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#ree has thoughts
kim-ruzek · 1 year
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I just love the amount of times Lucy went to casually touch Tim's shoulder when they were riding together. Just the casual intimacy showing clearly that they've been together that they're settling in as a couple and aah. I just love it. That, paired with the opening scene being them in bed together, and that ending I'm just in chenford heaven.
I'm really enjoying this chenford era of them being so openly together with each other and so into each other it's just so perfect
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queerwelsh · 11 months
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Cafodd cerflun o Cranogwen ei dadorchuddio penwythnos yma yn Llangrannog!
This statue of Cranogwen was unveiled in Llangrannog over the weekend!
Read about the Queer Life of Cranogwen here.
(Image source 1) (Image source 2)
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meistoshi · 1 day
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one thing about satoshi is he is such a good loser.
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starchanged · 3 months
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♡?
Pre-Established Relations
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I want our muses to be: friends | ex-friends | rivals | rivals with romantic tension | enemies | enemies with romantic tension | lovers | ex-lovers | partners/coworkers | pen pals / internet friends | soulmates
Our muses met: as children | as teenagers | as adults | just recently
(for friends) Our muses’ relationship is: stable | sickeningly sweet | the kind of close friendship that makes others jealous | falling apart | based on shared interests | based on circumstance (like school or work) | based on family ties | developing into something more (romantic) | developing into something more (antagonistic) | determined by fate
More Ideas: So I italicized rivals cause I don't really see Penny & Ree as battling rivals but Ree does challenge Penny without them even realizing it. Ree's daredevil attitude spurs Penny's own adventurous side on making them come out of their shell just a bit more in order to take more risks and chances. While they were never be at Ree's level in regard to risk taking, no offense Ree they're just a touch more sensible, they want to match Ree when hanging out. It isn't exactly a rivalry in the way one might usually see a rivalry. I also italicized 'the kind of close friendship that makes other jealous' because I think over time these two could be really close friends. They're already off to really good terms and are hitting it off really well. But I think Ree could easily become one of Penny's closest friends. The kind that they're loyal to a fault too and ride or die for. Of course I imagine the two keep in contact when Penny leaves Alola too by texting or chatting online. Plus Penny would be bugging their dad about visiting Alola again afterwards in order to visit Ree again and they'd be inviting Ree to Paldea to visit them. They'd even offer to pay for the travel expenses, just don't ask where the money came from.
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heavyhitterheaux · 1 year
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IT'S SAGITTARIUS SEASON BITCHES!!!!!!!
AYEEEEEEE!!!!
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elephantbitterhead · 2 years
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Irrefutable evidence that ~8% of Tory MPs have catastrophic brain damage. And these are just the ones we know about so far.
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i forgot to exist for a while! oopsies! >︿<
but anywaysies... its nice to talk again i think!! ive had some bad experiences talking in places and that makes me a bit scared to talk again, but its really fun so im trying!! hehe.
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kajmasterclass · 7 months
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yeoldenews · 2 months
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While we’re on the subject of names, is there an explanation for how traditional nicknames came about that are seemingly unrelated to, or have little in common with, the original name?
ie- John/Jack, Richard/Dick, Henry/Harry/Hank, Charles/Chuck, Margaret/Peggy/Daisy, Sarah/Sally, Mary/Molly, Anne/Nan, etc
I am actually over a week into researching a huge follow-up post (probably more than one if I’m being honest) about the history of nickname usage, so I will be going into this in much, much more detail at a hopefully not-so-later date - if I have not lost my mind. (Two days ago I spent three hours chasing down a source lead that turned out to be a typographical error from 1727 that was then quoted in source after source for the next 150 years.)
As a preview though, here’s some info about the names you mentioned:
The origins of a good portion of common English nicknames come down to the simple fact that people really, really like rhyming things. Will 🠞Bill, Rob🠞Bob, Rick🠞Dick, Meg🠞Peg.
It may seem like a weird reason, but how many of you have known an Anna/Hannah-Banana? I exclusively refer to my Mom’s cat as Toes even though her name is Moe (Moesie-Toesies 🠞 Toesies 🠞 Toes).
Jack likely evolved from the use of the Middle English diminutive suffix “-chen” - pronounced (and often spelled) “-kyn” or “kin”. The use of -chen as a diminutive suffix still endures in modern German - as in “liebchen” = sweetheart (lieb “love” + -chen).
