to her — her bright eyes had narrowed, her smile turning a little more coy, and Steve had felt his ears get a little hotter. She hadn’t said anything though, just suggested that he should wear it tomorrow night when they were going out with Eddie.
God, he was glad she suggested it.
Rewinding over Eddie’s parted lips, the way his brown eyes had drank in the details as they trailed up his body and lingered on his arms— Steve had the sudden thought to flex the muscle, just to elicit some reaction, but it had gone out the window at Eddie’s original dismal reaction.
‘Yeah, looks... looks good, man’. Said all aloof, like he hadn’t really thought it. It was like bursting a balloon hidden behind Steve’s ribs, one he wasn’t even aware was there until it was deflating pathetically, making his shoulders sag.
Then— ‘You trying a new style? Going metal on me, big boy?’ And dammit, it’s like Eddie had clocked exactly what calling him ‘big boy’ had done the first time in the Winnebago.
Eddie had then grinned, done another once over of the new shirt, even as Steve pretended to search for his keys and wallet while saying something snarky to try to cover up the heat crawling up his neck. Yet, Steve found himself smiling too because, fuck yes, Eddie liked it too.
But, apparently, whatever Eddie and Robin had discussed wasn’t considered important enough because Robin never brought it up.
The thought and worry about it melt away in Steve’s mind until the memory of that night is about Eddie’s compliment, about his cat-like grin over the popcorn bucket, and how he had leaned over to whisper every bad joke into Steve’s ear all through the movie.
Some of them had been down-right filthy jokes which Eddie only seemed to enjoy more when Steve screwed his face up and nudged Eddie in the ribs, yet unable to hide his smile.
After the third vulgar joke and subsequent nudge, Steve had chided ‘dude’ with a poorly hidden grin. Eddie, smile all cheeky, had nudged him back with a ‘dude’ of his own.
Which, of course, ensued a nudge competition til Robin had given a shush that librarians all over the world would be jealous of. But Steve didn’t even care because he and Eddie were arm to arm, pressed close together and Eddie…didn’t move. Stayed close, like he wanted the closeness the same way Steve did.
Steve only remembers the strange drive-in moment when Robin brings it up finally, on one interesting Saturday night.
It’s not the usual routine; it’s not very often that the whole group gets together to share drinks and get rowdy.
But it was for Robin’s birthday and she’d been persuasive enough to get even the introverts, like Jonathan, to come along. Though, she was aware he’d probably spend the night on a pool lounger, stoned to high heaven. Whatever floats your boat, she’d said, happy for the company in any form.
There’s enough of them there that it almost resembles some sort of party— and makes Steve try not to think about the last small party he threw here. He can tell Nancy notices it too, eyeing the pool a bit too long in a way he’s very familiar with, then taking a swig of beer.
So, Steve heckles them inside — doing a fantastic mothering impression as he waves the group indoors with a promise of pizza, and that has both Jonathan and Argyle perking up and beginning a fast discussion on the best pizza toppings.
Eddie makes a fuss, because of course he does, and moans terribly when Steve tries to roll him off the pool lounger he’s on. He’s had a bit of a joint and some beer, and Steve’s learned that he gets adorably stubborn after some substances.
“Stevie, this is mean,” he had pouted, gripping the edges of the lounger and staring up at Steve with those big brown eyes. “You telling me I did all that bonding with you for nothing? Can’t even lounge by the pool! I’ve got a couch at homeeeee.”
Steve had sent him an amused look of disbelief, hands on his hips after his first round of flicks against Eddie’s arm were apparently fruitless to get him to move. “Really? Didn’t peg you for a gold-digger, Eds.”
Eddie had snorted at that, one hand coming to slap over his mouth. Steve couldn’t quite hear what he had said but the words pegging and anytime slipped through and Steve thinks he could get the gist of that.
“Oh for Christ’s sake,” Steve muttered, feeling the tips of his ears turn warm. He didn’t know how Eddie could be such a menace— or why he enjoyed it so much when he was. Steve waved a hand in the direction of the doors, ignoring Eddie’s delighted snickering. “If you go inside now, you can be on music, alright?”
