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#researches
etincelleart · 7 months
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Hey. Hope you're having a wonderful day
Just wanna say that your characters are amazing. Exactly what got you into creating them ? Any sort of inspiration ?
Hey, I'm having a good night and hope you too !
Thank you so much, I'm happy you appreciate them :) I'm happy to tell the tiny story behind their creation-
So, back in march/april 2021 I was in my last year of my bachelor's degree studying animation, and I still wasn't sure about going in the master's degree in animation as well after that. There were a lot of struggles at this moment but anyway
The thing is that for the master we had to create a short film, alone and (almost) fully done by ourselves, so our teachers asked us to start a sort of book or sketchbook to do researches and brainstorming about the film during summer. Even if I wasn't sure to continue I started it, and sketched a lot of stuff and various ideas I had at this moment
Then I ended up not going in the master's degree and taking a gap year instead, but I still continued to sketch stuff in that sketchbook because I still wanted to do my own film at some point. Uni or not the diploma was mostly a reason to make a film, but I in any case I wouldn't be free to do like I want because of teachers' reviews etc. I wanted to make it truly my own, maybe not perfect but just give it a try and be free to tell the story I want.
But I was frustrated because I wasn't finding something that would make me feel like it's my own stuff, it was too similar to RWBY for a lot of things (already a big inspiration at this moment, I was in the V8 brainrot for the first half of 2021 lmao). So I wasn't really going anywhere
BUT, randomly in december 2021 I had a pretty wild and pretty dream, I decided to paint digitally the main scene of it and doodle some concepts I had from it in my sketchbook :
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I also ended up writing and composing a tiny song based on it (in french sorry-). It's not perfect at all or anything because I'm not a pro or super good, but creating a link between visual art & music helps me a lot most of the time so I do it (also for fun 'cause I love it) :
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After that it didn't evolved much outside of the fact that I already had some sort of script for a "short film" or a teaser idk, I wrote that when I was in uni last winter. But I still wasn't really sure about the main characters or even their designs, even if Gris was the one I thought the most about and changed a lot of stuff
So last january/february I started to work on a first design and turn around for Gris :] (she didn't even have a name yet at this moment)
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I continued to think of it until recently at the end of this summer where I sketched another design for her. As for Fauve, I knew for a long time I wanted Gris to have a strong bond with someone to help her go through stuff (and also a gf lol). I never really worked a lot on Fauve, I only knew she was going to have red or brown hair. x)
And I just sketched a first rough thing after Gris and liked it, so I kept it, it was really simple and easier than Gris' researches aha, idk Fauve's vibes felt pretty natural and logical after Gris was done.
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Also if you're curious here are some of the first design ideas for them I had back in 2021/2022 :]
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It changed a lot--
Anyway, now I'd love to develop more stuff and make a short film :]
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lucyav13 · 2 months
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Levels
Below we will analyze each of the worlds and some facts about 'em. Let's start!
Linealand Road
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Lineland's Chapter 1-1 is a homage to the original Super Mario Bros. with its level design, which resembled the classic World 1-1 through its positioning of items, ? Blocks, and enemies like Goombas. The music is also remixed from the Super Mario Bros. overworld theme and the Super Mario World overworld theme. 
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Its skies are full of strange, surreal mathematical formulas, such as (translated into literary form) "Fire Flower is greater than or equal to some kind of Block  divided by warp pipe". (As can be seen in the image)
Gloam Valley and Merlee's Mansion
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The music of Merlee's Mansion has several interludes full of altered versions of Mimi's theme, however, the theme of Merlee herself is never heard throughout the entirety of Chapter 2.
The password 5963 can be read as 「ご苦労さま」 in Japanese, which means "You've been working very hard". Similarly, 41262816 can be read as「良い風呂に入る」, which means "Take a good bath"
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The Bitlands
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The Bitlands is a dimension located beyond Flipside Tower's yellow door in Super Paper Mario. It has a unique art style that makes the world look as if it was drawn on a grid, like pixel art. The overworld music in this world is an arrangement of the classic Ground Theme from Super Mario Bros. According to The InterNed, said overworld theme is titled "The Open Plane", while the music in the underground area beneath the two red pipes is titled "Nostalgic Underground", due to it being an arrangement of the Underground Theme from Super Mario Bros.
