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#rodney ingram
operafantomet · 12 days
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NO CONTEXT SUPERHERO-RAOUL PHOTOS
Tomas Ambt Kofod, Copenhagen
Rodney Ingram, Broadway
Kyle Barisich, Broadway
Anton Zetterholm, Stockholm
Hwang Gun Ha, Seoul
Toby Joch, Oberhausen
Li Chenxi and Lin Shao, Shanghai
Patrick Wilson, 2004 movie
Nicky Wuchinger and Valerie Link, Hamburg
Ben Jacoby and Mark Campbell, Restaged US Tour
Ray Gabbard, Hamburg
John Riddle, Broadway
Björn Olsson, Hamburg
John Riddle, Broadway
Rodney Ingram, Broadway
Scott Gregory, Hamburg
Ray Gabbard, Hamburg
Björn Olsson, Hamburg
Ramin Karimloo, West End
Unidentified, Tokyo
Rhys Whitfield and Lucy St Louis, West End revival
Nadim Naaman and Celinde Schoenmaker, West End
Simon Thomas and Sofia Escobar, West End
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derekklenadaily · 11 days
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SMALL SNEAK PEEKS OF DEREK'S PERFORMANCES DURING THE LIVESTREAM OF 21ST CENTURY BROADWAY CONCERT! IN THE FIRST HALF, HE KNOCKED IT OUT OF THE PARK WITH "MY PETERSBURG" FROM 'ANASTASIA', "PERFECT" FROM JAGGED LITTLE PILL AND "YOU MATTER TO ME" FROM 'WAITRESS' WITH ALI STROKER! ANOTHER SMALL SNEAK PEEKS OF DEREK'S PERFORMANCES DURING THE LIVESTREAM OF 21ST CENTURY BROADWAY CONCERT! THE CAST BEGAN IN THE SECOND HALF WITH "PURPLE SUMMER" FROM 'SPRING AWAKENING', HE AND RODNEY SANG "DEAR THEODOSIA" FROM 'HAMILTON' WITH RODNEY, HIS SOLO PIECE "GOODBYE" FROM 'CATCH ME IF YOU CAN' THEN HE CONCLUDED THE SHOW WITH "YOU WILL BE FOUND" FROM 'DEAR EVAN HANSEN' AND "OPENING UP" (FINALE) WITH THE TUTS - PREPROFESIONAL COMPANY MEMBERS! HOPEFULLY THIS CONCERT WILL MAKE ITS WAY ACROSS THE COUNTRY, GIVING THE AUDIENCE A LITTLE TASTE OF BROADWAY!
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genevieveetguy · 3 days
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Scrubbers, Mai Zetterling (1982)
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glassprism · 1 month
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I'm asking this as someone who absolutely ADORES Lucy St. Louis as Christine, do you think Lucy would have been cast as Christine if Covid never happened?
Kelly Mathieson did say at the time that she was going to be leaving at the 2020 Cast Change, so we would have been getting a new Christine regardless
But, I have always had this feeling, due to the other circumstances that occurred in Phantom London at the time, that Lucy St. Louis' casting as Christine was a bit of a "Consolation Prize"/"Compensation?"
Am I alone in this mindset?
I think she would have been cast, but it would have been very different circumstances from how it happened in 2020.
For one thing, IMO COVID-19 and the subsequent shutdown provided a perfect excuse for CamMack and co. to shutter the original West End production and push in their modified version. So had COVID-19 not occurred, the original West End production might very well still be going, albeit with some changes regardless (I know that even before the shutdown, the Golden Angel had stopped working and the technology for it was too old for them to fix, so something might have changed there). So Lucy St Louis might very well have been cast as Christine, and there would probably still have been huge fanfare for her as the first black Christine in Phantom on West End if she was indeed the first, but it would have been as a replacement Christine, perhaps even an alternate, not as the original principal Christine of the West End revival.
But additionally... I do agree with you that Lucy St Louis's casting, right when it was announced that the original West End production had been shut down and they were opening a new, modified version... yeah, it was something of a diversionary marketing practice. I know some people don't like that argument, for understandable reasons, as it seems to downplay Lucy St Louis's considerable talents, her deserved fame now, and all the work it took her to get to where she is now.
