(DCxDP) The obligations of a rogue versus those of a parent (Pt. 4)
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Tw: descriptions of body horror, Dr. Crane has PTSD and Does Not Realize, Crane has an actual panic attack and just doesn’t care, the Riddler makes one (1) sex joke about Batman
Will be crossposted to AO3 eventually
(Pt. 1 here) (Prev here) - (Pt. 5 here)
(Masterlist here)
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Dr. Jonathan Crane is in his lab, the acrid scent of chemicals filling the air, and his hands are shaking.
Danny’s health, for the first week that he had him, had been steadily improving at an extremely quick rate. However, his healing had begun to stagnate. Danny said that it was because his body had run out of ectoplasm, and that while there was a lot of ambient ectoplasm in Gotham, he needed a stronger type in order to heal.
And so, that led Dr. Crane here.
He had stolen the research notes from the Penguin years ago regarding his experimentation on him.
(He quite vividly remembers the sound of bone creaking and groaning as it twisted, lengthened. The squelching of shifting tendons and muscles, the strange fabric-like tightening of skin. The feeling of going from man to monster, of losing all claim to his humanity.)
Danny had called him Liminal, part ghost. He had said that he was transformed by, among other things, a kind of synthetic ectoplasm.
Danny needed ectoplasm.
Crane had the research notes. He had every ingredient necessary. And yet, attempt after attempt failed.
The chemical smell burns his nose. His hands tremble.
Dr. Crane is not afraid.
He doesn’t feel fear anymore. He’s tried to, many, many times, but nothing has worked. And yet, his hands are shaking still.
(The horrifying sensation of vertebrae pop-pop-popping along his spine, growing and lengthening. The unbearable itching beneath his skin as toxin glands begin to form. The feeling of his teeth sharpening and elongating, of his skull growing, of his vision changing and brightening. The awful stench of chemicals. The awful stench of ectoplasm.)
Jonathan takes careful note of his shaking hands, his blurring vision, his accelerated heart-rate and shallow breathing.
(Human hands. Human vision. Human heart and lungs and organs.)
He takes note of them, but he does not let that distract him from the task at hand. Danny is not a chemist, but Jonathan is.
The boy knows enough about chemistry in theory, but he won’t go anywhere near Crane’s equipment. He seems to have some sort of intense fear of laboratory settings, probably developed during his stay with the GiW, and Crane is willing to respect that, if only because he cannot afford to lose him.
As such, Crane is the only one qualified to do this. And, unfortunately, if he isn’t successful the boy may very well die.
He heats the chemicals to precisely the right temperatures, adding each one to its correct container.
Dr. Crane thinks of the Scarebeast, that creature born of cruelty and greed and a sense of superiority. That creature which he tries to ignore is a part of him, that can never be removed. A damage which cannot be undone.
He pours the contents of a small beaker into a larger flask, watching the liquids swirl together. The stench in the air is becoming closer and closer to the one burned into his memory.
Crane’s whole body is wracked with unpleasant sensations. It’s truly unfortunate, he thinks, that despite his mind’s lack of fear, his body still reacts so harshly.
Jonathan’s eyes wander, eventually settling on a purple and green card sitting innocently on the corner of the table.
Right.
Even if they wiped out the GiW tomorrow, and even if Danny could survive without ectoplasm, he would still be in danger.
Crane has to get him back to good health. It’s the only way he can be sure that the boy can defend himself properly.
The solution in the flask begins to foam, and Jonathan does not hesitate as he adds the final ingredient. He pours the mixture into a new container, capping it and placing it into a freezer set to -40 degrees.
Hopefully this time he got the timing right.
Jonathan tries to relax, the ventilation in the room slowly but surely clearing the familiar smell from the air.
He thinks of the letter.
Surely, he thinks, that man can come up with some better material for his jokes. Or, at least something new.
Same old threats, same old attempted poisoning.
Aiming his threats at Danny, though, that was new. New and utterly unacceptable.
Scarecrow did what he had to.
He doubted that his solution would last forever, of course, as with that man it never did. As such, he would prepare both himself and Danny for the inevitable moment that his choices came back to bite them.
