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tigermousse · 3 months

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Particles of reality: Obsession

genre: dark, yandere, otome, crime, supernatural, NSFW

Not all stories have happy endings…especially this one.

I have a feeling this visual novel has done some permanent damage to my mental health, but I'm not regretting reading it.

!Please note: This game is for mature audience only!

Particles of reality: obsession is dealing with very dark themes including gore, extreme violence, torture, sexual and mental abuse. It has graphic depiction of consensual and un-consensual sex (including sex between minors and sex between siblings). List of triggers for each path is enormous and it was pretty hard to read through some paths. There are options to hide some content, but even with "lower violence" filter it was gruesome enough. Like Monika, I hate the violence, but I was too interested in characters to skip everything.

Monica is studying medicine in college and working at the cafe Luna to pay her bills. She has two close friends and a bunch of phobias, since she is a traumatized young woman with a troubled past. Monika hoped to separate from her family by enrolling to a college. But now she's stuck on a dead-end job, feeling claustrophobic in a small crappy apartment, also failing her studies and doubting her choice to be a doctor.

This is the time when in her life appears a tall handsome man, who has a strange interest in her. But the story unraveled…

Particles of Reality is a macabre satire on dark romance, where relationship with violent people are romanticized, - and otome games, in which every character falls in love with a MC no matter how plain, or dull she is.

It is a splendid idea to show in visual novel that relationship with obsessive people can only cause you pain, but still overall it was a depressing experience for me. I can not recommend this game, but it has a highest rating from me, because it is unique and memorable. All the characters are either traumatized or just pleasurably insane.

You are warned from the beginning that there are no happy endings in this novel. In those few where main characters at least don't die, Monica is still can not be happy because she's feeling trapped.

It makes sense, because it shows that with the characters like these, who are obsessed (and sometimes possessed), there can be no happy ending. They're traumatized, violent and mentally unstable. It is said that in Obsession the characters are the worst possible versions of themselves.

After a while it is getting too frustrating that no matter what you do the game finds its way to punish you. The characters are making very stupid mistakes and decisions - and you can do nothing about it but watch. Also sometimes the game is forcing you to read a lot of information that you already learn from other routes. I can see why it was hard to avoid, but still it was too much unnecessary reading.

The structure of visual novel is unique - it has additional unlockable content for each character that helps to look further in their past or shows their point of view on the story. At some points the story is breaking the forth wall.

Nice touch that choices that doesn't affect the ending, are clearly marked.

Still after reading everything including the secret character routes, the story still has more questions then answers - and feels incomplete. The secret route was more confusing then revealing.

CHARACTERS

MC Monika Viotto (name changeable, but I don't see why someone would like to relate to this MC more, so I left it as it is)

My diagnosis: Post-traumatic stress disorder + Dependent personality disorder

For me, Monika is a bit annoying. She's is your our typical otome MC - she is kind, shy, not very smart with average looks (though I think that she looks pretty cute). Because she was abused and neglected at home since childhood, Monika developed some phobias like nyctophobia and claustrophobia.

She says that she hates violence, but in each route she's attracted to violent people - probably that is the route of all the problems. In some paths she even shows a violent streak that she probably has (probably that is why she resents violence - because she knows she can have it in her too). Her family is mafia and though she wants to get away from them so bad, the violence in her household probably couldn't left her intact. However usually Monika is absolutely oblivious to everything happening around her. Sometimes she can stand for herself, but these moments of clarity happen usually too late.

Who she is now is a result of her traumatized past, but also we can see that she's really passive and co-dependent since young age. She can't decide for herself (and when she is, she's deciding badly), she's not trying to learn something new, she doesn't understand her feelings and is not good with people. She's not good with anything really. Though she doesn't lack empathy and sincerely grieving loss of those who are close to her.

Sometimes she can be funny and snappy, but not often. She is more self-assured and interesting in some "what if" scenarios and in some branches in Brandon's route.

Love interests (SPOILER ALERT)

Which one do you have in mind?

None of the characters are mentally healthy. Some are aware of this fact, the others aren't. There is almost no romance, except maybe for the Sebastian route (which is my least favorite). There are some sex scenes though.

Each route starts differently and has slight time difference, but except for the Brandon's route, the circumstances in these are very similar.

Sebastian Dallarosa

My diagnosis: Narcissistic personality disorder (?) Also typical yandere

Sebastian is tall, rich and handsome. Probably smart too. He's meeting MC on the street, saving her life from a car accident, and then taking care for her when she is getting sick. But something is not right about him. Or is it?

He's in love with MC since they were children. It was love at first sight, and now he believes that Monika is his soulmate - and he wants her no matter what.

Dallarosa is a mafia family too, like Viotto, but several years ago Sebastian and his twin brother refused to take over the family business - and it seems that Sebastian put all his effort to get Monika Viotto, because it is the only thing that he wanted - ever.

Sebastian is probably the favorite character of the developer, because his route is longest, plus he's appearing in every other route and in most branches. He has the most CG's. And I really hate him. Either because he's triggering something from my past, or because he is so sure of himself. He is the only one with almost no regrets or remorse. He thinks that his "love" justifies everything he's doing. I hate how he doesn't give Monika a chance to decide for herself, how much he's suffocating her, how he manipulates her. He doesn't care at all what she thinks, for he has her image in his head for a long time, and he doesn't care what Monika is like for real. He shows in all the routes, and in each one he's madly in love with Monika.

When you start the game, Sebastian's route is the first you have to finish at least once, and for some time his route is pretty romantic. He says nice things to MC, dotting around her, telling her what she would like to hear. But when things unravel, he shows his true violent and/or manipulative self.

The best part of Sebastian's route was Alexander. He seems much more sane (Maybe that is because he doesn't has his own route yet)

Julian Andrei

My diagnosis: Dissociative identity disorder

Julian is working with Monika in a Cafe Luna. He seems rude at first, but otherwise he is funny and always ready to help a damsel in distress. Except he has a strange habit of vanishing for several days once a month. What does he hides?

In Julian's route Monika has a crush on him when they first meet, and in other routes it is other way around. Julian in his route is the most different from himself in other routes, except Brandon's DLC. Because in most routes he is just a friend and co-worker of Monika, and doesn't show his violent streak, also he's pretty weak and can't stand himself against other characters. However we know from his route that he should be experienced in killing people, so it is strange that he's always trying to rescue MC unprepared. (I guess it is one of frustrating features which lead MC to unavoidable bad ends).

Julian is in constant conflict with himself - because he has a split personality, which seems to have a mind of its own.

As for the core personality, and not the worst version of himself, I like Julian very much. He is funny, honest and noble in his own way - and trying to do his best. I don't mind his complaining and self-consciousness.

Quinn Deidre

My diagnosis: Borderline personality disorder

Quinn is gender-fluid non-binary person. And also they are the most normal character. They are a ball of sunshine. Funny, active, kind, caring, creative. But they're trying too hard to get attention that they are forgetting what is good for themselves. Quinn definitely have BPD, and it is pretty accurate portrait of this disorder. Given their traumatic past, it is not strange that Quinn has it. Their family is fundamentally religious and they always felt that they don't belong at home. So they're looking hard for the place where they belong.

Meeting Monika as a roommate, Quinn is falling in love with her non-judgemental attitude. But of course, they can't stand to her other suitors. (Brandon strangely accepts Quinn)

Quinn is really sweet. His bad ends are pretty sad, because they mostly end with him hurting himself.

