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#she didn't get to tell everyone
hailsatanacab · 6 months
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
#dpxdc#batpham#i forget - can we tag the parent fandoms? w/e#immediately alfred's like: while i do appreciate your initiative may i suggest it wait until after dinner?#and danny - who has barely eaten proper homecooked food ever - takes one bite and then absolutely wolfs down the whole lot#after he's finished he's like 'bear with - I've got to add that to the 'Reasons I Would Like to Live Here' section'#danny's powerpoint has tailored sections for each batfam member with lists of reasons why they'd get along#my au thoughts on this is that the fentons disowned danny when he told them he was phantom#and that this is after the ultimate enemy - wherein which he allied himself with the JL to fight against dan#(which didnt really work at all - BUT he knows some of their identities now INCLUDING batman's)#so one of the main reasons why he'd be a great fit is that he knows their vigilante status anyway so they don’t need to worry about secrets#dick just turns to tim like 'he’s your friend. he learnt this from you.'#tim: 'i didn't tell him our identities!! i would never!!'#dick: 'no i know that. it's the stalker tendancies. it's baby tim all over again'#tim: scandalised gasp#they all eat dinner in silence just super subdued and in shock and sending glances to bruce and danny#duke like: 'so i know I'm the last one in the family but like... this isn't how it normally happens right? did any of you make powerpoints?#tim gets all shifty because he absolutely did make a powerpoint he just never actually showed it to anyone#everyone stares at tim because they all know. it was in one of bab's blackmail files she has on him#damian's slide has danny offering to throw down at any time. 'tim says you like to prove yourself with your skills?#how about a real challenge? if i beat you then you have to vote yes to adopting me!'#damian is in two minds about accepting because... 1) look at him damian could take danny in his sleep! but#2) on the off chance that he does win... damian does not want any more brothers#(he takes the bet and its a suprisingly fun fight - and while he'll never say this... he would vote yes even without the wager)#on one of danny's slides there's a picture of ellie: you'll also get my clone sister! two children for the price of one!!#uhhh.... thats it now - I've been having fun with this haha#spent all day with the 'ive lured you here under false pretences' 'danny i live here' line in my head haha#anyway enjoy!!!!!! this was fun#i wanna make these slides so bad
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chirpsythismorning · 3 months
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
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Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
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But then suddenly this shift continues, going in a direction he probably didn't expect.
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I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
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As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
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It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
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And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
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Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
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But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
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For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
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As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
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Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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piratekane · 1 year
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She’s bone-tired, aches in places she didn’t know could ache and muscles stretched out in a way they haven’t been for a long time. Since her physical therapy, at least. The rock climbing a few weeks ago certainly hadn’t helped, but there was no way she was going to stay with her feet rooted to the floor. Not when she could climb up 15 feet and hang there like Spider-man. Better than Spider-man.
Suck it, Tom Holland.
She paid for it later, though, and spent the next day letting her body remember how to stretch, going through yoga poses and washing her breakfast down with ibuprofen. 
It was worth it, still, to see the look on Bea’s friend’s faces. Mary was impressed, clapping her on the shoulder when she got to the bottom and telling Camila - who made it up the wall the fastest - that she had competition. Even Lilith regarded her with a level of approval that Ava ate up. She’s going to make Lilith like her. Or at least smile politely, even if it is with all her teeth.
But it was Bea’s face that made it even better. 
She hasn’t known Bea long - she’s known others longer, including that one cafeteria lady who always saves her a side of mac and cheese because Ava said one time that it was her favorite - but she already knows that a big part of her wants to impress Bea. She can’t quite put it into words. There’s something about Bea that makes Ava want to show off. Maybe it’s because one thing she’s learned about Beatrice is that her smiles are fleeting. Ava wants to collect every one of them.
She’ll have a lot of opportunities, now that Bea is her friend and her roommate.
“Where do you want this one?” Beatrice asks from the doorway. She’s holding a paper box with tons of smiley faces drawn on it in a thick-tipped permanent marker. There’s a method to her packing madness, but Ava is big enough to admit that she has no idea what’s in this particular box.
“Here is fine.” She shifts in the computer chair Bea got her, a slight pinch in her back.
Bea looks down at the last few inches of floor where Ava points and frowns. “How will you get out?”
Ava lifts her legs, wiggling her socked toes. “I’ll jump. Have you jumped on this bed? Is it a solid bed for jumping?”
“Jumped on the…” Beatrice blinks at her. “No, Ava. I haven’t jumped on the bed.”
Ava shrugs. “You’re missing out. My dorm room was not good jumping material. When’s the last time you jumped on a bed?”
“Nev-never.”
Her mouth drops open. “Never?” She immediately frowns. Beatrice wasn’t kidding when she told her that her life hadn’t been normal kid stuff and her parents were hardly around. They had that in common: a girl who lived in an orphanage and a girl who grew up alone. It makes her a little sad for Bea. “We have to fix this.”
“I am not jumping on the bed,” Bea says firmly.
Ava shrugs. Today is not the day, and tomorrow won’t be either, but soon. She stands and stretches her arms above her head, immediately dropping them so that her shirt doesn’t ride up any higher. Bea seems like the kind of girl who appreciates a little modesty. Ava can do that. Or, she can try really hard to do that.
“I am officially all moved in.” She grins, surveying her kingdom. There’s a desk in one corner, left behind by Bea’s roommate who went to study abroad and didn’t come back. A nightstand by the bed has her lamp and her hat on it. She’ll have to hang her clothes, fill the dresser, find a few posters to put up on the walls. But it’s hers. “So, roomie, what’s next?”
Bea looks around, clasping her hands behind her. “I believe those are all your things.”
“Except for the kitchen stuff.”
“Yes.” There’s a faint smile on Bea’s face and Ava feels a thrill, knowing she put it there. “How could I forget your… hot dog maker.”
“Not sure. It’s fire engine red.” But she looks around too. “I think we’re done. Now we can get ready for movie night!”
A proper end to moving day. Movie night with an Ava-curated predetermined list, tons of drinks and movie theater popcorn and Bea’s friends. She had hesitantly suggested it to Bea a few days ago. She’d never done a movie night and her College Experiences bucket list clearly had it marked as item #8. But Bea had said yes almost immediately, and Ava went to work, making a list of options in between packing and classes and meals with Bea and her friends.
They’re going to be my friends, she decides. That’s on her bucket list too.
Now she just needed them to get here. The minutes have been dragging on as she’s waited as patiently as possible. But time didn’t seem to be cooperating. It’s doing its best to drag its heels. Ava wants to grab it by the neck and shake it.