And that had finally got them all indoors, Eddie whooping and skedaddling through the doors in an instant, with a call of ‘no take backsies!’ echoing behind him.
Inside was much cozier, the whole group a little more connected when squished up on the couches together. Eddie had taken Steve’s word and was jamming a cassette into one of the speakers when Steve made it back inside after scouting around the pool for leftover cans and butts to throw out.
He’s just been thinking about what playful jab he could make at Eddie’s music, like Eddie always did to him when Robin hollered at him from the kitchen.
“Steve!” She’d yelled excitedly and he come to find her quick, brows raised as he entered the kitchen. She was grinning, already a bit jumpy as she got when she had a bit of liquor — but apparently not enough because when Steve saw what she’d called him in for, she’d announced, “Tequila shots!”
Which lead to now. A hazy combination of beer, tequila, and a bit of weed, and Steve is feeling good. Robin had managed to hijack the music not too long ago, with a hiccup of ‘it’s my birthday’ that had Eddie surrendering with a pout.
She’d since put on a bit of everything: some Blondie for Nance, Talking Heads for Jonathan, and some Bowie, just so she and Steve could dance along to ‘Magic Dance’ and she could do all the silly little goblin voices that made them both cackle.
Steve realised at some point that Robin was playing their mixtape, the one she’d made for driving in the morning, and nearly tripped stumbling over to her in his excitement. He grabbed her shoulders, not too hard, and squeezed.
“Is it- is this our mixtape?” Steve asked, words slurring only a bit. Robin gleamed, hair bouncing with her excited nod.
“Yes!” She was already dancing, even though the tape was between songs — because she knew what song was coming. “It’s Springsteen time, Steve!”
Right as the drums to Born to Run filtered out the speaker.
And oh, Steve loves Robin so much. He loves having a best friend that knows his favourite song and gets jittery and excited because she knows it’s about to play— that she put it on this mix for him.
“You’re my best friend!” Steve says, the words bursting out like he can’t control them. He doesn’t even feel embarrassed, just happy, just drunk, and overwhelming happy to be able to have this.
And even though Robin knows this, she still beams, feet dancing along and just begins to sing along with the song, “In the days, we sweat it out on the streets of a runaway American dream…”
It’s a brazen drunken performance from the both of them. Steve’s chest is heaving after just one chorus that he’s pretty sure he put his whole soul into and he’s so fucking happy —and it feels like pure instinct to seek out Eddie, his eyes scouring the room for him.
Eddie’s leaned up against the wall, hiding his smile behind a can and Steve doesn’t think twice about it— doesn’t think about why he’s so drawn to Eddie, why he wants to include him in this happiness — just extends his hand out and grins.
Eddie sees the bid coming this time.
Part Three.
— 
yes i saw all ur lovely tags and MAYBE cried about it. but thats none of ur business.
@orangeandthefairroadkill @swimmingbirdrunningrock @sadcanadianwinter @phantypurple @omg-elledubs-things @henderdads @farfaras @mixsethaddams @prismandblue @kerlypride @bushbees @legitcookie @temporalcoffin @callmesirkay @beautifully-useless @millyditty @cinnamon-mushroomabomination @ninjapirateunicorns @darkwitchoferie @vi-the-best-you-can @psychosnowfox @desert-fern @scarletzgo @cr0w-culture @softpink-candlelight @livingforfictionalcharacters @makewavesandwar @kozuuji @rhapsodyinalto @eddiethesexy @cassaloopa @lightwoodbanethings @qu33rcommunist @moonlitkilljoy @starkdusk @theysherobinbuckley @sanguineterrain @loganwright @sillysparrow @hotcocoaharrington @eddie-munson-is-my-wife @she-is-tim @steddiehearts @sideblogofthcentury @sidebarre @corrodedcoughin @stevieclaus
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defectiveferalfreak · 2 years
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i rediscovered @nicktoonsunite and @choraa ‘s art like wowie did they inspire me to dip my toes into NUverse??
also i cant believe Dib and Zim basically waltzed into NU:GoD, like WHATS UP B*TCHS WE  GONNA HELP WHETHER U WANT IT OR NOT like can u believe that lol
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lilislegacy · 2 months
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annabeth never having a real mother figure when she was young, but sally jackson holding her hand and smiling at her encouragingly while taking her to the doctor to go on birth control for the first time.
and that’s all i have to say.