But ignoring that most every actor gets where they are through a combination of talent, work, and plain good luck and connections (see, for an extreme example, Katie Knight Adams being cast as Christine because CamMack wanted her in the role), I also don't see this a a knock against Lucy St Louis at all. Rather, it's pointing out what should be obvious now: companies and corporations will use diversity as a marketing tactic. They will! They know it's something people want to see, they know it gives them "virtuous corporation" points or whatever you want to call it, and they know if they do it, people will sigh and go, "Okay, they did so-and-so sucky things, but on the other hand they are trying to be more inclusive and representative of minorities, so I guess they're okay..."
And I think that was exactly what CamMack and co. were doing here: "Okay, the phans are going to be mad at us for doing this, but what if we did this..." It's a case of being mad at the higher-ups for their cynical use of diversity as a marketing ploy and sop to fans, not to downgrade Lucy St Louis (who is also one of my favorite Christines!) or say she was "only" cast because she's black. None of this is on Lucy St Louis, it's on the people in charge of the show, and it just sucks because, just like the circumstances of the West End revival, it creates this pall on her casting which she does not deserve.
And yet... and yet... IMO had the COVID shutdown not happened, I don't think Lucy St Louis would have been cast in 2020; I think hers or similar casting would have occurred far, far later down the line, because as much as ALW and co. were talking a big talk about diversity, it sure wasn't happening that much in Phantom pre-COVID. (Like, whoo, we got Ali Ewoldt, Jordan Donica, and Rodney Ingram in 2016-2017, but do we get anyone else after? Nope. Oh boy, we got our first Asian Raoul in the West End in the year of our Lord 2019 and he's an understudy, let's celebrate guys.)
And I know this is all speculation, I don't know anything about this alternate timeline other than guesses... but it brings up that conundrum of what are we willing to accept. When is casting diversely okay? Is it all right even when it's being done to make money? Should we expect corporations to do it "out of the goodness of their heart"? When are the benefits of representation and helping minorities feel seen outweighed by the fact that this was done for purely marketing practices? It's something I think a lot of people are grappling with in this era. And I don't have an answer for you on that.
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hearteyesmcgarrett · 3 months
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after some absolutely ridiculous sleuthing of Rodney's room from Tipper (from the SGA fanart server) and I, we have confirmed the following about Rodney:
he has a PHD in Aeronautical Sciences from Northeastern University
he has a degree (cant tell the level or the field) from MIT
it looks like he has at least 6 diplomas on his wall (two of which are PHDs per canon dialogue)
this means canonically he has degrees in aeronautical sciences, physics, and mechanical engineering
also the name on his diplomas is "Rodney Ingram McKay" lmao
source: Duet
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ldflow3r · 2 years
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this is purely an appreciation post for the 2011 25th Anniversary Phantom of the Opera Final Lair Scene:
youtube
First of all, Sierra, Ramin, and Hadley are what make this so amazing. They all gave such a fabulous performance here, it is what makes this scene so so good in my opinion.
Second, all of their costumes are incredible. But, Sierra's christine wedding dress is infamous for being ridiculously heavy and difficult to move in. So, that just makes her jaw-dropping performance even more impressive.
Third, Hadley's faces in this scene are spectacular. Watch this scene again and just watch him the entire time, it's great.
Fourth i guess? wow this got away from me fast: Ramin just sells this character and this scene so hard. Like, I've never seen a better Phantom performance, and this goes for all of them. His acting is so thoroughly nuanced, and his voice is obviously phenomenal. He truly conveys this character in such an honest, realistic way. Also, how he is able to go from guttural screaming to soft, gentle singing will never be real to me.
To finish, "Angel of music, you deceived me," is my favorite line in the entire show. And Sierra delivers it so genuinely, it never fails to take my breath away. It is so good!