However, for the moment, they were safe. Danny could rest and recover, and Jonathan could figure out a plan to minimize possible damages.
Jonathan is no longer shaking.
He’s exhausted. This is his fifth attempt today, and each one leaves an unfortunate strain on his mind and body.
With a sigh, he settles himself into his seat at a nearby desk, opening up his computer and logging his most recent attempt. He still has to wait for it to chill to know if it was successful, but he can always update the logs later.
Once he’s done, he stretches, joints popping loudly as he walks to the freezer.
When he sees the results of his tireless work, the ghost of a smile flits across his face.
Success.
Jonathan picks up the jug of ectoplasm and leaves the lab, which is in all actuality the basement of the new apartment that he moved himself and Danny into after receiving the note. The scrappy old woman who was his landlord had told him that as long as he paid her five hundred dollars up front, she would let him set up in the basement without any questions or cop calls.
And so, the most expensive apartment in the Narrows was his.
At least, he thought, the distance between the basement and the apartment was short enough that Danny didn’t have to sit in while he was doing his labwork.
Jonathan knew that he didn’t exactly have a strong grasp on the concept of ‘lab safety,’ proven by his built-up immunity to almost every toxic chemical he’d ever encountered, and he doubted that Danny should be around such an environment.
He was back to the apartment quickly, not bothering to hide the self-satisfied smile on his face. Danny is sitting in his armchair, trying to read one of his books. Danny looks up, ready to greet him, when he sees the jug in his hands and pauses.
“Is that..?”
“Synthetic ectoplasm,” Jonathan says proudly, “I found the Penguin’s research notes and decided to recreate it, since you said that you needed it to heal properly. I’m not sure if it’ll work the same as what you usually have, but I hope it’s helpful all the same.”
Danny is standing, now, and looking at Jonathan with a strange look in his eyes. He looks, Jon thinks, like he’s about to cry.
Then Danny is rushing forward and wrapping his arms around Jonathan, his scrawny form shaking.
Jonathan is, for a moment, horrified. Did he do something wrong somehow? Why is this child, who’s so afraid of touch, hugging him?
And then he hears Danny’s voice, and he knows that it was all worth it.
“Thank you,” he’s mumbling, over and over, “thank you, thank you, thank you, thank you so much.”
“Of course,” Jonathan says softly, because what else can he say?
The boy cries in his arms for a while, and Jonathan briefly wonders what his life must have been like before, if a person like him can be seen as a comforting figure.
Then, Danny pours himself a small glass of the synthetic ectoplasm, putting the rest into the small fridge which had come with the apartment, and he settles back down, sitting in the armchair once again.
Jonathan sits opposite of him, and they chat with one another as Danny drinks.
Danny talks to him about the stars and tells him about different spaceships, and Jonathan makes sure to pay attention and ask the boy questions.
He doesn’t miss the way that Danny lights up every time he asks him something about his interests. He’s so passionate, so smart, a trait that he seldom sees outside of his fellow rogues, and Jonathan wants to encourage that.
It’s…nice. Peaceful, almost.
And then the front door flies open, because Jonathan isn’t allowed to have nice things.
“Jon,” a familiar voice rings out, “what the hell?!”
Danny is frozen in place, clearly terrified.
Jonathan heaves a sigh, turning to face the nuisance who’s entered his apartment.
“Eddie,” he drawls, “to what do I owe the pleasure?”
Edward’s face is red with anger as he invades Jonathan’s apartment.
“Oh, I don’t know! Maybe it’s the fact that you sent a bunch of rogues a cryptic message and then dropped off the face of the earth for two weeks! I was worried, Jon!”
Jonathan hums in acknowledgement.
“I didn’t think it was that cryptic,” he says, picking up a book in order to pointedly ignore the Riddler.
“Oh, of course you didn’t, you straw-stuffed hickory dickory dickhead. I swear, you’re always—” he pauses, finally having noticed Danny sitting opposite of Jonathan, “—who is this?”
“My apprentice,” Jonathan replies, dreading the upcoming headache he was no doubt going to develop from Edward’s company, “he’s helping me hunt down the GiW. His name is Danny.”
Edward gasps dramatically.
