“Les Carnets de Siegfried (Benediction)” biopic de Terence Davies (2021) - sur la vie du poète Siegfried Sassoon (1886-1967) - avec Jack Lowden, Tom Blyth, Calam Lynch, Jeremy Irvine, Matthew Tennyson, Kate Phillips, Simon Russell Beale, Suzanne Bertish, Lia Williams, Ben Daniels, Peter Capaldi, Anton Lesser et Gemma Jones, mars 2024.
3 notes
·
View notes
Marilyn Monroe and British poet, Edith Sitwell, January, 1953.
“In private life she was not in the least what her calumniators would have wished her to be. She was very quiet, had great natural dignity (I cannot imagine anyone who knew her trying to take a liberty with her) and was extremely intelligent. She was also exceedingly sensitive.” — Edith Sitwell on Marilyn, from Taken Care Of: The Autobiography of Edith Sitwell.
1K notes
·
View notes
But what do we really mean when we call someone eccentric? The word renders a verdict of harmlessness: A person’s style, conduct, or mannerisms may be memorable, but not concerning. And truthfully, we need people who are a bit of a character (to use an equally common euphemism). Their difference reinforces our sense of stability, their peculiarity a necessary splash of color in a landscape of conformity. We love to hear about them, to speculate why they are as they are — the odder, the better. Whether in documentaries like Grey Gardens or the five stories collected here, well-reported tales of quirkiness always invoke a small thrill, vaulting their subjects out of the realm of local gossip and into a wider imagination.
However, it’s no accident that every entry here concerns individuals who are, to varying degrees, rich or famous. The sad truth is that the lives of the everyday working class are seldom celebrated, and least of all those whose habits and personalities fall outside of the bounds of “normal.” To quote a character in Ellen Raskin’s novel The Westing Game, “the poor are crazy, the rich just eccentric.” Wealth affords many privileges in life, among them the indulgence of oddity, and such indulgence is only magnified in the face of celebrity. Behavior that would be considered problematic becomes acceptable, even admired as a natural by-product of genius.
Check out “Pawns, Puppet Heads, and Paranoia,” Chris Wheatley’s quirky new reading list on eccentrics!
388 notes
·
View notes
Queen of Bohemia
Amedeo Modigliani -Jeune Femme (Nina Hamnett) - 1917
Roger Fry - Nina Hamnett avec une guitare - 1917
Nina Hamnett (1890–1956) was a Welsh artist and writer, and an expert on sailors’ chanteys, who became known as the Queen of Bohemia. Flamboyantly unconventional, and openly bisexual, Hamnett once danced nude on a Montparnasse café table just for the “hell of it”. She drank heavily, was sexually promiscuous, and kept numerous lovers and close associations within the artistic community. Very quickly, she became a well-known bohemian personality throughout Paris and modelled for many artists. She went on to have a love affair with Brzeska, and later with Amedeo Modigliani and Roger Fry.
Amedeo Modigliani - Woman with Red Hair (Nina Hamnett) - 1917
Nina Hamnett - Self Portrait - 1913
British painter, designer, and illustrator, famous more for her flamboyant bohemian life than for her work. She was born in Tenby, Wales, the daughter of an army officer, and studied at various art schools in Dublin, London, and finally Paris. On her first night there she met the Italian painter Amedeo Modigliani. He introduced her to Picasso, Serge Dighilev, and Jean Cocteau, and she went to live at the famous artist’s residence of La Ruche which housed many other Bohemian artists and modernist writers. It was there that she met the Norwegian artist Roald Kristian (also known as Edgar de Bergen), whom she married in 1914. She seems to have been relieved when he was deported as an unregistered alien during the First World War; they never saw one another again.
Like other women at the time reveling in a newfound independence, she had her hair cut short in a ‘crophead’ style (what we would now call a basin cut) and she wore eccentric clothing:
"I wore in the daytime a clergyman’s hat, a check coat, and a skirt with red facings … white stockings and men’s dancing pumps and was stared at in the Tottenham Court Road. One had to do something to celebrate one’s freedom and escape from home."
Roger Fry - Nina Hamnett - 1917
Nina Hamnett - "Rupert Doone" - Dancer - 1922
Nina Hamnett - "Dolores" - 1931
From 1913 to 1919 Hamnett worked for Roger Fry's Omega Workshops; Fry (with whom she had a love affair) painted several portraits of her. In the 1920s, she spent much of her time in Paris, where once again she knew many leading figures of the avant-garde, including Jean Cocteau and the composers Satie and Stravinsky.
During the 1920s (and for the rest of her life) she made the area in central London known as Fitzrovia her home and stamping ground. This new locale for arty-Bohemia was centred on the Fitzroy Tavern in Charlotte Street which she frequented along with fellow Welsh artists Augustus John and Dylan Thomas, making occasional excursions across Oxford Street to the Gargoyle Club in Soho.
Nina Hamnett - Illustrated Osbert Sitwell's "The People's Album of London Statues" - 1927
However, she often returned to London for exhibitions of her work, which included portraits, landscapes, interiors, and figure compositions (notably café scenes) in a robust style drawing on various modern influences. In addition to paintings, she made book illustrations (spontaneous pen-and-ink drawings), notably for Osbert Sitwell's The People's Album of London Statues (1928). From the 1930s the quality of her work declined, partly because of the influence of alcohol.
In 1932 she published a volume of memoirs entitled Laughing Torso, which was a best-seller in both the UK and the USA. Following its publication she was sued by Aleister Crowley, whom she had accused of practicing black magic. The ensuing trial caused a sensation which helped sales of the book, and Crowley lost his case.
Hamnett enjoying herself with some new friends
Her success in this instance only fuelled her downward spiral, and she spent the last three decades of her life propping up the bar of the Fitzroy trading anecdotes of her glory years for free drinks. She took little interest in personal hygiene, was incontinent in public, and vomited into her handbag.
Her ending was as spectacular as had been her previous life. Drunk one night she either fell or jumped from the window of her flat and was impaled on the railing spikes below.
60 notes
·
View notes
Sometimes a family is an embezzler who built houses for Saddam Hussein, an alcoholic who can't read medicine labels, a former golden child who never gets around to leaving the family, a phony activist who is actually four years older than everyone thinks and also her own aunt, a worm man with chronic anxiety and an oedipous complex, a gay magician who's straight but gay but no he isn't yes he is, a boy who's main personality trait is being horny for his cousin, a fifteen year old Hollywood producer, a failed lemon salesman, the gay magician's bastard exterminator son, a woman no one ever bothers to recognise, a boy adopted from Korea who swore revenge for how badly he was treated, another gay magician, a congresswoman who has hid her alopecia her entire life and will well into the next, and the other gay magician's bastard son
And also tobias is there sometimes
640 notes
·
View notes
Before I go back to my I’d-love-to-forget-about-existence sleep, I want to share the panel I think about every day, every night, every afternoon, every lecture, every seminar and every everything.
THIS
AND THIS
But especially the first one KDJDJDJ. Jealous Bucky is my eeksklelekdkdksowkwlskdjdjdjjwkekdkdkdjjdiekdkek
90 notes
·
View notes