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#shadow has a gun (2005)

chaotic-tired-fox · 1 year

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Okay so my last post blew up so here’s more obscure random Resident Evil facts for y’all!

Part one: here

Part three: here

☠️The white dog you save in Resident Evil 4 is a reference to Hewie the dog in Capcom’s other game Haunting Ground which was released at around the same time the original Resident Evil 4 was. The main character Fiona also shares resemblance to Ashley.

☠️ Chris and Claire’s parents both died in a tragic car crash said to be so bad they could only be identified by their dental records

☠️ Jill’s infection (and later cure) of the T-Virus significantly slowed down her ageing

☠️ Chris is the only main character without a clear romantic interest (Leon with Ada, Claire with Leon and Jill with Carlos)

(Edit: A few people have said Claire and Steve but Steve was only 17 at the time of his death so no I don’t care how much chemistry they might’ve had, he was a minor and Claire was 19)

☠️ In the original RE2 Jill had a picture of a man on her desk, in the remake it is changed to a dog instead.

☠️ Barry Burton is one of the only characters in the series to actually retire, moving up to Canada with his family. He and Claire still stay in contact.

☠️ Leon’s signature handgun is actually a modified Samurai Edge he named ‘Silver Ghost’ made by Joseph Kendo the brother of Robert Kendo you meet in RE2 and RE3. Originally the gun was created for Barry Burton but given to Leon instead.

☠️ One of Joseph Kendo’s books on firearms can be found in Ethan’s house at the beginning of Village.

☠️ Capcom’s other zombie series Dead Rising actually has a few references to Resident Evil in them though my favourite is a restaurant called Jill’s Sandwiches

☠️ Luis Sera was apart of Umbrella’s sixth laboratory in Europe which oversaw the creation of Nemesis.

☠️ A detail not many know about Hunk is that he possesses two hidden blades mounted to his wrists almost exactly like the ones seen in Assassins Creed

☠️ Jessica and Raymond are two villains from Revelations that are not only still alive but in possession of a T-Abyss sample and haven’t been seen in the timeline since 2005 what happened to them and the sample is a complete mystery.

☠️ Another storyline that hasn’t been explained yet is Natalia from Revelations 2 and if she may or may not be possessed by the consciousness of Alex Wesker

☠️ It’s implied in the Shadow of Rose DLC that Mia Winters lost custody of Rose sometime in her teenage years

☠️ Chris can canonically pull off front flips whereas Leon can backflip

☠️ Lobo, Tundra and Night Howl of the Hound Wolf Squad actually have little smiley face stickers on the back of their helmets whereas Canine and Umber Eyes do not.

☠️ In every main series game he’s been in (RE2,RE4,RE6) Leon has had to crawl through a sewer

☠️ All of the cgi movies as well as Infinite Darkness are considered completely canon to the story.

☠️ Upon the release of Operation Raccoon City, players could participate in an online ARG which gave away exclusive files on the characters including a psychological evaluation of Hunk which is the most information we’ve ever gotten on his character. The link to it can be found: Here

☠️ Wesker’s British accent was the result of each of his voice actors attempting to mimic the last. This was corrected in the remake of Resident Evil 4 (sadly)

☠️ You can interact with the play park in RE6 with Chris, Piers and Ada and each of them go down the slide differently

☠️ The HWS member that tackles Ethan at the reservoir is Canine and the one standing next to Chris is Night Howl.

☠️ Night Howl is also the author of the laptop reports you find in the Church and the secret underground area where the Mutamycete is in the village.

☠️ Canine is the youngest member of the HWS and the oldest is Umber Eyes

☠️ Lobo from the HWS shares striking similarities to Hunk (Read my full theory on it Here)

☠️ The Duke from Village and The Merchant from RE4 actually know each other and The Duke describes them as ‘old friends’

☠️ Sergei Vladimir, leader of the UCBS is the tallest human character in the franchise standing at 6’7.5”

☠️ Thanks to the Resident Evil 4 remake, Leon can now both speak and read Spanish

☠️ In the Heavenly Island comic, the man Chris sends to assist Claire is Parker Luciani from Revelations

☠️ In RE8 the Village is heavily isolated from the outside world thanks to Miranda and thus has remained primitive but Heisenberg had his own arrangements with the Duke for regular newspapers and cigars from the outside.

☠️ Wesker actually met Claire once while he was still leading STARS. He described her as a ‘lovely girl.’

☠️ That being said Claire swears more than any other main character (Chris, Leon, Jill)

☠️ Chris and Claire have matching leather jackets that both say ‘Made In Heaven’ on the back which is a reference to Queen (the band)

☠️ Although it doesn’t appear in the remake, Barry’s ‘Jill sandwich’ line is considered canon and referenced by his daughter Moira in Revelations 2

☠️ Revelations for the 3DS was so infamous for having its text misspelled on the side of the case Capcom had to issue replacement sleeves for all the buyers who had one.

☠️ Heisenberg calling Chris a ‘Boulder punching asshole’ means his feats in RE5 either made the newspaper or someone told him about it personally (one of the hounds maybe?)

☠️ Expanding upon an earlier fact of mine, Chris knows 7 fighting styles which are: Airforce Combatives, Karate, Boxing, Judo, Wrestling, Capoeira and Kali

☠️ Jill also knows 7 fighting styles which are: Modern Army Combatives, Taekwondo, Ju-Jitsu, Gymnastics, Tricking, Lucha Libre and Kali

☠️ Leon knows 6 fighting styles: Taekwondo, Ju-Jitsu, Wrestling, Kali, Krav Maga and Systema

☠️ The reason why there’s no children in the village in Resident Evil 4 is because Saddler’s blood ritual killed them all before the events of the game (that and the developers agreed child enemies would be far too disturbing)

☠️ The developer of the original RE4 suggests that the best snacks to have while playing the game is Diet Coke and lightly salted potato chips (eaten with chopsticks to avoid greasy controller hands)

☠️ Neither Hunk nor anyone in the USS wear Umbrella logo patches (as much as cosplayers tell you otherwise lol)

☠️ In the RE4 remake, Ashley refers to herself as a ‘master of unlocking’ which is a reference to Jill’s title given to her by Barry in the first game

☠️ Chris and Leon were designed to be complete opposites of each other and you can still see that today even with subtle details (Chris punches, Leon kicks. Chris smokes, Leon doesn’t. Leon is flirtatious, Chris is indifferent)

☠️ Wesker’s red eyes glow brighter any time he experiences strong emotions which is why they sometimes shine through his glasses

☠️ Chris’s zippo lighter was actually a gift from Claire given to him when he joined STARS

☠️ Chris can’t read piano sheet music but he can read guitar

☠️ Jill can play the piano

☠️ The story behind the basement music used in the directors cut of the original Resident Evil is so infamous and has a pretty wild story behind it. The music itself is horrendously bad and said to have been composed by a deaf composer but spoiler alert that composer wasn’t deaf at all and instead was fooling the world. The story is insane and I highly recommend checking out this video on it for the full story here

☠️ Beltway from the USS Wolfpack has a metal prosthetic leg

☠️ Beltway also swears more than any other character in Operation Raccoon City

☠️ The original RE4 has more releases than any other Resident Evil game because of its success

☠️ The original RE4 was also planned to be a lot more survival horror based like it’s predecessors but the remake of the original RE didn’t sell as well as intended so the game was reworked to be more action based instead.

☠️ Crimson head zombies were also completely unique to the remake of Resident Evil and also make an appearance in Operation Raccoon City

☠️ Leon’s relationship with Helena is unique in the fact that neither of them are interested in each other and Leon instead views her as a protege because she reminds him of his younger self.

☠️ You cannot shoot the merchant in the RE4 Remake

☠️ During his time working at the Spencer Mansion, Wesker used to take long hikes around the Arklay Mountains

☠️ Mr X isn’t the only Tyrant of his type in fact multiple of him were released around Raccoon City and it’s also implied two separate Mr X’s are encountered during the story of the RE2 remake

☠️ Out of everything, crows are the most effective carriers and spreaders of the T-Virus

☠️ Hunk’s name is actually an acronym that stands for Human Unit Never Killed

☠️ Leon S Kennedy is the only playable character with a middle name, that being Scott (in fact he might be the only character in the franchise with one but don’t quote me on that)

☠️ Originally Leon’s hair was depicted as brown but was later changed to blond which it had stayed as until Vendetta made it brown again. His canon hair colour is usually agreed to be blond however.

☠️ Same goes for Chris’s eye colour which was originally blue (like Claire’s) until they changed it to brown and back to blue again in Village.

☠️ Birkin discovered the Golgotha Virus by accident while experimenting with Lisa Trevor. In the REmake you can see the G Virus tentacles on her back.

☠️ The brand of clothing and gear the Hound Wolf Squad use is a real brand you can buy exact replicas from for Airsoft called Volk Tactical Gear. There logo is printed on HWS weapons in game.

☠️ Ghosts were technically made canon in the Resident Evil universe thanks to 7 and 8 but seem to only relate to the Mold and Mutamycete (You see a ghost girl in 7’s demo/prequel and in 8 Shadow of Rose goes in depth with it)

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fernsnailz · 9 months

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Not sure how much meat this question has to it but if back in 2006 you were the one that spearheaded the shadow the hedgehog game, how would you have done it?

i'd want ShTH 2005 to keep the same core energy its final form ended up with, but tbh there's a lot i would have done differently lol. here's my 3 step plan for how i would have directed it previously/would direct any sort of reboot or remaster

1. TIMELOOP!!!!!!

i'm not the first person to come up with this idea and i won't be the last to talk about it, but the gist of this point is that ShTH's story makes WAY more sense when you treat it like a timeloop. you finished a story path and end up back in westopolis? great job, you're at the beginning of the timeloop again. it's a smart way to make this wack story a little more cohesive.

i would LOVE to further utilize the timeloop concept for this game because it could be a very simple addition to add flavor OR it be the core of the game's story and gameplay. small things like shadow going "hey wait, have i seen this before?" when he's going through westopolis for the third time can hint at the narrative, and once shadow realizes he's in a loop he's motivated to find EVERY path in search of the full truth. every new story path could be treated as a new game+ as shadow starts to consistently remember more from previous timeloops, carrying over certain weapons, abilities, and memories from his previous experiences.

one really cool idea i saw a while ago on here (edit: FOUND IT! i'm talking about this post) is someone's ShTH timeloop pitch where after a few resets, silver starts to show up and tells shadow to stop messing with the timeline. this continues, and eventually silver becomes a final boss of some of the paths. this idea has never left my mind since i saw it and i need to find the person that came up with it they mean so much to me

i have more timeloop thoughts but i will move on for now

2. simplify or rework the morality system and levels

this is my big gameplay critique - there is A Lot to do in ShTH and very little of it is consistently fun. i have grievances with the morality system i talked about a while ago, the gist of my opinion boiling down to "the system removes agency from shadow and the story doesn't fit within the morals you choose anyway." i'd either MASSIVELY rework the morality system to make it feel worthwhile or just throw the whole thing away. unfortunately i don't have many pitches for what to replace it with since i haven't played that many games with branching stories - maybe the story paths you go down are based on BIG story decisions shadow makes during boss battles or in cutscenes (?) like choosing which boss to fight, which characters to save, what moves or weapons to use, stuff like that. i just want the stuff that leads to branching stories to be more impactful and a little simpler.

this also applies to the levels, of which there are... a lot. and maybe there should be less? i think it would be smart to cut down or combine some of the levels, then really flesh out the ones that matter. and given the non-linear nature of ShTH, i think a version with levels more focused on exploration and combat would fit the game better than the linear mission-based gameplay of the original.

3. MORE GUN

listen man. they advertised this as the sonic game with guns and in my opinion i think they could've done better. i mostly just want a more fleshed out weapons system with upgrades, a little customization, better controls, etc. just put the merchant from resident evil 4 in there and have him accept rings and i would be happy

-------------------------

those are the big points i would personally stick to, but i do have smaller points i would consider as well, including:

make black doom seem competent

explain who the chaotix are working for and fit it into the story

no more "kill this many enemies to progress" missions. please

super shadow can have a gun now

#I LOVE YOU SHADOW THE HEDGEHOG 2005 TIMELOOP YOU MEAN SO MUCH TO ME #sonic loreposting #fernasks #long post

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imajinxnation · 7 months

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That's Bull

Constantine (2005) x Reader

SUMMARY // Reader gets kidnapped by a demon and Constantine comes to save her. Reader can't help but mock the demon's stupidity and waits for her boyfriend to come get her.

Thought of this while I was at work!

Hope this is at least decent, cause it's been awhile lmao

GIF FOUND ON PINTEREST

TW // Kidnapping, Humor, Sarcasm, Insinuated Sexy Times, Cussing, FEMALE READER..

I groan as I wake, a harsh pounding in my head, as if someone was repeatedly taking the back of my head and smashing it against a metal wall. I slowly open my eyes, wincing, but see nothing except black, my breathing feeling a little restricted and stuffy. I feel the bag over my head against my face and begin to put together the pieces of what had happened. I sigh and shake my head, not even surprised.

I hear heavy footsteps echoing closer, a metal door opens and, soon enough, the footsteps are stopped right in front of me and the bag over my head is ripped off. I glare at my kidnapper; a heavyset woman with blue dyed hair, an obvious red tint in her pupils, telling everyone that she is a demon.

"You should lighten your footsteps, girl, I could hear them from a mile away," I scoff at her.

The demon looks at me, not showing too much emotion, but I could tell my words were already getting to her. Her jaw clenched and an offended look came and went in her eyes. I smirk a little; this demon will be easy to get through.

The demon takes a deep breath to calm herself before speaking, "I need information, on your little boyfriend, Constantine," she spat out his name like poison in her mouth.

I throw my head back and laugh.

"Honey, you realise that he gives out information pretty freely, right? He couldn't give two fucks about who knows what about him! I mean.. what do you even want to know anyways?"

The demon snarls at my nonchalant nature and speaks up again, angrier this time.

"Where does he keep the dagger of destiny? I know he fucking kept it!"

I snort, "No he didn't, you dumbass! Who the fuck told you that bullshit lie? No, wait, let me guess! Gabriel?"

The demon gives an awkward, frustrated look, "No.." She says, unconvincingly.

There was silence for a few moments before I broke out into laughter, finding the whole situation hilarious.

"You- you mean to tell me," I say between giggles, "that Gabriel told you personally that Constantine has the dagger of destiny, and then told you to kidnap me to tell you where he hides it? You are one gullible demon!"

"Watch it, you pathetic worm," the demon stomps like a child getting sent to the corner.

"Okay, alright. Come closer and I'll whisper it to you, I promise!" I give my best innocent face and silently beckon the demon to lean closer.

She does, easy to fool.

"You're going to be back in hell in a minute.." I whisper, the demon leans her head back from me, looking me in the eyes as I smirk.

She let's out a frustrated yell and walks past me, presumably to grab a weapon to torture me with. I see a shadow at the foot of the door in front of me before trying to see what the demon was doing behind me, catching a glimpse of her back. My head snaps back towards the door when I see a little bit of light enter the room. I see my boyfriend's head poke through before slipping his whole body in the room, making as little noise as possible as to not draw attention.

"You alright?" He mouths to me.

I nod and tilt my head towards the demon behind me, back still turned, muttering to herself about which tool she should use to torture me with.

"Give her hell.." I mouth with a smirk and a wink.

John smirks back and raises his demon gun, "Hey ugly!"

The demon swings around at the voice and goes to attack, but John shoots before she could move, and with one shot of that demon gun, she turns to dust.

"Thank you, Baby, you wanna untie me now?" I ask.

Constantine laughs and shakes his head in disbelief before setting the gun down to untie my body from the chair.

"When will these demon fucks learn not to mess with you?" He growls in my ear, untying my wrists from behind my back.

"You know demons, Babe, they may be evil little shits.. but they have a brain the size of a peanut," I laugh and rub my wrists from the rope burn.

I hop up from the uncomfortable metal chair and stretch, my shirt riding up a bit, showing a sliver of my stomach.

"What did they want this time anyways?" Constantine rolled his eyes and lit a cig.

"Gabriel told it some bull about you keeping the dagger of destiny," I scoffed at the mention of Gabriel.

"That bitch.. When will she stop trying to get revenge on me, it's not my fault God hates her now!" He let out an exasterbated sigh and takes a puff of his cig.

"Well.. I'm not saying I like getting kidnapped all the time.. But I always like what happens after you find me," I say suggestively.

Constantine stares at me for a second before giving a look of disbelief and then a smirk. He takes one last puff of his cig and then stomps it out on the concrete ground of the underground base I was kept in. He moves in closer to me, wrapping his arm around my middle and pulling me into his body roughly, face extremely close to mine.

"And this time will be no different," he smashes his lips to mine, desperately.

#x reader #john constantine #constantine 2005 #john constantine x reader #constantine imagine #constantine x reader #keanu my beloved #keanu reeves #keanu reeves characters #keanu reeves x reader #keanu reeves imagine #john x reader #constantine 2005 x reader #constantine 2005 imagine

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shadowxamyweek · 9 hours

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Is Shadow being immortal canon? I thought it was just a generally accepted headcanon by the fandom

...Yes?

The pause and questionmark are not directed at you, they are directed at Sega.

I confess, I'm a bit of a stickler for what lore I consider canon. If it's in the games, it's canon to me. If it's anything outside of the games, including the game manuals themselves... then it's not.

