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legend-of-cupcake · 4 months

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Tsukasa works FOR Sakura

Now this is very likely me just being slow and not connecting the dots until now, but chapter 109 has made me realise that Tsukasa is not the one in charge of the "destroy all yorishiros" plan... It's Sakura.

It's this line here that's made me finally see the light, Tsukasa has to "help Sakura, by destroying the yorishiro." He is not actively desiring the yorishiro to be destroyed, he's just doing his part in the plan. In chapter 106, he wasn't even phased that Nene didn't want to destroy the yorishiro and the only reason he persisted was because it was "his job."

Even way back in chapter 93, Sumire describes Sakura as the one No. 6 serves. Sakura gave him the job of destroying his own yorishiro, not Tsukasa.

Sakura is the one who wants the yorishiros destroyed, she's been trapped inside the school for 100 years and is tired of it. She wants to leave whatever duty is keeping her bound

And she is more than willing to make sacrifices to make her wish come true

Sakura is behind everything, she is the reason that Tsukasa was freed from where he was trapped (very likely Hanako's boundary).

She is also the one altering the rumours.

Tsukasa, as cunning and intelligent as he may be, is probably a bit too impulsive to be the brains behind the entire operation. His intense curiosity for things would likely get in the way, no matter how well he means or how serious he's being.

And again, it's clear Tsukasa is not as invested in destroying the yorishiros as we are initially led to believe. Again, he really doesn't mind that Nene no longer wants to destroy yorishiros anymore

In fact, it's Natsuhiko who worries Nene won't destroy them. Keep in mind Natsuhiko is 100% loyal to Sakura and not necessarily to Tsukasa. If this was Tsukasa's plan, I doubt he would be worrying over whether Nene will keep doing her part as the kannagi

The only reason we even initially thought this was all Tsukasa's doing, was because Sakura painted a picture that she was in a similar situation to Nene.

Sakura gives the impression that she can't go against Tsukasa, that he is her master. But that can't be right, because we know Sakura was the one who appointed the 7 mysteries in the first place. And she was also the one who freed Tsukasa, so how could he be the "master" in this relationship?

I think, Sakura said all this to gain Nene's trust.

Nene, being the modern kannagi, is absolutely vital in the plan to destroy the yorishiros. So having her trust Sakura would help out immensely.

So overall, whether it's the price he's paying for having been freed-- or for some other reason entirely-- it's quite clear to me now that Tsukasa is not the one in charge of the "destroy the 7 mysteries" plan. He's absolutely a major key player, with his cunning and curious mind clearly being an advantage (figured out the fastest and easiest route to stopping time so he could access the clock-keeper's boundary with Nene). But he is doing all of this to help Sakura, it's not for himself.

#tbhk #jshk #toilet bound hanako kun #jibaku shounen hanako kun #tsukasa yugi #sakura nanamine #tbhk theory #it wouldn't surprise me if everyone had already came to this conclusion long before this chapter #I'm just slow sorry lol #Tsukasa is too impulsive and gets distracted too easily to be the mastermind imo #but don't get me wrong he is extremely cunning and smart #only when he's interested tho #plus it really doesnt seem right that Tsukasa is the master of the one who freed him #bit sus there ngl #pls don't roast me too much for being dumb #sorry this post is a bit all over the place

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gummi-ships · 4 months

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Kingdom Hearts Dream Drop Distance - The Grid

#kingdom hearts dream drop distance #khddd #the grid #scenery #my gif #the general aesthetic of this world makes most areas feel very samey #i was worried that i wouldn't be able to make this set look varied enough but i think it turned out alright #but i'm glad sora and riku were able to wear unique outfits in this world and that they brought back the lightcycle race #replaying this game made me realize that sora and quorra's friendship is pretty adorable haha #she took one look at that kid and was like our names rhyme we're best friends now let's team up and ditch the other characters #guess i'm a fan of sora befriending computer people because the whole thing with tron/rinzler is really interesting to me #imagine my surprise when i played this game for the first time and saw that sora got through to tron but couldn't save him #and that we don't return back to this world to resolve it #he reached for his hand...

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thebroccolination · 3 months

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In workshops, Waa told Krist and Gawin to think of Kawi as a cat and Pisaeng as the cat's human, and what ensued onscreen is why Waasuthep Ketpetch is a hero and deserves ten thousand awards for Be My Favorite.

