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#so far there’s creative writing; watching film adaptations; reading & analyzing modern novel(s); and just some fun activities i got off of
pallases · 3 years
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my ap lit teacher just sent out a google form for well thought out suggestions of things to do after the may 5 ap exam it’s FREE REIN BABEYY
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phoenix43song · 4 years
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My Reviews and Thoughts on Little Women and the Many Adaptations
To start off I have been reading the Little Women series since I was 8 I think, and I’ve been watching the 1994 version since I was 6. It wasn’t until recently that I finally watched the 1949 and the modern 2018 adaptations ( I watched the  BBC/PBS mini series last year, and I do re-watch it every now and then). I still have to watch the 1933 version, which I plan to do when I find the time. I have also been re-reading the books because I am excited for Greta Gerwig’s adaptation even though I am not a fan of some of the stuff she’s been saying about a couple of the characters (but some of my fears have been relieved! Yeah!). In this long post I will post my thoughts on the novel(s) themselves, Louisa, and the adaptations that I have seen. 
I will start with the one I am very familiar with: the 1994 version! I have loved this movie since the first time I watched it. It’s a tradition to watch it multiple of times around the Christmas season with my mom, and every now and then I will watch it whenever I feel like it. Since I graduated as a theatre and film student watching films and analyzing characters, their world, decisions, the themes and motifs have been really eye opening. I’ve been devouring books since I was a kid, trying to write my own novels, and I’ve made a couple of short films. When it comes to adapting a screenplay from a book there are a lot of decisions to be made: what to keep, what to cut, what to condense, does the order of things need to be changed, and what original creative content can we put in? 1994 is a really, really good adaptation of the novel, with some minor flaws, a questionable original content decision, and how the screenwriter and director put Louisa into Jo. The cinematography and music is gorgeous, the house looks lived in, and the whole atmosphere screams late American 19h century. 
The acting, for the most part, is right on character and Winona did such a great job as Jo! Trini did wonderful a Meg and I liked how we got more of Meg because she’s important too. Claire Danes was a fabulous Beth (though she looks older than 14; I always thought she was 16 or 17...), while Kirsten did a fun, spoiled Amy...but she did ham it up a bit too much at times. Samantha...I did not like one bit as older Amy. Laurie was great in the first 2/3 of the movie but once he hit Europe I didn’t like how they [tried] to develop his character. His romance with Amy fell flat, which I was sad to see. Gabriel was a really good Fritz...I just didn’t like how they made them date while Jo was in New York. I understand it because the proposal at the end of the movie makes it really romantic, but the whole purpose of Jo/Fritz and Jo falling in love was that she was blind to it: she falling in love with a man. They start off as boarding house neighbors, then student/teacher, which quickly turns into friendship of equals, and it’s not until Jo is at home missing Fritz that she begins to realize her feelings. And when Fritz comes to court Jo she blushes! Despite this I’m a sucker for romance and still love Jo/Fritz despite my feelings on the adaptation choices. Marmee and Aunt March were on point and I loved how the actresses were their characters. 
Now moving onto the 2017 mini series. I like this adaptation, and have watched it a few times, but there are things that just bug me and drive me crazy, and moments that I love. This is the only adaptation that does not have have Jo’s plays or the Pickwick society. I hate this and it was a poor adaptation choice in my opinion. This series really should have been at least 6 episodes and not the measly 3 that it was. Despite this the series did include moments from the book that either haven’t been adapted before, or it was just mentioned. I love how we see Beth get the courage to go to Mr. Lawerence to play the piano and their relationship. They really should have gotten a young Amy and an older looking Beth: the girls look the same age from episode 1 to 3, which especially doesn’t work for Amy. Maya did a good Jo and it’s actually impressive for her first screen role, but she did lack some of Jo’s qualities (she is way better as Robin in Stranger Things). Emily did a good job as Marmee. Anne was another really great Beth, and I have to say her freckles seem to give the character substance. Kate’s Amy was good but like Elizabeth Taylor in the 1949 version, she was not believable as young Amy. (I’ve heard Florence Pugh is amazing and a scene stealer but even if she can act like young Amy (and based on the clips she can), her womanly body will not let her be believable).
I like how Beth’s kittens made a lot of screen time (I love kittens!) and how they did the Hummel’s house: it was just like how the book described it. All of those little children did a great job at looking hungry, cold, and scared. Makes me wonder about Mrs. Hummel’s husband (I need to find that part and re-read it). I loved how the included Camp Laurie, Cousin Flo, and Laurie trying to kiss Jo. The wedding between Meg and John Brooke was sweet, esp Aunt March giving her the pearls. I crack each time I see Aunt March’s parrot (was that in the book? Man I haven’t gotten far into my re-reading of the whole book; it’s been awhile), and how we got to see how close Jo and Beth are. They tried their best in portraying Amy/Laurie, and Mark Stanley as Fritz: he was Fritz from the book! (He looks a lot younger without that bushy beard though; that’s the one thing about Fritz I can’t stand haha). It’s too bad that Jo/Fritz was so rushed in episode 3: their relationship and Fritz was barely developed. (Though they did include a lot from the book like the Weekly Volcano and Jo’s poem that brought Fritz to her). Laurie in general was not Laurie; maybe in the Laurie who wants to play all the time but that’s it. Not Laurie. 