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trixie2023 · 18 days
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Reece. I have named him Reece. I love him and I need someone to write about him.😫. I’m not a writer and Definitely not an artist. That’s why I need someone to write him/Reece. I hate that I couldn’t find a better pic of him but y’all know who he is😉
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I’m in lust I mean love with him❤️
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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aphel1on · 4 months
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neuvillette's lore is actually insane. we all took one look at him and went "haha dragon🫵" but i significantly underestimated how big of a role he would play. he's the incarnation of the original hydro sovereign. he took back his rule right under the heavenly principles' nose. he's the one handing out hydro visions now (not even because he has to, he doesn't, he just grew so fond of humanity that he chooses to). he gave away the hydro gnosis bc he straight up doesn't need it. he's planning to DETHRONE ALL OF THE ARCHONS (in a few hundred years, when the traveler's not around to see it, so it won't be awkward for them). he's kind and soft-spoken. he's full of vengeful rage. he's a father to hundreds. he found his purpose after feeling lost for 500 years. skirk pulled him aside for a super-secret convo and when he saw us again he immediately spilled the tea. as far as i can tell, he spawned into existence fully formed. no other character can fucking compare
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thelonelyempath · 1 year
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Nonverbal Love Prompts (saying "I love you" without saying "I love you")
Laying on your partner's lap while watching a movie
2. Cooking your partner's favorite meal
3. Giving your partner a massage after a stressful day
4. Randomly hugging your partner out of nowhere (bonus points if you're not a physically affectionate person)
5. Forehead, cheek, nose, and hand kisses
6. Kissing your partner's scars to show that you care
7. Remembering a tiny, insignificant fact about your partner because you thought it was interesting
8. KIssing your partner's knuckles to ease their anxiety
9. Playing with your partner's hair until they fall asleep
10. Watching over your partner with adoration as they sleep on your lap
11. Buying/making your partner something that reminds you of them
12. Laying on your partner's chest and listening to their heartbeat
13. Holding your partner's hand in crowds so you/they don't get lost
14. Texting your partner to tell them you got home safe/make sure they got home safe
15. Cuddling your partner back to sleep after a nightmare
16. Listening to your partner vent about whatever's bothering them
17. Helping your partner with chores/homework
18. Sharing your food with your partner
19. Laughing at your partner's jokes, even if you don't find them that funny
20. Taking care of your partner when they're sick or injured
21. Giving your partner your jacket when they're cold
22. Tucking a strand of your partner's hair behind their ear to better see their face
23. Adjusting your schedule to spend more time with your partner
24. Getting your partner out of a situation that makes them uncomfortable
25. Intertwining your fingers with your partner's while making love
26. Holding your partner against your chest and letting them cry when they're upset
27. Giggling at how cute your partner is when they blush
28. Clinging to your partner when you're tired
29. Deep, passionate, breathless kisses that leave you aching for more
30. Dancing with your partner in the living room
31. Defending your partner in their absence
32. Smiling at your partner just to see them smile back at you
33. Back hugs
34. Having a conversation with your partner using only your eyes
35. Looking at your partner fondly, appreciating the fact that they exist and they're in your life
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waspredteeth · 4 days
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a quick PSA on pre-Robin Damian (again):
He has never called himself the "Blood Son". Those specific words have never come out of his mouth in a comic. In fact, Damian has only had dialogue regarding his bio status or another character's adoptive status like... three or four times.
Yes, pretty much all of those times have something to do with Tim in one way another. That's because Damian was less of a character, and more of a sword-carrying plot device when he was first introduced.
Damian's early writing lines up more with that of a minor villain than any supporting character. He existed at first only to rile up chaos in the Batcave for like, two issues, before his death in the fourth issue he appeared. He was introduced in issue 655 and killed by torpedo-submarine explosion in 658. Damian as a character was effectively "punished" for his earlier actions through a violent death.