I have such a narrow-bracket view of the story and these characters due to two things:

1: There seems to be a disconnect between the different 'branches' of the Sonic Franchise. There's the Shadow we see in games, there's the Shadow we see in marketing and social media (like Twitter Takeover), There's the Shadow we see in IDW, and then there is the Shadow we see Sega write about in character profiles like on Sonic Chanel and the official Sonic the Hedgehog website. This exists with all the characters to a degree, but I feel Shadow presents an egregious case of it. 2: Sega has a tendency to retcon things or change their language or act like stuff didn't happen and... I don't like it XD But they can't change games that have already been published and played. As such, to me, in-game dialog/play/story/etc is the crowning jewel of truth within the Sonic story.

But that these are *my* paramaters. They do not have to be *your* parameters.

So while there hasn't been any mention of immortality *in game*, there has been plenty *outside* of it. Lots of different official Sega sources say Shadow is 'immortal', but no examples or specifications have been provided in game. There's also plenty of times the whole 'immortality' portion is omitted. Most noticeably, it's not mentioned in the Sonic Channel character profile, nor the character profile provided on the official Sonic the Hedgehog website. At best, it is mentioned intermittently in game manuals and external sources.

(And I know we see Shadow in stasis in 06- I'm aware- but I'll also point out we don't know *when* he went into stasis. Furthermore, I cannot help but wonder if, much like Black Doom in SHtH, Mephiles took a portion of truth and twisted it to scare Shadow. (Also, like.... Shadow was under such heavy security when GUN put him down for an ice nap the first time. Why would they just leave him out and about like was shown in 06? I doubt the truth of what Mephiles shows Shadow.))

I actually reached out to @squid-in-a-party-hat, @fyeahsonicthehedgehog (x), and @forgottensonicfacts (x), as well as some friends of mine like @shadamyheadcanons for help collecting information to provide you with as well-rounded answer/opinion as I can. In fact, Squid has a video on this very subject XD They do a great job of weaving together all the different types of canon (comic, anime, social media, etc) so if that's how you prefer to operate, I really, really recommend them.

Anyway, Here are some game manual examples in chronological order.

SA2 (2001):

Sonic Heros (2003):

And...I want to take a moment to show something interesting between the original Japanese and the English translation. The japanese translation says 'unaging and undying' which gives us narrower guidelines, but the Heros profile is the only time I've seen that.

Shadow the Hedgehog (2005):

Which OUT OF ALL OF THEM you'd think it would be mentioned in his title game but like... *gestures*

Sonic 06 (2006):

Sonic and Mario at the Olympic Games (2020):

Then there are these online examples, stemming from both Sonic Chanel and the Sonic the Hedgehog Website. They are both officially owned and operated by Sega/Sonic Team. Note they don't mention his age or the immortality at all.

Sonic Chanel, 2007:

Sonic Chanel, 2010:

Sonic Chanel, 2022:

This is the character profile put up on the Sonic the Hedgehog website 2024, separate from Sonic Channel but still official.

(In talking to @forgottensonicfacts- I had asked about times Shadow had been called 'ageless' or '50.' Turns out the 'ageless' bit was written in a Scholastic's book and, so far as anyone has found.. there is no official mention of Shadow being listed as '50 years old.' I had been so sure it had been officially listed at one point in time. Really glad to be wrong on that one, frankly, because that would have been daft XD)

So this is what we have about Shadow's 'immortality' that has been put out by Sega themselves. Not the comics, not the media team, just Sega/Sonic Team.

Now... this is where I pick apart that word 'Immortal' and broaden the scope a bit.

Not to be 'that bastard,' but I popped on to the Oxford Dictionary just to get a concrete definition for you and they define the adjective use of the word as being, "living forever; never dying or decaying."

1- Shadow's already almost died. He *would* have died were it not for Eggman saving his sorry ass. We know this. It's a whole-ass plot point in his story because it's due to this he ends up with amnesia.

2- Even though Gerald was tinkering with immortality, that doesn't mean he succeeded. We also don't know how that immortality would look/work/act like.

3- In Sonic Battle (for Gameboy), several of the characters have a healing ability. Shadow is one of them. However, Shadow's healing ability is one of if not *the worst in the game.* Also, in the story itself, he get shot and is down for the count *for a while*.

4- We have not seen any of the characters physically change in game save for the big age up/design shift that happened when Sonic went 3d in Adventure. As such, we cannot personally test/see whether or not Shadow goes through any changes at all, be them aging or just changes to their body.

So... all in all... I feel this leaves a huge amount of room for interpretation.

Maybe Shadow isn't immortal after all. Nothing spectacular, it's just that portion of the Ultimate Life Form project didn't succeed.

Maybe the 'immortality' is his healing factor, and it needs to willfully be employed. As such, if Shadow WANTS to age, they need to intentionally and willfully allow themselves to do so by NOT employing the healing factor.

Maybe the 'immortality', being the healing factor, can wear down/slow down over time, especially due to overuse.

Maybe Shadow can live forever barring any really traumatic physical harm, but their body will physically change over time.

Maybe Shadow is immortal like how Oxford puts it, but there is a way to stop that perminantly if they so choose (like genetic therapy).

Maybe Shadow is immortal in the sense that they will never physically age, grow, or change. Ever.

Truthfully, that's pretty cool! Like, this gives people a lot of stuff to work with and play around with, compare notes, talk- that's the fun part of fandom! And no singular person is right! @shadamyheadcanons has this one that's fun. I personally like the idea that Shadow's 'immortality' wears down over time and gets weird, causing their Black Arms genetics to kick off (like a third eye ooooough gimmie gimmie gimmie.)

I don't know if this was the answer you were looking for. Perhaps I've just confused things further- I've been known to do that XD

Ultimately, what I'm trying to say is- it's whatever you want it to be, and nobody can stop you <3 So go have fun!

#shadow the hedgehog #shth #sonic #sega #anon #ask #op rambles #lore #thoughts #I'm sorry it took so long to get back to you #There's been a lot going on- but I really wanted to give you as well rounded an answer as I possibly could

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krafterwrites · 1 year

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Analyzing Every Shadow The Hedgehog (2005) Sequence Name

If you don’t know, there’s 326 possible ways you can play through the story mode of Shadow the Hedgehog, and all of these ways have names. In this post, I’m going to look at the name of every single one of these and see why they’re named that by looking at what happens in that specific sequence. You might be asking, why on Earth would I do this? Well, I don’t really have a reason, I just want to because the idea popped into my head one day. Anyways, let’s get into this post, which is definitely going to be insanely long

001: Punishment, Thy Name Is Ruin

This is the first path on the list, and also the darkest one that Shadow can take. In this route, Shadow works with Black Doom on every stage (Except for Cryptic Castle, where he works with Eggman). After completing the mission for Black Doom on the final level and defeating Sonic along with Diablon, Shadow obtains the final Chaos Emerald and proclaims that he was created to bring order and justice to the humans, then proceeds to say that he is going to destroy the planet. This ending’s name is relatively simple to explain, Shadow’s line about being made in order to bring justice to humans implies that he believes that humans are worthy of punishment. As the name states, that punishment is ruin, as in him bringing the planet to ruin by destroying it with the Chaos Emeralds

002: Prologue To World Conquest

This one is very simple. It goes the same as the last route up until the final level, where Shadow betrays Black Doom at the last moment. He then says that he is the ultimate lifeform, born to rule over all, and that he will use the power of the Chaos Emeralds to conquer the universe. That’s all there is to this one

003: The March To A Darker World

This is another rather simple one. In this route, Shadow works solely for the dark side up until the penultimate level, where he does the neutral mission instead. This leads to him going to the Black Comet as the final level, which he does the dark mission for. This leads to him gathering all of the Chaos Emeralds and proclaiming that he was created to protect and serve Black Doom, and that the world will become a dark empire, so the reason why this ending has its name is pretty obvious

004: The Ultimate Ego

This path is the same as last time, except Shadow chooses the hero mission while aboard the Black Comet instead of the dark one. This leads to him saying that he and only he knows what is best for himself before (Presumably) killing Eggman

005: Purification Via Ruination

Okay I’m going to be completely honest here, I’m not 100% sure of the meaning behind this name. This route involves Shadow doing the dark mission for every single level except for Central City, where he does the hero mission. Before the level begins, Black Doom tells Shadow that his past is filled with hatred for humans. Since the hero mission involves Shadow saving a lot of humans (By disarming bombs the Black Arms have planted all around the city), and since the ending is the same as Punishment, Thy Name Is Ruin, it makes me think that in this path Shadow thinks that there are some good humans instead of hating all of them. By destroying the planet, he thinks he’s purifying it (Via ruining it, just as the name says). His plan, or my theory, might have a few holes in it though since the planet being destroyed would kill literally everyone, maybe it would leave behind one or two GUN Soldiers on the ARK, but that’s it. There is another way to think of it, though. Maybe the thing that’s being purified is the wider universe, and by destroying the planet, he’s cleansing it of humans and their actions

006: Apogee Of Darkness

It’s here that I’m starting to realize that these sequence names mostly seem to be based on which of the 10 possible endings they end in, which makes this whole analysis less interesting. I’m still going to try though, although all of the stuff that I say will probably be huge reaches because I’m looking for meaning that probably does not exist. So in this sequence Shadow does dark missions for the first three stages, does the hero mission in Central City, and then does the dark mission for Air Fleet before finally arriving at the GUN Fortress and doing the hero mission. This sequence ends with Shadow proclaiming that he’s going to conquer the universe, just like Prologue To World Conquest. Apogee means the highest point of something, so this means that this sequence is supposedly the height of darkness for Shadow. This seemingly only refers to him conquering the universe (Which is indeed a very evil thing), since he does actually do a hero mission twice in this route, which would make it not be the darkest possible sequence

007: True Soldier Of Destruction

The pattern I noticed on the last post seemed to be accurate, as this name seems to refer mostly to the ending of this path, where Shadow says that he will become the minion of Black Doom and help him conquer the planet. Nothing else in the sequence, which has Shadow doing the dark missions for the first three levels, doing the hero mission for Central City, and doing the normal mission for Air Fleet before finally doing the dark mission for the Black Comet, seems to tie into this name. I feel like a lot of the explanations are going to be this, and I’m sorry for that since it’s probably kind of a let down, but even if my explanation every time is just “Yeah this name is just because of the ending of the sequence”, that’s still a lot of effort on my end considering I’m tackling over 300 sequences

008: Believe In Yourself

This one is mostly based on the ending, where Shadow proclaims that only he knows what is best for himself, but I think I can find a few crumbs from other levels as well. In this route, Shadow does dark missions for the first three levels, does the hero mission of Central City, and then the neutral mission for Air Fleet before doing the hero mission of the Black Comet which results in the aforementioned ending. This could show that Shadow was at first influenced by Black Doom and Eggman, but then decided to turn back from them and help out Knuckles (Possibly due to regret, or maybe he realized that working with the heroes could be better for him), and then when he arrives at the next stage and he has to decide if he wants to continue being heroic or defect back to the Black Arms, he decides to do neither and trust in only himself. This is most definitely a big reach, but I’m also probably putting more thought into this than whoever made the sequence names (Sorry to whoever made the sequence names, I’m thankful for your work)

009: An Android’s Determination

This is another one that’s entirely based on the ending. In this sequence, the final level is Lava Shelter, which Shadow does the dark mission for. This results in an ending where Shadow, believing that he is an android replica of the original Shadow, says that he will use the Chaos Emeralds to become even stronger than the original. That’s all I really need to say for this one, the reason behind its name is obvious

010: For Machine, By Machine...

This sequence is similar to the last one, as the ending of it still has Shadow believing that he is an android, although this time he does the hero mission, which results in him planning to use the Chaos Emeralds to take over the Eggman Empire and rule the world with machines. This is another obvious one, Shadow believes that he is a machine, and he wants to make a world for machines by conquering it with them (Sidenote: It feels like the neutral hero and neutral dark endings got swapped, it would have made way more since if you got the neutral dark ending by doing the hero mission at the end of a neutral route, and vice versa)

011: Revenge At Last

Like a few of the other sequences, Shadow claims that he will destroy the world with the power of the Chaos Emeralds to get revenge on humans. This one does have a bit more stuff to it, though, since Shadow does the dark mission for the level The Doom. The Doom is a flashback to the massacre on the ARK, and the dark mission involves Shadow killing all of the GUN forces in the level. This obviously shows that in this sequence, Shadow especially hates humans and badly wants revenge on them, which is obviously why this sequence has its name

012: Ego’s Awakening

This sequence is the same as the last one, except it ends with Shadow saying that he will conquer the universe instead of destroying the world. The Doom’s dark mission being present here ties into it a lot less than it does with Revenge At Last. In fact, I can’t really think of a way it ties in at all. The only meaning I can find behind this name is that Shadow’s ego is at its highest during the ending this sequence concludes with

013: Destruction And Scorn

Like a few others that have been mentioned so far, this one ends with Shadow saying that he will serve Black Doom and help him with his conquest. This sequence also has The Doom’s dark mission. The word scorn means belief that something is worthless or despicable, so this name makes a lot of sense, Shadow is helping Black Doom conquer/destroy the planet because of his hatred for humans

014: The Last Remaining Purpose

The name of this sequence is mostly based on the ending like all the others, but there is a bit of extra meaning that I can dig for. In this route, Shadow does the dark mission for the first two stages and works for Black Doom, and then chooses the neutral mission in the third level. The next level is The Doom, which he does the dark mission for, and then aboard the next level, The ARK, he does the neutral mission. Finally, he does the hero mission aboard the Black Comet which leads to the ending where he declares that only he knows what is best for himself. This specific path taken could be interpreted as Shadow starting off working for Black Doom, choosing to go through Cryptic Castle without helping anyone (Because the dark mission is Eggman in that level), and then reliving a version of the ARK massacre before heading to the current day ARK. The reason why Shadow chooses to take the neutral mission even though the dark mission is given by Black Doom could be because he doesn’t want to destroy what’s left of the ARK (Black Doom’s mission involves destroying the ARK’s defenses), and being requested to do this makes him realize that he doesn’t want to work for/Can’t trust Black Doom either. Since Black Doom was the only one he trusted initially, he decides that the last remaining thing for him to do is to simply trust in himself and nobody else. Or I could be looking way too far into this. Either one

015: The Nightmare’s Insulation

This sequence ends with Shadow saying that he is going to destroy the world with the Chaos Emeralds, although it also involves The Doom, specifically its neutral mission where Shadow and Maria simply try to escape as fast as possible. Because in this path, Shadow clearly hasn’t moved on from the incident aboard the ARK because of how willing he is to work with Black Doom, him destroying the planet could be seen as a flawed way of trying to make himself look better, since after that the only places he could live are alone on the ARK, or on the Black Comet with the Black Arms (I interpret him saying he’s going to destroy the planet as he’s going to literally break the entire planet, like it got shot by the Eclipse Cannon, not just destroying all the buildings on it and stuff). So, him destroying the planet is simply an insulation to the nightmare he’s going through, since it isn’t going to make things any better for him, especially in the long run

016: The Nightmare’s Sublimation

This sequence goes the same as the previous one, although it ends with Shadow saying that he’s going to conquer the universe instead of destroying the planet. The definition of sublimation (other than the chemistry meaning) is the act of expressing strong emotions or using energy by doing an activity or creating something. The name implies that Shadow is conquering the universe in an attempt to make himself feel better or occupy his mind, but like destroying the planet in the previous route, this isn’t actually going to help him

017: The Loner’s Choice

In this route, Shadow works with Black Doom for the first two missions, and then does neutral missions until the end where he chooses the dark mission, resulting in the ending where he decides to become Black Doom’s minion. That’s pretty much all there is for this one

018: Subjugation In Black

This route is the same as the previous one, except Shadow chooses to do the hero mission at the end instead, which leads to the ending where Shadow says that only he knows what is best for himself. Subjugation is the action of bringing someone or something under domination or control, so this name reflects that Shadow is bringing his own destiny under control through dark means (Like killing Eggman, which he does in this ending)

019: Replica’s Depression

In this route, Shadow goes through the level The Doom (A flashback to the ARK massacre) and then ends up at Lava Shelter, which he does the dark mission for. This leads to the ending where he believes he is an android and says he will use the emeralds to become even more powerful than the original. I’m going to stop saying “That’s pretty much all there is” whenever I’m done with my analysis for these sequences now, because I’ve already said that a lot and we’re only at 19 sequences out of 325, whenever I’ve said all that I have to say about the sequence I’ll just end the paragraph and move on

020: Machine, Machine

This is the same as the last one, except Shadow does the hero mission for Lava Shelter instead, causing him to declare that he will create an empire of androids. This is definitely one of the sequence names that’s only based on the ending, since I fail to see how it can fit into anything else that happens in the sequence

021: Disciple From The Darkness

This falls into the same category as the previous one, it’s solely based on the ending, where Shadow says that he was created to serve Black Doom

022: Beloved Clone

This is an interesting one, as it seems to not be based on the ending of the sequence at all. The one level and mission that seems to tie into this sequence’s name is the penultimate level of this sequence, Iron Jungle. In Iron Jungle, Shadow believes he is an android copy of the original, and does the dark mission where he works with Eggman. While he is doing this mission, Eggman acts affectionately towards Shadow, even saying “Those are more of my beloved androids, just like you!” when Shadow encounters Shadow Androids

023: Revenge Upon The Doctor

In this route, Shadow does the neutral route of Iron Jungle and then the dark mission of Lava Shelter, which results in an ending where he kills Eggman. Before he starts Lava Shelter, he also remarks “You’re going straight to the place you created me from!” and after starting Lava Shelter “You’re going straight to hell!”. This implies that Shadow believes he was created from hell, which would explain why he resents Eggman and wants to get revenge on him