If I haven't made it obvious already, I love this production of Phantom, and I really like the show itself. It really, really has it's flaws, and don't get me started on Love Never Dies, but I enjoy it's music and it's story and it's characters. This specific cast is probably my favorite, but there are many others I also really enjoy. The 2018 Broadway Company is another that comes to mind that I also adore, with Ali Ewoldt, Peter Jöback, and Rodney Ingram.
I would really love if this youtube channel would upload more of the show, even though i could watch the show on my own perfectly fine lmao
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marleneoftheopera · 2 years
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Do you know if there’s a way to find out every main christine/raoul/phantom that’s been on broadway?
This page has a pretty good list of all the main actors for a lot of productions, including Broadway. Now bear in mind that it only goes up to 2013 for Broadway; the comments below it may have additions. Also note that this list goes by brochures and such, so there could very likely be an actor that came in for a shorter time that's missing.
To fill in for the missing actors, here are the main trios since 2013 (though I am probably missing some here and there too):
Peter Jöback, Samantha Hill (Marni Raab), Kyle Barisich
Peter Jöback, Marni Raab (Mary Michael Patterson), Kyle Barisich
Hugh Panaro, Marni Raab? (Mary Michael Patterson), Jeremy Hays
Norm Lewis, Sierra Boggess (Sara Jean Ford), Jeremy Hays
Norm Lewis, Sierra Boggess (Mary Michael Patterson), Jeremy Hays
Norm Lewis, Mary Michael Patterson (Kaley Ann Voorhees), Jeremy Hays
Norm Lewis, Julia Udine (Kaley Ann Voorhees), Jeremy Hays
James Barbour, Julia Udine (Kaley Ann Voorhees), Jeremy Hays
James Barbour, Julia Udine (Rachel Zatcoff), Jeremy Hays
James Barbour, Ali Ewoldt (Rachel Eskenazi-Gold), Jordan Donica
James Barbour, Ali Ewoldt (Rachel Eskenazi-Gold), Rodney Ingram
James Barbour, Ali Ewoldt (Kaley Ann Voorhees), Rodney Ingram
Peter Jöback, Ali Ewoldt (Kaley Ann Voorhees), Rodney Ingram
Ben Crawford, Ali Ewoldt (Kaley Ann Voorhees), Rodney Ingram
Ben Crawford, Ali Ewoldt (Kaley Ann Voorhees), Jay Armstrong Johnson
Ben Crawford, Kaley Ann Voorhees (Eryn LeCroy), Jay Armstrong Johnson
Ben Crawford, Kaley Ann Voorhees (Eryn LeCroy), John Riddle
Ben Crawford, Meghan Picerno (Eryn LeCroy), John Riddle
Ben Crawford, Meghan Picerno (Emilie Kouatchou), John Riddle
Ben Crawford, Emilie Kouatchou, (Julia Udine), John Riddle
Ben Crawford, Emilie Kouatchou, (Julia Udine), Jordan Donica
Note that John Riddle has returned since Jordan's limited run and will depart October 23rd. So there will be a new trio to add to this list for the final few months.
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andrewlloydwebber · 2 years
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okay place your bets on whether they will cast a temporary replacement raoul on broadway. my guesses:
matt leisy! he's the last raoul personally approved of by hal prince, he deserves a broadway run and a proper last performance since the world tour got cancelled. he last performed in december 2020, so he's more recent than some of the other raouls on this list
jay armstrong johnson aka roboraoul. i don't want to manifest this but he was raoul before john riddle so i wonder if they will bring him back if he's not busy.