You need to understand that early Damian (2009 mostly) didn't have a cemented personality or much characterization other than the basics that Morrison imbued into him i.e he was 10, an assassin, lax about death, very sarcastic/rude in tone, and weirdly spoiled despite his upbringing implying the opposite. Grant Morrison tends to write the large story concepts they like and they don't often adhere to any consistent/previous characterization (as seen with Talia) if it doesn't line up with the vision they want. Not even Damian's existence was kept consistent, as it's very hard to believe that Batman #656 Damian has the same backstory as Son of the Demon Damian or the Ibn al Xuffasch of Kingdom Come.
They didn't flesh out Damian a whole lot when he was first introduced, making him more of a spoiled rich kid who just happened to know how to kill people than the Damian that you probably think of. It took later comic appearances and other writers to add onto Damian's sporadic characterization - because he didn't have much major development after being created until becoming Robin and working alongside Dick.
To further characterize Damian as Robin, now that he needed to play against a larger cast and more established figures, writers needed to come up with ideas fast. So some writers played up his League backstory and wrote him colder, more logical and vaguely terrifying. They made Talia and Ras more and more ooc and abusive. They wrote dialogue for Damian that made him more of an annoying little brother figure, impulsiveness and all. Sometimes his dialogue with female characters drifted towards sexism, as clearly some writers can't write young boy characters without relying on shitty sitcom-style misogynist tropes. He got different moments, some skewing towards insanely violent or towards a normal child reeling from issues. This long trek of his writing was always changing in little ways until the reboot in 2011 and his first real death in Batman Incorporated, and then just continued on afterwards to this day.
In short, early pre-Robin Damian was a mess, and it took a long time for DC to develop him as a full character. (Even now, writers are still "figuring him out" and pulling ooc takes out of their asses). We have fun here.
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danothan · 9 months
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Just reading some comics and saw a panel I thought you might like. :)
ah fuck, characters reminiscing always get to me ;__;
but i will never ever get over that fond way these two talk to and abt each other. especially when they’re poking fun, you can just hear the love in their voice it’s SICK.
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the halbarry love language is annoying each other, but even more than that, it’s being each other’s exceptions
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captainsjack · 5 months
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god jack would have an aneurysm if he met fourteen like the man just goes around saying i love you and talking about how hot men are💀
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fae!steve who, practically the moment he learns what he can do, sets up a trap curse for his parents. if they ever kick him out and disown him, then the second he exits their threshold he'll take all their luck with him. he'd feel bad about cursing his parents, but the point of a trap curse is that it doesn't activate unless the targets of the curse do something to meet its requirements. if his parents were just good people, good parents, then nothing bad will ever happen to them.
but they really can't seem to help themselves. steve guesses he saw this coming.
he tells eddie about it, when eddie comes to pick him and his one allowed box of clothes and shit from the harrington house. eddie'd offered to curse them, 'might as well make good on my whole evil satanist reputation', but steve told him he already had it covered. told him about the trap. he's never seen eddie look so proud and so sad at the same time.
and sure enough, all good luck leaves the harrington household when steve does. a random irs check reveals harrington sr's years of tax fraud, and his business goes bankrupt trying to pay the fines. someone leaks pictures of one of mrs harringtons senior aides on a drug filled bender in the city, ruining both her campaigns squeaky clean image and her chances at reelection in the fall. several of mr harringtons former secretaries sue for sexual harassment, while seemingly every other woman he's ever come in contact with simultaneously sues for child support.
and steve just watches. he's happy now, living with eddie in a small apartment with their cat and the various small woodland creatures eddie keeps trying to sneak in (so far steve's had to kick out three raccoons, a possum, a skunk, two bats, and a coyote. they've all been very understanding when he's explained the situation to them but eddie still acts like a kicked puppy every time he does it). eddie keeps a little shoebox under their bed with newspaper clippings of every terrible thing to befall the mighty harringtons, says it's in case steve ever wants the reminder that he got one over on them in the end. a reminder that steve's happy and they're not.
steve doesn't need it. he feels it, every time the curse does something to them, something clicking in his chest like one of those alarm clocks with the flaps that flip over from one minute to the next. he wonders if it'll ever feel like too much. if he'll ever think they've been punished enough. they've had a rough couple years, it's sort of only a matter of time before something happens that's unlucky enough to injure or kill them.
steve thinks if he was human, maybe he'd care. maybe he'd look at that shoebox with the guilt eddie seems to be half-expecting every time he brings it out. but he's not, so he doesn't. he set the trap, but his 'parents' are the ones who sprung it.
they really should have known better than to cross a changeling.
