#so even if you do relate to holden my first instinct would... not be to think that you're a Bad Person for it. like wtf

[lawfulbibliophile]

Why Classics Are Worth Reading - Literature Entry

Every English teacher of every school in every country has probably told you at least once to read “Macbeth” or “The Great Gatsby” or “To Kill A Mockingbird”. It’s been told to you time and time again that to be a distinguished and informed member of society, you must read "Les Misérables" at least 10 times to really “understand” Valjean. You must dive into the tragedies of Shakespeare, thrust yourself into the poetry of W.B Yeats, regard Nietzsche and Freud as individuals to be respected (despite their controversial beliefs). Forget your humble beginnings and become the member of high society you can be, if you can say you’ve read certain books.

Yeah, well, I’m here to tell you that's not why classics became classics. In fact, it might even be a crime to read J.D Salinger just to say you have. Like he said, “It’s funny. All one has to do is say something nobody understands and they’ll do practically anything you want them to".

Hi, my name is Tara Singh, I'm here to help you understand reading. Let's start at the beginning, why have the classics become Classics? I won’t go into facts like their "writing transformed the literature of the renaissance period", or that the writer used metaphors for the first time ever, and yada yada yada because although completely true, the reason is different. They became Classics because people decades down could connect with what the authors were trying to say. They became Classics because people realized that what this author wrote could change the way people thought, and that didn’t change with time. They became Classics because the authors found something of value in life, put it on paper, and with all their heart sent it to the publishers. I genuinely think that's why books become Classics, because no matter what the date is, they can still relate to people.

It’s a crime to read a Classic just to say you have, because it completely defeats the purpose of the book; for people to simply understand. For me, whoever reads "The Catcher in The Rye" and refuses to acknowledge the oh-so delicate nature of Holden Caulfield that can only be seen after fully understanding the novel, well, they're on my list. You see, you have to change the way you think, it's not a book - it's a manual. For example, Lord of the Flies isn't about a group of stranded boys who try to kill each other, it's about how natural the human instinct towards war is. 1984 isn’t about a book where the entire world is one large dictatorship, it’s about how close we can be as a society to being totally controlled. If it doesn't come to you naturally, think of Classics as manuels on how society works.

And it's not only that ! You would also benefit as a side-effect: you'll gain empathy, a sense of what's right and wrong, you’ll know who you are better and who you want to be, you’ll treat people better. I don’t think we really understand how much you can grow, from just reading something good. The moment you start thinking of it as something like that, something enjoyable, and forget all those preconceived notions about how “you must read the classics” to be revered a certain way, that's when you can truly start reading them, and at that point you won’t even think of bragging about it to people, because it simply won’t matter.

#books & libraries #classics #reading #bookworm #books and reading #bibliophile

[klavierbi]

every time i see someone speak vehemently against the catcher in the rye my appreciation for the book grows 10% stronger

#if you're reading it only through the lens of whether you condone holden's actions or not YOU'RE READING IT THE WRONG WAY #like it is literally a character study. the POINT is that holden is flawed and complex. ALSO HE'S A TEENAGER #everyone who says 'i distrust people who identify with holden'... how many people have you met who genuinely do that. how many #and like... it is not a bad thing to relate to holden a Little Bit?? controversial opinion i GUESS but like. the whole book has these #themes of isolation & feeling alienated from your peers #which i'm pretty sure most people can understand at some point in their life #so even if you do relate to holden my first instinct would... not be to think that you're a Bad Person for it. like wtf #and like... whatever. holden doesn't make the best decisions. he is also a kid with a considerable amount of baggage who is clearly #struggling emotionally thruout the book. i don't know. #it's fine to dislike it of course that's just personal preference but i'm tired of seeing ppl say that enjoying the book is a red flag #or whatever... like it's. good. it's a good book. every character has such a distinct voice also unreliable narrator stories are INTERESTING #sorry i just. keep seeing bad takes online <3 #i have more thoughts about this actually. idk if it was just my english classes but i feellike. ppl will just refuse to empathize w characte #characters* when it comes to analyzing them. yes i am still mad about how my 10th grade class discussed the kafka unit. #'inara you just have bad taste' i watched glee. you can't hurt me. i know this already x #anyways yeah sorry if u disagree with this. spending so much time on social media these months has desensitized me to posting potentially #lukewarm takes #phae.txt #OKAY i have to get back to finishing my project. #WOWWWW edit: i did not realize how chunky these tags were.

[agentmanatee]

AOS 30 Day Challenge

Since I'm late to the party, I will be using this post to catch up.

Day 1: Favorite Season: S4 had the tightest story-telling with the pod structure. For a 22 episode season not to have a filler episode is quite a feat. Aida/Ophelia/Madame Hydra is my favorite Marvel - not just AOS - villian. Mallory Hansen's ability to play 4 different characters in one season in one show (sometimes multiple characters in the same scene) should have won her an Emmy hands-down. All of the cast should have won Emmy's for the performance in Self-Control (Everybody was on their A-game). My love for Robbie Reyes knows no bounds, and Gabriel Luna has mad chemistry with everyone (I pretty much ship Robbie with everybody he's not related to).

