Track of the Week: Say the Words
Track of the Week: Say the Words (Composed by Matthew Harvey and performed by Roshani Abbey, Emma Kingston, Kayleigh McKnight, and Courtney Stapleton) 🎭
Composer and musical theatre performer Matthew Harvey has announced the release of his new single Say the Words, performed by Roshani Abbey, Emma Kingston, Kayleigh McKnight, and Courtney Stapleton.
Say the Words is the title song from Harvey’s original new musical Coven, which is currently in development.
Matthew Harvey, composer said: “Say The Words is from an original musical I’m developing.…
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you’re beautiful. let’s sleep through our alarms together
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critically consume my problematic dick and balls
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neither a morning or night person but a secret third thing (always tired)
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i hate you "influencers", i hate you tiktok, i hate you "content creators", i hate you "unalive" and "s€x" and "dr/ügs", i hate you instagram, i hate you consumerism, i hate you family friendly, i hate you puritans, i hate you facebook, i hate you family vloggers, i hate you violating other people's privacy, i hate you modern day social media
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i'm founding a new school of media criticism which i've decided to call Bitism. the Bitist school of literary analysis asks a simple question: is this work committed to the bit?
you see, any work of fiction is either committed to the bit or it's not. the worst thing a piece of media can be is ashamed of its own premise, of the genre it in habits, of the tropes and aesthetics we expect from it. to be committed to the bit does not inherently make it good, but it makes it more worthy of respect than those which are not.
also, that's not to say that a story cannot parody or criticize the genre it inhabits or mimics. we can discuss the bit, we can deconstruct the bit, we can ask ourselves whether or not it's a good bit, but to commit to it first will strengthen these discussions, not detract from them. commitment to the bit is, after all, the first step to genuine sincerity. and sincerity will exalt and elevate parody such that it can stand on its own feet.
commitment to the bit turns melodrama into camp, elevates parody to biting commentary, and allows cringe to open up into a resonant, if unpolished, expression of true emotion.
fully expect bitism to take the literary world by storm sometime in the next few years.
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I hope you fall in love with someone who never lets you fall asleep thinking you're unwanted.
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