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kierancaz · 7 months
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I have never seen anyone write about Ruggie purring and it makes me so sad and also kinda bothers me. Like the lack of animal knowledge that’s happening. Hyena’s purr, lions don’t wag their tails like dogs, lions don’t purr but they will hum and puff which is also very cute !!
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shorthaltsjester · 9 months
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i do not want to dig a hole but i am too much of a laura bailey pc enjoyer to not make this post so:
selfishness ≠ a lack of kindness 
selfishness is a theme that has come up with all of laura's main campaign pcs. that doesn't mean that her characters are always making selfish choices or that they don't care about the rest of the people they're with or that they're not good. it's just that, for the most part, the first thing they're thinking of when they take action or make choices is themselves. 
in jester and vex both it is more typical and obvious selfishness. vex's developed because she needed it to keep herself and vax alive and as safe as possible and it grew into a behaviour that she had to actively work to avoid. it's evident in her greed, her theft of the broom, her reaction to her own death which relied heavily on i'm okay/i survived to which keyleth reminded her that she wasn't the only one who had to witness and reckon with her death. in jester's case, she grew up in an environment that literally trained her to make every decision based on two things - her mother's opinion and her own. so, when she's out in the world without marion for the first time, her choices are those that will benefit her and her actions are those that consider her own thoughts and not really many others' (aside from the traveler's). 
it isn't a criticism of either vex or jester to say that they are characters who act selfishly. in fact, i'd argue that to claim otherwise does a great disservice to exactly how immense both of their character arcs are. because the nuance of both jester and vex is that they are selfish, and they also hold extreme room for self-sacrifice and empathy. vex is much more brash than jester is, and jester is much more trusting than vex, but both of them are characters who begin with selfish impulses who grow with them. neither ever truly shed those impulses, but they use them in new ways, typically transforming them into impulses towards things that are in the best interest of the party. 
you may have noticed the lack of imogen in this post about laura bailey pcs and that's because of two reasons. one, we are an unknown amount of time into her story, i can't analyse her development the same way i can vex and jester's. two, imogen's selfishness isn't the blatant quasi-self-aware selfishness that we see in things like jester complaining about her lack of money to caleb or vex stealing a broom. instead, imogen's is very internal, like a lot of laura's character work with imogen. it is a bit similar to jester’s in the sense that it comes from a lack of awareness moreso than vex’s practiced behaviour, but imogen’s is a lot more tied to inherent beliefs she has about the world and the people in it.
as a consequence of her powers, imogen sees people's thoughts as their entirety, she holds it above their actions to be the truth of who they are - to act against what they think or to say something that doesn’t cohere with what they’ve thought is akin to lying, so for her to act empathetically is to act in tandem with what someone else’s thoughts are, not how they act, which is typically not all that wanted. the same as vex’s greed and jester’s naivety, this is a trait that makes narrative sense and it’s one i find quite compelling, especially when read in the vein of someone struggling through trauma that has made them assume that the world is against them. imogen’s cynicism is coherent cynicism, i can’t say that in a similar situation i wouldn’t have the same predisposition towards the world.
the part that is particularly self-interested comes in if you look at how imogen has actually been treated in the campaign (quite well) in comparison to the cynicism that she’s developed from her past (something that speaks to a world out to get her). certainly, a bunch of shitty things have happened to imogen in the time we’ve known her, but the same can be said for everyone in bell’s hells and pretty much everyone in exandria at this point in time. but, in a fight to save the aforementioned world, imogen’s focus was getting her mother back on her side. which, while very consistent with her character and a choice that i enjoy, is a very selfish one. the fun thing (to me, obviously) about imogen is that she has, more than most, an insight into the opinions of others and she also tends to seek others’ opinions out and genuinely engages with them and supports their choices. but she still very much acts towards what she thinks is best. it’s one reason i enjoy looking at the dynamic between her and orym as one between foils, as orym tends to be stalwart in his beliefs and doesn’t care too much for other’s opinions if he’s already sure of his own, but his actions tend to favour collaboration and protecting others.
