#reading progress 2021

[strawberri-draws]

Sometimes. Sometimes you just need to reread all of Scoob and Shag on webtoon to feel something again

#not art #yeah. #just binged it in like three hours #last time I read it was like in 2021 and hoo boy it’s only gotten better #if I unironically said that I was invested in bugs bunny x scooby would you believe me #and shag is just a little guy #he’s drawn more and more adorable as the series progresses #also the cliffhanger last update (rip) is the SCARIEST SHIT I’ve ever seen #genuinely horrifying #anyways this is read scoob and shag propaganda #genuinely high art

[if-you-fan-a-fire]

Progressive-Era Prisons and the Emergence of Prison Sexual Culture

"Fag Follies" and football games would seem to be worlds away from the dens of solitude and enforced silence held as carceral ideals just a few decades before. Changes in prison administration and prison architecture and penology aimed at enhancing inmate sociability in the 1910s and 1920s combined to create new sexual possibilities among prisoners. Material changes in prison architecture and administration that made possible new forms of contact between inmates made sexual contact more likely well, creating new sexual geographies behind bars. Prison writers probably devoted more attention to prison sex in the early twentieth century, at least in part, because there was more sex in prison to attend to.

Beginning in the 1910s, Progressive reformers undertook an ambitious agenda to transform the prison. While few prisons if any had achieved the utopian nineteenth-century goal of perfect carceral solitude, a new generation of prison reformers and administrators judged those earlier visions once inhumane and impractical. Armed with progressive ideas about trinality that emphasized environmental and psychological causes over congenital and moral ones, reformers repudiated nineteenth-century strategies of solitary penitential reflection as well as the disciplinary practices of lockstep marching, the rule of silence, the humiliation of striped uniforms, and corporal punishments such as flogging and the water torture, and the shackling of inmates to cell walls still practiced in many prisons. Embracing a new commitment to correction and rehabilitation, they encouraged inmate sociability, collective labor, exercise, and recreation that, they hoped, might approximate the normal society to which the reformed criminal would return.

The federal penitentiary in Lewisburg, Pennsylvania, opened in 1932, was built with six dormitories rather than cells, with the notion that "the openness promotes rehabilitation by teaching men how to get along with each other. " Some prisons built baseball diamonds and exercise yards and organized football leagues and prison bands, and prisoners in many institutions began to enjoy weekly movie nights. Some reform-minded prison administrators went so far as to give prisoners a role in the government of their own community. A pioneer in the concept of inmate self-government, reformer and warden Thomas Mott Osborne established the Mutual Welfare League in the New York state prisons at Auburn and Sing Sing. Designed to train prisoners in the exercise of democracy, the league was composed of a committee of prisoners elected by their peers and responsible for overseeing prison disciplinary procedures.

Changes in prison architecture and its uses, reflected most centrally in the yard, accompanied and reinforced new ideas about prison life. An iconic feature of the "Big Houses" of the day - Sing Sing, San Quentin, Stateville, and Jackson foremost among them - "the yard" referred typically to an open expanse in the middle of the prison. Often surrounded by imposing and fortified walls and towers, its barbed-wire (and later electrified) borders were closely patrolled by armed guards. The activities within, however, were often considerably less strictly monitored than its perimeters. As "freedom of the yard" was gradually extended, prisoners spent less time by themselves in their cells and more time mingling with each other.

The resulting prison sociability ran directly counter to the Benthamite vision of strict surveillance and perfect discipline, and was captured in the writing of many prisoners. On admission to Utah's state penitentiary, Jack Black explained that he was "turned loose in the yard where there were about one hundred prisoners." There, the prisoners played poker all day in the yard on blankets, and occasionally a game bull, when they could get up enough ambition." Inmate George Wright described the federal penitentiary at Leavenworth in 1915 as "a Jory": "All the prisoners are allowed to roam anywhere inside the walls, you can say run foot races, or anything you like." Edward Bunker told of living "two lives" as an inmate at San Quentin a few decades later in the early 1950s, "one in the cell from 4:30 p.m. to 8:00 am.. the other in the Big Yard." "In those days," Bunker explained, "convicts had the run of the inside of the prison. Each morning when the cell gate opened, I sallied forth to find adventure."

The yard was a place of exercise, organized athletics, and casual congregation. Reformers and administrators hoped that these changes would promote a healthier, more "natural" environment that would help prepare prisoners for life after release. But inmates in early-twentieth-century prisons took advantage of the new blind spots in prison surveillance to engage in a range of illicit as well as licit activities, including drug dealing and consuming, fighting, and sex. "Every day at nine o'clock the cells were opened by the turnkeys, and the men circulated freely in the entire prison block for the rest of the day," African American Communist organizer Angelo Herndon recalled in his 1937 autobiography. "This made it possible for the prisoners with homosexual inclinations to go prowling around for their private pleasures." Prisoner Malcolm Braly recalled a time, before the segregation of homosexuals at San Quentin initiated at the beginning of warden Clinton Duffy's regime in 1941, when "the queens had been free to swish around the yard and carry on open love affairs." The "corner of the yard" was the site of a wedding ceremony between male inmates observed by Piri Thomas, as well as for the wedding ceremonies of inmates of the women's penitentiary at Bedford Hills years later.

The new uses of the yard opened up a place of sexual display and opportunity in many prisons. But a loosely supervised yard could also be a place of sexual vulnerability and danger. "Vast and forbidding when empty," the yard, in prison chaplain Julius Leibert's description, was "a monster when packed. Five thousand heads, ... and a million pent-up hungers aching to burst forth-that's the yard. Perverts on the prowl, jockers' ganging up on a fish, 'queens' reveling in fights between rivals for their favors, homos pairing off for an affair or quarreling like obscene lovers."

The early twentieth century also witnessed the expansion of profit-making prison industries, bringing together prisoners to work in laundries, woodshops, metal shops, forges, mines, quarries, and farms. Collective workshops were much less closely monitored than cellblocks, and the movement of prisoners there, as on the yard, was less carefully regulated. These changes also produced new opportunities, settings, and spaces for encounters between prisoners, some of them sexual. Inmate John Reynolds had earlier warned of the "horrible and revolting practices of the mines" where prisoners labored together side by side in the federal prison at Leavenworth, Kansas.  There, "far removed from light and even from the influences of their officers," prisoners were free to "mistreat themselves and sometimes the younger ones that are associated with them in the work." Years later, Ted Ditsworth described his first day working to coal mine as a prisoner in Missouri in the 1920s:

"I had many propositions where these miners would dig my task for me if I would be their kid - was they meant was that they wanted to use me in a homosexual way."

Some of this new inmate sociability and relative freedom from scrutiny was the result of progressive planning, and some was an inevitable consequence of the overcrowding of prisons that had vexed nineteenth-century prison administrators and intensified in the twentieth century. The prison population in the United States more than doubled between 1890 and 1925 and grew even more rapidly from 1920 until World War II, swelling with the rise in unemployment during the Depression. Despite a new commitment to identifying and classifying homosexual, mentally ill, and "hardened" prisoners in order to segregate them from the general population, not all prisons could afford to employ trained psychiatrists or had the physical space to put those plans fully in place.

Overcrowded prisons carried associations of sexual impropriety for early-twentieth-century observers, as they had for their predecessors a century earlier. Louis Berg cited overcrowding as a serious factor contributing to prison homosexuality, writing that "when two or more men are confined in one cell and sex starvation has existed for some time, "doubling up' becomes more than a mere expression to denote cell occupancy. One prisoner described life in the military disciplinary barracks in 1919 as a place where "a man of refined sensibilities is often quartered in the same double-decked bunk with a degenerate or a moral pervert." Investigator Dean Harno wrote to sociologist Ernest W. Burgess in 1927 about the reformatory at Pontiac, Michigan: "All cells have two inmates and quite a number have three. This brings a very acute matter in connection with the morals of the institution." A prisoner of that institution called Pontiac "a 'deformatory'" in 1927, noting of sexual perverts: "They take them fellows and separate them in a separate building so they don't have to mix with the other fellows." Unevenly instituted in prison for men, the practice of segregating homosexuals was virtually unheard of most institutions for women. Kahn noted that, at the Women's Workhouse on Welfare Island, "the homosexuals have been unclassified and are not segregated so that they all mingle freely with the other and are not segregated. "

Prisons varied dramatically by geographical region, and certainly not all prisons put progressive reforms into practice. Many Western state penitentiaries in the early decades of the twentieth century, some resembling hastily built stockades, allowed for little if any classification and segregation of prisoners by offense, sexual disposition, or any other taxonomy. Prisons were peripheral to the criminal justice system that emerged in the South after the Civil War, and some Southern states lacked them altogether.  Instead, convict-lease systems flourished in the post-bellum South, drawing heavily on a newly criminalized population of black men and essentially replacing the labor system of slavery. Prisoners in that system were contracted out by the state to work on sugar and cotton plantations, in coal and phosphate mines, turpentine farms, brickyards, quarries, and sawmills, and on levee and railroad construction, where they were exposed to harsh conditions and often brutal treatment. Later in the 1930s, prisoners in the South worked on chain gangs, moving about in labor camps rather than housed in permanent prisons. Mississippi's notorious Parchman penal farm, with its sprawling cotton acreage, predominantly African American field hands, and armed white overseers, resembled an antebellum plantation more closely than it did a modern prison. Constructed in 1904, Parchman served the postbellum imperatives of racial subordination and control and provided as well a cheap and steady labor supply for the rapidly industrializing New South.

Even those prisons furthest removed from Progressive ideals, however, allowed for considerable interaction among prisoners. Convicts leased by railroad companies "slept side by side, shackled together" in mobile iron cells. Collective work and living conditions on prison plantations, in which men worked together by day and slept together in stacked bunks in barracks known as "cages" by night, also allowed for considerable unsupervised contact among inmates, albeit under horrific conditions.

With this increase in inmate interaction and sociability emerged a distinctive and broad-based prison culture that expanded and flourished in the early twentieth century. Prison accounts in this period recognized the development of a prisoners' code of behavior and ethics, the establishment of a tradition of prison tattooing, prison songs and work chants, and the emergence of a comprehensive prison argot. Prison sexual culture was part of this efflorescence of inmate cultural life and increasingly expansive communal life among prisoners.