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cerise-on-top · 2 months

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ik that you just did something about what dates Valeria and Laswell who take you on butttt can you still do how’d they like to celebrate valentine’s day! Hope you have an awesome valentines 🩷

Hey! Sorry for not posting on Valentine's Day or yesterday, I was extremely busy with work and had some very long days ^^; But I'll post twice to make up for it today! Sorry this was a bit late as well ^^;

Valentine’s Day with Valeria and Laswell

Valeria: We’re just going to assume that she has time to spend with you this Valentine’s day and took a day off or something. Valeria doesn’t think too much about it, it’s just another day where people are taking the money straight from your wallet, either because there’s someone you love or because you’re single and need to eat your frustrations away. She doesn’t care at all about that day, and whether she does something for it or not entirely depends on whether or not you complain about wanting to go on a date with her that day. If you don’t then there will be no date. Because it’s only a cash grab sort of day, Valeria wouldn’t particularly buy you chocolates either. She really doesn’t like Valentine’s day. Complain enough and she’ll get you some chocolate straight from the chocoria, no matter how expensive. A few flowers maybe as well, but that would be it out of her own initiative. She’d much prefer to stay at home and watch some movie with you. One that isn’t about romance, just a normal action movie or comedy or something. Complain enough and she’ll sigh, grabbing her coat and ushering you outside. It’s not often that she does something like this, but you’ll be walking around Las Almas together, chatting a bit, getting some of the yummy street food out there. You’ll do something akin to sightseeing where she shows you all the places there are in the city and around it, except they’re all the places she found when she was still young and reckless. From the berry bush in the park no one knows about, to the abandoned mill by the countryside she used to hide from her parents in. Valeria is normally a classy woman who could buy the world if she wanted to, but her real signs of love would be when she isn’t spending money on you for once. It shows that you’re more to her than just another cost, another person who’s just out for her money. Or, at the very least, she trusts you to not be. While there still won’t be too much sentiment from her side, you’ll also go stargazing together if the sky is clear. She can’t tell you too much about the constellations, but you’ll just stand there and look at the stars. Valeria hasn’t had the time to do that in forever, so she’ll likely take a while.

Laswell: Again, we’re going to assume that she has the time to spend with you and isn’t out and about abroad, risking her life. Laswell has a much greater tolerance of Valentine’s day than Valeria does. She used to love that day much more when she was a teenager and was with her first girlfriend, but stopped caring as much about it as the years went by. While she doesn’t like how romance is being forced down everyone’s throat that day, she’ll tolerate it since she can’t change it anyway. However, Laswell is much more likely to do something with and for you on that day, she doesn’t complain either. Starts the day off with a kiss to your temple in order to wake you up, makes you breakfast, heart shaped pancakes with vanilla ice cream, before she gives you the chocolates and flowers she got for you. The flowers are fairly fancy, roses, dahlias, lisianthus. Anything that looks nice and could show you just how much she loves you is a-okay. After breakfast you’ll lounge around your home for a bit, doing chores together and stuff, until it’s time to leave that is. You’ll be going to a fancy restaurant together, eating at an all you can eat buffet until your hearts and stomachs are content. Of course, all of it goes on Laswell’s bill. Afterwards it’ll be something relaxing for the time being, digesting the food as you take a stroll through the park, for example. Whatever suggestions you may have, you may voice them now before the two of you will go to a jewelry store where you can pick out something gorgeous that fits you, your outfit, your eyes and whatever else there may be. After your stroll is over, you’ll likely go home together, cuddle on the couch and watch TV. It’s not the most exciting day there is, but Laswell is just glad she has a sweetheart she can spend the day with. You’ll end up watching some awful rom-coms together, complain about them and how bad they are, only to be watching the next one right afterwards. You will be eating popcorn together, salted, with caramel and maybe steal a few kisses from each other here and there while there’s nothing interesting going on at the moment. Again, it’s not much but Laswell is usually out and about just about anytime and wants to relax for a bit for once. Even better if she gets to do it with you.