rodney ingram is doing aladdin in mexico so i think that's unlikely too
i think if they promote any of the understudies for the next few weeks, it's most likely to be bronson norris murphy but idk why
dark horse: rhys whitfield. this is 100% wishful thinking, he probably has a new project waiting to be announced. and i doubt the producers would ever be able to justify it to equity. i just want to see him live as raoul
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jubaunetwork · 3 months
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L'excitation monte alors que la 66e cérémonie annuelle des GRAMMY Awards approche à grands pas. Cette année, l'auteur-compositeur/producteur acclamé, activiste et actuel nominé aux GRAMMY, Justin Tranter, animera l'événement. La cérémonie se déroulera en direct du Peacock Theatre de Los Angeles et sera diffusée à travers le monde. Pour lancer ce spectacle spectaculaire, un numéro d'ouverture époustouflant mettra en vedette certains des artistes les plus talentueux de l'industrie musicale. Une performance d'ouverture inoubliable Le numéro d'ouverture de cette année promet d'être mémorable, avec une collaboration extraordinaire entre J. Ivy, Larkin Poe, Pentatonix, Sheila E. et Jordin Sparks. Ces artistes talentueux prendront d'assaut la scène, offrant une performance qui captivera le public et préparera le terrain pour une soirée de célébration musicale éblouissante. Découvrez les artistes programmés Outre les incroyables artistes ouvrant le spectacle, une pléiade de talents est prévue tout au long de la cérémonie. Parmi les artistes programmés figurent les nominés actuels Adam Blackstone, Brandy Clark, Kirk Franklin, Robert Glasper, Bob James, Laufey, Terrace Martin et Gaby Moreno, ainsi que l'artiste/batteur nominé aux GRAMMY Harvey Mason Sr. Les performances de ces artistes hautement acclamés promettent d'électriser le public et de rendre cette soirée inoubliable. La présence de présentateurs de renom Les présentateurs de la 66e cérémonie annuelle de première des GRAMMY Awards ne sont pas en reste. Des personnalités talentueuses telles que Patti Austin, Natalia Lafourcade, Carly Pearce, Molly Tuttle, Rufus Wainwright et Jimmy Jam auront l'honneur de prendre le micro et de présenter les gagnants de plus de 80 catégories. Le discours d'ouverture sera prononcé par Harvey Mason jr, PDG de la Recording Academy, et Tammy Hurt, présidente du conseil d'administration. Un événement sponsorisé par City National Bank Pour la deuxième année consécutive, City National Bank sera le sponsor principal de la cérémonie de première des GRAMMY Awards. Partenaire officiel des GRAMMY Awards, la banque contribue à faire de cet événement exceptionnel une réalité. Voici une liste des nominés aux Grammy Awards dans les catégories Gospel et Musique Chrétiennes Contemporaines : Meilleure Performance/Chanson Gospel Ce prix est décerné à l'artiste(s) et compositeur(s) (pour les nouvelles compositions) de la meilleure chanson ou morceau gospel traditionnel chrétien, gospel roots ou gospel contemporain. - "God Is Good" par Stanley Brown en featuring avec Hezekiah Walker, Kierra Sheard & Karen Clark Sheard ; Stanley Brown, Karen V Clark Sheard, Kaylah Jiavanni Harvey, Rodney Jerkins, Elyse Victoria Johnson, J Drew Sheard II, Kierra Valencia Sheard & Hezekiah Walker, paroliers - "Feel Alright (Blessed)" par Erica Campbell ; Erica Campbell, Warryn Campbell, Juan Winans & Marvin L. Winans, paroliers - "Lord Do It For Me (Live)" par Zacardi Cortez ; Marcus Calyen, Zacardi Cortez & Kerry Douglas, paroliers - "God Is" par Melvin Crispell III - "All Things" par Kirk Franklin ; Kirk Franklin, parolier Meilleure Performance/Chanson de Musique Chrétienne Contemporaine Ce prix est décerné à l'artiste(s) et compositeur(s) (pour les nouvelles compositions) de la meilleure chanson ou morceau de musique chrétienne contemporaine (pop, rap/hip-hop, latin ou rock). - "Believe" par Blessing Offor ; Hank Bentley & Blessing Offor, paroliers - "Firm Foundation (He Won't) [Live]" par Cody Carnes - "Thank God I Do" par Lauren Daigle ; Lauren Daigle & Jason Ingram, paroliers - "Love Me Like I Am" par for KING & COUNTRY en featuring avec Jordin Sparks - "Your Power" par Lecrae & Tasha Cobbs Leonard ; Alexandria Dollar, Jordan Dollar, Antonio Gardener, Micheal Girgenti, Lasanna "Ace" Harris, David Hein, Deandre Hunter, Dylan Hyde, Christian Louisana, Patrick Darius Mix Jr., Lecrae Moore, Justin Pelham, Jeffrey Lawrence Shannon, Allen Swoope, paroliers - "God Problems" par Maverick City