- Regina Kunzel, Criminal Intimacy: Prison and the Uneven History of Modern American Sexuality. Chicago: University of Chicago Press, 2008. p. 73-75

#penal reform #penal reformers #wolves and punks #history of homosexuality #history of heteronormativity #sex in prison #life inside #academic quote #reading 2021 #progressive penology #prison administration #classification and segregation #history of crime and punishment #american prison system #penology #queer history

[buneok]

part 1

this drawing is so sexy i wish y'all could see it but not yet 👊🏼💥

#i gotta do the other part first #BIG ramble in the tags im sry i'm just proud of this piece and i just started reminiscing #before may i hadn't drawn since like freshman year of highschool and never progressed from how i used to draw in middle school lmao #i graduated in 2021 #i guess i lost interest bc i have a hard time staying focused and studying was never easy for me #especially with like the fundamentals of art lmao i still don't know shit im sry watching videos is so boring to me #i mean some of the videos have been helpful but it's so hard to watch them in full length sometimes cuz i just get distracted or bored #tell me if u can relate #kinda gave up on art for yearssss #until suddenly the sve hyperfixation hit this year ??? #i had never drawn a body or even a torso until this year LMAO it probably shows im ngl but we move #idk how i improved so fast like i look at my old art from when i first started posting and im like 🫡 #younger me would be happy #these silly pixels helping me improve my art hehe #also hi i've been sad for the past few days but im Ok now #sad for no reason at all idk sometimes i get this way #how are u if ur reading this

[anxiously-going]

Do you ever sit down and open up a WIP document just to realize you have no idea what you're doing?

Yeah, me neither.

#i started this thing back in 2021 for nano based on a bonkers dream i had #because of a short au fic i read and it's honestly one of my favorite stories #but there is so much that goes into it that i get overwhelmed at trying figure out how to fill in around #what i have and just end up rereading it all then closing the document #i want to make progress dang it #screaming into the void #writing is hard

[castielsupernatural]

cute of me

#i think it’s funny it shows all these nonfiction books i’ve read but then it’s like TOP AUTHORS: fantasy girliessssss #the eldin villafañe book is bc back in 2021 i won like a dozen ministry books at a progressive ministry conference i went to for work #and i figured i might as well read them

[maintitle]

I’m still really early in the game, but I kind of wish I didn’t know how Red Dead II had to end.  I have to wonder what the feeling of playing this game is like when you don’t know what’s inevitably coming.  I can see the trolley problem that awaits us, it’s such heavy foreshadowing that just gets worse the deeper in you get, but I really wonder if anyone who doesn’t have that knowledge of what the future holds can see how badly the dominoes are shaking.

#Read Dead Redemption #Red Dead Redemption 2 #Can't believe I took this long to play this #I literally adore that first game #Like top three of all time #I bought this game in 2021 and I'm only JUST NOW making proper progress #Maybe it's actually knowing where it's going #I feel worst for the girls in the camp #I hope they somehow make it out okay #And Lenny #I like Lenny #Red Dead Redemption Spoilers #Red Dead Redemption 2 Spoilers

[mostlysignssomeportents]

“Brand safety” killed Jezebel

I'll be at the Studio City branch of the LA Public Library this Monday, November 13 at 1830hPT to launch my new novel, The Lost Cause. There'll be a reading, a talk, a surprise guest (!!) and a signing, with books on sale. Tell your friends! Come on down!

Progressives: if you want to lose to conservatives, all you need to do is reflexively praise and support everything conservatives turn into a culture-war issue, without considering whether they might be right. Because sometimes…they're right.

Remember early in the Trump presidency, when conservatives all woke up and discovered that America's spy agencies – excuse me, "the intelligence community" – were dirty-tricking psychos who run amok, lawlessly sabotaging democracy? Progressives have been shouting this ever since Hoover's FBI tried to blackmail MLK into killing himself:

https://en.wikipedia.org/wiki/FBI%E2%80%93King_suicide_letter

But millions of progressives forgot about COINTELPRO, CIA dirty tricks and CIA mass spying when this "intelligence community" temporarily set out to wrong-foot Trump. Remember James Comey votive candles?

https://www.usatoday.com/story/opinion/2019/08/30/james-comey-fbi-memo-leaks-trump-inspector-general-report-column/2157705001/

Anthropologists have a name for this phenomenon, in which one side reverses its positions because their sworn enemies have done so. It's called schizmogenesis, and it goes like this: "If they hate it, we love it":

https://pluralistic.net/2021/12/18/schizmogenesis/

Schizmogenesis is an equal-opportunity delusion. Within living memory, white evangelicals supported abortion, because their sworn enemies – Catholics – opposed it. Some of those white Boomer women who voted Trump because abortion was literally the only issue they cared about held the opposite position on abortion not so long ago – and completely forgot about it:

https://text.npr.org/734303135

The main purpose of the culture war isn't immiserating marginalized people – that's its effect, but its purpose is to distract low-information turkeys (working people) so they'll vote for Christmas (the ongoing seizure of power by American oligarchs). For the funders of conservative movement politics, the cruelty isn't the point, it's merely the tactic. The point is power:

https://pluralistic.net/2022/03/09/turkeys-voting-for-christmas/#culture-wars

Which brings me to "woke capitalism." Conservative string-pullers have whipped up their base about the threat of companies embracing social causes. They (erroneously) claim that corporations have progressive values, and that big business is thumbing the scales for causes they despise. The purpose here isn't to sow distrust of capitalism per se. Rather, it's to stampede talk-radio-addled supporters into backing the oligarchy's agenda. Remember when culture war leaders told their base to support being gouged on credit-card junk fees "to own the libs?"

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

That's schizmogenesis working against the conservative rank-and-file, tricking them into taking the side of a cartel of wildly profitable payment processors who are making billions by picking their pockets (credit card fees are up 40% since the covid lockdowns), because (checks notes), Target pays these profiteers a lot to process its payments, and Target sells Pride merch (no, really):

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

It's easy to point and laugh at conservative dopes when they're tricked into shooting themselves in the balls to own the libs. This is not a hypothetical example:

https://pluralistic.net/2020/05/28/holographic-nano-layer-catalyser/#musketfuckers

But progressives do it, too, particularly when they embrace monopolies as a force for positive social change. Remember 2019, when people got excited about playing loud pop music at Nazi rallies in the hopes that the monopoly video platforms' copyright filters would make any video from that rally impossible to post?

https://memex.craphound.com/2019/07/23/clever-hack-that-will-end-badly-playing-copyrighted-music-during-nazis-rallies-so-they-cant-be-posted-to-youtube/

I warned then that if this tactic worked, it would be used by cops to prevent you from recording them when they're macing you or splitting your skull with a billyclub, and yup, within a couple years, cops were blaring Taylor Swift music in hopes of preventing the public from posting videos of their illegal conduct:

https://pluralistic.net/2022/04/07/moral-hazard-of-filternets/#dmas

Conservatives are (partially) right about woke capitalism. It is a threat to democracy. Concentrating the power to decide who gets to speak and what they get to say into the hands of five or six corporations, mostly run by mediocre billionaires, is bad for society. The moderation decisions of giant platforms are a form of (commercial) censorship, even these don't violate the First Amendment:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

(The progressive delusion that censorship only occurs when the First Amendment is violated is a wild own-goal, one that excuses, for example, the decision by school book-fair monopolist Scholastic to remove books about queers and Black and brown people from its offerings as a purely private matter without consequences for free speech):

https://www.themarysue.com/scholastic-response-to-authors-and-illustrators-on-diverse-books/

Conservatives are only partially right about woke capitalism, though. Here's what they're wrong about: corporations don't have values. Target isn't selling Pride tees because they support progressive causes, they're selling them because it seems like a good way to increase returns to their shareholders. Individuals – even top executives – at Target might endorse the cause, but the company will only durably support the cause if that endorsement is profitable, which means that when it stops being profitable, the company will stop supporting the cause:

https://www.cnn.com/2023/05/23/business/target-lgbtq-merchandise/index.html

The idea that corporations have values isn't merely stupid, it's very dangerous. The Hobby Lobby decision – which allows corporations to deny basic health-care expenses for women on the basis that a Bronze Age mystic wouldn't approve of an IUD – rests on the ideological foundation that corporate personhood includes corporate values:

https://en.wikipedia.org/wiki/Burwell_v._Hobby_Lobby_Stores,_Inc.

Citizens United – the idea that corporations should be allowed to funnel unlimited funds to politicians who'll sell out the public good in favor of investor profits – also depends on a form of corporate personhood that includes values:

https://en.wikipedia.org/wiki/Citizens_United_v._FEC

There are undeniably instances in which corporate monopoly power benefits progressive causes, but these are side-effects of corporate power's main purpose, namely: taking money and power away from working people and giving it to rich people. That is what monopoly power is for.

Which brings me to ad-tech, "brand safety," and the demise of Jezebel, the 16 year old feminist website whose shuttering was just announced by its latest owner, G/O Media:

https://www.metafilter.com/201349/This-is-the-end-of-Jezebel-and-that-feels-really-really-bad

Jezebel's demise is the direct result of monopoly power. Jezebel writes about current affairs – sex, politics, abortion, and other important issues of great moment and significance. When we talk about journalism as a public good, necessary for a healthy civic life, this is what we mean. But unfortunately for Jezebel – and any other news outlet covering current events – there are vast, invisible forces that exist solely to starve this kind of coverage of advertising revenue.

Writing for the independent news site 404 Media, reporter Emanuel Maiberg and former Motherboard editor-in-chief Jason Koebler go deep on the "brand safety" industry, whose mission is to assist corporations in blocking their ads from showing up alongside real news:

https://www.404media.co/advertisers-dont-want-sites-like-jezebel-to-exist/

Maiberg and Koebler explain how industry associations like the World Federation of Marketers' Global Alliance for Responsible Media (GARM) promulgate "frameworks" to help advertisers automatically detect and exclude real news from consideration when their ads are placed:

https://www.peer39.com/blog/garm-standards

This boycott makes use of scammy "AI" technology like "sentiment and emotional analysis" to determine whether an article is suitable for monetization. These parameters are then fed to the ad-tech duopoly's ad auction system, so Google and Meta (who control the vast majority of online advertising) can ensure that real news is starved of cash.

