Daughter of the House of Dreams: A Fragment
Author's Note: This is the opening to a long-abandoned "Sleeping Beauty" retelling that I no longer plan to write, but I still like it as a piece of prose, and it sparked my enduring interest in second-person narration, so it feels relevant, and why should long-dead authors be the only ones who get to have their unfinished fragments published?
If you ever travel to Monetta City, be sure to visit Faraway Lane. Walk past the glittering new shops, and the shoppers in their bright silk dresses and top hats, and you'll find a cozy stone shop at the end of the street. This shop isn't grand and mighty like the other shops. It won't sniff and turn you away if your clothes aren't the latest fashion. It's a grandmotherly old shop that shakes its head at the prancing and preening of the younger shops, and invites you in instead. It holds no wares in its windows; it hardly has windows at all. But it has a warm and wide wooden door, with a shingle hanging above—Alessia Day, maker of dreams.
Don't ponder the sign's message too long—it means exactly what it says. Just slip inside, shut the door behind you, and look. Don't breathe too deeply, unless you want a week of crazy dreams, but allow yourself one gasp of astonishment. You won't be able to stop yourself. No living person has failed to feel awe toward the rows and rows of shelves, longer than streets and taller than palaces, filled to bursting with glass bottles in such bright colors that the dresses in the other shops' windows would weep in envy. Some bottles are the size of thumbnails. Most fit comfortably in the palm. Some are as large as breadboxes or steamer trunks or carriage horses, but the shelves manage to fit them all. And each bottle is filled to the brim with dreams.
If you don't understand, ask Alessia Day. You'll find her at a counter half a mile from the door, polishing bottles and humming a song you've heard but can't remember. She's an old woman now, and proud of it, but squint your eyes and start to daydream, and you'll see her as I remember her—a willow-wand girl with shining brown hair and eyes that sparkle with half-formed jokes.
Tell this girl how pretty she is (she'll laugh and call you crazy) and ask about her dreams. She'll tell you of her stock and sell you any dream you ask for—daydreams and pipe dreams, dreams of love, dreams of adventure, dreams of loved ones lost and loved ones found and people you've never met but wish you had. She'll show you dreams of lush and perfect islands, dreams where fishes fly through the air, and dreams where people swim the seas with fishes' tails. She'll pull down dreams that last a second but linger a lifetime, dreams that fill a month of stormy nights, dreams that fade on waking and dreams that drown out memories. If you let her, she'll talk of dreams until you drift off, and she'll bottle up your dream while you doze.
But if you're smart (I know you are) you'll step to the counter with a clear glass bottle, empty of everything but air, and ask for her story instead. She'd distill it in a dream for you, and be glad to do it—I once saw her whip it up in half a minute, and I'll bet she's even faster now. Buy the dream, but don't drink it right away. You won't be ready for it. Linger in the shop a while. Hear the story first from Alessia Day's lips, in that voice of hers that's sweeter than singing.
You won't believe half of it, but when you stagger from the shop and wander the empty, starlit streets, you'll ponder over passages until you stumble into bed at sunrise. And when you wake, the world will be different—you'll see tiny footprints on the windowsills, know things about the shadows on the walls, tip your hat to creatures in the corner of your eye, and realize there is another color no one else can see. You'll laugh and call it your imagination, but every second Tuesday, you'll start to wonder if the old woman was right, if the things she told you were true.
If you drink the dream she made, you'll know. I'll understand if you don't—some things are easier not to know. But if you do, and dream through her story, come to my house and ring the bell. My man will let you in—he'll know you by the wonder on your face. He'll bring you to my study, set you in my oldest, softest chair, and get us both settled with a steaming pot of tea. Then, once you've finished babbling, I'll close my eyes and tell you my part in the tale.
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Hi!!!!
