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queermediastudies · 1 year
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The Real Monsters Are White Men
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The Fear Street Trilogy is probably one of the best queer horror trilogies to air in the last few years. This is because this film's true villain is privileged sacrificing the poor, non-white, and queer folks for wealth and power.
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The trilogy takes place in the town of Shadyside a town known as the murder capital of the U.S. The town is said to be cursed by the witch Sarah Fier who was executed in 1666. The town seems to suffer from a new mass murder every few years when one of the town’s folks seems to become ‘possessed by the witch’ and go on a killing spree. In contrast, the town next to Shadyside, Sunnyvale is considered one of the richest and safest U.S. The story started odd in 1994 and the main character is Deena Johnson, a Shadysider who just broke up with her girlfriend Sam Fraser because Sam’s family moved to Sunnyvale. 
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It becomes clear early on that one of the main reasons Sam’s family moved to Sunnyvale was to get her away from Shadyside and away from Deena. Sam’s mother very clearly does not approve of Sam’s romantic relationship with Denna and hopes Sunnyvale will make her ‘normal’. After a car wreck, Sam stumbles upon the unmarked grave of Sarah Fier, and upon bleeding on Fier’s body she experiences a terrible vision.
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 After this incident, the witch's curse seems to want Sam dead as all the past Shadyside killers are back as unstoppable spirits to kill Sam. To try and save Sam, Deena and her friends try to temporarily stop Sam’s heart and then resuscitate her. The plan seems to work until Sam becomes possessed by the witch just like the previous killers of Shadyside and tries to kill Deena.
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  Desperate to still save Sam, Deena ties her up and seeks the help of Ziggy Berman who was one of the sole survivors of a massacre from 1978 because her heart stopped before being revived by Nick Goode. 
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Ziggy relieves that she had found Sarah Fier’s severed hand. Just like Sam, when Ziggy bled on the hand, she had a terrible vision and was targeted by the past killer till she ‘died’. 
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After hearing this Deena decides the last chance, she must save Sam is to reunite Sarah Fier’s hand with the rest of her body in hopes to appease the witch enough to release Sam.
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  After reuniting Sarah Fier’s hand with her body, Deena gets the full vision and see’s what really happened in 1666. Sarah was a kind soul who carried for her father, brother, friends, and the town outcast Solomon Goode. It is revealed that Sarah fell in love with another local girl named Hannah Miller.
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 Soon after a strange curse starts to affect the town. Then Pastor Cyrus Miller murders all the children in the village becoming the first murderer of Shadyside. The town soon concludes witchcraft must be to blame and they start hunting for the witch. 
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Sarah finds out that it is Solomon who is cursing the town. Solomon made a deal with the devil by giving the name of a random person for the devil to possess and kill as many people as he chooses while possessing that person. In return, Solomon gets wealth, power, and good social standing. Solomon wants to share this gift with Sarah and marry her because she is always kind to him. She refuses and he strangles her. She can escape after losing her hand but soon she and Hannah are captured by the town’s folk and Solomon, and both are to be hung for witchcraft. To save Hannah, Sarah confesses to being the witch and poisoning Hannah’s mind.
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Just before Sarah is hung, she swears to curse Solomon Goode and his family forever. She swears to never stop trying to tell people the truth of what happened until his bloodline faces justice.
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This is also why Sunnyvale always seemed to get better while Shadyside always seemed to get worse. The Goode family every few decades or so would routinely sacrifice Shadyside to gain more wealth and power. 
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Therefore, Ziggy and Sam were targeted by the killers because Sarah was trying to show them the truth and the Goode family could not allow that. Deena now knowing the truth and being targeted by the Goodes decides the only way to permanently stop the curse is to kill Solomon’s current descent Sheriff Nick Goode.
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This trilogy shows a very truth that happens too often in history. A queer woman is persecuted, executed, and blamed for what is wrong with the town. Sam had to move to Sunnyvale because her mother didn’t above her relationship with Deena. Deena herself is a queer black woman and in her final confrontation with Nick Goode, he taunts her with his power of the curse and as the Sheriff saying no one cares what happens to Shadysiders like her and that she going to be ‘just another dyke who killed her girlfriend’. 