But reality is not brand-safe, and high quality, reputable journalistic outlets are concerned with reality, which means that the "brand safe" outlets that attract the most revenue are garbage websites that haven't yet been blacklisted by the ad-safety cartel, leading to major brands' ads showing up alongside notorious internet gross-out images like "goatse":

https://www.404media.co/sqword-game-dev-sneaks-goatse-onto-a-dozen-sites-that-stole-his-game/

More than a fifth of "brand safe" ad placements end up on "made for advertising" sites, which 404 Media describe as "trash websites that plagiarize content, are literally spam, pay for fake traffic, or are autogenerated websites that serve no other purpose than capturing ad dollars":

https://www.ana.net/miccontent/show/id/rr-2023-06-ana-programmatic-transparency-first-look

Despite all this, many progressives have become cheerleaders for "brand safety," as a countervailing force to the drawdown of trust and safety at online platforms, which led to the re-platforming of Nazis, QAnon conspiratorialists, TERFs, and other overt elements of the reactionary movement's vanguard on Twitter and Facebook. Articles about ads for major brands showing up alongside Nazi content on Twitter are now a staple of progressive reporting, presented as evidence of Elon Musk's lack of business acumen. The message of these stories is "Musk is bad at business because he's allowing Nazis on his platform, which will send advertisers bolting for the exits to avoid brand-safety crises."

This isn't wrong. Musk is a bad businessman (he's a good scam artist, though). Twitter is hemorrhaging advertisers, notwithstanding the desperate (and easily debunked) stats-juking its "CEO," Linda Yaccarino, floats onstage at tech conferences:

https://www.techdirt.com/2023/10/11/math-problem-for-linda-yaccarino-if-90-of-the-top-advertisers-have-come-back-but-are-only-spending-10-of-what-they-used-to-how-screwed-are-you/

But progressives are out of their minds if they think the primary effect of the brand safety industry is punishing Elon Musk for secretly loving Nazis. The primary effect of brand safety is killing reality-based coverage of the news of the day, and since reality has a well-known anti-conservative bias, anything that works against the reality-based community is ultimately good for oligarchy:

https://en.wikipedia.org/wiki/Reality-based_community

We can't afford to let schizmogenesis stampede us into loving things just because conservative culture warriors have been momentarily tricked into hating them as part of oligarchs' turkeys-voting-for-Christmas project. "Swivel-eyed loons hate it, so it must be good," is a worse-than-useless heuristic for navigating complex issues:

https://locusmag.com/2023/05/commentary-cory-doctorow-the-swivel-eyed-loons-have-a-point/

A much better rule of thumb is "If oligarchs love something, it's probably bad." Almost without exception, things that are good for oligarchs are bad for the rest of us. I mean, this whole shuttering of Jezebel starts with an oligarch imposing his will on millions of other people. Jezebel began life as a Gawker Media site, beloved of millions of readers, destroyed when FBI informant Peter Thiel secretly funded Hulk Hogan's lawsuit against the publisher in a successful bid to put them out of business to retaliate for their unfavorable coverage of Thiel:

https://www.theatlantic.com/business/archive/2018/02/hogan-thiel-gawker-trial/554132/

This, in turn, put Jezebel under the ownership of G/O Media, who are unwilling to pay for a human salesforce that would – for example – sell advertising space on Jezebel to sex-toy companies or pro-abortion groups. G/O has been on a killing spree, shuttering beloved news outlets like Deadspin:

https://deadspin.com/this-is-how-things-work-now-at-g-o-media-1836908201

G/O's top exec, an oligarch named Jim Spanfeller who answers to the private equity looters at Great Hill Partners, is bent on ending reality-based coverage in favor of "letting robots shit out brand safe AI-assisted articles about generic topics":

https://www.msnbc.com/opinion/msnbc-opinion/ai-articles-disinformation-future-g-o-media-rcna95944

Three quarters of a century ago, Orwell coined a term to describe this kind of news: duckspeak,

It was not the man’s brain that was speaking it was his larynx. The stuff that was coming out of him consisted of words but it was not speech in true sense: it was a noise uttered in unconsciousness like the quacking of a duck.

When investors and analysts speak of "content" (rather than, say, "journalism"), this is what they mean – a warm slurry of platitudes, purged of any jagged-edged fragments to render it a perfectly suitable carrier for commercial messages targeted based on surveillance data about the "consumer" whose eyeballs are upon it.

This aversion to reality has been present among corporate decisionmakers since the earliest days, but the consolidation of power among large firms – ad-tech firms, online platforms, and "brands" themselves – makes corporate realityphobia much easier to turn into, well, reality, giving advertisers the fine-grained power to put Jezebel and every site like it out of business.

As Koebler and Maiberg's headliine so aptly puts it, "Advertisers Don’t Want Sites Like Jezebel to Exist."

The reason to deplore Nazis on Twitter is because they are Nazis, not because their content isn't brand-safe. The short-term wins progressives gain by legitimizing a corporate veto over what we see online are vastly overshadowed by the most important consequence of brand safety: the mass extinction of reality-based reporting. Reality isn't brand safe. If you're in the reality based community, brand safety should be your sworn enemy, even if they help you temporarily get a couple of Nazis kicked off Twitter.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/11/ad-jacency/#brand-safety

#pluralistic #jezebel #publishing #brand safety #adjacency #adtech #media theory #censorship #surveillance advertising #dynamic ad placement #quackspeak #Global Alliance for Responsible Media #garm #debated sensitive social issue #Third Party Safety and suitability #schizmogenesis #woke capitalism #duckspeak

[khizuo]

(this article was published on Nov. 3, 2023. I highly recommend reading the whole thing to get a good overview of conflict in the DRC as of that date.)

Almost seven million people have been internally displaced in the Democratic Republic of Congo (DRC) — the highest number on record— amid an escalation of fighting in a war that has been ongoing for two decades.  The country’s eastern provinces have been the worst-affected following a resurgence of attacks by the M23 rebel militia, internationally acknowledged to be a proxy force backed by neighboring Rwanda, in 2021. The DRC currently also has over 100 armed groups operating within its territory. 

In Masisi for instance, there has been a “worrying increase” in the cases of severe acute malnutrition, according to Doctors Without Borders (MSF). Reduced trade amid the ongoing conflict has also led to a major increase in food prices, with the cost of cassava flour rising by four times.  The ongoing fighting has also had a severe impact on the health and disease response, with the DRC reporting the highest number of suspected cholera cases and deaths in West and Central Africa region. The country alone accounts for almost 80% of disease transmissions and approximately 60% of all deaths, as per a report released by UNICEF last month. The provinces of North and South Kivu alone accounted for 80% of all cases in the country and 33% of all deaths. 

The current mandate of the EACRF is set to expire on December 8. Meanwhile, the DRC has also called for a removal of the UN peacekeeping force, MONUSCO, whose current mandate will expire on December 20, around the same time as the country is set to hold its elections.  The Congolese government has indicated that it wants the EACRF to withdraw from the country after its current mandate expires. On November 1, government spokesperson Patrick Muyaya said, “some Congolese are now questioning why we even asked to join the EAC […] When we joined the EAC, it was to connect our country with the region. The regional bloc was committed to peacebuilding but unfortunately, we have little progress.” 

#congo #dr congo #congo genocide #free congo #save congo #drc

[foreveralbon]

icebreaker

break the tension, break the records, i guess?

“hi. my name is y/n, but my family and friends like to call me ‘missy’. um. uh, i like chocolates, bunnies… chocolate bunnies. and i read sometimes, when i’m not racing. oh yeah! i’m also the newest driver on the formula one grid. almost forgot that part, hah.” - y/n button

get to know y/n, alpha tauri’s newest driver and 2023’s 4th (and hopefully last) rookie!

☆✩☆

she was one of the most - if not the most - anticipated and awaited entry into motorsports ever since her debut in f3

she’s normally called “missy” because of her childhood nickname given to her by jenson (and later adopted by her other grid dads and friends)

she’s also called “paddock princess” sometimes because of her sweet persona that was always seen when she was a little girl

she was born an only child in 2001, but since she spent a lot of time around other drivers in the 2000s, mick schumacher eventually became her “brother”

they did everything almost everything together, from karting to simply just growing up

they’re only two years apart in age but he progressed into formula racing long before she did, and they never had the opportunity to properly race against each other

it’s because, as per her mother’s wishes, she chose to do professional modelling instead of joining professional racing, only to realise she was miserable doing it

she returned to racing with the number 15, the same one she’s used since her karting days

in her first year of f3 with prema in 2019, she climbed up to sixth place and for her final and second year, she managed p2 in the championship

she was signed on as a red bull junior driver, before moving on to be their reserve in 2022

for formula 2, she moved to mp motorsport, racing alongside clement novalak

in 2021, she ended the season with a fourth place finish, but would eventually take home the crown the next year

she spent 2023 as a reserve driver for red bull and alpha tauri, and when nyck de vries got sacked, it was her alpha tauri chose to fill in for his seat

her performance was so good - she was raking in points the team didn’t even know they were capable of scoring

she would be offered a year long contract to race in f1 full time, the first woman and female points-finisher in formula one since lella lombardi

she was given the opportunity to choose her own personal sponsor out of a bunch of people who wanted to sponsor her, and though she initially wanted a cosmetic brand, she chose cartier

she may be on the more minimalist side when it comes to style, but she loves to stay true to her nickname of paddock princess by dressing up in nice skirts or dresses and stacking her wrists with both normal and friendship bracelets

though she loves racing, there’s nothing she hates more than its socialising aspect

she’d rather keep to herself in a little corner with only the people she’s familiar with, like fernando, mick and occasionally oscar, lando and logan

she’s asked multiple times if media day is actually compulsory, and she’s been busted even more for faking an illness to get out of it

and despite her reserved nature, her favourite thing to do is keep everyone on their toes - the switch from karting to modelling back to racing, to being a reserve driver to having a full-time seat is only a fraction of her determination and success

☆✩☆

series masterlist | general masterlist

@luckyladycreator2 @laura-naruto-fan1998 @storminacloud @ironmaiden1313 @hiireadstuff @starssfall @leilanixx @gwginnyweasley @juniper-july19 @myxticmoon @darleneslane @wcnorris @whoselly @landosgirlxoxo @disneyprincemuke @namgification @mellowarcadefun @sam-is-lost let me know if you’d like to be added to the series taglist!

#liyah writes #f1 x reader #f1 imagine #f1 grid x reader #f1 x you #mick schumacher x reader #oscar piastri x reader #logan sargeant x reader #lando norris x reader #born from two stars

[punkpandapatrixk]

🍀Lady Luck on Your Side ♦︎ Timeless Pick A Card

There is no economic system that’s perfectly perfect. Whatever system you’re in, what’s wise to do is make the best out of all streams of possibilities viable within that system. Transcend above the stupidity and strike your Lucky 3 (Jupiter’s number LOL)🍄

In Astrology, the Lady Luck is represented by Mother Jupiter—the planet of expansion and good luck. The thing about luck, Love, is that you can’t plan around it. You can only prepare yourself and your resources the best you can and then gamble it all away. Gamble your fucking Life away at big endeavours that you know your Soul intends for you. Have faith in your divine abilities, bitch~🐞

If you fail, you learn!🐌

You are a Luck Magnet for as long as you believe in yourself. Be confident in that the essence of your beingness is enough for manifesting all you’re meant to see manifest in your lifetime🍀

Jupiter Sign: the psychology with which you philosophise shit

Jupiter House placement: areas of Life most blessed by the grace of Jupiter’s expansion

Planets in 9th House: indicate a need to expand beyond a simpleton mindset!!