John (Jan) 🠞 Jankin 🠞 Jackin 🠞 Jack.
Hank was also originally a nickname for John from the same source. I and J were not distinct letters in English until the 17th Century. “Iankin” would have been nearly indistinguishable in pronunciation from “Hankin” due to H-dropping. It’s believed to have switched over to being a nickname for Henry in early Colonial America due to the English being exposed to the Dutch nickname for Henrik - “Henk”.
Harry is thought to be a remnant of how Henry was pronounced up until the early modern era. The name was introduced to England during the Norman conquest as the French Henri (On-REE). The already muted nasal n was dropped in the English pronunciation. With a lack of standardized spelling, the two names were used interchangeably in records throughout the middle ages. So all the early English King Henrys would have written their name Henry and pronounced it Harry.
Sally and Molly likely developed simply because little kids can’t say R’s or L’s. Mary 🠞 Mawy 🠞 Molly. Sary 🠞 Sawy 🠞 Sally.
Daisy became a nickname for Margaret because in French garden daisies are called marguerites.
Nan for Anne is an example of a very cool linguistic process called rebracketing, where two words that are often said/written together transfer letters/morphemes over time. The English use of “an” instead of “a” before words beginning with vowels is a common cause of rebracketing. For example: the Middle English “an eute” became “a newt”, and “a napron” became “an apron”. In the case of nicknames the use of the archaic possessive “mine” is often the culprit. “Mine Anne” over time became “My Nan” as “mine” fell out of use. Ned and Nell have the same origin.
Oddly enough the word “nickname” is itself a result of rebracketing, from the Middle English “an eke (meaning additional) name”.
I realized earlier this week that my cat (Toe’s sister) also has a rebracketing nickname. Her name is Mina, but I call her Nom Nom - formed by me being very annoying and saying her name a bunch of time in a row - miNAMiNAMiNAM.
Chuck is a very modern (20th century) nickname which I’ll have to get back to you on as I started my research in the 16th century and am only up to the 1810s so far lol.
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hypewinter · 7 months
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Hal bent down as the little girl approached him. Even then, he still managed to tower over her with how small she was.
"Hey there little lady," he said. "Anything I can help you with this fine evening?"
The little girl looked at him anxiously, fiddling with her hands. Ok so not a nervous fan. Hal immediately switched to serious mode, scanning the crowd for anyone who could be her parents. He didn't see anyone running up to the two of them or even so much as keeping a watchful eye from a distance.
"Is something the matter?" Hal questioned, making sure to keep his voice even and calm.
The girl continued fidgeting, her big blue eyes scanning from side to side. Finally she spoke. "You wiff da space po-eece yes? Not da am-ear-ree-ca one?"
Hal smiled at the girl. "Yes, I'm with the space police." Honestly that was oversimplifying the Corps a little but he had long since gotten to citizens calling him a space cop.
The girl offered up a small nervous smile of her own. "So you won't tell da gov-ment what I tell you wight?"
Hal was on high alert now. Just what was this little girl trying to tell him? "I won't tell. I promise," he said after a second.
The girl broke into a big smile at this. "Really? Dis way den." She started tugging Hal along and he began to follow.
"Where exactly are we going?" he asked.
"You see," was all she replied.
Hal was led down a couple different alleyways and was beginning to think he was walking into a trap when they reached an abandoned building. The girl dashed in and up the old rusted stairs, with Hal following closely behind her.
If this really is a trap, I'll never hear the end of it from Batman, he thought morbidly as he cleared the last step. Instead of finding himself facing an ambush however, he saw a boy curled up on an old mattress. The girl was already by his side as Hal approached.
"Don wowee Danny, I got help. Like I said I would," he caught the little girl whispering as he knelt down next to the boy. He had to have been older than the girl. Three years older maybe? Yet he was still so small. Hal took sight of his condition. He was in pain. That much was certain by his little face scrunched up in agony and his quiet moans. He was also sweating profusely. His raven black hair sticking to his forehead. Fever maybe?
Hal continued his observations as he scanned down the boy's body until he got to his stomach. The boy was clutching it and Hal could make out blood bleeding through from underneath. Oh no.
He quickly yet carefully removed the boy's arm to get a better look at the wound. The kid let out a groan as his arm was peeled away. Hal couldn't help but thank Oa for all his training that helped prevent him from letting out a gasp.
