#so it's not actually explored in the story | Explore Tumblr Posts and Blogs

ooctlt · 3 days

Note

I think the etiquette of ask blogs is a forgotten art. what I'm saying is (imo) it's not that people don't want to play, it is they don't know HOW, and more importantly they don't understand that the game exists to begin with. obviously you do not have to teach people the rules because your time and energy is finite but idk. it feels like from some of your OOC responses that you assume people know the rules and are playing badly, but I genuinely think people (me) just don't know what you are wanting them (us) to do. and also they (i) don't know how to tell if they (i) are playing the game correctly.

An example I am genuinely confused about is, is inciting a "shut up" answer a signal that the game is being played correctly, because we are inciting a reaction from the character? or is a "shut up" answer a signal that we are playing wrong and need to do something different? I'm sorry. I really love your art and seeing the story unfold but I'm confused and I want to play and I don't understand how.

yeah ive had a couple people tell me this has been the first active askblog in a while and the concept of askblog etiquette has been forgotten- @thatneoncrisis and i made a diagram:

link to full-res image

a "shut up" reaction will hopefully show whether or not it's a closed path of exploration: if you have gideon sweating, going "pshhh its nothinggg" it means there is something worth exploring. if you have harrow slamming the door in your face, that is an advance that wont work on her

transcript under the readmore:

DEAD END QUESTION ANON: CAMILLA DO YOU THINK HARROW'S HOT?

"Please stop talking to me."

This question is BAD because it's BLUNT, INCREDIBLY PERSONAL and founded on INCOMPLETE KNOWLEDGE of their relationship.

NOTE that its not that shitty questions will NEVER be answered, its that 1) they have a LOWER chance of being answered and 2) they have a HIGHER chance of being made fun of in character

gideon: haha who thinks harrow is HOT

DECENT INCONSEQUENTIAL QUESTION ANON: CAMILLA DO YOU LIKE TO DO ANYTHING FUN WITH HARROW?

"Sure. We run a lot of errands together."

This kind of question may not advance the plot, as it is INCREDIBLY BROAD yet NONINVASIVE. They're good for quick 1-3 panel answers. May generally be met with a less EXCITING answer.

It might also be DIFFICULT TO ANSWER because a broad question could include MULTIPLE ANSWERS - asking "do you guys go out" could not be answered SUSTAINABLY, because i cannot draw all the places they visit

ANON: EVERYONE, WHAT IS YOUR FAVORITE CLOUD / WATER / MOLECULAR STRUCTURE / BONE / CAR / COFFEE BRAND/ BOOK CHARACTER?

me: "i have to do so much research"

NEAT QUESTION CAMILLA HAS HARROW EVER ASKED YOU TO DO SOMETHING WITH HER SHE WAS EXCITED ABOUT?

"Yes, actually. She once invited me to [REDACTED], I didn't know she liked that sort of thing."

This question is SICK AS FUCK because not only do you learn something SUBSTANTIAL about the characters, you have stumbled upon A NEW PLOT BRANCH, one that actively deepens character connections and their past within the world. It specifically remarks upon a MEMORY* rather than AN OPINION and will typically be LONGER.

Another good option is to PROMPT something following this:

ANON: CAMILLA, MAYBE YOU SHOULD TRY TAKING HARROW OUT TO DO [REDACTED] THAT SHE LIKES BEFORE XYZ?

and this can then spiral onward…

*DM, ONE TIME I ASKED ABOUT A MEMORY AND I GOT A RUDE ANSWER; WHAT DID I DO WRONG?

It's not that this topic can never be spoken about, it's about WHEN you asked it and HOW you said it, or even WHO you asked.

Some topics, like the nature of HARROW AND GIDEON'S UPBRINGING are too recent for them to talk about, it has only been TWO YEARS since they left and there are SPECIFICS about the situation that the AUDIENCE hasn't discovered yet. There are things like GIDEON'S PARENTS that she CANNOT answer because she DOESN'T KNOW and answering multiple asks with I DON'T KNOW becomes repetitive and dull for both the DM and PLAYER.

BUT! She can learn! Over time, when the time is appropriate and feels the most natural for STORY PROGESSION. Think of it like a BAD ENDING in a visual novel. You START OVER and ask a DIFFERENT QUESTION, or approach it from a DIFFERENT ANGLE. If Gideon reacts poorly to someone congratulating her leaving BAD CIRCUMSTANCES, consider talking to her about the FUTURE. Instead of trying to pry at Camilla to see if she had an INTIMATE RELATIONSHIP with Pyrrha, try to ask about other things in that period of her life, like how they met or what caused her to move out.

FINALLY, if you'd like an ask to be answered out of character, your best bet would be to goto @notedchampagne and send it there. If you'd like an ask to be answered SINCERELY or you don't want SNARK, you can specify this in the ask, but know this blog may not be your thing.

#actual ooc

160 notes · View notes

alitheakorogane · 2 days

Text

Just a Normal Genshin Impact Game Time... Is it?

This SAGAU fanfic was actually created like a year ago (March 15, 2023), but decided to redo this again. This was created during the time I was still Venti-less, so this one was like a story of me trying to cope at that time.

And yes, my latest fanart coincidentally fits this story too! I just stumbled on this back when I tried to scroll on my drafts while waiting for the fanart to be posted.

CW: blood, violence, and murder. Be warned.

You were just playing Genshin Impact on your computer like any other day, just doing the usual stuff you always do every time you login like doing the daily commissions and farming domains to build your characters.

One day, after doing your usual Genshin dallies for the day, you decided to take some scenic pictures with your current team on board and explore Teyvat to look for random chests and hidden quests you may miss. You know, to pass the time and possibly scrounge for primogems to farm for your favorite character.

But as you try to explore the place while trying to find a good spot to take pictures, you couldn't shake the feeling that something is wrong, that something or someone was watching you.

You were confused at first, on why you are feeling like that. But you just shrugged, as you may think you just had too much coffee. After all, you love coffee to the bone.

As you took Kokomi to a scenic place somewhere in Mondstadt, you had noticed something strange that was hidden by a canopy of trees, few meters behind the current character. You squinted a little bit, your eyes still trying to figure out the culprit of your distraction.

There was a figure hidden behind the trees.

------

At first, you mistook it as a rock or something inanimate but you then noticed that it was actually a person when it moved. It was not an NPC or random animal, but an actual playable character. After all, you could recognize that outfit even from afar, as Genshin Impact characters had some unique styles that were fit for their personalities and status.

It was Venti, hiding in a tree from far away, with eyes glaring at you.

Your heart nearly burst out of your chest when you saw him as you quickly exit the camera mode, trying to find some explanation of why he was there, to begin with. Maybe there's an event that he had been with?

You checked the quest menu to check for any Mondstadt-related events that you probably never finished, but to your horror, there was nothing. You looked at some guides online, some clues onto why he was there, that there may be an event from other nations that had him as a guest, but to no avail. You remembered that you already did his story quest and the quests that he was actually involved in-game. Maybe it's a glitch?

With a shaky grip, you closed the quest menu and stared at the same spot again. Venti was still there behind the tree, watching you with soulless eyes.

You were shaking in fear as you were also staring at him.

As you were still frozen on your seat, trying to make sense of everything, the figure dressed as Venti suddenly pointing something at your Kokomi, his soulless eyes still looking at your terrified ones, like he was a rabid dog vying for attention.

You suddenly recognized what he was trying to do. He was pointing out his former signature weapon, the iconic Skyward Harp, at you.

"Wait, isn't the Elegy of the End his new signature weapon?" You muttered out as your mind had tried to remember about Venti. You were a fan of him, so it would be in your forte to remember every single detail about him.

You remember that even his weapon was already changed to Elegy of the End during his consecutive reruns due to the new bow fits his kit than Skyward Harp, the latter was still his signature weapon in lore.

In the corner of your eye, you noticed something weird once again, this time on the map.

Apparently, the map shows you that there is a second player on the map, and that player was near your vicinity. You widened your eyes as you remembered that you didn't do any co-op with a Venti main recently and you don't even have a Venti. And to your horror, even your co-op mode wasn't even turned on!

------

You had remembered that you always wanted Venti, but due to your impatient nature, you had decided to build pity and accidentally won Kokomi twice on the last day of her banner. You got C1 Kokomi instead.

Unfortunately, Venti's banner was next and you regretted that he never came home. You had lost your 50/50 to your very first Qiqi at 75 pulls... At the end of his rerun banner.

...this is weird and unsettling, so you decided to quit the game, but to your horror, you can't even access the damned menu, soft locking you out.

As you saw Venti's creepy smile while he was sadistically hitting your main team with his anemo-infused arrows, you were horrified at what happened next.