‘The secret is not to chase the butterflies but to take care of your garden so they’ll come to you.’ – an old proverb

SONG: Baby Face by Sakamoto Maaya

MOVIE: Cruella (2021)

[PAC Masterlist] [Part 1] [Part 3]

[Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – Patiently Revealing All Your Glorious Petals

lucky money (insights into lucky career opportunities) – Knight of Pentacles Rx

I’ve got to say your opportunities are the most unique here, and very likely quite challenging in that you must have patience. Lady Luck says that the path most suited to your lucky money involves your being a ghost. Hustling in secret, hiding your plans and spiritual truths from everybody else and treading very carefully on the way towards your goal. This could take many years! For many of you, this could be the loneliest path because nobody around you seems to understand your visions, or the intuitive nudges you know your Higher Self is directing you towards🛴

You were put in environments where most people don’t understand you (or they simply don’t share your visions) because your Higher Self intended for you to exercise navigating adversaries. This was part of your Soul’s scenario, you know. Stormy seas make the best sailors, kind of scenario. In that sense, you’ve been met with many uncomfortable situations, even dangerous and painful encounters and goodbyes to advance your evolution. Fear not, for you have not lost but gained valuable perspectives what will ensure good karma returning to you when you’re older🎆

For the majority of you reading this, your Jupiter will begin to really shine a light on your real lucky career path after you’ve graduated your first Saturn Return. Typically, by the time you’re between 29 and 33, things will get that much clearer and you’ll regain your motivation (if you’ve lost it at some point) and feel really glad you’ve made it thus far. The future accessible to you will begin to feel astonishingly clear and you will be excited but still need to work on that patience LMAO

lucky daily (ways to increase luck every day) – Page of Wands

Having said all of that, many of you reading this may feel quite frustrated at the idea that you’re only gonna get your successes at a later age. Especially if you’ve survived your first Saturn Return and you’re only beginning, you may have felt quite like a loser in comparison to these 20-somethings already achieving so much in Life… But, who’s to say all of that is gonna last? Sometimes, people gain a lot at a young age only to have all of that swept away by the time motherfucking Saturn returns to get them LOL Well, that, too, is part of their spiritual evolution, so~🙏🏻

Remember that you’re not in a competition with anybody or even Destiny itself. To increase your luck daily, Jupiter is saying: enjoy every single day you get to make progress on your true ideal career. Whatever it is that you’re doing right now, and if you aren’t yet where you envision yourself to be, you can still enjoy every single step you manage to take on a daily basis to get you closer to where you want to be. You’re learning and gaining momentum, aren’t you? All these little steps matter in the grander scheme of your Higher Self’s orchestration to bring to your doorstep all that you deserve📦

Of all the piles, I have a strong feeling your manifestation is the most guarded by the Higher Realms. You’re meant to go through hoops and learn to prepare yourself very well so that you could build a strong foundation that is sure to have longevity. The thing you’re meant to do, to have, to express, to create and build, unlike many, many others who need to learn through gain and loss of the very things that matter to them, is going to be yours forever once you establish it. The whole idea of unlocking achievements in accordance to age is pure scam. You are safe and perfectly on time🎯

lucky strike (big blessings you’re destined to obtain) – Knight of Wands Rx

Let me let you in on a secret. Mental clarity/health is absolutely paramount to your success story. Plenty of young people get crowned with massive successes without having a strong foundation of morality or empathy, and least of all, spirituality. For example… How many times have we heard tragical Hollywood stories where young celebs/influencers became the IT girls/boys very early on only to crumble and get shattered by the time they’re in their late 20s or early 30s? (Saturn freaking Return!) All because they’re so out of touch with reality🤷🏻‍♀️

Not saying they’re terrible seeds per se, but perhaps it was their environment/upbringing what didn’t allow them to bloom beautifully the way you are with your emotional and spiritual maturity. Whatever career choice you have in mind, know that when you’re finally established there, you’re going to be so based, so grounded in reality that everybody is going to have immense respect for you for the things you say and contribute to your cause📢

Your lucky break may indeed require a slow, careful planning, all behind the scenes, too. You are meant to develop in the fog and mists, away from the beady eyes of those who might seek to trample over everything you’re building. Nobody would ever guess what your next lucky chapter would look like! But you do. You do so well because you’re working on it every day, diligently and resiliently. Maybe you don’t know yet, but Lady Luck is visiting a lot sooner than logically expected hahah And when she carries you through those winds of change…🥂

DESTINY SERVING TEA🔻💙

mother Jupiter on your side (message from Jupiter) – Red Astronomer (Johannes Kepler)

merging with your Higher Self (the weight of destiny) – Priestess of Clarity

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – Resiliently Growing in the Mud

lucky money (insights into lucky career opportunities) – 2 of Cups Rx

Harmony is definitely integral to your spiritual sanity. You’re not the type of person who can thrive in a dog-eat-dog industry. When people are ugly to each other at the workplace, it fucks most of your brain’s functions up. This coldass capitalistic system doesn’t suit you; and if you can’t seem to catch up, it’s not because you’re a failure, but because you’re wired towards a more high-vibrational existence. An existence where people’s interactions are generally pleasant and—in some instances—beautiful💞

There must be some significant Libra/7th House or Pisces/12th House placements in your birth chart that are pulling you towards creating harmony in your work environment. Being surrounded by ease and beauty is of paramount importance to your optimal functioning. If you’ve ever experienced some kind of a professional heartbreak from betrayal/cruelty by co-workers or bosses, that environment ain’t where you belong, and it is perfectly safe for you to eject yourself from that hellhole. There are better things more suited to your Style🌈

Lady Luck says you may be more suited to working alone until you establish yourself enough to make collaborations with others who are quite similar to you in terms of their general politeness and delightful visions for the world. Wow that’s a longass sentence. For example, a vibe I’m getting is a small business owner selling whatever beautiful and creative things you can produce on your own. Even if not selling, you could have, for example, a YT channel showcasing your real-time painting or any other interests/talents you may have and get money from rolling ads🎞

lucky daily (ways to increase luck every day) – 6 of Cups

If you’ve ever had frustrating, or even painful, experiences in the corporate world—whatever the setting may be—that whole ordeal was truly teaching you the importance of working with just a small circle of trustworthy individuals to move forward with. Integrity is crucial in your daily choices. Sharing ideas and stories with kindred spirits is the way to go in your case. That you never betray your own purity, that you don’t give in to selling your Soul to the Devil, that you never let yourself kowtow to the System…

All of these brave decisions are what’s going to be favoured by the Lady Luck. In different scenarios this endeavour may take some time, but don’t fret, because for most people, accessing the Power of Jupiter does take some maturing. It does take some experiencing, some intel-gathering, some philosophising over many, many things that are eating away at your sanity. The moment you become clear about those wrong things is the moment you regain control over your daily choices🍭

You may want to look at what your 6th House sign and placement entail for your healthy habit-building~ You’re a bit of a Faery Soul, an Elven Soul, or maybe a Mermaid Soul; you’re gentle and more sensitive than most Humans. Maintaining harmony and balance in your everyday Life is key to increasing your Luck daily. You’re spiritual and creative, and so, if you allow yourself to indulge in soulful activities as part of your money-making endeavours, Lady Luck is going to gladly visit you every day~🌬

lucky strike (big blessings you’re destined to obtain) – 5 of Wands Rx

It isn’t to say that you’re meant to only live a secluded, hermit lifestyle. As mentioned earlier, you could benefit from working alone when you’re just starting on your passion project. You’re more suited to working solo and figuring things out yourself as you build a livelihood that’s generally pleasant every day~🌌

When you’ve raised your vibrations enough and be super charming and confident because you’re making money by living authentically, you’re going to become a magnet for amazing, one-of-a-kind, kindred spirits who are just as unconventional as yourself. You’re going to be glad because your connections and relationships are going to be exciting without stupid dramas. This in itself could lead to amazing collaborations with those who share similar visions as yourself🌉

You are definitely amongst those convention breakers who will show others that operating on nothing but the spirit of competition in the professional world is dumb as fuck. People thrive when they collab with those of similar tastes and minds. When all’s said and done, you’re meant to have a Life of ease and a lot of cheer with unique individuals living high-vibrationally interesting lives, carving your own alternative existence~💠

DESTINY SERVING TEA🔻💛

mother Jupiter on your side (message from Jupiter) – Green Astronomer (Nicolaus Copernicus)

merging with your Higher Self (the weight of destiny) – Priestess of Inspiration

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – It’s Like You’re Growing Money on Trees, My Goodness!

lucky money (insights into lucky career opportunities) – Page of Pentacles Rx

It’s clear you’ve done some heavy shadow work, maybe it’s only begun quite recently; but for some, this may have been ongoing for quite a number of years. Whatever the case may be, and however old you may be, there’s this feeling that you’re starting over. You’re just beginning to live again. This time around, you’re living on your own terms; you’re feeling, ‘This is who I should’ve always been!’ And you feel incredibly glad, for the most part😶

It’s perfectly normal to feel sad sometimes, after all, a lot of shit you’ve faced. For quite some time, you totally bought the hustle culture—the thing about it was that you were ludicrously hard on yourself. I sense a majority of you reading this are Millennials? Or perhaps older Gen Zs. Anyway, your expectations on yourself were hurting you so much. After some shadow work, you realised da problem wasn’t you; it was the System. You were scammed big time🤬

Thus you quit a whole industry and began cultivating your own Art. This is the spiritual pile for sure. I sense many of you reading this resonate with being a Lightworker, Starseed, or a Mystic even. You could be doing tarot readings yourself; running a blog channelling cosmic messages from higher beings; some could have a YT channel dedicated to New Age spirituality or esoteric occult knowledge; and some could even be a detective or in the investigative field. WHOA. If you’re not already doing these thing, Spirit Guides are saying you would be very blessed by the Lady Luck if you thrust yourself into these types of work😘

lucky daily (ways to increase luck every day) – 5 of Pentacles Rx

Whoa… do I need to give you any advice or anything? Bitch, you cracked the code! You’re practically a master manifestor at this point in your Life. I sense some of you reading this may not resonate just yet but you’ve literally transcended far above the need for money. Right now, if you allow yourself to calm down, you’ll realise you could just sit down every day and money grows on your trees~🌳