024: The Ultimate Replica

This is another one with Iron Jungle and Lava Shelter, and you’d think that it would end with the neutral-dark ending (Where Shadow believes that he is an android and proclaims that he will use the power of the Chaos Emeralds to surpass the power of the original Shadow), but it’s actually the neutral-hero ending, where he says that he will create an empire of androids to rule over the planet. I think this name would have been far more fitting for the neutral-dark ending, but oh well. Also I’m going to stop explaining the endings now, it’s definitely already gotten repetitive, I’ll just use shorthand for the endings like the two names I used in this one

025: Sanction’s Demise

I’m like 90% sure that sanction means a safe place or something similar, but when I looked it up that definition did not appear. I’m going to stick with what I’m pretty sure the definition of it is though, since otherwise this name doesn’t really make sense. Also, I know I just said that I would use shorthand for all the endings, but the ending for this sequence is one that hasn’t showed up until this point, so I will explain it just once here. In this ending, where Shadow does the dark mission for Cosmic Fall, he decides to become the protector of the ARK (Which is actively falling apart, hence the name of the level) and spend the rest of his life there. Shadow’s chosen safe haven is dying around him, which is the reason behind the name of this sequence. Also, for future reference, the name of the ending for this sequence is semi-hero dark

026: Along With My Home

This sequence ends with Cosmic Fall like the last one, although Shadow does the hero mission for it instead of the dark mission. This results in a pretty grim ending (the semi-hero hero ending), where Shadow says that he should have never been created, and it’s implied by the names of several sequences that have this ending (including this one) that he takes his own life. Since this ending takes place on Cosmic Fall, which takes place on the collapsing ARK, this name implies that Shadow will die along with his home

027: The Cleansing Of Darkness

This is an ending that ends with Shadow saying that he will destroy the world (Which is the dark-dark ending). In this route, like all dark routes, Shadow expresses disgust and hate for humans. Obviously he would think that humans are a darkness in this route, so him destroying the planet and killing all the humans on it would be a cleansing of darkness

028: Birth Of A God

This sequence ends with the ending where Shadow betrays Black Doom at the last moment at the GUN Fortress, and then proclaims that he will conquer the universe with the power of the Chaos Emeralds (Which will be referred to as the dark-hero ending from this point on). Shadow probably does have something of a god complex in this ending, as it would take one to say you’re going to conquer the whole universe

029: The Last Soldier’s Grim Fate

This is a sequence that ends with Shadow saying that he was created to serve Black Doom (Which is the semi-dark dark ending). I don’t know what events in this ending or the other levels in the sequence would make Shadow the last soldier, or what his grim fate is. Maybe even with Shadow on their side, the Black Arms would fall and Shadow would be the only one who wasn’t killed by the heroes due to their past experiences with him and the belief that he could change. He wouldn’t go back to their side, though, and would spend the rest of his time just wandering the planet with the group he believes he was created to serve extinct. That’s all speculation, though

030: Isolation and Solitude

This sequence ends with the hero mission of the Black Comet, where Shadow says that only he knows what is best for himself (Which is the semi-dark hero ending). Since he does not join any sides in this ending, he will most likely spend all of his time by himself, since he is the sole person he trusts

031: Archimedes And The Tortoise

This is by far the most out there sequence name, but I think I actually have an explanation for it. This sequence ends with the neutral-dark ending, and there is a paradox called Achilles and the Tortoise (Archimedes is a famous Greek mathematician and engineer, which might tie into things since Shadow believes he is an android in this ending. The paradox of Achilles and the Tortoise states that if two beings (one fast runner and one slow moving tortoise) are each moving at a fixed speed and the tortoise has a 100 meter headstart, the fast runner will never overtake the slow tortoise. This is because in the time it will take for the runner to reach the position the tortoise is at, it will have moved forward in that time and will be ahead of that previous position. This means that the runner will never pass the tortoise. This rather darkly implies that no matter how hard he will try, Shadow will never surpass the original (Even though he is the original, but it would still be possibly for him to feel inferior to “the original” since he fully believes that he is an android)

032: Where Is My Happiness?

This sequence ends with the neutral-hero ending. Unlike the last one, there’s no ancient paradox for me to make wild assumptions about, instead it’s just a question to make wild assumptions about. I’m guessing that this is a similar situation to sequences 15 and 16, where building an empire of androids and conquering the planet with it will not make Shadow happy, and might even make him feel empty inside since he will have accomplished his ultimate goal yet still not be satisfied from it

033: Seduced By Taste Of Blood

In this sequence, Shadow does the dark mission for the first two levels, does the hero mission for the next level, and then does the neutral mission for Sky Troops (Which is to get to Eggman’s flagship). Next, he does the dark mission for Iron Jungle (Where he kills all of the GUN troops invading Eggman’s base) and then does the dark mission for the Black Comet which results in the semi-dark dark ending. This path and the name could be interpreted as Shadow starting off evil, becoming heroic, but then becoming bloodthirsty and lured back to the dark side after killing for Eggman to try and gain answers about his past. This bloodlust would ultimately lead to him wanting to work with Black Doom and help him take over the planet

034: A Machine Made For War

The penultimate level in this sequence is Iron Jungle (Where Shadow believes he is an android, which I’m going to also stop stating since I’ve said that several times already) and the final level is the Black Comet, which leads to the semi-dark hero ending. This ending doesn’t involve war as much as the semi-dark dark ending, so this name doesn’t make that much sense to me. Shadow is just going his own way and trusting himself, which I really doubt will involve war

035: Original Definition

This sequence ends with the neutral-dark ending, and while I was a bit confused by this name at first, I realized what it actually means. Shadow was originally created to be the ultimate lifeform, AKA the most powerful lifeform. Since Shadow believes he is a copy of the original and will try to surpass the power of said original, he’s fulfilling the purpose he was created for

036: Machine Paradise

This sequence ends with the neutral-hero ending, and that’s all there is to this one

037: Last Will And Testament

This sequence ends in the semi-hero dark ending. What Shadow says to Eggman in this ending is essentially his final will, since he intends to stay on the ARK for the rest of his life. A testament is a part of a will, specifically pertaining to personal property, which also ties into the ending, since he’s now the protector of the station

038: Enveloped in Solitude

This sequence ends with the semi-hero hero ending, but it also has Iron Jungle, so Shadow’s really going through it in this ending (hence the name)

039: Parricidal Savior

This is a very interesting name. Quick bit of context before this analysis starts, parricidal means involved in the murder of one’s immediate family. In this route, Shadow does the dark mission for Space Gadget (Where he destroys the defense systems of the ARK, his old home and birthplace) and then gets the neutral-dark ending where he kills Eggman, who he believes is his creator. I’m not exactly sure what makes him a savior in this sequence though, maybe it’s the fact that he does two hero missions in a row before the aforementioned missions

040: Copy of a Savior

This name has less to it then the last one. It has the neutral-hero ending, so Shadow believes he is a copy, and it has the two hero missions as well near the end like the previous sequence

041: Excess Of Intellect

This is one of the less clear sequence names, but I’m still able to piece something together from it. It ends with the semi-hero dark ending, so I suppose it could be interpreted as Shadow’s knowledge (Which would be a far more fitting word than intellect) being wasted since he’s isolating himself for the rest of his life. That still doesn’t fit super well with the name, but it’s the best I can think of

042: Crystallization Of Intellect

Figuratively, crystallization means the process of something becoming clear. This sequence ends with the semi-hero hero ending, which means that in this ending it becomes clear to Shadow that his creation caused a lot of death which leads to him believing that he never should have been created. Like in the last one, I think knowledge would be a far more fitting word than intellect, but maybe my interpretation is wrong and the actual meaning fits better with the name

043: The Ultimate Confrontation

This sequence has an ending that hasn’t showed up before, the hero dark ending. This ending happens when Shadow does the dark mission for Final Haunt (The most heroic final level), which takes place aboard the Black Comet. In this ending, Shadow sides with Black Doom at the last moment so he can fight against Sonic and prove that he is stronger than him. Shadow also does the hero mission for Space Gadget prior to Final Haunt, where he races against Sonic aboard the ARK to get to a Chaos Emerald, and actually gets there first

044: Miracle Of Love

This is a cute one! In this route, Shadow does the dark missions for the first two levels, working with Black Doom in both of them. Once he gets to Cryptic Castle, though, he does the hero mission where he helps out Amy, and proceeds to do only hero missions for the rest of the sequence. This even leads to the hero-hero ending, where Shadow defeats Black Doom and says that he will protect the planet like Maria wanted him to. Just like in SA2, in this sequence Amy made Shadow snap out of his villainous tendencies and realize Maria’s wish, and I think that’s really nice. (Just so it’s clear by the way, I don’t ship Sha/damy, I interpret the name as being about Amy’s love for the world and her friends rubbing off on Shadow, which causes him to begin working for the good guys instead of the Black Arms)

045: The World’s Demise

Another sequence that ends with the dark-dark ending

046: The Ultimate Power

Another sequence that ends with the dark-hero ending

047: Dyed In Lovely Darkness

This sequence ends with the semi-dark dark ending. The world will be dyed in darkness once the Black Arms take over it, but since Shadow’s working for them, he’ll find it nice

048: Vainglory Or Abandonment?

This sequence ends with the semi-dark hero ending. Vainglory means excessive pride in oneself, and since Shadow says that he’s the only one who knows what is best for himself in the end of this sequence, this sequence name is asking whether he is making this choice because he thinks he’s better than everyone else or if he’s just abandoning them because he doesn’t trust any of them

049: Messenger Of Ruination

This is yet another sequence that ends with the dark-dark ending, although it does also involve Shadow doing the dark mission for Air Fleet where he attempts to assassinate the president. Despite the fact you blow up his escape pod, he’s completely fine, but if he did actually die then that would be a good message of the imminent doom the planet would face from Shadow

050: Standing At The Summit

This is another sequence that ends with dark-hero ending

051: Controller From The Capsule

This name is a bit frustrating to me, because I know it has to mean something, but I can’t find a satisfactory answer. This sequence involves The Doom and its neutral mission (Which leads into Shadow being shot out of the ARK in a capsule) and the semi-dark dark ending, where Shadow helps Black Doom control the planet. The two pieces for the name are there, but I don’t know how they correlate

052: Beyond One’s Own Power

This sequence ends with the semi-dark hero ending. It doesn’t really fit that well, though, since Shadow isn’t going to try and become more powerful like in several other endings. Maybe what Shadow thinks is best for himself is using the seven Chaos Emeralds to become even more powerful, but that’s never really hinted at, so that’s just my best guess

053: A Clone’s Determination

This is another sequence that ends with the neutral-dark route

054: Machine Utopia

This sequence ends with the neutral-hero route

055: A Toast To The Ruler

This sequence ends with the semi-dark dark ending (Sidenote, the mental image of Shadow and Black Doom giving a toast is actually kind of funny to me)

056: Answer From The Black Comet

This sequence ends with the semi-dark hero ending. I’m not sure what specific event on the Black Comet lead to Shadow coming to the conclusion he does in this ending, maybe him doing the hero mission of The Doom and the dark mission of Iron Jungle made him not want to work for Black Doom anymore. He already didn’t want to work with the heroes since this is one of the darker routes, so he’s probably just working with Knuckles to take down Black Doom since he knows that he’ll be a threat to him. When Eggman shows up and tries to take the Chaos Emeralds he’s been gathering the whole time, it makes him realize that he doesn’t want to be allied with Eggman either, thus leading to him choosing to only trust himself

057: Transcendentalism

Another sequence that ends with the neutral-dark route

058: Imperialism

Another route that ends with the neutral-hero ending

059: The Weight of One’s Crimes

This sequence ends with the semi-hero dark ending. Before Cosmic Fall starts, the GUN Commander tells Shadow that he is the reason that everyone on the ARK was killed, which is most likely why Shadow decides to live on the ARK and be its guardian in this ending. He believes that he’s the reason why its empty and has been left crumbling and unguarded for such a long time, so he’s given himself the job of protecting it. Or, as the sequence’s name says, he’s choosing to live on the ARK because of how much his “crimes” are weighing on him

060: Imprisoned By The Past

This sequence ends with the semi-hero hero ending. Like I mentioned for the previous sequence name, in both semi-hero endings Shadow is dealing with a lot of guilt since he takes responsibility for the ARK massacre. Even if he doesn’t die (Which thankfully isn’t implied by this sequence’s name), he’s still going to feel trapped by his past

061: The Ultimate World Conquest

This sequence ends with the dark-dark ending. There is a bit of stuff that adds to this name, though, since Shadow does the dark missions for both Sky Troops and Air Fleet (Which means he destroys the Egg Fleet and tries to kill the president)

062: Black Angel

This seems to be one of the first names that barely has anything to do with the sequence at all, it ends with the dark-hero ending which kind of fits with the name, but it mostly seems like this name was chosen because it sounded cool. And to be fair, it does sound cool, especially with the context of the ending

063: Under Darkness’ Control

This sequence ends with the semi-dark dark ending

064: To Love Oneself

This sequence ends with the semi-dark hero ending

065: Revenge And Determination

This sequence ends with the neutral-dark ending, and also involves Shadow doing the dark mission for Sky Troops and the hero mission for Iron Jungle, which both involve shooting down Eggman’s aircrafts

066: Birth Of The Robot Emperor

This sequence ends with the neutral-hero ending

067: Shadow, The Black Android

This sequence involves Shadow going through Iron Jungle, and then ending up on the Black Comet and getting the semi-dark dark ending

068: A Solitary Android

This sequence involves Shadow going through Iron Jungle and then getting the semi-dark hero ending

069: Over The Original

This sequence ends with the neutral-dark ending

070: Machine Sunshine

This sequence ends with the neutral-hero ending. It doesn’t fit the ending quite as well as some of the other names sequences that end in it have, but it is a sick name

071: Life Is Guilty

This sequence ends with the semi-hero dark ending, and as its been mentioned before, Shadow feels guilty over his creation in both semi-hero endings since he believes it lead to all of the death that took place aboard the ARK

072: Fallen Angel of Despair

This sequence ends with the semi-hero hero ending

073: An Eternal Rival

This sequence involves Space Gadget, although Shadow does the dark mission for it and not the hero mission which involves racing Sonic. It ends with the neutral-dark ending, so it can be assumed that Shadow is trying to surpass Sonic as well as the original. The eternal part is probably because he believes that he’s an android, which means he would live forever as long as he isn’t killed

074: This is Just the Beginning

This sequence ends with the neutral-hero ending, and it also has Space Gadget like the previous sequence, but it doesn’t really tie into the name even if Shadow did the hero mission for it (Which he didn’t). I suppose the name just means Shadow has even bigger plans than conquering the planet with an empire of androids, maybe this specific sequence leads into the dark-hero ending except with an army of androids instead of just Shadow

075: Crystal Of Tragic Knowledge

This sequence ends with the semi-hero dark ending. At first, I thought this name made sense except for the crystal part, but then I realized that the crystal is supposed to be Shadow. Shadow is full of knowledge of the past, like a crystal formed in a cave ages ago that has recorded everything around it

076: Shadow’s Second Death

Some of these sequence names have had ellipses after them, which I’ve been cutting out since they’re not really needed and make the name look more cluttered. This ending has ellipses and a question mark after it, so it is ambiguous whether Shadow actually dies after this sequence. Since this sequence ends with the semi-hero hero ending, I really hope he doesn’t end up dying, because the implications of him dying after that ending are quite dark

077: The Legend of Shadow

This sequence involves Shadow beating Sonic in a race to the Chaos Emerald on Space Gadget, and then getting the hero-dark ending where he turns against him at the last moment to defeat him in a fight and become the ultimate hedgehog

078: Power Of Love

This is another nice one! In this sequence, Shadow does the dark mission for Westopolis, but after going into Digital Circuit and meeting with Rouge, he does the hero mission with her and then does hero missions for the rest of the levels (Except for Prison Island, poor Charmy). This leads to the hero-hero ending just like the last sequence that had a love themed name. Also just like the last time I talked about a sequence with a love themed name, here’s a quick disclaimer: I don’t ship Sha/douge, I think it’s gross. I think the love in the name is based on the fact that Rouge is the person who’s closest to Shadow and cares about him the most, since she interacted with him a lot in SA2 and got him out of his pod in Heroes

079: Deep Black

This sequence ends with the semi-dark dark ending

080: Walk My Way

This sequence ends with the semi-dark hero ending

081: This is Shadow’s Way Of Life

This sequence ends with the neutral-dark ending

082: A Monarch’s Style

This sequence ends with the neutral-hero ending

083: In the Gap Of Sadness

The ending of this sequence is the semi-hero dark ending. While Shadow’s life has had a lot of sadness in it overall, most of it occurred aboard the ARK. Since he’s living the rest of his life on it, he’s living in the one place that holds the most sadness for him

084: To Be Ignorant Of The Past

There’s two different ways that this name can be interpreted, since this sequence ends with the semi-hero hero ending. One, Shadow believes he was ignorant of his past before the GUN Commander and Black Doom told him about it. Two, he wishes he was ignorant of his past, because knowing the truth causes him to feel like he should’ve never been created

085: At Vengeance’s End

This sequence ends with the neutral-dark ending, although the only part of the ending that’s important to the name is the fact that he kills Eggman. The cutscene before Lava Shelter and one of his lines at the beginning of the level also tie into the name, but I already mentioned both of those earlier

086: Machine Boys

This sequence ends with the neutral-hero ending

087: Reborn Along With Sorrow

This sequence ends with the semi-hero dark ending, and since Shadow is essentially starting a new life of solitude aboard the ARK, it could be described as a rebirth. It’s already been mentioned a lot that Shadow is sad in the semi-hero endings, but something else that might add to it a bit is that he also does the neutral mission for Space Gadget, where he fails in a race against Sonic aboard the ARK