“You—an apprentice?! And you’re letting him sit in the old man chair?! You don’t even let me sit in the old man chair,” he wails, draping himself over the headrest of the couch with a flourish, “Jonathan, I thought I knew you!”
“Edward,” Jonathan says, “get out of my apartment.”
“Oh my goodness, this is incredible. You’re becoming the bat!”
“I am not becoming the bat, Eddie, now get out.”
Edward has a shit-eating grin on his face as he waltzes over to Danny. Danny, who seemed terrified when he first appeared, is now looking at him with obvious amusement written all over his face.
“I mean, look at him! The hair, the eyes, the scrappy build. If you put him in one of those traffic light vigilante costumes, he could easily pass as a Robin!”
“I’m not doing this with you today, Eddie.”
“Riddle me this, Jon: I am a treasure hidden inside of a chest. You can break me, or steal me, or give me a rest. I can flutter, or pound, or attack, or drop, but if you don’t have me, you’re certainly fucked. What am I?”
Jonathan pauses for a moment before he groans, dropping his head into his hands.
“Eddie.”
Danny sits still, a confused look on his face as he repeats the riddle silently. Then, his face lights up in delight.
“A heart!”
“Jon, I like this one,” Edward says with a smile, ruffling Danny’s hair, “you are correct! A heart, something that I wasn’t aware that our dear Jonathan had!”
“Eddie, stop.”
“No, no,” Edward says, “I was worried about you, you deserve this. I mean, you even missed girls night! You never miss girls night!”
“Girls night?” Danny asks, absolutely delighted.
“Oh, of course,” Edward says, sprawling over on the couch, dangerously close to just laying in Jonathan’s lap, “we have it once a week. I’m invited because of Selina and Jon’s invited because Harley likes him.”
“And what does girls night entail, exactly?”
“Eddie,” Jonathan groans, “please.”
“Well,” Edward hums, “we usually paint our nails, or watch a movie, or gossip about the other rogues, and occasionally, we tell each other about any ‘encounters’ we have with Batman,” he says, raising his eyebrows up and down.
Danny’s jaw drops.
“Edward, shut up,” Jonathan says, an irritated tone in his voice that wasn’t there before.
“No way,” Danny says, “I thought that Batman, like, hated you guys or something. You mean he actually..?”
“Oh, the Bat is much like a bottle of liquor or a cheap cigarette, in that he was made to be passed around.”
Danny chokes on air.
“Edward Nygma,” Jonathan hisses, getting out of his seat and looming over the man, “get the hell out.”
Edward pales.
“Leaving, leaving!” Edward says, dashing away from Jonathan. He pauses, turning to flash Danny a quick smile.
“Remember Danny, I’m your favorite uncle! Not any of the other rogues, me!”
With that, he leaves, the room falling completely silent.
And, as per usual, that silence does not last.
“You full-named him?” Danny asks gleefully, “and it worked?”
Jonathan just sighs, sitting down on the couch and rubbing at his temples.
“Please, don’t take anything Eddie says seriously. He’s a moron.”
“Dr. Crane, please let me come to girls night with you,” Danny pleads, his eyes sparkling, “I promise I won’t embarrass you.”
Jonathan groans.
“Of course you won’t, Eddie will do it for you.”
“Come on, please?”
“I think we’re a bit busy with the GiW at the moment,” Jonathan snaps. He pauses as he notices the crestfallen expression on Danny’s face.
This boy is going to be the death of him.
“Perhaps, though, when all that is taken care of…”
Danny cheers, grinning wildly, and Jonathan is not at all relieved to see him happy again. Certainly not.
The rest of the day is relatively normal.
Danny works on trying to get information from the GiW database while Crane refines his his fear toxin, both preparing for a raid on the GiW base they located in Gotham.
It was only a temporary base, nothing of note, but there was a chance of discovering more bases through it, and that wasn’t something either of them were willing to give up.
Still, something like this would take time. Rushing would only lead to failure.
…
Late in the night, long after Danny is fast asleep in his room, Jonathan pauses.
The GiW are not the only threat out there. They aren’t the only threat to him or to Danny. Perhaps it could be helpful to reach out to someone with greater resources than himself.