Music, Chandler Moore & Naomi Raine ; Daniel Bashta, Chris Davenport, Ryan Ellis & Naomi Raine, paroliers Meilleur Album Gospel Pour les albums contenant plus de 75% de musique vocale enregistrée récemment gospel traditionnel ou gospel contemporain/R&B. - "I Love You" par Erica Campbell - "Hymns (Live)" par Tasha Cobbs Leonard - "The Maverick Way" par Maverick City Music - "My Truth" par Jonathan McReynolds - "All Things New: Live In Orlando" par Tye Tribbett Meilleur Album de Musique Chrétienne Contemporaine Pour les albums contenant plus de 75% de musique vocale enregistrée récemment de musique chrétienne contemporaine, incluant pop, rap/hip-hop, latin ou rock. - "My Tribe" par Blessing Offor - "Emanuel" par Da' T.R.U.T.H. - "Lauren Daigle" par Lauren Daigle - "Church Clothes 4" par Lecrae - "I Believe" par Phil Wickham Meilleur Album Gospel Roots Pour les albums contenant plus de 75% de musique vocale enregistrée récemment de gospel traditionnel/roots, incluant country, Southern gospel, bluegrass et Americana. - "Tribute To The King" par The Blackwood Brothers Quartet - "Echoes Of The South" par Blind Boys Of Alabama - "Songs That Pulled Me Through The Tough Times" par Becky Isaacs Bowman - "Meet Me At The Cross" par Brian Free & Assurance - "Shine: The Darker The Night The Brighter The Light" par Gaither Vocal Band La cérémonie de première des 66e GRAMMY Awards s'annonce comme une soirée inoubliable. Les performances, les présentateurs et les nominés seront réunis pour célébrer une année musicale exceptionnelle. Ne manquez pas cette soirée incroyable, diffusée en direct le dimanche 4 février sur le réseau de la Recording Academy et sur live.GRAMMY.com. Préparez-vous à être éblouis et à applaudir les lauréats de cette cérémonie musicale légendaire. Source de l'information Suivez-nous sur Facebook Autres liens: Le premier livre de Tasha Cobbs Leonard: Do It Anywhere: Don’t Give Up Before It Gets Good #gospel #music #worship #praise #news #musique #évangélique #actualités #bgospelmagazine #bgospel
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Rodney Ingram and Ali Ewoldt
2017 Broadway
Credit: Matthew Murphy
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Casting Goals for Rodney Ingram?
Casting Goals
Dmitry in Anastasia
Clyde Barrow in Bonnie & Clyde
Usnavi in In the Heights
Joseph in Joseph and the Amazing Technicolor Dreamcoat
Marius in Les Miserables
Prince Eric in The Little Mermaid
Chris in Miss Saigon
Curly in Oklahoma!
Pippin in Pippin
Anthony Hope in Sweeney Todd
Fiyero in Wicked
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operafantomet · 2 years
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The rare case of two of three leads being POC (*)
Michael Malieki and Derrick Davis, Restaged US Tour
Rodney Ingram and Ali Ewoldt, Broadway
Lucy St Louis and Jemal Felix, West End
Ramin Karimloo and Leila Benn Harris, West End
Jordan Donica and Emilie Kouatchou, Broadway
Beatrice Penny-Touré and Jemal Felix, West End
Jordan Donica and Ali Ewoldt, Broadway
(*) Here I’m obviously not referring the productions in South Korea and Japan, where the whole cast usually is South Korean / Japanese.
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derekklenadaily · 9 days
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Houston Symphony's Instagram Story (April 7, 2024)
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eriksangel666 · 3 years
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Give this band a name
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evanhansens · 3 years
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a whole new world || rodney ingram and arielle jacobs || aladdin: the musical [march 11th 2020 (matinee)] - second to last performance before shutdown. 
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anntickwittee · 4 years
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Go the Distance
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