Do you have any hcs for how Alicole would try and solve and argument with the kids? Like, their dynamic (especially Aegon with Alicole cause he’s the oldest) is just so interesting and I’ve always wondered how an argument/disagreement would play out with them
ooh, tasty concept.
with arguments amongst the children, they try and get them to take a step back. they'll each take a kid (or two if it involves all of them) and give them a hug or something of the like, easing the tensions, before helping them come to some sort of compromise or agreement.
when it comes to non petty arguments that every child has, the source of issues amongst the kids is the following;
with Aegon they have to settle his need to compensate for feeling as though he is lacking. he tends to pick on his siblings when he's feeling down on himself. so it's a lot of affirming words and hugs while also chiding his cruel behavior. he's definitely hard on himself about being cruel as well, he doesn't like being mean it just sorta comes out of him when he's not in good spirits about himself. he shoves his siblings away over little things when he's upset which only makes him feel worse in the long run. the whole situation makes it hard to parent, as it's not right how he treats his siblings at times, but it's also awful how he feels and how it presents itself. there's typically long talks after the fact. Aegon's usually in his dad's arms, more often than not, while he mom comforts him.
with Aemond it's cooling his temper and frustration, deep breaths and grounding. they remind him that he can't let every jab get a rise out of him, that he always had them to turn to when he needs help, that he's not alone to handle his anger. they try and learn more and more each time, what triggers his anger, what helps him calm down, what to avoid, etc. sometimes he needs to just be held other times he needs a moment alone to breathe. they also try and help him learn how to self regulate and also make his siblings aware that he's getting upset prior to him lashing out (they also talk to them about it).
with Helaena, arguments tend to be because she thinks so differently from her brothers. not only is she a girl in a house of boys, but also because she's autistic (I was the autistic 'sister' in a house of boys for most of my life, it definitely brewed some unique arguments, and I'm gonna project god damn it), their ways of thinking and doing are so different sometimes that she just loses it. so with her, they let her talk, they let her ramble and decompress until she can ground herself, then they have to try and explain the boys point of views, how they see may not be the right way, nor is hers, neither are, but they have to learn to agree. then it's hugs and kisses and talking it out, before they go back to hashing it out with the boys.
Daeron's the most agreeable with the siblings, very adhd coded in my mind (so I'm going to project my brother onto him cause they're very copy pasted in my mind) so when he gets into an argument it's because he's going too fast, too passionate, and/or too much. so again, like most of their children, it's grounding first talking later. like Helaena, they have to explain that the way he is isn't bad or wrong, but that's sometimes we need to slow down, take a breath, cool off, and than continue.
with arguments they take their kids separately, normally separated into different rooms and they visit them together. depending on the exact situation they may just offer hugs and softness, or they'll play a slight game of good cop/bad cop, though they're careful with it. the goal is to solve the problem, not slap a bandaid on it. they tend to each kids needs before handling the actual issue at hand and then being them together to find a solution.
they can both be soft and stern in their own ways. Cole is typically softer on them, as he gets to their levels, takes them close while talking, but he has a stern voice and makes it clear he's willing to put a foot down if need be. while Alicent tends to be a bit more formal and stereotypically authoritative, sitting at the table with them, even if she holds their hands in hers and pulls their chairs close so she can stroke their cheeks.
normally the kids can make right up, or at least come to peaceful terms, but if it doesn't, cause kids can hold grudges like no one's business, Alicent and Cole are forced to remain wholly neutral which is much harder than one would think. most of their fights that lead to grudges are very childish so it's really just waiting for them to crack and realize it was a stupid argument. this is made easier when they don't get involved, so they just laugh amongst themselves where the kids can't see them, and try and keep face in front of them (they can smell weakness and betrayal. send help. a 4 kids household isn't easy). they definitely have moments where they wave the white flag cause one of the kids accused them of siding. the "get along" shirt is also an active and well worn member of the family (Aegon and Aemond share it often)
this video is very much Aegon and Daeron. they feud often. they're either acting like Aegon is a second dad to him, or they are actually going to war and have been sworn enemies for generations, fighting a battle to honor their forefathers (Alicent and Criston are so tired). speaking of Aegon being a second dad, he definitely oversees a lot of arguments between Daeron and his friends... does he understand little kid drama? no. is it entertaining as all hell? you fucking bet, he wants to hear all about what little James did at daycare.
when the kids are arguing with them, which with the way they run the house is pretty rare, but not impossible, they first take a step back for themselves. they will never show anger or cruelty towards their kids, so they make sure they're ok before they even think about talking to their kids.
talking will always be their goal, they never want to use threats or punishments to get what they want from their kids, and they have different ways about it. because their kids know how their household works, that things work on their time, and that just being open and honest, they really just need a day or two to themselves, if the reason for arguing isn't time sensitive, and then they can just take it out.