Nick knows what he is doing and is properly taking advantage of poor, brown, and queer folks of Shadyside for his own gain. This is the real scare truth for most queer people, “queer cinema makes new forms of worldliness visible, thinkable, and malleable.” (Schoonover & Galt, 2016) We also see time and time again how Shiderysider are constantly blamed for the state of their town. Sunnyvale and other people around the town assume that the Shadeysiders must have done something to deserve terrible fates. In the film, characters try to give all these justifications as I why these serial killers went on rampages. Some say because of drug abuse, greed, sickness, or that ‘everyone there is just evil’. This is very similar redecorate we see in real life when it comes to the queer community and bad things happening to them, “ambiguity, homophobia, stereotyping, confusion, doublethink, them versus us, blame the victims, wishful thinking. (Treichler, 1999)” Sarah Fier was a queer woman who was used to blaming all the terrible things that happened in Shadyside. Near the end of the film when Nick is attacking Deena, he thoughts her saying she is going to be remembered as ‘just another dyke who murdered her girlfriend.’ Nick was planning on using Deena as another scapegoat just like Sarah Fier and the ‘killer’. He is deliberately saying no one is going to care what happens to her because she is a queer black woman from Shadyside. Deena successfully killers Nick and can expose his family to the monsters they are.
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The trilogy ends with Sam and Deena giving Sarah a properly marked grave. Proclaiming her as the first Shadyside.
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  This is a marvelous horror trilogy that tells a classic slasher story but breaks the main horror tropes. Fear Street can absolutely be defined as a break-out text. It is one first mainstream horror films to feature a queer black woman as the lead protagonist. It also breaks many horror tropes specifically when it comes to being queer or black in a horror film. Black people in horror films have informally been used as side characters and cannon fodder in most horror films. Deena is not only the main character, but she and 2 other black recurring characters survive to the very end. Queer characters in horror have also been frequently killed off and used as villains. We see a similar setup with Sarah Fier and Sam. This trope is subverted when it's revealed that the Goode family had been evil along. They had also been actively trying to silence Sarah for 300 years as she desperately tried to tell anyone the truth. “By virtue of being the first, they exert a stronger cultural influence than similar media that come after them. (Cavalcante, 2017)” This film will very well influence future horror films to come and encourage them to break longstanding problematic tropes in film.
I adore horror and this is absolutely one of my favorite horror series. It was refusing to see such a change in existing tropes. As a queer person, it has always been disheartening to see queer characters constantly depicted as the antagonist, and even if they were good guys they were often killed early on. Because I am white, I probably can fully understand Deena’s struggles as a queer black woman. She is still highly relatable when it comes to living the queer experience in a world that demonizes you.
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I accidentally posted an unfinished version of this post last night. I corrected it this morning.
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loriache · 15 days
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"I've been waiting for ages for somebody to unmask them."
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This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
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His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
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The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
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But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
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So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
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Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
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The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
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Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
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That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
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The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
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And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
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Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
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I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
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Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
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and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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zzztlk · 9 months
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Release is gonna delayed and I don't have a lot to post but I'm 70 pages into the rough draft for my webcomic :)
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deathon1leg · 2 years
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they would faint on sight
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In honour of knife day, I would like to list all the reasons it should have been obvious to Caesar that he was going to be stabbed, according to the Roman historian Suetonius (who was not even born until a few decades after the event, so obviously he would know)
A bunch of horses that Caesar had previously let loose in hope of favour from the gods in battle started crying copiously (which is a horrifying image)
A wren with a laurel branch flew into a theatre and was viciously torn apart by a bunch of other birds
He had a dream he was holding hands with Jupiter in the clouds
His wife had a dream that their house collapsed and Caesar was lying in her arms, having been stabbed
He wasn't even sure if he should go into work that day but Brutus persuaded him to go in several hours late
Someone gave him a little pamphlet thing detailing the plot, but he didn't read it and just bundled it away in his left hand (oooh unlucky hand) with his other papers and things
He had loads of sacrifices done because he couldn't get a good omen, and mocked the Haruspex who interpreted the sacrifices for him (Spurinna)
(edited for clarity)
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soullessjack · 8 months
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not only should any autistic character who’s ever been infantilized by their fanbase kill and maim more people, but they should also fuck as nasty as possible too. as a treat
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beatcroc · 10 months
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what, didn't you know most amphibians shed and eat their skin? what did you think was going on there, peppino? this is normal frog stuff. come on now.