You watched your entire team being stabbed by his arrows, blood splattering on the screen like a grotesque painting, and your current team crying for mercy and help as they were hit by the arrows the Anemo Archon in disguise had been aiming at them and they were frozen in spot because of some twisted form of code that the game had, instead of them doing their usual lines while being on low HP or fallen down. And you couldn't even make them run by pressing the buttons to move the character you currently have because you're frozen in fear as you saw the character pleading for you to make them run away from the crazed fellow using your keyboard and mouse but you didn't. You didn't even help them survive.

You remembered that characters that had fallen down were supposed to turn into glowing white dust instead of this... bloody mess you were witnessing.

This isn't right!

It was like you were playing a horror game rather than a simple open-world RPG game.

Then while the carnage was happening, there is an in-game text that was showing up while this is happening, of Venti still happily singing his ballads while doing the unthinkable. As if he was gleefully watching you squirm.

You couldn't help but close the game in a blink of an eye after you witnessed the scene by trying to turn off the computer and decided to never touch the game again. Thankfully, your computer turned off, but it had left you traumatized.

You decided to uninstall the game after rebooting the computer. The usual uninstall window had appeared with a picture of a chibified Amber crying showed up and a message about asking if you were really uninstalling the app, as if beckoning you not to delete the game, but you insisted and still pressed the uninstall button.

You decided to leave your room while leaving the computer to do its duty to uninstall the cursed stuff, but after you went outside for some fresh air, the uninstall window that was supposed to show a chibified Klee signifying the game had been uninstalled, glitched for a second.

Venti's creepy smile was seen in a split second on the entirety of the computer screen instead of the window with Klee, with some words written in glitchy Teyvatian language then in glitchy English that was flickering in the screen before it turns normal once again.

Y̸̩͂̆̇̌̾͑͂̄́͠o̴̢̧̫̖̫̥̗̞̖͘ͅṳ̸̢̨̽͆͑̀̔̍̃́̐̄̚ͅ ̸̡̥͙̞̎͗̔͋̔̄ẘ̷̽̃̒͑͑́̔̏͜i̶̳̺͔̼̺̘̙̙̭͑̒͑̉̕l̵̨̛̗̟̟͔̆̅̓͛̅̔l̸̢̹̠͋̊̔́͠ͅ ̷̛͎̮̯̬͇͔͉̗̪́̌͌̄͒̃͘ͅn̸̫̺̼͎̺͓͈͊̿́̔̀̔̈́̈̋̄e̵̬͎̳͊́͂̓̍͂̈́̏͜͝v̸͇̥̩̲̫̪̐̀̌͛̾͛ͅe̴̤̲̺̜̱̫̭̪̝̠͗̓̍̍͜r̶̻͉̳̩̈̑ ̴̨̛̬͉̜̮̰̬͖͕̩̬̑̈́́ẽ̶̡͎̱̰̩̖̫͚̈͋̆̄s̵̺̹͎͍͖̠̥̮̾̊͊̅́͜c̴̛̟͂̾̉̑̑̕ḁ̴̡̛̗̍̏̓̂̍̌̋ṕ̵̬̗̜͓͍̬̍̂͘ȩ̵̧̖̞͕̭̘̭̥̈́̕ͅ ̷̺̣͙̇̀̓͝T̴͇̥̠̦̹̼͇̼͓̘̍̿̎͛̎̽̍͛e̷͕͕̼̟͖̾y̸͖̠̰͖͚̺͆͒̋͐̓v̷̢̛̘͈̹͍̱͚a̴͍̦̠̮̱͌͒̉͋͂͘͘͝͠ͅt̷̢̡̹̍͗͗ ̷̧̛̠̫̘̮͔͍̰̻̙͎̃͋͌̀͛n̸̹̪̦̪̼͔̝̦̠͚̿́̌̋̀͋̒o̶̧̡͉͕̹̠͈̰̰̦̓̌̎̈́̌̈̏͗̕̚͝t̵̖̝̫̩̖̼̯̟͑͠ ̴̟̙̑̀̔͒͝ͅm̸̛̤͇͙̰̬̼̳̩̥͌̒͑̒̉̈́͐̑̉͘͜ͅė̸̢̺̟̜̓̂̑̊,̸̗̠̯̀͋̋̂̚͜ ̸͓̬̗͙̘͓̫̖͖̇̎͌̍̉̓̇͊̕̚͘m̸̤̦͖̟̪̓y̴̨̪̦̘̖̘͔̻͈̮̋̃̈́͐ͅ ̴̠̠͓̜͇̮̰̈̅͊̉̾̂̀̊͝d̸̛̝̋̌͌̑͛͂̉͋̌͝e̵̘̖͇̥͙̊̀̈͛̎͋̈͗́͊͘ͅa̷̭̹̘̖̗̫̱̮͛̐͝ͅŗ̶̬̻͕̓ę̴̻̱̥̄̈̈́̏s̸̮̉̓͂̐̈̀̅̈́̕t̸̢̢̰͙̪̥͔̘͉͙̋̈̃̀̈́̅ ̸͇̹̘̺̫͓̲͔̣͑̉W̶̝͙̱͇͉̥̬͇̽̔̉ì̷̢̨͈͓̟̮͖̞̪̠̹̅̈́̂̒̀̕n̶̢̨̬͚͕̟̻͙͙̾̂̊̍̇̉̎͛̿̕d̸̼̮̮̮̳̜̾͛́̽̇b̴̮̎̽̆̄͛́̽l̴̛͓̓͌̉́͝͝ŭ̴̓̓͗̒́̈́̈̂͜m̶̛̛̛͔̯͔͎̣͕̩̙̊̉̈̊̕͜͝e̶̼̰͙͚̗̪̙̮̓̑̀͒̎̂̑̿̚ͅ,̵̲̭̘̬̟̻͇̊̏̀̇͒́̎͌ ̵̛̟͍̮͉̮͒̅̃͗̓̕̚͝͝n̷͍̲͉͉̤͔̥̮̞̼͐͐͜͝ò̵̝̂̐̎̐̚ ̵̧̢̮̹̣͈̦͉̻͘m̵̡̧͚̟̗̯̗̩̥̫̦̈́̍̃a̷͎̪͎̬͕͔̜̮̠̒͌̆͐̏̌̈́̄͜͝͝t̵̡͚̬̰͓͍͈̱͋̅́͌̊̌́͝ť̵̨͈̹͈̦͕̬̽̈̿̋̃̍̊̉̃ê̴̢̛̟̺̰̈́͂̈̽̍͐̓̆͘r̴̢̲̝̀̈̀͝ ̵̢̥̗̹͍͔̘̙͔̀w̴̤̻̣̅̐̈̀͊͋́͐͘͝ͅh̶̘̥̟̖͎̦͖̬͛̎̐̎͛a̵̛̲͎̬̼̫̳͑̆̆͝t̶̨̛̘̗̪͔̭̥̀̐.̶̼̗̓̎̽̇̑̆͛͠

87 notes · View notes

laniemae · 2 days

Text

Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…

I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.

John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.

Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.

And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.

“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”

Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.

gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.

Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.

#milgram #Milgram theory #milgram analysis #amane momose #mikoto kayano #john kayano #john milgram #kotoko yuzuriha #es milgram #uhhhh this was meant to be a quick analysis how did this turn into an exploration of the identities of 5 characters #And comparing it to a scene from dra which focused a lot around the loss of someone’s beliefs completely destroying their identity?#May analyse that scene directly because the whole philosophical and psychological concepts coming into play there is just soooo cool #and man I was kinda figuring out stuff as I was writing this but like I said it’s so interesting how Amane isn’t completely dedicated to go #Like the other characters I mentioned who have dedicated their whole identities to something #And Amane’s at the struggling between her true self and her perfect religious self #But perhaps she doesn’t entirely realise this conflict going on within #Which is interesting as a realisation of their identities would probably cause the other characters to lose it #But Amane it’s coming to her in a different way #She’s so strong uahhhahhajajshshshs #Tw cults #Ok now thinking about this more I’m starting to see this whole ideology apply to other dra characters as well #Man this is just so interesting #Like Kinji although having nowhere near as bad of a situation of amane was in a way forced to repress his emotions his entire life #Due to religious reasons and to devote his life to god and reject personhood #Surprisingly he’s actually not a bad person but still is very stoic and avoids other people due to being taught those values #And kinji’s a whole parallel to Tsurugi so this would be really interesting #I would talk about Tsurugi here but this is primarily a milgram post so for everything he’s like kotoko with a dedication to justice #But handles it in a very different way #His story is just way to long to analyse now #But hey this is an invitation to play (or watch bc downloading the game is hard technically) danganronpa another

19 notes · View notes

itsmealaiah · 1 day

Text

"take it away"

TW: p in v, head (reader rec), profanity, praise, pet name (good girl), reader being on her period, AFAB reader, she/her pronouns, kind of daddy kink if you squint

Req: CAN YOU PLEASEEEEEE MAKE A STORY WHERE Y/N IS ON HER PERIOD AND BILL HAS SEX WITH HER

Rating: mdni, mature themes ahead, mind the tags!