The boy's chest was covered in blood. Dark red mixed with flecks of green soaked through his shirt and there were bandages that had been amateurishly tied around the wound.
"How did this happen?" Hal asked, turning back to the girl. He did his best to keep his tone as gentle as possible.
Her smile was gone now, and her eyes welled up with tears. "He pwotected me," she said. "Dey wanted to huwrt us. Dey shot at us. Danny pwotected me."
Anger boiled within Hal. Who would shoot at these children? They were only little kids. If what the girl had said earlier was anything to go off of, the answer had something to do with the government. He would have to take care of that later though. For now, this boy needed medical attention.
"Let's get Danny to a hospital," Hal said resolutely, as he got up.
"No!" the little girl screeched. "No has-pee-tail. Too dan-er-us!"
"But he needs-" Hal started but then he met the girl's eyes. There was abject fear in them. As if going to the hospital would be a death sentence for both children. Where else were they supposed to go though? The boy- Danny needed medical attention stat. That much was certain.
Hal paused. There was one place. He sighed. Batman was going to kill him for this.
"Okay okay. No hospital. But what about space?"
"Space?" the girl repeated.
Hal nodded.
The little girl smiled. "Danny lobes space!"
"Well then. That's perfect."
Hal constructed a new bed for the boy, carefully easing him onto it before putting a protective dome around both children. The little girl giggled as he lifted them up. He then turned to the wall where he created a giant hammer to knock it down. Then they were off. Flying higher and higher, towards the atmosphere. As the Watchtower got closer in sight, Hal couldn't help but groan. Taking civilians to the Watchtower? Oh yeah, Batman was definitely going to kill him.
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kim-ruzek · 11 months
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It pisses me off that people are mad at Matt because he went to see the young girl for Sylvie and saying Matt didn't do enough for Gabby. Even making it personal saying they're glad Monica stayed away.
One, Monica left the show. It was her decision. I'm sorry if you're mad that your ship didn't end up how you wanted but you have to understand it was because of the decision of the actor, this storyline happened because she left.
Secondly, Matt is at a different point in his life. He probably wasn't ready then but he's ready now. He was also there for Gabby in every way he could and loved her so much that he didn't want to see her die. She was the one who didn't want an adoption.
With Sylvie, she welcomes the help that anyone wants to provide.
I don't see how that fandom can differentiate that Matt loved/loves these two women differently and that he is going to support them anyway he can.
I really need to stay away from the bird app or else my blood pressure is going to go through the roof with some of these takes I'm reading.
LITERALLY it is so fucking maddening to see!
It already just drives me mad when people don't ever seem to respect the fact that these actors leave, because they wanted to, so it's to be expected that the end of that storyline will be a little shit. Like you can forever be sad d*wsey isn't canonically together anymore and that Matt moved on, because if d*wsey is The Ship for you that is sad but at the end of the day, the actress wanted out and the show continued.
I also hate the argument that he didn't do enough for Gabby... Because he did. He did so so much. She was the problem, she didn't want the help he gave her. That's fine, in some ways I get that attitude and it's fine to see it that way, but lord you cannot say he didn't try.
And it's not like Brettsey was rushed. It's been built up. It's been shown again and again that they love each other, how that is shown. And they've grown together. Also Matt has seen the whole development of this arc really, from helping Sylvie with Julia and then Amelia and all that and to now the decision to adopt baby Julia, he's the most qualified to speak on the matter honestly because he's seen all that.
I would generally recommend staying away from twitter atm at least. I am currently too lol. My blood pressure definitely couldn't handle it.
I'm just so fucking done with all the people who one) keep dragging Monica into this, like damn the woman left l can guarantee you the only thoughts she has is pride for her former co workers and two) people just needlessly hating on brettsey.
Idk if it's because I'm also having to deal with the same sort of idiocy when it comes to u*stead stans on twitter (which already is laughable to me bc the stans tend to be the same people as the d*wsey stans) so I'm already pretty damn tired of people not getting things and mixing up not personally liking a storyline direction Vs bad writing.
It's also tiring to see the hypocrisy (like adoption is Valid when d*wsey does it but not Sylvie or that Sigan is a brilliant writer/show runner until upstead has to be broken down because the actor left of his own choice 🙄) and like. Just ship and let ship. And if the show choices upset you... You don't need to watch. That's fine. But attacking other ships is just not on.