Brandon Viotto (free DLC)

My diagnosis: Antisocial personality disorder (Psychopath)

Due to the themes of incest and underage sex (also extreme violence, but Steam is OK with it), Brandon's route is not accessible in the base game and can be downloaded as a free DLC (optionaly, because for some people this route can be too fucked up.)

Brandon's route is a history route: it begins when Monika was five, and all events in all branches are happening earlier than the beginning of Sebastian's, Julian's or Quinn's routes. You don't need to read through this route to finish the game and open secret character, but it is giving better view of Monika's personality in other routes, also after reading it, I hated Sebastian a tiny bit less.

Brandon is Monika's older brother. He's just a year older than she, but since the early childhood they were raised differently. Brandon was the favorite child, Mama's golden boy, he was given best teachers and was combat training to become the head of the family (Don). And Monika was neglected, harshly punished for all tiny mistakes, given little to no education. Most of the time their parents didn't pay any attention to her at all. Luciana Viotto is a powerful, cunning and cruel woman, and Antonio Viotto seems totally indifferent to everything that is happening in his family, until it becomes too late.

Things doesn't add up here - while Monika as a mafia princess was prepared to arranged marriage if nothing else, she probably had at least attend different social events to meet important people, but she didn't. Otherwise she would be just a disgrace of a mafia family (which she obviously become, when she went to a college, living in a worst district of a town and working for a minimal wedge)

Since tender age Brandon was trained to be a merciless killer. And while his first kills brought him tears and nightmares, later he started to enjoy killing and torturing people. Now he is hungry for power and control. And the only one he cares about is his sister. Monika.

Since they were children, Brandon always tried to defend Monika from their abusive mother. They grew very close, because they always had to depend onto each other and didn't have anyone else. Monika needed Brandon because he always came to her rescue and Brandon need his sister, because she appeals to what left of human in him. She is still his moral compass after years of killings.

When he was about 15 year of age, Brandon felt that he his feeling for Monika is not completely brotherly.

After some time of his doubts and regrets, they've became lovers, when Monika was still 14 y.o. They both knew that incest is wrong, depending on the branch, they're having more or less doubts about it.

In most scenarios revealed that when Monika was 16, she attended school, where she has met a boy and started dating him. But Brandon was furious and beat the guy so bad that he couldn't recover. Monica hasn't talked to Brandon since then, until she decided to go to college where she begins all other routes.

Brandon is the one who sees the best in Monika

I do not justify the incest, I've never understood it either. But given all the circumstances in this novel I think in Particles of Reality, Brandon is still the best choice for Monika. Maybe I'm prejudiced, because despite of everything , I liked him too much since demo. He's the only one who will never hurt her willingly, she can trust him completely and he's the one who accepts and understands her as she is.

The thing I like about Brandon the most is that he is the only one whose personality doesn't change a bit in all the routes and branches. I'm afraid that is because he's the least favorite boy for the developer, but still he doesn't pretend. Also he's the only one who is changing through his route - for worse, but still.

He is extremely violent, and doesn't hide that he is enjoying killing people, but it seems that he can have his doubts and regrets about everything that concerning Monika. (Nevertheless he still thought and done disgusting things)

He is also very smart, with a dark sense of humor, but I always felt that Monika can depend on him. With him she is safe, but he can go too far to secure her.

I can't rate any of the characters, since they're shown as the worst versions of themselves. As for their "core personality", I like Sebastian the least, because I can't find any of his personality outside of his obsession. As for secret character, his purpose in this novel seems only for breaking forth wall, so it is hard to say something about him for now.

Overall:

Visual: 4/5

Story: 4/5

Characters: 5/5

Romance: 2/5

Originality: 5/5

My Rating: 5/5

(I can't recommend it to anyone, since it is very dark and not for everyone, but also couldn't give it less than 5 stars, because I'm sure that this game has a powerful impact on every person who has read it)

You can get this visual novel by Arewar on Steam or on itch.io

#particles of reality #yandere #visual novel #otome #video game #video games #dark romance #my review #personal #Tiger Mousse

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antikate · 6 months

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I genuinely think romance is a deeply underrated genre that is sneered upon because of its associations with femininity; I think it’s utopian and hopeful and worthwhile and I crave good romance stories. At the same time I hate most romance novels that I try to read.

I had Covid this week and for a few days was too sick to even look at a book or screen so I downloaded a bunch of audiobooks from the library and I gave up on every single one of them:

1. Notorious by Minerva Spencer. I noped out of this a few pages in when one character was described as delectable and luscious and another character’s eyes were described as orbs. The book also comes with a whole heaping of misogyny and Islamophobia apparently.

2. Georgie All Along by Kate Clayborn. The first ??? 20 ??? Or so pages of this book consist of the heroine back in her home town and going into a deli to order a coffee and not having enough money to pay for it because she left her wallet in the car. 20 pages!!! It’s humiliating and is literally like being stuck in the head of the most neurotic person you’ve ever met. Page after page of this woman ruminating about what a loser she is. Exhausting! And I say this as someone who can ruminate at the Olympic level.

3. Pretty Pretty Boys by Gregory Ashe. This one is an m/m series about two cops who fall in love and I had hopes that it might be solid but the characterization was basically “whatever the author felt like writing”. Also the cops act like cops as in they’re abusive to random people and spend a lot of time being horrible, which I don’t really need in a romance.

4. Not Your Average Hot Guy, Gwenda Bond. Idk this was just. A bit? Boring? Also everyone was just a bit too self consciously sassy. The heroine runs an escape room but one of her props turns out to be actually a demonic book. I think one of my issues with this book and so many other romance novels is that banter is a real skill and most people can’t write it. But everyone, regretfully, tries.

5. Liar City, Allie Therin. There’s this one audiobook narrator who has such a snotty voice that I just cannot. This book might have been great but the instant I started listening I knew it was that dude. Maybe I’ll try it as an actual book.

6. The Blacksmith Queen by GA Aiken. This is one of the worst books I’ve ever tried to read. Truly. The heroine is a blacksmith and the hero is a centaur, which I thought sounded fun (also I was wondering how they’d have sex because I’m like that) but it was … puerile? Astonishingly stupid?

7.Capture the Crown, Jennifer Estep. This is also an absolutely idiotic book. The hero has amethyst eyes and the heroine has some other gem coloured eyes and someone else has sapphire eyes and if you took a shot every time it someone’s eye colour was described as a jewel tone you’d be hospitalised for alcohol poisoning by about page four.

8. A taste of gold and iron, Alex Rowland. This is decently written - as in the prose is solid - but the plot is half baked, the characters are tedious, and the world building is intriguing but paper thin. I’d say it’s a much better book than most here, but I still couldn’t bring myself to finish.

Not everything I’d read lately has been terrible so here’s some romance or romance adjacent books I have actually enjoyed:

1. The Heart Principle by Helen Hoang: This book is not going to change your life but it does what sets out to do with a slight if entertaining love story.

2. The Secret Lives of County Gentlemen, KJ Charles: I think Charles is one of the best and smartest historical romance writers I’ve ever read. Her books are everything I want out of romance: the characters are interesting, idiosyncratic, and sympathetic; the details feel right; the stories work; and the sex scenes are both hot and do important plot and character work. Her books are swoony and emotional and feel very real while still being romantic. (The audio narrator of this let it down a little because he took a lot of odd pauses but I’m being super nitpicky.)