WC: 1k

As you lay in bed, the dull ache in your lower abdomen a constant reminder of your current state, you can't help but feel a mixture of discomfort and relief. Discomfort, of course, from the cramps and bloating that accompany your period. But relief too, as you've finally been able to take some time for yourself and rest. It's been a long couple of days, filled with back-to-back events and obligations, leaving you feeling frazzled and drained. And now, with the soft glow of the bedside lamp casting a warm hue across the room, you can't help but feel a sense of comfort and safety curled up under the sheets.

You hear the click of the door opening and close again, followed by the soft footsteps padding across the floor. Bill. Your mind floods with warmth at the sight of him, his broad shoulders and toned arms exposed by the tight t-shirt he's wearing. He strides purposefully towards the bed, his expression one of concern mixed with desire.

"Hey, sweetheart," he murmurs, leaning down to press a gentle kiss to your forehead. "How are you feeling?"

You smile up at him, already feeling a little better just from the comfort of his presence. "Better, actually. Thanks for asking."

He smirks down at you, the dimple in his cheek deepening. "You know I'd do anything for you, baby. Anything to make you feel better." His voice drops to a husky whisper as he trails a fingertip down your bare stomach, leaving a delicious shiver in its wake. "Especially since you've been such a good girl lately."

You feel your heart skip a beat, and your breath hitches in your throat. You know exactly what he means. Over the past few days, you've been on your best behavior, doing everything he's asked, just like the good girl you are for him. And now, it seems that he's noticing. You glance down, your cheeks flushing, as he slowly, teasingly, unbuttons your pajama top, revealing more and more of your bare skin to the cool air.

"That's it, baby. Just relax and enjoy it," he whispers, brushing his fingers through your hair. His touch is so gentle, so reassuring, that you find yourself melting further into the mattress. "I'm going to take such good care of you."

As his fingertips graze lower, tracing the edge of your lace-trimmed panties, you feel a surge of desire course through you. You've been aching for him, both physically and emotionally, and the thought of him touching you, making you feel better, is almost too much to bear. He leans down, his breath warm against your neck, and whispers, "You're so wet for me."

You feel him shift, positioning himself between your legs. His hot breath fanning across your sensitive folds, making your hips buck involuntarily in anticipation. And then, he's there, his tongue pressing against you, parting your folds and exploring the slick, wet heat beyond.

A shudder runs through you as he begins to lick and suckle at your clit, teasing and tormenting you in equal measure. You arch your back, gripping the sheets as your orgasm builds, building, building. You can feel it coiling low in your belly, spreading outwards through your entire body, and you know it's only a matter of time before it breaks free.

"Fuck, you feel so good," he groans, his voice thick with desire. His free hand gently strokes your inner thigh, guiding it higher, closer to where his tongue is working its magic. The pressure builds, becoming almost unbearable, and then, with a cry that seems to come from deep within you, you explode.

Your orgasm crashes over you in waves, your body convulsing as pleasure washes over you in an intense, exquisite rush. You arch your back off the bed, gripping the sheets with white-knuckled intensity, your legs trembling uncontrollably. Bill continues to lap at your sensitive flesh, his tongue delving deeper and faster, as if he can draw out every last drop of pleasure.

When the last tremor finally fades away, he pulls back, his eyes dark and lust-filled. "Fuck, you're incredible," he rasps, his voice hoarse from the effort of keeping himself under control. He pushes his pajama bottoms down, freeing his erection, and positions himself between your legs.

He guides his cock to your entrance, pressing the tip against your slick folds. You feel a sting of pain as he penetrates you, but it's quickly overwhelmed by the sensation of being filled, of being claimed. Bill begins to move, slowly at first, his hips rolling in a smooth, rhythmic motion that sends waves of pleasure coursing through you.

"That's it, baby," he whispers, his breath warm against your ear. "Let me take away the ache." And as he continues to thrust, his words echoing through you, you feel yourself surrender to the feeling, to the exquisite pain that gives way to uninhibited pleasure.

His pace quickens, becoming more urgent, and you can feel the tension building in his body, the impending release that will send him over the edge. You arch your back, meeting his thrusts with your own, and with a groan that's part pleasure and part pain, you come again, your body shuddering around him.

"Fuck, yes," he growls, his hips snapping forward as he empties himself deep inside you. His weight presses you into the mattress, his body heat enveloping you in a cocoon of post-orgasmic bliss. He collapses beside you, breathing heavily, his chest rising and falling in tandem with yours.

You feel the warmth of his skin against yours, the strength of his arms holding you close. You're soaked through with sweat and combined essence, and it feels so right. You let out a contented sigh, nestling deeper into the crook of his shoulder. His chest rises and falls with each breath, and you can feel the steady rhythm of his heartbeat beneath your ear.

The afterglow of your orgasm lingers, a delicious ache that seems to radiate out from your core, spreading through your limbs and settling deep in your bones. You're sated, fulfilled, and for the first time in a long time, you feel a sense of peace wash over you.

Taglist: @madzandmore @tomscumdump @20doozers @billslittlewhore @charliesgoodboy

Requests are open! keep sending them in 💗

#tokio hotel x reader #tokio hotel #tokio hotel x you #bill kaulitz #bill kaulitz fanfic #bill kaulitz x reader #bill kaulitz smut #bill kaulitz x reader smut #bill kaulitz x you #billskeis #tokiohotel #tokio hotel fanfic #tokio hotel smut #tokio hotel x y/n #itsmealaiah

82 notes · View notes

ladykailitha · 3 days

Text

Omegaverse BTS

I was loving people's reactions to the final chapter but wanted to talk a couple of things the name of Steve and Eddie's kid and Tommy Hagan. Because in this 'verse he's so fascinating. Thanks for the comment @eyehartart!

I went back and forth on this so many times you have no idea. At first Dustin (as in Henderson) was their son because the only ones mentioned of the Party are Max and Lucas. So I thought why not be the reason Dustin is never mentioned is because he isn't born yet.

Then when I first started writing the sequel I wanted the whole party at the wedding. And after much thought, their first child is merely named after Dustin and will be explored deeper in the sequel.

Tommy, Carol, and Steve (Nancy and Jonathan, too, just not Corroded Coffin and Chrissy and Jason or Robin) all went to the same high school. All born to rich parents.

It was expected that Carol would be the omega and the two boys would be alphas.

Steve presented first and got tested 24 hours after his first heat. Carol and Tommy commiserating with him being infertile.

Then Carol presents as an alpha, so now everyone expecting Tommy to be an omega as Tommy and Carol are the top couple at school (after Steve and Nancy broke up).

He presents as an omega and then he too is infertile (actually infertile none of the other omegas you meet in the story who are escorts aren't golden omegas, just Steve.)

Carol immediately dumps him and starts sleeping around with fertile omegas.

Also, like Steve's parents Tommy's parents blew up when they found out he was infertile, but they did the golden test. So not only were they "saddled" with a "broken" omega they were out a lot of money too.

Tommy actually wanted to be a wet nurse for the elite, as his tough guy persona was just that, an act. He wanted to go into one of the other nurturing fields but his parents forbade him.

They were going to get their money back from having such a useless son.

They were expecting him to get at least close to Steve's million dollar cherry price, but only got a third that.

His parents were livid again. But they took their money and never looked back.

In the eight or nine years it's been since they were auctioned off, Tommy's parents have never contacted him. They made sure he got into the best schools for the skills he would need as an escort, paying for it out of his bid price. But he's never received so much as a post card from them.

It took him three years to pay off his debt while it only took Steve less than one year.

So despite all the training and everything he got, he was never as popular as Steve.

Resentment grew.

He stayed with Starcourt Services because he had to prove to Carol, to his parents, to the world that he was better than Steve. That if he just had more time, he could beat Steve as one of the top earners at the agency.

It never happened. The wage gap between Steve and Tommy grew with each passing year.

And then the events of the story take place and Tommy does not have a good time.

So when Starcourt washes their hands of him he becomes a teacher.

His first year is tough, but rewarding. Only on the last day Tommy gets told he might not have a job come August. And he just breaks down. A parent of one of his now former pupils comes in because she left her jacket in his class. The parent is a single female alpha whose bondmate died shortly after the birth of their daughter due to complications.

And she just helps him through it. Then over the summer she helps him get a job at another school and they fall in love. Since now he's at different school then her daughter Tommy doesn't feel like a conflict of interest and they bond.

Now that's not to say that all this justifies Tommy's behavior. Because it absolutely doesn't. But I wanted him to find a happier life outside of being an escort as sort of a "this job can chew up and spit out and you still be a person at the end of it all".