Now onto the 1949 version. I fell in love with this adaptation, flaws and all. It was very charming, had some great acting, however a lot happened off screen, some characters/moments were rushed, and I can’t believe June was 31 years old! And that Elizabeth Taylor was pregnant. It doesn’t bother me that they made Beth the youngest because Margaret did such a fabulous job as Beth. I loved all other scenes, her relationship with Jo and Mr. Lawerence in particular. This is the only version I’ve seen where the sisters buy Marmee gifts with their 1 dollar bill, and I liked how it was  a surprise and quite moment. The actress who played Marmee was amazing and Aunt March cracked me up. I didn’t care for Laurie in this version either. And like I said with the 2017 mini series: they really needed to have an actress play young Amy. Elizabeth did a really good job, don’t get me wrong, but she definitely seemed way older. The hot Italian actor as Fritz was sure an interesting choice. I wish they would’ve just made Fritz Italian and just changed his name slightly (I believe Greta made Fritz French in her version since Louis Garrel is French), and I also wish he could’ve been in the movie more! Since he was close in age to June I just wanted to see them on screen more. Yes he doesn’t look one bit like Fritz in the book, and call me shallow, but I honestly don’t care in this version. Back then - and sadly to this day - Hollywood cares about looks. That’s why I love Mark Stanly as Fritz in the 2017 because he physically is Fritz. But still...anyways I am going slightly off topic. 
So. The 2018 modern adaptation. This should have either been a Hallmark movie or a Netflix movie. This movie should have never been released theatrically and that’s why it bombed horrible. I mean it bombed horribly in a lot of aspects and areas, but it does have some great scenes! It’s all in the detail. They have their castle’s in the sky for one. All of Jo’s plays and the Pickwick society and how it changed to be of a platoon. I just love the attic scenes in this movie. I also love how Jo is writing fantasy stories and a fantasy novel and it’s sad that she can’t be taken seriously because there are great fantasy novelists! Tolkien, JK Rowling, G RR Martin for example. That really bothered me. I do like how Fritz is an actual professor at a university and becomes Jo’s editor and mentor, how that develops into friendship, but to me the romance aspect of their relationship falls flat somewhat. I like how they had a younger Amy and an older Amy, but I honestly got confused at first because there were younger versions of all the sisters (and it’s unbelievable that three of them would look the same with the 13 year gap). This version did a flashback style so it will be interesting to see how Greta did hers. The editing for this movie was all over the place and chaotic. I didn’t like Lucas as Laurie one bit, I get how they would go to parties but I hated those scenes (it was a good wake up call for Meg though). Beth fell short in this movie and so did Amy to an extent. You don’t really get to know John Brooke, or even their Marmee all that much. And really, Marmee? In a modern adaptation they should’ve just stuck with Mom. I did like how Jo buzzed her hair off in support of Beth (there is a good graphic novel that came out recently that’s set in the modern world and there are few similar choices. There’s also a book called Meg and Jo - Amy and Beth will come out later next year - that makes some interesting choices to say the least when adapting the novel into modern times. Anyways...), and how they had their father over seas in the army. I honestly need to watch this movie again to really critique it, but I honestly think it could’ve been a great movie...the script needed more rewrites, it needed a director who knew what they were doing, a better editor, and honestly some better actors. The potential was there, it has it moments, but it fell. 
To conclude this rather blog like post (and kudos to all who have read the whole thing) I will take just a little bit on my views on Louisa herself and Greta’s version. Louisa didn’t want to write a book for children, and when she did she wrote a semi-autobiographical novel that she leaves on a cliff hanger. In my mind she meant to continue the story, but she wanted to see what the reader’s thought. She did put the story out of her mind for awhile, until the book had to go into reprints and she got hounded with fan mail and fans in general. Yes she didn’t want Jo to marry because she herself never did (from what I’ve read she did have one sided crushes and probably a few second romances that didn’t last long, but she also never saw herself as desirable; she comes across to be as maybe being aromatic asexual, demisexual, or bi). She was a bit of Germanophile, along with Europe in general, and that’s why from the first few pages of LW there’s German everywhere. Which this means that Friedrich Bhaer was probably planned in one way or another. Louisa never wanted Jo to be with Laurie because they were close like siblings and loved each other that way. Laurie thought himself in love with Jo, but Jo does bring up good points: they would quarrel and end up being unhappy because he honestly didn’t like her scribbling. Amy makes Laurie grow up and those two match each other perfectly. Fritz is a perfect match for Jo because he treats her like an equal, he helps with her writing, and she gets to be apart of a society she loves. 
I have been relieved from my fears (for the most part) about how Fritz will be portrayed and the Jo/Fritz romance. We do meet him right away since we start in the present before going back and forth between past and present until the timelines match up. Greta is the only person to adapt the New Year’s Dance, which I am really excited to see. I haven’t been told if Fritz’s nephews are mentioned or seen. I know he gives her advice, but not if he teaches her his language (which I assume to be French in this version), that they do get into a fight, and that he comes to court her at her house. I was worried the umbrella proposal scene was going to be changed, but I’ve been told it’s in and it’s romantic. And then there’s Amy/Laurie! I am so glad that this relationship seems to be fully developed. I can’t wait to see everyone as their character and how Greta did the back and forth. 
I am worried though about a few things: how if one isn’t familiar with the story they get confused at first with the back and forth, some of the costume choices, the acting in certain scenes, some scenes or moment being cut or condensed for time because this is a movie not a mini series, and I just wish that Fritz - Louis - could’ve been in the trailers more with more promotion. I understand why...at least Louis understands his character. Greta mentioned something that Fritz basically had to be a prize to be won and oh boy: no one is a prize to be won. And putting a lot of Louisa into Jo...I’m worried about that. Sure the 1994 version had  a Louisa quote that Jo’s says about voting, but this seems like it might be too hammered in. I guess once I see the film I will finally know (and write my review and thoughts), because I can read all the critic reviews, interviews, Q and A’s I want but it’s up to me on whether or not I’ll like it or love, and I sure hope I’ll love it. 
The is the end. Thanks for reading. Let me know your thoughts. 
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