Ugh I'll stop now before this turns into a full on rant. I could bitch for days about d*wsey stans but especially as you only sent the ask about brettsey I should stop because I'll just also rant about u*stead and idk how you feel about them lol.
Thank you for asking!! 💖
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Okay every time I read one of your celtophobia posts I am filled with immediate and incandescent rage, enough to propulse the responsible idiots into space but not to bring them back again. I'm really sorry about the """""lecturer"""""" you had to sit through this morning, and any other instances that happen. Hugs.
That said, I am very worried of doing the same thing and want to make my utmost sure I don't, so I thought it'd be okay to ask someone from a language that has to fight for space for politeness tricks. Apologies if this is not okay!
Context: I'm from continental Europe, which means English is my second language (I speak three languages and a half ish, the half is in process, because #languagenerd). I'm moving to Ireland come September, and I'm absolutely terrified of offending the good Irish people when I don't know how to pronounce their names, surnames, street names, or anything else; or, worse, try and end up butchering them in the manner of the British.
Dilemma: How can I ask for help when pronouncing things in a delicate way? I was thinking of signing up to Irish courses once I'm there, but for now I'm panicking about the actual move so I can't get a head start with that because my brain space is limited, and other than watching YouTube videos with the most common Irish names/words ahead of arriving, I honestly don't know. I want to be culturally sensitive and make sure they feel respected and not Colonised, Part Three Hundred, but also they shouldn't have to bear the weight of my lack of cultural knowledge and Teach Me? Idk. Just thoughts.
Good question! I suppose it's a two-part procedure:
Step 1: Learn a pronunciation guide. By that I just mean get to grips with the alphabet, common phonemes, etc and how those are said. With something like Welsh it's super easy (because phonetic), something like English it's super hard (because not phonetic); Irish is a bit more complex than Welsh, but still more phonetic than English. You might not be able to get to a "perfect every time" place, but you can get yourself to a "right most times" place.
Step 2: If you encounter a name you aren't 100% sure of, offer your best educated guess when asking. This shows that you have done the work, you are making a genuine attempt, but you still have the humility to ask to make sure.
When I say "best educated guess", I mean it's clear that you're guessing based on a working knowledge of the language rules in question. In Welsh, for example, if someone asks me how to pronounce "Cymru", there is a world of difference between someone saying "Sim-roo" (based on English pronunciation rules transposed onto Welsh) and "Kim-ree" (based on Welsh pronunciation rules, they just forgot which pronunciation of 'y' to use for the syllable it's in.) If someone says to me "How do you say that? Sim-roo?" then I know they haven't attempted any prior learning (though points for being interested enough to ask.) But if they say "Am I right in thinking it's Kim-ree?" then I know they've made the effort themselves, they've done the work, they just have a carry error that's skewed the answer.
Plus, you may well be right! And will be right more and more often the longer you're in Ireland.
If it helps, there's an Irish pronunciation guide here that's pretty good (or was back when I used it), and teanglann.ie is a pretty good resource for this, as it's a dictionary that lets you hear the words aloud and explains grammatical uses. (Irish people please feel free to add any other resources to the notes if you feel so inclined!)
As a final note, mind, given that you don't have time atm to dedicate brain space to this, speaking as a Welsh person I would be absolutely fine with someone saying to me "Sorry, I haven't had chance to learn yet, how do I say this?", or some variant thereof. Or, frankly, anything that's just... a polite request, and not laughing about it. I would take a thousand instances of "How do I say that? Sim-roo?" over even one "I don't know how to say that, haha" because the former is still caring enough to ask. So don't panic! A polite request will see you right.
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fantasybooktournament · 10 months
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Book Reveals for Round 1 of Mystery Book Tournament
titles and descriptions under the cut
The One with The Obnoxious Legal System is A Conspiracy of Truths by Alexandra Rowland
The world's most obnoxious old man has been arrested for charges of witchcraft by the world's most obnoxious legal system. The story follows him utilizing every tool at his disposal to escape death including his fruity apprentice, his ever-tired lawyer, and most of all stories. Half of this book is the old man telling a story to someone he is either trying to sway, trick, or simply entertain.