3. A Far Wilder Magic, Allison Saft: This is a sweet YA novel set in an interesting fantasy world - I really enjoyed the prickly heroine and her dog.

4. In Memoriam, Alice Winn: This beautiful, heart-rending novel is not exactly a romance - it’s set during WW1 and has very explicit and realistic scenes set in the trenches. The trauma and suffering of the war are achingly portrayed. But it is a love story between two young soldiers, even if it’s not necessarily one with an easy or simple ending. Highly recommend with the caveat that Winn does not shy away from the brutality and senselessness of WW1.

5. Thornhedge, by T Kingfisher: This is a brief but resonant Sleeping Beauty retelling. Not exactly a romance but also not unromantic. My only complaint is that I wanted more. I’m a big T Kingfisher fan, and I adore her practical, earthy characters (like Toadling).

6. We Could Be So Good, Cat Sebastian: I’m here for everything Sebastian writes. Her books are low stakes but still compelling, her characters are likeable and complex, I actually enjoy her banter, and she has a knack for capturing historical details and moments. Her conflicts never feel fake and the resolutions are always earned.

#book reviews #books #from the trenches of Covid #complaining about romance novels #the author is open to recommendations

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fictionadventurer · 7 months

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Many men had offered her many things in the past, love and friendship, luxury and jewels, entertainment, dogs, amusements, homage--some she had accepted, some refused, but no man before had offered her work. Peter had offered her that, he had offered her a share of his--not noble or inspiring or fascinating work, just his work, what he had. He had offered it her, called her great energies into play, and set her to work beside himself in a furrow. And she was glad; for some reason she found it very good.

--Desire by Una Lucy Silberrad

#books #jo walton has done it again #almost the only reason i ever look at tor.com these days is to read her monthly roundup of the books she's read #because a good chunk of her reading is the type of classics i love #including a lot of forgotten light classics of the early 20th century #this was one of those #mentioned in a column from last year that i happened to read the other day #with a review that said this should be one of those classics that everyone knows and reads #instead of being this completely forgotten book #and since it happened to be on hoopla (a common perk of these types of book recs from her) i read it #i don't think it's all-time classic great #but it's a solid middlebrow novel #the beginning was a bit of rough going but after the major part of the plot kicked off it become rather lovely #because there was a lot of the above #explorations of the value of work and friendships and relationships #and because of things like the above quote the central relationship is one of my favorite romances of the year #it's a solid relationship built on friendship and mutual respect #with both of them having stories and emotional journeys beyond the romance #reminded me a little bit of gaskell in some ways

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jessread-s · 6 months

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✩♟️💕Review:

*Thanks to @penguinteen and @ever-so-ali for providing me with an ARC in exchange for an honest review*

Who knew Ali Hazelwood would be the one to get me interested in chess?!

“Check & Mate” follows Mallory Greenleaf, a former chess player working as a mechanic to support her family. Eager to leave the sport and the destruction it caused in the past, she plays one last charity tournament. Only, she manages to beat Nolan Sawyer, the current world champion and bad boy of chess. What follows is the opportunity to continue playing for sorely needed cash prizes and cross pawns with her fiercely attractive competitor. That is, so long as she can protect her family from the game that wrecked it.

I want to begin by saying that I agree reviewers that are saying that this book is new adult and NOT young adult. The characters are 18 and 20. Mature language is used. Sexual content is referenced. Please keep these factors in mind before reading.

Considering that this is an NA debut, Hazelwood is successful in branching out into this space. I adored Mallory, Nolan, and their rivals-to-lovers romance. The pacing of their relationship contributes to the ease with which I tore through this book. I feel like Mallory and Nolan truly started out as competitors too absorbed in their rivalry to entertain the idea of a relationship before finally giving in to their attraction. I devoured every single page.

I also really loved the depth of the characters in this book! As the eldest child in my own family, I really connected to Mallory and the pressure she feels to take on more responsibilities, set an example for her younger siblings, and step in as another parent of sorts.

As with her other books, Hazelwood explores the ways women are treated in male-dominated spaces. In this case, she does so by putting the chess world under a microscope. Going into the book, I knew next to nothing about chess, but Hazelwood made it easy to understand and digestible. It just worked and now I feel empowered to try my hand at it.

Cross-posted to: Instagram | Amazon | Goodreads | StoryGraph

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mermaidsirennikita · 3 months

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ARC REVIEW: In Want of a Viscount by Lorraine Heath

4.5/5. Releases 2/20/2024.

Vibes: a genuine good guy hero, Business Bitches, sex beyond p -> v, and a mind for business with a bod for sin!!!!!

Heat Index: 6/10

The Viscount of Wyeth--AKA Rook, because Chessmen: MASTERS OF SEDUCTION!!!, the greatest series title of all time--is known for having a keen eye for investments. What he isn't known for is raking about town, because he's determined to be different from his horrible father, a man more known for the illegitimate children he abandoned (or worse) than anything else. But a chance, anonymous encounter with a mysterious young woman has his strict sense of self-control shaken... until he realizes that she's the American Leonora Garrison, a secret businesswoman who's accompanied her less-talented brother on a hunt for investors. Like Rook! They try to keep it strictly professional--but their attraction to each other could ruin Leonora's dreams before they come to fruition.

Look man, it's Lorraine Heath. She knows what the fuck she's doing, always. This is one of her less dramatic romances, I would say, but the character beats and the swoony "oh my god we're falling in love" of it all is unmatched. It's not so much about twists and tricks as it is about Rook and Leonora falling deeply in love, with a pitch-perfect ramp up of sexual tension that culminates in the best way possible. I can be persnickety about a slow burn--but Lorraine proves that when the author is talented, it works HARD.

Quick Takes:

--You absolutely can read this as a standalone, but I am glad that I went back and read Lorraine's Sins for All Seasons series first. For one thing, that series is just great, and everyone should read it. For another, Rook is technically introduced in The Duchess in His Bed, starring his illegitimate brother Aiden Trewlove (his other illegitimate brother, Finn Trewlove, is the hero of The Scoundrel in Her Bed, one of my most recent Lorraine favorites). There is a good bit of layering of Rook's backstory related to their father, and if you're intrigued by that after reading this--you probably will be, it's fascinating--absolutely check that series out.

In a lot of ways, this felt like an emotional culmination. You really see how Rook has matured here, and is so valiantly trying to reach his own impossible standards. He's very literally atoning for the sins of his father, and it kind of breaks your heart. On the bright side, however, this brings in not only the Trewloves but some cameos from Lorraine's Stanwick books... and I'm never mad at that!

--Going back to Rook, though... He really is a good dude. And I'm a tough sell on a good guy hero. I feel like a lot of authors write them simply to keep stories uncomplicated, and not because they actually care about the characterization. The thing is--Lorraine has always been one of the only authors who nails a good guy hero every time. Because characterization? It's her thing.

You feel that Rook is deeply good, and you feel exactly how deeply he believes in his efforts to be morally upright and restrained. He's taken responsibility for a lot of things that really have nothing to do with him. However, it's also clear that a part of growing up that he hasn't quite confronted is like... admitting that he's human. He wants things. He wants sex. And it's honestly really fun to see him become this horny mess over Leonora.

--Leonora is the kind of heroine we really don't get enough of in historicals. She's kind of nerdy, but it's really most of a "business bitch" kind of nerdy. And I think that gels really well with where she's coming from--this bustling Gilded Age America where there's a lot of risk and a lot of (potential) reward. But this is about more than just gambling on a dream--it's about keeping her father's memory alive. That alone really ups the stakes here.