Day 3: Favorite story-line: Maveth. When I told my niece the story of FitzSimmons, she declared it "too much!" when I got to Maveth, specifically Hive and we stopped there. In a lot of ways it was the writers dipping their toes in adding more focus to Fitz and Simmons, who are portrayed by the show's strongest actors. I know a lot of people don't like the Will Daniels twist, but other than some hand-waveable plot holes, it really wasn't that bad. It was literally a "only two people on a planet" situation, and they thought that they would never see another human being again and that they were effectively dead to anyone on Earth; so their actions were understandable. Jemma didn't show interest in Will until she gave up seeing Fitz again, and Will initially did not act on his attraction because he respected and even appreciated Jemma's feelings for Fitz; he knew - even if Jemma didn't - that if given the opportunity to choose she would ultimately choose to Fitz ("No wonder Jemma loves you" was Hive channeling Will). If he survived and wasn't a villain I would ship him with either Joey or FitzSimmons (Fitz is canonically bi, Jemma deserves all the love, and the way Will talked about Fitz could be interpreted as romantic interest. He couldn't help falling for Fitz with the way Jemma talked about him), but I never submit prompt requests because I know how people feel about the character.

Also the planet of Maveth was a character unto itself, which is so cool. I really want to know what the light under its surface is; I don't but that it was a only heat source. Since sandstorms turned out not to be one of Hive's powers, Maveth or the cloaked figure (the personification of the planet a la Ego?) Jemma saw had to be the source of those. I suspect the civilization they saw evidence of were tied to the Confederation in season 5. Did they try to settle down and it backfired due to their culture? It very likely was how they knew there were Hydra leaders on Earth for them to manipulate. Will they ever confirm this? Doubtful. Finally, the mystery of Hive and what he was worked and exceeded expectations (his power set of terrifying!).

Day 2: Favorite episode: Inescapable. I was so excited for this episode I paid for it because Hulu was taking its time posting the episode. Of course a FitzSimmons episode would be amazing. The mind prison forced FitzSimmons to deal with issues they've avoided and together to boot. Seeing the turning point in their friendship at the academy and Coulson Recruiting them prior to season 1 was a hoot. I love how they revealed the other Fitz's death to him; he needed to see how the team mourned for him, to understand how much they loved him. Of course the whole scene was painful from him opening the bodybag to seeing the wedding ring to learning of Coulson's passing, but it was necessary and reflected how everything happens at once irl. Seeing their trust and loyalty in their bffs was heartening. And there is no doubt how much they are meant for eachother than when their darksides fall for and on eachother. They certainly learned some things there.

Honorable mention to Self-Control. That was the first episode I have ever purchased. It felt like a movie, and the story is insulated enough I think I may suggest it as the episode to watch when trying to get people to watch the show (either this or Orientation). The entire episode was so gripping I held a pillow to my chest the whole time once it was revealed that either Jemma or Fitz was an LMD. It was such a good Daisy and Jemma episode team-up and jump-started a whole arc of them supporting eachother. It was also a phenomenal Daisy episode. She showcased her powers, and Chloe knocked it out of the park. The scenes between May and Coulson's LMD-selves were so very moving. Ming did such a good job of portraying how May's LMD differed from the others. The episode also revealed what Fitz and Coulson would change if given a choice (not that AIDA gave Fitz such courtesy).

I just realized I switched Days 2 and 3, but don't want to bother with copying/pasting on my phone

Day 4: Favorite male character: Leopold James Fitz. Fitz was my favorite early on and hands-down my favorite character after FZZT. I saw myself in his mannerisms and could relate to his hesitancy to throw himself in the field but doing so because it is the right thing to do. His passion and loyalty to his friends is unparalleled. I also wanted to give Ward a chance. And it's interesting that Fitz was the first of the bus kids to understand how "No one is born evil." It took the Framework arc for Daisy to really understand that. He even has a leg up on Mack here since Mack's first instinct with anything alien is to kill it ("I'm the guy that kills Gordon" is not something someone who values all life, whether he views it as human or not.), which is understandable given his experiences. Fitz was the first person to show Daisy acceptance after terrigenesis, even if he was mistaken to hide it. I didn't realize it the time season 2 aired, but I get a similar aphasia during migraines (it's actually the first and last symptom when it happens). Seeing any appearance by the Doctor makes me feel sick to my stomach because I know how frightened and sick Fitz feels to have that as a part of himself. Fitz loves with his whole heart and he is always driven to do what he believes is the right thing, which is unfortunately what made the Doctor such a formidable villian. He also is always willing to give second chances but not third. He was the first person to joke around with Daisy after the Miles fiasco: he forgave Mack and Bobbi for the real Shield thing; he accepted Daisy back into the fold in seasons 2 & 4 despite how much her abandoning the team felt like betrayal; he formed a father-son relationship with Radcliffe after what he did for Hive; he trusted and befriended Enoch, knowing he kidnapped and sent his closest friends to a freakin future hellscape. Fitz is such a good person. Of course, all my love for Fitz doesn't mean I don't love the rest of Shield's men + Robbie Reyes.