The One with the Rightful Heir is Magyk by Angie Sage
A child soldier nearly freezes to death and so must join the escape of the rightful heir, a powerful wizard, and the rightful heir's bumbling dad, brother and dog.
The One with No Indoor Plumbing is In Other Lands by Sarah Rees Brennan
Have you ever thought ‘hey going to a magical fantasy land might suck a little’? Our intrepid hero has been invited to a school for future heroes in a land of elves and trolls, harpies and mermaids…and there’s no indoor plumbing. Also they’re training children as warriors and have little to no respect for diplomacy.
The One with Vampires and Farms is The Queen of Darkness by Miguel Connor
In the far-flung future, the earth is irradiated and vampires rule the world. Humans are kept in farms, and our protagonist is sent to one to learn about an illness that is appearing in the humans which can infect and kill vampires. There he learns about the human cult, and gets told by them that vampires were once human.
The One with Possessed Nuns is Vespertine by Margaret Rogerson
A young nun in fantasy-France lets a powerful revenant take possession of her body in order to protect her monastery from possessed soldiers. No one believes she can possibly control the evil creature, but as she uncovers a sinister plot at the very heart of her country, she finds herself growing closer to the revenant by the day.
The One that Becomes Queernormative is A Strange and Stubborn Endurance by Foz Meadows
Protagonist starts off in a queer phobic society and is bound to marry a girl from the neighboring kingdom against his wishes, being gay. When his sexuality is dramatically revealed after he's being assaulted, the political bets seem off, but the other kingdom is queernormative and instead offers to marry him to his bride's brother instead.
The One with Sisters and Unsuitable Men is An Earthly Knight by Janet McNaughto
The main character's older sister has run away with an unsuitable man so it's up to her to marry a suitable one. But as she worries for her sister and hopes to find her, she encounters a strange man, rumored to have been kidnapped by the fae.
The One with the Magic Italian Notebook is City of Masks by Mary Hoffman
The main character, a young boy, is seriously ill but his life is transformed when an old Italian notebook gives him the power to become a stravagante, a time traveler with access to 16th century Italy. He wakes up in another time and place during carnival time and meets a girl his own age who is disguised as a boy in the hope of being selected as one of the Duchessa's mandoliers. Political intrigue ensues.
The One with the War Against Colonizers is Fire Logic by Laurie J Marks
The last living member of a border tribe, a deadly philosopher-soldier, a truth-seer, a gentle man, and a man who can see the future form a beautifully queer family around a drug-addicted blacksmith who holds the power of the land itself so that she can end the war against colonizers that has continued for 30 years
The One with the Healer's Quest is Dreamer's Pool by Juliet Marillier
The first in a mystery fantasy trilogy about a wrongfully imprisoned healer and her quiet but strong prison friend who get busted out of prison by an otherworld being. In exchange, for seven years she must endeavor to help anyone who asks for it. A gentle local prince has fallen for his fiance through their sweet and poetic correspondence but is shocked by her cruelty when she arrives, can the healer discovers what has happened and help solve his problem?
The One with Imaginary Friends is Hexwood by Diana Wynne Jones
A pre-teen girl who relies heavily on the advice of her four imaginary friends goes into the local patch of woodlands one day and discovers it's much bigger on the inside. There, she meets a depressed sorcerer/assassin who makes a child out of her blood and his to fight against his enemies on another planet. Meanwhile, someone on Earth has started up a machine that's said to be able to make dreams come true, and this is a big problem for the evil interstellar megacorp that's been dumping prisoners on Earth and stealing their flint.
The One with a Time-Traveling Dragon/Furnace is If That Breathes Fire, We're Toast! by Jennifer J. Stewart
A boy moves with his mom to a new place where he meets a girl and a time-traveling dragon/furnace who teaches him about himself.
The One with the Multiverse is Nine Princes in Amber by Roger Zelazny
An amnesiac man finds himself embroiled in deadly political scheming, thrust into a strange multiverse in the hope of trying to claim from out under his various rival siblings feet the throne to the city at the center of reality.
The One with Mage Trials is Spellslinger by Sebastian de Castell
In a magical society one must complete their mages trials by 16, or else become a slave to that society for the rest of their life. The main character is a 15-year-old boy who has one last chance to complete his trials. Only, his magic is gone. With his fate looming, he meets a mysterious traveling stranger who shows him a different path than the one that has been laid out for him by his people.