#cod #cod x reader #valeria garza #valeria garza x reader #kate laswell #kate laswell x reader #I had to help out at work. I had to help out at home. Yesterday I had a workshop at work as well...#again I'm really sorry for posting this a bit later but I hope it's not too bad #in all honesty I don't care for Valentine's Day I agree with Valeria on that one ^^;#I'm kind of glad I'm single right now because that way I don't have to go out of my way to do something special for anyone #I once gave two friends of mine some chocolate on that day though. they were very surprised but also very happy #it was very sweet to see their happy surprised faces #but I think that's the most exciting thing that's ever happened on V-Day for me #I've only received something once from my co worker and never before #I don't mind that but I wish they wouldn't shove romance down everyone's throat that day. it's really annoying #like what if I don't want a partner? are you going to make me feel bad because I don't? it's happened to me before #I'm glad it's over. I'm really not one for all those fancy days. I prefer regular days where there's nothing going on at all

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snail-speed · 3 months

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So... People that die from the exterminations go to Heaven? Or is it just Pentious specifically?

If it's the former, LMAO, WHAT???

The one thing that the show had going for in any semblance of criticism to religion just flies off the window if that's the case. You're telling me all this time these genocidal characters were actually doing people a favor by teleporting them out of Hell? LOL

#it CAN'T possibly be like this #but the show's writing is really bad so it wouldn't surprise me #hazbin hotel critical

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hephaestuscrew · 8 months

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I want to talk about this moment between Lovelace and Minkowski immediately after Cutter dies:

Lovelace GASPS in relief. Both women COLLAPSE, wounded, at the end of their ropes. LOVELACE Nice... shot. MINKOWSKI Couldn't... have done it... without you, Captain. You all right? LOVELACE No. You? MINKOWSKI No, I... I... yeah... LOVELACE Stay with me, Minkowski. MINKOWSKI Yeah... We're almost through this. We just... need to... get Eiffel... And off of their attempts to hold onto consciousness, we -

Firstly, the acting of this scene is incredible. (The timestamp is 1:42:26 if you want to listen back.) I'm in awe of the way Emma Sherr-Ziarko and Ceilia Lynn-Jacobs convey the sense of pain and exhaustion and relief and trying to hold onto consciousness. The kind of damage they've undergone has been very different - Minkowski bleeding out from her gunshot wound, Lovelace recovering from the external control that caused her to inflict that gunshot wound. But the way these experiences manifest in their breathless pained voices is pretty similar. There's almost a kind of unity in that.

I love that the first thing Minkowski and Lovelace do after Cutter dies, even as they are struggling to speak, is to acknowledge each other's contribution to this moment.

"Nice shot" feels like a comment more suited to congratulating someone on doing well at a shooting range than as a response to a friend successfully harpooning their evil boss. There's a casualness to it as a phrase that feels almost humourous in this context, but it also reflects the fact that there isn't really an established thing to say in a situation like this. (More below the cut)

Minkowski could have just taken full credit here - after all she's the one who fired the killing shot - but she doesn't. It reflects the ethos of this show that neither Cutter nor Pryce, the major antagonists, is defeated by a single protagonist alone, and that the protagonists themselves are aware of that.

This scene is an example of a kind of exchange we get a few times throughout the show, where a character asks another character if they are okay and the answer is a clear no. There's an conversation like this between Eiffel and Minkowski in Ep12 (EIFFEL: You okay, Commander? / MINKOWSKI : No, Eiffel. My second in command just betrayed me and tried really, really hard to murder both us. I’m pretty damn far from “okay.”), and between Hera and Minkowski in Ep29 (HERA: Commander? Are you okay? / MINKOWSKI: No. You? / HERA: No. But I will be.), and between Eiffel and Hera in Ep41 (EIFFEL: Are you okay now? / HERA: No, Officer Eiffel. I'm not. But... I'm going to be.) I think I've said this before in tags on a post, but there's something about that type of exchange that fits the tone of this show so well to me. Of course none of these characters are all right, not with what they've been through. But the asking is still important, because of the care these characters have for each other. And the honest answer is still important, because this is a show partly about communication and because sometimes the awful things need to be acknowledged.

I should probably also say that there are also plenty of instances in Wolf 359 where people falsely claim to be fine in response to questions like this. There's an awful lot of emotional repression and compartmentalising on that space station. Which makes it more significant when characters are honest about not being okay.

In this scene, Minkowski and Lovelace don't need to waste words on saying why they aren't all right. I picture them both looking down at Minkowski's wound as she speaks here. And they laugh, or as well as they can do in their current condition, at how absurdly obvious it is that they aren't okay. Maybe that attempt at laughter is a way to keep going. And they are both so determined to keep going.

Lovelace tells Minkowski "stay with me", even though Lovelace is struggling to remain conscious herself. There's something so tender about that to me, and it's particularly heart-wrenching given that Lovelace was forced against her will to fire the bullet that wounded Minkowski.

