“The Sleepwalker” by Ruth Awad from We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage
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Ruth Awad, “All the Oranges of Tripoli”
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Ruth Awad, "Moral Inventory"
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Each morning I wake up a little crueler. Each morning my heart is a vulture beating its wings for scraps.
~Ruth Awad
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The Sarah Poems
We give each other a year to find
reasons to live, but it’s not even day
one and I have a handful, more than
enough for the both of us: last night
the train heavy on its tracks yowled
in such a discordant way you would’ve
laughed your ass off, this marvel of man-
made machinery, its tons of machismo,
honking most undignified. Who will notice
if we’re gone? How about this: my money
plant actually withers when my bank
account nears $0. Coincidence? I think
not. What about all the dogs we could
rescue and the ones we can’t if we’re
not here? Think of the sweet mutts
who took a shovel to the head and still
survived. Who will love them like you
will love them? And you haven’t
seen the curiosity of hens, how they
bawk and preen and peck and bully,
the small miracle that is an egg every
morning, still warm. Today the nesting
box latch broke and the hens got loose.
There’s nothing like the bliss of a silly bird
who thinks she’s outfoxed her keeper,
puffed there on the maple stump, grooming
her wings, her triumphant saddles. The birds
escape more than I care to admit,
and one day I’m sure I’ll find them gone,
like when Dorothea flew over my head
and out into the street and I ran like
I hadn’t since middle school gym class,
my lungs barely burning for the adrenaline,
me yelling after this chicken in front
of God and my neighbors in a city
that hasn’t even roused yet, me versus
the hen who can’t be reasoned with:
But the stray cats will eat you! The hawks
will too! You’re everyone’s food! Sarah,
maybe we should be like the hen who
thought I might eat her but was tired
from the chase and scared of what’s
next, who chose instead to trust
the arms around her would carry
her back home, who laid her head
on my wrist, whose heartbeat begged
my hand for mercy. Have mercy on me,
I don’t want to live in a world without you.
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[Words by Ruth Awad]
“I'll wear your scent like an animal
carries its young, each gentle fang
the last place that mourned you.”
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My Hair Burned Like Berenice, Ruth Awad
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"My god, will I ever not be surprised by what I can survive?"
- Ruth Awad
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Reasons to live | Ruth Awad
Because if you can survive
the violet night, you can survive
the next, and the fig tree will ache
with sweetness for you in sunlight that arrives
first at your window, quietly pawing
even when you can’t stand it,
and you’ll heavy the whining floorboards
of the house you filled with animals
as hurt and lost as you, and the bearded irises will form
fully in their roots, their golden manes
swaying with the want of spring—
live, live, live, live!—
one day you’ll put your hands in the earth
and understand an afterlife isn’t promised,
but the spray of scorpion grass keeps growing,
and the dogs will sing their whole bodies
in praise of you, and the redbuds will lay
down their pink crowns, and the rivers
will set their stones and ribbons
at your door if only
you’ll let the world
soften you with its touching.
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The Years of Water & Light by Ruth Awad. Text ID under cut.
[Text ID: In the rowboat I tied her shoes.
And the river cussed and spat.
Our feet swelled and our bellies begged.
The end is never how you expect.
This is where I lose her:
at the shoreline, in sweet water.]
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“The one where I beg” by Ruth Awad from We Call to the Eye & the Night: Love Poems by Writers of Arab Heritage
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MEDITATIVE WEEK OF POETRY: RUTH AWAD
About eight ounces, the weight
of the human heart,
and for all its galloping
my heart is neither the horse
nor the chariot
pulling me through the dead
Capricorn winter,
all tooth and nail,
past the stripping birches
in the failing light,
past the crying cockerels
and empty-bellied nests,
until it’s me and the bleating
wind and the wilting scarlet
runners – in the summer
you’ll tell me the aorta
is the size of a garden hose,
your aneurysm the size
of a fig. The future is
a season I can’t imagine.
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Because if you can survive
the violet night, you can survive
the next, and the fig tree will ache
with sweetness for you in sunlight that arrives
first at your window, quietly pawing
even when you can’t stand it,
and you’ll heavy the whining floorboards
of the house you filled with animals
as hurt and lost as you, and the bearded irises will form
fully in their roots, their golden manes
swaying with the want of spring—
live, live, live, live!—
one day you’ll put your hands in the earth
and understand an afterlife isn’t promised,
but the spray of scorpion grass keeps growing,
and the dogs will sing their whole bodies
in praise of you, and the redbuds will lay
down their pink crowns, and the rivers
will set their stones and ribbons
at your door if only
you’ll let the world
soften you with its touching.
Reasons to Live by Ruth Awad
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[text ID under the cut]
My Hair Burned Like Berenice
By Ruth Award
And after nailed upon the night
Berenice’s burning hair.
—W.B. Yeats, “Her Dream”
Days of rain. The drey outside my window would keel
and the wind would plunder. My heart was valent
with possibility: I could be anyone now, half woman,
half asterism. Fragmental as a new year. Patron saint
of the rutilant and cindering. I could rove incognito
to places pinned in office calendars. Too long I’d
mothered myself with the admiration of onlookers.
I was grateful to be alone in my abstraction. To be both
ignored and abraded by a coarse sky. I did not offer up
parts of me like kindling. I will not embellish a single
hemisphere. The ground bulges with a wet sound.
It is glutted with what was given. I do the wolfish work
of god and make myself again. Ripen like lichen on
the pavement. Like rain carrying the memory of lightning.
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