I also loved how geeky she was about taking things apart (literally) and how much that amused Rook.

--Lorraine Heath watches The Gilded Age (although literally anything she's written ever in her life blows that show out of the water). You can absolutely tell. Leonora's mother is right out of the Bertha Russell playbook. She wants to get into Mrs. Astor's ballroom!!! And yes, she will be a total asshole to get there if necessary!!!

I actually really loved that Rook and Leonora could subtly bond over having shitty parents, even if Leonora's mother wasn't on the level of Rook's father. It was one of those moments of commiseration.

--Okay, so... the scene where Rook caresses Leonora's foot while "inspecting her shoe for pebbles" is everything it's cracked up to be, and it is further evidence that deep within every Lorraine Heath hero is a Thing for Feet.

The Sex:

I loved how sex was approached in this one. Because Rook is so worried about fathering bastards like his father did, he's very reluctant to sleep around, and when he does, he places a HUGE emphasis on non-penetrative sex. In other words, as he amazingly put it to Leonora in one of my favorite scenes in the book:"fucking without fucking".

In romance in general, but perhaps especially in het books, and especially in historicals, penetrative sex is seen as the end-all be-all. I loved having a historical romance hero who really was more about.... other things. Especially things centering Leonora's pleasure. Like, it does drag out the sexual tension. And I really do love it when a hero who thinks he's Got It Together finds out he Most Definitely Doesn't (... which.... a rude awakening for our boy Rook).

While this is definitely one of Lorraine's softer books, it's also one of her more character-focused ones. It's sweepingly romantic, it's about breaking cycles and recovering from emotional trauma, and it's definitely for the "ridiculous amount of sexual tension in the best possible way" girlies.

Thanks to Netgalley and Avon for providing me with a copy of this book. All thoughts and opinions are my own.

Preorder:

Amazon

B&N

Bookshop.org

#romance novel blogging #arc reviews #netgalley #book recs #book reviews #romance novels #reblogging with the preorder links added

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somewherelostinbooks · 1 year

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A Witch's Guide to Fake Dating a Demon- Review

A Witch’s Guide to Fake Dating a Demon By Sarah Hawley Genre: Paranormal Romance Publication Date: March 7,2023 Publisher: Berkley Source: Received an ARC in exchange for an honest review Rating: 4.5 Stars Amazon Indiebound Description: Mariel Spark knows not to trust a demon, especially one that wants her soul, but what’s a witch to do when he won’t leave her side—and she kind of…

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#4.5 Stars #a witch&039;s guide to fake dating a demon #ARC #Berkley Romance #books #New Release #Paranormal Romance #Reviews #romance novel #romance novel reviews #Romance Novels #Sarah Hawley

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keepittoyourshelf · 1 year

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Before Girl and the dangers of the romance novel.

Link to Goodreads Highlights/Quotes/Notes Don’t be fooled by the fact that I finished this in a day. I’m pretty sure I read it so fast just so I could get it over with. I would have DNFed, but to be honest I was a little sick of all the books I was picking up quickly and dropping even quicker, so I figured, what the hell, let me finish. It’s not like it’s going to take any great amount of brain…

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#Before Girl #book review #romance novel reviews #romance novels #romance tropes

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cosyreadingclub · 4 months

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THE DEAD ROMANTICS: review

5/5⭐️

I have seen so many reviews on this book, and everyone saying this is a must read! Yeah I agree…

The plot for this novel is something I have never come across and that right away intrigued me, it is a romance story that takes place between two characters - not your every day characters. Florence who is a ghost writer for a famous novelist and her editor… who is a ghost. It's a complicated story, but it is beautiful.

I fell in love with the small town, Florence's family and this fictional world. The themes here are heavy, death and mourning and life. But they were touched on so perfectly, it felt poetic. The way the author writes, it is beautiful and this book despite the heavier topics was very easy to read and get into the story.

I always love books that make me feel something, put my thoughts into beautiful words or make me see things differently - and this was one of them. I need a physical copy to annotate, and to treasure on my bookshelf.

I would also recommend this book for gloomier days, it is set in spring but something about this town and its chill brought me back to colder days (and it felt perfect reading this, while snuggled up under a blanket in bed)

This is one of those books I will never stop recommending, I would also love to see it as a movie. If you have been thinking of reading it, please what are you waiting for? It broke and put together my heart all in one. 🤍

#book review #bookblr #bookworm #booklr #books #stars #the dead romantics #romance novels #romcom #romance books #beautiful books #book reviews #book recommendations #sad books #cosy aesthetic #cosyreadingclub #cosy books

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notexactlyrocketscience · 4 months

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Love, Theoretically by Ali Hazelwood: a critically kind review from a femme acespec physicist <3

> scroll to the next section for my review on the physics academia content in this book!

First, a quick romance novel review!

spoiler: it wasn’t my favorite but I gave it a ⭐️⭐️⭐️.75 because being a writer has made me a generally more appreciative reader + I am so starved of woman in physics rep.

the good

It just felt good to read about a woman physicist, who are still incredibly underrepresented in fiction, especially as protagonists. (I’ll go off about that in a minute.)

The romance is so swoony with shoujo manga vibes, I haven’t read straight M/F adult romance novels in a while and I just loved the flutteriness of it.

A couple of chapters were so soft with excellent pillowtalk. There was something about the ambience of the snow, the hypnotic sadness of failure, the prescence of a comforting person.

I enjoyed identifying the relatable parts about physics academia. Hazelwood clearly did a lot of research, and I have to say I was pleasantly surprised. It definitely kept me reading!

the bad

The academia issues are so over-simplified it’s almost juvenile. For an adult novel, even one marketed as a romcom, I expect more nuance, more explanations, more explicit lingering in tight positions.

And then the romance tries to be complex (and has a lot of potential!) but not a lot of conflict really happens.

A fictional physics fued between theorists and experimentalists is a really fun (and actually not far off) concept, but I would have expected some things to be the other way around. (More on that later!)

Okay this is personal but the main couple both have terrible taste in movies. Twilight vs white male rage movies??? There is no lesser evil here

Elsie’s hardships aren’t put in a very serious light. Her diabetes and lack of access to health insurance is used as a plot device to engineer romantic momentum between the characters and/or comic relief.

Just overall, the book tried so hard to remain “light” that I think it fails to garner depth. Because adult lives really aren’t that light all the time, and a book can bring relaxation and joy whilst including real worldly negative experiences.

There were aroace and sapphic side characters, but I wanted so bad for Elsie to be demisexual. It's set up so perfectly only for it to be averted—As a demisexual person myself, Elsie’s feelings about attraction felt acutely familiar to me, and every other reader I've spoken to has agreed that the book took a dissapointing and unexpected turn. I understand Hazelwood may not feel equipped to write queer protagonists but if I were her editor, I would have flagged that and recommended she make it canon. It would have added so much more context and dimension to Elsie, and would’ve put hetero demisexuals on the map. </3

Following up on the above: The smut tries so hard to be meaningful but it ... really is icky, stereotypical, unrealistic allocishetero stuff. Think: the shy inexperienced girl vs the man who knows exactly how to advise her. The characters try to subvert the trope by calling it out, but it feels performative because all is forgotten in the next second. The PiV sex is weirdly conventionally idealistic considering the pairing’s size difference. I’m picky about smut but also forgiving when I do like the dynamic. I just didn’t here.