088: With A Fate Of Self-Denial

This sequence ends with the semi-hero hero ending, but the name is a little bit strange to me. Shadow doesn’t really deny anything about himself in this. He’s very sad about his belief that he caused the ARK incident, but he fully accepts it. Maybe this ending means that he’s denying the actual truth, that the events aboard the ARK were not his fault. It could also mean that he’s denying the fact that he was created to be the ultimate life form, since he also loses to Sonic in a race in this sequence, and he refers to himself as “A research experiment gone deadly wrong” in this ending instead

089: I Am Shadow

In this sequence, Shadow completes the hero mission for Space Gadget and then gets the hero-dark ending, so this route involves a lot of competing with Sonic. This is probably in order to prove that he is Shadow, the ultimate lifeform (Or the ultimate hedgehog, as he calls himself in the hero-dark ending)

090: Shining Within Memory

This sequence ends with the hero-hero ending where Shadow fulfills his promise he made to Maria 50 years ago, but that’s just one of the two meanings behind this name. In this route, Shadow also races Sonic for a Chaos Emerald aboard the ARK, which is reminiscent of the events of SA2. Sonic even remarks “This is just like old times!” at the start of the level

091: The Rise And Fall Of The ARK

The penultimate level in this sequence is Lost Impact, and the final level is Cosmic Fall, which leads to the semi-hero dark ending. Simply put, the last two levels of this sequence are the rise and the fall of the ARK

092: Requiem For A Fallen Angel

A requiem is a mass held for the souls of the dead, which has some dark implications, since this sequence ends with the semi-hero hero ending

093: Ultimate Shadow

This sequence ends with the hero-dark ending

094: For Love’s Sake

This sequence is the exact same as Power Of Love, except Shadow helps Charmy this time around instead of ignoring him, which is nice

095: A Heart Awoken from Darkness

This sequence ends with the dark-dark ending, and involves Shadow doing the dark missions for every single level except for Westopolis, which he does the neutral mission for

096: Destruction From Perfection

This sequence ends with the dark-hero ending. It would make more sense if the name of this sequence and the name of the last sequence had their names swapped, they fit each other better than they fit their own sequences

097: Darkness’ Strongest Soldier

This sequence ends with the semi-dark dark ending, and also involves Shadow doing a lot of dark missions

098: Severed Chains

This sequence ends with the semi-dark hero ending

099: Retribution Against Humanity

This sequence ends with the dark-dark ending

100: To Be Known As Ultimate

This sequence ends with the dark-hero ending

101: Dark Warrior’s Advent

This sequence ends with the semi-dark dark ending

102: Arriving At The Ego

This sequence ends with the semi-dark hero ending, although this name would definitely fit better with a few other endings

103: Determination Of A Fake

This sequence ends with the neutral-dark ending

104: Path To The Machine Empire

This sequence ends with the neutral-hero ending

105: Demise Wrought By Tragedy

This sequence has The Doom as part of it, and ends with the dark-dark ending

106: Turning Sorrow Into Strength

This sequence ends with the dark-hero ending, and has The Doom as its fourth level

107: The Liberated Soldier

This sequence ends with the semi-dark dark ending, and it does involve The Doom and The ARK as levels, but I can’t think of a good way that they tie into the name. Maybe Shadow destroying the GUN forces during his flashback and then deciding to not destroy the defenses for the ARK brought him some sort of peace about his past

108: Stupefaction’s End

To be stupefied means to be unable to think properly, which definitely happened to Shadow a lot in this game considering how much internal conflict he goes through. This sequence ends with the semi-dark hero ending, so him deciding to only trust himself is the end of this confusion

109: Humanity’s Folly

This sequence ends with the dark-dark route, and also involves The Doom

110: Surpassing All Else

This sequence ends with the dark-hero ending

111: Soldier Of Grief

This sequence ends with the semi-dark dark ending

112: Reclaimed Heart

This sequence ends with the semi-dark hero ending

113: Fighting Spirit Of Steel

This sequence ends with the neutral-dark ending

114: Machine Soldier Uprising

This sequence ends with the neutral-hero ending

115: The Devil Born From Betrayal

The betrayal that’s mentioned here is most likely Eggman’s betrayal of Shadow in this sequence. He does the dark mission for Iron Jungle, which helps out Eggman, but he still attacks him with the Egg Breaker anyways. This betrayal leads to Shadow deciding to work with Black Doom in the semi-dark dark ending

116: Beyond The Truth Of Impact

Going to be honest here, I don’t even have a guess at what this one means. It has The Doom, Iron Jungle, and the semi-dark hero ending, but none of those seem to tie into the name at all. Sorry for not giving a real answer for this one, but at least I managed to give answers for about 100 other so far

117: The Immortal Android

This sequence ends with the neutral-dark ending

118: The New, Coldhearted Empire

This sequence ends with the neutral-hero ending

119: A Singular Atonement

This sequence ends with the semi-hero dark ending, and also has Shadow doing The Doom’s hero mission

120: Spawn Of The Devil

In the semi-hero hero ending, which this sequence ends in, Shadow fights Black Doom. Before this fight begins, he tells Shadow that he created him

121: Black Doom's Scheme

This sequence ends with the dark-dark ending, and also has Shadow working with Black Doom in every mission where he can except Westopolis

122: Subjugating Heaven And Earth

To subjugate means to conquer and bring under control, which fits perfectly with the dark-hero ending, the ending of this sequence

123: Road Of The Dark Soldier

This sequence ends with the semi-dark dark ending

124: Dark Finale

This name is kind of strange for a sequence that ends with the semi-dark hero ending, which this sequence ends with. The only dark thing about it is that he kills Eggman, this name would have fit better with the dark-dark or dark-hero endings

125: Realization While On Board

This name seems to be based on one small moment that happens before the final level of this sequence, where after doing the hero mission for Air Fleet (A level that takes place on a massive GUN aircraft), Shadow realizes that he is an android copy of the original that Eggman built

126: Birth Of A Champion

Strangely, this sequence ends with the neutral-hero ending, and not the neutral-dark ending. I guess being the ruler of an empire that rules the planet would kind of make him a champion, but this still isn’t a very good name for this sequence

127: With The Black Arms

This sequence ends with the semi-dark dark ending

128: The Road To Self-Assurance

This sequence ends with the semi-dark hero ending

129: The Pursuit Of Dr. Eggman

This sequence has Shadow doing the neutral missions for Sky Troops and Iron Jungle, both of which involve Shadow chasing after him to get answers

130: Surpassing His Creator

This sequence ends with the neutral-hero ending. If Shadow does manage to conquer the planet like he plans to in this ending, then he will have surpassed Eggman just like the name says

131: ARK, Colony Of Pathos

Pathos means a quality that evokes sadness, which is fitting since there are a lot of tragic events that happened on the ARK. This sequence ends with the semi-hero dark ending, meaning Shadow will spend the rest of his life on the colony of pathos that this name describes

132: Perfection Lost To Darkness

Shadow was created to be the ultimate lifeform, so the semi-hero hero ending being the end of this sequence means that the perfection of his existence is being lost, whether he ends up dying as some of the sequence names with this ending involve or if he just spends the rest of his life depressed and isolated

133: A New Challenge

This sequence ends with the neutral-dark ending, giving Shadow a new challenge to take on: Surpassing the original

134: The Machines' Coup d'Etat

This sequence ends with the neutral-hero ending

135: A Vow For The Victims

This sequence ends with the semi-hero dark ending, meaning Shadow is making up for causing the death of the ARK massacre’s victims by protecting the station and making sure it doesn’t fully collapse

136: The Truth Of Sadness

This sequence ends with the semi-hero hero ending

137: The Destined Sonic Showdown

This sequence has Shadow doing the hero mission of Space Gadget, and then getting the hero-dark ending

138: The Black Hero’s Rebirth

This sequence ends with the hero-hero mission, and has Shadow doing hero missions for most of the levels

139: Truth, Thy Name Is Vengeance

Shadow does the dark mission of The Doom in this sequence, and then ends up getting the dark-dark ending. In The Doom, some of Shadow’s idle dialogue asks if this is really part of his past. My interpretation of this name is that Shadow ends up believing that him killing all of the GUN soldiers aboard the ARK is the true way that things happened, which causes him to realize that his true purpose is to destroy the planet and get revenge like Gerald wanted him to

140: Searching For “Ultimate”

This sequence ends with the dark-hero ending. I guess this ending and the name means that Shadow is searching to be the ultimate being in the universe, and by conquering all of it, he’ll prove that he’s the strongest

141: Reborn Hatred For Humanity

In this sequence, Shadow does the dark mission of The Doom, and ends up getting the semi-dark dark ending

142: A Future Taken From The Past

Shadow does the dark mission of The Doom in this sequence, and then gets the semi-dark hero ending. I’m not sure exactly how the events of The Doom ties into the ending in this case, though. Maybe the crumbling ARK in the present day is still a part of this past, and Black Doom asking him to damage it and allow the Black Arms to invade it made him no longer want to work with him

143: The Devils’ Victory Song

This sequence ends with the dark-dark ending

144: One To Succeed A God

This sequence ends with the dark-hero ending

145: Disappointed In Humanity

Shadow does the neutral mission for The Doom in this sequence, and then gets the semi-dark dark ending

146: Faith Taken From Solitude

This sequence ends with the semi-dark hero ending

147: Planted Memories

In this sequence, Shadow goes through The Doom and then ends up getting the neutral-dark ending. Because he believes he is an android in this ending, this means he must believe that the memories of the ARK massacre that he’s recalling in The Doom were planted inside of him

148: To Unite Humanity

This sequence has The Doom as part of it, and it ends with the neutral-hero ending. The reasoning behind this name is that Shadow probably believes that having an android empire rule the planet will unite humanity, and prevent them from committing atrocities like they did aboard the ARK

149: Isolated Soldier Shadow

This sequence ends with the semi-dark dark ending. My best guess at the reason why he’s isolated is that he rarely works with Black Doom in this route, only doing it once. Right after he does a mission for him, he does the hero mission for The Doom, which shows that he doesn’t completely hate humanity. Because of this, he likely won’t agree with everything Black Doom says and will not have a close relationship with him, leaving him isolated from everyone since he’s working against the heroes and Eggman

150: Answer Derived From Truth

There’s two truths that this name could be talking about. It could be Shadow believing that the hero mission in The Doom is the true way that things happened, or it could be the supposed truth that he is an android. Since this sequence ends with the semi-dark hero ending, I’m leaning towards the latter, since Shadow believing that he’s an android would lead to him not wanting to affiliate with anyone. He has no prior association with the heroes, he doesn’t want to work with the Black Arms that much since he doesn’t have an especially strong hatred from humans due to his memories being planted, and he hates Eggman for creating him in the first place

151: A Fake’s Disposition

This sequence ends with the neutral-dark ending. Since disposition means a person's inherent qualities of mind and character, and Shadow does the hero mission of The Doom in this sequence, this could mean that the qualities he saw from his original grew on him and changed him a little bit

152: A New World Without Betrayal

This sequence ends with the neutral-hero ending, and also involves The Doom’s hero mission. I would explain further, but I basically stated everything that I would have said here a few sequences ago

153: Together With Maria

This sequence has The Doom as part of it, and ends with the semi-hero dark ending

154: The Tragedy’s Conclusion

This sequence ends with the semi-hero hero ending

155: The Day That Hope Died

This sequence ends with the dark-dark ending, and also has Shadow doing the dark mission Air Fleet

156: Dark Destroyer

This sequence ends with the dark-hero ending

157: Diabolical Power

This sequence ends with the semi-dark dark ending

158: For Freedom

This sequence ends with the semi-dark hero ending

159: At Least, Be Like Shadow

This sequence ends with the neutral-dark ending

160: Seeking A Silent Paradise

This sequence ends with the neutral-hero ending

161: The Lion’s Awakening

This sequence ends with the semi-dark dark ending

162: Identity

This sequence ends with the semi-dark hero ending, and also involves Iron Jungle as its penultimate level

163: An Android's Rebellion

This sequence ends with the neutral-dark ending

164: A New Empire's Beginning

This sequence ends with the neutral-hero route

165: Bullets From Tears

This is one of the more out there names, but I do have an explanation for it. This sequence ends with the semi-hero dark ending, and Shadow’s goal is to deter everyone else from the ARK, a mission that comes from his grief that he feels for causing the people aboard the ARK to die. He doesn’t kill Eggman, just tells him to leave and never return, but if somebody tries to attack the ARK or refuses to leave then he might end up killing them to protect the station

166: Journey To Nihility

This sequence ends with the semi-hero hero ending

167: Shadow Surpassing Shadow

This sequence ends with the neutral-dark ending

168: Dr. Eggman’s Miscalculation

This sequence ends with the neutral-hero ending

169: Along With The ARK

This sequence ends with the semi-hero dark ending

170: Requiem For The Heavens

This sequence ends with the semi-hero hero ending

171: Sonic Dethroned

This sequence ends with the hero-dark ending

172: Justice Reborn In Space

This sequence ends with the hero-hero ending

173: Steel Ruler

This sequence has Iron Jungle as its penultimate level, and ends with the semi-dark dark ending

174: For The Sake Of The Self

This sequence ends with the semi-dark hero ending

175: Farewell To The Past

This sequence ends with the neutral-dark ending, and also has Mad Matrix as a fourth level, where Eggman tells Shadow that he has no past

176: Steel Paradise

This sequence ends with the neutral-hero ending

177: The Guardian With No Past

This sequence ends with the semi-hero dark ending, and has Mad Matrix as its fourth level

178: The Ultimate Atonement

This sequence ends with the semi-hero hero ending

179: A Fake's Aspiration

This sequence ends with the neutral-dark ending

180: Machine World

This sequence ends with the neutral-hero ending

181: Twilight Ark

This sequence ends with the semi-hero dark ending

182: Compensation For A Miracle

I’m not 100% sure what this name means, but like I usually do, I have a guess at what it could mean. Shadow’s creation was probably considered a miracle by Gerald and Maria, but this same miracle lead to their deaths as well as the deaths of everyone else on the ARK as well (at least in Shadow’s mind). Since this sequence ends with the semi-hero hero ending, whatever Shadow does after this ending is him compensating for the “miracle” of his creation

183: The Strongest Hedgehog

This sequence has Shadow completing the hero mission for Space Gadget, and getting the hero-dark ending

184: The Ultimate Punisher

This sequence ends with the hero-hero ending

185: Voyage Of Reminiscence

This sequence ends with the semi-hero dark ending

186: Wandering's End

This sequence ends with the semi-hero hero ending

187: The Ultimate Proof

This sequence ends with the hero-dark ending

188: Punisher Of Love

This sequence ends with the hero-hero ending

189: Messenger From The Darkness

This sequence ends with the dark-dark ending

190: The New Ruler

This sequence ends with the dark-hero ending

191: Dark Soldier

This sequence ends with the semi-dark dark ending

192: The Road Of Light

This sequence ends with the semi-dark hero ending

193: The Machine-Laden Kingdom

This sequence surprisingly ends with the neutral-dark ending, not the neutral-hero ending

194: New Determination

Just as weirdly, this sequence ends with the neutral-hero ending, not the neutral-dark one. I’m almost 100% certain that this sequence name and the last one were meant to be the other way around, and something got switched at one point or another

195: Birth Of The Dark Soldier

This sequence ends with the semi-dark dark ending

196: A New Journey

This sequence ends with the semi-dark hero ending

197: The Android’s Opposition

This sequence ends with the neutral-dark ending

198: Founding Of The Robot Nation

This sequence ends with the neutral-hero ending

199: The Eternal Protector

This sequence ends with the semi-hero dark ending

200: The Sinner’s Repose

This sequence ends with the semi-hero hero ending

201: A Hero’s Resolution

This sequence ends with the neutral-dark ending, so it doesn’t fit super well, the hero part of the name seemingly just comes from the fact that Shadow does a few hero missions in this sequence

202: The Weapons’ Empire

This sequence ends with the neutral-hero ending

203: Perpetual Voyage

This sequence ends with the semi-hero dark ending

204: A Hero’s Atonement

This sequence ends with the semi-hero hero ending

205: Dark Hegemony

Hegemony can mean dominance, so this name could fit with several endings, but the ending of this specific sequence is the hero-dark ending. In this case, the dominance is Shadow proving that he is stronger than Sonic

206: And The Dream Continues

This sequence ends with the hero-hero ending, since Shadow is fulfilling Maria’s dream of the planet being safe

207: Fighter For Darkness

This sequence ends with the semi-dark dark ending

208: The Path I Believed In

This sequence ends with the semi-dark hero ending

209: Determination’s Daybreak

This sequence ends with the neutral-dark ending

210: Machine Kingdom at Dawn

This sequence ends with the neutral-hero ending

211: Sinful Protector

This sequence ends with the semi-hero dark ending

212: At The End Of The Journey

This sequence ends with the semi-hero hero ending

213: Surmounting The Nightmare

This sequence ends with the neutral-dark ending, and while it isn’t as fitting as some of the other names, it still goes with the ending pretty well. The prospect of being an inferior copy of who you thought you were would be a nightmare to most people, and by surpassing the original, Shadow is getting rid of that problem

214: Dawn Of The Machines

This sequence ends with the neutral-hero ending

215: Wandering For Eternity

This sequence ends with the semi-hero dark ending

216: At Vagrancy’s End

This sequence ends with the semi-hero hero ending

217: The Summit of Power

This sequence ends with the hero-dark ending, and has Shadow completing the hero mission for Space Gadget

218: Under The Name Of Love

This sequence isn’t really structured like the other sequences that have love themed names, and since it ends with the hero-hero ending, I’d say that it’s probably based on Shadow’s loving the planet just like Maria did (Although in this sequence after doing two neutral missions in a row, Shadow does hero missions with Sonic for the last two levels, so do with that what you will)

219: Eternally Drifting

This sequence ends with the semi-hero dark ending

220: The Importance Of Truth

This sequence ends with the semi-hero hero ending

221: The Beginning Of Judgment

This sequence ends with the hero-dark ending, although it’s not a very fitting name in my opinion, since I can’t find a great meaning for the name with the context of the ending. I guess maybe it’s the judgement of Sonic, and his position as the strongest hedgehog?