He sends a quick message to Red Hood.
Hopefully, he thinks, everything will go smoothly.
—
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-`. WHATS YOUR OCS ROLE IN A TRAGEDY?
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MISUNDERSTOOD VILLAIN
prepare for an onslaught of both the most dehumanizing and hateful takes, and flood of thirst comments. you are chronically misunderstood. whether or not you're actually evil is debatable. you may be acting out for revenge, to defend someone you love, or even just to protect yourself. you're a pretty jaded person. you don't trust or even really like most people. maybe you did at one point. but that part of you is gone, and you don't go a single day without grieving it. you think a lot about what your life could have been. you're stuck in the past. you're angry and maybe you don't even want to be, but this is the only way you can see to survive. you're open, but less in a trusting way and more like a wound. you don't like to let people see you, but the hurt spills out of you before you can stop it. you're impulsive, even as you try hard to plan and prepare. maybe someday your side of the story will finally be heard. until then, you can convince yourself that being hated is safer anyway.
DESPERATE NARRATOR
this story is a cycle, and you're spinning around it like a hamster in a ball being tormented by a cat. you know how this story ends. after all, you've told it a thousand times. but you try to change it every time. you love the people in this story more than anything. so watching them fall victim to the narrative breaks you in a way you can't begin to describe. but all you can do is tell the story── their story── with tears in your eyes. you're prone to anxiety and feelings of helplessness. you have so much love in your heart, and for once you wish it would change something. it didn't. it doesn't. it won't. but you refuse to stop telling the story. and you refuse to stop loving the people in it. in this way, no one is stronger than you. you just wish being strong hurt less.
UNASSUMING EXTRA
you had maybe 3 lines but you will forever own my heart. you play a very minor role, one often forgotten about (not by me tho bby, i'll love you forever). however, your significance in the story is pretty big. something about you propels the story forward in a way no one else can do. you tend to blend into the background, and you probably like it that way. you want a simple life, free from the drama of the main characters. unfortunately, your story is almost always cut short. your role is usually a death that kickstarts the plot. going unnoticed did not save you, but it probably did bring you some peace of mind.
TORTURED LOVE INTEREST
you're so hot. sorry about the horrors. you're the kind of person people immediately notice. whether you have a distinct style, are more outgoing, or are just plain beautiful, you make an impression. people usually feel the need to protect you, which probably frustrates you to no end. you're not weak! you're not fragile! you're not helpless! but the people in your life tend to disagree. maybe it's your lover, the protagonist, trying to keep you out of their own turmoil. maybe it's someone responsible for you in some way, keeping you away from your lover, while they head down an increasingly dark path. regardless, all you really want is a sense of autonomy! unfortunately, you're very likely to die before that happens. the audience will be so caught up in the grief your death causes the protagonist that they forget to grieve you as a person. you deserved better, but unfortunately this is not your story. maybe it should have been.
SWEET SUPPORTING CHARACTER
i wanna be your grandma so bad, please let me pinch your face and knit you a sweater. you're most likely the best friend of the protagonist, and there's some possible overlap between you and the narrator. you're sweet and try very hard to be selfless. you watch the ones you love descend into darkness, and make every effort to help them through it all. it's not enough. you keep trying to make it enough. you provide comic relief, a listening ear, a hug, advice── any method of support you can think of. your own personal tragedy isn't documented. sometimes you wish it was, even though you're the one who ensures it is not. you want people to care for you the way you do for others. but you refuse to ask for it, so you wait for others to read between the lines. they usually don't. at least you're the one who gets to survive the tragedy. no matter how many times you beg to trade places, it is always you at the end, sitting at someone else's grave.
BOLD PROTAGONIST
you're the star of the show, baby! and boy does that come with a lot of emotional turmoil. you have a seemingly endless supply of determination. whether you have a lot of goals, or one big one, you're constantly working towards it. you're pretty restless, and struggle with imposter syndrome and generally feeling like you should be doing more. your insecurity might not be immediately obvious to others, however, as you come across as very strong and bold. vulnerability is not your strong suit, and that's likely to be your downfall. if only you had just let people in, and asked for help... well, maybe this was always gonna be a tragedy.
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