Bea seems to notice that. “They’ll be here soon.” She says it very patiently, like she already knows Ava does terrible with waiting. And Ava likes that. She likes that Bea is paying attention to her enough to notice these things.
Bea’s going to be a great roommate. Ava wants to be just as good. She looks around her room, satisfied. She can unpack later - there’s enough space to get from the bed to the door and Bea insisted she make the bed first, almost like she knew that Ava was going to stack everything in insurmountable piles and try her best to get around them.
See? she thinks. She knows me already.
She’s about to say that, to tell Bea that she’s already killing this ‘best roommate’ contest that Bea doesn’t know they’re having, when someone knocks on the door. Once, twice, three times.
Ava does jump on the bed this time, beating Beatrice to the door and pulling it open to find Camila on the other side. 
Ava beams. “Movie night!”
~
“Is the whole movie about… biking?” Lilith makes it seem like a swear word.
Ava grins, shoves a handful of popcorn into her mouth, and says, “id bub nimnasts.” Everyone turns to her. She swallows and smiles more sheepishly this time. “It’s about gymnastics.”
Lilith heaves a long-suffering sound. “Gymnastics.” It’s really a testament to her disdain for everyday things, that everything that comes out of her mouth sounds like she’s spitting it from between her teeth. But then the running biker rips off her helmet and it’s Missy Peregrym and even Lilith seems interested.
Ava gets it. She does. This is peak Missy Peregrym. And it only gets better. She stops watching the movie when Missy Peregrym’s character, Haley, finds her way back to the gym and on Vanessa Lengies’ character, Joanne’s, last nerve and starts watching the room instead. Onscreen, Haley pretends to be on the phone while Joanne stomps her foot angrily, and Mary snorts, lips curled up in a smile, and that’s when Ava knows this is a good choice.
She wants to impress them so badly. It consumes her. Partly because she thinks they’re really cool, even Lilith. And partly because she thinks Bea is amazing and these people agree. Sister Frances always told her to stop wasting her time and do everyone the favor of aligning herself with the right people. Ava is pretty sure she was saying it to get rid of her, to go out and be someone else’s problem, but Ava thinks she found the right people all the same.
“Isn’t that the guy from Twilight?” Camila asks, abandoning her popcorn. Ava meets Bea’s eyes and smiles. Bea shakes her head fondly at Camila and Ava wonders when she’ll get the same look. Someday, she thinks. She looks back at Camila, leaning forward in her seat on the bean bag chair she wrestled through their front door earlier. “He’s the cute one, I think. The other one kind of freaked me out. I don’t think he ever blinked.”
Their front door. Ava’s heart beats a little harder.
Ava could go into detail about Twilight - it was basically contraband at the orphanage. But they’re in the middle of a movie. And she thinks Lilith might actually throw a soda at her. She doesn’t think Bea would appreciate the mess. So that’s a Camila-and-Ava conversation for later.
“Yikes. Ice baths.” Shannon shudders. “I used to do those in high school, during the season. Need a wake up call? Submerge yourself in a metal tub of ice cubes.” She points her entire soda towards the screen. “Though, I never looked like that doing it.”
Mary snakes her arm across the back of Shannon’s shoulder. “No, you didn’t.”
Ava slaps her hand over her mouth to keep in her laugh but Shannon rolls her eyes and elbows Mary gently. “You’re right. I looked better.”
“Damn right you did.” Mary meets Ava’s eye and smirks. It feels like a secret between them. That swelling feeling in her chest reaches a crescendo.
She shoves another handful of popcorn into her mouth and spares a glance at Bea, finding that Bea is already looking back at her. She inhales, nearly choking on a kernel. Bea sits forward, worry on her face, but Ava holds up a hand, stopping her. She swallows a few times, washes down what she can with her soda, and takes a deep breath.
“Do you like it?” Ava whispers, aware that she can be too loud sometimes. 
Bea has to lean closer to hear her. “It’s entertaining.”
Ava’s eyes narrow. She doesn’t know what that word means to Bea yet. Sometimes entertaining means not good, and sometimes it means the best thing I’ve watched in my whole life. She’s still learning to read her.
“Good,” Bea fills in. Ava exhales in relief. “Gymnastics takes a considerable amount of skill.”
“You could do it,” Ava says confidently. She nods when Bea goes to argue with her. “I saw you rock climbing. And all the martial arts you talk about? I bet you could beat Nastia Liukin.”
Bea’s cheeks might redden but Ava can’t tell in the dim light. “Actual Olympic gold medalist Nastia Liukin? I doubt that.”
Ava shrugs. “Guess we’ll have to call her and find out. But my money's on you.”
Lilith shushes them, glaring. Ava puts one hand up in surrender and grins at Bea when Lilith turns back to the movie. She pushes the popcorn back to Bea and waits expectantly. Bea is much more graceful than Ava, picking out a few pieces delicately. Ava doesn’t offer the same grace; she shoves her hand in and grabs as much as she can. 
“Wait, her mom cheated on her dad with her coach?” Lilith doesn’t pull her eyes away from the screen, but scoffs. “Pathetic.”
Camila claps when it ends, grinning. Ava matches her smile, looking around excitedly. 
She pats herself on the shoulder mentally, though her hand itches to do it physically. She made a good choice, a strong start. She stands up, twists her back side to side so she can stretch it out, and grins. “Who wants more popcorn?”
~
She waits until a quiet moment, after everyone has been settled into movie and Bea has finished what Ava is sure to be the first of many comments on the historical validity of The Mummy before she says:
“This movie was my bisexual awakening.”
There’s a cough and sputter from her left where Beatrice is sitting. She thinks about reaching out and giving her a friendly whack on the back, to clear out whatever has gotten stuck in her windpipe, but Mary laughs so loudly, Ava just ends up grinning instead.
Lilith eyes her critically. “Brendan Fraser isn’t the worst you could do, I suppose.”
It’s a glowing compliment coming from Lilith. Ava files it away for the next time she inevitably says something that isn’t.
Camila leans her head back, staring at Ava upside down. “Rachel Weisz is my ‘if I had to pick a girl’.”
“Fraser is not the guy I’d pick,” Mary says firmly. “I’m more of an Usher kind of girl.”
Shannon shrugs. “I think I’d take Mummy-Fraser over Tarzan-Fraser. The long hair is… Eh.”
The TV flickers, brightening the room as Rick O’Connell crosses the screen with a torch in his hand. Ava turns expectantly to Bea. “What about you?”
“What about-” Bea’s voice is slightly squeaky, if Ava had to put a word to it. Almost as if she doesn’t know where to break the syllables. “This movie was not my bisexual awakening,” she finally says.