222: This World’s Guardian

This sequence ends with the hero-hero ending

223: Light Born From Darkness

This sequence ends with the neutral-dark ending. Eggman is a pretty evil guy and created the Shadow Androids (And lied to Shadow about being an android in this path) for his own goals, and I guess wanting to surpass the original in power is a noble enough goal, so this name fits decently

224: The Order Of Steel

This sequence ends with the neutral-hero ending

225: Solitary Journey

This sequence ends with the semi-hero dark ending

226: The Fall Home

This sequence ends with the semi-hero hero ending

227: Sovereign Of All Creation

This is definitely one of the weirder names, but it still makes sense. Sovereign as an adjective means possessing supreme or ultimate power, so this name is implying that shadow is the most powerful thing to have ever been created, which makes sense because this sequence ends with the hero-dark ending

228: I Shall Be The One To Judge

This sequence ends with the hero-hero ending

229: Gone With The Darkness

This sequence ends with the semi-dark hero ending

230: The Ultimate Choice

This sequence ends with the semi-hero hero ending

231: I Am The Strongest!

This sequence ends with the hero-dark ending

232: Justice’s Awakening

This sequence ends with the hero-hero ending

233: Prelude to Ruination

This sequence ends with the dark-dark ending

234: A World United By Darkness

This sequence ends with the dark-hero ending

235: The Pulse Of Darkness

This sequence ends with the semi-dark dark ending

236: To Just Be Myself

This sequence ends with the semi-dark hero ending

237: Punishment In Jet Black

This sequence ends with the dark-dark ending

238: The Ruler’s First Cry

This sequence ends with the dark-hero ending

239: Darkness’ Conspiracy

This sequence ends with the semi-dark dark ending

240: The Faint Light Of Tomorrow

This sequence ends with the semi-dark hero ending. While I haven’t been providing explanations for a lot of the names, that’s mainly because they’re easy enough to figure out and as such it’s kind of pointless to do it. I will explain this one though, since it’s a little less straightforward than the others. Shadow’s probably not 100% confident in his decision to only trust himself, in his mind he knows it’s the right thing to do, but it’s going to be a rough road ahead since he doesn’t have anyone else to work with. Since he’s sure this is the right way though, he’s also sure that he’ll make it to tomorrow. It could be thought of in a different way, since he doesn’t know what tomorrow holds, so the light of it is faint to him

241: Time Of Departure

I really don’t know what this one means. I guess since Shadow’s only goal is to become the strongest, he’ll likely depart from Eggman’s base soon after the ending and begin just roaming around. This sequence also has the neutral mission for The Doom as one of its levels, meaning its a flashback to when Shadow departed from the ARK and his old life.

242: Rise Of The Machine Kingdom

This sequence ends with the neutral-hero ending

243: Despair’s Quickening

This sequence ends with the semi-dark dark ending, and has The Doom as one of its levels. Once again, I can’t figure out the exact meaning of this name, and I can’t tell if that’s because I’m kind of tired right now or because at this point in the sequences the developers started to run out of names that made a lot of sense

244: The Beginning

This sequence ends with the semi-dark hero ending

245: Setting Out In The Morning

Another sequence that has the neutral-dark ending with a leaving related name, am I missing something? It also involves The Doom, but once again, I really don’t know what this name is supposed to mean in relation to the events of the sequence

246: The Weapons’ Dawn

This sequence ends with the neutral-hero ending

247: Pure Ark

This sequence ends with the semi-hero dark ending

248: Making Up For It In The End

This sequence ends with the semi-hero hero ending

249: The Coming Of The Dark Time

This sequence ends with the dark-dark ending

250: The Throne Of God

This sequence ends with the dark-hero ending

251: God Of War

This sequence ends with the semi-dark dark ending

252: Howl Of Solitude

This sequence ends with the semi-dark hero ending

253: Proof Of Existence

This sequence ends with the neutral-dark ending. This one is decently clear, but I’ll explain it anyways. It’s already been stated a lot that Shadow was made to be the ultimate life form, so by surpassing the “original” version, then he will prove that the ultimate life form does exist (Since he thinks the original died), and that he is it

254: Ardent Vow

Ardent means passionate, so that means that in this sequence, Shadow is making a passionate vow. This sequence ends with the neutral-hero ending, so it does kind of fit, since Shadow promises to create an empire of androids that will rule the planet (A goal that he will have to be extremely dedicated to in order to actually achieve)

255: A Deal With The Devil

This sequence ends with the semi-dark dark ending

256: A Reason To Live

This sequence ends with the semi-dark hero ending

257: Induplicable Thoughts

This sequence ends with the neutral-dark ending, although strangely it doesn’t have The Doom as part of it. Maybe that’s why it has this name, the memories aboard the ARK that the original had couldn’t be duplicated and given to any of the androids. Or perhaps whatever thoughts couldn’t be duplicated are the reason why Shadow wants to become stronger than the original

258: Steel Struck With Flame

This sequence ends with the neutral-hero ending

259: A Heart Bound To The ARK

This sequence ends with the semi-hero dark ending

260: Tears Shed By The Stars

This sequence ends with the semi-hero hero ending

261: Imitation Complex

This sequence ends with the neutral-dark ending

262: Steel Combat Boots

This is probably the silliest (affectionate) name in this entire list. This sequence ends with the neutral-hero ending, so it’s actually a pretty clever play on words

263: Protector Of The Ashen Moon

This sequence ends with the semi-hero dark ending

264: A Demon Drifting

This sequence ends with the semi-hero hero ending

265: The Ultimate Pride

This sequence ends with the hero-dark ending, and also has Shadow completing the hero mission of Space Gadget

266: I Know The Will Of Heaven

This sequence ends with the hero-hero ending (Sidenote, this is an extremely cool name)

267: Ego Dyed In Black

This sequence ends with the semi-dark dark ending

268: Isolation By Choice

This sequence ends with the semi-dark hero ending

269: Faith Without Falsehood

This sequence ends with the neutral-dark ending. The falsehood could be two opposite things, it could either be Shadow thinking that him being the original was a falsehood, or Eggman telling him that he has no past in Mad Matrix (A level in this sequence) is the falsehood

270: Machine Empire

This sequence ends with the neutral-hero ending

271: The Eternally-Closed Door

This sequence ends with the semi-hero dark ending. Shadow and the ARK are both eternally closed doors, since the ARK itself is sealed off from everyone except him, and he’s never going to leave it

272: The Sealed-Away Ark of Sin

This sequence ends with the semi-hero hero ending

273: Silver Emergence

When I first saw this name on the list, for a split second I internally went “:O Silver!”, but this game came out in 2005, so Silver didn’t even exist yet. Anyways, this sequence ends with the neutral-dark ending, so I suppose this name is a cool way of saying that Shadow is emerging as an even stronger being than the original him

274: Pulsating Supercurrent

This sequence ends with the neutral-hero ending, so I’m guessing this name was chosen because it sounds cool and like something that would be part of a giant computer system, which is what Shadow is like in this ending since he’ll be controlling a whole empire (And possibly the planet)

275: The Reason I Was Born

This sequence ends with the semi-hero dark ending

276: The Dark Part Of The Galaxy

This sequence ends with the semi-hero hero ending

277: The View From Atop The World

This sequence ends with the hero-dark ending

278: Maria’s Testament

This sequence ends with the hero-hero ending

279: A Genius Scientist’s Lineage

This sequence has Lost Impact as a level, and also ends with the semi-hero dark ending. Since Shadow does the normal mission of Lost Impact, which involves him going to Gerald’s laboratory to check on him, the meaning of this name is obviously that he’s carrying on Gerald’s legacy by guarding the place where most of his inventions were created

280: Distorted Truth

This sequence has Lost Impact as a level, and ends with the semi-hero hero ending. Because of this, the meaning might be that Shadow doesn’t believe that the events of Lost Impact happened as he remembers them. Or, the name could only be based on the ending, and that the truth he believes in the ending is distorted

281: A Counterfeit Existence

This sequence has Mad Matrix as a level, and ends with the hero-dark ending. My interpretation of this name and the events of the sequence in the context of it is that Shadow is worried about the implications of him apparently having no past, so he fights Sonic to prove that he is still the ultimate lifeform, and not just a counterfeit

282: Beloved Memories

This sequence ends with the hero-hero ending, and has Shadow doing the hero mission of Lost Impact

283: Birth Of A Devil

This sequence ends with the dark-dark ending

284: A Dark Myth’s Beginnings

This sequence ends with the dark-hero ending

285: Black Thunder

This sequence ends with the semi-dark dark ending

286: The Torn Away Necklace

I really don’t know what this one is supposed to mean. Since this sequence ends with the semi-dark hero ending, I guess the necklace is supposed to represent Shadow’s destiny and his control over it? It was originally torn away from him by everyone trying to get him to work for them, but then he finally takes it back from them at the end. I don’t know, that’s just my best guess

287: A Soul Sheltered By Iron

This sequence ends with the neutral-dark ending

288: Steel Nation’s Decree

This sequence ends with the neutral-hero ending

289: Coronation Of Darkness

This sequence ends with the semi-dark dark ending

290: Opened Eyes

This sequence ends with the semi-dark hero ending. Since Shadow works with the heroes at first before doing missions for Eggman, and Eggman betrays him by trying to steal the Chaos Emeralds (and attacking him with the Egg Breaker after Iron Jungle, the final boss fight is probably the specific thing that leads to Shadow opening his eyes and deciding to only trust himself

291: The Doctor’s Lie

This sequence has Iron Jungle as a level, and ends with the neutral-dark ending

292: The Uninvited Successor

This sequence ends with the neutral-hero ending

293: The Closed Pandora’s Box

This sequence ends with the semi-hero dark ending

294: A Heart Bound By Sin

This sequence ends with the semi-hero hero ending

295: Courage From Turning Gears

This sequence ends with the neutral-dark ending

296: Fullmetal Prince

This sequence ends with the neutral-hero ending

297: Time’s Watchman

This sequence ends with the semi-hero dark ending

298: Galaxy’s Requiem

This sequence ends with the semi-hero hero ending

299: Charm Of The Chaos Emeralds

Since this sequence ends with the hero-dark ending, the meaning behind this name is that Shadow was tempted by the power that the Chaos Emeralds he was collecting could give him, and decided to give into those temptations by using them to become even more powerful than Sonic

300: Promise Of A Far-Off Day

This sequence ends with the hero-hero ending, I think that the meaning behind this name is that Maria wished to one day live on the Earth, which is probably part of the reason why she said that she wanted to protect it along with Shadow (She says this in the final story). By protecting the planet from Black Doom, Shadow is being reminded of that far off day that Maria wished for

301: The Grim Reaper’s Horn

This sequence ends with the semi-dark dark ending

302: A Flame Extinguished By Fate

Since this sequence ends with the semi-dark hero ending, I guess this name means that Shadow’s potential to be a great force for good or evil has been extinguished by the events that lead to him deciding to only do what he wants to, since he’s probably not going to do much that affects anyone except himself after making that decision

303: Shouting At The Morning Sun

Another morning related name that goes with a sequence that ends with the neutral-dark ending. I think I might have figured out what this means, although I’m not completely sure of it. I remembered that another one of the neutral-dark endings was called Determination’s Daybreak, so the sun rising is symbolic of Shadow’s past and what his goal is becoming clear to him. As for why he’s shouting at it, well, I don’t really know. It just made me think of characters in DBZ and how they scream when they power up since Shadow is trying to surpass the “original him” in power in this ending, so that’s my answer because I can’t think of anything better

304: Iron Ambition

This sequence ends with the neutral-hero ending

305: Sleeping On Hallowed Ground

This sequence ends with the semi-hero dark ending

306: Explanation Of The Truth

This sequence ends with the semi-hero hero ending

307: An Android’s Dream

This sequence ends with the neutral-dark ending

308: Metallic Quickening

Quickening means to stimulate (One meaning of which is development of or increased activity in), which is fitting since this sequence ends with the neutral-hero ending

309: Funeral Procession In Space

This may seem like the name of a sequence that ends with the semi-hero hero ending, but it actually ends with the semi-hero dark ending, and it is a fitting name for it. This is because Shadow is guarding the ARK because of his grief over the victims of it, so he’s essentially living through a funeral procession for them by spending all of his time on the station and thinking about their deaths

310: Lost To The Universe’s Abyss

This sequence ends with the semi-hero hero ending

311: Destiny For Two

This sequence has Shadow doing the hero missions of Westopolis and Lethal Highway (Both of which he works with Sonic in) as well as Space Gadget, and then gets the hero-dark ending

312: The Spun Threads Of Fate

This sequence is the same as the last one, except it has Shadow doing the hero mission of Final Haunt instead, meaning he does the hero mission with Sonic in all 4 missions that he appears in (And also does the neutral missions for the levels that Sonic isn’t the hero mission partner for). This name, as well as the last one, implies that Shadow and Sonic are fated to interact with each other

313: Ark Of The Heavens

This sequence ends with the semi-hero dark ending

314: Ghost Of The ARK

This sequence ends with the semi-hero hero ending

315: A Pair Of Shooting Stars

This sequence has Shadow working with Sonic twice in Westopolis and Lethal Highway, and ends with the hero-dark ending

316: The One Who Maria Entrusted

This sequence ends with the hero-hero ending, and has Shadow doing the hero mission of Lost Impact with Maria

317: A.I.’s Enlightenment

This sequence ends with the neutral-dark ending

318: A Dying Empire’s Cry

This sequence ends with the neutral-hero ending

319: Moon Of Atonement

This sequence ends with the semi-hero dark ending

320: Tear-Soaked Hometown

This sequence ends with the semi-hero hero ending

321: Sparks On The Horizon

Since this sequence ends with the hero-dark ending, I guess the sparks represent Shadow’s true power (Or the Chaos Emeralds that give it to him) being visible on the horizon ahead of him

322: A Use For A Saved Life

Shadow’s life was saved by Eggman after he presumably died, and this sequence ends with the hero-hero ending, so the use for Shadow’s saved life was saving the planet

323: Coffin Of Memories

This sequence ends with the semi-hero dark ending

324: The Self-Imposed Seal

This sequence ends with the semi-hero hero ending. It could just fit with Shadow sealing himself away from everyone else because of his depression, but I figured I would mention an idea that I saw somebody on Youtube mention as well. Their idea of what could possibly happen after this ending is that Shadow would willingly go into GUN custody, which would also fit well with this name

325: Pretense In The Mirror

The word pretense can mean two things. It can be an attempt to make something that is not the case appear true, or it can be a claim, especially a false or ambitious one. This sequence ends with the hero-dark ending, so that means that Shadow is telling himself that he is the ultimate lifeform and stronger than Sonic, but he doesn’t fully believe it. This is why he sided with Black Doom to fight Sonic, to prove that it was true and it wasn’t just a lie he was telling himself

326: A Missive From 50 Years Ago

Here it is, the final sequence in Shadow the Hedgehog, and the most heroic one you can take. A missive is a message, so Shadow’s heroic actions in this sequence are him following the message Maria gave him 50 years ago: To protect the planet and the people on it

And with that, I have officially analyzed the name of every single sequence in Shadow the Hedgehog. If you read this through all the way to the end, thank you so much, I appreciate it! Sorry that I wasn’t able to give a satisfactory answer for every single name, but considering there’s more than 300, I think I did a pretty good job overall. Let me know if you have any solutions to the names I couldn’t figure out, I’ll add them to the post if I think they’re better than the explanations I gave

#Sonic #Sonic the Hedgehog #Sth #Shadow the Hedgehog #Idk what to tag this as bc I don't want to tag it as krafter talks #But I don't know what else to tag it as #Maybe I just won't tag it as anything

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antirepurp · 3 months

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hot and happening guide to playing shadow the hedgehog (2005) in a manner that lets you have a good time

emulate it. your best bet is the ps2 version if your computer is closer to a potato, otherwise the gamecube version might be better as far as i've understood. use save states as much as you feel like, i've done one whenever i hit a checkpoint and that works quite well

start with neutral missions. it's largely the intended first-time experience, it's reminiscent of traditional sonic stages, and lets you get familiar with the controls which are very heroes-esque to begin with

blue gauge -> level skipping. not particularly good for most hero/dark missions but is helpful for neutral missions and some other end-game use cases

guns are friends. you will not have a good time with just the homing attack, grab a pistol and get some distance to your foes

some missions will be long. this is double the case if you're going into things blind or with little experience. most of them are a matter of patience and being thorough in eliminating enemies and the like, so explore as much as you feel necessary

avoid Central City. shit is full of hazards and has a time limit for both missions, consulting a walkthrough feels like a requirement unless you're already familiar with it. you will only play it on a pure-dark run and can avoid it by doing Cryptic Castle Neutral mission -> The Doom Dark mission

avoid following missions: Lethal Highway Hero, Iron Jungle Hero, Air Fleet Dark. all of them involve shooting down an escaping air craft, effectively putting you on the shittiest time limit known to man. while iron jungle and air fleet are on nicher paths, lethal highway is on the logical pure hero path, but can be avoided by doing Westopolis Neutral mission -> Glyphic Canyon Hero mission

honorary mention mission: Space Gadget Hero, which is on a time-limit. this is another niche routing case as it leads to Final Haunt, and you can play Lost Impact Hero to get there with no time limits

customize your playthroughs. even with the above three points you can play this game in whatever fashion you'd like, take advantage of its design and revisit stages you liked, avoid shitty missions, get some cool as fuck story sequences in your library. you have 326 unique routes you can take through the game, the sky's the limit with this bitch (though for lore and story purposes you might take the "intended" routes first)

take breaks. this game is not designed to be no-lifed, do a route or two a day and chip away at it if your goal is to unlock the true ending

shth is a relic from a particularly edgy era of video games and for that it is a goddamn masterpiece. you should play it actually because, unsurprisingly, it's not as bad as it's made out to be. go be a funny little hedgehog with guns and a tragic backstory i promise it's a cool time

#soda offers you a can #this game has its flaws certainly but if you plan around them it's honestly enjoyable #it's charming! it's edgy! e-123 omega says damn!!!