as i mentioned earlier, imogen is a harder case to look at because she is still in the process of her story. however, the circlet is clearly influencing how she interacts with the world and in the wake of the solstice, the hostile reaction towards ruidusborn people has started to become more and more apparent and i’m interested to see what route that ends up leading imogen down and how it will influence her relationship with the rest of bell’s hells. (for better, i think, based on recent conversations, but if it's for worse i will be just as seated and excited).
all of this is just to say, please stop assuming that claiming a character has a trait you think is a bad one is criticism or a hate post. in light of the fact that i know that people who don’t believe this will continue to not believe this, i’ll encourage anyone confused about the ability of a character to be good and kind and selfish all at once to look to what the text itself says, specifically scanlan’s words to pelor when asked what vex means to him:
“Her name is Vex, and she is greedy and mean sometimes, and she can steal a lot. She’s a little bit not the greatest person, but her flaws highlight everything that is right about her, which is she does all these things to protect her friends and her family. She would give her life for any of us and for anyone who was truly in need. And she’s not perfect but she’s the most perfect of all of us.”
would you look at that... an ability to be a multitude of things, some in conflict with one another. i know that's hard for fandoms to believe, especially about female characters with agency, but i promise its true!
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fire-lizard-ro · 3 months
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Lil post about HSR men with religious themes for none have lead me into temptation I found the way myself-
This is for you @pix3lplays <333 (I was screaming at her about it, lol-)
I love???? Religious themed characters and the works that come out of that??? I have an Argenti smut fic in the works with heavy religious themes, but here's a mini ramble about Argenti, Sunday, and Luocha.
CW: blasphemy :))), religious themes, softcore gore almost but not really???, somewhat dark themes/dark romance
Yeah I grew up with church and stuff sorry if some of it does make sense to the general public lololol-
For Argenti (snippets from my fic I'm working on):
"He would sooner rend his mortal form to pieces than ever hurt you. Even a little. He would splay his torn shell across the canvas of stars that blanket the universe that was made for you for whatever other higher powers- whatever fate exists should there ever come a day in which his hands hurt rather than protect. So that they may judge what remains of his soul for his crime."
"At your behest he would present his heart, ripped from his chest, for you to take. You were his heart, anyways… Without you there was only a hollow cage within his chest where never again would the echo of a heartbeat reside. The fire nothing but ash where there was once a blaze of life and passion."
For Sunday:
It's either he makes you his church and his bride (talking about how the church is god's bride) or you make him your elohim your "I am". Perhaps both.
His penchant for control is perfect for this. He will be your only god for you are to have no false idols. Only he must remain in your heart for he is the owner of your soul, your life, your breath. He is the light and the truth. His word is law.
But of course, a god must tend to his flock. He will take good care of you for your devotion.
For Luocha:
The thorns. The almost rosary like item he carries, wrapped around his hand. The words he speaks. "Death is not the end. The dead will return."
Pix brought to my attention the idea that some have about Luocha carrying your body, devoid of breath and life, in his coffin.
And to that I respond:
"So devoted was he that not even the sacred soil of the earth would be allowed to have you. Even in death."
He would search until the ends of the universe to find a way to bring you back to him. Even though his god was made of flesh and blood as he, it mattered not. Only you could possibly be the divine for you were his cornerstone. Without you he would fall apart. God works in the waiting and surely this was his divine burden- His test from you to prove his devotion. He was sure he would one day complete this task for you and bring you back. You, the life beyond death. You the light in the midst of his darkness. His eloah, his elohim, his almighty.
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mamawasatesttube · 9 months
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favorite ship dynamic: shenanigans. if they arent gonna get up to mischief together whats the POINT?
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moonstoast · 2 years
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the vegetarian by han kang // weightless by denis sarazhin
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