“Well, of course not.” Ava reaches over and does touch Bea this time, patting her knee gently. “I assume you’d be too focused on the truth of all this history stuff to even focus on either of them.” She smiles warmly. “Am I right?”
Everyone seems to be looking at the two of them. Ava feels the room tip a little. She’s suddenly worried she said the wrong thing. She just thought, with Mary and Shannon clearly dating, that it’d be okay to say something like that. They seem to be open enough, not shying away from each other. But maybe she shouldn’t have. Or maybe it’s the movie choice. Catherine Zeta-Jones and Antonio Banderas also had something good going on.
Bea stares and Ava starts to count the seconds as they stretch.
“I’m not—” Bea begins haltingly, then stops. 
A tendril of panic curls around Ava’s chest. She just assumed. Sure, Bea never explicitly said she liked girls, but Ava isn’t usually wrong about this kind of stuff. Maybe she did get it wrong. Or maybe she just said it too loud. She has a tendency to barrel head first into things without thinking.
Bea clears her throat. “I suppose…” Her eyes dart over Ava’s shoulder to where Mary and Shannon are. Ava looks, smiling a little, still confused. “I suppose… Rachel Weisz is someone a person might find appealing.”
“Attractive,” Ava corrects, slightly relieved that she didn’t read Bea incorrectly. “And good choice.” She nods in total agreement. Bea’s taste is up there. 
She shoves her hand into the candy bowl that’s replaced the popcorn. M&Ms in this bowl, but Bea has Junior Mints. She looks up, mouth full, and finds Bea still staring back at her. An M&M falls out of her mouth and lands in her hand. She feels her face flush and she quickly tosses it back in.
Lilith’s face is twisted in disgust. There goes that good favor. But Mary and Shannon are looking at her too, and Ava gets a weird feeling in the pit of her stomach. 
“I’m sorry,” she says slowly. “I think I said something wrong.” Even though she has no clue what that might be. Her worry that she’s made Bea uncomfortable by talking about her sexuality rises again in her head. 
There’s quiet for a moment before Bea says, “No.” She reaches forward like she’s trying to get Ava to understand something but her hand hovers over Ava’s, the one with a small chocolate smudge on it, and she pulls it back into her own lap. “You don’t mind?”
“Mind…” Ava blinks, looks back again. Mary is staring at her and there’s a slight edge she hasn’t seen before. “That you like Rachel Weisz?” No one says yes or no and she’s still so confused. “I totally don’t mind, if that’s what you think. Like I said.” She points both of her thumbs back at herself and tries to smile in a way she knows is charming. “Awakening.”
Bea’s face is pinched, though. Ava has the strongest urge to press her hands to it and smooth it out. Mary clears her throat and Bea’s face does it all on its own.
“I mean, I’d still be okay with it if you liked Patricia Velasquez better,” Ava admits. “The gold costume was…” She whistles low and reaches out a hand, nudging Bea in the shoulder. Bea sways away and back in again stiffly, but she seems to be breathing out.
Ava exhales. She looks back over her shoulder and Mary is still looking at her but she’s smiling too, nodding once at her. Whatever test that was, she knows she passed it. And honestly, Bea can’t go wrong with either choice. And if she is into someone like Patricia Velasquez, Ava knows a girl in her Humanities class who can pull off that same kind of eyeliner.
She offers Bea the bowl of M&Ms silently, gesturing for the Junior Mints. Bea hands it over slowly, her eyes still searching Ava’s face. She hopes Bea finds whatever she’s looking for. Because she wants to show Bea that she’s someone to trust, that Bea made a good decision, and that moving in was something that was going to be great. 
She smiles encouragingly and Bea smiles back, ducking her head slightly. Ava turns back to the TV screen, silently passing Camila the bowl of Junior Mints in return for the Skittles. 
“Actually,” Bea says quietly, almost as if she’s only talking to Ava. “Did you know that Medjay, the Pharoh’s bodyguards in the movie, actually refers to people from the land of Medja. It was believed to be located in Nubia, near the Second Nile Cataract.”
Ava abandons the screen, turning to Bea now. “How do you know this stuff?”
Bea shrugs a shoulder. “I like knowing things.”
“We’re finding a trivia night and going out,” Ava decides. Lilith shushes her and she ignores it. “The brains between you, Shannon, and Camila, plus my good looks, Mary’s brawn, and the whole… scary thing Lilith has going on, we’ll clean up.”
Bea smiles fully this time. A pillow hits Ava in the side of the head but it doesn’t stop her from smiling back at Bea before snatching the pillow off the floor and holding onto it until Lilith wrestles it out of her hands ten minutes later.
~
They’ve moved onto pizza by the time Atlantis queues up on the TV. Six different boxes sit open on the breakfast bar, greasy plates on the floor and coffee table. Ava rests a hand on her stomach, her whole body stretched out and her socked feet dangerously close to a mushroom sliding around in a puddle of grease. She peers down. Bea’s plate is full of mushrooms, picked out from the other toppings.
Huh. No mushrooms. Maybe Bea does have a flaw.
“I dated a guy who looked like Milo once,” Camila offers. “Soft spoken, too.” She squints, looking into the middle distance. “I think his name was Ted.”
“Ted.” Mary wrinkles her nose. “There was a Ted in my Women’s Safety class freshman year. Thought it was an easy A and he’d get to feel up a few girls.” She scoffs. “He sure felt my fist in his stomach.”
Ava lifts an arm in solidarity, her whole body weighed down with hot dough and spicy tomato sauce. “I beat up someone once. When I was 6. He broke my ant farm.” She gets a sudden burst of energy as damp anger flows through her. She sits up. “I was the one who got in trouble though, the little jerk.”
Lilith pushes a piece of half-eaten veggie pizza towards Ava. Ava’s stomach protests, but the mushrooms are just that good, so she takes it and polishes off the rest of it. Lilith is warming up to her and Ava revels in it. It’s all part of her master plan to win Lilith over, one small step at a time.
With the understanding, of course, that she’s going to go backwards more than she goes forward. But she can tell how much Lilith means to Beatrice and she can play the long game. It’ll be a good exercise in patience.
“What about you, Beatrice? Beat a lot of people up? I know you can, like, kill a man with your bare hands.”
Lilith snorts. “Beatrice would never.”
Ava grins. “So you would?”
“No,” Bea says loudly over Lilith opening her mouth. “Our training is for self-defense. I have never found any reason to escalate a fight outside of tournaments and educational exercises.” She sees Ava’s eyes tracking the table and nudges the plate of mushroom slices towards her. She thinks she sees Bea’s nose wrinkled in disgust.