Following up once again: I was ready to ignore all the repetitive comments about how sexy Jack’s height and muscles were, because sure, I guess Elsie has a type. But the sex scenes solidified the redundancy of it all. I've read this same dynamic in countless smutty heteronormative M/F paperbacks. And I have also been made aware by every Hazelwood reader that all her books focus on this kind of physical build pairing. I just want more diversity, you know?

IDK, I just wanted more physics in here than complaining about teaching, glossed over toxic mentors, and using some quirky physics term in every other sentence. (More on that below!)

I just wanted ... more? It’s not an extremely short novel, but both the plot and the character development fell flat. The ups and downs were too fast and easy, and the placement felt off. I finished the book and wondered, “That’s it? That’s all that happened?” It just wasn’t fulfilling. The side characters aren't expanded upon, and don’t get enough pagetime. My other romance reads this year were Bellefleur's The Fiancee Farce and Mcquiston’s One Last Stop. In both of those novels, the drama was fleshed out with so much care and detail. In comparison, Love, Theoretically may mention similar social difficulties in passing, but failed to really, really show us.

Overall ... the novel was fun for being about physicists but I really don’t see myself picking up another Hazelwood book, especially considering this isn’t even a debut novel. The conventional white steminist vibe and the particular allocishetero M/F dynamic just isn’t my thing.

But perhaps a reader wanting more of a novel and its characters is a good problem to have. Never say never, I guess! I look forward to keeping tabs on what Hazelwood publishes in the future!

Now, onto the physics!

First, most physicists, as good scientists, understand that theory and experimentation are fundamentally linked. It’s true that we each are often biased towards our own methods of research, but it is quite a stretch to imagine full professors so blatantly feud against others solely because of theory vs experimentation. Regardless, I was happy to suspend my disbelief for the sake of the plot that was framed in a genre-specific, lighthearted, humorous way.

Secondly, both theory and experimentation have sources of funding that are motivated in different ways, and Hazelwood's decision to have the theorists struggle with funding cuts due to declining interest in pop culture/the general public is actually quite credible. Experimentation garners a lot more interest from the application and engineering end of society, parts that are easily fueled by capitalism.

However, I think experimentalists in general are far less likely to be mean to theorists than the reverse scenario. Dr Fatima Abdurrahman has a great video essay about that called on her YouTube channel called “Quantum Physics, Feminism, and Objective Reality: What Physicists Don’t Want You to Know About Quantum Mechanics.” Dr Fatima outlines how old white men in physics have maintained this image of unwavering scientific objectivity in the name of rigor, despite studying a field that fundamentally is barely fathomable for humans. In simpler terms: Men, even in theory, pretend to be better, smarter, and more valid as physicists despite being in an infamously iffy field. And I would have liked to see that represented. It was just really hard for me to buy narcissistic grad students mansplaining Elsie about her field, and Elsie’s righteous feminine rage, when the field in question is … physics theory? It just didn’t make sense to me, when all of my personal experiences point to the opposite.

But every cloud has a silver lining, and having a woman theorist in a physics field that’s less popsci-oriented is actually … really cool. And having her love interest be a man in experimentation … sort of subverts gender roles and conventional media expectations.

Let me explain. The reality is that when women are represented in STEM, media prefers to put them in biology, like a nurse to a doctor, a people-oriented nurturer, a mere sidekick to the real “objective” scientist—often a mathematician or an astrophysicist who is always a man. And when women are placed in physics, they are automatically assigned to observational astronomy, which is dismissed as passive and easy. (This is wildly untrue—though styles of research in astronomy has interestingly allowed a somewhat more diverse array of researchers in history. Even today, you’ll see a higher frequency of women and queer people in every astronomy department.)

I think my ideal version of this novel would be retaining Elsie in theory, while also making theorists the overall bad guys in the feud. I would love to have her talk about the unique sexism she faces as a theorist. I would kill for a scene in which Jack gets gobsmacked by how fucking good at math she really is, compared to him (instead of, like, only making fun of it like it’s easy). I would love to read about her getting a tour of his lab, and just more physics content. But maybe I’m the only one saying that, because I’m a physicist. Maybe Hazelwood simplified it all to keep the book appealing to the general masses.

Still, it all read more like a girlpower!!! chant rather than a real commitment to represent a woman in STEM. I savored every moment Elsie or George would go off about physics. I loved Elsie’s conversations with Olive, a different STEM academic. (Monica was more complicated and actually quite interesting, and I wish we could have seen more of her. Heck, I wish we had actually been given any tangible info about Jack’s mom, even.) But I genuinely felt these instances were rare. Elsie referred to being a physicist a lot (and frankly, her mind is more physics-y than any IRL physicist considering the sheer number of physics-inspired figures of speech she uses … but I excused that as silly comic relief, a quirk in Hazelwood’s writing style). But she didn’t tangibly do physics on page. It was disappointing, considering women characters in STEM is what Hazelwood is known for.

And there are physicists who love teaching—even physicists who solely want to teach. Physicists who do pedagogy research. I know the book was mainly trying to criticise the adjunctification and dismissal of physics higher education, and it’s actually quite accurate in representing that most physicists in academia would prefer not to teach. But the excecution also ends up erasing physicists who aren’t in academia just for research. And I say this especially because the validity of teaching physicists as physicists is dismissed in real life. It’s used as justification to further force all physics academics to try to juggle between both research and teaching, whether they want to or not.

Which leads us to bad mentors. I’ve had a bunch of those. As Olive pointed out in an excellent quote, “Academia is so hierarchical, you know? There are all these people who have power over you, who are supposed to guide you and help you become the best possible scientist, but . . . sometimes they don’t know what’s best. Sometimes they don’t care. Sometimes they have their own agenda. […] Sometimes they’re total shitbuckets who deserve to step on a pitchfork and die.” And the thing is, the novel really doesn’t show us any of that (perhaps other than in Monica). We don’t fully get to know what happened to Jack’s mom, or Olive. We are not shown what Dr L’s agenda really was. Their final confrontation was so quick, when in reality shitty mentors are often sticky and entwined with your work, hard to cut off and scarier to talk back to even after you’ve finally realized they’re toxic.

Which isn’t to say the novel is just inadequate about everything. It’s correct in how goofy physics faculty are, and how white man-dominated the field is, how students try to mansplain women profs, how theorists madly work on their computers (as an experimentalist, I could never understand), how publishing is finicky (to put it kindly), and how tenured faculty fail to understand the reality of the job market in academia today. There are certain parts (like the quote above!) where I felt incredibly seen as part of a minoritized identity group in STEM academia. It’s rare to have a book written from this PoV, and as a first I think this novel will always be special for me!

If you’re interested in reading about more fictional women physicists, I would highly recommend skimming through this list I made on GoodReads (and feel free to add more!).

And if you’d like to support memoirs and science communication books by IRL women physicists, then look to further than this other list I’ve also made. (We’re actually currently seeing a boom in these which is inanely exciting to me, so again, contributions are always welcome!)

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nerdyadoptee · 11 months

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Mask of the Rose: The NerdyAdoptee Review

PUBLISH DATE: June 8, 2023 PLATFORMS: Windows, macOS, SteamOS, Linux, Nintendo Switch (launch); PS4, PS5, Xbox One, Xbox Series X/S (unspecified later, post-launch)

This is the game I've been waiting for.