Tag List: @mira-jadeamethyst @rozzieroos @redfreckledwolf @emly03 @itsall-taken

@spectrum-spectre @estrellami-1 @zerokrox-blog @swimmingbirdrunningrock @gregre369

@a-little-unsteddie @chaosgremlinmunson @chaoticlovingdreamer @messrs-weasley @goodolefashionedloverboi

@maya-custodios-dionach @val-from-lawrence @i-must-potato @danili666 @carlyv

@wonderland-girl143-blog @justforthedead89 @bookworm0690 @bookbinderbitch @yikes-a-bee

@littlewildflowerkitten @vecnuthy @scheodingers-muppet @y4r3luv @cinnamon-mushroomabomination

@genderless-spoon @anne-bennett-cosplayer @awkwardgravity1 @irregular-child @nburkhardt

@apomaro-mellow @yellowdevilkitten @eyehartart @mangoinacan13 @demolvr

@ellietheasexylibrarian @rememberthatiloveyou @slowandsteddie @r0binscript @alyelf

@melodymeddler @mogami13 @annabanannabeth @disrespectedgoatman @manda-panda-monium

@lexirosewrites @lawrencebshoggoth @lingeringmirth

#my writing #stranger things #steddie #ladykailtiha writes #bts

60 notes · View notes

marzipanandminutiae · 3 days

Note

i just reblogged that post about saying nice things abt prev but i wanna send an ask too, so: thank you for being one of the only people to be correct about the winchester mystery house and sarah herself!! so many people spread the stories of her being weird/crazy/whatever when she was just. a woman who suffered some tragedies and liked architecture.

i went on a tour of graceland recently and was intrigued by how they barely talked about elvis as a person, whereas winchester tours are basically a trap where you think you're getting to explore a weird fucked up house but actually you're going to hear about how wonderful sarah winchester was for an hour and if you say anything mean about her design skills one of the tour guides will push you out the door to nowhere.

i go through your winchester tag sometimes when i'm nostalgic and missing the house (i got laid off during quarantine) and it's just nice to see that even people who didn't devote years of their lives to the house can genuinely understand and appreciate it.

I'm so glad it's gotten better! Someone once anonymously told me the guides had to sign a contract saying they would only stick to the story made up by that ridiculous carnie family that bought her house in the 1920s, and even though it was an anon and therefore unverifiable...I believe it, sadly. For Profits often are more about...well, profit. As opposed to history. But it's good to know the guides care about getting the truth out there.

In Sarah Winchester I see a woman whose character assassination for being different(tm) has carried on after death. It's not that she was perfect- far be it from me to lay perfection at the feet of a white 19th-century gun fortune heiress -but she seems like a genuinely caring person in many ways, about her workers and her community. She was an unattached woman of means with an unconventional hobby (architecture), though, and that seems to have made wagging tongues nervous. During her lifetime that meant claiming she thought she'd live forever if construction never ceased (it did, several times), and after- well. The tale of the mad widow fleeing from invisible ghosts has come to prevail.

It feels unfair to me that she should forever be remembered by what her detractors said about her, instead of her own triumphs and setbacks, merits and flaws. And that her beautiful house, where she poured so much love and attention, should be so misrepresented. I'm glad people are trying to fix the narrative.

#sarah winchester #ask #winchester mystery house #lakesandquarries #spoiler alert for those who didn't know: she was NOT trying to hide from ghosts of Winchester rifle victims #she was just passionate about architecture and had the money to make that her Hobby #it's widely believed among historians that the 'doors and stairs to nowhere' are remnants of house sections destroyed in the #1906 earthquake and never rebuilt #the 'seance room' I've been told is just an attic storage room converted after her death- she would have held seances in the parlor #with tea to follow #like a normal Victorian

50 notes · View notes

pinegreenapples · 1 day

Text

Radiostatic Fic Recs

Do you like radiostatic? Are you looking for something good to read? Here are some of my personal favorites that I think everyone should read! As a reminder, if you don't like something listed, just don't read it! And don't bother the author or me! Staying in your lane is free! 😊

Finished works

Control + V

Vox and Alastor are on the cusp of a relationship but Alastor worries that he isn't enough for Vox. Val interferes.

Get Your Thrill Just to Get At Me

Alastor experiences a rut for the first time and Vox refuses to waste good dick on a panic attack.

Hold Me Like A Grudge

This one's ABO and pretty much just smut. Suppressants fail all over the city! Guess we gotta fuck!

Put Your Fingers Back to the Keys

Alastor gets publicly summoned by Lilith and Vox searches for him.

Escape Was Just a Nod and a Casual Wave

This one's a really cool predator/prey fic where Vox chases Alastor.

Keep You Like an Oath

Alastor sneaks into V Tower and discovers Vox's video logs. It causes a revelation.

Lucidity's Fog

Vox has one final sex dream of him and Alastor together.

How to Commission a Radio Demon Body Pillow (and other assorted things)

This one is based off a tumblr ask thread about Vox having an insane amount of Alastor paraphernalia. It's funny, but it is one-sided.

Would You Download a Demon?

Alastor tells Vox and Rosie that he sold his soul. Vox does something so stupid, it's smart.

Classic and Better

Oooohhhhoooo, this bad boy is what made me start writing again. The characterization of them is so good and I love it so much. Alastor tempts Vox back into his folds and Vox follows blindly.

Once Bitten, Twice Shy

Alastor lays claim to Vox by biting him. This one is short and sweet.

Couple's Therapy

This one was funny and sadly too short. Modern day Alastor and Vox decide to go to therapy as a joke and it actually makes them realize a thing or two.

Bambi

I love this piece. It's cute! Vox and Alastor have two different versions of Bambi-their clashing interpretations lead to an adorable misunderstanding.

Joking Matters

Vox and Alastor got married to consolidate their power and have kept their relationship a secret since.

Obligations

Vox trades for Alastor's soul but it isn't at all like how he wanted. They both cope in their own ways.

Meant to Be Yours

This one's one-sided. Vox gets rejected and takes it really badly. An excellent piece exploring his side.

Bargains

This one is also so so so good. Alastor has a rut cycle and the only person who knows is Vox. However, Alastor hates that he has a rut and takes it out on Vox. Vox just wants to know what Alastor actually wants.

Spite

This one is delicious. It's based off the first episode where Alastor says he pulled a few strings to get the commercial to air. Vox demands that he act in a porno for blackmail.

Just a Slave to Your Instincts

Vox researches deer instincts and uses it very effectively against Alastor.

That One Tuesday

Similar premise to Classic and Better but it involves more of the Hazbin cast and the main plotline of trying to redeem sinners.

Vox and the Terrible, Horrible, No-Good, Very Bad Afterlife

This one is light on the relationship but funny. Basically, every rut Alastor goes fucking nuts and takes it out on Vox. However, no one believes him and they think he's going crazy.

666: Live on Air!

An excellent series that does a good job exploring the push and pull between these two and what a relationship between them would look like with all their hang ups and miscommunications.

Seeking Solace

This story plays with Dom/Sub designations and Vox is a sub who hasn't dropped in too long. He calls Alastor to help.

Radio Made the Video Star

I haven't fully read through this series but it is well written and I'm liking it so far!

Thawing Out

Vox is in an abusive relationship with Valentino. Alastor finds him one night by accident when he's mulling over his relationship. For the first time, Alastor notices that something else might be going on at Vee Tower and he has these awful feelings about it that he can't seem to shake.

The Pitch

Vox swaggers into Alastor's radio tower to propose a deal, he ends up limping out. Wink wonk!

Hypnosis, Live in your Bedroom!

This is inspired by the 666 hypnosis fic and it is quite good! It’s another smut piece of Alastor and Vox exploring his hypnosis.

Other Place

This piece is really sentimental. It made me cry and think about death. Basically, Alastor visits Vox on the anniversary of his mother's death and they talk through his many emotions.

This Wasn't on the Agenda

One-sided but funny! Vox and Alastor start a hissy fit in an overlord meeting about their brief sexual history together.

Staticradio Woodland Fun

This one's cutesy! Vox and Alastor are both mythical creatures experiencing rut and so they spend it with each other.

Feeling from Grace

Angel Dust comes to Alastor with some concerns about Vox’s wellbeing. Alastor manages to fuck it up, as he does all things regarding Vox and feelings.

Music on T.V. and Sex on the Radio!?

This one’s funny and sexy. After their little fight on air, Vox tracks Alastor down in his tower to have some good old fashioned fun.

Stay

Alastor can’t seem to let Vox go, even when Vox decides he can’t keep playing this game anymore.

Like Old Times

Alastor pays Vox a visit in his office after their musical spat to say hello.

Deer in the Backlights

This piece is nice in the way that it explores Vox finally getting closure from his obsession with Alastor. Val and Velvette set up a meeting for Vox and Alastor to finally fuck and get rid of their weird psychosexual tension. Vox wonders if this was really what he wanted all along.

198

This one is pure smut and it’s so delightful. Vox manages to mind break Alastor and turn him into his own personal sex toy. I also highly recommend anything by childishsadism, they write very compelling work!