“Okay, but, if someone like Helga Sinclair - a total babe, by the way - came charging at you, you wouldn’t fight her?” Ava points at the screen where Helga is lifting boxes up, just to show off her muscles. Her mind gets stuck for a minute. They’re impressive arms. But then, Bea’s arms kind of look the same, now that she thinks about it. Helga has more of a Lilith-attitude, though.
Bea blinks. “She’s a cartoon character.”
“But if she was real,” Ava stresses. “Are you just too proud to tell me you’d wipe the floor with her pretty, 2-dimensional face?” She looks at Shannon. “Is she always this modest?”
Shannon snorts softly. “Yeah, Beatrice never really sells herself well.”
“We’re going to fix that,” Ava decides. Bea opens her mouth but Ava shakes her head. “It’s decided. Operation Beatrice is a Badass henceforth commences tonight, on this Saturday, in Apartment 3B. In the name of the Father, Son, and Holy Order.”
Bea’s mouth opens and closes a few times. “That’s not at all how that goes.”
“What a ridiculous thing to say,” Lilith mutters.
“It was kind of sweet,” Camila says kindly. “I think Beatrice needs a personal cheerleader.”
“Seems like Ava is up for the job,” Mary says. Her eyes are on Beatrice, a small smirk on her face. “I say go for it.”
Ava beams. “That’s four votes yes.”
Shannon hums. “I didn’t vote.”
“My vote counts twice,” Ava says without even looking at her. She goes to say something else, but Atlantis comes into view and she forgets what she was going to say, staring in wonder as Milo sees the lost city for the first time.
She watched this movie a lot when she was in the orphanage. Sister Frances was fond of donations and didn’t usually splurge on new things; a handful of DVDs, including Atlantis, were the last thing that showed up that wasn’t already in pieces by the time it got to them. Osmosis Jones was the other one, but one of the older boys broke it when he thought Osmosis Jones was living inside his body. 
Atlantis always caught her attention, though. The idea that there was a secret world out there where anything was possible? It was all she dreamed about as a kid, confined to a bed and locked away under Sister Frances’ crow-like eyes. She imagined she was Milo, on the hunt for the one thing that would make her life make sense. Sure, she never found her Atlantis, but Milo did. And she could live through that.
Her eyes stray to Bea. She’s caught herself doing that all night - constantly tuned into Bea, wondering what she’s thinking or if she likes Ava’s choices or if she’s regretting agreeing to this new living situation. She thinks everyone is warming up to her and it makes her grin. Friends. Friends she can hang out with and do movie nights and trivia nights and lunch dates like the one she has scheduled with Camila on Monday between her morning and afternoon classes.
And all thanks to the person who is quickly becoming her favorite person. Bea is her Princess Kira, showing her a whole new world. She frowns. Wrong movie. But then she shrugs; the point still stands.
“Well, you eat enough for two people,” Mary says, pulling Ava’s attention back in. She sounds impressed, though. “I’ve never seen anyone put away what you have in the last few hours.”
Ava grins and pats her stomach. “There’s still room in this ol’ thing. Just you wait.”
Mary shakes her head, a smile on her face. “Okay, baby girl. Whatever you say.”
A rush of affection swells in her chest. No one has ever called her ‘baby girl’ before. Or said it with a smile like Mary’s, like it’s some secret between the two of them. She holds onto it. She wants to wear it again. She wonders what Bea will call her, what her nickname will be. 
“None of you seem to understand what a movie night is, do you?” Lilith cuts in. She has her arms crossed over her chest, eyes narrowed. “It means watching a movie, not talking through it.”
“I didn’t realize you liked this movie so much,” Mary says lightly. “If we knew it was your favorite-”
“Not my favorite,” Lilith sniffs.
“-we would have quieted down,” she finishes. “You heard her, ladies, no talking through Lilith’s favorite movie.”
Mary, unlike Ava, catches the pillow Lilith throws and chucks it right back, hitting her right in the face. Ava gasps but the sound is swallowed up by the growl of disbelief from Lilith, the weary groan from Beatrice, Shannon tutting, and Camila clapping her hands together lightly.
It takes considerable effort, and they have to rewind twice, missing the mark both times and just giving up, but now Ava can put an X across the “bloodshed” square on her “how to be friends with girls” bingo card.
Lilith pouts for the next twenty minutes, Mary gloats, and Ava eats two more pieces of pizza, chewing happily.
~
“You’ll like this one,” Ava promises Bea as she loads the DVD unseen into the player. “It’s Shakespeare.”
A soccer ball bounces across the screen and the look of confusion on Bea’s face deepens. Ava holds out a hand, anticipating a question.
“Just wait, okay? This is pop culture history.” 
Bea looks skeptical. “It really is,” Ava insists. “It takes Shakespeare and modernizes it. Think 10 Things I Hate About You. Think Romeo + Juliet. This is a cinematic marvel.”
“Sit down,” Shannon says without any bite. “We’ve liked the other ones so far.”
“Speak for yourself,” Lilith mutters. She scowls, but closes her mouth when Camila looks at her. 
Ava doesn’t let it bother her. She swears she saw Lilith crying at the end of Atlantis. But Shannon’s words give her enough courage to take her seat again and watch Bea’s face, eager to see her reaction. She doesn’t have to wait long.
“I love this movie!”
“Not this one.”
Ava looks between Shannon and Mary. They look at each other.
Shannon blinks first. “You don’t like this movie?”
“I want to strangle her boyfriend every time he’s on screen.” Mary scowls, like she’s imagining his throat under her hand. “And Channing Tatum is just…”
“He’s a baby in this movie.”
“He’s not a good actor in this movie.”
Camila raises her hand weakly. “I like him in Magic Mike.” She balks at everyone’s sudden frown. Ava shakes her head. “My freshman year roommate was, like, obsessed with him. Actually, I think her mom was. And it just sort of… trickled down.”
Ava reaches out and pats her head gently. “I’m so sorry. That sounds terrible.”
Camila shrugs. “We traded off. Horror movies for me-”
“Horibble movies for her,” Mary finishes.
Shannon shrugs. “Well, I like this movie. Though, Olivia and Viola should have ended up together.”
That, Ava can get behind. She nods furiously. “Best chemistry, definitely.” She reaches for her bowl of ice cream - she has a scoop of every flavor they got at the grocery store. She digs into it, lifting her spoon to her mouth before she pauses, speaking first. “Do you think Amanda Bynes really knows how to play soccer?”
“No,” echoes around her.
She shrugs. “Didn’t think so.”