Day 5: Favorite female character: Jemma Anne Simmons. Jemma is a close second for all around favorite (I just don't relate to her as much as Fitz). On a superficial note, Elizabeth Henstridge is so beautiful and hilarious, I have a giant girl crush on her (her smile is dang radiant). I love how they flipped gender stereotypes by making Fitz the emotional one who wears his heart on his sleeve and Jemma the practical one, who shoves her feelings in a box rather than express them. Jemma's cockiness is more real than Fitz's cocky front, too. I wish I had her confidence. Jemma also loves with her whole heart, as much as she has to hide it to function sometimes, and does what she believes is the right thing. She even revealed herself in the future dystopia because she could not stand aside when a stranger was hurt and she knew how to help/save him. Jemma jumped out of the Bus to save her team and jumped at a grenade to help them not thinking she would survive either occasion. She blamed Lash's murdering of inhumans on herself as she has the tendency to hold herself accountable for things that aren't her fault (she shares this trait with both Fitz and Daisy). She doesn't get lost exploring the details within the big picture, which is why she's so good at problem solving. She learned to kickass physically and has always done so mentally. She knows how to let her foes know to fear her. She has the self-awareness to know what traits she needs to work on to complete any mission. She does and would do anything for her team. She's also an incredible leader whether in the field, in the lab, or for the entirety of Shield. She is incredible.

Daisy Johnson is a very close second. And I can't rank May, Bobbi, and Elena. I also have girl crushes on all four of these ladies.

Day 6: Favorite relationship: S3 Shield Team (Coulson, May, Daisy, Fitz, Simmons, Mack, Bobbi, Hunter, Yoyo, Joey, Lincoln and Andrew). OK so I cheated here; we didn't even see everyone be in the same episode. So what? Season 3 had some of the best dynamics from the main team to Daisy's Secret Warriors it's no wonder people love season 3 so much. How can I pick just one? You have Coulson interacting with everyone (except for Joey), Lincoln's fear of May, Her mentorship of him, Fitz and Bobbi, Fitz and Hunter, FITZSIMMONS, Jemma and Andrew, Daisy and Mack, Mack and Huntingbird, MACKELENA, Doug, Fitz meeting his dad Holden Radcliffe, Radcliffe and Hive's "children"...Now I'm getting into characters that weren't on a Shield team. The characters and their relationships with eachother is what this show does best and what makes it such a good and beloved show, not the action or plot twists.

#aos 30 day challenge #leo fitz #jemma simmons #daisy johnson #aida #madame hydra #phil coulson #melinda may #bobbi morse #lance hunter #alphonso mackenzie #aos s4 #maveth #aos s3 #shield team #team as family #found family #inescapable #self control #aos #agents of shield #yoyo rodriguez #huntingbird #fitzsimmons #too many tags #30aos

[chicoryandbananas]

Elvi Okoye made Ciobola Burn for me and despite taking me longest to get into, it's the novel I've come back to most now. I relate so completely to her instinct to explain everything around her in terms of evolutionary biology. Not because she's one-note and poorly socialized but because it's so clear to her how often descent with modification drives otherwise mysterious behaviors and events and she's kind of shocked no one else's head goes there. Same Elvi, same.

She is as much the detective as Miller's Ghost but she understands the profound and profoundly miniscule difference between Form/Function and Cause/Effect.

Like a lot of readers, it seems, I was not completely excited by Elvi's crush on Holden and then it's kind of hasty and tepid conclusion. Tbh, what an odd feeling as a reader...first, wow, it's frustratingly predictable and stupid to have this intelligent to the point I myself am crushing on her scientist have her attention diverted almost gigglingly to fawn over Main Hero. Then, ugh, if you were going to inflict that on me couldn't she have gotten a more exciting conclusion?

Honestly, I have no grudge about a cool character crushing on Holden. The books cover like 40 years of territory, it'd be bonkers if no one we meet ever crushed on the famous guy in the captain's chair. And I really appreciated that there was not a whiff of love triangle. It's always a relief to see, "Honestly, I'm deeply committed to my partner" without even a horrified shiver that we might fall down into the dreary pit of How Fun Love Triangles Aren't while the rest of the story takes the scenic route. But why THIS cool character? Why my favorite one instead of anyone else? Couldn't she have had some nice dalliances or a loving family that she got a pass to bring because she's so good at science?

Anyway.

I've gone from deciding to love the novel in spite of this one very stupid storyline to thinking, damn writers, you could have turned that enjoyable and true to character so easily. Elvi dissects so many other facets of life by their evolutionary function but it takes her sweet puppy of a friend/luke warm sex interest you can see coming from the first paragraph to remind her she is a primate and needs to get laid or her brain chemistry might go weird on her? Really? I think I'd be completely fine with that whole distraction if it had only ended with Elvi saying to herself, Oh, duh, I'm crushing on Holden because A I haven't had sex in 2 years and B he exists outside my practical professional boundaries and C as the moral leader of the group. And obviously D it is evolutionarily advantageous, especially in crisis for a person to crush on a leader because it increases the likelihood that the individual will work very hard to gain the leader's attention, possibly by helping the leader succeed. And also want to protect the leader from harm even at personal cost. Which, in turn, makes it more likely that the species will survive. And the individual level brings me back to point A where I haven't had sex in a long time so my hormones are going kind of nuts and poking me to go get some famous leader space baby genes to combine with my own very high value DNA because we all might die here.

But Holden is unavailable and my circumstance driven crush is likely transient and not worth the distraction it's causing because instinct in humans ought to be tempered with intellect so if all those factors actually combine to a more important conclusion than B the professional boundaries right now and I already know someone high value and fun and devoted to me so... "Hey Fayez, I'd like to have sex. With you, I mean. What do you think?"

That's all it would have taken to get me from an eye-rolling, Really Boys?? to delight.