many more sketches bc i had way too many thoughts about this to try and illustrate all in a comic. horrid beast fp agenda ❤
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alectothinker · 8 months
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the unwanted guest reference compilation (revised, thank u tltblr!) (scroll down for additions)
every day i thank tamsyn muir for her planet sized brain (and the new short story). will be quoting heavily from TUG so spoilers under the cut!
woo this is a long one. (will probably miss stuff, im a non-western zoomer) 
References are in the order that they appear in TUG ->
Pal’s mask being a reference to his shattered and glued-back-together skull:
“This is PALAMEDES SEXTUS, whose mask is distinguished by being plain, of shattered wood clumsily taped or glued back together.” (page 480)
Pain (slight pain) (jk. pretty good amount of pain)
2. An Inspector Calls by JB Priestly: 
“IANTHE Oh — Inspector. How terribly good of you to call so late.” (page 483)
Ok there are so many other parallels to AIC in this story (the setting, the stage play format, overall message) and I’ve written briefly about it here
3. This better not awaken anything in me [original clip from community thank u @what3ver]
“[Ianthe gayly describing infinite strip poker with harrow] Yuck. I hope that hasn’t awakened anything in me.” (p492) 
(she’s tucking the image away in her mind palace as we speak)
4. Ace attorney (i LAUGHED)
"Palamedes slams both hands down flat on the lid of the upper coffin, then thrusts his arm out to point an accusing finger at Ianthe. PALAMEDES you're avoiding the question!” (p493) 
Insert ace attorney OBJECTION dot gif here 
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5. and right after ace attorney, Monty Python:
“IANTHE No. It's a fair cop, guv'nor. But, in this instance, society really is to blame.” (p493)
Probably a reference to Monty Python's Flying Circus, "Church Police". Quote taken from tvtropes: 
Man: All right, it's a fair cop, but society's to blame. Church Policeman: Right, we'll arrest them instead.
6. Looney tunes: 
“IANTHE (Brightly) That’s all, folks! Back after the break.” (p495)
Here’s a clip of porky pig saying it bc why not: That's All Folks HD
7. Hamlet
“VOICE ‘Use every man after his desert, and who should ‘scape whipping?’” (p500)
Original quote:
“Use every man according to his desert and who should 'scape whipping? Use them after your own honor and dignity, the less they deserve ... the more merit in your bounty.”
notes: very hot of dulcie to know shakespeare
8. Haters meme (?)
does this even count as a meme at this point. Idk but i love that dulcie said it. 
“VOICE Truly, wonderful news for my haters.” (p501)
9. The bible (ofc)
“PALAMEDES (as if reciting) ‘And her body was like the chrysolite, and her face as the appearance of lighting, and her eyes as a burning lamp; and her arms, and all downward to the feet, like in appearance to glittering brass.’” (p502)
Palamedes quotes Daniel 10:6 when Dulcie reveals (?) herself to him. I'm not super familiar with the bible, but depending on dif sources from google (lol), the original quote describes either Christ or the angel Gabriel appearing to Daniel:
"And his body was like the chrysolite, and his face as the appearance of lightning, and his eyes as a burning lamp: and his arms, and all downward even to the feet, like in appearance to glittering brass: and the voice of his word like the voice of a multitude." (from the Douay-Rheims Bible)
ok finally stuff that might be a reference but I havent been able to figure out a lot has been figured out! additions from tltblr here:
p481 
> probably nothing, but any significance re pal’s calling card being the skeleton hand?  probably a reference to the skele hand harrow made him in htn (via @guyrunsbackwards)
p482
The Almond Room?? Is this anything. It seems so weirdly specific lol
 “IANTHE the master will see you in the Almond Room, sir.”
crowdsourced possibilities:
the almond room representing babs' borrowed amygdala, which is involved in processing memory, decision making, and emotional response; would make sense for the investigation/interrogation to take place here (via @confusedbyinterface)
may be a reference to the game Clue, where the individual rooms in which the mystery happens have specific names (via @the-light-of-stars);
a reference to cyanide, which smells like almonds (@the-light-of-stars, @satans-poptarts); + @winged mentioned that in a lot of early 20th century whodunnits, someone has a revelation about the real conclusion when they smell almond somewhere it shouldn't be (vs pal and ianthe having their revelations about babs' soul in the almond room)
p487
"IANTHE False things have a piquancy which the real can never match.  PALAMEDES     is that from something? IANTHE      Everything's from something.”