They turn their attention back to the movie, ignoring the comments Lilith makes critiquing Sebastian’s girlfriend and Marcus the creep and the principal - who she says reminds her of her tutor. The one you made cry? Bea asks. Lilith grins with all her teeth. 
Ava soaks it in like the sun on a beach. She catalogues the way Bea laughs at the pizza shop scene, the way she repeats the ug-lay as if it’s some foreign word she’s learning for the first time. She wonders if she’ll ever hear Bea say it out loud. Maybe she’ll wear something really loud - a word she picked up from Chanel - and see what the reaction is. She watches the way Mary and Shannon whisper to each other, soft murmurs over Olivia and Viola-Sebasatian arguing about cutting open a frog. Even Lilith makes a noise that sounds like a short laugh when Duke shoves a tampon up his nose. Camila mouths the words along with the characters, body jerking a little as if she’s the one playing soccer on the screen.
If 12-year-old Ava could see her now. If 17-year-old Ava could see her now. She wouldn’t believe it. She’d think her whole world extended only as far as the four walls of that orphanage. But it doesn’t. It’s bigger and brighter and filled with the coolest people she’s ever met.
Amanda Bynes flashes the soccer team and Ava laughs and laughs until Bea is smiling and shaking her head - that look, the one Ava saw Bea give Camila, that slight hint of fondness, is aimed directly at her.
The Illyria soccer team wins against Cornwall and Ava feels like she’s won something too.
~
She barely hears the door click shut as Lilith closes it behind her, the last one to leave. 
Ava had watched Camila wrestle her bean bag back out into the hallway, smiling too brightly for someone still up at two-thirty in the morning before she slumped back down on the couch, her energy spent. Mary patted the top of her head with a heavy hand, smoothing it out with a smile, and Shannon had squeezed her shoulder gently in a goodbye before they followed Camila. Lilith had stayed, helping to pick up a few things and talking quietly with Bea. Quiet enough that Ava couldn’t hear it - and too tired to tune into.
The popcorn and the candy and the pizza and the ice cream were catching up to her, making her a little nauseous and a lot full. She slumped down further on the couch and watched Lilith move through the apartment like she knew all its corners. She couldn’t wait until she could do the same.
Bea closes the refrigerator now and turns to Ava, smiling. “Did you have fun?”
“Best night ever.” It’s not a lie. This has kicked ‘First Night out with Chanel’ off the top of her list without a care in the world. “Did you?”
“I had a very nice time. We haven’t done that in a long time.” Bea drifts closer. She sits on the edge of the couch, hovering a little above the cushion.
“Monthly movie nights, then.” A thought crosses her mind and she pouts. “Hey, we forgot National Treasure.”
Bea laughs breathlessly. “I think four movies in one night is more than enough, Ava. There will be more nights for movies.  We can watch it another time.” 
Ava nods decisively. “Monthly movie nights. We have all the time in the world.” 
“We do,” Bea says, and it feels a little bit like they’ll have this forever.
Ava reaches behind her, groping at the back of the couch until she finds the corner of the blanket she’s searching for. She pulls it down over her head.
She thinks she hears Bea laugh, soft and melodic. But she could be imagining it, a holdover from her being hyper-aware of each time she did during movie night. She curls into it and smiles into the arm of the couch. She doesn’t know how she started sliding down, but it’s comfortable here.
“Ava,” Beatrice says gently. “You have a bed.”
Ava pulls the blanket off her head and throws it onto her legs. She squirms, trying to get it to settle over her body. “But this is so comfortable. Where did you find this couch?”
“Shannon picked it out. I’ll ask her the next time I talk to her.”
“I’ve always wanted a couch like this,” she admits. “Big, comfy. Just for us.” Her eyes flutter closed and the room goes hazy before her vision goes dark. “I’m going to sleep here.” She wiggles again. The blanket tangles around her waist. 
Bea is quiet for a moment. “Come on. I have something for you.”
Her eyes open quickly, rolling off the couch and onto her feet. “What is it?”
Bea looks nervous but crosses the room to her bedroom, slipping in through the closed door. Ava hears some things moving and then Bea is in the living room again, hands clasped behind her back. She’s holding something.
“It’s- Now that I have it, I’m not sure it-” Bea takes a deep breath and smiles tightly. “I got you something. A sort of housewarming present.”
Ava grins. “I love presents. What is it?”
There’s still an undercurrent of nervousness in the way Bea uncharacteristically shifts. “Hold out your hands. And close your eyes.”
Ava immediately slams her eyes closed and thrusts her hands out. The air feels still but not uncomfortable. Silences with Bea don’t feel weird, which is crazy. So she doesn’t mind the wait as Bea obviously works up the courage to put something in her hands. After a long moment, she feels something soft and nearly weightless drop into her cupped palms.
Bea clears her throat. “You can open your eyes.”
Ava does. She blinks. A long, thin, soft stuffed animal with a white belly and tiger stripes stares back at her. She’s confused for a moment before the pieces slot into her place in her mind. “Is this… Is this Hobbes? From Calvin and Hobbes?
Bea’s cheeks are just the slightest hint of pink. She clears her throat again. “I’m sorry if this is overstepping.”
“It’s really not,” Ava rushes out. Her heart is too big in her chest. Her eyes start to burn a little, hot beads forming in the corners. “How did you-”
“The internet is more than just Wikipedia and Reddit.” Bea’s hands are tucked back behind her again. “But after our conversation…”
Their conversation. 
The one where Ava told Bea everything: her accident and the grueling years of work, the orphanage, years spent in the libraries reading everything she could get her hands on. She told her about the Peanuts comics she liked and how one of the older kids had called her Linus because she carried around a blue blanket for a few years. She told Bea about the hours she would spend reading the Calvin and Hobbes comic collections and pretending she could join them on their adventures: riding in a wagon, bubble bath statues, exploring the forest, sledding, waiting for the school bus.
She told Bea she always wanted a Hobbes stuffed animal to take with her on her own adventures, just as soon as she could go and have them. She’d never admitted that to anyone else, not even Diego, the little boy she shared a room with. But something about Bea made it easy to talk about these kinds of things, Maybe it was the way she listened. She didn’t judge, she didn’t laugh.
Ava knows that’s going to be a problem. She’s going to end up telling Bea everything all the time.
And when Bea is ready to talk more about herself, about what her parents were like and how they were never around, Ava is going to be ready to listen.
“You didn’t have to do that,” she says quietly.
Bea’s voice is just as quiet. “I wanted to. You deserve to go on adventures.”
She breathes in slowly. “Today was an adventure. The best kind. And I know there’s going to be a million more.” She hugs Hobbes to her chest. “Because now I have someone. Two someones.” She smiles softly at Bea. “Hobbes. And you.”