#elvi okoye #the expanse #ciobola burn #james holden #james s.a. corey #the expanse novels

[roseisread]

Top 25 Movies of 2016

I saw 51 of the many more films released in 2016, so naturally this list suffers from the usual incompleteness. But of those 51, the movies listed below are the ones that really stuck with me, entertained me, moved me, or made me see the world through a different lens after the credits rolled. Some of them are deeply personal and hold great meaning; others are just a great excuse to laugh or shudder or sob about something that doesn’t matter so you don’t have to think about the things in real life that might evoke that reaction for a couple hours. 

If you saw something amazing that didn’t make the list, be sure to let me know so I can add it to my watchlist (or defend my choice to leave it off the list of faves). 

25. Zootopia (Netflix) At a time when the world was finding reasons to divide itself into fractious subgroups, along came a winsome little animated film about tolerance and eschewing stereotypes. The animation is top notch, the story is funny and action-packed, and any scene featuring the sloth from the DMV threatened my ability to breathe because I was laughing so hard. If you missed it in theaters, be sure to catch up with it on Netflix. It’s a real gem. 

24. The Conjuring 2 (Amazon/iTunes rental) The first Conjuring got a ton of acclaim but I wasn’t that enamored with it. This one, on the other hand, totally delivers. Once again, Vera Farmiga and Patrick Wilson star as paranormal investigators who are plagued by dark forces. This time, the action centers on a family in England (inspired by the somewhat infamous Enfield Poltergeist) with an unwanted apparition who interacts with them in all kinds of upsetting ways. Rather than relying solely on jump scares, there’s a lot of great suspenseful sequences and practical effects that use the atmosphere and physical space to masterful effect. Plus, the characters are likable and we are rooting for them which goes a long way toward making this a better than average horror movie. 

23. The Edge of Seventeen (Theaters) Hailee Steinfeld plus Woody Harrelson equals brilliance. Add to the mix the savvy direction of first timer Kelly Fremon Craig and the charming supporting cast (particularly Hayden Szeto) and you have a winning combo that leaves other teen dramedies in the dust. The story is relatable for anyone who experienced high school: Nadine feels alienated at school and at home, partly because high school sucks and parents just don’t understand but also partly because she sees herself as just a little bit superior to her peers and family members. She’s a classic Holden Caulfield type, really. When her best friend starts dating Nadine’s brother and mortal enemy, she takes it as a personal betrayal. Between this, her crush on a bad boy type, and her tentative steps toward romance with a nerdy but sweet classmate, she’s got a lot on her plate. Naturally, she takes solace by venting to her favorite teacher, the bemused Harrelson who takes all of her abuse and whining with stoic aplomb. 

22. Jackie (Theaters) I was born in 1981, which means I don’t have any personal connection to Jackie O. the way people of my parents generation did. I don’t have recollections of seeing her on TV or experiencing the Kennedy assassination, but I’ve been hearing about it all my life and thus feel like I know the story. This movie took me by surprise by showing me something new, something I’d never considered: The personal grief of a tremendously public loss. Natalie Portman embodies the carefully manicured public persona as well as the private devastation of Jackie Kennedy in the days surrounding JFK’s death. It’s not a traditional biopic, and not a traditional historical drama. That makes sense coming from Chilean director Pablo Larrain, who also gave us the excellent political thriller/comedy No a few years ago. He captures pivotal moments and edits them together into a kind of fractured consciousness befitting the recently bereft Jackie. 

21. 10 Cloverfield Lane (Amazon/GooglePlay rental) I’ve still never seen the original Cloverfield (I know, I know), but I do love me some John Goodman being a possible creeper so I had to see this movie. The title really was an afterthought; the story was written independent of the horror franchise and marketing decided a built-in audience and some name recognition would boost ticket sales. All of this to say, you don’t need to know or love Cloverfield to know and love 10 Cloverfield Lane. Essentially it’s a chamber piece, modeled on some of Hitchcock’s techniques (Lifeboat/Rope/Dial M for Murder).  Oh and also the original script got a once-over by a certain Damien Chazelle, who was once slated to direct it as well until Whiplash got greenlit and then he got a little busy making a movie called La La Land which may or may not be definitely coming up later in this list so... yeah. But anyways. It’s got that breathlessness and intensity Chazelle brought to life in his other movies, but this time in an actual horror/suspense setting. Mary Elizabeth Winstead and John Gallagher, Jr. play Goodman’s reluctant houseguests in his underground bunker. Goodman claims to be protecting them from something horrible outside; they’re not sure whether to believe him or to trust their instinct that the something horrible is Goodman himself. All three performances are excellent, and your nerves will be frayed little bundles by the time 103 minutes is up. 

20. Certain Women (Theaters) Just watching this movie made me feel physically cold. It takes place in Montana, and is essentially a triptych that follows three different women in the same small town. The first, played by Laura Dern, is an attorney with a particularly high maintenance client (Jared Harris). The second is a woman (Michelle Williams) who feels alienated from her husband and their teenage daughter, even as the family is working on building a house together. The final story, and by far my favorite, focuses on a farmhand (the glorious Lily Gladstone in a breakout role) who chances upon a night class taught by Kristen Stewart and becomes transfixed. This is a quiet film, about women who yearn for more than their lives so far have given them. Each one deals with the small injustices and tiny victories that ordinary events bestow, but one senses beneath the surface a lingering question of “Is this all there is?” In that way, it’s totally relatable. There aren’t a lot of major plot arcs here, but that’s exactly the point of the film. In watching this movie, you realize that Henry David Thoreau’s quote about the masses leading lives of quiet desperation might well be answered by Simone de Beauvoir: “I think that where you go wrong is that you imagine that your reasons for living ought to fall on you, ready-made from heaven, whereas we have to find them for ourselves.” 

