on sherlock adaptations: what do you think of house
I have so Many thousands of thoughts of House as a Sherlock adaptation that I could write a book about it and chapter one would be called: A HOUSE IS NOT A HOLMES© because I don't CARE that they called him House and idc that his apartment is 221b and that he plays the violin sometimes and solves problems, that's not my friend Sherlock Holmes!!!!!
House doesn't work as a Sherlock adaptation because deduction as Holmes practices it in the stories is not SPECIALIST KNOWLEDGE!!! the whole appeal of Holmes is that you read it and you feel like you could also deduce things. Holmes teaches you a way to look at the world and be more observant and use that knowledge to help people.
Holmes isn't a politician or a policeman even, he's a guy who wants to help because he's studied a particular way to see the world and you can too.........House is a SPECIALIST DOCTOR with a typical Doctor's God complex. That's as far as you can get from Holmes!!! The whole point of Holmes is he's not part of an institution!!! He operates OUTSIDE OF IT. House's knowledge base is medically specialist, you can't engage with his deductive reasoning the way you can with Holmes in the stories because to know what he knows you have to go to med school for 20 years. There's never a sense when you watch that you could have figured it out. Also, House's job description is institutionalised and established. He's not doing anything (med malpractice aside) that wouldn't be in the scope of any other specialist.
Thirdly, Sherlock Holmes isn't a guy looking to have power of people. This is the thing that arguably pisses me off most about House which is the interpretation of Holmes as someone looking lord his intelligence over others. I think this comes from the prevailing tortured genus trope. But also people not being able to tell the difference between Sherlock as a character who is just very open about his observations and someone who's an asshole. Sherlock is actually a very honest character which sometimes yeah means he's harsh but mostly he's just truthful. House mutilates this trait beyond recognition to the point of near constant and unrealistic cruelty.
Finally, I think making Holmes a doctor literally means you can't actually have a Watson because arguably the whole point of Watson, other than to be the audience pov, is to add credibility to Sherlock's unorthodox career choice AND to provide a traditional scientific perspective. House being a Doctor means none of that is really needed. Everyone knows, understands, and respects what a Doctor is!!! Wilson as a Watson figure has nothing to do except be the audience's WTF POV. Even the way Wilson and House's friendship is done is simply, like.... they didn't read the source material. Do you get that these men are meant to be at the very least friends who enjoy each other's company?? Also I think people need to shut the fuck up about House MD being a secretly gay show. A show doing homophobia on the regular isn't gay in any way that matters.
I say all this as someone who's watched it and enjoyed it at times. House and Cuddy were literally like one of the first ships I ever shipped. Do you know how weird it is to be 15 rooting for 2 middle aged co-workers on tv to fuck?? Anyways, I have lots of other thoughts about how the show handles House's addiction and disabilities and how arguably these are also taken loosely from Holmes lore. But if House MD must be considered a Holmes adaptation, it's one that mostly just mutilates. Almost every criticism hbomberguy says in his Sherlock is Garbage video essay is also applicable to House MD.
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I DID NOT EXPECT TO DO ANOTHER ANALYSIS THOUGHTS WHATEVER POST BUT ARLECCHINO IS JUST TOO MUCH FOR MY NEURODIVERGENT BRAIN AND I NEED TO TALK ABT IT SO HERE WE GO AGAIN
Spoiler warning for Arlecchino’s character teaser!!!
If you haven’t yet, watch it here!!
Look look. I really did not expect Arlecchino to be comprehensive, understanding or merciful (of her children) since in the Fontaine trailer she was critical of Lyney and Lynette and we did have other harbingers calling her a wolf in sheep’s clothing and things like that
Oh fuck I screenshotted this at the wrong time LOLL anyway
BUT THEN SHE WAS SO KIND WITH THIS GIRL 😭😭
Despite telling her that she told her recklessness would lead to failure, she was not mad at her AT ALL – and I mean, completely fair, girl was literally on her deathbed – and instead decided to deal with the problem herself 😭😭😭😭😩😩😩🤯🤯🤯🤡🤡🤡 I WAS NOT EXPECTING THIS FROM A SUPPOSEDLY “STRICT AND UNFEELING FATHER”
Also, this isn’t my main point but the way she showed up like fricking bogeyman and crushed the nasty man’s skull with her HEEL was insane (positively) for me
Anyway LOL then she went, killed him, exposed his crimes and robbed all his money SO SHE COULD ADOPT MORE HOMELESS CHILDREN LIKE PLEASE THIS IS EXTREMELY CHAD AND BASED OF HER
Not only that, but she went back to her child and saw her off herself 😭😭😭😭 this shot of her closing her eyes, gosh this made me really emotional, especially considering what comes next
She did mourn her death!!!! Not only that but she called her “her child”!!!!! Although she appears inexpressive, it must’ve been so hard to see the children you raised part like that.