You’ve quite become an embodiment of your Higher Self, and that Oversoul of yours knows you’re unlimited. There is no more lack in your subconscious, let’s just put it that way. Now your conscious, your logical brain, just needs to adjust to this new paradigm (if not already) and you will be effortlessly attracting the means to afford all that you need to move forward. With 5 of Pentacles in reverse—namely a trauma card—Spirit Guides are saying you’re in a healing phase right now🧸

If—IF—certain days you feel tired, fatigued, drowsy for an entire day, and just unmotivated to work even on something you’re passionate about, please know this is your body still recuperating from the adrenal stress caused by long years of having to hustle or simply having a hustle mindset. You’re not doing anything wrong and you’re not failing, OK? Your intelligent body is just telling you it’s safe to slow down now. It’s perfectly good to sleep aaallll day and just feed and clean yourself for 5 consecutive days if that’s really all you can do to maintain mental and spiritual balance. That spiritual balance is what’s going to effortlessly manifest all the abundance you’re so deserving, so don’t be afraid of ‘missing’ some work days~🛌

lucky strike (big blessings you’re destined to obtain) – 4 of Cups

There is a sense of stability that you’re going to manifest pretty soon in your Life (if not already LOL). In some regards, this stability could even feel rather boring, uneventful, just because you were quite used to having a lot of chaos in your previous chapter of Life. But this stability will serve as a big ‘rehab period’ for you to truly shift your paradigm. And then, once you manage to get all your ducks in a row in your new paradigm…🦆

Pretty soon you’re gonna see everything in your Life move quite fast. If by any chance you’ve resonated with this: ‘I feel like everything has changed so much, yet nothing seems to have changed at all…’ please know this is actually yourself slowing things down so you don’t manifest another set of stressful unfolding of events! This was preordained by your Higher Self! Hahah…

The reason for this is that at this point in your spiritual evolution, you’ve become really particular about high-quality manifestations you’re willing to entertain within the construct of your own Reality. So much so that you simply won’t entertain the manifestation of good opportunities if it’s going to be stressful. NO STRESS is a big part of your magick. This concept literally goes beyond just material things; pretty soon you’ll see that you’re only manifesting high-quality experiences, environments, encounters, and even Love🦢

DESTINY SERVING TEA🔻💜

mother Jupiter on your side (message from Jupiter) – Gold Alchemist (Roger Bacon)

merging with your Higher Self (the weight of destiny) – Priestess of Intuition

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 3]

[Patreon] [Paid Readings]

#Punk Panda Pick A Pic #pick a card #pick a card reading #tarot pick a card #pac #pac reading #tarot pac #that girl #glow up #mindset #positivity #productivity #life purpose #good luck #spiritualhealing #spirituality #manifestation #manifesting #law of assumption #loa #astroblr #tarotblr #witchblr #witchyvibes #witchythings #witchcore

[exilethegame]

happy 3 year (+1 month) anniversary to the exile! this is probably my favorite if of all time and I’m super grateful to have witnessed the progress of this story all the way back in 2021 to now. I hope you’re doing well/taking care of yourself!

Ah!! Thank you! It's so weird to think it's been that long 😭

I'm super grateful for everyone who's read the story, whether y'all have been here since the beginning or are new <3

#pheo talks #three years woot woot!!!

[piggyinthemiddle]

Progress.. 🐖

I've recently found this pre-weight-gain photo of myself and I was *so* impressed with my progress? Some of you might have seen it on my snapchat story, but I felt like it deserves some more recognition.

Like, yea yea, I know there's bigger gainers out there, but can we take a moment to appreciate this 'blow-up'? I've never been super skinny, like ever, but damn. I fattened up nicely.. 🐽 ❤️

The 'skinny' version must've been from idk, 2022 or late 2021, rest is from 2023 and 2024. I feel like I'm at least 3x my original size, my belly is so huge and heavy. At the start, it showed a little bit over my pants, then it was hanging so low that it reached the bathroom sink. Now, it hangs down to my thighs. My mobility is so much worse, I'm constantly jiggling, eating and growing at this point and I see 0 chance to stop. I love it.

Cannot deny this progress at all, and honestly can't wait to grow even fatter and catch up to my gainer idols.. 🫣

Feel free to leave some teasing or other fun interactions when you read this btw, I'm *so* in the mood to celebrate

#death feedee belly #death feedism #death feedist #death feederism #death feedee #porker #fattened up #morbid feederism #morbidly obese #fat gainer #extreme weight gain #weight gainer #gaining fat #fat piggy #obese belly #gluttonous piggy #feedee belly #feeder wanted #glorifying obesity #longpig #make me immobile #i want to be immobile

[lj-lephemstar]

Scratchin' Melodii - Progress Checkup (Apr. 2024)

Hey guys! Just giving another progress checkup. Been working on a lot of stuff lately for Scratchin' Melodii! Keep in mind, since I won't be doing anymore demos, the stuff I talk about in these won't be released until the full game is released. 

Here's what I've been working on:

Redone Nami.WAV animations (Halfway Done!)  You already saw some of these in the 2023 demo!

Redone Stir & Mix animations (Done!)  I've been reanimating/cleaning up some of the animations in the levels that were animated earlier in development, as many of them are either off-model to how I currently draw the characters now or just aren't consistent with the quality of my more recent work.

Lucid Mode (Getting there!) Remember that experimental "Ascension" or "3D Mode" from the 2021 and 2022 demos? Well, I've finally got it working again with the new rhythm system. It's called "Lucid Mode" now. (Unless I change my mind again!) The most difficult part so far has been programming what happens when you fall out of it, but after a long week I think I've pretty much got it under control now. I'll show a preview of this mode when I think it's presentable!

??? (Act 2 Rival Battle 3) (Being Animated & Storyboarded)  Believe it or not, this will be my first time fully storyboarding a level's animations! I usually just kinda jump in with whatever I have planned in my mind, but I thought a more organized process would be worth a try this time.

Optimization Progress I've been learning some more optimization tricks, most recently with the beans in Sidechain Fever, of which I've managed to pretty much double performance! They look the same, but don't be fooled; their textures are handled differently now!

And other stuff that I can't talk about yet!

Now, with all these awesome things in the works, you're probably craving a look at some of it! Well, I don't feel like it. So here's a background model of a barbecue grill with placeholder materials.

A local of Uptown JamWell was asked about their thoughts on this barbecue grill. They stated: "If we're being real here, you could probably cook banana burgers on this barbecue."

Thanks for reading!

-LJ

#scratchin melodii

[genericpuff]

Can you call Tina Belcher driving through a parking lot at an anxious snail's pace a driving "style"? So why do we try to use "style" as a defense for LO's pacing problems?

There's something about how Lore Olympus engrosses people within its weekly doses of H x P content and cliffhangers that makes people not realize just how long Lore Olympus takes to get to the point of, well, anything. Many plotlines are setup, and then go untouched for weeks, sometimes months at a time, before seeing any sort of progress, much less a resolution. In this, I'm going to actually give you time ranges on some of the more egregious payoffs and continuations of plotlines that were setup - some that are now resolved, others that have yet to see the light of day.

CONTENT WARNING: I will be discussing the SA plotline, and there will be spoilers for Episode 265. I will also be showing pictures of some rancid ass tattoos, I know that sounds random for what we're discussing, but trust me on this one, I have a point to make. Also there's a Junji Ito panel from The Enigma of Amigara Fault... yeah, that one.

LEUCE

Let's start with an easy one that's not exactly tied to the main plot. The Leuce plotline. She was first introduced in Episode 201 as a 'bargaining chip' from Zeus to Hades, in a misfired attempt to get Hades to call a truce over the embargo between the Underworld and Olympus.

At the time of this episode's release, by all accounts this seemed to be a cut and dry reference to Hades' first wife, Leuce, unfortunately reduced to a mail-order bride who Hades, of course, turns down, because he doesn't want the "I can't believe it's not butter" Persephone, he wants overpriced, tastes-the-same-but-costs-more-because-of-the-brand-name Persephone.

But then she came back, 36 episodes later - in real time, this was roughly 38 weeks for free-to-read users as the series went on a 2 week hiatus near the start of S3 - only to be used as a cliffhanger leading into a recycled Minthe plotline, in which she attempted to seduce Hades in Episode 238, only to be shot down for the second time.

If you're having a tough time wrapping your head around how long 36 weeks really is, that's nine months. If you got pregnant when Leuce was first revealed, you'd be entering the final window of pregnancy by the time she returned, assuming the baby didn't come pre-term.

Another 7 weeks later, enough time to actually get pregnant again following that first baby, we got the sudden continuation of that plot, with Persephone invading her home and filling it with barn animals, with a not-so-subtle threat to Leuce to stay away from her husband.

"But what about the text messages? Were they really from Hades?" Well, if you were someone reading this comic in real time, you wouldn't have this question answered for another SIX EPISODES - that's a month and a half in real time - and the answer would ultimately be "she made it up, she was 'manifesting', none of it's real, they should call her Deleuceional!" Six weeks for a nothingburger answer to wrap up a nothingburger sideplot, all in the pursuit to 'prove' for the 1275903729 time that Hades and Persephone are truly meant to be together.

EROS AND PSYCHE

This is a big one. The Eros x Psyche plotline was one of the most popular romance subplots, second only to Hades and Persephone, throughout the comic. And yet, despite people holding their breath to see what would become of the star-crossed lovers, a mortal and a god-

-readers in September 2021 would not find out how their recent skirmish with Apollo in Episode 171 would resolve itself until Episode 218, A YEAR AND TWO MONTHS - ROUGHLY 60 WEEKS AND A MIDSEASON HIATUS - LATER, and even then it would only show us Eros, who quickly summarizes what happened to him during the entire trial and Kronos arc that his anticipated romance storyline got sidelined for - he got married and now he has a child.

And it wouldn't be for ANOTHER six weeks that his wife and the mother of his child would actually show up, not alongside Eros, but Aphrodite and Hephaestus, in Episode 224.

What happened to her after finally having her 'true form' revealed to Eros? Well, that's not shown for another three weeks in Episode 227. During this a bunch of info about how Psyche got out of that sticky Apollo situation is dumped on us and we just have to go along with it as she becomes a goddess, not because she earned a place among the Olympians, but because Zeus needs her to spy on Apollo, which was actually shown one episode prior in 226.