Undisclosed Desires

Alastor and Vox get into another fight and Alastor finds he likes it a lot more than he thought he would.

To Be Yours

This is my own work! Alastor hears Vox open their personal frequency for the first time in years. Curious, he goes to find out why exactly Vox has chosen to break the silence.

Unfinished works

Addicted

Addicted is really good. Vox finds out he's been drugged by Val for decades and as a result has long term amnesia. He runs away and tries to reckon with a past he can't even remember.

Hypnotic

This one is a rape fic. Vox hypnotizes Alastor against his will and forces him to recount his first sexual encounter as he has sex with him.

Prey of the Video Star

This one is really really good! After the battle, Vox takes Alastor back to Vee tower, determined to finally make the other his. Alastor, weakened, struggles the best that he can even as the noose tightens around his neck.

Safe with Me

This one's good! It's a modern AU where Vox is a CEO and Alastor is a serial killer and podcaster. After separating as childhood friends, Vox and Alastor meet once again and find love with one another.

Equilibrium

Vox saves Alastor and accidentally creates a soulbond between them. This sets in motion a landslide of unexpected events between them.

The Answer is Yes

Okay, this one is extremely well written. It's a fascinating exploration of Vox and Alastor's relationship through a vignette style. It blends all sorts of memories with modern day and it's really cool. I like it a lot.

Bluest Monday

This one is so well written and the romance between them is absolutely heart wrenching. Alastor fears losing Vox to modernity, so he finally accepts Vox’s courting in an attempt to keep the other at his side. This decision has unintended consequences neither could foresee.

Hell’s Televisionary

This one is a really interesting take on Vox and his first few years in Hell. I’m really enjoying it! Vox is new to Hell and looking to make a name for himself. He’s also looking to reconnect with the elusive redhead that helped him when he first fell.

Rival Frequencies

Vox goes after Alastor after the extermination and patches him up. He discovers that maybe his feelings haven’t waned, and he tries to rekindle a friendship with Alastor again.

Tune On In!

This one is based off of an art post where Vox and Alastor got platonically married and details their life together.

Unraveling Emotions

Falling in love makes a sinner’s heart human again and their second death permanent. Vox has never stopped loving Alastor. Alastor makes a mistake and Vox nearly pays the price.

For my friends who liked my post, I hope this finds you!

@rae-does-stuff, @drakepad-luv-2000, @motherarts, @freakshowmemories, @bratpfanne-of-doom, @superpersonpatroleclipse , @nocakesformissedith , @coins-that-never-land , @matrixbearer2024, @dancingafterdark ,@pedi-bug , @starlightthenightwing , @unnecessarilysalty

#radiostatic #staticradio #staticlovetune

39 notes · View notes

lilsmv1 · 2 days

Text

august - MV1 (1/?)

- you're on your own kid [pt1]

Pairing: Max Verstappen x Juliette Durand

This is a story for the Max (and Taylor Swift) girlies.

masterlist

Summary: They were doomed from the start. Two completely different worlds colliding, there was no way this could work. But what happens when they keep running into each other, as if gravity was pulling them together.

Trope: slow-burn af

(*dialogues in italic are meant to be in French, I’m just too lazy sksksks)

Word count: 1,1k

A/N: This is the first chapter guys! I'd love some feedback :) Enjoy !

Having recently graduated meant finding a job and getting your life together.

But Juliette was only 25, how was she supposed to know for sure what she wanted at this point in her life?

Juliette was completely lost. She wanted to do everything and nothing at the same time. Everyone expected her to know everything, especially her parents.

Instead of facing their incessant questions on the matter, she ran away, in hopes of overcoming her current situation.

Hence why Juliette booked her tickets for Italy, and found herself wandering the streets of Orta San Giulio.

Juliette felt at peace here, the sound of the water banging against the boats, the cool breeze gently brushing her cheek, the smell of sea water. She didn't know anyone, and no one knew her. No one to expect her to be anything.

She was strolling through a bookshop, her fingers brushing the edges of the books as she went. Her eyes lit up as her hand touched her favorite book. She couldn't even tell how many times she'd read it, but it always had the same gut-wrenching effect on her. She took one last glance at the book before leaving, Martin Eden, by Jack London, a fan favorite, or at least hers.

As she left the store, Juliette’s phone rang. It was Pierre.

“Ju?”

“Yes Pierre?”

“Did you arrive safely? You were supposed to text me once you get there.”

“Sorry dad!” She laughed. Pierre was her best friend and he could be a tad bit overprotective sometimes.

“You know I worry about you. How are you feeling?”

“Don’t worry, I’m fine, I just need time to figure things out for myself” Juliette was lying. She wasn’t fine. Her anxiety was really getting the best of her lately.

“I know, and you’ll figure it out. You’re the clever one, you’ll find your path” Replied Pierre, trying to reassure her.

“Easy for you to say, “Mister I always wanted to be a Formula One Driver”” .

Juliette and Pierre met when she was in middle school. They actually met in detention. Pierre was there after talking back to a teacher and Juliette was there after throwing her eraser on a friend. He was three years older than her and immediately saw her as the sister he never had. Since then, she has been cheering for him throughout his entire career, being there for each milestone. She was very proud of him.

“What can I say, I have always dreamt big” laughed Pierre “By the way” he added “Kika is coming to spend a couple days with my family next week, will you be there?” Pierre asked.

“Of course! I can’t wait to see her again!” Juliette was so happy to see Kika again, she was a real sweetheart. She was glad Pierre had found her.

“Well I gotta go Pierre, I’ll call you back during the week, alright?”

“Ok, take care Ju, love ya!”

"Love you, see you soon!" replied Juliette.

Juliette cherished her friendship with Pierre more than anything. They couldn't see each other often due to his intense schedule, but he was always there for her and vice versa. To her, he wasn't Pierre Gasly, he was just Pierre, her best friend from middle school. She felt really lucky to have such a friend by her side.

Juliette kept exploring the city for a couple hours. As the evening went on, she decided to grab a bite in the nearest restaurant. Once she settled, she pulled out her film camera, snapping candid shots of the people surrounding her.

That camera was always in her hand, having thousands of film rolls at home, each capturing snippets of her life.

She watched the people through her lens throughout the whole dinner, until her gaze fell on a pair of piercing bright blue eyes already staring back at her. She slowly lowered her camera, and looked away shyly, embarrassed that she'd been caught red-handed.

She looked back up and that’s when it hit her. She knew those dashing blue eyes. They belonged to none other than Max Verstappen, one of Pierre’s fellow drivers. Except for Charles, she had never met any of them, trying to stay away for the spotlight as much as possible.

Juliette was completely mortified, and to make matters worse, he was headed in her direction.

“Ciao” he said when he reached her, cringing at his own attempt to speak Italian.

It was all it took to make Juliette burst out laughing, a mixture of surprise and nervousness.

After seeing Max’s defeated look, Juliette pulled herself together.

“I’m sorry”, she said “It’s just, I wasn’t expecting you to speak Italian”.

This made Max smile.

“You speak English… then, made a fool out of myself here, didn’t I?” he asked, chuckling.

“Kind of, but it was entertaining” she softly replied with a grin. Realising he had been standing there for five minutes, she invited him to sit with her, which he did.

"I'm Juliette by the way"

"Nice to meet you Juliette, I'm Max"

“So,” he kept going, “did you take any nice pictures, hopefully some with me in them” he said smirking.

“So you did see... Well, I would’ve but I got a little interrupted” said Juliette.

"Don't worry, I'm flattered" he replied laughing.

"Don't go feeling too special, I take many candid shots of strangers... Although it might sound weird like that" she laughed. "I just find it beautiful to capture snippets of life".

"Well you definitely make it sound beautiful" he replied with a warm smile, making her blush.

They stayed like this for a while, chatting about this and that, although Max failed to mention that he was an F1 driver and Juliette, on her part, failed to mention that she knew who he was and that Pierre was her best friend. They both did not want to make this conversation weird, knowing that were never going to see each other again anyway.

"Well, Max, it was lovely to meet you, but I think I'm gonna head out" said Juliette after a while.

"Yeah me too, have a good night Juliette" replied Max with a smile.

"Good night Max" said Juliette softly before leaving.

They each went their own way, a smile on their face as they though about this one-off encounter.

But after all, Orta San Giulio isn't a big town. Who knows, they might run into each other again.

39 notes · View notes

quickcharlie · 1 day

Text

Denis Villeneuve discussing Dune Part 2 in an interview with the New York Times today, including whether he will be reading any FeydPaul fan fiction lol

He explains why Lady Jessica’s face is so heavily tattooed, whether Paul considers himself the Messiah and what he thinks of those Javier Bardem memes.