When Minkowski says "We're almost through this", it feels like a call back to her conversation with Eiffel earlier in this episode, when he said "We're almost through. Just one more day, and then we're done." The "this" in "almost through this" somehow holds everything that they've been through on the Hephaestus. The repeated sense that this is the last confrontation that they will face on that station is perfect for a finale. But there's also something very emotionally heavy about that finality, especially when spoken by a woman who is bleeding out from a gunshot wound. And yet through her exhaustion and her pain, Minkowski expresses hope that they will get "through this", that they are "almost" on the other side of the whole nightmare.

Neither Minkowski nor Lovelace even consider the option of not going to look for Eiffel (and Hera). It would have been perfectly reasonable for them to have gone back to the Urania to try to patch Minkowski up and to wait to see if Eiffel and Hera were able to join them. But these characters would never do that.

They go to look for Eiffel even though Minkowski has been shot and Lovelace has been subject to horrific external control. They go to look for Eiffel even though both of them are "at the end of their ropes" and struggling to hold onto consciousness. They go to look for Eiffel even though waiting on the Urania was the plan they'd agreed upon with Hera. They go to look for Eiffel even though, for all they know, Eiffel and Hera might have the situation completely handled, or might even already be safely on the Urania. They go to look for Eiffel (and Hera) because only once they are all together can they consider themselves "through this".

#It's surprising that I've barely talked about this scene #given that it is definitely one of the finale scenes that lives in my head rent free #I put Hera in brackets in that last point because they don't explicitly mention her #and the location aspect of 'looking for Hera' isn't quite the same #but I know that they wouldn't have left without her either #Also characters telling an injured/sick loved one 'Stay with me' is one of those tropes that really gets me #It's a way of saying 'don't die' without saying it (cos they don't want to say it)#It's a way of saying 'don't die' that disguises itself as says just 'stay conscious'#It's a way of saying 'don't die' that also says 'don't leave me. I need you here with me'#wolf 359 #w359 #wolf 359 spoilers #w359 spoilers #the empty man posteth #renee minkowski #renée minkowski #isabel lovelace

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skayafair · 1 month

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Left Brain, Right Brain

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I'm sorry but this is literally Arthur and John situation???

Right brain:

Can't speak

Controls the left side (arm for example)

Has its own opinion on different topics compared to the left one

Recognizes faces

Basically assists the left brain

Left brain:

Is in charge of speaking

Controls the right side

Doesn't recognize faces

Is probably the "leading" one in the personality perception, like "the host"

Makes up it's own explanation for stuff only the right brain knows but it still influenes the left one's actions

Now, I just watched the video and jumped right here to share it because WOW human bodies are SOMETHING aren't they, and how conveniently fitting this all is!

BUT I didn't do any further research so I have no idea how scientific the info actually is. Feel free to add to it!

#as someone with a few subpersonalities which are quite often at odds with each other #I wouldn't be surprised if it's at the very least CLOSE to the truth #at least for me #although in my case it's “the host” who's the silent one #because I don't really feel at home in this/a human body #but what can one (two?) do amirite?#anyway it's a neat little theory and I like feeling validated #and I also like when stuff ACCIDENTALLY happens to back up something completely made up #so here ya go #malevolent podcast #john malevolent #john doe malevolent #arthur lester #malevolent

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the-red-thread-that-strangles · 2 months

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Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

#Akai is genuinely the more capable agent and I'm not surprised they've made a movie about him #I could carry on about how Akai-as-Okiya knows how to play his cover and avoid attention. even going as far as to retrieve KID's photos.#whereas Amuro lives a little too much in the limelight and certainly too close to the police who might have some people who knew him #he of course gets waaay more capable when his emotions don't blind him #but that would only be half the fun wouldn't it?#anyways. this post is brought to you by me rewatching the insanity that is m20 #there are so many questions for this. chiefly: why was Akai even parked in front of the police HQ during Curacao's break-in #I have accepted the NOC list (insanely dangerous as it is) as a means to avoid the tragedy of Scotch and thus no longer question it #but yeah. how did people know curacao would strike that night?#also that fight is so cool but makes so little sense. very good characterization #we should really have been allowed to keep curacao #I guess she was too powerful #anyways #iris' late night rambles #akai shuichi #furuya rei #iris watches dcmk #long post

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