Hiii my Tav, Tara (not the tressym) here to introduce herself 🥺
At first glance she may seem selfish and standoffish but in reality she's a ride or die friend. You got enemies? She'll electrocute them! Need a hypeman? She is surprisingly good with words - think of someone brutally honest but they use it to compliment you. She is also short and lives in a bog :)
TARAAAAAAAAAAAAAAAA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I love thinking about her and Rana so often omg... i love standoffish characters sm. I think Rana would really like the selfish nature- she's been there and oftentimes she's still there. I think she'd compliment Rana and Rana would just stare o_o with her face as red as her hair before avoiding her for a day hahahaha!!!! Also her and Rana are both short but powerful I LOVE THAT!!!!!!!!!!! I love the idea of her watching Rana do a cool stealthy move and then cheering her on which makes her mess up ahahhaahah
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just read THIS and im devastated its still Odyniec’s Listy z podróży i’m gonna translate it into English below I paraphrased it a bit since it’s XIX century Polish. Odyniec writes:
Naprzód [Adam] zaczął zbywać [mnie] żartami, następnie chciał zbyć ofuknieniem: „Nudzisz mię! dajże mi pokój!”, itd. Ale gdy i to nie pomagało, chciał mię, jak się zdaje, przestraszyć; i zatrzymawszy się nagle przede mną (bo chodził wkoło z zapalona fajka), wlepił we mnie wzrok swój badawczy i odezwał się jakimś grobowym, wyraźnie udanym głosem: ,,Czy ty myślisz, że ja i ciebie nie przeczytam na wskroś?”. Nie zlaklem się jednakże i odpowiedziałem wesoło: ,,Czytaj sobie co chcesz: wzdłuż, wszerz w poprzek i na ukos będziesz wiedział przynajmniej jak ja ciebie kocham.” [Adam] Zaczął śmiać się i skonczylo się na zwyczajnym gładzeniu włosów.
At first he [Adam] started to kid me, then he tried to make me leave him alone by complaining: “You’re making me bored! Leave me alone!” etc. But it didn’t work out so he started intensively staring at me and spoke, his voice fake sepulchral so you could tell it was yet another joke: “Do you think I can’t see through you?”. I didn’t let him scare me and replied cheerfully: “See through me all you want. Then you will know how much I love you.” He [Adam] laughed and played with my hair.
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fontaine and furina having this theatrical motif around them has always felt intentional. the way furina was characterised in the first two patches almost being the personification of the ostentacious nature of european, and more precisely, the french monarchy has always come across as aforethought. the same way furina was presented as not having her nation's sympathy and indulging in her own pleasures is very akin to marie antoinette, as we all probably know (and this makes even more sense now knowing she has a similar fate of being sentenced to death by the guillotine, which we can almost infer is also related to treason by acting against the security of the "french state" or genshin's version of it: fontaine). now, to make my point i want to quote a few characters and expand a little on what i have interpreted of them.
let's start with lyney who is introduced and has a bit of a monologue on magic in the teaser for fontaine.
"the essence of magic is getting people to believe a lie. and the most important part of this is what people see."
lyney tells us, the viewer, the interpretation of a lie depends enterily on what you see and how you see it. doesn't this resonate perfectly with the title for fontaine's last archon quest and the theme that was presented to us all the way back to toy teyvat's teaser narrated by dainsleif, "masquerade of the guilty"?
"people don't realize how much they expect their eyes to tell them the truth. but it's not real it's all a show. and every part of the show is carefully controlled. controlled how? by choosing the right time, the right place and the right people."
i pointed out how lyney talks to us as the viewers because i think we're very quick to exclude ourselves from being seen as a character. it's easy to infer that a major plan is taking place thinking of one character (or a group of characters) fooling the others. but i always thought it was curious the way these things and the emphasis on being part of a play was pointed to us (you and me, if that makes sense) like we were going to be the ones fed a lie so that the curtain could fall eventually at the end. you know what's curious about this specific lyney quote? how the camera pans to clorinde and neuvillette as we heard the words "the right people". specially after seeing the trailer for the last part of the archon quest, having neuvillette aknowledge he now knows his role and hearing furina say at the end she hopes he enjoyed his part in the play ties perfectly with this.
"but keep your eyes peeled, and you might be able to turns thing to your advantage."
weather you think of yourself as the viewer or not, this phrase feels like a presage for what the future might look like.
after lyney's monologue, arlecchino chimes in and the conversation stirs a little.
"in a nutshell, magic is what you see with your own two eyes. very fun, but it's not enough."
she seems to be indicating that having a trick inst enough, that making people believe the lie is what makes the show. this trick has to be so perfect and believable that it's impossible to see through which she then compliments with:
"let me make something clear. you think of yourselves as magicians. but when you're on the stage, you're first and foremost actors. good actors hone their craft to mesmerize the whole crowd."
arlecchino makes a distinction between magicians and actors and, this way, the narrative of being part of a play is introduced once again. which makes me think of her hand creeping out from behind furina in one of the posters for the next update. so it has me wondering what her part of the play may be. seeing arlecchino characterised as a wolf in sheep's clothing and someone who would betray the tsaritsa in a heartbeat almost makes me wish for that to be the case. but i also wonder if she is doing something in exchange for the hydro gnosis. theories apart, she's definitely weaving her threads in there somehow.
i could skip the next part since we already know the furina we meet is but a superficial layer of who furina actually is and her role as the hydro archon. but the way she is introduced in the fontaine teaser really ties with everything mentioned in this post, making it clear she's the main character in the play.
"ugh boring! why do I even bother? when are we going to finally see a real twist for once?"
she's described by dainsleif in the teyvat teaser as someone who "lives for the spectacle of the courtroom" as we all have seen through the first patches. it also correlates to the whole theme of justice as entertainment which many people have expanded upon. she asks to see "a real twist" and who better to do that if not the queen of flamboyance herself?
i wanted to point all of this out because, since the beginning, i think it's been obvious furina as a character was always implied to have people change their view on her. not only by other characters but also us, who are part of this big play by following fontaine's story. this was highlighted by the sheer difference in the way traveller is treated or used in fontaine compared to other regions, having other characters play the big important moments as if we were side characters (loss of protagonism), and the ammount of control we are given over (our influence in court and our role as a lawyer, for example). this change in opinion furina was fated to have has always beem hinted to be triggered by some sort of sacrifice. being so influenced by marie antoinette, having furina turn into a scapegoat or a martyr and getting people's respect after death (either real or metaphorical) feels to fit the narrative. this is why players not liking furina has never really bothered me. i believe furina was not characterised - when she was introduced to us - to be liked, quite the opposite. it was faux, a way to manipulate our own perception and opinion on her. i think part of our "role" was to be tricked, much like what we are hinted at throughout the narrative.
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