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artist-issues · 1 year

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It occurs to me that some people have a warped view of Shadow the Hedgehog.

There’s like two versions of him.

There’s the impression people (including some SEGA creators) have of Shadow the Hedgehog, which started somewhere on or after 2005, which I will be referring to as

1. Shadow’s shadow

He’s dark but it’s cringey because he’s trying so hard to be dark, and you get the impression that only 10 year old boys and 14 year old girls think he’s actually dark. He has a gun, just to prove to monkey-brain children used to fun Sonic ring-collecting that he’s bad. He cusses because cussing is edgy. He never does anything good unless it’s to prove he’s a better hero than Sonic. He’s over-the-top cruel or emo because that’s all he represents, and picks fights to defend his own pride like a bad version of Season 1 Zuko.

The problem with this version of the character is that somewhere down the line, even SEGA thought that Shadow’s shadow was all the Shadow the Hedgehog that everyone wanted to see. Or they just forgot that none of the above character traits have anything to do with the original character, at all. And so they started putting him in the new games like that. But that’s not the real Shadow. That’s just Shadow’s Shadow, a lame guess at who the character is based on his black and red design and snippets of things which people who never played SA2 heard about the character.

The real version of the character, which sparked the original popularity, is

2. Shadow the Hedgehog

The original Shadow the Hedgehog was popular because he was the new character in a game that brought emotional Lore to the Sonic games. He debuted in Sonic Adventure 2, and he wasn’t even the only new character in that game, which is kind of one of the things that was awesome about him: he wasn’t supposed to be The Cool One™ in the franchise.

He was supposed to be a one-off character. Think about that: not a character that just hit every out-of-proportion-fanservice trait, not a character that they kept bringing back over and over to entice weary fans.

He was just a new story element, presenting interesting themes that worked as a great foil for Sonic himself, then dying in an emotionally impactful way, making the SA2 game interesting and memorable for it’s story.

That is what was originally so popular about Shadow. Yes, he was really cool, and he did check all the “Dark Version of Your Beloved Main Character Trope” boxes, but he was ALSO a really well-rounded character that didn’t feel like he was just a hook to get fans interested. He had depth.

In fact, it could be argued that he brought depth of story to the series in a way that hadn’t been done since...well, Knuckles the Echidna. Sonic’s first-ever “rival” (who was not a robot.)

And Shadow brought depth of story MORE than Knuckles, because Shadow came around in the era of Cutscenes and Dialogue which provided a medium for this little thing called Flashbacks. Yeah, Knuckles’ first, pixel-y appearance brought in story elements like The Master Emerald and visuals that hinted at lore, like a Shrine.

But Shadow?

Shadow the Hedgehog appeared and was instantly the audience’s window to look through and see things that had never been seen before, which fleshed out Sonic’s whole canon and world. Things like:

The Government (woah, the Sonic world has a President and a unique military organization?)

Eggman’s family (woah, they’re actually going to tell us something about where Eggman came from?)

Chaos Powers (woah, the Chaos Emeralds actually do something besides just turning characters “super?”)

A story structure like this, where a new character also served as a way to examine deeper parts of Sonic Lore, had been used in the game’s predecessor, Sonic Adventure 1. But that new character, Chaos, was just presented as a mindless, silent villain with a blank face who turned out to have feelings right before he disappeared forever. Shadow is not like that at all in his first appearance.

He starts the game acting kind of like a genie who’s been let out of the bottle, offering to grant Eggman wishes. He offers Eggman a mysterious bargain. He seems totally evil and in possession of power over the Chaos Emeralds that allow him to rival Sonic. But during the story, there start to be hints at something underneath it all.

He keeps flashing back to a scary/sad combo of scenes involving a little girl. He mentions that he’s after revenge. He talks like a Shakespeare character when he villainously monologues, but he also ends most of his levels with “I’m the coolest!” and smugly talks smack with Sonic during their fight scenes. He seems totally focused on his mission one minute, then, any time he encounters Sonic, appears to get completely distracted and eager to compete, like a 18 year-old athlete.

All this contrast between a lofty, broody villain personality with a hidden fun, competitive showboating personality made the audience DESPERATE to know where this Shadow guy came from and what made him tick. It helped that other characters, like the government spy and Eggman himself, were teasing at a mystery in his past, too.

Then when you DO find out the why behind everything Shadow does, there’s been such a buildup that it’s satisfying.

I mean, it sounds really weird to hear that Shadow the Hedgehog is an artificial creature created by Eggman’s genius grandfather on a space station to bring hope to the Earth below, but was warped by a desire for revenge when the Government tried to kill him and wound up shooting the little girl who was his only friend and sealing him away for 50 years, instead. But it ONLY sounds that weird if you didn’t play the SA2 game and get to know Shadow as he was intended, bit by bit, reveal by reveal.

Because SA2 Shadow had reasons for being broody and angsty.

And he wasn’t ALWAYS broody and angsty. In fact, he was a master manipulator! When he was around Eggman, he was confident, smooth, and articulate, like a Shakespearean villain. When he was around Rouge, whom he did not trust, he was silent, firm, and to-the-point. Only by himself was he angsty--and it never lasted long.

And when he was around Sonic?

Oh boy. That is my FAVORITE thing about Shadow. Because when he was around Sonic, it’s like I said. He would stop being focused on his revenge-mission and stop being focused on whatever he was doing with Eggman and he would just turn into this competitive, flashy guy. I mean, yes, it would’ve been hard for him to stay focused on the mission because Sonic was actively trying to get in his way--but the thing is

Shadow starts to be his real SELF around Sonic. Even while they’re fighting. Because you get the sense, as the player/audience, that if this big trauma had not happened in Shadow’s past, he would have been Sonic. In personality. Sonic and Shadow are both highly competitive, love thrills, and love a challenge. They are also both heroic. Even while Shadow is a villain, he winds up saving Rouge the Bat from death by explosion, just because it seems like he can’t help himself. And remember, he was created to be a savior of the world anyway.

So combine Heroism with Competitiveness and you have someone who is very close to our fun-loving, cool blue hedgehog protagonist. But then the human race he was sworn to protect destroyed his home, murdered his best friend right in front of him, and locked him away as a dangerous weapon for 50 years.

Shadow is not what you get if you take Hot Topic and throw it on top of Sonic the Hedgehog.

Shadow is what you get if you took a bunch of Flickies murdering Tails the Fox right in front of Sonic while Green Hill Zone burned in the background.

And then, at the very end of Sonic Adventure 2, Shadow realizes that he didn’t promise Maria (his best friend who was murdered) revenge. He promised her that he would protect everyone on Earth. So very much like Ben Solo (RIP) you get a quick snippet of who Shadow the Hedgehog really is when he’s not burdened by all the Baggage.

In a handful of cutscenes and well-performed in-game dialogue, you hear that his voice is a little lighter. He physically transforms from black to white.

He’s focused on destroying the evil threatening the planet, but he also says kind little things like, “Sonic, you need rest! Let me give it a try!” and “How are you doing, Sonic?” and

AND

in one in-game clip of dialogue, he even says that he thinks SONIC might be the Ultimate Life Form.

Shadow’s Shadow, the lame ironic tropey interpretation of Shadow, would never say something like that. He’d cuss in a low-voiced rasp and dramatically try to blow the head off of anyone who even joked about it. But the thing is, at this point in the story, you are seeing Shadow as he is: a lab-created being who’s probably only lived around a year, consciously, and was still figuring out what he even is before going under. The only reason he was ever anything but a good-natured, gold-hearted hero was because of the trauma and revenge-induced worldview. When all of that is stripped away and he starts seeing his purpose and his whole history clearly, he is this slightly naive, open-hearted, mission-driven, contemplative foil to Sonic.

Then he sacrifices his life and dies. And the end of the game is all of the characters, good and bad, united for a scene where they each contemplate who they are and what is right and wrong.

And that’s the effect he had on players, too. He was such a deep, interesting character who was not edgy (even though his backstory was more violent and dark than any other character’s) that they loved him desperately. And SEGA brought him back.

Of course, they brought him back with amnesia, and that probably would’ve been fine, except it spiraled into the Shadow’s Shadow version of the character that got his own video game and worsened everything.

But that’s besides the point.

The original Shadow the Hedgehog, the true, real version of the character, was absolutely the best part of the franchise at the time. And basically, in conclusion, SA2 Shadow is the BEST Shadow.

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thefakehedgehogaroundhere · 7 months

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i had a thought and i don't know where the fuck it came from, but it's that sonic adventure 2 happening at the same time as unleashed would be INSANE

dark gaia wakes up and the force of the planet splitting apart wakes shadow. rouge being a GUN agent has to go on multiple missions, including find out what the fuck happened to the planet, and what eggman is planning. she and shadow team up as usual but now trying to help fix the planet- rouge doing it because GUN is gonna pay her, and shadow doing it because maybe along the way, like chip, he'll find out what went down in the gaps of his memory.

sonic is still the werehog, and because he's without sunlight in space, the whole time he's in space, he is transformed for all of his time on the ark. when eggman blows up the moon he like winces in pain a little bit like he's about to transform back to normal but obviously he can't do that because there's no sun. so there's like dark gaia energy leaking everywhere and hes trying not to fucking die

eggman woke up dark gaia and blew up the moon so the world is distracted while he builds eggmanland, but he discovers some government secrets about his grandfather and his cousin maria ooooooooo.

tails has the same role from both games- make gadgets to stop eggman, try not to get attacked by any of the creatures, yk. nothing has really changed. they can't restore the planet fully because of the last chaos emerald but eggman is booking it to space already so tails makes the fake emerald to stop him and then they can restore the emerald when they get back.

same thing with knuckles- he teams up with tails and sonic, has some run ins with rouge, argues with her over the master emerald. the only thing is that now rouge wants the emerald not for her own selfish desire (okay maybe a little for her own selfish desire), but because maybe it can help restore the planet. very minor change here but still important!

chip is trying to patch his memory just like shadow, and to restore the emeralds with sonic. however this is a cool parallel because shadows only trying to remember one thing- maria's promise- and chip is trying to remember his whole life.

and this whole time amy has no idea who sonic even is, until she has to be explicitly told "the other 3 foot tall hedgehog isn't sonic, but the massive in comparison 4'1" dog is"

gameplay is pretty much the same as unleashed with some adventure 2 elements. run around, collect shit, fight the creatures. the worldbuilding just includes adventure 2 maps now too. and instead of fighting the biolizard, shadow and sonic fight dark gaia. shadow falls to earth, and chip saves sonic because shadows immortal he's fiiiiiiine this won't lead to any poorly received 2005 games at all. sonic wakes up and is like "what the fuck where's shadow" chip goes "lmao he's dead but not really"

basically this is a concept i hate but love

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scruffyplayssonic · 30 days

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Are the ArchieSonic comics actually an 80's/90's syndicated cartoon? Episode 64 - 65: Two Multi-part Finale (part 7: Sonic X #40)

Welcome back to my investigation of how Archie Comics’ Sonic the Hedgehog series was actually a syndicated cartoon from the 80’s and 90’s!

Let me tell you - after six posts talking about the Endgame saga, the end of the Knuckles spinoff comics, and the death of the super special series, it’s a relief today to finally get to talk about something not written by Ken Penders. So you guys remember Sonic X, right? “Got ourselves a situation, stuck in a new location”?

It was a fun little anime based around the adventures of our favourite blue hedgehog, which suffered unspeakable atrocities at the hands of the localisation team at 4Kids Entertainment. The show was about the Sonic cast being sent to Earth in an accident and befriending poor little rich boy Chris Thorndyke. The show would feature them fighting Dr. Eggman in a robot of the week format, and in the second season ran arcs adapting Sonic Adventure and Sonic Adventure 2. They also sort of did an adaptation of Sonic Battle. At the end of the second season Sonic and his friends returned to their own planet, and the third season kicked off with an older Chris Thorndyke travelling to Sonic’s world, regressing back to childhood, and joining his friends on a series of adventures in outer space fighting the dreaded Metarex.

Debuting in September 2005 (around the same time the third season began airing in the US) was Sonic X the comic book, which was a companion book to the anime telling new stories with the same cast and setting. There were all sorts of wacky ideas they were able to do in the comic using the setting of the anime, such as Eggman selling Chao to everyone as pets that would turn vicious and attack, Sonic and friends being trapped in the Sonic 1 video game, Vector being briefly mutated into a kaiju, and Eggman becoming a mexican wrestler named El Gran Gordo!

The majority of this comic was set towards the end of season 2, before Sonic and friends returned to their own world. However the earlier issues played around earlier in the timeline, and we got to see things like Emerl being initially discovered and Eggman in jail following the Egg Moon incident.

Uniquely from the other finales I’m focusing on for this series, the end of the Sonic X comic was actually planned. The creative team wanted to end Sonic X before they risked jumping the shark, and launch a new spin-off - one not limited by the restrictions that the Sonic X setting and characters presented. They wanted this new spinoff to be set back in the main ArchieSonic canon, where they could have more space to explore other characters while Sonic’s adventures continued on in the main book. Essentially, it would be a return to the era of the comic when Sonic and Knuckles both had monthly comics coming out, only the new book, Sonic Universe, wouldn’t be limited to just Knuckles and his companion characters.

Arc #1 was focused on Shadow and the formation of Team Dark, then there was one about Mobius 30 Years Later, then one about Knuckles and the Chaotix, and so on. So when the time came for the Sonic X comic to end, Ian Flynn and the rest of the team did so by making it part of a crossover story that began in Sonic the Hedgehog #195 and 196, continued on into Sonic X #40, and was completed in the first issue of Sonic Universe.

The crossover began with Hedgehog Havoc, a meeting of hedgehogs that has never been matched before or since. Travelling to the Anti-verse, Sonic and Amy were on a mission to kick Scourge the Anti-Sonic out of Freedom HQ and send him back to his home dimension. While there, they’d also had an unfortunate encounter with Rosy the Rascal, the psychotic Anti-Amy. Next to show up was Shadow, who was now an Agent of GUN and had been helping Hope Kintobor test a device that was supposed to send him into the special zone to get a Chaos Emerald. Then Metal Sonic showed up. Having been rebuilt by Dr. Eggman, this newest model had been fitted with a special engine that allowed him to travel to alternate zones. Having not detected Sonic anywhere on Mobius, Metal Sonic travelled to Moebius to find him and join the fight. Finally Silver the Hedgehog made his first appearance, on a mission to kill the traitor that destroyed the Freedom Fighters. He was guided by Amy’s cousin, the archer Rob O’ the Hedge. And so…

Eventually Sonic had the bright idea of convincing everyone to turn on Scourge first, and then they could all sort out their other issues after taking care of the threat he presented. Unfortunately Scourge didn’t want to go quietly, and he used some hidden “Anarchy Beryl” to transform into Super Scourge.

Welp, that escalated quickly. Rationalising that he had no chance against Super Scourge, Metal Sonic returned to his initial directive of trying to murderise Sonic instead.

Shadow stepped in to help, using Metal Sonic’s interdimensional engine with his own Chaos Control to warp them both out of there. So that was one less threat for Sonic to have to deal with. And that’s where the beginning of Sonic X #40 comes in.

Now this next part is interesting to me. When Shadow and Metal Sonic crashed Cream’s tea party, there was a Sonic right there, ripe for the murdering. And that was Metal’s objective, right? To disembowel Sonic and leave a trail of squishy hedgehog organs scattered across the landscape? But no, apparently not:

I guess the implication here is that Metal Sonic changed directives because he was now in an unknown dimension, as opposed to when he landed in the Antiverse. It raises the question of just how much Eggman knows about Scourge’s home planet, but considering that prior to his initial takeover of Mobius he travelled to Anti-Mobius to recruit Evil Sonic to locate the Giant Borg pieces scattered across the multiverse, it’s reasonable to assume that Eggman has documented it. Certainly if not then, then he might have been motivated to further research the Antiverse after Scourge invaded Freedom HQ and warned Eggman he’d also be conquering Eggman’s territories in due time.

So after bonding over having arrived here from other planets (I love the look on Shadow’s face when Sonic told him he was dead xD), Sonic gave Shadow a tour of Station Square.

Yeah, that kind of thing happens in Sonic X. Just smile and nod. The next stop on their little tour was Chris Thorndyke’s school, as Sonic wanted to give Chris a treat. Unfortunately he didn’t really prepare Shadow for this moment.

I love that third panel. xD Chris: This is mine now. See you later, Sonic. Sonic: Bye, Chris! Shadow: Help… me…

Meanwhile, Metal Sonic managed to locate the local Eggman’s base and came knocking at his front door. Bokkun, Bocoe and Decoe were all terrified of their visitor, but Eggman was giddy to be presented with a robotic version of his greatest enemy that he could boss around.