• ianthe is this actually from something. google yielded no straightforward results :(
p503
"IANTHE You look to me like a small boy holding a tail when he doesn’t even know where the donkey is.”
Nothing in particular just the image of tiny pal playing pin the tail on the donkey is so. He’s baby. Also he probably found a way to be very good at it via psychometry lol
@mayasaura: Under the circumstances, the donkey thing also reminded me of Buddhist parable of the blind men and the elephant, about the limits of perception in understanding the true nature of being. Or, to quote Wikipedia: "The moral of the parable is that humans have a tendency to claim absolute truth based on their limited, subjective experience" <- ianthe turbo roasting pal, love to see it
Miscellaneous / theatre techniques:
> What's up with the coffins?
@tangelotime: the coffins might be a black box theater technique, using boxes to represent certain settings rather than faithfully recreating them on the stage; @the-light-of-stars mentioned that the arrangement of the coffins depends on Pal's questions:
first he asks a philosophical question thus the arrangement in the style of a greek symposion - their style of dialogue also is in reference to Plato's work 'Symposion', as well as Ianthe offering Pal wine and the servants placing velvet cushions. The next question is about Babs' murder thus arrangement in style of a courtroom. Then a question about Gideon, the cavalier, thus arrangement in the style of a fencing ring. The last arrangement follow a question about Ianthe's motives for Corona and they are playing cards- both a classic trope symbolizing a battle of wits and a metaphor for Ianthe holding secrets (cards) that she has to reveal one by one (via @the-light-of-stars)
@transbutchbluess, @gwydionmisha also ID'd the greek symposium scene as a parody of a socratic/platonic dialogue, which "presents a discussion of moral and philosophical problems between two or more individuals illustrating the application of the Socratic method." (via wikipedia)
> continuing with the theme of theatre, @valence-positive also mentioned that the servants thumping the coffins at the same time after each question may be a theatre technique to underscore Pal's question; @winged made the connection to bells/gavels/gongs, which are often used for judgement (which occurs during the discussion of Babs' murder and Ianthe's intent/endgame.)
the coffin thumping might also be a reference to the bell toll in A Christmas Carol (via @winged again, you have a huge brain); it's also implied that Pal's visits parallel the three ghosts who visit Scrooge and induce a moral awakening:
"IANTHE Five minutes to midnight, I'd say. You can't last much longer, and we both know it. PAL You said that three visits ago." (p483)
vs the original novella by Charles Dickens (taken from sparknotes again):
“You (scrooge) will be haunted… by Three Spirits… Without their visits,” said the Ghost, “you cannot hope to shun the path I tread. Expect the first tomorrow, when the bell tolls One…. “Expect the second on the next night at the same hour. The third, upon the next night when the last stroke of Twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us!”
Pal makes Ianthe realise that Babs' soul has been slowly fusing with hers all along, which is similar what the third ghost does in ACC:
"The Ghost of Christmas Yet to Come leads Scrooge through a sequence of mysterious scenes relating to an unnamed man's recent death...Scrooge, anxious to learn the lesson of his latest visitor, begs to know the name of the dead man. After pleading with the ghost, Scrooge finds himself in a churchyard, the spirit pointing to a grave. Scrooge looks at the headstone and is shocked to read his own name."
Finally, like other references in TUG (An Inspector Calls, Dulcie's Hamlet quote), A Christmas Carol criticises the treatment of a disadvantaged class. AIC and ACC both end with the characters faced with the morality of their actions. (intertextuality! delicious)
I also thought the thumping was similar to the synchronisation thing we see in ntn:
"[Ianthe] flounced up the dais, threw herself back into her chair—the dead bodies jerked their left hips convulsively, all in unison" (Nona the Ninth, p335)
Ok that’s it thank u for reading the whole thing ???? And thank you so much for contributing guys! Feel free to leave a reply or dm me if you have any additions <3
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kaladinkholins · 4 months
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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:
Taigen and Mikio are foils.
Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.
I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.
First of all, let's look at their similarities.
1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.
2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:
For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.
In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.
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From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?
Their backstory:
Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.
2. The first time we meet them on-screen:
Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.
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3. Their maturity and growth:
Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.
4. Their overall attitude:
Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.
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5. How they talk to and conduct themselves around Mizu:
Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.
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Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.
6. Their external vs internal selves:
Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.
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9. Their hair, a symbol of their honour:
Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.
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10. Their power dynamic with Mizu:
Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.
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11. Their perceptions of Mizu:
Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.
12. The way they approach sparring with Mizu:
Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.
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Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.
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Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.
13. When Mizu pins them down in a friendly spar:
Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.
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Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.
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14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:
Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.
15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:
Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.
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Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.
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Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.
So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.
What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.
So for Taigen to have so many parallels with him... Do you see what I'm saying here!
Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").
And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:
Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.
With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.
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iceman-soup · 5 months
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amab reader x bot!soap
Though it's technically unspoken, the whole base knows that rottweiler!hybrid!Soap is yours. Sure, he should be Price's - he's the captain, of course. Or even Ghost's; why wouldn't he be, they're so close after all?
But it's you that he follows around all day, at your heels without even being instructed to do so. His tail whacking against your legs as it wags almost constantly, only speeding up when you pet or kiss him every so often.
On breaks, it's always you who he curls up on the sofa next to, head on your thigh as you scratch your fingers through his hair. His eyes either closed in bliss or looking adoringly up at you, ears pricking up whenever you speak.
Sitting with you in your office, whining when you tease him for wanting to crawl up onto your lap as you work. He just won't listen to "you're not a lapdog, honey," and climbs up onto you anyway, nuzzling his face into the crook of your neck, soft ears ticking your cheek, not moving even when someone comes in to talk to you.
Making sure everyone can hear him yap your name from your room when you're pounding into him, holding his tail out of the way with one hand and the other firmly between his shoulder blades, steadying you as you lean down to mutter praises to him, your pace not slowing even as he whimpers and cums.
Watching as he limps a little the next day, your eye being the one he catches if someone asks him if he's alright. Not being able to hide your smirk when he winces upon sitting down, his tail wagging a little even so when he sees you staring.
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popagan · 28 days
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I download AO3 fics occasionally, mainly DRRR ones. But since Apple Book default covers are downright hideous, I took matters into my own hands.
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Truthfully it isn’t any better than the default, but it is an excuse to draw Izaya.
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realbeefman · 7 months
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stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!
wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end
#yeah im too sleepy to revise this. UNFILTERED posting wooahh#some may b shocked but i do actually read thru most of my posts several times to make sure i didnt accidentally write mein kampfe 2#recently ive come to the realization that i am in fact not an incredibly chill person#and that the constant paranoia and fear in which i live my life is actually PROBABLY a symptom of severe anxiety#like damn. ive always known that im pretty prone to depression but ive preetty much always been aware of that#my mom is a chronic depressive so i know the symptoms i know the signs i have a pretty good arsenal of healthy coping mechanisms#UNFORTUNATELY mommy's mental health problems did not help her not abuse me as a child#so i ended up being a terribly anxious kid who was constantly being screamed at and told i was overreacting (because i was. because i had#a severe anxiety problem that was making me react irrationally.) to everything all the time#which is you know. it is VERY difficult to deal with a mental health problem when you arent aware you have a problem!#its incredible how much. better. my life has gotten since i figured this out and started actively trying to work out what triggers it#and being able to like. realize 'oookay. there is an Issue here and it needs to be overcome'#instead of just beating on myself constantly for not being able to do things without feeling sick or getting breathing problems!#anyways. trauma dumping in tags is over now!#house md#hilson#greg house#james wilson#stacy warner
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sea-buns · 7 months
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wow... what a season. it feels weird to say that this little 6-episode side quest, in all of the 19 seasons of d20, is one of my favorites they've ever done but it just is. it had all the stakes and humor and drama that you could possibly want, all balanced with an incredible cast of players. the table chemistry was excellent, the characters were so perfectly themselves, the TROPES were OFF THE CHARTS!