So let's say you got knocked up again after that Leuce baby, when Eros and Psyche were shot out of the sky. Welp, in the time it took for Rachel to get around explaining what happened to the both of them, now you just had your second baby and for all we know, you could have gone for a third and already be well into or near the end of your first trimester, if you really wanted to get busy. You'd have a Dionysus, a Melinoe, and maybe even a Demophoon. Congratulations.

And speaking of Melinoe-

MELINOE

Turns out the interloper and the child in Tartarus were one and the same, or at least that's what I'm assuming, because otherwise that would mean there's some whole ass other baby to worry about that we haven't even been introduced to yet.

Melinoe, or "the child deity", was first established in Episode 218.

But as per LO tradition, the child would only mentioned in passing every now and then until finally being revealed as Melinoe in Episode 252, a whopping... THIRTY EIGHT FUCKING WEEKS LATER.

And that waiting is still ongoing as Melinoe is, of course, still trapped in Tartarus, with no end in sight. Since then, Hades and Persephone have gotten married, kidnapped a child, Persephone has terrorized a nymph and caused yet ANOTHER genocide, and they've resurrected a child that was suddenly revealed to be Demeter's. Thirty eight weeks and counting of dragging on a plotline that we're supposed to believe is dire while the characters do sweet fuck all.

What was the name of that other dream baby that Rachel referenced from some obscure non-legitimate source?

Riiiight, Brimos. Congrats, there's pregnancy number 4. But can we find a way to make a fifth happen?

KASSANDRA

We're first introduced to Kassandra, another implied victim of Apollo's, in Episode 226 when a photo of her is found on Apollo's pen drive which was conveniently left on the ground for Psyche to swipe.

In Episode 227, they theorize on how they could track down this mystery woman, using either Eros or Aphrodite's abilities to find her through the power of

✨love✨

How will that actually work though? Has anyone ever been in love with Kassandra, or has she ever been in love with anyone else?

Any bets on how long it would be until we'd get our answer?

Episode 251. The same episode where we're finally told about Leuce's delusions, we suddenly skip to the reveal of Kassandra being Apollo's personal oracle.

And it still doesn't end up answering our question as to how Kassandra was tracked down, by the way. Eros and Psyche sorta just conveniently find her at the same time Apollo happens to be there when he's getting her to deliver her big prophecy to him.

That's twenty four weeks, meaning you're now near the end of your second trimester with child #4. Whoever the child is remains to be seen but I'm sure Rachel will find a way to shoehorn another helpless baby into the plot for Hades and Persephone to rescue who we can use for this metaphor.

But none of these come close to the greatest unresolved plotline of them all, the one plotline that has outlasted even the main H x P plotline of Lore Olympus' story-

APOLLO

Or more specifically, the SA. Rachel has tried so hard to twist Apollo into a villain of Disney proportions, through his sudden involvement with Ouranos, while also using him as a mouthpiece for her own critics by having him literally dish out word-for-word the criticisms that have been made towards Rachel's writing of Persephone-

But the core foundation of his plotline goes all the way back to 2018, when he assaulted Persephone, a plotline that has yet to resolve itself or show any progression beyond Rachel's half-baked attempts at speedrunning Persephone's healing process, while Apollo is still at large and hasn't been brought to justice.

We've seen her in very poorly-written therapy where her assault was addressed once. We've seen her grapple with the potential consequences of the SA through a gynecologist scene that, as I've discussed before, does more harm than good in helping the discussion around women's sexual health. And of course, Rachel will pepper in vague references to the SA every now and then when she's bothered to remember that it's a plotline she wrote and still hasn't resolved:

And judging by how the story has been progressing, Rachel seems far more intent on simply using Apollo as a mouthpiece for criticism and a puppet for Ouranos rather than focusing on the bigger issues, all while Persephone has helped more people cope with the assault that happened to her rather than receiving help herself.

What's really telling is that despite half of the Olympians at this point knowing what Apollo did, not one of them even tries to convince Persephone to come forward, or say something themselves. Daphne has more than enough reason to come forward. Artemis, Hera, Eros, Hermes, and Hephaestus all know what he did, and yet none of them say a thing, even when those of them who haven't been conveniently shoehorned out of the plot are still in the same room as him-

The assault scene happened in August 2018. It's been five and a half years since it was established, and while there have been small efforts made to resolve it - from Hera and Hephaestus having the photos deleted to Persephone seeking therapy - there's less reason now than ever for it to not be addressed, especially with so much at stake. I could side with Persephone not wanting to say anything in the beginning, when he was blackmailing her with the photos and her TGOEM scholarship was on the line, but now that she's a Queen, rich, and married to Hades, living in the Underworld where he can't get to her, without any schooling or scholarship or job to worry about or the photos hanging over her head, it comes across as flat out irresponsible that not a single person thinks it's worth mentioning. Even the narrative itself seems to be trying to undo the SA entirely.

At this point, I'm not confident it will be mentioned at all, and that Apollo will be conveniently dealt with as a pawn of Ouranos rather than as a perpetrator of violence towards women.

A FINAL ANALYSIS OF LO'S PACING

There are certainly far more examples of this weekly edging happening throughout LO, but I hope the ones I provided get across the point I'm trying to make about its pacing.

Of course, none of these gaps in time are happening back-to-back-to-back. This is Lore Olympus' writing "style", if you can call it that - constantly bombard the reader with separate plot points so that they'll either not remember the ones that were left behind, or so that Rachel can buy herself time to get herself out of the corner she wrote herself into. It's the equivalent of clickbait, constantly grabbing your attention with shiny new things that will replace whatever you just saw in your brain, on a constantly repeating cycle. It's the writing process of inexperienced amateurs, like what you'd see in short stories written by fifth graders - "and then this happened, and then this happened, and then this happened", with no theme or overarching meaning tying them together; and if you were to ask them why a certain thing happens, especially if it logically doesn't make sense, the answer is just, "well, because it does." There's no rhyme or reason, they just thought it was cool.

And I say "style" because while fans of LO have definitely defended the story's pacing as just a writing style, the actual execution of what they're implying is painful to watch and not what any experienced writer would call a legitimate style. It's not uncommon at all in long-running series like this to jump from plotline to plotline, often times longform stories like these have to balance multiple side plots at once to keep things engaging and to bulk up the plot with more actual content.

But in most cases, the reader will expect the speed of a plot's resolution to be relative to its urgency. If a casual B plot with low stakes is introduced, it's not necessarily doing any harm if it just sits there for a bit before finally being resolved. After all, it's low stakes and no one is being hurt by it existing on the sidelines. It might feel a bit like pointless fluff, but there's nothing necessarily wrong with fluff and it can offer fun and relaxed reprieves from the overarching narrative, assuming you integrate them well so they're not drawing attention away from those more urgent plotlines at the worst possible times (looking at you, Stranger Things S2 Episode 7-)

But when even the high stakes plots are being hung out to dry and treated like distractions and fluff, it comes across less like a decisive writing "style" and more just directionless pantsing from an inexperienced writer who's gotten themselves in way too deep.

And that's what really separates Rachel's writing problems from "style". Style is decisive. Style is the act of referencing over a set period of time, crafting what you like and what you've learned into something new, with rounds and rounds of fine-tuning. Style is experience put into action.

And, while I don't typically like using my own work as a comparison, LORE | REKINDLED is meant to try and recapture the original magic of Lore Olympus' art style and writing foundations - and even then, you can still see the clear difference between Episodes 14 and 44, which use the same panel from the same scene, but look vastly different due to the improvement and refinement that's happened over time.

Same style, but different levels of experience and skill, which is to be expected after weeks and weeks of fine-tuning and deliberate practice.

If you're lacking in your fundamentals, whether in art or writing, you can't equate that lack of skill to "style" because you're not choosing to be inexperienced, you just are. And that's okay! But to try and pass it off as 'style' implies that you're choosing to be inexperienced - when in reality, if you tried to put out anything beyond your skill level, you simply wouldn't be able to, because you haven't gained those skills yet. Like fifth graders writing short stories with the "and then this happened" model, "it's just my style" is often used as an excuse by young artists and writers who don't understand that style is not exclusively an end result of inexperience.

I'm gonna go on a tangent here, but there's this controversial but trendy style in tattooing called 'ignorant', and it's best defined as "tattooing badly on purpose".

These tattoos are regularly praised for their simplistic ingenuity and visual aesthetic but equally criticized for being the opposite of what many artists have worked to overcome - being "bad at art". After all, who would willingly pay for a bad-looking tattoo? It's because it's the style that's in demand. I would argue that it takes a lot of confidence and mastery of the craft to be purposefully bad at it and make it look good, as contradictory as that sounds.

As much as the lines may be wobbly and the anatomy poor, ignorant style tattoos are done purposefully by experienced artists who still know how to properly tattoo. As much as they may look like they were drawn by a middle schooler, they will still heal properly, the lines will hold up, and the client will not (or at least, should not) experience any excessive scarring or unhygienic practices as one would experience from an actual inexperienced artist-

In a genuinely poorly-done tattoo, the evidence of the inexperience is literally written all over the body. The skin swells, the ink bleeds out, the lines are inconsistent in their depth, and there's clear signs of trauma to the skin that will undoubtedly result in a poorly-healed tattoo (and that's not even getting into the larger health risks such as contracting blood diseases due to a poorly kept space). It's not hard to see the difference between a bad tattoo and a tattoo that's intentionally bad.

It's the age old saying in a different medium - only once you learn the rules can you properly break them.

Rachel never learned these rules in her writing and it's evident to anyone who knows these rules and is viewing LO through a critical lens - or in my case, experiencing it on a week to week basis. It's a regularly occurring problem in the medium of webcomics as a whole - thinking that knowing how to draw is enough, and that writing comes dead last, if at all. When in reality, comics are a marriage of art and writing, you can't simply do one really well and allow the other to drag behind. That's not to say there aren't comics that succeed at having bad art and good writing, if anything a well-written comic can save bad art-

But if you have a comic with good art and bad writing, that's when a comic opens itself up to harsher criticism. As much as art may be the visual forefront of comics, if you want to keep your audience along for the long road that stretches ahead, you need to have a strong foundation in writing, or at least, enough of a plan to ensure you're not driving in the dark. The art can be as gorgeous as you want it to be, but if the plot is weak, then no one will have any reason to check back in week to week.