Mask of the Rose is a visual novel from UK-based Failbetter Games, developers of Sunless Skies, Sunless Sea, and Fallen London. I've long followed Failbetter's work because of their commitment to worldbuilding. All of their games share a common universe, an alternate Victorian vision of the 19th century world, with generous helpings of the unexplained, the supernatural, and even dashes of Cthulhu-esque cosmic horror. London has sunk underground, and the residents of London have lost contact with the surface. In this dark world (nicknamed "the Neath"), we encounter things that are familiar (the Queen is still around, although she's become curiously reclusive) along with the less familiar (what exactly are the "Clay Men?").

This world has been built by Failbetter over three games and thirteen years, but Mask of the Rose doesn’t require any previous knowledge or experience with their games. A character creator allows you to choose your character's background, silhouetted portrait, and how others address your character, from "Captain" to "My Lady" to "Citizen." In addition to the gender inclusivity of the character creator, it's wonderful to see Failbetter give the player the option to specify the kind of romance they're looking for in this visual novel. You can pursue friendships only, seek romantic relationships, physical relationships, or both--and choosing any of those options doesn't prevent you from seeing certain endings or lore, it just gives the player agency in this quite personal choice.

From there, we're introduced to the world and its wide and diverse cast of characters. Going into almost any detail risks ruining the discovery that is such a beautiful part of Mask of the Rose, but I'll at least say that the characters in Mask of the Rose feel complex and unique, each with their own voice and desires. The gameplay loop revolves around choosing how to spend your time--like with other time-management-style games, you can't have conversations with everyone. In each conversation, you're making dialogue choices that have an impact on the people you speak with and on the character you're building over time. The choices are well-written, and show an insight into the complexity of conversation and tone that is often missing from less thoughtful visual novels.

Each day in Mask of the Rose is split up into a Morning and Afternoon time, adding weight and stakes to each playthrough: do I try to get the exhausted pastor to spend more time with a mutual friend, or do I cozy up to the streetwise merchant who seems to know what's going on behind the scenes? More importantly, WHOM DO I WANT TO SMOOCH?

Ahem. Excuse me.

Mask of the Rose has so much story to uncover that one playthrough isn't sufficient. You're trying to solve a mystery, you're trying to uncover more about London's peculiar new surroundings, and you're trying to matchmake your friends, and you might be looking for romance for yourself. A playthrough generally takes me about 3-4 hours, and although I've done multiple playthroughs, there's still more to discover. I'm excited to learn more about each one of the fascinating characters, and I'm further drawn in because Mask of the Rose weaves a tale that touches upon so many elements of 19th century English society, from British global imperialism and colonialism to class struggles and privilege.

While I love the writing and Mask of the Rose's visual novel gameplay (and unique "storycrafting" mechanic/minigame, which is another gameplay pillar), I did run into a few frustrations. I would've appreciated an option to fast-forward text I've already seen. Mask of the Rose helpfully provides a fast-forward option, but it's too easy to accidentally skip past new dialogue and lore. In a game that demands multiple playthroughs, a smarter fast-forwarding option is a really unfortunate omission. I also felt like the time management aspect felt very constraining; it could be my own lack of intuition and understanding, but I sometimes found progression dense or unforgiving. The subtlety of Mask of the Rose is a strength, so I’d love if hints or some kind of help could be an option that players choose to turn on. More days and levels of signposting to clues would go a long way to making me even more excited about future playthroughs.

Overall, I'm smitten by Mask of the Rose. It's the game I've been waiting for because I've wanted to explore this world for a long time, but have struggled with the gameplay and difficulty of Sunless Sea and Sunless Skies. If you share a love for evocative writing and thoughtful worldbuilding, you've got to get Mask of the Rose.

Be sure to tell me whom you smooch!

#review #spoiler free #video games #gaming #failbetter games #mask of the rose #fallen london #sunless skies #sunless sea #romance #visual novel #pc games #pc gaming #xbox #ps4 #ps5 #switch #nintendo switch

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mask131 · 26 days

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French fantasy review: Les flammes de la nuit

I do wonder why I make these posts – about French novels that I do not think were translated in English, reviewing them in English on an English-speaking website… I do know that some French people are lurking around under a mask of Englishness, but still, most people here are those that I guess will never have access to the novels I review… But oh well, I’ll do what I’ll do, as bizarre as it may sound: and what I’ll do is talk about the French fantasy.

I already translated a long time ago some articles written about the French fantasy literature, but here I will share my personal thoughts and favorites when it comes to this genre of fantasy that is considered “foreign” and “exotic” by the simple virtue of… not being written in English. France is the land of literature, and has already bred, nursed and thoroughly exploited and theorized the two genres that gave birth to the fantasy and yet are so hard to translate in English: the merveilleux of fables and epics, the fantastique of 19th century supernatural tales… Why wouldn’t France have fantasy too? The name of the genre stays English, unfortunately, but it has enough echoes and roots within our own féeries and surnaturel to find a place prepared for it since centuries…

Anyway, enough lyrical: let’s get into the meat of the subject, let’s dig to the bone, and I want to begin with “Les flammes de la nuit” (The flames of the night) by Michel Pagel.

When I picked up this book I was not expecting anything precisely from it, I was just curious. I had only ever heard of Michel Pagel through a huge and dark series of his called “La Comédie Inhumaine” that everybody loved and that was renowned as a dark and violent fantastique, but I never read it. The reason I picked up this book was due to its relationship with fairytales. If you do not know I am REALLY into fairytale stuff, I even have an entire sideblog just to talk about fairytales ( @adarkrainbow ). And this novel was advertised as being a fairytale subversion, so I thought, let’s get into it! [EDIT: I actually also had heard of Michel Pagel through another work of his that now I will definitively read, Le Roi d’Août, a supernatural historical novel that faithfully retells the biography of the king Philippe Auguste… While filling some historical blanks in his life by the intervention and encounter of the supernatural folks hiding within the French landscape.]

Most notably, when I checked briefly online reviews to see if I should get the book, all agreed on a same thing: all said that the book was absolutely great, with wonderful ideas and powerful characters… until the very end which had disappointed everybody (at least at the time the reviews were made, so by the 2000s/early 2010s). As a result I went into this novel saying to myself “Okay, the beginning and middle will be great, the end will be bad, get ready”. And… what a surprise! The ending was not bad at all. A bit confused and rushed but… it was a good ending. Or rather a fitting ending (because it is not a happy or positive one, nor is it a negative one – it is a grandiose, tragic, bittersweet but hopeful ending perfect for the tone of the novel and the project the author set upon himself). If you ask me, all the reviews were wrong – and I had been deceived for the best, since the novel surpassed what I was expecting. Now, I won’t throw the stone, I actually understand why these readers were disappointed with the ending and I’ll explain why (spoiler: it is a question of context and point of view). For now, I’ll simply say that I greatly love this novel which definitively goes into my top French fantasy novels.

In terms of editions and publications, a few indications… This is one of those typical edition thingies that are so peculiar to France. The novel was originally published as a series of novellas. Four in total, between 1985 and 1987, in the “Anticipations” collection of the Fleuve Noir publishing house (it was still in this era where in France fantasy and sci-fi were sold together as one and the same). Later, the four novellas were collected into one full volume, one novel divided into four parts. This complete volume was published in 2000 (in a small format by the J’ai Lu Poche Fantasy, in a large format by Denoël collection Lunes d'encre), and it is both the version I read and the one most people refer to when talking about “Les flammes de la nuit”. I do not know if the text was edited or slightly rewritten for this new format – I don’t think so, but I have to admit the text felt so much like an early 2000s story I was quite surprised it came from the mid-80s… There’s quite notably the fact the main character is openly bisexual, but hey, the 80s in France were quite a time too… More recently in 2014 Les Moutons Electrique republished the integral in a large format, and then in 2022 in a middle format, proving this novel’s great and enduring success.