i can't quite remember the last time i finished something and ached so sharply for there to be more. i just know I'm gonna be thinking about this one for a long time
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starrysharks · 1 month
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remember that i'm ALIVE but minty isn't unfortunately
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silverwhittlingknife · 4 months
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the reason why nu52 Dick is so simultaneously messy and yet boring is because they don't let him be bitchy enough whilst simultaneously making him a little bitch
sdfsdfdsfs I don't totally understand what this means and yet I feel like I agree with the spirit, anon <3
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Outsiders 21 - preboot Dick yelling at Bruce my beloved
Yeah, caveat that there's plenty of nu52 Dick stuff that I haven't read and I don't think it's all bad, but also... man, he is not for me. As far I'm concerned, the main good thing that came out of n52/Rebirth is some setups for sad!Dick fanfic. And yeah, "Dick is not bitchy enough" is actually a pretty good summary of my complaints sdfdsfs
The thing is, nu52 Dick has some similarities to preboot Tim, in that he'll sometimes be insincerely fake-cheerful even when actually upset, plus he periodically seems uncomfortable with direct confrontation so instead he lies to avoid confrontation. And mmm I mean, I like these qualities in preboot Tim, so it's not like I think these are terrible traits to have!!
BUT :
1) Preboot Tim has no authority. But preboot Dick does, and it's frustrating to take it away from him in nu52.
There's some post-2011 panel where Dick lies to Batman and is cheery about it, a la Tim bragging to his friends about lying to Batman in Teen Titans, and I had to stare at it for ages trying to figure out why it felt like such a record scratch moment to me.
But it's because there is a huge difference between a presumably independent superhero lying to another superhero vs. a sidekick and his sidekick friends secretly joyriding in Batman's car.
Like, Tim lies to authority figures more-or-less constantly, because he doesn't want to be told what to do, but also because - importantly!! - those authority figures reasonably assume they have authority over him that he has to evade. Of course he tries to avoid direct confrontation with the JLA / Batman / Red Tornado / Starfire - they're not his equals and a direct confrontation would end badly!
Whereas Nightwing lying to Batman feels like putting him in a subordinate position in a way that preboot Dick never is. Preboot Dick always tells Batman off to his face, because preboot Dick cares about being equals and refuses to accept being subordinate. He doesn't sneak around behind Bruce's back - he fights back! If he doesn't agree with Bruce's position, he tries to argue Bruce into his own. He'll do stuff without asking Bruce's permission, but he won't conceal it; he'll make a point of making sure Bruce knows what he did and also that he isn't sorry.
2) Preboot Tim's lying / tendency to be fake with people is a consistent personality trait that's also consistently problematized. nu52 Dick's characterization is wildly all over the map.
In preboot, Tim is a liar and obsessive compartmentalizer, which is both a strength (disguises, sneaking around authority) and a problem (loved ones who are hurt by it). He's self-aware about his lies, periodically resolves to lie less, and generally fails at it.
Tim's consistent enough that you can track this character trait in all his relationships: he lies to his dad. He lies to Batman. He lies to his girlfriends. He refuses to tell Babs his real name for ages for basically no reason. He stalks Dick and then tries to run away from him in his origin story and then tries to avoid telling Dick his name. And this evasiveness consistently causes him problems!! Dick's suspicious of him. Ariana's suspicious of him. His dad is suspicious of him. Young Justice and Steph get annoyed with his secret-keeping. Young Justice want him to take off the mask. Steph wants to know his real name. When she finds out and calls him by his real name, he has a panic attack and literally runs away. When upset, he insists he's fine and fake-smiles at people. In Teen Titans, when Tim's busy being fake-cheerful and Conner is startled to see him there right after his dad died, Tim gets upset and angry at Conner and demands that he not tell anyone about Jack. Fine, Conner says, I guess it's another secret. In AC 3, he's lying to Conner again and Conner accuses him of having an insincere "Starfire voice," which is a hilarious callback to Tim being fake-agreeable-yet-secretly-bitchy at Kory when he first meets her. I feel like I get that the lying is a Tim Character Trait which is sometimes endearing and sometimes less so and which all the people who love him are gonna have different feelings about.