This weekend, “Dune: Part Two” muscles back into IMAX theaters with the verve of Timothée Chalamet rodeo- riding a giant sandworm. After nearly two months in theaters, the film is the current champion of this year’s box office race, with a total take of more than $680 million. (It’s also available to rent or buy on some streaming platforms.) The film’s success is thanks in part to audiences that have returned over and over to get lost in the rocky warrens and spiritual reckonings of the planet Arrakis. One admirer reports he’s seen the movie 25 times to date.

That there’s so much to explore in “Dune: Part Two” is a credit to its writer and director, Denis Villeneuve, who boldly reshaped Frank Herbert’s complex and cerebral 1965 novel “Dune.” Villeneuve split the book and its themes into two films: “Dune: Part One,” released in 2021, focused on the political struggles between two families, the Atreides and the Harkonnens. “Part Two” delves into religious fervor as the two surviving Atreides, young Paul (Chalamet) and his mother, Lady Jessica (Rebecca Ferguson), ingratiate themselves with Arrakis’s Indigenous desert tribe, the Fremen, by allowing the locals to believe that Paul is their Messiah — a prophecy that, if it comes to pass, will mean the slaughter of billions of victims across the galaxy.

Villeneuve has yearned to tell this story since he was a in . His devotion is palpable; every frame feels steeped in monkish contemplation. Yet, he’s also a visual dramatist who doesn’t want audiences to get tripped up by too much exposition. His scripts give only passing mention to core concepts like spice, a psychedelic dust that powers everything from space travel to Paul’s clairvoyant hallucinations.

Though Villeneuve doesn’t want to overexplain, he was willing to provide some answers in an interview via video where every question about the film — even silly questions! — was on the table.

Does Chalamet’s Paul Atreides actually believe he’s the Messiah? What’s the meaning of Jessica’s face tattoos? Villeneuve also got into the erotic lives of his desert dwellers and the extra narrative weight he threw behind Paul’s Fremen love interest, Chani, played by Zendaya. As Villeneuve said with a grin, “Chani is my secret weapon.”

Here are edited excerpts from our conversation.

The last time we spoke, you weren’t sure what to make of the sandworm-shaped “Dune” popcorn bucket. It went on to be so popular that it sold out in cities before opening day and is being resold online for around $175. What do you think of it now?

I thought that the bucket was an insane marketing idea. I laughed so much. It is so out there. I don’t know who designed it, but they’re a bit of a genius. I’m at peace with the bucket.

In this film, Javier Bardem’s character Stilgar is reduced to a guileless follower of Paul Atreides, who Stilgar believes is the new Messiah. His conversion is tragic. But also, Bardem’s awe-face has become a funny meme, and the second time I saw the movie, people laughed at almost every line he spoke. Did that reaction surprise you?

No. I am very happy when you say that he is a tragic figure. For me, he is the most tragic figure of all. The idea to bring humor to Stilgar was to make him lovable, to feel the humanity in that character. He’s not an austere figure, he has a big heart. But his beliefs, his faith, his reactions bring humor — and that is something I love about making a sci-fi film, because I can talk about that without offending people because it’s a fake religion. I designed all the prayers myself, so I know it’s fake. I find Stilgar very funny. And when people laugh, I’m happy because that was the intention.

Someone makes a dig that Stilgar has found a savior again. This is not even his first time? All his life he has been raised with that dream. So I suggest that every time a guy comes from outside with a lot of charisma, he hopes he’s found him. Like in the Bible, we have tons of prophets before Jesus came.

The arc of “Dune: Part Two” is Paul accepting that he must become the Messiah — and get billions of people killed. Does he truly believe that he is the Messiah? Or does he just decide to let the Fremen believe that he is? I don’t think he believes that he is the Messiah. I think he feels the burden of the heritage that the Bene Gesserit [the mystical sisterhood that Jessica belongs to] have laid among the Fremen, and he sees the potential to use that religious power to survive. Paul is warned that no man can survive drinking the spiritual water of life. But as that’s part of the lore of a planet seeded with manipulative propaganda by his own mother, I have to ask: Have other men actually been drinking the water and dying? Have they been scared off from trying? Is the warning just a setup for a magic trick?

There are people that have tried it in the past and died. In Frank Herbert’s world, femininity is a power. I think Herbert was fascinated by motherhood, by the power of creation. I love this idea that the power is held by women. It’s something that was ahead of his time when he wrote it and I tried to put the focus on it. You say so much with Jessica’s costuming. In the first film, her look is immaculate and baroque. This film begins with her in rags, but she finds another path to being dressed and treated like royalty. And she gets a lot of tattoos on her face. Why did she get so many more face tattoos than the outgoing reverend mother?

She’s trying to play on the symbolism that was put in the prophecy. She’s supposed to be the mother of the Messiah, so I wanted to bring the idea that she was like the pope of the reverend mothers on Arrakis. There’s some kind of madness in writing elements of the prophecies on her face. Frankly, I think when you drink the worm poison, it affects your sanity — and the same with Paul. I like the idea that we feel she’s going too far. Jessica is already pregnant when the first movie ends, and she’s still pregnant at the end of this film. Which means you had to condense this massive story into less than nine months because her body is a time clock. The idea was to compress the book so that Paul will feel the pressure to get the Fremens’ trust, to start gearing up — but not to succeed, not to have the time to create a real war. Time is against him.

Because in the book, this takes years. Long enough for Jessica to give birth to a very unnerving daughter, Alia. We glimpse Alia as an adult — she’s played by Anya Taylor-Joy — but you skipped over seeing her murder people as a toddler. Was it hard to decide no “murder toddler”?

I think pregnant women look tremendously powerful. To use that power was very exciting. And usually when you see a pregnant woman onscreen, she’s always giving birth. To avoid that moment, to stay in the state of being pregnant, I thought was very Frank Herbert-like. I was going away from the killer toddler, but I thought that was more fresh and original. Honestly, it’s one of the things that I’m proudest of in the adaptation. Speaking of female power, let’s talk about Chani.

Chani is my secret weapon. Frank Herbert was sad to realize that people saw the book as a celebration of Paul Atreides. He wanted to do a cautionary tale against messianic figures, a warning against blending religion and politics. I wrote the second movie trying to be more faithful to Frank Herbert’s intentions than to the book. In the book, Chani is just a follower. I came up with the idea of her being reluctant. She gives us the critical distance and perspective on Paul’s journey. I wanted to make sure the audience will understand that Paul becomes a dark figure, that his choices are exactly what Chani was afraid of. He becomes the colonizers the Fremen were fighting against. And then the movie becomes the cautionary tale Frank Herbert was wishing for.

Paul makes a choice at the end that will go on to kill billions of people. That’s so large and theoretical that it’s hard to grasp. But you structure your climax so that in that moment of betrayal, he’s also betraying the love of his life — a betrayal we understand.

He betrayed her in many ways. But the big thing for Chani is that it’s not about love. It’s about the fact that he becomes the figure that will keep the Fremen in their mental jail. A leader that is not there to free the Fremen, but to control them. That’s the tragedy of all tragedies. Like the Michael Corleone of sci-fi, he becomes what he wanted to avoid. And he will try to find a way to save his soul in the third part.

But “Dune Messiah,” the book your third film is based on, picks up 12 years later with a reunited Paul and Chani. How far did you feel you could push her anger? Because at some point, she’s going to have to forgive him. That anger is tremendous. I don’t want to reveal what I’m going to do with the third movie. I know exactly what to do. I’m writing it right now. But there’s a lot of firepower there and I’m very excited about that decision. In the spirit of no dumb questions, Chani says that Paul sand-walks like a drunk lizard. Which means Arrakis has booze?

Actually, there is spice beer. In the book, there are Fremen parties, even some orgies involving spice. I didn’t bring that into the movies because it’s PG-13.

Body fluids have significance to the Fremen. Spitting is the giving of water, a sign of respect. But tears and vomit are a waste. So what is kissing?

As long as you don’t lose your humidity, you can kiss. It’s an exchange of fluids — an act of love, when you think about it. Fremens love to kiss.

What about the, um, other romantic fluids? You cannot have sex outside, for sure. But they are very sexual. I suspect that all sexual intercourse happens in environments that are protected from losing moisture. When they are in their sietches [or caves] underground, those are sealed. You don’t need to wear stillsuits inside them. We can deduce from that there is no problem to have sex in a sietch.

By the way, who decided that Fremen was pronounced Freh-men and not Free-men? All the pronunciations, I took them from recordings of Frank Herbert’s voice. Frank Herbert used “Freh-men,” which I love. It makes it less on-the-nose.

You kept two major characters out of the first movie and only introduced them now: the princess Irulan, played by Florence Pugh, and the Baron Harkonnen’s nephew Feyd-Rautha, played by Austin Butler. The princess is the first voice in the books, the first face onscreen in David Lynch’s “Dune” [1984]. What made you sure holding them back was the right move, despite three years of fans asking, “Hey, where are they?” When people ask me what was the biggest challenge in making those movies, it’s writing them. In order to make this adaptation, we have to make big, bold decisions. One was that the first movie should be seen from Paul’s perspective. I wasn’t able to do that entirely because I had to go to the Harkonnens’ side to introduce them so that the story will be clear, but I tried to find an elegant simplicity in the story structure. And I wanted, frankly, to keep some firepower for the second movie.