Aegon is sulky, he just closes himself in his room or flees to a friend's house (which they let happen so long as he leaves a note, leaves his location on his phone, and checks in every few hours) if its really bad. he'll drag himself back to the kitchen table in 48 hours tops, wanting nothing more than for his mom and dad to love him again (they never stopped).
Aemond is just frustrated past reason, so he'll go out and fence with his dummy or just something physical, then he's more willing to listen to reason.
Helaena normally had a boundary or nerve pushed, which was normally accidental, either cause she was already frustrated with something or something changed and it just put both parties in bad positions. space is all she needs.
Daeron is a bit of all the above. he's sensitive, though hard to cross, its often more about other things, something his parent did just broke the camels back, so a long run brings everything back to reason.
Alicent and Criston care so much about their kids, every argument they have with their kids, typically one-sided as they refuse to truly yell, breaks their heart whether or not they did anything or not. they never plan to punish their kids for arguing, they were kids once and they know that its good that they feel safe enough to stand up and fight for what they believe to be true, that they feel safe to shout and disagree with them. they would rather that over anything else, cause they know their kids trust them.
while they aren't permissive with their kids, their are rules and hard limits, they don't count arguing as something to be punished, and their kids don't tend to strand into punishable territories. so resolving a fight is a long talk at the kitchen table, no man's land so to speak, where all parties air their grievances. the problem is discussed, apologies are said on all sides, and sometimes it doesn't always end in a hug, but it does end in feelings being soothed and bridges mended. no one walks away with hard feelings.
they're not perfect, but they make it work, and because they've put so much time and effort into making their home safe and sane, the whole family in therapy, making active efforts to be nothing like their first "home" true arguments are far and few between, and when they happen they're equipped to handle it. Alicent and Cole are such good parents, their kids love and trust them, theirs so much space to talk and negotiate and handle issues early on that there typically isn't any reason to fight. I think that's what makes them such a good family, cause its so hard for me to picture them actually fighting outside of petty things.
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I’ve been meaning to ask !!! Its possible you’ve already posted abt this BUT I got in an angsty mood recently and was curious, do you think Adam or Belle dies first? and how does the other cope with it ?
ooohhh i love that you Know i’m just crazy enough about them to know the answer to this question. i’ve thought TOO much about this, unfortunately! look you have one otp for six years, YOUR MIND WANDERS, OKAY?
okay so obviously in the ideal perfect world, they die at the same time asleep in bed in each other’s arms after a very long life of being so ridiculously in love. that way no one has to deal with anything (except the rest of their family, of course). that’s the ideal otp death scenario. BUT. i do have a sadder answer, yeah
so for a while i actually could not decide who would die first. it really wasn’t ideal either way because if adam dies first, belle has to go through experiencing his death TWICE in life. and if belle dies first, adam is… disaster. but ultimately, belle is by far the stronger one between the two of them, they both know it and always have, so i decided that adam would die first.
i once entertained the idea of belle dying first and adam just… oh my gosh… like they’re always very old when they die but even still it’s like… belle is the air that adam breathes… watching him lose her is so… dark. and grim. he really can’t live without her and the aftermath is far too upsetting to include it into my canon. he becomes so unwell…
now, obviously, belle is utterly heartbroken by adam’s death, and she doesn’t do all that much better than the alternative. i headcanon they both die in their 90s (no i do not CARE that they’re from the 18th century!!!!! they’re living long ass lives because i SAID SO!!!!!!) and it’s really no specific illness that takes adam. it was just his time. he was in bed for a week or so, too weak at this point to do anything else. belle never left his side, caring for him even though she had slowed down in her old age too. even as nurses and grandchildren tried to take over, she wouldn’t let them. she’d do anything for him. she’d take his place if it were possible.