19. Don’t Think Twice (YouTube/GooglePlay rental) If you listen to podcasts at all (especially This American Life, WTF, or You Made It Weird), you should know the name Mike Birbiglia by now. He’s a comic turned actor/writer/director and this is his latest original work. This time, he enlisted fellow talented comics to join him onscreen: Chris Gethard, Gillian Jacobs, Keegan Michael Key, Kate Micucci, and Tami Sagher play his friends and fellow members of an improv troupe. They’re all people you know or have been--starving artist types who are holding onto a dream that comedy will one day pay the bills and take them to the next level. When that actually happens to one of them, the group dynamic shifts considerably. As Morrissey so accurately sings, “We hate it when our friends become successful.” But really, the truth is we hate ourselves when our friends become successful. It makes us question whether it’s a matter of deserving it or working hard or random chance.  The great thing about this movie is the blend of truly hilarious comedic moments and stirring emotional honesty. It’s about friendship, it’s about surviving your thirties, it’s about figuring out if the dreams you’ve had your whole life are the dreams you still actually want to come true. If you can get through Gillian Jacobs’ incredible solo improv performance toward the end of this movie without tears, you get to be the new Clear Eyes spokesperson instead of Ben Stein. 

18. Love and Friendship (Amazon Prime) This movie features one of the funniest characters of the year, an immensely clueless rich dolt named Sir James Martin (Tom Bennett), who marvels at the existence of peas and struggles to arrive at the correct number of commandments. Who could be responsible for such a creation? Well, who else but the writer whose best work pokes fun at social climbers and wealthy nitwits: Jane Austen. Whit Stillman adapted her little known work Lady Susan into this charming and hilarious period piece starring Kate Beckinsale, Chloe Sevigny, Stephen Fry, and Xavier Samuel. Beckinsale does her absolute greatest work in this movie--I had no idea she was capable of this kind of performance, and she absolutely slays. As far as Austen adaptations go, this one is my favorite since Clueless--and that’s about the highest praise I could offer. 

17. Don’t Breathe (YouTube/Amazon/Vudu Rental) The premise of Fede Alvarez’s sophomore thriller is simple: A trio of young Detroit opportunists break into the home of a blind veteran (Stephen Lang) after hearing he’s got a lot of cash in the house, figuring it’ll be an easy score. But they underestimate this particular blind man and his ability to protect his home and property. The result is a fast-paced cat and mouse game that will definitely have you holding your breath for long chunks of time. I had a blast watching this movie, even if it should have ended a few scenes earlier than it did. 

16. Hell or High Water (Amazon/iTunes/GooglePlay Rental) One of my favorite pieces of music, classical or otherwise, is Aaron Copeland’s Fanfare for the Common Man. This composition was directly inspired by a speech delivered by Henry Wallace in 1942, which outlined the cause of freedom and the stakes of World War II while also setting a tone for the whole century as one in which ordinary people--the common man--would share the same standard of living, of educational and economic opportunity, of scientific discovery.  An excerpt of this speech reads thusly: “When the freedom-loving people march; when the farmers have an opportunity to buy land at reasonable prices and to sell the produce of their land through their own organizations, when workers have the opportunity to form unions and bargain through them collectively, and when the children of all the people have an opportunity to attend schools which teach them truths of the real world in which they live — when these opportunities are open to everyone, then the world moves straight ahead.” Well, the world has continued moving since those words were spoken, but those opportunities are certainly not yet open to everyone despite promises all around that anyone in America should be able to succeed on grit and good will alone. When grit and good will fail to deliver, some people give up and some people become outlaws. That’s where we find our protagonists in this movie, Toby and Tanner Howard (Chris Pine and Ben Foster, respectively), as it opens. They’re robbing banks out of perceived necessity, and also out of a sense of Karma not acting quite fast enough for their liking. Meanwhile, a pair of Texas Rangers (Jeff Bridges and Gil Birmingham) get assigned to the case and aim to catch up with whoever’s responsible and give ‘em hell.  The film is beautifully shot by cinematographer Giles Nuttgens, and the screenplay contains scintillating dialogue and the kind of characters you might find in a classic Western, plus a final showdown for the ages. On the performance side, there’s not a weak one in the bunch. Chris Pine proves he’s more than just a pretty face and Jeff Bridges sheds his Dude persona to give an even better performance here than in his Oscar-winning turn in Crazy Heart. If you need a movie to watch with your Dad that you can both enjoy, this is that movie. 

15. De Palma (Amazon Prime) Sisters. Carrie. Dressed to Kill. Blow Out. Mission Impossible. Body Double. Scarface. The Untouchables. Casualties of War. About 20 other films--all directed by Brian De Palma, the subject of this documentary. For some, he’s alienating. For me, this guy is legendary. His films pick up where Hitchcock left off and go running off in their own bonkers directions, oozing style and excess and delivering tawdry and thrilling twists along the way. I’m convinced that one day he’ll be revered by film students and not just genre lovers, and at that point this doc will serve as a Hitchcock/Truffaut type text.  The doc is really just De Palma going through his filmography chronologically, shots of him talking edited together with clips from every one of his movies and archival behind the scenes footage. That might sound boring but I promise you it is not. He tells lots of stories, does not shy away from pointing out the flaws and issues in his movies, and reflects on the reception his movies have received from critics and cultural scholars over the years. He also tells some fascinating stories from his youth that shed light on the types of movies he grew up to make. He also talks a lot about his techniques and the way his shooting style developed. If you are interested in filmmaking or De Palma or both, this movie will have you riveted from start to finish.