The One with the Loser Noble Scholar is Swordspoint by Ellen Kushner
Loser noble scholar shacks up with the best swordsman of the city and makes him fight a bunch of duels mostly out of boredom but also a bit because of politics. Feels slice of life ish though there are stakes
The One with the Nonbinary Cleric is The Empress of Salt and Fortune by Nghi Vo
In this novella set in an imperial Chinese inspired fantasy world, a nonbinary cleric investigates the story of an empress and her ...controversial rise to the throne, as told by an elderly handmaiden who knew her.
The One with Geese is Thorn by Intisar Khanani
Between her cruel family and the contempt she faces at court, the Princess has always longed to escape the confines of her royal life. But when she’s betrothed to the powerful prince, the princess embarks on a journey to his land with little hope for a better future. When a mysterious and terrifying sorceress robs the princess of both her identity and her role as princess, the girl seizes the opportunity to start a new life for herself as a goose girl.
The One with the Teenage Witch Coven is The Scapegracers by H. A. Clarke
Lesbian teenage witch accidentally becomes adopted by popular girls. They form a coven and vow to get revenge on those who have been wronged. Chaos ensues.
The One with the Angel and the Demon is When the Angels Left the Old Country by Sacha Lamb
A demon and an angel decide to go to de goldene medina to search for a girl they know who's disappeared on the way over.
The One with an Unsettling Future is Zel by Donna Jo Napoli
High in the mountains, a young girl lives with her mother, who insists they have all they need -- for they have each other. The girl's life is peaceful and protected -- until a chance encounter changes everything. When she meets a beautiful young prince at the market one day, she is profoundly moved by new emotions. But the girl's mother sees the future unfolding -- and she will do the unspeakable to prevent her daughter from leaving her...
The One with the Bioweapon is Hell Followed With Us by Andrew Joseph White
It's post an apocalypse, that was started by a cult, that twists people into horrible body horror monsters. A trans boy raised in the cult is infected with a bioweapon by them and shortly after escapes. He joins a group of queer teens where he finds friends a community, and he bands together with them to take down the cult.
The One with Arabian Nights AND Hades & Persephone is Keturah and Lord Death by Martine Leavitt
Arabian Nights + Hades and Persephone! A mysterious danger plagues an unexpected kingly visit, and a young woman embarks on a quest to find her one true love before all is lost...
The One with the Lion is Sarah's Lion by Margaret Greaves
A princess longs to travel so is locked in her room. A lion comes to her. Eventually, she has to choose whether she will stay or go.
The One with the War Veteran is The Curse of Chalion by Lois McMaster Bujold
War veteran with chronic pain contracted by a goddess to save her chosen queen
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I want better for Sybok.
I want a world where he got a fighting chance to do anything but become a cult leader. I’ve seen aus where he becomes a counselor and I can’t stop thinking about it.
No gods, no Sha-Ka-Ree, no cult. Just a kid who knows his history. Who researches Surak, and the world before him, and finds himself dissatisfied with present day Vulcan’s interpretations of his teachings. Unable to see the logic in following one ancient man’s words with no additional input or thought. Is this truly the best way for them to live? His mother didn't think so. He doesn't think so either.
He’s young, and he has big ideas and a lot of charisma, and a lot of inner pain from losing his mother and being suddenly told the way she was raising him was wrong. He quickly earns a reputation as a troublemaker. Indulging in blatant displays of emotionalism, just to prove his point, that he smiled and nothing bad happened, he cried and he felt better after.
He’s dissatisfied and ostracized and convinced there’s a better way to be living.
He fucks off at 18-not quite banished, but so strongly encouraged to leave that he might as well have been-and goes to a college on Earth, because the federation is a post-scarcity society so he has his basic needs met and he just wants to figure himself out, and where better to do that than a college campus, as far away from Vulcan society as possible. On his step-mother's home planet, where he knows at least a little of the culture, the language, what to expect.
He sees the school counselor a lot, and gets a lot out of their sessions. Takes some psychology courses and ends up getting really passionate about it.
Teaches himself to embrace his emotions while acknowledging that it’s very easy to be ruled by them. Utilizes aspects of traditional Vulcan control combined with the human practice of mindfulness to understand his emotions and control his strong impulse to act on them, without completely rejecting them. Knows he is choosing not to control his emotions, but he can and should control the actions he takes in response to them to avoid hurting himself or others. Knows that understanding why he feels a certain way can help him understand himself better.