There is also a reference to the original Mario Bros in chapter 3-1
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The Bitlands is also one of only two worlds where there is at least one boss in each section (Bowser in 3-1, who joins Mario's party after being defeated, Big Blooper in 3-2, Dimentio in 3-3, and Francis in 3-4), with Castle Bleck being the other world where this is the case.
Furthermore, including the optional Pixls, Barry and Tiptron, the player gets four Pixls in The Bitlands, which is more than in any other world in Super Paper Mario.
On the fortress that requires blowing up on a red X, there are some enemies that aren't normally attackable due to the fortress being too tall to jump on. These enemies don't require items to defeat though, as one can use Thoreau to grab the Bullet Bill Blaster's Bullet Bills and throw them back. One can also use Dashell, if obtained before Chapter 3, to jump off the fortress before it and use Princess Peach's Parasol to get on the fortress. This allows access to the other side of it that is normally otherwise inaccessible, and the ? Block that is normally destroyed with it can be hit (it gives a single coin).
This chapter is one of the ones with the most references, I will put all of these in a future part :)
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Outer Space
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Chapter 4 may not take place in the outer space above the , but rather that of another dimension. It was once the location of the kingdom. 
If on the second visit to the level the player answers "no" to the prompt to use the space helmet, Tippi will personally attempt to convince them otherwise. After that, if the player says "yes" thrice, she will abandon the player in frustration, resulting in a Game Over. Upon further visits, the helmet is equipped automatically once they pass through the door. (If you want me to write all the absurd Game Overs, leave it to me in the comments)
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Land of the Cragnons
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It is the home of the Cragnons, a prehistoric race of primitive people with televisions and stereo CD players seemingly made of rocks. It is also home to the enemies of the Cragnons, the Floro Sapiens, who live underground with their king, who is the boss of Chapter 5.
The setting of this Chapter is similar to Chapter 5's in the original Paper Mario. In both Chapters, Mario must venture into a mountainous area (in Paper Mario, it was Mt. Lavalava, and here, it was the Gap of Crag), they both featured a comically-incompetent adventurer accompanying him during the Chapter (in Paper Mario, it was Kolorado, while in Super Paper Mario, it was Flint Cragley), and both had a plant boss (in Paper Mario, it was Lava Piranha, while in Super Paper Mario, it was King Croacus IV). Mario also gets a kind of hammer in both areas (in Paper Mario, it was an Ultra Hammer, while in Super Paper Mario, he gets a hammer-like Pixl named Cudge.)
Near the end of the game, during the final battle with Super Dimentio, the Land of the Cragnons is destroyed by The Void, but is restored following the destruction of the Chaos Heart along with all other demolished dimensions.
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Sammer's Kingdom
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It is destroyed by The Void in the main story, leaving nothing but an empty white space, but is restored after the story's end.
This land is ruled by King Sammer. It is most notable for being the location of the Duel of 100 tournament, in which challengers face off against 100 Sammer Guys. Only the first 25 Sammer Guys are faced in Chapter 6-1, while the rest are encountered in the three other chapters. However, in the main story, only the first 20 Sammer Guys are battled, and only 30 Sammer Guys are encountered.
In addition to the Duel of 100, Tippi and Tiptron's Tattles mention various other events held in the Sammer's Kingdom, such as the Sammer Guy Break Hour, the annual Sammer Guy BBQ, the Sammy Awards, and the annual Sammer Quiz; however, Mario and friends are unable to attend any of these in person.
The kingdom appears to be based on Japan, with "Sammer Guy" being a pun on "samurai".
According to Garson of the Flipside bar, The Underwhere, 1,500 years prior to the events of Super Paper Mario, the younger sister of Merlumina was entrusted with a Pure Heart, to give to the Sammer Kingdom's ruler to protect. Upon meeting however, Merlumina's sister and the Sammer King fell in love and she stayed behind. The two eventually married and had 100 children. Ever since, the number 100 has been sacred to the Sammer Kingdom.