Shadow got to meet Sam Speed next, and ask him the question that I think all of us had been asking since the first episode of Sonic X:

I dunno, it still seems like overkill to me. Let’s just hope that police forces here in the real world don't start doing this too.

While Sam and the hedgehogs were catching up, they were unaware that the shadowy organisation S.O.N.I.C.X. (the same one that had turned Vector into a kaiju) were spying on them.

Well that was a lucky break for the good guys.

Sonic and Shadow then went down to the beach and this is where Eggman caught up with them. He ordered Metal Sonic to attack, but it was a very brief battle.

In a panic Eggman raced back to his tower to check if he still had Shadow contained, puzzling over what he’d just seen when he found him right where he was supposed to be.

Sonic went back to Chris’ house and reconnected with all his friends, with Rouge and Chris both disappointed to find that Shadow had left.

And that’s where Sonic X, the comic, ended, with Sonic and friends anticipating their next adventure.

As for Shadow and Metal Sonic, their story continued in issue #1 of Sonic Universe. Shadow found himself teleported to the Sol Dimension via Chaos Control, and teamed up with Blaze and Marine to take down Metal Sonic once and for all*.

*..well, sort of.

But that’s another story. As for this one, it’s fine. Certainly not the greatest thing Ian Flynn has ever written, but it’s a hell of a lot more enjoyable than any of the Ken Penders stories I wrote about recently. It’s got a few funny moments, and the stuff with Chris is genuinely touching, which isn’t easy to pull off with a character that the majority of the fanbase loathes. I never really got into the Sonic X comics, unfortunately. I think I read the first 15 issues before I got bored and stopped buying them. Which is a shame, because I’ve gone back to look at the other issues more recently and there were some fun stories in there, especially the ones about El Gran Gordo.

But this one feels like a nice way to end the series (in comic form, at least - the anime has a whole season left chronologically after this issue) as well as being the springboard to the new Sonic Universe series. Man, I miss Sonic Universe. I really hope we can get an equivalent side series to the IDW Sonic comics one day.

Speaking of the next adventure, next time I’ll be returning to the main Sonic comics as I look at a much darker time in the history of the series - the death of pre-boot ArchieSonic. I’ll be covering Sonic the Hedgehog #247 and Sonic Universe #50, but at this stage I’m not sure whether that will be one post or two. I’ll see how I go. See you then!

#archiesonic syndicated

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akitoyatism · 21 days

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He would love shadow the hedgehog 2005 (the game) cuz it has guns and swearing and COOL music and aliens and just look at him and tell me I'm wrong

🔥ALEXA PLAY I AM ALL OF ME FROM THE SHADOW THE HEDGEHOG OST🔥

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violent138 · 18 days

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Bruce Wayne's parents' deaths from Batman 1989 to the live actions that followed. Common recurring theme: they're leaving a movie/play via alley. Common repeating motifs include: the pearls (purity, loyalty, innocence), the gun, Martha usually holds/shields Bruce, and the fact that Thomas dies first, usually after moving in front of his wife and kid.

Batman (1989) - Starts off at a weird angle looking up at the Waynes (establishing their place in the city?), and above them are gold-yellow rays (lights) but they walk into the darkness. Everyone moves in a very stage-directed, telegraphed way, and the whole scene has a choral, atmospheric feel through lighting and sound. Something follows, seen in blurry shadowed figures. Bruce notices something wrong first, and his parents stop and turn due to him doing so. At first we don't see the killer, but one of his accomplices smiles and tears off Martha's necklace. Then Thomas reacts and the necklace breaks and popcorn goes tumbling down. Garbled, ominous dialogue. For this one, both popcorn and pearls go tumbling down, and we very clearly see the killer's face (grotesquely smiling by the way), and the camera lingers on him and his near-killing of Bruce too before he's interrupted. We see the killer, and then Bruce, and the killer talks to him. This is a night that didn't go as planned, for anyone.

Batman Begins (2005) - We're at the family's level, the alley is seedy from the start (dark and derelict), yet the Waynes are unbothered, their focus entirely on their son. We hear sounds, this is an actively unfolding scene and less of a memory. There's a focus on the family's interactions, but we see the killer this time too (but briefly). This is a much slower scene that builds up to the confrontation and then speeds up with the killings. Thomas is alive long enough to comfort his kid. Bruce silently cries over them, and now it gets choral and atmospheric. This one truly feels like a robbery gone wrong, just a twitchy guy ruining a night that had no indications of this happening at all.

Batman v Superman (2016) - We start from above and descend down through the camera to the Waynes, this is another darker lit scene. Similarly, the Waynes are carefree, however this scene relies more heavily on visuals and music. Interspersed with scenes of running, the gun comes into focus, Thomas goes. There's detail in focused sounds, like clenching of leather, clattering pearls, the bullet casing bouncing. Underwater, memory-esque feel to this one as Martha's pearls go, and we catch a glimpse of the killer. So far this is the one most personal to them, and less interested in the pearls, which are snapped deliberately. We catch a glimpse of the killer. It's the slow happening over seconds, and the location/setting makes it intimate and closed off, as it's a memory with a few defined details but much is lost. You get the feel that the why doesn't matter at all with this one (an important part of the movie as a whole).

Joker (2019) - In this one, the Waynes are fleeing the theatre (quite brightly lit), at odds with their burning city, and a clown sees them and follows. The Waynes enter a dark alley (momentarily separated from the chaos), this is the first in which they're forced into danger, and the clown names them before shooting Thomas. Martha's pearls are snapped after she's shot, and this becomes the most random, yet specific killing of the Waynes, with robbery barely even a motive. Bruce stands between the carnage, blood on his face.

Gotham (2014) - The camera pans up from the killer's perspective, slowly rising up from behind him to the happy, unaware family. They tense up when the killer draws a weapon. This one has the least music, emphasizing the dialogue between Thomas and the killer. There's the inclusion of a third person (our inclusion is most obvious in this one, the rest are vignettes or memories pretty clearly aside from Joker). The music slowly does emerge and it's entirely creepy/dreadful. This killer makes a vocal demand for the necklace. The pearls break while being handed over, they're not torn away. Lots of emphasis on Bruce. Thomas dies first, then Martha, and now the killer turns his weapon on Bruce, who's still standing amongst bounding pearls. He's in danger somehow most in this one. We see the killer's eyes intently before the robber runs past Bruce into the street. Bruce reacts, shaking his parents and bloodying his hands.

#So #I instead of working on my exams #decided to do this instead:#a study in batman's parents' deaths #I've actually wanted to do this for so long lmao #might make a longer post about this #let me know if I missed one #Gotham #batman v superman #batman #bruce wayne #thomas wayne #martha wayne #joker #batman begins #filming decisions

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tenebraevesper · 10 months

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Sonic the Hedgehog Analyzer, Issue #61: Urban Warfare (Part 5)

Finally, we have reached the final part of Urban Warfare, which I feel is so far one of the best Arcs of IDW Sonic (I have troubles picking between it and Scrapnik Island).

We also have several amazing covers, and I put all of them here because I just couldn’t pick one. However, the cover where Eggman runs while being taunted by Sonic, Tangle, Whisper and Lanolin on the computer screens is probably my favorite.

Last time we saw Team Sonic, they had confronted Dr. Eggman, who revealed that his tower was actually a giant mecha. Eggman is currently gloating as Tangle still tries to evade that portal trap that caught Whisper and Lanolin. Sonic gets up, telling Eggman how he hasn’t won yet, while Eggman responds how his creations can take on them. Speaking of creations, Orbot and Cubot aren’t exactly excited about the idea of fighting Sonic and his friends.

Sonic charges at Eggman, who simply snaps his fingers, signaling to the portal trap to target Sonic.

I think that even Sonic knew what was about to happen to him; just look at his expression. He gets trapped inside it, much to Tails and Amy’s horror. I think it also took me a moment here to realize that Eggman had finally defeated Sonic. Oh, I know what’s going to happen next, but think about it for a moment - Sonic is gone, being taken out of the fight. Things are really looking bad for the heroes.

With Sonic gone, Eggman sics Metal Sonic on Tails, Amy and Tangle, with all three of them struggling and Tangle being determined not to lose another friend.

As Tangle tries to fight Metal Sonic, she realizes that she can actually touch him. However, before she can do more, she is pulled back by Eggman, deciding to punch him with her tail. Unfortunately for Tangle- Dude, how many times are you going to bring out that laser gun and point it at an animal character?!

Hey, I’m not saying it’s getting annoying, I actually think it’s awesome whenever Eggman decides to get physically violent, as it shows that he’s willing to fight with any means necessary instead of just using his robots, but still, how many times did we see this thing in this comic? Who does Eggman think he is, Shadow?

I will say it here, I think that Shadow the Hedgehog (2005) joke is definitely overused.

I have to say, Eggman is hella intimidating whenever he decides that straight murder is the best option of dealing with his enemies, and he’s even holding the gun against Tangle’s head. One pull of the trigger and she’s a red splatter on the floor.

In any case, Eggman holds Tangle at gunpoint, with Lanolin appearing literally out of nowhere and telling him how they’re the Diamond Cutters, and Whisper adding that they’re about to be his problem as she knocks him over with the cube Wispon. You go girl! This has to be cathartic for her.

Meanwhile, with Team Silver, we see Silver still trying to free Shadow from the fake Chaos Emeralds, with Shadow warning him to get away and that there is so much energy building, acting like noise in his head. I believe this was Shadow’s way of saying to leave him behind and go on with their mission and to be safe, as he also tells Silver he’s fine and to leave...

...and then he promptly triggers Silver by using the infamous phrase. (I mean, this was written by Evan Stanley, the ultimate Silver fangirl, did you really think she wouldn’t sneak it in?)

He goes into a rant, basically telling Shadow how he’s not going to give up so easily and neither is Shadow, managing to break him out of the fake Chaos Emerald.

I absolutely love this scene, especially with Shadow acknowledging that Silver is right. Neither of them is going to give up so easily.

We return back to Team Sonic and the Diamond Cutters, with Tails realizing that the reason why Lanolin and Whisper are back is because the city’s computer systems are offline. Meanwhile, Tangle has a bit of a crisis in the corner...

Poor girl, she really believed that her friends are gone forever. Luckily, Whisper’s comforting her. Lanolin then takes the charge, taking off her bell and turning it into a really cool weapon.

Using the Wisps power, she shatters the nearby window, allowing for everyone to escape. Eggman sics Metal Sonic on them, but Sonic appears right in the nick of time, kicking Metal Sonic through the window.

I’m probably sounding like a broken record at this point, but honestly, this. is. EPIC! I absolutely love the artwork in this comic. Seriously, kudos to all of the artists. X3

The Diamond Cutters quickly get the hell out of dodge, while Sonic crushes Eggman’s gun. Eggman is pissed and...

Goddamnit, I just have to gush over these awesome panels! Eggman is really furious, probably about to punch Sonic, while Sonic tells him how he has taken things to far, grinning as he adds how Eggman knows what he’s about to do next. He then proceeds to jump out of the window, much to Eggman’s dismay, and I have read how people were annoyed that Sonic didn’t attack Eggman then and there, but I believe that Sonic wanted to hit him where it hurts the most - by foiling his plans.

We see Sonic being caught by Amy, who is carried by Tails, and just as they and the Diamond Cutters wonder where they’re supposed to land, a giant fake Chaos Emerald sprouts from the ground like it’s no one business.

The source of this growth? Shadow, who appeared to have mastered the control over the fake Chaos Emeralds, with Silver cheering him on and Blaze and Rouge (who are riding on Omega’s back) looking utterly stunned. I don’t think either of them thought this would actually work.

As for Eggman, he realizes that his projects are pretty much a waste of time and energy, so he decides to bury them along with everyone inside the city. In short, he’s going nuclear on this one.

We also see that Metal Sonic managed to catch himself after he was kicked out of the tower, and using another Badnik as an Extreme Gear, he managed to grab Sonic and drag him along. We then get a shot of Rouge, Blaze and Omega and- *starts laughing*

Okay, this panel is frigging hilarious out of context. We see the three watching the fight between Metal and Sonic unfold, with Rouge and Blaze being concerned, while Omega is celebrating. When I read it first, I thought he was cheering for Metal, only to remind myself that that’s never going to happen.

The reason Omega is actually so happy is because he finally found another Badnik to obliterate - namely, Metal Sonic himself. Blaze and Rouge go to help out, with Sonic seeing an opportunity in the fire exchange (literal in Blaze’s case) and throws Metal towards Omega, who then gets shot.

Epic! This is why you bring Omega into a fight.

With Metal being charred and smoking, Rouge catches Sonic and they join the rest of the group on a fake Chaos Emerald platform, and it is obvious that they really have nowhere to go. To make things worse, Eggman is shooting lasers at them, his intentions clear - they’re going down one way or another.

We then see Shadow and Silver, with Silver wondering how much damage the fake Chaos Emerald can take, and Shadow is confident that it is enough to win this fight.

Okay, excuse me for a moment... *searches on YouTube*

youtube

Yeah, if things weren’t awesome before, they’re about to kick it into overdrive and I read the rest with this song playing in the background. You’re welcome! X3

So, after assuring Silver that they will win, Shadow focuses all his energy, calling out Dr. Eggman on his hubris and the monster he made, and performs Chaos Control.

What follows next is the fake Chaos Emeralds suddenly being teleported, much to Eggman’s shock. We also see several of them appearing around Eggman’s mecha, with Shadow, now sweating beads from all the energy he’s putting into this, saying how he’s not done and how these perverse Emeralds connect his entire city.

With them under Shadow’s control, he has managed to build a cage around Eggman, the latter crying out in despair as the fake Emeralds pierce through and between the mecha’s legs, keeping it on the spot.

Sonic sees what’s going on, deciding to finish it by asking Blaze to give him a boost. Blaze agrees, flying him between the fake Emerald shards towards Tails and Amy, with Amy (whom he calls Ames! Yes, this is the first time since Sonic Boom we got to hear that!) using her hammer to hit him upwards. I always love the teamwork in this comic.

We see Sonic flying over Shadow and Silver, yelling how they should finish this. We then turn to Tangle and Whisper...

Yeah, the artist team was as subtle as a brick about this one. I’m sure many people already pointed it out, so I’ll just add that I’m happy that Tangle and Whisper are pretty much confirmed to be a couple in the comics and not just going by Word of God.

Sonic grabs Tangle’s tail, with Tangle holding onto Whisper, who blasts them into the air, all the while Eggman is desperately pleading with them, saying how if the city fails, there will be nothing to divert the power away from the artificial Emerald network. Their destructive power is incalculable and he’s the only one capable of preventing it.

I’m pretty sure Sonic just rolled his eyes at Eggman’s pleads as Tangle sent him flying right into the mecha.

Sonic then spin dashes right into the mecha, much to everyone’s amazement and worry, and Eggman’s horror, causing the mecha to tilt as Sonic gets caught by Tangle and they quickly escape.

However, not all is well, as Shadow quickly sends Silver to protect everyone. He notes how Eggman wasn’t bluffing and that the Emeralds are about to explode and will take the whole city down with them.

As Tails and Silver join the rest of the group (sans Sonic, Tangle and Whisper), Silver warns them that everything is about to explode.

Meanwhile, Shadow walks over to the edge of the fake Chaos Emerald, observing the inevitable explosion as the energy crackles around him.

This is then followed by him using Chaos Control, erupting in an explosion that causes everything to go white.

What we see next is basically a broken land with debris and Emerald shards...

...as well as Sonic and Tangle looking slightly crispy. Whisper is behind them, but it doesn’t seem like the Chaos Control affected her.

Shadow then teleports back, panting and I assume that he’s exhausted from saving everyone from a giant explosion. Speaking of explosion...

It appears that Shadow teleported the fake Chaos Emeralds straight into the sky, letting them explode where they can do no harm. Honestly, I am a bit at loss for words here because this panel is absolutely beautiful.

☆*:.｡.o(≧▽≦)o.｡.:*☆

We then shift later to a party and... yep, Shadow’s nowhere to be seen. I should’ve known he wouldn’t hang around for too long. Omega’s also missing, but hey, at least Rouge is there to celebrate.

Amy and Jewel then bring in a strawberry cake for everyone. We get some banter between Rouge and Amy, only for her to notice some kind of artifact Rouge had picked up from Eggman’s trophy room (meanwhile Jewel is struggling with holding the cake).

Amy identifies it as an echidna artifact and demands it to be returned to Angel Island. While Tails helps Jewel with the cake, Rouge relents, giving Amy the artifact, who decides to bring it to Knuckles. This is basically setting up the story in the next Issue, which will follow Amy and Knuckles adventuring on Angel Island.

Amy then turns around, wondering where Sonic has gone, with Tails telling her how he already ran off, much to her chagrin. Okay, why does this remind me so much of the last Sonic Twitter Takeover?

youtube

Ah, that’s why! (✧ω✧)

The last we see is a shot of Sonic leaping into his next adventure, but as said before, our next story will focus on Amy and Knuckles’ adventure on Angel Island, as well as on Mimic and Clutch teaming up and Mimic infiltrating the Diamond Cutters.

As for Urban Warfare... I absolutely loved it! As I said before, this is definitely one of my favorite arcs, especially since it manages to show off all of the characters in an amazing manner, both heroes and villains.

However, one special shout-out goes to Shadow, who was redeemed in this arc. This is the character I wanted to see ever since I began reading this comic and I’m happy that we got him saving the day this time around.

So, what comes next? Well, from what I know is that we’re getting several comics focusing on various characters: Amy and Knuckles, Mimic and Clutch, Silver and the Diamond Cutters, Sonic and co. going on their 900th adventure, Sonic, the Diamond Cutters and Babylon Rogues having a beach day... Even tho Eggman is out of the picture for now, we certainly aren’t lacking in story department.