Why is Feyd-Rautha’s gladiator scene in black and white? And what are the splats in the sky above the dome?

Frank Herbert explores the impact of ecosystems on cultures, on humans. How it influences the way we evolve — our biology, culture, technology, mythology, religion. The psychology of a tribe is linked with their environment. If you want to know things about the Fremen, you observe the desert. I wanted to have the same approach to the Harkonnens. They killed nature. It’s a plastic planet. One thing left was sunlight, but instead of a sun that reveals color, it kills colors. When you are outside, it’s all black and white. It gives us ideas about how these people perceive reality, politics, violence in a binary world — it brings the idea of fascism. It also gave me the opportunity to bring images that remind us in our memories of World War II and the Nazi regime. So it’s an idea that I had as I was writing. Then I had the idea to have strange fireworks in the sky that will look like Rorschach drawings. It’s a nightmarish celebration. The perception of a dome is not accurate. It’s just that the fireworks reach a certain altitude and then they explode. But it’s true that it looks like a liquid that falls from the sky.

Forgive me if I am not being fair to sadistic, psychopathic Feyd-Rautha. But all of the gladiators were supposed to be drugged for his happy birthday massacre. The one who secretly isn’t puts up a worthy battle. So I assumed that Feyd-Rautha isn’t that great of a fighter. But at the end, he’s the only warrior who is Paul’s equal?

It’s a show. You see that the Harkonnens are very cruel and their society is very paranoiac. His opponent is known in the books as one of the great fighters, Lieutenant Lanville. I tried to show that Feyd is excited to have a real opponent. He has a code of honor, he respects the effort, and he has fun with it. That’s the idea I tried to convey — he’s not a coward.

Audiences might remember that the Bene Gesserit wanted Jessica’s child to be a girl, that Timothée Chalamet’s Paul Atreides was supposed to be female. And they specifically bred Feyd-Rautha to be a male. Were they hoping these youngsters would mate?

Yeah. They are trying to increase the potential of humanity by breeding the best specimen of each tribe or family. A baby between Feyd-Rautha and an Atreides daughter would have brought peace between Harkonnens and the Atreides, and created an über being.

Will you read any of the internet fan fiction spawned by the idea of Timothée and Austin hooking up?

[Laughs] But you know, we approached their fight at the end like some kind of symbolic union. The way their bodies get close to one another, there’s something animalistic, an intimacy, I was looking for.

I rewatched the first film again recently. It opens with a quote in another language: “Dreams are messages from deep.” I love that quote. It feels like how a film resonates, too. But it wasn’t until I had subtitles on at home that I realized who said it. Of all the important characters and cultures to establish, you gave that major moment — the very beginning of your franchise — to an anonymous Sardaukar from the murderous imperial army that we’re cheering to see get killed. Why?

I love your question. The Sardaukar are the dark side of the Fremen. I thought it would be interesting to have a tiny bit of insight that they are not just tremendous warriors, but they have spirituality, philosophical thought. They have substance. Also, their sound was designed by Hans Zimmer. I absolutely loved how it feels like it’s coming from the deep, from the ancient world. Frank Herbert said beginnings are very delicate times. By starting with a Sardaukar priest, I was indicating to the fans that I was taking absolute freedom with this adaptation, that I was hijacking the book. But you also deeply love the book. So when you make these bold changes, do you feel like asking Frank Herbert for forgiveness?

Yes. There’s so many darlings that you kill. An adaptation is an act of violence.

“There’s so many darlings that you kill,” Denis Villeneuve said of filming “Dune,” a book he loved. “An adaptation is an act of violence.”

#dune part 2 #denis villeneuve #timothée chalamet #austin butler #paul atreides #feyd rautha

32 notes · View notes

homestuckreplay · 1 day

Text

page 40-43

We only got a few new pages today, not that I'm complaining because the rate of updates has been so high so far - it's been fun to have something to read every day, and selfishly I hope it continues even though I think the author should get a break.

Today's pages mostly focus on GameBro Magazine, which is my new favorite thing and I've already ordered my subscription. I love when stories include excerpts from in-universe media like newspaper articles or songs or diary entries and I like seeing this storytelling element introduced in Homestuck, after quite a few pages of exploring John's inventory it's a welcome change.

So much of the media we've seen in Homestuck so far is real movies (Con Air etc) or the author's previous works (Problem Sleuth etc). GameBro is the first real in-universe media that we've explored. I love how much it says about John (and TG) that they both read this magazine, even while they claim not to like it. I love that the Sburb article begins with 'So ok.' I love the perfect parody of gamer bros who think they can achieve peak masculinity by playing the right video game.

It definitely feels like Sburb is going to be important, but also that the author is going to make us wait before we actually get to see John play it. Right now we've heard a lot about the game while learning almost nothing, and the story is set on putting obstacles between John and the game. I'm definitely curious about what the game involves, so it's working to keep me coming back.

#homestuck #reaction #there is so much to say about just a couple of pages!

25 notes · View notes

opinated-user · 1 day

Text

alright, so according with this description alone, i already got what this show was intending to do. i haven't seen not even the first episode. "comedy" = general tone of levity to highlight the horror/dramatic moments. "drama" = big focus on the character's relationships or their own personal backstories. "slice of life" = their everyday life on a fantasy setting. fantasy = actual genre that dictates the conditions of the setting.

action = sometimes there are fights.

adventure = sometimes there are fights and they move a lot, with a purpose. "adventures in a dungeon" = this show targets D&D fans or people who enjoy high fantasy stories. "exploring the cuisine made out of monster" = what D&D fan hasn't asked themselves what does the creatures they had to fight with would taste like? this is just the logical follow through of the premise with it's own little twist to make it stand out. "pull the digested bones of the main character's sister our a large dragon and use a dark ritual to bring her back to life" = two things are accomplished here. first, it provides a introduction to the notion that even thought this is fantasy, this is a realistic take on fantasy in which the character are still are at risk of being harmed. there are actual stakes to these characters falling to eat the monsters because they can get eaten instead. the second thing this does is give an emotional core in the form of the relationship between these siblings. "she comes back slightly wrong" = emotional conflict. this is not my sister, something is wrong with her, but i care too much about her to let her go. "get ropped into a conspiracy related to the creation of the dungeon" = the actual plot of the show outside of the emotional core.

again, without having watched not even the first episode, this seems like a perfectly easy to understand premise with a story that is going to pull some emotional punches and use the comedic tone so the horror elements stand out even more by contrast.

futhermore... this is nothing extraordinary in term of anime, fantasy or otherwise. you can really tell that LO has not watched a lot of anime outside of what she saw as a kid when she is shocked by a story doing more than one singular thing.

#lily orchard

24 notes · View notes

not-poignant · 1 day

Text

Birthday Spotlight - Crielle ferch Fnwy

[18 April - Aries]

Crielle ferch Fnwy is the matriarch of the An Fnwy estate, a beautiful, evil Machiavellian supervillain who has been manipulating the Seelie Court and her family for tens of thousands of years, while giving the appearance of being a perfectly loving Seelie fae who only cares about truth and justice.

Mother of Gwyn ap Nudd, and aunt of Efnisien ap Wledig, Crielle is actually only rarely seen in stories, but has an explosive impact regardless, due to the trauma she inflicts or causes others to inflict on our main characters.

‘You’re not mine. You may have stolen from our family legacy, you may have parasitised our reputation, you may have even exploited and ruined the things about our appearance that make us – not you – beautiful. But you are not, you have never been mine. If you felt a short, sharp shock when you came into the world, my darling, it was my hands around your throat while your father tried to pull me off you. ‘Imagine, if you will, my dear, reprehensible thing. Imagine the first time you came back to me after we sent you away to play with Efnisien. Oh you were only twelve or thirteen? What a lovely idea that was. And Efnisien had you for hours. I told him to use knives. He liked them so, and he didn’t think he’d be allowed. So precious. And I heard the distant echo of your screams like a faint, familiar melody all throughout my day. A time when they stopped because he gagged you perhaps? Or your voice gave out? Tsk. He is – was – so crude. But still...effective. And do you remember? Oh, my creature, imagine it... ‘You came home hours later, hours after Efnisien. You were broken and cut and bleeding and so, so ruined. And you stumbled into the house, and there I was waiting for you. Breathless, actually. And you stared at me as though I would – what? – tell you that Efnisien had crossed a line, gone too far? Do you remember what I did?’ ‘You smiled at me,’ Gwyn said, his voice rough and rusty.