After finishing the game, the gang may start the Duel of 100 over. As before, Chapter 6-1 has Rounds 1-25. After defeating Sunshine Flood, Mario and co. will be able to continue on to 6-2.
If the player returns to Sammer's Kingdom after finishing the Duel of 100, King Sammer will be found on Gate 1. He will say the Age of the Sammer Guys ended and that he sent the Sammer Guys on a tropical vacation. He also jokes that he will replace them with kitty robots. When Tiptron uses Tattle on him, she reveals he is planning to turn the Duel of 100 Battle Gates into a water amusement park.
During the battle, as the players advance to the next sub-chapter, the number of flags seen on the stage will increase by one (i.e. one flag on every stage of Chapter 6-1, two in Chapter 6-2, and so on).
When the player tries to go to Gate 2 after completing the Duel of 100, they will discover that the door leading there cannot be used, as if it has become part of the background. When Tattle is used on the door, Tiptron will say the door is sealed, which might be because the other Gates disappeared, and they are currently working on the water amusement park there. Oddly, when the player uses Tattle on the very same door while in 3-D, Tiptron will say the player can open it by pressing , the same as her Tattle of any door.
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The Underwhere
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It is also called World -1 by one of the residents, a reference to the famous "Minus World" glitch from the original Super Mario Bros. Ruled by Queen Jaydes, The Underwhere makes up one half of the "afterlife" dimensions, and is where people who have been neither good nor bad from "all worlds" go when they die. Once there, the people become ghost-like creatures known as Shaydes (a corruption of the word "Shades").
The Underwhere can be compared to the Asphodel Meadows of the ancient Greek underworld, hence its name, which is a humorous play on the words "underworld" and "underwear". Queen Jaydes herself was named for the Greek god of the underworld, Hades, and there are numerous other aspects of The Underwhere taken from Greek mythology (listed below). However, the Underwhere's counterpart, The Overthere, where the sinless can spend eternity as angelic Nimbis, is more heavily based on Heaven than the Greek Elysian Fields. Bonechill's prison, the place where people go when they have been very bad in life, is equivalent to Tartarus, also from Greek mythology, although the fact that he was a fallen Nimbi and his association with ice does bear resemblance to the story of Lucifer, who, according to Dante's Inferno, is trapped in ice in the deepest circle of Hell.
In The Underwhere and its counterpart, The Overthere, many characters or places that are encountered are references to other things, in most cases the names are specifically based off of Greek Mythology.
Shayde, a corruption of Shade
Jaydes, a corruption of Hades
The Underwhere itself, a corruption of The Underworld
The River Twygz (twigs), a corruption of the River Styx
D-Man
Charold, the man who runs the ferry across the River Twygz, is a corruption of Charon
Underchomp, a reference to Cerberus (both act as three-headed dogs who guard the gates to the underworld
The three hags reference the three Moirai, or the Fates, in Greek mythology.
The Underwhere and The Overthere are comparable to Flipside and Flopside
A "beveragarium" that serves milk beneath Flipside is named "The Underwhere"; another one in Flopside is named "The Overthere."
This is the only chapter where none of Count Bleck's minions are fought.
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(A/N): As you can see, I am missing chapter 8, because I have already exceeded the limit of images, but I will take a separate part of it because I think its story is worth it. I hope you liked it!