Also, another thing to note is that, according to Ian on Bumblekast, we might be nearing the part of the story where Sonic Frontiers happens. He said that there will be probably be a time skip where Sonic Frontiers happens and the comics pick up afterwards. Honestly, if you ask me, the perfect moment would be after the next Arc, but we’ll have to see.

So, until next time!

Links:

#Previous Issue

#Next Issue

#Sonic the Hedgehog Analyzer (Masterlist)

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fernsnailz · 7 months

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Wait, Shadow and the rest of Team Dark worked for G.U.N? That feels really weird given his backstory, as well as Rouge's distaste for the law...

yeah lol, it's a bit unclear because they only work for GUN in some canon. rouge has always been an agent of sorts, starting in SA2 where she worked as an undercover agent for the president. however, the president and GUN are treated as two separate entities in that game, and rouge doesn't seem to have any connection to GUN.

the first time it's mentioned that team dark works alongside GUN is Sonic 06, where rouge and shadow are explicitly stated to be working as GUN agents. rouge is in communication with them pretty consistently throughout the game, and shadow's story begins with him on an official GUN mission to find rouge and the scepter of darkness. omega's role with GUN in 06 is a bit unclear - as far as i can tell, it's never explicitly stated within the game whether omega works for GUN or not? idk. if anyone has any sources stating otherwise lmk

of course, given that 06's timeline is basically completely erased from existence once the game's story ends, it's entirely possible that team dark's involvement with GUN starts and ends within the 06 timeline. future games never bring it up as far as i can remember... which brings us to the archie comics (as it always does).

the archie comics take 06's concept of team dark GUN agents and REALLY runs with it. all three members seem to work for GUN full time, where they operate under commander tower (aka the commander from SHtH 2005) and work alongside hope kintobor (genius teen related to the robotniks. it's complicated. she's also only there pre-reboot).

pre-reboot archie doesn't dive deep into why each member decided to join GUN. shadow starts working for them soon after he regains all of his memories and seems to work alongside them to ensure the general safety of the world, rouge is likely there for a paycheck (and any missions that involve chaos emeralds and various gems), and omega is. complicated. technically archie omega (pre-reboot) is a combination of e-123 omega and e-102 gamma (quite literally. like both of their personalities in one robot) and he was just kinda brought to work at GUN after shadow found him in the middle of a forest. don't worry about it

GUN mostly serves as a vessel for team dark to be sent on missions and adventures throughout the various archie sonic stories, and team dark is able to work alongside them without much conflict. that is, until the reboot.

after the super genesis wave (aka the reboot), team dark's first mission with gun is to destroy the black comet 2 and the black arms forces on it. they're not alone this time - they have a number of other GUN soldiers with them, and here we start to see the cracks between GUN and team dark form. given that they're fighting the black arms and shadow is half black arms, some of the GUN soldiers very clearly Do Not Like Shadow and Do Not Trust Him.

but what really matters here is what commander tower does during this arc - before the mission, he asks rouge and omega to neutralize shadow if he falls under the influence of the black arms.

while the reboot never had enough time to dig much deeper into the gray morality of GUN, it's very clearly a consistent trait of the organization. it's most apparent in the arc i just talked about, but future arcs hint at some shady stuff happening when they can. for example, GUN seems to have snively robotnik (aka eggman's evil nephew) on staff as a scientist, and they very clearly show us (in this panel i think is honestly kinda hilarious) that snively is Up To Some Evil Shenanigans.

with all that in mind, i can finally give my opinions on team dark as GUN agents. i completely agree with the sentiment you expressed in your ask - shadow working for GUN completely conflicts with his past, his traumas, and his characterization within most of the games. despite shadow being a "for the greater good" sort of person, i don't think he would ever trust GUN enough to work alongside them. and i think the same goes for rouge and omega, though to a lesser degree. while i think both of them would find it beneficial to work alongside GUN in some cases, ultimately they're both entirely self-driven and wouldn't see much of a reason to work for GUN full time. and because of this, i generally think it was probably for the best that the modern version of team dark just kinda dropped the GUN agent narrative. it puts less limitations on their characters, and the stories don't have to make every team dark related event about GUN.

and yet... i really like the stuff that post-reboot archie had going on. i love the inside look at GUN, and i love seeing how much pressure and strain they put on team dark. because ultimately, GUN is an antagonistic force that a group of heroes are working for. the military is a consistent obstacle in sonic stories, and to see how they impact the characters they've hurt the most from the inside of their organization is so interesting to me. GUN is doing the same thing that all of team dark's previous foes have tried to do to them - they're using team dark as weapons and turning them against each other. maybe the members of team dark wouldn't want to work for GUN, but GUN would do ANYTHING to keep the three of them around because all three of them are liabilities if they're let loose into the world with no supervision. GUN is keeping their enemies close and using them as weapons. and i fuckin love that

so while i'm ultimately glad that team dark is no longer associated with GUN, i would have loved to see a version of the narrative exploring why they left. they would all know GUN was just using them, but what would have been the final straw? did they resign peacefully? are they all on the run as rogue agents? i dunno! but i wish it could be explored a little, even if it wasn't canon or whatever. wghelp that's all i got for this one good night tristate area

#oh sonic loreposting how i've missed you #sorry for surprise archie sonic loredump that's just kinda how it is #sonic loreposting #fernasks #long post

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centralcitylibrary · 6 months

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What is the Canon Route in Shadow the Hedgehog (2005)?

This document talks about the following entries in the Sonic the Hedgehog franchise:

Sonic Battle (passing mention)

Shadow the Hedgehog (2005)

Introduction

“I promise not to make any promises.”

Well thank god I didn’t make any promises with the pace this blog has been going at.

Anyways, welcome to the long overdue return of the lore blog! Let’s not beat around the bush and get right into today’s topic.

What is the canon route in Shadow the Hedgehog (2005)?

For simplicity’s sake, most linked cutscenes will be in English, but if a point requires access to the Japanese version (the version that would’ve been written first, given Takashi Izuka (the game’s writer) is Japanese), then that will be used instead.

Stage 1: Westopolis

This is pretty simple, there straight up cannot be any other choice as the beginning of our pathway, so the only remaining question is which mission does Shadow clear? Well, we can’t say for certain, but the next best guess would be…

Stage 2: Glyphic Canyon

And already we’ve reached a point of uncertainty. We cannot say with complete confidence which of these locals Shadow visited. We cannot even say that he definitely did not visit Lethal Highway, as we just do not have enough evidence for it.

But, we do have more evidence for the other two stages. For Glyphic Canyon, Shadow references visiting it before in Sky Troops, expressing surprise that it could fly, but only if you actually take Shadow to Sky Troops in your route.

Conversely, in Digital Circuit it’s well established that - regardless of what route you take - the Black Arms do assault and ultimately take down the information network, effectively shutting down the internet for GUN and the United Federation for the duration of the war, though with no mention that Shadow is involved.

Given the two possibilities, I’ve deemed Glyphic Canyon to have stronger evidence, as Shadow himself displays recollection, combined with information I’m going to gleam in Stage 4 - coupled with the fact that the takedown of the internet happens even if Shadow refuses to do it himself, as shown in the Hero Mission of Digital Circuit.

Stage 3: Cryptic Castle

Here we not only know which stage Shadow visited for sure, but even which mission he took.

When visiting Cryptic Castle during the Expert Mode run (which implicitly takes place after the main campaign of the story), Cream outright thanks Shadow for rescuing her, something which only takes place here.

Stage 4: ???

Uh.

Well, it’s not like the case in Stage 2, where there was a lack of information to really determine which stage Shadow went to.

Rather, Shadow absolutely, definitely visits at least two of these locations.

The Doom comes about from a sequence of memories present in the Last Story, where among one of them (in Japanese only), a direct re-use of one of Black Doom’s lines during The Doom is used, clearly indicating that Shadow remembers this exact event.

Conversely, we know Shadow also visited Mad Matrix, as Shadow’s impressive hacking skills are imitated by Charmy during the Last Story.

While Shadow would visit Sky Troops after rescuing Cream, if we take the mission he cleared there as canonical evidence.

Death Ruins is one of two points where Black Doom mentions the ritual of prosperity prior to the Last Story’s reveal of what it is (albeit not by name), and the other reference likely can’t be used due to associated information present there.

So, technically, the canon story can’t be any individual route… Buuut, Stage 4 also happens to be the only point where Shadow isn’t collecting a Chaos Emerald. So if multiple stages are already canon, it could be surmised that there could still be a canonical emerald route, and Stage 4 is just a collection of the roadblocks and dead ends along the way on Shadow’s journey.

Stage 5: Iron Jungle/Space Gadget

God damn it.

Iron Jungle has to be canon because, while Eggman hints at it during Mad Matrix, this is the only point where he outright says that Shadow is an android, a lie he admits to during the story’s climax (in easily missable dialogue…)

But Space Gadget also has to be canon, because in that same surge of memories Shadow experiences he also remembers himself quoting shock at remembering his death.

So there you have it, no individual route can be canonical in Shadow the Hedgehog, because mutually exclusive events still happen simultaneously.

Oh, and it should go without saying, but the flashback portion of Lost Impact should be canonical regardless of the route taken, given it’s, you know, a flashback.

Stage 6: Cosmic Fall/Black Comet/Final Haunt

Cosmic Fall needs to happen, not only to help Vector find the computer room, but also because Shadow talks with the GUN Commander, where not only his memory sequence shows that he met with the Commander here. The Commander even apologises for his actions during the Last Story.

Yet at the same time, Shadow’s journey needs to end on the Black Comet (either stage), as that’s where the Last Story begins.

What about GUN Fortress, though? The President is there in the Last Story, and we see that happening at the beginning of GUN Fortress, and we’ve established that multiple stages are canon, so it must be canon too, right?

Well, no. For one, it doesn’t matter whether Shadow attempted to kill him, left him alone, or even attempted to save him would have no bearing on where the President would wind up, as he was already being evacuated.

For two, in GUN Fortress Shadow had associated himself with the Black Arms thoroughly and validated the Commander’s hatred, which contradicts their conversation over in Cosmic Fall where the Commander let go of his hatred.

For three, Central City isn’t blasted lol. I know this only factors for one of two paths leading into that stage, but still lol.

Boss: Egg Dealer (Black Comet)

He needs to get the final Chaos Emerald from somewhere, and we’ve already established why it wouldn’t make sense for Diablon (piloted directly or indirectly by the Commander) to fight Shadow, we know that Black Doom’s plan is to get the Chaos Emeralds and will ask Shadow for them in the Last Story, and we know his journey ends on the Black Comet. So it has to be Eggman by process of elimination.

But at the same time, the ending of that boss fight can’t be canon, given it ends with him killing Eggman, and that clearly doesn’t happen. That’s fine, though, as clearly none of the endings are canon since Shadow has no such epiphany at the beginning of the Last Story and seems to have just collected them.

Outroduction

Well the truth about a singular canonical route is that… there isn’t one. So it’s more likely Shadow in fact hopped through most of these areas in his search for the Chaos Emeralds, and only got his hands on them in specific areas during his search.

Given the timeframe, this clearly makes Shadow one busy hog.

So what’s the most conservative route throughout Shadow the Hedgehog (2005)? It goes a little something like this…

Westopolis Neutral

Glyphic Canyon Dark (awakens the temple)

Cryptic Castle Hero (saves Cream & Cheese)

The Doom Dark

Sky Troops Normal

Mad Matrix Hero (helps Espio collect data)

Death Ruins Dark

Iron Jungle Normal

Space Gadget Hero (racing Sonic)

Cosmic Fall Hero (finding the Computer Room)

Black Comet Hero

Egg Dealer (Black Comet)

That’s not to say that other stages can’t be a part of that routing, just that this is - by all accounts - as conservative as you can get with the knowledge of canonicity, with other stages serving as additional add-ons.

Still though, it would’ve been nice if we could point at an individual route and just say “hey, that’s the one that takes place”. Would’ve made the 326 individual story routes a little more meaningful if we could actually analyse them for the true one. But I guess that’s the point, isn’t it? The routes aren’t meant to showcase Shadow’s actual journey, but instead are gathering up the individual pieces in order to build up towards the conclusion of the Last Story, all the while showing who Shadow could have become along the way.

And who Shadow will end up as by the end of all this.

---

Credits:

Writer: Numbug

Sources obtained by: Numbug (Shadow the Hedgehog (2005), Sonic Battle)

#Shadow the Hedgehog (game)#Sonic Battle #Shadow the Hedgehog (2005)#Sonic #Sonic the Hedgehog

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gayemeralds · 1 year

Note

I read “Shadow fans I am not the blog for you” and have become the sad ant with a bindle looking back at you. Banger takes though ngl you have a lot of profound and really well thought out opinions when it comes to sonic and I don’t even find myself disagreeing with your take on Shadow staying dead despite loving him bc you’re honestly not even wrong there is so much thought behind what you say

THE THING IS i joke about not being good for shadow fans but i do LIKE shadow. in my heart i know if he was given the proper care and character arc that he deserved he would easily be one of my favourite characters. he's the type of character i would have absolutely latched on to.

the problem is i just think sega brought him back with no real direction. shadow was a fascinating and complex character in sa2, and i think his story honestly deserved to be self contained within that game. he was a fascinating foil to sonic- someone who lost everything facing someone who hasn't faced true loss at the time; and, deliciously, becoming the first loss sonic faces, when shadow dies at the end of sa2. he was a phenomenal character of grief and anger and revenge, and how people who love you can still turn on you; how revenge and despair can rot a person, but how you can always have hope. but i think his story really ended there on the ark when he died.

sonic heroes was fun, but ultimately, it did nothing for shadow. the amnesia route they took was arguably one of the worst options i could think of. the whole point of sa2 was UNCOVERING his past. the whole game told a story in reverse- we learn all we need to know about project shadow in that game. the fact that the whole "android" shadow arc doesn't even get resolved in that game is a little frustrating.

an exploration into shadow's identity if he survived the fall and retained his memories would have been FASCINATING. shadow assumed he would die at the end of sa2, absolve him of wanting to destroy the world, absolve him of his guilt over maria, and finally find peace. but he DOESN'T die. and now he's forced to live with the trauma he was given, and the anger he holds, and forge a new identity and place for himself. and, how is shadow going to keep maria's promise, to save humanity, when someone else is already doing his job? when shadow himself had already called sonic the ultimate lifefrom, when sonic has been and is doing what shadow would do to keep maria's promise? where does shadow fit in amongst these "heroes?" THAT'S an identity i would have loved to explore.

sonic battle and sonic 06 were honestly pretty good portrayals of him. i think you could arguably have a similar story in sonic battle without him, however, while still keeping the intrigue of gerald robotnik and What Exactly Was Going On With Project Shadow at the time, but i digress.

I think Shadow the Hedgehog 2005, for all of it's flaws, did try. It wanted to be compelling and morally challenging and it wanted Shadow to explore his identity and figure out what side he wanted to belong to. arguably, however, it solidified shadow's "brand" as being an edgy anti-hero who uses guns and curses and is "violent" when i don't really think that was the intention behind sa2. i also think it was sort of an unnecessary addition to the project shadow lore- the ark and all of its secrets are rather haunting enough. there's still so many implications over gerald robotnik perhaps knowing echidna lore, there's still so much mystique behind the original introduction of shadow's lore, that i don't think adding evil alien blood into the mix was necessary. this game could have honestly been an entire backstory for a whole new character.

and after those games, it becomes pretty clear that sega just doesn't know what to do with him. post-shadow the hedgehog has shadow let go of his past and become who he wants to be. but sega seems completely insistent on keeping shadow in his sa2 phase, keeps wanting shadow as a anti-hero rival when his arc contradicts it. they want him stagnant despite trying to have him move on from his travesty- and obviously, grief and trauma are not things that are linearly healed from, but the continuous storyline of shadow "letting go of his past" shows that they just don't have a direction for him. they don't know what to do with him.

and now, shadow, the same shadow who promised maria to save the world, to give humanity a chance, who watched his sister die in front of him, was written to have violently and thoughtlessly attack infinite and his squad (and is implied to have killed the rest of inifinite's squad)... and for what? his whole arc is moving away from his past and trying to do right by maria. WHY would he ever cause someone the same pain he felt when he's already learned from that mistake (sa2)? they just don't know what to do with him and keep putting him in increasingly antagonistic roles despite shadow being sonic's friend and ally.

i just think shadow should have stayed dead in sa2. it keeps the allure and mystery of the ark alive, no more bad characterizations, and it gives more weight to shadow fulfilling maria's promise. i also think that him being alive causes a problem because his arc sort of guides him into the position that sonic is in- as a hero and a saviour, but sonic's already filling that role. shadow sort of becomes... obsolete, because anything he can do, sonic can do, too. which is probably why they keep making him an antagonist/rival.

ideally, if they had to keep him alive, my hope would be to have shadow realise he has an entire life to live now. he can fufill maria's wishes of helping people perhaps on a smaller scale (a la the chaotix), and then also go on to travel the world and see the beauty maria was never able to see. it keeps him sort of in a back pocket if they ever want him to return and help sonic and his friends, and can guide him into hating humanity less by seeing how beautiful and kind the world really is.

whatever they're doing now just isn't working. the shadow we see now is nothing like the shadow from sa2, which is a damn shame. shadow became a fan favourite from that game alone for a REASON.

so like. i like shadow, i just wish he stayed dead to avoid all of this.

#master emerald brothel #sorry to complain i just. i do like shadow i just don't like what's been done to him.#he's just a marketing tool at this point #they don't want to give him proper depth and they don't want him to really move on #they want him to stay sonic's rival when there's no real compelling reason for him to.#ugh

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