And considering we’re talking about a whole orphanage, this is definitely not her first time, and won’t be her last either, it must be so hard to be the director of the House :(
Now, I gotta say I like her character even more after all this 😭😭😭😭
I am all for villains who are actually evil and nasty flawed people and I do like characters like that as well, but I feel like in Alrecchino’s case, it was kinda necessary for her to have a softer side?
I mean, again, we’re talking about an orphanage here. Her underlings are literally her own children, children like her who were abandoned at a young age, had nowhere to go and no one to take care of them. Not only that, but she has to train them to become underground agents and deal with dangerous situations at a young age. To become criminals even.
And this is all without even mentioning that she had to deal with generational trauma too. It’s a tendency for this type of children to become the opposite of their parents, and try to do better than them even if they do still have their own flaws. And I think this is shown wonderfully in Arlecchino.
She tries to put a front of a cold and strict father, but on the inside, she’s not as ruthless as she makes herself out to be. Even to the Traveler, who has been an “enemy” of the Fatui in various situations, she did not care about it and instead judged them to be a valuable ally (AND SHE WAS NOT WRONG!!!!)
It's really no wonder Lyney admires her and wants to be like her. Tbh I would feel the same way if I were in his shoes LOL Lynette and Freminet seem to respect her a lot as well, from what I've seen in the Archon quests and the story quests I mean.
I did not read all of the Hearth siblings lore however, so I may be missing some information about how she raised them, and there’s still the story quest and the Boss fight that still wasn’t released and I don’t look at this type of leaks LOL but still, you got my point!
Another point I wanna mention is that this front of cold, unfeeling and harsh could be considered her flaw, even if it’s just a mask.
I mean, it is considered a toxic trait to pretend to be something you’re not. It could be people pleasing (no shame btw I am one myself), could be narcissistic traits like the previous Knave showed, and it could be pretending to be tougher than you really are, like in Arlecchino’s case.
In this case, she’s not only neglecting her own feelings and not letting them out (i.e.: not crying for her child’s death for example), but it can give the wrong impression to her children as well.
It gives the impression that she doesn’t care about them, especially at a young age, and especially considering they’re homeless children who have already been abandoned by their biological parents, and by the world itself.
According to studies on psychology, this situation makes children even more vulnerable to insecurity, low self-esteem, and gives them even more need for emotional connection and reassurance, which Arlecchino doesn't give them bc she's cold.
So yeah, Arlecchino IS still flawed and questionable in her own way, the children do feel the effect of this and her “good side” was necessary for her position and done wonderfully in my opinion.
Personally, I LOVE it when villains/anti-heroes are unhinged at the right people/moments but at the same time still have their kind side and their own issues. I mean, questionable people in real life do also have their good side, and this is exactly what makes them fucking nasty when they're nasty.
But I'll definitely talk more about this whenever I do make a post about Firefly from Star Rail! Gosh I have so much to say about her, just wait for me guys!!!
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After my presentation of the Secret Garden and CEN paper, someone in the audience asked about applying the lens of CEN to other children's book from the same era. I thought about it afterward, and the best example that came to mind was Anne of Green Gables.
Anne Shirley, before her arrival at Green Gables, has experienced CEN. It has played out in a much different way for her than it does for Mary and Colin in TSG, due to differences in social class, but the principle has been the same. As an orphan raised in homes that viewed her as an inconvenience and a sort of unpaid servant, she has never had an adult in her life who prioritized her emotional well-being, who took the time to be kind to her, to listen to her, to teach her how to function in the world beyond basic survival. She is aware that no one wants her after her parents' death, and she is made to feel guilty by her caretakers for having the audacity to exist and need to be "brought up by hand." It's difficult for Anne to even talk about these experiences when Marilla asks her. She's relieved to get relating them over with, because "Evidently she did not like talking about her experiences in a world that had not wanted her."
And then there's this exchange:
“Were those women—Mrs. Thomas and Mrs. Hammond—good to you?” asked Marilla, looking at Anne out of the corner of her eye.
“O-o-o-h,” faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. “Oh, they meant to be—I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don’t mind very much when they’re not quite—always. They had a good deal to worry them, you know. It’s a very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don’t you think? But I feel sure they meant to be good to me.”
Anne has clearly been mistreated, but she's describing--and pointedly not describing--suggests less of aggression and physical harm and more of something missing, an emptiness, a lack of love--CEN. Likewise, she herself exhibits some signs that can be associated with this type of maltreatment. Difficulty with emotional regulation, attachment problems, extreme sensitivity to rejection, negativity toward herself, excessively immersing herself in imagination (a mild dissociative tendency), anxiety around social situations (regarding how to behave correctly and whether people will like her), etc.