Lives his best life and studies psychology to help other people find the same joy and peace he has, in whatever form that takes for them.
Then he finds out his baby bro basically told the VSA to fuck off and that dad more or less disowned him for joining Starfleet. Feels so damn proud of him for standing up the their parents like that.
Reunites with his brother after years of separation.
It’s rocky at first, but after both being disowned they’re all the family the other has left now, and they both do really care about each other.
Spock doesn’t understand Sybok’s choices, but he doesn’t need to understand them to respect them; Sybok is clearly still exercising some degree of control over himself, he even still meditates, he’s just controlling himself less, and differently, and his mind is more at peace than it’s ever been before. Sybok doesn’t really understand Spock’s continued dedication to logic either, but he respects it too, because clearly it still means something to Spock in a big way.
They make peace with each other, and their differences, and with the fact that their parents and society have rejected them. That Sybok did everything “wrong” and Spock did everything “right” and yet they both ended up in the same place; on Earth, with mom ignoring their calls, because she loved them both but she loves her husband more.
And ultimately he enrolls in Starfleet medical to become a ships counselor, because he still takes great joy in doing things he knows dad would hate, and because he wants to specialize in trauma and grief counseling and Starships need a lot of that, and because getting a new perspective on life from being around humans helped him a lot and he’s rejected a lot of philosophy that he found unhelpful but IDIC is something he still believes in; he wants to be around as many different ideas and perspectives as he can to improve himself and his practice, and Starfleet is a great way to do that.
Getting to follow his only remaining family into space is just a bonus.
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Picture this, Remus only gets jealous when Virgil hangs out with Roman, because sibling rivalry. Virgil has been spending a lot of time with the prince for emotional support and because he's plotting something big. Remus gets all pouty and whines to Janus who can't tell him anything. Remus is a pouty grumpy mess until the truth comes out
Turns out Virgil was planning a surprise date for Remus and he wanted to make it romantic and over the top. Who else would he go to for that stuff? Plus it's the perfect opportunity to be a decent brother without seeing Remus, so Roman is all in.
That is both hilarious and so damn wholesome P L E A S E!!! I'm cackling at the thought of Ree just being dramatically grumpy arms crossed and everything to Jan going
Remus: Vee Vee's been hanging out with Hoeman a lot lately like Pissy can't even name one horror movie I thought we had something going on y'know!?
Janus: *sipping his wine secretly knowing everything* Yes that's very unfortunate
But of course the Emo goes to the Prince of Romance himself for advice and once he finally tells Ree to follow him somewhere after almost going a whole day without uttering a word to the chaotic Duke and let alone seeing him and Ree's immediately dramatic and sassy about it like
Virgil: Ree I need to show you something- Remus: Who the hell do you take me for Vee Vee I will not be someone's sloppy seconds I am the snack and main course...
Virgil *playfully rolls his eyes dragging Ree to follow him as the ball of chaos is still sassily rambling*
Remus: And another thing-
Virgil: *teasing* Are you gonna open the door or do I need to makeout with you to shut you up?
Remus: Bribery will get you nowhere-
Virgil: *opens the door revealing a spooky romantic candle lit dinner*
Remus: *gasps* I knew you loved me!
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bambi-kinos · 20 days
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I really enjoy your meta and look forward to more mclennon analysis. Out of curiosity, you mentioned that you think they started being physical in 1964 - is there a reason why that year specifically? Personally, I've always thought they started sleeping together in 1963, and my reasoning for that is they seem much closer in videos/photos, not to mention it was the year they "broke through", so to speak.
Would love to hear your thoughts on that!
Hmm well I guess it depends on how they, and we, define their sex life. John and Paul were sexually intimate starting since they were teenagers because John brought Paul into the group wanks. (tbh it's a miracle Paul didn't brain John with something heavy thanks to all that Winston Churchilling.) There's really no telling how it progressed from there, anything is possible with these two. Until Paul tells us the details (and I do not put it past him) then he and John could have been hooking up at literally any point in their relationship. When I think of them getting physical with each other, I'm thinking of them getting each other off with intent and purpose, and considering the style of the time this would mean penetration. Everything else can be handwaved away.