Bea’s cheeks pinken just a hint more. She opens her mouth like she’s going to say something, but closes it again. Ava doesn’t want to say anything either, afraid to break this precarious moment. So she just looks at Hobbes, her Hobbes, and feels her chest swell with affection for this new friend she’s found.
‘Thank you,” she whispers. Bea doesn’t whisper back, but Ava doesn't think she needs to. She places Hobbes carefully on the couch. She strokes down his soft belly, fingers lingering before she turns to Bea. “I’m going to hug you. Brace yourself.”
She sees Bea physically prepare for it, watches the muscles under her thin cotton shirt tense. And she laughs, inwardly, that Bea seems to ready herself, as if Ava is going to knock her down. But she doesn’t blame her. Ava crashes into her, arms tight around her middle, trapping Bea’s arms against her sides. She feels Bea struggle for a moment before she frees her arms. Hands hover above her back before Bea pats her gently. Ava grins into the soft skin of Bea's arm.
“I think we’re going to be best friends,” she says quietly in the space between them.
She doesn’t break away from the hug until her arms start to ache. Then she steps back, giving Bea a hesitant smile before she ducks around her, headed to her new bedroom with Hobbies in her hands. With a soft goodnight, she lets Bea have a moment to herself. She seems like the type of person who needs to recover from a hug, but Ava will take care of that.
She’s a very good hugger. And they have time.
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demonsfate · 2 months
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THE COMPARISON. never forget how there were some ppl actually saying tk8 just looks like tk7 2.0, and it just looks "slightly better" than tk7.... holy shit....
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mixelation · 4 months
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would itachi meet toris old clan? how would that go?
no, i can't see that happening. she doesn't consider herself one of them, and they effectively kicked her out as a very small child, meaning THEY don't consider her one of them either. plus by the time itachi is in the picture, they're mostly. uh. dead?
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phoenixcatch7 · 11 months
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ASDFGHJKL
Just been talking to this npc and he was like 'oh hey!! Nice of them to send out a guy so soon after I sent my letter!' and when link did his little talking hand gestures my full expectation was the next words to be 'omg the hero?? Zeldas knight?? The champion of hyrule? You guys were missing it was all over the kingdom!!'
Npc: oh, so you're just some guy? Man, I thought they would have sent someone out by now, I've been waiting ages...
A) no you haven't
B) Link, WHAT????
Asdfghjkl??? NO WONDER he's been Tony Hawked he's not even introducing himself with his name??!
Actually... Given what other people have been calling him, I think he's been introducing himself as 'just a wandering swordsman'.
LINK THAT WAS YOUR FAULT THE WHOLE TIME???
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eclecticopposition · 11 months
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give meee... headcanons about the Sangfielle friends in the most boring AU you can imagine like. idk. office Sangfielle. grocery store Sangfielle. they all work at a movie theater. whatever sounds mundane as hell and you have Thoughts about :3
okay tumblr ate my fucking answer the first time. let's try this again.
the thing about these guys is that no matter how mundane you make it, they can make anything into a situation. that's just the guys they are. so we put them in a Walmart.
Marn is an employee with a great customer service voice. She's keeping it together in the face of some truly wild statements and requests. One man keeps asking for frootie hooties, a brand of cereal that he insists is real and everyone is just refusing to sell to him, and she's spent twenty minutes trying to tell him that they just don't have it in stock
Lye and Es are having an animated conversation in the clothing area, where she is examining various colorful dresses and he is distractedly picking things off of nearby shelves and putting them back down. The conversation started at how they got kicked out of dayward yve's novelty store and is now about whether stealing should be more or less of a crime than manslaughter, because it's not as bad as killing but it is on purpose. People are trying not to pay attention to them. Eventually they are asked to leave, at which point it is revealed that lye has about two hundred dollars worth of items in his pockets and es has some candles she liked and a new pair of shoes in hers. They are both barred from Walmart.
Duvall hates it here. It's loud, he hates the lights, the aisles make no sense, he can't find anything he's looking for, and people keep coming up to him to ask him where things are. He doesn't even work here. Why do people assume he works here? He's not even wearing any Walmart merchandise. Is that what it's called when you're an employee? Merchandise? Well, it's what it would be called if he wears it, which he never will, because he doesn't work here and never wants to. Have a nice day ma'am.
Pickman is slowly marching her way through the aisles one at a time, peering at her shopping list and holding a tiny shopping basket in one hand. She has to be very careful not to knock the shelves over sometimes. Just trying to get groceries. People are nervously avoiding her. Says "Hey, you" to some poor employee to ask where the milk and cigarettes are. Just grunts at everything else. When she's at the checkout, the guy there asks "Did you find everything you're looking for?", and she just says "No." and leaves
Chine comes out of the bathroom with a live rat in his hand. People scream. The manager finally comes up to him like "Sir, you can't have rats in here." They say "Oh, she's not mine. She was just having trouble opening the door." Gets a big meat on the bone at the deli and nothing else. When he asks how much it costs, they just say it's on the house and try to get him to leave as soon as possible. They go like "Oh, really? Are you sure? I have some money." and sound surprised but pleased, like they're being done a personal favor. The employees insist. He's like "Alright, thanks!" and then asks the rat if she wants anything
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squishosaur · 8 months
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hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this
#the reason rsa doesn't have overblots is because they understand the joy and whimsy of life and friendship btw#LIKE. why is there no school counselor?? do you know how much time & resources & effort & TRAUMA we could have saved the students &#school from if ANYONE had reached out to riddle and was like 'hey are you alright i heard xyz and i wanted to let you know...' ESPECIALLY#since TREY LITERALLY TELLS US 'oh well here's the lowdown on her trauma this is Probably what is causing this'#or if someone sat down to tell leona 'hey! i'm rooting for you in ur magift(?) game! you're my fav player!!' AND LET HIM FEEL NOTICED#or if someone approached azul as an Equal to try to stop his plans. as a friend even. BEYOND A BUSINESS TRANSACTION#or if ANYBODY BUT ESPECIALLY KALIM was like 'jamil i think you should follow your passions and do something you enjoy today!!' or AT LEAST#let him know he was appreciated as a person NOT JUST FOR HIS WORK#'i know you're doing a lot today but i just wanted to thank you for how much Effort you put into this and..' etc etc etc#ERM.. IF ANYONE TREATED VIL LIKE A HUMAN BEING AND NOT A CELEBRITY??? or even 'hey i loved you in this film i was wondering if we could#do a play together or something..!!' AND LET HER TRY A TYPE OF CHARACTER SHE NEVER GOT THE OPPORTUNITY TO BE. and sing her praises.#if anyone reached out to idia beyond a 'hey the teacher said to come to class'/'get out of your bed and come to our housewarden meeting'#or even. IF ORTHO HIMSELF was like. 'you know it's not your fault... you didn't cause all of this. not really' OR SOMETHING#or if malleus ever got to experience a small firsthand loss AND WAS COMFORTED THROUGH IT. not just quick fix via magic. not replacing. just#GRIEVING SOMETHING??????? and wasn't feared by literally everyone#um. maybe the real twisted part is that all of this tragedy was easily preventable if we had a support system in place.#but idk. twst is a highschool. there's no support in real high school either. i'd probably overblot too if i could ajdjrjfinfdndjd#twst#chatter#LONG RAMBLE SORRY#yes overblots are essential to the plot. but also. do you know how frustrating it is watching the blot build up and sitting in silence.#I'M SORRY IK IF SOMETHING LIKE THIS WAS HAPPENING TO A GUY I JUST MET I WOULD PROBABLY NOT NOTICE.. but of it was my Friend or Housewarden..#I'D ASK BRO.... I'D ASK ... UGHHHHHUUUHHHH#not that anyone would notice if *I* was about to lose it tbh#speaks volumes about our society o think#OKAY NOW I'M DONE FOR REAL
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I really need some best friends and friends who are activists like me.