14. Manchester by the Sea (Theaters) For a meditation on grief and loss, this movie made me laugh a lot. That might sound inappropriate, but if you’ve ever experienced loss yourself, you know it’s not linear and doesn’t follow rules or codes of conduct. Sometimes you laugh at inopportune times. Sometimes you want to cry and can’t. Sometimes you melt down at the sight of frozen food (see what I did there? Melt/frozen! Ahh I kill me sometimes).  Casey Affleck and Lucas Hedges make a great onscreen team, with Affleck playing Lee Chandler and Hedges playing Patrick, Lee’s teenage nephew. They’ve both lost someone important to them, but neither is great at opening up on the subject. Lee does his best to take care of his nephew, but he feels ill-equipped to be the stable parental figure Patrick needs. For his part, Patrick would prefer to keep things the way they are. “I have two girlfriends and I’m in a band!” he points out, and who is Lee to argue with that kind of logic? 

Of course I can’t finish discussing this movie without highlighting the luminous presence of Michelle Williams, who owns every second she’s onscreen (which isn’t very long). Her final scene with Affleck broke me right in two. 

13. Born to be Blue (Digital Purchase) Every year springs new musical biopics upon us, to varying degrees of creativity and critical acclaim or derision. My favorite one from 2016 was Robert Budreau’s nonlinear narrative inspired by incidents from the life of Chet Baker as portrayed by Ethan Hawke, who gives his best performance outside a movie with “Before” in the title. For the unfamiliar, Chet Baker is best known as the singer of “My Funny Valentine” today, but he was also a prominent jazz trumpet player and part of the West Coast jazz scene in the 1950s and 60s. As so many artist types, his genius was often threatened by his dalliances with substances and people whose momentary glamor gave way to decay and destruction. 

Hawke captures Baker’s charming qualities as well as his tendencies toward self-sabotage, and the movie does not feel like a typical biopic as it incorporates a more meditative approach than a chronological one. There’s also a movie-within-the-movie which adds to the novel feel and keeps this from just hitting all the major events in Baker’s life in order. Carmen Ejogo is excellent as Baker’s primary love interest, a complex and well-drawn foil for the troubled musician. Her character is an amalgam of real life people, but she stands out as more than just your typical long-suffering wife/lover trope. 

12. Fences (Theaters) August Wilson’s intimate play gets the cinematic treatment at the hands of Denzel Washington, who both directed and stars here. Troy (Washington) is a garbage man who drinks a lot and talks a lot more to his wife Rose (Viola Davis), his friend Bono (Stephen Henderson), his son Cory (Jovan Adeppo), and others who show up at his doorstep.  The story is simple, but the characters are anything but. This may be my favorite ever Denzel performance, and certainly my pick for Best Actor in a Leading Role of 2016. Davis is phenomenal too, in a quiet but steady way. And not as many people are talking about Stephen Henderson, who played Bono in the play as well as the movie, but he’s excellent.  If you want to hear beautifully written dialogue (and monologues), see some of the year’s best performances, and be moved by a family drama that feels relevant even though it was written and set in a bygone era, go see Fences. 

11. Midnight Special (On Demand) In the first of two Jeff Nichols-directed movies that came out in 2016, Michael Shannon (a frequent Nichols collaborator) is a father trying to protect his son. The boy has some unique abilities, to say the least, and everyone from cult leaders to government agencies wants to exploit those abilities. It’s part superhero origin story, part Close Encounters of the Third Kind, and all about the joy, terror, and unbridled love that come with being a parent.  The movie features memorable visuals as well as supporting performances from Joel Edgerton, Kirsten Dunst, and Adam Driver. The ending may leave you with more questions than answers, but the emotions it evokes are unmistakable.

10. Tower (iTunes) In 1966, a lone gunman stood atop a tower on the University of Texas campus and opened fire on the unsuspecting people below. For the next 96 minutes, chaos and carnage took over the scene as law enforcement and campus officials tried to devise a way to stop the shooter without endangering more lives. This documentary tells the story of that day from the perspective of people who were there, using interviews and re-staging events using rotoscoping animation.  The result is one of the most powerful documentaries in recent memory (outside of Joshua Oppenheimer’s The Act of Killing and The Look of Silence). Hearing from victims, bystanders, police officers, journalists, and students who experienced this firsthand reveals so much about the nature of trauma, the way we react in extreme circumstances, and the contrast between what was then a first-of-its kind incident and what is now an all too frequent occurrence: The campus shooting spree. It’s never preachy, just lets each person tell their own story. Always, the focus is on the people on the ground rather than the person behind the violence. It’s a must-see film.

9. Arrival (Theaters) Denis Villeneuve has become one of my favorite directors of recent years, and it’s great to see a film of his get embraced so widely by audiences as well as critics. In case you haven’t yet seen it, this movie features Amy Adams as a linguist and Jeremy Renner as a scientist. Both of them have been recruited to help the government communicate with the aliens who have recently parked giant pods all over the world.  The movie opens with a much more human story, and if you cried at the beginning of Up you will certainly shed tears here too. I won’t give more away than that, but what happens informs the emotions and decisions made throughout the film in interesting ways.  I love the visuals of this film, and the emotional arc of the story. I also adored all the technical linguistic things that were going on, and I don’t know enough about science or language to know whether they were plausible so I’m just going to assume ignorance is bliss and aids in suspension of disbelief. There is one scene that seems to create a divide in audiences between loving and hating this movie. I won’t explain beyond saying it involves a phone call, so if you’ve seen it you know what I’m talking about. I can understand the criticism, but for me it was not enough to derail all that came before and after.  If you haven’t seen this yet and you like your science fiction with a few tugs on the heartstrings, this is definitely worth your time. 