And in a way, the entire first book of the series deals with how she finds healing from her past of CEN, through gaining the love and acceptance of her new family, of friends, of an entire community.
From what little I know of L. M. Montgomery's life, CEN was likely a factor in her own upbringing, and it repeatedly features in her novels (The Blue Castle and Jane of Lantern Hill, for instance, in particular feature heroines who have experienced CEN) with poignancy. Montgomery paints moving portraits of how badly children can be scarred by a lack of love and affirmation.
Anyway, situating Anne's backstory as rooted in CEN helped me put my finger on one of the reasons that I felt that the recent series Anne With an E--at least the first season, which is all I've seen--misunderstood the nature of Anne's past. In this version, we see flashbacks to Anne's past, in which she is being viciously bullied by other children for her talkativeness and imagination. They even go so far as to stuff a mouse into her mouth, and the show suggests that Anne has PTSD as a result of this kind of treatment.
And yeah, Anne's childhood in the book isn't great and clearly has hurt her deeply, but this interpretation felt off to me. What Anne has to say--and not say--about her past in the book suggests not that she was targeted as an object of others' aggression but that she was disregarded. No one was giving her a second thought. That's not as dramatic and shocking as vicious bullying, but it's another, more subtle, insidious kind of maltreatment, just as hurtful in its way but harder to pin down. It's easy to portray a quick, sensational scene of our protagonist being obviously, overtly, grandiosely mistreated, but how do you show the gradual piling up of years' and years' of being treated like you don't matter? All the tiny incidents that chip away at one's sense of self-worth? The building of a worldview in which you must earn love and acceptance but somehow you can never manage it and of course it's your own fault?
And I'm reminded how recent adaptations and retellings of TSG shift the narrative toward grief, which is easy to dramatize, big and impressive and full of obvious pathos. It's an easy way out of depicting a subtler kind of suffering, and the same way, Anne With an E replaces Anne's CEN with bullying and PTSD. There is a place for such stories, but Anne's isn't one of them. It's almost as if there's an inability to understand or a reluctance to depict any kind of suffering that isn't big and grand and shocking. There are many ways that people can be deeply hurt, and it doesn't always look like a major traumatic event that's easy to pinpoint. Sometimes the hurt isn't a tidal wave that engulfs in a single devastating event; it's a slow drip that erodes oneself away little by little. That's closer to what is depicted for Anne, and Montgomery's other protagonists who have experienced CEN, and it's important to recognize what exactly is going on because this sort of thing still happens every day in the real world, in many forms, and it needs to be seen and combatted. And seeing this form of maltreatment play out in literature helps us recognize it and empathize with and reach out to those whom it has impacted--or possibly even to identify it in our own histories and search for our own healing.
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Hi! I’m here suffering from lack of good Archivist!Sasha content as well 😭 On that note, do you have any fic on that topic you would recommend? Or just good Sasha fics in general, (or Jonsasha, if that’s your cup of tea)? Thank you in advance 😊
Tragically, I think there is a general dearth of good Archivist!Sasha content (and just about none of it Jonsasha content, as far as I can tell (and not only is Jonsasha my cup of tea, but the ONLY thing standing between it and the #1 OTP spot (currently occupied by JE) is the fact that the Jonsasha that I desperately crave exists in my brain and nowhere else)). Admittedly, I haven't looked very far into her tag yet (I should rectify that at some point tbh) but I've dug around the Jonsasha tag when I first got into it, and I know at least one fic where Sasha drifts towards Beholding through an interest in office gossip.
In terms of Jonsasha Ao3 has:
This very good Sasha lives fic where Jon shows up to Georgie's with an unconscious Sasha and everyone involved is very confused.
These two fics are cute also. The former is by @/suttttton and is them getting together, the latter is established Jonsasha from @/dickwheelie.
Eyevatar Sasha might actually be thinner on the ground (outside of fix-its where she solves everything and her canon reckless curiosity is completely ignored). Ao3 has:
This fic, which is Jongerry with outsider PoV Sasha. Just barely has the implication that she might be shifting towards the Eye (via prying into the lives of her coworkers) but gets a mention through sheer force of Excellent Sasha Characterization. I read this and I feel like I'm reading a fic from a Sasha Understander.
There's also this fic, which looks very promising but which I haven't actually gotten the chance to read yet, so I can't speak to its quality.
Unfortunately I've only gotten into Sasha fairly recently (especially as compared to Jon, who my brain latched onto in a deathgrip from the start), so I haven't gone through her tag yet. A scroll through the Archivist!Sasha or Beholding Avatar!Sasha tags pulls up a lot of fix-it and J//mart, which isn't really what I'm looking for from the concept. I'm sure there's more out there, and if/when I find them I'll come back to this ask probably, but I lucked into Reverse Nighthawks (I was on a Jongerry kick).