he dies at the grand age of 98, surrounded by his family and loved ones, holding his wife’s hand. she can tell he’s nearly gone, but he’s fighting it. he loves his life too much now to leave it. he’s been sunbathing in happiness for over 70 years and he doesn’t want to let it go. but belle kisses his hand and tells him it’s okay, they’ll be okay. this family he’s raised, this family he’s protected, this family he’s loved. they’ll be okay. rest now, my love.
silent tears fall down belle’s wrinkled cheeks as adam turns and looks at her. though his face and body age, his eyes never changed. still the same crystal blue that she fell in love with. he looks at her and he squeezes her hand. his lips turn up in a slight smile. “my darling…” he whispers, just as his last breath escapes his lungs.
everyone knows he’s gone. he was husband, father, grandfather, great-grandfather, beloved king. he was rescued so many years ago, it seems none of it matters anymore. but belle remembers. belle remembers when her love was lost in the darkness. belle remembers when he accepted her light.
the following days are a blur. everyone is sad, but relieved too — in the way anyone is when an old, beloved family member passes. he deserved to die that way. life fulfilled, loved by plenty, surrounded by those who meant the most to him.
while the children (grown and old themselves, frankly) tend to announcements and letters and funeral arrangements, belle keeps to herself. she sits on the balcony of their chambers in the west wing. she watches another sunset alone. she hasn’t felt such sadness since her father died many years ago. she thought she would never recover from the deep pain she felt at his loss. but adam had been there to hold her while she cried. adam had kissed her head and told her things would be better again. and at the time she couldn’t fathom it, but she never left his arms. his warm, comforting arms. belle had never felt safer than when she was in adam’s embrace. and now… now she shivers under even the warmest of blankets.
they were old. and belle always thinks too much. she knew their time on this earth could not be much longer. and when adam could no longer get up, it was only a matter of time. what she did not anticipate was how utterly betrayed she would feel by death itself. how dare he be taken away from her? to leave her alone? she always prided herself on being able to do things on her own, but the true reality of it was devastating. she didn’t want to do anything alone ever again. she wanted her best friend back. who was she going to dance with now?
the last entry of her diary was short, but clear in how sad the queen felt. how lost she was, how high up in the clouds her head floated, with no one to keep her grounded. her heart had completely and irreversibly broken in two. she would see adam; visions of when they were young, and some when they were older. but he’d always vanish again before she could say anything to him. “where is my adam?” she’d ask her children when they found her. they would simply take her hand and kiss her cheek, asking her to come and sit awhile with the little ones.
a week after adam’s death, their children found belle in bed, having peacefully died in her sleep. they were devastated, but equally knew how much their mama loved their papa. they had always known of their parents’ grand love. and they knew this may just be too much for her. knew that dying from a broken heart was as real as it could be.
so, adam and belle were buried together, entombed in the rose garden behind the castle. their precious home. a huge, lovely structure was placed to honor them, with vines and flowers growing around it, and eloquent words on a plaque speaking of a beloved king and queen, who loved like no other.
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@beatingheart-bride
"Sounds pretty familiar, don't it, Junie?" Wilhelm commented with a little grin as he took a seat in his rocking chair, Randall moving to sit beside Emily as June replied warmly, "That it does-I met my husband when I was working at the little hotel here in town." Another one of her many efforts to scrape together enough money to putting her through nursing school, but she remembered it fondly on account of how it brought her and her future husband together.
"I stopped here in town looking for a room, and found myself with a girlfriend instead!" Wilhelm grinned-he hadn't expected to put down roots in New Orleans, but between the lovely maid he got talking to outside of work and the beauty and culture of the city, he felt it was a wonderful place to settle down. And all because he walked into the first hotel he saw after getting off the bus!
"I'm sorry, where are my manners?" June laughed as she stood up and started towards the kitchen, saying, "I know you two had dinner already, but is there anything I can get you, anything to eat or drink?"
"Don't worry about it, Ma, I was just gonna grab myself a glass of water," Randall assured her as he too stood up, giving his mother a kiss on the cheek, encouraging her to sit back down as he looked back to Emily, asking, "Do you want one too?"
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