8. The Lobster (Amazon/iTunes/GooglePlay Rental) I adore this movie, but that does not mean you will. I have to put that caveat right up front. In fact, at least one person I recommended this movie to absolutely hated it. So, take my opinion with a grain of salt but I will try to convey truth in advertising.  Yorgos Lanthimos, whose previous films were Dogtooth and Alps, makes his English language debut with this dystopian romantic comedy. Colin Farrell, John C. Reilly, Rachel Weisz, Ben Wishaw, Lea Seydoux, and Olivia Colman are the human subjects who populate the story. In their world, if you find yourself without a partner, you go to a hotel where you have 45 days to pair up with someone. If you do not find a suitable match, then at the end of 45 days you get turned into the animal of your choice. You can extend the time of your matchmaking opportunities by going out to the forest and hunting “loners,” people who have escaped from the hotel in the past and choose to live lives of solitude.  It’s a wacky premise, but leads to numerous laugh out loud scenarios in addition to the more plaintive moments. I should warn you that there is a scene or two of violence involving an animal, which may be tough to watch for some. That may be one of the reasons people hate it. But as a critique of human behavior and society’s obsessions, it’s quite an effective parable. 

The latter half of the film takes a different turn, and while I don’t want to give away what happens, that’s why I called this a “romantic” comedy. You may not want to watch it with your date on Valentine’s Day, but if you do it should certainly give you much to discuss afterward.

7. April and the Extraordinary World (YouTube/Vudu/GooglePlay/Amazon Rental) This animated steampunk French film features a talking cat and a whipsmart girl and an underground lair and a bunch of other wondrous things that I don’t dare attempt to describe. It’s an alternative history film, it features the voice of the marvelous Marion Cotillard, and it should’ve been nominated for Best Animated Feature at the Oscars. Alas, it was not. But if you want to watch a gorgeous, funny, charming film that might inspire a generation of girls to go into STEM careers, watch this. 

6. The Neon Demon (Amazon Prime) I feel intoxicated every time I even recall this sumptuous film. If you missed my review of it earlier this year, go check it out and then go watch this film... if you dare.

5. Sing Street (Netflix) This is, hands down, the feel good movie of the year. Written and directed by John Carney, who gave us Once and Begin Again, this film is set in Ireland in the early 1980s. The premise is simple, really: A boy starts a band to impress a girl that’s out of reach. Not only does he hope to impress her with the music, but he convinces her to star in their music videos since she’s seeking a career as a model. Then he has to actually form the band, and learn how to play instruments and write songs. Along the way, his older and cooler brother educates him on the cool musicians of the day: The Smiths, Duran Duran, The Clash, The Jam, Hall & Oates, The Cure, Spandau Ballet.  The original songs in this film are super catchy and fun, and serve as homages to the great bands referenced above. If you’re a sucker for the films of John Hughes, the music of the 80s, and stories about brothers and coming of age and following your dreams, this is the movie for you. 

4. The Handmaiden (Theaters) Take a novel  set in Victorian England about pickpockets, conmen, and insane asylums that’s been referred to as “lesbian Dickens” (Sarah Waters’ Fingersmith), and set it in colonial South Korea, and make sure it’s directed by the guy who made Oldboy. This is a recipe for the most gorgeously photographed, erotically charged, bonkers in the best way movie of the year.  I don’t want to get too far into the story which has so many delicious surprises, but the quick version is that an orphan pickpocket goes to live with a rich but possibly mentally ill young woman to serve as her handmaiden. This is all in an attempt to con said rich young woman into a marriage plot with a smooth talking ne’er do well man. And there’s also the added wrinkle of the rich girl’s creepy uncle, who collects banned erotic books and holds readings in his library for men who pass through. It’s a very unsettling atmosphere for two young ladies, and they form a bond with one another in spite of themselves.  There are moments of horror, laughter, and blush-inducing romance in this unrated film (don’t watch it with Grandma unless she has a very open mind and you have a very comfortable relationship). Its runtime is 145 minutes but I wanted to stay in this world forever. 

3. Green Room (Amazon/iTunes/GooglePlay Rental) We lost too many good people last year, and Anton Yelchin was one of the losses that hurt the most. In this movie, he gives arguably his best performance as a member of a punk band that gets in way over its head when they take a gig for gas money that takes place in a remote area where most of the audience is neo-Nazi skinheads. They get through the performance, uncomfortable as it is, but the real trouble happens later when one of them witnesses something their hosts really don’t want them to see. From there, it’s a tense stalemate as the band members have to improvise and evaluate who can be trusted. The movie is directed by Jeremy Saulnier, who gave us the excellent and underrated Blue Ruin a few years ago. This one has a similar blend of regular people in irregular situations, with plenty of blood and gore but also a fair bit of humor and a whole lot of real raw punk rock, both on the soundtrack and in the aesthetic. It helps that Saulnier was in a band himself back in the day, so he brings a real authenticity to the characters in the movie.  This stayed atop my “best of the year” list all the way into December, when I finally saw the last two films on my list. I’ve watched it multiple times and would watch it many more. If you took delight in a video of a Nazi getting punched a few weeks back, you should definitely watch this movie. And if you didn’t, well, you should still watch this movie. 