I pick 1964 because of this post: https://www.tumblr.com/got-ticket-to-ride/739464905120497664/its-the-anniversary-day-of-john-and-paul-in-paris?source=share
It's just something about it, y'know. John and Paul are in their city. They stayed up all night and well into the morning and then slept deep into the afternoon, almost evening. And then as GTTR says, "And then they emerge from their hotel room looking like a newlywed couple."
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Well, there's just a certain satisfaction radiating off them isn't there?
But I do see your point: why wouldn't they be hooking up earlier? Why wouldn't it escalate physically before this? Why would they wait until Paris 1964?
I have a few reasons, they are admittedly flimsy but since we are all just making shit up then it's fine, right?
Julian was born in 1963. I've read bits and pieces of Beatles 1963 by Rees and that book is full of little chunks about John running home to see Cynthia and the baby (usually not even for a full night/day because he was so busy.) Their schedule is also packed, they are constantly on the move especially during the night because this is where they had to start being smuggled out of theaters and such. So I genuinely think that John and Paul did not have the time or the space to have sex with each other. I know I am saying this when they had time to hook up with groupies between shows but considering who John and Paul are, and what they mean to one another, I just struggle to imagine them acting that way with one another. They would want to take their time with one another and get it right. They're hopeless romantics at heart, they're both deeply enamored with the idea of "you're special, you're different" so I genuinely think they would want to take their time with each other physically and do it right. I don't think they had that time in 1963 with the way they're running all over the UK.
Then there's the Absolute State of John and Paul's relationship in 1963. Remember that the halcyon days of Paris are way in the rearview mirror at this point. In 1962 Stuart died, Cynthia got pregnant, and John had to get married to save her reputation. I can't imagine Paul reacting well to any of this though I'm sure he put his cheery stoic mask on. Then in 1963, Julian is born. Barcelona happens and John seduces Brian to get the songwriting credit that he wanted and screws Paul out of their deal. Considering this is something Paul is still angry about to this day, I can't imagine how he blew his fucking top at John when he found out that May:
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I don't think Paul was in the mood for any hooking up in 1963. John has a baby with a woman, is married, then he fucks off to have a gay experience with their manager and then when he comes back he's screwed Paul's side of the business on the downlow? I would be on the fucking six o' clock news lmao, John would not have escaped my wrath. It's really no wonder Paul made a specific point of hooking up with Jane Asher isn't it? He was making a point to John specifically and John seethed about it.
However I do think that something happened in 1963 that healed the rift in the Lennon-McCartney relationship:
Paul got sick from the gastric flu and he fainted dead away in the dressing room. John was very upset and was seen pacing the room when the doctor arrived to check on Paul. This is how we know that Paul actually fainted for real, if he was just feeling feverish John would be concerned but maybe not like that. @james-winston has a pair of really fantastic posts about the aftermath of the fainting incident that I have taken as gospel and I fully apply this to any McLennon analysis I write about this period. The key point though is this:
I have a headcanon that Paul being sick caused something to happen between John and Paul that left them both feeling awkward around each other. I don't think it is was sexual, I think it was more likely that John (who thought he was cursed to have all the men he loved die on him) was afraid something might happen to Paul, and reacted emotionally to it.
This all took place in November, after the Wooler thing, after the burn from Barcelona has had a chance to soften, after they both have had time to get used to the idea that Julian exists and has a place in their lives now. I think this was enough to mend things between them. And you know what else happened the night Paul fainted? Brian secured The Beatles their spot on Ed Sullivan:
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So once Brian comes back and tells them the news, John and Paul flip right back into the honeymoon phase. The wounds of the past are forgotten (for now) and they're right back in each other's pockets. I think it's around this time period that Paul was taking photos that now make up Eye of the Storm.
TBH I can imagine John and Paul hooking up at this date. If someone looked at this and said "well this looks like a prelude to sweet love making to me" then that's perfectly reasonable. There's some suggestive photos in Eye of the Storm where Paul is taking John's picture from what looks to be a bathtub while John makes faces at him. It could have been then, absolutely.
But I like the idea that Paul wanted to wait until the next year. 1963 was rough on all of them and he and John are both big on getting new starts. Wait for 1964 to roll around. Brian says we're going to Paris in February. I can wait until then.
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And just this once, it was worth it.
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