And such is Lore Olympus' biggest weakness. Much of what we praise LO for back in its first season was simply its foundation. It's very easy to praise a story's writing when it hasn't had to payoff what it's setup. Having ideas is easy, and early LO is rife with good ideas - but many of those ideas have since fallen flat, even the ones you wouldn't expect.

Ideas are a dime a dozen, but actually executing them in a way that can be engaging from start to finish and resolve itself in a way that's satisfying is a whole other challenge that many creators, including Rachel, find themselves unable to tackle; and nothing is a greater example of that than LO's third season, which is now fumbling its plotlines that have failed to resolve themselves properly after 5 years, while introducing new ones that serve as mere distractions, as if they were a laser pointer aimed at a cat.

I hear the argument, "LO is a better story if you binge read it" a lot, which - while I can certainly understand in today's culture of content that's churned out to be binged - I still fail to see how it actually makes LO a better story. Binge-reading LO doesn't remove the pointless plotlines. It doesn't fix its blatant timeline problems, its retcons, or its inability to stay focused on one topic for more than 5 panels. All it really fixes is the waiting, the ritualistic toiling over each and every cliffhanger that caps off the weekly episodes just for them to either be resolved in the next week or left behind with no in-between. And while having all that waiting removed certainly makes the reading experience a lot smoother, it doesn't make the story or its writing better.

The relationship between a story's writing and how the audience experiences it shouldn't be overlooked. Many stories depend on how the audience experiences it within the mind to succeed and leave an impression.

Junji Ito utilizes the dreaded page turn to scare his audience, an effect that can only be truly gained and appreciated if you read his books in traditional print.

Marvel spent years meticulously building up its Avengers franchise, culminating in a once-in-a-lifetime cinematic event through Avengers: Endgame, which is truly the epitome of "you had to be there", because if you watch Avengers: Endgame in 2024 in your living room, you're likely not going to experience the same level of hype as audiences experiencing it in the theater in 2019.

The same can be said for James' Cameron's Avatar, which entranced audiences with its innovative motion capture CGI and immersive 3D effects, an experience that could only be lived to the fullest if you saw it in 3D in IMAX theaters back in 2009. Without that experience, most people in 2024 find the movie to be pretty generic and uninteresting, a reverse Pocahontas with blue people in space, but when it first released in IMAX theaters in 2009, it was a cultural and technological phenomenon due to how advanced it was in its VFX. I can't even share with you clips of it, because obviously it would just be proving my point to try and show you how groundbreaking Avatar was in theaters through a bad shaky cam Youtube upload of its IMAX release on Youtube, but let's just say that it wasn't uncommon for people to brag about how many times they'd gone back to watch the same movie just to feel what they felt from the first showing all over again.

All that's to say that while Lore Olympus may offer a 'better' reading experience when binge-read - regardless of whether or not it actually helps the story's pacing problems - the reality is that LO is still being written exclusively with the weekly format in mind, and its been very much to its detriment, both in the short-term and in the long-term. Readers are often left in the dark on plotlines for weeks at a time, Rachel loses track of what she has and hasn't addressed, and the extended waiting times trick readers into believing that weeks have passed in the comic's story, when in reality it's only been a day or two, sometimes as little as hours depending on the sequence; meanwhile, if you binge episodes that had those problems in hindsight, you'll likely be a lot more quick to notice how many plot beats are either retconned or abandoned entirely, because you don't have the weekly waiting times artificially inflating the pacing of the story and causing you to forget what was established weeks before, because when binged, those weeks are reduced to hours and minutes.

And worst of all, with the assumption that you're reading on a weekly basis - as it wants you to do - Rachel tries to pull clever stunts by matching up LO's episodes with real life dates and holidays, which often just makes the story beats feel rushed or random in their execution - because to the vast majority of readers who haven't caught on to this or are reading the episodes through the physical books, they are rushed and random, and they can't exactly explain why.

Binging these episodes doesn't solve the problem, if anything it exemplifies them because, as a shining example, Hades and Persephone suddenly get married right in the middle of an ongoing issue, which isn't exactly the best time to wrap up the story's main plotline. Since then readers have become less and less interested in their story, and can you blame them? By all accounts their story is over. Everything now just feels tacked on to give them something to do in a story they no longer fit into.

There's an episode behind the FastPass lock right now, Episode 265. It unlocks for free on February 17th, three days after Valentine's Day. Guess what episode it is?

Ah yes, the episode where Hades' initiates sex without consent with his wife who's suffering from panic attacks, who also happens to be a rape victim. Happy Valentine's Day, everyone.

I actually made this particular discovery while writing this essay, so that was a very unwelcome surprise, but it explains the sudden random shift from Persephone being so stressed over the ongoing situation that she's passed out to Hades just deciding for the both of them that now's the time to have sex. As much as the fans will defend this as a husband and wife's last chance at intimacy before diving into a dangerous situation, they'll also still conveniently forget - just like the narrative and Rachel herself - that Persephone is a rape victim, and Hades initiating sex with her after nearly having a panic attack isn't exactly a good look.

This is why our theories as to when LO ends are so firmly cemented in one specific time range, because the story's pacing and distractions seem only intent in one thing - getting the story to last until spring, when the series will most likely conclude. It's basically been all but confirmed by Rachel, from her stating the series would be ending in early 2024, to Inklore - an imprint that seems designed specifically for Rachel and LO - launching officially in spring of this year, undoubtedly just in time for Rachel to wrap up LO for good.

(and boy, do I have some words about Inklore and its plans for "Rachel Smythe Presents", but that's another essay entirely.)

At the end of the day, LO's pacing is equivalent to paint drying on the wall, but it relentlessly convinces us to keep watching because the paint is blue and pink and maybe, maybe it'll turn into a piece of art. But as is evident in the comment sections of the newest episodes, even the fans are starting to realize that paint will not magically turn into the final piece of art they've been waiting to see if the hand that wields it doesn't know what it's doing.

Though style may be gained as an accidental side effect of one's influences and experiences, what Lore Olympus' intent is remains to be seen, and the longer the story goes on, the blurrier whatever intent it could have becomes. Unless it somehow manages to pull off a twist of Attack on Titan proportions that thoroughly explains and ties together the plotlines that have been left in the rearview mirror, the vehicle that is LO will continue to trudge along at a snail's pace, until it inevitably either crosses the finish line or crashes - but by that point, anyone waiting for it could very well be gone, their good faith left behind at the starting line when there was still plenty of time to change its trajectory or stop.

Such a time is long, long gone.

#lore olympus critical #anti lore olympus #lo critical

[feminist-space]

"Long COVID has destroyed my life

I would love nothing more than to “finally ignore COVID,” as the headline to Dr. Ashish Jha’s July 31 op-ed reads (“With a few basic steps, most of us can finally ignore COVID”). As a healthy, vaccinated, and recently boosted 35-year-old, I did what he said: I ignored COVID-19 on a weekend trip with friends in September 2022. But the infection I got as a result has all but destroyed my life.

A week after my infection, I began to experience intense fatigue, overwhelming headaches, and cognitive challenges that continue to this day. These symptoms are debilitating: I can no longer work, socialize, or travel. My finances are dire. And if I am unable to avoid another infection, my condition may deteriorate even further.

Jha wrote of long COVID “treatments” being promising. Perhaps he could clarify what treatments he is referring to, because my doctors say that there are no approved treatments for long COVID.

A recent study funded by the NIH’s RECOVER initiative showed that 10 percent of adults infected with COVID still have symptoms six months later, even with vaccination. By downplaying the prevalence and debilitating outcomes of even moderate long COVID, Jha is signing thousands of people up to the misery and despair with which I live every day.

Ezra J. Spier

Oakland, Calif.

Another view from infectious disease doctors

As infectious disease doctors, we disagree with Dr. Jha’s contention that it is time to ignore COVID-19.

Yes, being vaccinated and taking Paxlovid thankfully decrease the risk of severe disease. But only 43 percent of people age 65 and over and only 17 percent of all Americans had received an updated COVID vaccination by May 2023, and access to Paxlovid treatment is inequitable by race and insurance status.

Long-term complications of COVID can be devastating, including after second infections.

More than half a million Americans have died since the summer of 2021, when sufficient vaccine doses were available: COVID death rates in the United States continue to be double those of Canada. Termination of free tests and “commercialization” of medications as implemented by the federal government will only widen our country’s grisly COVID-related health disparities.

Inevitably, ignoring COVID leads to ignoring the slow-motion epidemic of long COVID. Standing up against such neglect, leaders like Boston Mayor Michelle Wu and Governor Maura Healey can promote meaningful measures to protect our communities: air purification in all schools and public spaces; free COVID-preventive masks (KN95 or N95, not surgical masks); tests, vaccines, and Paxlovid for all who cannot afford to buy them; and concern for and support of long COVID victims.

Dr. Julia Koehler

Boston

Dr. Regina LaRocque

Wellesley

We remain vulnerable to long COVID

Ashish Jha’s position as former White House COVID-19 Response Coordinator is a conflict of interest masquerading as a qualification for his op-ed. Researchers who study long COVID stated in a recent paper in Nature Reviews Immunology that “the oncoming burden of long COVID faced by patients, health-care providers, governments and economies is so large as to be unfathomable.” Rapid tests, which are less accurate with recent strains while PCR tests are less available, and low death rates give a false sense of security.

I agree that despite progress, more buildings need the air filtration and ventilation that would make public life safer. But Jha omits our vulnerability to long COVID after even mild infections, its devastating effects, and higher death rates for hospital-acquired COVID-19, combined with a lack of collective protection in health care settings with unmasked, untested people who prefer to ignore COVID-19.

Aside from advocating vaccines, he describes an everyone-for-themselves approach, not mentioning responsibility to protect others or access to essentials.

Jha dines in a restaurant with his friends while patients even in leading cancer hospitals are forced into Russian roulette, thanks to this approach.

Kathryn Nichols

Cambridge

Vigilance is necessary to prevent long COVID

While I understand the desire to promote optimism amid the ongoing pandemic, I am deeply concerned about the potential consequences of downplaying the importance of COVID precautions and the significant risk of long COVID. As a person living with long COVID for the last 16 months despite being vaccinated and boosted, I have experienced post-exertional malaise, fatigue, headaches, joint and muscle pain, cognitive dysfunction, and more symptoms that have continued to today. I have tried numerous medicines, supplements, and even participated in a clinical trial, only to find limited relief from the persistent effects of this virus.