[Note: As I am writing this post I made a quick checklist and I just discovered that Michel Pagel actually was the French translator of Neil Gaiman’s Anansi Boys and American Gods, as well as of Gary Gygax’s Monster Manual for D&D… Wow, that was a total surprise – and it does explain some things, I notably see how Neil Gaiman’s writing could have had an influence over this novel…]

Let me briefly set you in the mood the very first pages plunge the reader into… We follow an old man who is travelling on a pilgrimage to a great lake at the center of a medieval kingdom name Fuinör. He isn’t just any old man: it is but one of his masks. He is the Enchanter, a great and powerful wizard as old as the universe itself, a supernatural being known to take many forms, and who can be as much a wild animal of omens as a seducing woman luring knights to an uncertain doom… Once he reaches the great lake, called the Mirror for its still waters form the perfect reflection of the sky and the sun above it, in a great burst of light, the sun disappears… and reappears. But the sun is not golden anymore: it is green. And with the sun everything changed color within Fuinör: the sky is not blue but indigo, the sea is the color of emerald, the trees have blue leaves, human skin is orange… And this is perfectly normal, for in the world of Fuinör, every seven years the sun is reborn above the lake, turning into a different color, and with it everything in the world also changes its hue. And as such, seven year by seven year, the light goes through all the seven colors of the rainbow…

This sets the stage for what “Les flammes de la nuit” is. And it is many, many things, a story which likes the sun of Fuinör undergoes different stages and tones (the serial publication helps this feeling of slow transition and evolution throughout the novel).

The story opens as an open, cynical and dark parody of fairytales – for the world of Fuinör is a world of stock fairytales. It is a world in which, when the king has a daughter, seven fairies, each for each color of the rainbow, arrive to bless her with all the usual gifts – beauty, grace, singing – while carefully avoiding anything like strength or intelligence, for these are male gifts for those destined to rule. It is a world in which, when the queen gives an heir to her king (and there is always only one king and one queen), she must die in labor – and if she happens to survive… then the royal doctor must prepare a certain powder to make sure the queen respects the tradition. It is a world where barons often declare themselves vile rebels and wicked usurpers and try to overthrow the high king… but they are always defeated because the law claims there can only be one rebellion at a time, and each baron must warn in advance the king and let him decide how, when and where he wants to do the battle. It is a world where there is a land for each thing – quite literally. Fuinör is divided into different “countries” each dedicated to a specific area: there is a land of Hunting, where the hunts take place, and any hunting elsewhere is outlawed. There is a land for War, and nobody would ever think of waging war elsewhere than there. There is a land for Love, and all love and romance and sex can only take place within its boundaries. Such as the laws, and the customs, and the traditions, and they have always been since the beginning of time…

Fuinör is a mix of all the classical fairytales and the traditional medieval romance and Arthurian tales – but all taken to an extreme. Fuinör is a world stuck in an endless cycle of loops, where the events all repeat themselves in the same way with predictable end, where everyone is given a specific role and fate since birth, where everything is stuck under an order that has been decided by ominous gods a long time ago, and where no surprise and no disorder can ever happen. The brave knights in shining armor always win the heart of princesses, the high king is always victorious of anyone that tries to take his throne – and if someone ever does, THEY are the rightful high king and the other is the usurper – and the peasants… well who cares, they don’t count, they’re not even considered human, they are just here to work and be background props.

But things will change… Things will change thanks to the Enchanter, who decides that when the new princess of the kingdom is born, little Rowena, she shall receive a gift no other princess ever received… the gift of intelligence. An intelligence that will allow her to understand the absurd logic of her world, and use the sclerosis of archetypes and the rigidity of millennia-old customs to her advantage. An intelligence that will make her greater and more powerful than anyone – an intelligence that will threaten the very existence of Fuinör… Thus is the beginning of “Les Flammes de la Nuit”.

The beginning of the novel, Rowena’s own youth and story, is clearly designed to deconstruct all the archetypes, stereotypes and point out all the bad side of both the generic fairytale (especially Disney’s version of fairytales – the novel is filled with jabs at Disney and the “Americanized” fairytale, the seven fairies being basically Disney’s fairy godmothers mixed with Glinda from The Wizard of Oz MGM movie) and of the Arthurian romance as we know it today. It does not mean Michel Pagel hates those genres, quite the contrary! This book heavily pays homage to both domain, in which Pagel has clearly a great interest. In fact, this book is much more “medieval romance/Arthurian epic” than fairytale in tone, and while anybody who saw the Disney movies or read Perrault will get the fairytale references, I do believe someone with zero knowledge of the Arthuriana will miss a LOT of cultural jokes and clever references in this text. From the get go the Enchanter is clearly supposed to be inspired by Merlin from the Arthurian myth – but not the Disneyified, Americanized Merlin. The original Merlin, Myrddinn, the mythical, legendary, ambiguous and terrifying entity that exists beyond shapes and times and manipulates fate as he pleases… In a similar way, if you haven’t done any research on the evolution of the legend of Avalon you won’t get how twisted and cool the climax within the domain of the Fairies is… But I won’t reveal too much spoilers.

But loving doesn’t mean being uncritical, and this book is clearly the result of Michel Pagel thinking about what he adores, and highlighting in an entertaining way all that is wrong with those classical tales. The first part of the story is centered around Rowena, this intelligent and daring girl born within a world of the worst fairytale stereotypes and outdated medieval chivalry. And as she grows up she gets to explore what others were too afraid to explore, she understands what nobody understood, she gains power nobody had access to before… all the while suffering from what her world really is: unfair, classicist, sexist, misogynistic and abusive. And this begins already the bittersweet tone of the novel. At the same time we have a very funny parody that enjoys dark humor and plays all the code of the traditional “fractured fairytale”, and yet it alternates with very sad and dark moments where Rowena is confronted with the cruelties of such a universe and understands why being an intelligent girl in a world where women are to be submissive and stupid can be dangerous. But all is in fact set and prepared for her own fate, prepared by the Enchanter in person: for Rowena will become… the Witch.

And of course I love this, because who doesn’t get to love a dark retelling of fairytales, who doesn’t like a faithful retelling of medieval epics with an acute sense of modern values clashing with outdated morals, who doesn’t get to love the story of how a girl became a witch-queen? But… I think this is where the “fracture” with a certain part of the audience happened. I will return to the reviews I talked about above: many people thought the ending was worthless or were betrayed by it. Having read the novel I understand why they felt that: in their own words, they were sold and expected a feminist retelling of fairytales about breaking conventions and stereotypes. They were sold the story of a girl being a hero, and the old fairytale clichés being mercilessly mocked and denounced and beaten upon. And that was it for them. As such, yes, the ending probably disappointed them… Because it isn’t what the story is about.