By contrast, nu52 Dick spends a ton of time lying but it's hard for me to model his characterization in the same way? He's sometimes fake and ... sometimes that's totally cool and sometimes people punch him! also, does it say something about him? ehhhhh maybe? no? who can say!! At the end of nu52 Nightwing, he doesn't want to go undercover and Bruce beats him up, but then in Grayson he seems totally on board with his mission and willing to actively lie to everyone, and then in Batman and Robin Eternal he carries out a whole secret mission behind nuTim's back because he thinks nuTim is maybe a spy and is scared (?) of confronting him directly, but also he's so sloppy about it that he gets followed and the bad guys find nuTim's parents. Oopsie! He represents The Heart and is super-caring but also somewhat ditzy with a tendency to leap before he looks, and also he's very very very goodlooking and Grayson would really like you to know that.
You can try to make sense of this character's internal motivations and I have read various enjoyable fanfics that do, but in the comics I don't feel like he's clearly characterized.
3) Dick should be a convincing team leader
I know I kind of talked about this earlier but it bothers me SO MUCH that I have to talk about it again dsfdsfds
Preboot Dick is a natural leader: he seizes control of the feuding personalities in the Fab Five; he does the same thing in the NTT; he stands up to Bruce. He can overrule strong personalities like Pantha and Roy; he can hold his ground against the Outsiders. He doesn't back down and he doesn't quit. He's got instinctive authority, and he's a forceful and aggressive enough leader that he can lead teams even when his teammates are feuding or difficult or arguing with each other. Sometimes he's a little too forceful and it backfires on him, but for the most part, it works!
By contrast, nu52 Dick often comes off as kinda... hapless? He's definitely not a force to be reckoned with.
Like, just to take one small example, in post-Crisis's Red Robin 14, Tim and Damian are fighting and Dick wants them to cut it out, so he throws a batarang at Tim's staff and snaps at him, and the fight stops immediately. By contrast, in nu52's Batman and Robin 10, Tim and Damian are arguing and Dick wants them to cut it out, but nuDick is incapable of confronting anyone over anything so he just sighs about it, passive-aggressive and ineffectual.
And "ineffectual" is too often the vibe I get from n52 Dick in general. You put that man with Pantha, and he'll probably be bemused, but he won't be able to make Pantha do anything, and he wouldn't be able to make Danny Chase do anything, and he can't or won't stand up to Bruce so he has to lie the way Tim does, and he would never have a fistfight with Roy over the proper way to lead a team.
And in a lot of ways this makes sense, because n52 Dick isn't a team leader, because they've deleted the Titans. He's just a guy. He's nice, I guess.
But even though he gets all kinds of excellent woobie plotlines that I'd normally enjoy (an evil organization is stalking him personally! his dad is beating him up and forcing him into becoming a spy! he's losing his memory!) his personality is usually so far off from the character I like that I struggle to get invested.
Because the thing is, Dick's leadership instincts aren't incidental to what I like about him. They're all wrapped up in his outsized sense of personal responsibility and instinctive belief that if anything is going wrong anywhere near him then it is his obligation to handle it and if anything goes wrong then it's his fault if he was involved and also his fault if he wasn't involved and actually if you have ever gotten within five feet of him and unrelatedly something bad happened to you then it's probably his fault and he FAILED. This belief gives Dick a lot of control issues and makes him bitchy sometimes and is not great for his mental health, but it's also very endearing and an outgrowth of how much Dick cares!
Anyway, re:bitchiness, I have similar feelings about various choices in Batgirls and in Tim Drake: Robin and in current Nightwing; like, I don't think any of these stories are bad ipso facto, I don't begrudge anyone who likes them, and I certainly enjoy fluffy fanfic sometimes - I don't always want the same things in transformative fandom that I want in canon.
But in comics, I often want the characters to have a bit of edge, to be cranky and difficult and just... y'know, clearly the kind of people who would choose to be vigilantes. I want them to care enough to be bitchy about it. And I often feel like I'm missing that, post-2011.
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