But god every day I wish that I could write romance and/or longfic, because about a year ago I read a Jonmichael fic that, when discussing alternate universes (where Jon ended the world) it's revealed that he once did an apocalypse out of love for his Archivist, Sasha James. And it was one (1) single line, but it struck me so hard because god. A perfect concept I think. The potential dynamics of Archivist!Sasha/Assistant!Jon are enthralling to me. Jon destroying the world (or helping her destroy the world? Cute date night I think: bringing about armageddon with your eldritch monster partner) for Sasha... anyway mostly I mentioned that one because My God if I have to live with that tantalizing AU rotating in the background of my mind 24/7 so do the rest of you.
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feeling uncooperative with the prompts in the meme. between cheech and old pat which one would survive a joint venture into a thrift store? and which of them would you convert into a minor league baseball player if you had a magic wand
God yeah I reblogged that list and then read the questions and was like...this list is wack lol. Anyway THANK YOU these questions are much more important and gets really into the Hearts and Minds of these men.
Who survives a joint venture to the thrift store: Old Pat. It's Old Pat. Man has looked 40 years old since he hit puberty and has just kept growing older. Old man is in his element with the real senior citizens. However it is very important to me to mention that they're going to a bespoke thrift store for like farm and cowboy shit. Cheech could handle normal thrifting. Cheech would be great at normal thrifting. But take him to a store where it's JUST vintage farming equipment and cowboy leather shit and that city boy is going to panic. Old Pat is having a blast looking at pieces of metal that clearly spark joy in his construction worker heart but make NO sense to Cheech, son of academics, WHL overager. Cheech agreed to come to the store to push the cart but now he is manfully deep breathing while Old Pat examines a metal thing with rings. Is it for horses? Is it for wearing? Is it a BDSM thing? Do you put it on a tractor? Cheech is scared. (It is literally just a beval bit.) These stores don't exist in the Bay Area but maybe they do in idk Manitoba or Michigan or whatever. Or Gilroy, where all our dreams come true.
Minor league baseball player: the thing is, we're on Sieloff Watch (KING. ANNOUNCE YOUR RETIREMENT OR SIGN SOMEWHERE BEFORE I THROW UP) and Cheech is having his hot girl summer. So I'm inclined to say Cheech, just bc I think he has a shot in hell of making it OUT of minor league baseball. Also he is handsome like a baseball player. He has the looks for it. Not that you have to be handsome to be a baseball player but it helps. Can you imagine that man in the humid outfield of some nameless town in the San Joaquin Valley, fighting for his life in the game, the top three buttons of his jersey are undone, his curls are wilting, the uhhhh idk Fresno Nightcrawlers, AA for some cursed af West Coast team, are down 9-7 in the 8th, when the skies open up and it starts pouring...the stands, already two-thirds empty on a Tuesday night clear, while the teams run for cover under the downpour. Nick stands in the outfield and tilts his head toward the sky, feeling, for a moment, relief and peace.
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Picture this.
Stevie on the most fucking perfect killer queen dress you could ever think about, Robbie and them decided on going to see a drag performance and then fuck around a little, dance and be so fucking fabolous and pretty and all
AND
Robin isn't there, she's running late. Why didn't he pick her up? Well, Robs was staying at Chrissy's and she was dropping them. As Steve's sent a message to Chris and she told her that she already left Robbie there, so Stevie went to check out outside.
Robs there, uncomfortable, searching a way to enter the club, their eyes scanning the street, fear on her eyes.
Steve sees there's a man with her, has them by her wrist and is awfully close
What a fucking dumbass
AND THEN BAM
Steve does that shit they did on the Russian base you know, the think that he picked up that thing and hit the Russian guard
But
Now it's her heel they quickly put in his own hand in two seconds and hit the man in the face once they see Robin being touched
And she thinks "not again" because they didn't know what happened to Robin in the Russian base but he can imagine
So he knocks out the man with her heel
"I get you're jealous because she pulls more girls than you would never but there's no need to be an asshole" And then she spits on the man eye "ya infertil ass, next one I'm gonna rip your balls and make me earrings with them"
And then she switches back as their sweet self "Are ya okay Robs?"
"Perfectly fine Stevie"
Robin's eyes goes from scared and empty to fondly and full of love as she looks at Steve. Stevie smiles softly and takes of their face a stroke of hair.
" 'm glad, wanna enter again?" Steve offers their hand and his soulmate takes it as they enter the club, Nelly Furtado singing Maneater as they do
And it's fucking epic
And they rule.
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