It is made clear in the beginning of the story: being a Witch is not a pleasant thing. It is not a power fantasy. It might look like it, and Rowena uses it as such, but we are clearly warned that a Witch is still an unpleasant, dangerous and sometimes disgusting existence which will require suffering, both inflicted by the Witch and received by her. It is in such a path Rowena sets herself upon – and this is part of a greater scope of things. Rowena is the main character of the novel, but she is part of a wider plot by the Enchanter. The Enchanter wants to break the endless, frozen cycle of Fuinör. He wants to destroy those paralyzing traditions and this unnatural order. He wants to plunge back the world into chaos – a benevolent, needed, positive chaos, but a chaos still. And one of the very strong messages of this tale is: a need to go beyond Manicheism. To go beyond simplistic duality or archetypal characters. What Rowena, and the Enchanter, and others later, bring is complexity. The entire point of the novel is to go beyond the idea that there is all good and all bad, clear cut good and evil, black and white. As such, slowly as the cosmic battle wages on, as the Tradition and the Divine Law unravel, the characters grow into shades of gray as all their values, their positions and their allegiances are redefined, put to test or exposed, as the very machine of the universe starts to be pulled apart. Characters that start out as nice and lovable heroes turn into selfish villains. Characters that appear as flawed jerks and unsympathetic narrators learn from their mistake and grow heroic and wise. Courageous warriors grow into cowards, figures of sanity become mad, and this entire novel is the story of one huge revolution where everything changes: moralities, social hierarchies, laws of justice, and even genders! (The novel notably features an exploration of non-binary genders through one specific character – or three depending on how you count it – not including the various shapeshifting of the supernatural entities, which again helps make it resonate with a modern audience despite being around for quite a long time)

As such, no, this story is not a feminist power fantasy, and those that go in expecting this will be disappointed. It is a much, much larger and complex story about an entire world, about this fictional place born out of the classic fairytales and the medieval romances and the Arthuriana, and how this thing is confronted with its own choice of “evolve or die”. And this is still a very powerful and admirable story, which at the same plays subverts tropes, while also playing many clichés and stereotypes straight, but with a clear knowledge of this. Some people in the reviews said they were disappointed that ultimately, it seemed that Michel Pagel, in trying to break down and denounce clichés, ended up himself reasserting those same clichés. And I honestly do not think it is the case – as the novel is rather a strong defense of “We should get rid of all clichés and stereotypes, because they’re always going to trap us, no matter on which side they are”. But again, I can’t reveal too much without spoiling this long modern epic.

A good example of why for example this novel isn’t a pure “feminist fantasy” as many believed: Rowena is not the only main character. There’s another one, a “male counterpart” so to speak of the Witch-Queen in training. A character who doesn’t really have a name (well he has one but it is kind of a spoiler domain), and whose own backstory forms the second part of the novel (or the second novella of the series). A character who lives in a different part of Fuinör, and also should have been trapped in a cycle of millennia-old rituals and binding traditions and unfair customs, but whose fate changes completely due to the interventions of the Witch and the Enchanter… Except that, whereas with Rowena we had a bittersweet parody of Disney movies and traditional fairytales, with this second character we rather explore a deconstruction and attack of a different type of folktales. There is notably a brutal takedown of the whole “Journey of the Hero” system and the “Monomyth” idea. And I don’t say “brutal” lightly: this part of the novel is very, very brutal, physically speaking. Because this second main character is the helpful companion on the road in fairytales that helps the hero get the girl while himself having nothing. He is also the stock archetype of the Fool doomed to make mistakes and be ridiculed or punished. And he is the False Pretender, the False Hero of fairytales here to put in value the True Hero… Except we are told the story through his point of view. Except he is not evil, he is a guy who is trying his best but is put in an unfair position and only gets endless bullying. Except the True Hero doesn’t seem to be deserving of his position, and the question is raised of “Maybe the other guy should have been the Hero”… But here we shift into a fantasy version of what Terry Gilliam’s “Brazil” was and we fully explore the magical dystopia that is Fuinör.

Overall I do have to say… I think so far the closest thing I have seen in terms of overall tone and ambiance, in the English-speaking world, to compare these works… would be Dimension 20’s season “Neverafter”. Both works deal with a very funny parody but also very dark twisting of fairytales and folktales. Both deal with characters being abused and going through horrors at the end of great cosmic powers and otherworldly narrators. Both tread between comedy and horror ; and both deal with the protagonists’ attempt at breaking endless cycles set upon by fairies (because, in both Pagel’s novel and Dimension 20, the fairies are one of the numerous antagonists as the ruthless and terrifying enforcers of the “laws of fairytales” that get everybody stuck in their roles and functions). Of course, the two works are very different beyond that… But there is a common bone.

A final element I need to add so that you get a full understanding of this novel: Michel Pagel placed his book under the patronage of Shakespeare. And if the fact every part opens with a quote from one of Shakespeare’s play, from Hamlet to Macbeth passing by Romeo and Juliet, King Lear and more, wasn’t enough, anyone versed in Shakespearian studies will see how among the many archetypes and stock tropes of the novel, those of Shakespeare also regularly pop up. Someone once wrote that this novel started out as a fairytale parody, but slowly evolved into a Shakespearian tragedy, and I cannot agree more. It does start out as a dark and morbid but entertaining parody – and then things get really brutal, really violent, really sad, really serious, and we enter a terrible and dreary fantasy, but still very poetic and very human, that moves towards a universe where all of Shakespeare’s greatest cruelties fit right at home. The novel most notably has a lot, a LOT of fun exploring the Shakespearian archetype of the “Fool”. There’s almost two handfuls of characters that each is meant to explore a different aspect of the Shakespearian Fool, each expressing a difference nuance of it (the famous non-binary character is one of them, paying homage to the typical gender-plays and gender-questioning within Shakespeare’s plays) – and I am glad to be a Shakespeare enjoyer when reading this novel because again, a random person with zero Shakespeare knowledge would miss a lot of things. (Which again is I believe the reason the Internet reviews attacked this novel, there is a certain degree of medieval and literary knowledge needed to get the parts of this novel that pay homage to the older texts and more ancient roots of the clichéd, Disneyified myths we have today… Without it the novel can still be read, but it might seem much weirder and bleaker than it truly is)

Finally a flaw, because there needs to be a flaw in every review, it can’t all be glowing: I do admit that of the four parts composing this novel, the fourth one did felt unbalanced. Notably the author seemed to spend too much time, description and effort on characters barely introduced (which at the ending climax of a story is not good), and not enough on the characters we were following since the very beginning… But I will blame that on the fact the fourth part was originally meant to be an independent novella read one year after the last part was published. I do believe that, while putting the full series in one volume is quite convenient if you want to buy something to read over holidays, it does make one feel a bit tired by the end since you literally absorb four years of writing into one go… So, my advice would be to enjoy this book by making pauses between each part, to not do an “overdose” that would be too abrupt.

Or two flaw, I feel generous: when it comes to the second part, it felt a tad bit repetitive. A tad bit too much repetitive. I get that we are supposed to have a hopeful character that is trying his best to make things work and obtain what he wishes for, and we are supposed to fully get the injustice of the situation and the hardness of this world… But precisely because of how it explores casual violence and vicious brutality, the repetitiveness is felt more. It’s a type of “break the cutie” (who isn’t here so much a “cutie” as a morally neutral human being) scenario, and I am not well placed to say if the author did just enough or too much.

[Edit: I do love how the original covers for the 80s series tried their best to make it seem like a full horror series... when it is not]

#fantasy novel #fantasy #book review #fantasy book #french literature #french novel #michel pagel #les flammes de la nuit #french fantasy #medieval romance #dark fairytale #neverafter #fairytale parody #deconstruction #subversion #shakespearian #shakespeare

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