2. Moonlight (Theaters/Digital Purchase) Barry Jenkins (director/co-writer) and Tarell Alvin McCraney (co-writer) have created a moving, timeless piece of visual poetry in this film that captures three significant chapters in the life of a young man named Chiron. When we first meet him, he’s maybe six or seven years old and people call him “Little.” He hides out in an abandoned house to escape from neighborhood bullies, and is discovered by Juan (Mahershala Ali), a local drug dealer with a complicated moral compass. Juan and his wife Teresa (Janelle Monae) become de facto surrogate parents to Little, whose mom (Naomie Harris) works late and brings random men home and sells their belongings off piece by piece to afford the drugs she craves.  In the second chapter, Little is now “Chiron,” in high school and life hasn’t gotten easier. He’s still quiet, still has a troubled relationship with his mom, and feels pretty alone in his peer group with the exception of his friend Kevin. He and Kevin share an unexpected but life-changing evening on the beach that is intimate and believable and raw. The next day at school, however, another life-changing exchange takes place between the two young men and this one is even more visceral in its immediate and long lasting impact on Chiron’s future. Finally, we see him as “Black,” a little older and transformed from the skinny vulnerable teen into a muscular, physically intimidating presence. He’s clearly fighting against his past by embracing everything he can to seem larger than life and untouchable, in both his physical appearance and his lifestyle. He gets a phone call one night that reconnects him with a part of his past he could never quite shake. I won’t spoil what happens next, but the final twenty minutes of this movie are a perfect encapsulation of long-suppressed feelings finally forcing their way out into the open. It’s such a personal story, but the specifics make it so relatable that it feels universal in its specificity.  The performances in this movie are wonderful, the cinematography is gorgeous, the score is amazing--I could go on for years. To me, this movie showed a story I’ve never seen on screen before, from a perspective that’s completely underrepresented in pop culture. It never feels manipulative or stereotypical or preachy--just real and achingly human. Some moments in this movie have replayed themselves over and over in my mind hundreds of times, and even having seen it twice in the theater I can’t wait to study every frame of it on multiple viewings once it’s available on Blu-Ray. I want it to seep into my bones the way it seeped into my heart. 1. La La Land (Theaters) “This is the kind of movie that just fills your heart up,” I texted a friend the second I exited the theater after seeing La La Land the first of three times (and counting). And every time I watch it, my heart overflows a little more. Here’s a film that will resonate differently depending on your frame of mind when you watch it, the same way Eternal Sunshine of the Spotless Mind can feel funny or sweet or tragic or dark or romantic depending on your current relationship status.  At first glance, Damien Chazelle may seem to be showing off in his follow up to Whiplash, tapping into an easy sentimentality that short circuits our center of reason by throwing in references to Singin’ in the Rain, Casablanca, West Side Story, and an LA that probably only ever existed in the imaginations of the people who never actually visited the City of Stars but fell in love with its many portrayals on the silver screen. And yes, Hollywood does love stories about itself and yes, the novelty of an original movie musical does scream “anachronistic film school prodigy.” So I get the skepticism, I truly do. I can’t promise this movie will live up to the hype of a record-tying number of Oscar nominations for you, but I can tell you that it means so much more than that to me. It’s not just another charming but forgettable throwback (I’m looking at you, The Artist).  In case you haven’t yet experienced this movie, a quick breakdown: Sebastian and Mia, portrayed by Ryan Gosling and Emma Stone, are both in LA chasing their dreams of artistic success. He’s a jazz pianist; she’s an actress. Neither has quite made it, and “making it” to them means doing something authentic on their own terms which makes success even more elusive. Compromise may be part of real life but neither of them is quite ready to give up the fantasy yet. Their relationship starts off adversarial, then tentative, then before you know it they’re literally floating into space so carried away are they with love and visions of a future together. The stages of their lives and the story are divided up by seasons, and sure as summer follows spring, you can’t get through the year without the fall. Fall in this movie has a double meaning, and the cute flirty interludes give way to frustrated sighs and changing priorities. Other seasons follow, which I will not spoil, but I will say that the final five or ten minutes of this movie could stand on their own and still be my favorite film of 2016. People compared Whiplash to The Red Shoes, and I would make the same comparison to this film although for different reasons. The ballet sequence of The Red Shoes and the final sequence of La La Land share an artistic splendor the can induce wonder and catharsis in equal measure. I’m prone to quoting Charles Bukowski, so I’m going to close by quoting him again. I think the following poems explain the core of this film, and why it resonates so much with me: “the area dividing the brain and the soul is affected in many ways by experience – some lose all mind and become soul: insane. some lose all soul and become mind: intellectual. some lose both and become: accepted.” --You Get So Alone at Times That it Just Makes Sense “if it doesn't come bursting out of you in spite of everything, don't do it. unless it comes unasked out of your heart and your mind and your mouth and your gut, don't do it. if you're doing it for money or fame, don't do it. if you're doing it because you want women in your bed, don't do it. unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, don't do it. unless the sun inside you is burning your gut, don't do it. when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was.” --So You Want To Be a Writer?

#best films of 2016 #lists #movie reviews #la la land #moonlight #arrival #sing street #green room #the handmaiden