The lack of interest of people in changing the world around them pains me.
If you are a teen activist/do care about the world we live in and want to change it even if it's a little bit please interact with this post ;-;
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osaemu · 3 months
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i'm sorry but how r u gonna be close mutuals with a pedo and not know.....
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This week on "CJ needs to gush about DAO": Morrigan's dark ritual.
I adore Origins because depending on how serious you take roleplay, every decision you make is a thread that leads back to your origin, and in this case of the ritual, who you choose to romance can have a major impact on how you handle this choice.
For context, my canon run is with a female Tabris who romances Alistair and keeps him as a Grey Warden, and is close friends with Morrigan. It's more in character for my Tabris to reject Morrigan's ritual and not even bring it up to Alistair, which would result in her leaving him behind while she makes the ultimate sacrifice in killing the archdemon... however, agreeing to convince Alistair to do the ritual with Morrigan is the only choice in the entire game where I break roleplay because I'm selfish and weak and I want Tabris to live.
I have a lot of strong feelings about the ritual, like it hurts me. It makes me want to chew on furniture. I can talk about it until I can talk no more. I so badly want to be strong enough to remain in character and reject the ritual.
Let me explain: Tabris survives an origin that deals with sexual assault. She gets kidnapped on her wedding day, she watches the other kidnapped women and her husband get murdered, and then is too late to save Shianni from being assaulted... and Tabris carries that trauma with her throughout the entire game.
If the way to save her life is to ask the two most important people she cares about; one being her lover and the other being her best friend; who she knows hate each other, to have dubiously consensual sex in order to make a baby to absorb the old god soul... she's saying no. The last thing Tabris would ever do is put someone into a sexual situation where consent is at all dubious after what she saw happen to Shianni and nearly happened to herself. She'd rather die than force that upon Alistair and Morrigan.
That's what I mean when I say origin affects everything; I know some will side eye that with "Really? Your warden would rather die than let Alistair sleep with another woman? It's one time, and Alistair agrees to it, so no one needs to die?"
Let me be clear in saying this isn't a "Morrigan slept with my man" issue. Sure, that part's awkward and it sucks, but that's not even breaking water tension, let alone diving into the deep waters to the core of the issue.
For my Tabris, this is about betrayal, consent, and accepting fate.
The person offering Tabris this deal is someone she thought of as a trusted friend who has actually been lying to her the entire time. It doesn't matter what Morrigan's intentions are now or if she genuinely wants to save the wardens. She knew from the beginning why Flemeth sent her with them, she admits as much. She knew a warden would need to make the ultimate sacrifice and then leveraged that to get what she wants. Morrigan waited until the night before, when Alistair and the warden learn one of them has to die to defeat the archdemon, and took advantage of the high running emotions and possibly the fear of dying to make the warden agree to her ritual.
At least, that's how my Tabris interprets this confrontation. She feels betrayed by someone she came to love like a sister and went out of her way to help Morrigan with her mother upon learning what's in Flemeth's grimoire. And then that someone tells her no one needs to die, she just needs to convince Alistair to sleep with her... which is a huge fucking problem.
The Alistair and Tabris romance is slow; it took a long time for either of them to be comfortable with being emotionally vulnerable and trusting each other with basic intimacy, let alone sex. Tabris is mortified at the idea of putting Alistair in this situation. Not only would it feel like a betrayal on her part to ask that of him, but she knows the last thing Alistair ever wants to do is father a bastard who then goes on to grow up without him. How could she possibly ask him to do that?
Then you consider that ritual or no, there isn't a guarantee that they'll survive anyway. Say they do the ritual and Tabris dies anyway; she made Alistair sleep with Morrigan in order to save her and then she died anyway. Or if Alistair dies then Tabris gets to live with the fact that the last person Alistair was with was a woman he hates because she asked that of him… and either way, Morrigan gets to walk away with what she wanted.
Tabris led the group, and she's accepted that if Riordan dies [which he does] then she'll be the one to make the sacrifice, even if it means breaking both hers and Alistair's heart.... except she doesn't because I'm a coward who doesn't want to lose her because my worldstate isn't good without her in it but I also refuse to lose Alistair so I just pretend it plays out differently in my head it's fine-
But... that's how I play Tabris and view the situation. My friend @pi-creates and I have discussed the dark ritual at length. While I play a Tabris who romances Alistair, Pi plays a Mahariel who romances Morrigan, so we have vastly different interpretations of the ritual itself and Morrigan's intentions.
Which yeah, it makes total sense that someone who romanced Morrigan with a different origin, and has the option to do the ritual with her rather than asking someone else to do it, wouldn't see this the way I do.
To quote Pi: "Playing as a male warden in the Morrigan romance makes the whole situation feel different, and maybe it’s because she’s presenting it differently due to the emotional connection, but it feels more like she’s opening up about her initial instructions (that she had been given by Flemeth) and offering a solution to avoid the possibility of death. And for my Mahariel, the constant threat of sudden death has haunted him from the start – he caught the blight and was ripped away from his clan (something he did not want to do in the slightest), got forced into a Grey Warden ritual that could kill him, was forced into a battle that could kill him, going on this whole quest that he never wanted but has now become responsible for regardless of his thoughts on the matter… the dark ritual may be one of the few moments where he is presented with an option to decide if he wants to walk into certain death, or take actions of his own volition to stop it.