Such a stance overlooks the reality that millions more people could end up with long COVID if we fail to remain vigilant in our efforts to combat the virus. Long COVID is a devastating consequence of this virus, and we cannot rely solely on vaccinations to end the pandemic. Even with widespread vaccination, the risk of contracting long COVID remains high. A recent study funded by the NIH’s RECOVER initiative showed that 10 percent of adults infected with COVID still have symptoms six months later. Minimizing the significance of long COVID not only neglects the suffering of long-haulers but also risks undermining public health efforts to control the spread of the virus.

By raising awareness about the risk of long COVID, media outlets can play a pivotal role in educating the public and promoting continued vigilance. Responsible reporting on the enduring impact of long COVID can serve as a reminder that the pandemic is far from over and that we must remain committed to taking necessary precautions to protect ourselves and others. Highlighting the struggles of long COVID survivors and the lack of proven treatments can spur further research and medical advancements in addressing this condition. Empathy and support for those living with long COVID are essential in paving the way for better understanding, compassionate care, and better health outcomes for everyone as COVID rates increase again this summer.

Travis Hardy

Norwalk, Conn.

Link https://www.bostonglobe.com/2023/08/05/opinion/cant-ignore-long-covid-jha/

#covid #long covid #wear a mask #please wear a mask #the pandemic isn't over

[mostlysignssomeportents]

Worker misclassification is a competition issue

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/02/upward-redistribution/#bedoya

The brains behind Trump's stolen Supreme Court have detailed plans: they didn't just scheme to pack the court with judges who weren't qualified for – or entitled to – a SCOTUS life-tenure, they also set up a series of cases for that radical court to hear.

Obviously, Dobbs was the big one, but it's only part of a whole procession of trumped-up cases designed to give the court a chance to overturn decades of settled law and create zones of impunity for America's oligarchs and the monopolies that provide them with wealth and power.

One of these cases is Jarkesy, a case designed to allow SCOTUS to euthanize every agency in the US government, stripping them of their powers to fight corporate crime:

https://www.americanprogress.org/article/sec-v-jarkesy-the-threat-to-congressional-and-agency-authority/

The argument goes, "Congress had the power to spell out every possible problem an agency might deal with and to create a list of everything they were allowed to do about these problems. If they didn't, then the agency isn't allowed to act."

This is an Objectively Very Stupid argument, and it takes a heroic act of motivated reasoning to buy it. The whole point of expert agencies is that they're experts and that they might discover new problems in American life, and come up with productive ways of fixing them. If the only way for an agency to address a problem is to wait for Congress to notice it and pass a law about it, then we don't even need agencies – Congress can just be the regulator, as well as the lawmaker.

If there was any doubt that Congress created the agencies as flexible and adaptive hedges against new threats and problems, then the legislative history of the FTC Act should dispel it.

Congress created the FTC through the FTCA because the courts kept misinterpreting its existing antitrust laws, like the Sherman Act. Companies would engage in the most obvious acts of naked, catastrophic fuckery, and judges would say, "Welp, because Congress didn't specifically ban this conduct, I guess it's OK."

So Congress created the FTC with an Act that included a broad authority to investigate and punish "unfair methods of competition." They didn't spell these out – instead, they explicitly said (in Section 5) that it was the FTC's job to determine whether something was unfair, and to act on it:

https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge

The job of the FTC is to investigate unfair conduct before it becomes such a problem that Congress takes action, and to head that conduct off so that it never rises to the level of needing Congressional intervention.

Now, it's true that since the Reagan years, the FTC has grown progressively less interested in using this power, but that's broadly true of all of America's corporate watchdogs. But as the public all over the world has grown ever more furious about corporate abuses and oligarchic wealth, governments everywhere have rediscovered their role as a public protector.

In America, the Biden administration altered the course of history with the appointment of new enforcers in the key anti-monopoly agencies: the FTC and the DOJ's antitrust division. But more importantly, the Biden admin created a detailed, technical plan to use every agency's powers to fight monopoly, in a "whole of government" approach:

https://www.eff.org/deeplinks/2021/08/party-its-1979-og-antitrust-back-baby

Now, this can give rise to seeming redundancies. Take labor issues. The NLRB is a (potentially) powerful regulator that had been in a coma for decades, but has awoken and taken up labor rights with a fervor and cunning that is a delight to behold:

https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks/#if-blood-be-the-price-of-your-cursed-wealth

At the same time, the FTC has also taken up labor rights, using its much broader powers to do things like ban noncompetes nationwide, unshackling workers from bosses who claim the right to veto who else they can work for:

https://pluralistic.net/2022/02/02/its-the-economy-stupid/#neofeudal

But the NLRB doesn't make the FTC redundant, or vice-versa. The NLRB's role is principally reactive, punishing wrongdoing after it occurs. But the FTC has the power to intervene in incipient harms, labor abuses that have not yet risen to the level of NLRB enforcement or new acts of Congress.

This case is made beautifully in Alvaro Bedoya's speech "'Overawed': Worker Misclassification as a Potential Unfair Method of Competition," delivered to the Law Leaders Global Summit in Miami today:

https://www.ftc.gov/system/files/ftc_gov/pdf/Overawed-Speech-02-02-2024.pdf

Bedoya describes why the FTC has turned its attention to the problem of "worker misclassification," in which employees are falsely claimed to be contractors, and thus deprived of the rights that workers are entitled to. Worker misclassification is rampant, and it transfers billions from workers to employers every year. As Bedoya says, 10-30% of employers engage in worker misclassification, allowing them to dodge payment for overtime, Social Security, workers' comp, unemployment insurance, healthcare, retirement and even a minimum wage. Each misclassified worker is between $6k-18k poorer thanks to this scam – a typical misclassified worker sees a one third decline in their earning power. And, of course, each misclassified worker's boss is $6k-$18k richer because of this scam.

It's not just wages, it's workplace safety. One of the most dangerous jobs in the country is construction worker, and worker misclassification is rampant in the sector. That means that construction workers are three times more likely than other workers to lack health insurance.

What's more, misclassified workers can't form unions, because their bosses' fiction treats them as independent contractors, not employees, which means that misclassified construction workers can't join trade unions and demand health-care, or safer workplaces.

Contrast this with, say, cops, who have powerful "unions" that afford them gold-plated health care and lavish compensation, even for imaginary ailments like "contact overdoses" from touching fentanyl – a medical impossibility that still entitles our nation's armed bureaucrats to handsome public compensation:

https://pluralistic.net/2022/01/27/extraordinary-popular-delusions/#onshore-havana-syndrome

Cops have far safer jobs than construction workers, but cops don't get misclassified, so they are able to collect benefits that no other worker – public or private – can hope for.

Not every employer wants to cheat and maim their employees, of course. In Bedoya's speech, he references Sandie Domando, an executive VP at a construction company in Palm Beach Gardens. Domando's company keeps its employees on its books, giving them health-care and other benefits. But when she started bidding against rival firms for jobs funded by the covid stimulus, she couldn't compete – two thirds of those jobs went to other firms that were able to put in cheaper bids. Those bids were cheaper because they were defrauding their workers by misclassifying them. Thus, publicly funded projects were overwhelmingly handed over to fraudulent companies. Fraud becomes a fitness-factor for winning jobs. It's a market for lemons – among employers.

Employee misclassification is a pure transfer from workers to bosses. Bedoya recounts the story of Samuel Talavera, Jr, a short-haul trucker who worked for decades in the Port of Los Angeles. For decades, his job paid well: enough to support his family and even take his kids to Disneyland now and again.

But in 2010, his employer reclassified him as a contractor. They ordered him to buy a new truck – which they financed on a lease-purchase basis – and put him to work for 16 hours stretches in shifts lasting as much as 20 hours per day. Talavera couldn't pick his own hours or pick his routes, but he was still treated as an independent contractor for payroll and labor protection purposes.

This lead to an terrible decline in Talavera's working conditions. He gave up going home between shifts, sleeping in his cab instead. His pay dropped through the floor, thanks to junk-fees that relied on the fiction that he was a contractor. For example, his boss started to charge him rent on the space his truck took up while he was standing by for a job at the port. Other truckers at the port saw paycheck deductions for the toilet-paper in the bathrooms!

Talavera's take-home pay dropped so low that he was bringing home a weekly wage of $112 or $33 (one week, his pay amounted to $0.67). His wife had to work three jobs, and they still had to declare bankruptcy to avoid losing their home. When Talavera's truck needed repairs he couldn't afford, his boss fired him and took back the truck, and Talavera was out the $78,000 he'd paid into it on the lease-purchase plan.

This story – and the many, many others like it from the Port of LA – paint a clear picture of the transfer of wealth from workers to their bosses that comes with worker misclassification. The work that Talavera did in the Port of LA didn't get less valuable when he was misclassified – but the share of that value that Talavera received dropped to as little as $0.67/week.

Worker misclassification is rampant across many sectors, but its handmaiden is technology. The fiction of independence is much easier to maintain when the fine-grained employer-employee control is mediated by an app (think of Uber):

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

That's why those scare-stories that AI trucks were going to make truckers obsolete and create an employment crisis were such toxic nonsense. Not only are we unlikely to see self-driving trucks, but the same investors that back AI technology are making bank on companies that practice worker misclassification through the "it's not a crime if we do it with an app" gambit:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

By focusing our attention on a hypothetical employment crisis that will supposedly be caused by future AI developments, tech investors can distract us from the real employment crisis that's created by app-enabled worker misclassification, which is also the source of much of the capital they're plowing into AI.

That's why the FTC's work on misclassification is so urgent. Misclassification is a scam that hurts workers and creates oligarchic power – and it's also a mass-extinction event for good companies that don't cheat their workers, because those honest companies can't compete.

Worker misclassification is having a long-overdue and much needed moment. The revolutionary overthrow of the rotten old leadership at the Teamsters was caused, in part, by a radical wing that promised to focus the Teamsters' firepower on fighting worker misclassification:

https://pluralistic.net/2021/11/19/hoffa-jr-defeated/#teamsters-for-a-democratic-union

This has become a focus of labor organizers all around the world, as worker misclassification-via-smartphone has infected labor markets everywhere:

https://pluralistic.net/2021/09/22/kropotkin-graeber/#an-injury-to-one

Bedoya's speech is a banger, and it reminds us that labor rights and anti-monopoly have always been part of the same project: to rein in corporate power and protect workers from the insatiable greed of the capital class:

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

#pluralistic #automation panic #automation #scotus #market for lemons #worker misclassification #ftc #competition #antitrust #trustbusting #ftc act #ftc 5 #unions #labor #jarksey #alvaro bedoya #nlrb #whole of government