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skdoods · 1 year
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i have missed them
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sibyzart · 1 year
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reality-detective · 3 months
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1963 Refrigerator 🤔
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ibtisams · 6 months
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It has been hard for me to talk about how what is going on with Israel and Palestine is affecting me personally, but I grew up in Gaza and most of my family still lives there. My father did not survive the bombings last week and I have not been able to contact my younger sister in days. I am try to being understanding that most people do not have personal connections to what is happening and therefore are justifying their silence, but is heartbreaking to see this misinformation being spread. What’s happening there is a genocide, not a war. It is not antisemitic to support Palestine, it’s not even antiemetic to criticise Israel. There is no grey area or neutrality regarding this, and it is so easy to find resources that will educate you on the subject. It is my people and my home being destroyed so I will never be silent about this, but I please urge everyone to get informed and start speaking up and finding ways they can help.
decolonizepalestine has tons of information on Palestine’s history/propaganda that has been spread throughout the years
UK citizens can email their MP asking for a ceasefire
US citizens can call/email their local government officials asking for a ceasefire
Jewish Voice for Peace also has many resources for ways for US citizens to get involved, including protests
Donate to Palestine Children’s Relief Fund
Donate to Medical Aid for Palestine
Donate to help get food and hygiene kits to Gaza
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butchdykekondraki · 3 months
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the most fucked up thing ever is being obsessed w ur own oc. why do i have to make content of them why cant they just magically appear on my screen for me to reblog 200 times. fucked up and also evil
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penguicorns-are-cool · 11 months
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DO NOT DO THIS!!!
If a website has a paywall, like New York Times, DO NOT use the ctrl+A shortcut then the ctrl+c shortcut as fast as you can because then you may accidentally copy the entire article before the paywall comes up. And definitely don't do ctrl+v into the next google doc or whatever you open because then you will accidentally paste the entire article into a google doc or something!!!! I repeat DO NOT do this because it is piracy which is absolutely totally wrong!!!
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oocsydney · 5 months
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hbomberguy highlighting all of the parts where james somerton plagiarized from other queer creators:
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endusviolence · 1 month
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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teathattast · 10 months
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Wake up babe new fish dropped
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lucyav13 · 3 months
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Flipside and Flopside
Both places' names come from the phrase "flip-flop". They are different, even between its residents, since normally in Flipside they are direct descendants of the tribe of the ancients, on the other hand, in Flopside they are descendants of the infamous tribe of darkness, because they were the ones who helped found the city.
Flipside is a town between dimensions created by the Ancients. You can open up paths to many worlds from here, as the Ancients designed it, It's a different kind of technology than we've ever seen. And the white tower in the middle of Flipside controls the flow of dimensional energy, so it can beam people to worlds. That's why the doors to other worlds appear up near the tower.
So Flipside's convenient, created by Ancients in a space between dimensions. That means you can open up portals to all the other worlds from there. But on the other hand, it's strangely susceptible to influences from other worlds...
So the Ancients built the town in a way that would stabilize this effect. And that particular way was...  The town was build in duplicate with both Flipside and Flopside versions!
They realized that light without dark, or vice versa, would never be stable. You need both sides for perfection. Having two opposite sides is the secret of the town's stability and longevity.
The residents of these cities are so mysterious that even in the official guide they do not have a specific name of their race, it simply states that some are descendants of the tribe of ancients (or tribe of darkness, in the case of the inhabitants of Flopside) or they can even be considered descendants of HUMANS. Even some are not only in these cities, also in Gloam Valley. They are all somehow different from each other, because there are inhabitants of different colors and some even do not have visible arms, like the most. While the Flipside residents have square noses, the Flopside residents have pointed noses, and the residents of Yold Town and Gloam Valley do not have noses at all..
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My theory of the languages in Spm and why the habitants of Flipside and Flopside are differents from each other: The reason why the inhabitants are so different from each other is because they come from other dimensions. Let me explain. Approximately 1,000 years ago before the events of Spm, beings from other dimensions could have arrived at Flipside and Flopside (remember that Flipside is not a dimension, but is located BETWEEN dimensions), either due to wars, problems that they had in their respective dimensions. , and they came as a refuge to these cities, which were quite peaceful and far from any conflict. Furthermore, getting to this city is relatively easy if you have the necessary knowledge. They, mixing among the residents of Flipside and Flopside, may have had children different from the others.
(A:N) If you have any questions about my theory or about the research I did on these two cities, let me know in the comments.
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fesenmoon · 1 year
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no fucking way
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enbycrip · 1 year
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reality-detective · 1 month
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Old Lighters 🤔
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