"The idea of the ritual still feels like a dodgy thing to do since the ultimate outcome is unknown at that point, he’s taking Morrigan at her word that it will save the warden and that this child would be unharmed, just with an old god soul that she isn’t exactly clear on why she wants that and is determined to runaway immediately after the battle to secure it properly. It could be interpreted that it’s purely a preservation thing, but I’m biased to wanting Morrigan's intentions to not be power based.
"But also, taking part in the ritual isn’t as outlandish for my warden since he and Morrigan have already been involved in an intimate relationship. It’s the future of the ritual that is scarier – the idea of this old-god baby, and the idea of Morrigan insisting that she’s leaving afterwards when Mahariel and her have a loving relationship. He’s hurting, but he doesn’t want to die, he doesn’t want Alistair to die, he doesn’t want Morrigan to leave, he definitely doesn’t want pregnant Morrigan to leave on her own… it’s complicated, but for completely different reasons."
And I find that fascinating. I want to know how other players approach this part of DAO, what origins they play, and who they romanced. Seriously, this is an invitation to anyone reading to share their thoughts.
What about a warden who doesn't even have Alistair in their party because they made Loghain a warden? Is there anyone out there who has Loghain do the ritual with Morrigan and why? What about male wardens who don't romance her? Do you choose to do it with her anyway, or do you ask Alistair or Loghain to do it? Do you tell Morrigan to fuck off with the ritual? Why? Who makes the ultimate sacrifice in that case? And what about Morrigan herself? How do you interpret her intentions/motivations? I want to know.
I'm telling you, this is a discussion that gets me excited, as most discussions about DAO do.
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opens-up-4-nobody · 1 month
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#so my mom's wake thing was today and that was a lot. not in an emotional sense but in a im standing here talking for 3hrs#to ppl i dont kno or barely kno. ya kno? but it was good bc so many ppl showed up to talk abt her#so many people. my mom made a huge impact on the school system. so many ppl relied on her. she encouraged at least 2 ppl to get their#master. for one person to specilize in helping the dyslexic after her experience advocating for 3 dyslexic daughters. she wrote and was#awarded a 10000 dollar grant for special needs and intervention curriculum. which will affect so many lives.#everyone loved her. she's gonna get a track meet named after her and a scholarship created in her honor.#she was an amazing person and she affected a lot of lives and im glad she was my mom. and she raised at least one jem in my littlest#sister who is so sweet and is a great teacher. god but there was some weird stuff too. were pretty sure her old boss was in love with her.#and there were some weird comments abt her being a strong woman or this woman doing so much and its like hm y do i detect a note of sexism#y not say she was an amazing person? y the surprise? weird comments about how pretty i looked. which yes i looked great lol. my funeral fit#was cute. we did bright colors bc it was a celebration not a dower event. and im sure it was ment well but it was a lil weird. and then#everyone was telling my grandma what a great job she did raising my mom and like god fuck off she didn't do jack. my mom was great despite#her terrible mother. ugh. but altogether it was good that everyone was able to express their love for her. it was def a day that was for#them mostly. i mean partly for us but mostly for them. none of us even cried. ay but we have 2 more parties in her honor#bc everyone loved her so much we have to do one in her hometown too. plus a personal friends get together. ugh. im so tired#i wish i wasnt the most awkward. eye contact avoidant person in the room but like ya kno. what can ya do?#unrelated
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worstloki · 11 months
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not a fan of people saying Odin and Loki are similar in a moral or decisive sense, particularly when it comes to Thor. that makes it sound like Loki doesn't know Thor or care about him beyond what he symbolises (regarding Asgard/the throne/family/worthiness), when that's a defining part of their relationship
#like i get WHY people go 'oh Thor is like Frigga (they care™/bring Emotions in) and Loki is like Odin (calculating™ /For The Greater Good)'#but if you make such a clearcut comparison you neglect a lot of stuff that Odin and Loki do drastically different#like there are literal contrasts that are pretty evident around Thor particularly#like Odin does expect Thor to be some ideal version of himself that obeys Odin implicitly and doesn't have his own volatile emotions?#while Loki more sees that Thor isn't who he tries to pretend to be and generally encourages Thor to realize that#the most obvious parallel would be how they in TDW try telling Thor that Jane won't work out#and Odin goes for the whole 'well they're insignificant' angle despite Thor caring about the humans and Jane particularly#Odin tries to go 'here's Sif and since you shouldn't have your own preferences (they're wrong and bad) consider my choice'#he largely disregards Thor's emotions#most people do on Asgard????#like it's literally wild how everyone saw Thor being major depressed and they basically told him to pretend to cheer up#like im sorry Thor's grief means nothing to y;all. he fell in love with someone very mortal and his brother is changed forever#Loki tries putting Thor off by first off. Thor KNOWS Jane isn't going to live long he's not never thought about it#he doesn't even make the decision for Thor he tells him to consider his choice well bc it WILL hurt him when she's gone#Loki is like treats Thor like a person and Odin is like nah I own him#I feel like in converting the brother/father relationship difference over people lose the differences in those aspect#they skip to similarities of heartlessness and Machiavellian ends meeting the means when Loki overall is#a far more moral character than Thor (at the start of Thor's arc) and Odin. and a lot of culturally Asgardian ideas#that's literally part of Loki's original characterization that he DIDN'T match up with their views#he didn't do stuff like take killing lightly like it's for fun and that's one of a long list of obvious aspects that make the setup cool#don't tell me Odin and Loki are the same#like there's some blanket understanding that Loki doesn't show or care about the people he loves#while Thor and Frigga have always been softhearted and refused to sacrifice themselves for what is deemed better for everyone#don't mistake selfishness for apathy and don't say Loki didn't cry himself through the first movie because duty to the throne comes first#that's literally Thor's bit#idk
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bumblingbabooshka · 8 months
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I don’t typically like when star trek characters reference legacy characters just to talk about how great and perfect they are but I do like this route where even though Tuvok calls him a great visionary in the end he brings Spock up to say he argued with him. I think this is the way of the future. Lean in. Star Trek characters should say things like ‘An old man cut me off in space traffic the other day. I think it was McCoy?’ and another should nod and shake their head like he’s always doing that shit
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maddy-ferguson · 1 year
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i'm never not thinking about how people think that the duffers used will's feelings to fix mlvn and are just okay with that. and think we were crazy for ever expecting anything else
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i love her so much
PLEASE tell me this song is on streaming i love this i love her so SO MUCH😭😭😭
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