Game Theory

Game Theory: Introduced as the manipulative, evil, and cruel mother of the King, Crielle starts off with Cinderella stepmother vibes, until you realise that Gwyn's her only son and she can't stand him, favouring his cousin Efnisien instead. A torturer, abuser, schemer, and conniving Machiavellian figure, she ultimately has been puppeting the Seelie Court for thousands of years, and is the cause of Gwyn attaining, and then losing, his Kingship.

It's safe to say that Crielle has never been the Most Valued Player of any story.

The Court of Five Thrones: While Crielle only has a very brief appearance in this story, her presence is felt throughout. We find out more about her feelings towards Gwyn, through journals he discovers in her house after her murder at Augus' hands.

The Drawn Bead: In a story that explores Gwyn's first love, Crielle is there as a forbidding, tormenting figure, ruling Gwyn's life with an invisible, oppressive kind of terror.

The Curse: The only story which features Crielle's perspective, we see her as a child, a teenager, an adult, and learn about her dangerous proclivities, how her family did and didn't deal with them, and the depth of her love for a select few people, a love that she gave to Gwyn right up until the moment he was born.

Fae Tales – Alternative Perspectives: Crielle is only here briefly, but we see more of her dialogue with Gwyn, and more of Augus' perspective about her.

Underline the Black: Crielle here emerges as a cruel villain to Efnisien, in a flipped/reversed narrative where Gwyn is her beloved child, and Efnisien is nothing more than a neglected science experiment. Efnisien's life is at the mercy of Crielle's whims, and she puts him first in Hillview (an institution) to put him out of sight and out of mind, but as soon as he causes too much trouble for her, she won't hesitate to strike him down.

The Spoils of the Spoiled: In which Crielle even in the human world as a human herself proves that she can be just as evil as ever. Ruler of the household, torturer of Gwyn (and later, we learn, Efnisien), and clearly involved in corruption and organised crime, Crielle lives her best life in this story until Gwyn tries to legally emancipate himself from the family.

Falling Falling Stars: In the follow up to The Spoils of the Spoiled, Efnisien - previously thought of as the beloved and protected 'adopted' child of Crielle's - reveals over time the verbal, emotional, physical, and sexual abuse he suffered at her hands through therapy sessions with Dr Gary. Over time, we realise that no one is safe from her influence.

Crielle is very 'classically' beautiful, with blonde hair that has a slight wave in it, that generally falls down to her shoulders. She has azure eyes, a shade of blue almost never found among humans (even when she's human). She wears only enough make-up to accentuate her eyes and perfect lips, and maintains a very 'natural' effect to her beauty. It looks effortless and perfect enough that many who are experienced with beauty routines know she puts a lot of time into her appearance.

Crielle is asexual, sex repulsed, and aromantic.

Crielle is common fae, and while she's affected by the curse that Olphix cast upon the family, I like to think she'd still be pretty awful.

Born into a family in which some members are predisposed to sociopathic behaviour, Crielle was one of the worst and was not encouraged by her parents to be the way she is. Many people assume that she was abused into her evilness, but she wasn't.

To me, the concept or alienness of someone who is as evil as Crielle simply because she was 'born that way' is very fascinating to me.

Incredibly intelligent and perceptive, her few weaknesses are around the (few) people she loves and the way she will indulge them, as well as anything that threatens her reputation.

In Game Theory, when we finally realise that she is at the centre of Gwyn's devotion, standing there watching his humiliation, reacting in disgust to being called 'Mama' in a moment of vulnerability from her own son.

In Falling Falling Stars, Efnisien calls Crielle, and it becomes quickly clear that she holds no love in her heart for Efnisien when she calls him a 'ghost' and reminds him that ghosts are very easy to kill, making it clear she still wants him dead, and only inertia/disinterest is keeping her from following through because she'd already killed him once.

Always really fucking evil and irredeemable.

Frankly dies a lot.

Always a bit of a mad chemist. In Fae Tales she is a literal chemist and inventor of many different poisons. This has carried over even in to her human incarnations where in the Spoils universe she uses her knowledge of science to cultivate, create, or acquire poisons and viruses and bacteria to insert into Gwyn's food. And carries even more strongly into the Underline universe, where she runs one of the most successful synthetic hormone companies in Australia.

Visibly stunning.

Cares a great deal about reputation.

Usually loves Efnisien. Underline is the first series that has flipped the narrative so that Gwyn is beloved and Efnisien is loathed.

Kind of disdains her husband, who has no power over her.

Crielle is a real figure in Welsh mythology, though she was never meant to be an evil figure. Nor is she Gwyn's mother in the mythology. A sign of just how intensely I've bastardised everything for my own purposes.

She is good friends with the Ratcatcher of Hameln.

I wanted Crielle to be an example of how you can't expect that someone perfectly beautiful is a good person. I also really wanted to write a woman villain. I felt like a lot of woman villains at the time that I was seeing or reading were often written as petty or just in ways that made them somehow 'weak.' The appeal of Crielle is that she's an extremely effective villain and the only thing that stops her is her death (with the exception of Falling Falling Stars).

Despite how awful she is, I really love her! I'd write her more, but she's too strong and powerful lmao and she ruins my character's lives too much.

Crielle's colours for me have always been cream, yellow, white and blue. It's hard to imagine her wearing anything else.

‘How perfectly disgusting,’ Crielle purred. ‘A little worm has learned how to use the phone. I thought I had a caterpillar once, that would turn into the most beautiful butterfly, but it turns out the only thing my sister’s loins are good for, are despicable little worms.’ ‘D-Do you hate me now?’ Efnisien whispered. Crielle laughed lightly. ‘Oh, oh, my darling, I don’t hate you.’ A moment of hope, strong and bright, a sudden dawn inside of him. ‘I feel nothing for you. As far as I recall, I killed my nephew, and you are nothing more than a ghost.’

Falling Falling Stars

#birthday spotlight #crielle ferch fnwy #falling falling stars #fae tales verse #fae tales #fantasy #original writing #original work #writing villains #fantasy writing #i love crielle so much honestly #she's the worst #i don't love her in a 'she's great i want to spend time with her' way #but in a 'she's such a robust #and strong and effective villain' kind of way #i can always trust that she will thoroughly fuck shit up in any scene she appears in #and also frequently posthumously as well

25 notes · View notes

mswyrr · 3 days

Text

The reason why lucy/max initially feels so youthful together so far, like kids with a first crush, and why they don't have sex yet, is that they're both "maidens" in a narrative sense:

The Maiden Arc is the fundamental coming-of-age story. It is the story of a character who has left behind the Child archetype (which we will discuss later in the series when we reach the Flat-Arc or “resting” archetypes), but who has not yet individuated away from her family and into her own autonomy. The Maiden represents sexual awakening and conscious burgeoning. Hers is that fraught period—recreated in so many YA novels—when the person is learning who she will become and, perhaps most poignantly, what she is willing to risk to become that person. [source]

They're starting to break away from authority, but they're both still obedient to authority & brainwashing when they meet and start to fall for each other. They're going to separate to dance with their shadows (Lucy with Cooper and Max with the Brotherhood/Dane) and figure out who they truly are - then meet up again.

To be clear, I'm not saying they're in any way actually "children" - they're both adults! But their relationship to authority and community continues to be that of "maidens":

There is no guarantee she will accept the risk. As with all of the arcs, there is no promise she will fully commit to and complete her arc. Although we all grow up physically and assume adult responsibility, the inner arc may remain uncompleted long into our lives. The obstacles the Maiden confronts are vast because true individuation is often perceived as a threat by the tribe in which she exists. [source]

They didn't have sex because it wouldn't have been as their sincere selves? They don't know who they are yet! They're still trapped in a "youth" phase - and now moving into fully incorporating their shadows and knowing themselves & what they want phase. They're only going to get together after that.

And as I mentioned in a previous post, this show (so refreshingly!!) actually includes sex and povs on it as part of characterization - so the fact that they're both "virgins" in a way due to brainwashing--Max doesn't even know his own body let alone what sex is! And Lucy was brainwashed to think of "breeding" as her obligation and purpose - she's only done that and casual sex, never fallen in love and "made love"--plays into why they haven't had sex yet and that, once they're more fully formed as their own people, they will come together in that way.

It's a well written romance arc. A bit of the dynamic where a "childhood crush" couple meets, are separated, and then meet again and falls in love as adults who know themselves and what they want - but in a sped up timeline because they're both on parallel coming-of-age arcs. IMO in the final lyrics "my echo, my shadow, and me" - the shadow is Cooper for Lucy and the Brotherhood for Max and they are echoes of each other - with both similarities and differences.

Side note: even when a canon is writing a romance well... it's still valid and fun to play in non-canon ships because art is for playing and exploring! And I am a multishipper, so please don't bring negativity toward any ship to my post.

#fallout tv #fallout 2024 #lucy x max #maximus fallout #lucy maclean #my meta #fallout meta #fallout spoilers

23 notes · View notes