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#robot film
k-i-l-l-e-r-b-e-e-6-9 · 8 months
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𝔗-Ցօօ ℜ𝔬𝔟𝔬𝔱 𝔉𝔦𝔩𝔪: 𝔗𝔢𝔯𝔪𝔦𝔫𝔞𝔱𝔬𝔯 շ: 𝔍𝔲𝔡𝔤𝔪𝔢𝔫𝔱 𝔇𝔞𝔶 (𝔲𝔰𝔞/𝔣𝔯 յգգյ) 𝔇𝔦𝔯𝔢𝔠𝔱𝔬𝔯: 𝔍𝔞𝔪𝔢𝔰 ℭ𝔞𝔪𝔢𝔯𝔬𝔫
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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l-ultimo-squalo · 6 months
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Robot Carnival (1987)
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catfoxposts-blog · 2 months
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Just saw the trailer for Dreamwork's newly announced The Wild Robot.
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trashcora · 1 month
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ANIMATED FOXES IN FILM 🦊
Robin Hood in Robin Hood (1973)
Todd & Vixey in The Fox and the Hound (1981)
Mr. & Mrs. Fox in Fantastic Mr. Fox (2009)
Nick Wilde in Zootopia (2016)
Fink the Fox in The Wild Robot (2024)
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lesserknownbots · 4 months
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Robot from the graphic novel "Robot Dreams" and its animated feature of the same title.
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lizardzap · 7 months
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DO YOU UNDERSTAND.
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rider6666 · 2 months
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MegOp human version 💕
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0046incognito · 4 days
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don't you feel blissful here?
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se7enpixels · 2 months
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Robot Dreams (2023) dir. Pablo Berger
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Dislocation (Huang Jianxin, 1986)
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k-i-l-l-e-r-b-e-e-6-9 · 2 months
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Terminator 2: Judgment Day (1991) directed by James Cameron
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thehauntedrocket · 2 months
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Metropolis
Art by Michael Kaluta
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chernobog13 · 6 days
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Ro-Man, the Robot Monster, attacks!
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amerricanartwork · 1 month
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I got so freaking excited seeing the trailer for "The Wild Robot", so naturally some fanart was in order! I didn't expect the painting to look so oily and have so many softer edges, but I still think it came out really nice and was good practice! Colored pencil really has helped me figure out a personal painting process, as here I actually used a similar layering technique as when I work in colored pencil.
Aside from that though, I haven't read the books yet (though I plan to after I see the film) but this movie looks like it's gonna hit so many of my favorite tropes and features when it comes to fiction and animated stories, including: non-human protagonists (and both of my favorite kinds, animals and robots!), stylized visuals, robot learning to be more than just their programming yet still maintaining their original robot skills and behavior to a degree, robot with emotions and unique ways of showing it, character in the wilds adapting by studying the animals, post-industrial-level technology existing in harmony with nature and the wilds rather than being portrayed as inherently harmful to nature and therefore inherently wrong to make (this is a big one for me), the odd duo, the gentle giant, a character finding belonging in an unexpected environment, just general wonder for the beauty of the wilds, and probably other things that'll come to me as I understand this story more.
But even beyond that, I just had to draw Roz because she's so freaking cute! Like, even excluding the adorable way she mimics the animals or glows when happy or how her "eyelids" give her more facial variation, in design alone she's so round and sweet looking! And somehow her being big and bulky to juxtapose her kindness with an strong and imposing stature just makes it even better! I love characters who are large and intimidating at first glance but total softies on the inside. Brightbill's definitely in good hands!
If the film holds up and Roz also has a clear and entertaining personality beyond just being curious and caring, there's a 60% chance that come September she'll become my new robot blorbo (roblorbo?), up there with C-3PO, Wall-E, and Five Pebbles!
Also, another version of the sketches from when they were just the lines for comparison!
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circus-bell · 1 month
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