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reasonsforhope · 7 months

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Holy crap, I didn't think Biden would be able to get the Climate Corps established without Congress. This is SUCH fantastic news.

"After being thwarted by Congress, President Joe Biden will use his executive authority to create a New Deal-style American Climate Corps that will serve as a major green jobs training program.

In an announcement Wednesday, the White House said the program will employ more than 20,000 young adults who will build trails, plant trees, help install solar panels and do other work to boost conservation and help prevent catastrophic wildfires.

The climate corps had been proposed in early versions of the sweeping climate law approved last year but was jettisoned amid strong opposition from Republicans and concerns about cost.

Democrats and environmental advocacy groups never gave up on the plan and pushed Biden in recent weeks to issue an executive order authorizing what the White House now calls the American Climate Corps.

“After years of demonstrating and fighting for a Climate Corps, we turned a generational rallying cry into a real jobs program that will put a new generation to work stopping the climate crisis,” said Varshini Prakash, executive director of the Sunrise Movement, an environmental group that has led the push for a climate corps.

With the new corps “and the historic climate investments won by our broader movement, the path towards a Green New Deal is beginning to become visible,” Prakash said...

...Environmental activists hailed the new jobs program, which is modeled after the Civilian Conservation Corps, created in the 1930s by President Franklin D. Roosevelt, a Democrat, as part of the New Deal...

Lawmakers Weigh In

More than 50 Democratic lawmakers, including Massachusetts Sen. Ed Markey and New York Rep. Alexandria Ocasio-Cortez, had also encouraged Biden to create a climate corps, saying in a letter on Monday that “the climate crisis demands a whole-of-government response at an unprecedented scale.”

The lawmakers cited deadly heat waves in the Southwest and across the nation, as well as dangerous floods in New England and devastating wildfires on the Hawaiian island of Maui, among recent examples of climate-related disasters.

Democrats called creation of the climate corps “historic” and the first step toward fulfilling the vision of the Green New Deal.

“Today President Biden listened to the (environmental) movement, and he delivered with an American Climate Corps,” a beaming Markey said at a celebratory news conference outside the Capitol.

“We are starting to turn the green dream into a green reality,” added Ocasio-Cortez, who co-sponsored the Green New Deal legislation with Markey four years ago.

“You all are changing the world,” she told young activists.

Program Details and Grant Deadlines

The initiative will provide job training and service opportunities to work on a wide range of projects, including restoring coastal wetlands to protect communities from storm surges and flooding; clean energy projects such as wind and solar power; managing forests to prevent catastrophic wildfires; and energy efficient solutions to cut energy bills for consumers, the White House said.

Creation of the climate corps comes as the Environmental Protection Agency launches a $4.6 billion grant competition for states, municipalities and tribes to cut climate pollution and advance environmental justice. The Climate Pollution Reduction Grants are funded by the 2022 climate law and are intended to drive community-driven solutions to slow climate change.

EPA Administrator Michael Regan said the grants will help “communities so they can chart their own paths toward the clean energy future.”

The deadline for states and municipalities to apply is April 1, with grants expected in late 2024. Tribes and territories must apply by May 1, with grants expected by early 2025."

-via Boston.com, September 21, 2023

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wifelinkmtg · 8 months

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TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

#phyrexia #not defining the ditch except by implication #thanks to all the very smart vorthoi on the flavor text discord server for helping me work through my thoughts on fascism and phyrexia #this is technically the march of the machine review also #or as much of one as i care to do

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m1d-45 · 7 months

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i love your sagau/imposter au fics so much (esp kazuha’s),, do you think nahida would be able to sense if the creator isnt an imposter because of her having access to Irminsul and being able to see if there are records of them? anyways okok so uh hear me out, maybe the creator tries to seek safety in sumeru while they’re being hunted? sorry if this is a lengthy ask ekwjkwm anyways thanks for reading, ur amazing !

sandy refuge

word count: 3.4k

-> warnings: spoilers for the final sumeru archon quest

-> gn reader (you/yours)

taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr

< masterlist >

sumeru was a deadly nation.

liyue was guarded by the adepti, and inazuma’s storms tore the sea around the archipelago to shreds, but sumeru…

sumeru, the land of wisdom, headed by academics and led by scholars and sages. the nation split in two, lush forests barely a stones throw from barren deserts, believers of two (three?) separate gods walking side by side through the city. for a nation so divided, it was rare to get everybody to agree on something, every decision inevitably and invariably leaving some group of people unsatisfied.

and yet, there they were, united under one flag. eremites and the matra, the beige robes of the desert dwellers shifting in the wind besides the glittering armor of the akademiya’s soldiers, spears and swords aligned towards the same target.

it would be beautiful, if only you weren’t the one they rallied against.

you didn’t know how long you had been running when you managed to work your way past the wall, nor how long you had managed to stumble across sand dunes before finding your current oasis.

literally. trees swayed around a large pool of clear water, thick grass cushioning your knees as you barely hesitated before cupping some in your hands and drinking. it was blessedly cool, and you were tempted to swim in it and let it soothe the continuous heat from the desert sun. sadly, you didn’t have a spare set of clothes, and you weren’t keen on stripping when the matra could storm the place at any moment.

or the eremites. or the corp of thirty. or literally anybody else, since you’ve apparently been declared public enemy number one.

you splashed some water on your face and over your head, goosebumps rising where a drop raced beneath the collar of your shirt. how water was so cold when the sand was so hot, you didn’t know, but you weren’t going to complain.

after drinking a few more handfuls of the water, you finally looked around. there was a large spire of stone next to the oasis, flanked by large trees, with a thankfully abandoned hilichurl hut beside it.

you try not to think about how an archer would have had an easy shot as you were drinking.

at the base of a few of the trees is something green, and you remember the nuts that grew in the desert. you were too wary of the henna berries and the cacti they grew on to try and eat those, but you distinctly remember these being used in a few recipes.

all you could do was hope they were edible raw.

you stood—your vision blurred, the ground tilting, but you ignored it—and walked around the oasis, inspecting the green and hoping it wasn’t a fungus.

good news, it wasn’t. bad news, it was the husk of one of the nuts, hollow without any of the fruit inside. fresh, by the looks of it, the green leaves squishing instead of crumbling when you kicked at them.

great.

you sat on the curved trunk of one of the trees, holding up a hand to shade your eyes as you looked up. you could see another nut, hanging off the top of a tree, but.. the bark of the trees were smooth, and any of your athletic abilities were worn away by exhaustion and malnutrition.

you let your head drop and tried not to focus on your hunger, instead inspecting the mix of sand and grass beneath your feet. sand and grass. all of sumeru, represented right at your feet. hot, slippery sand, and cool, spiky grass. the desert and the forest, two wildly different ecosystems, and yet… both drove you out.

you tried not to cry, to push away the helplessness of the situation, but you couldn’t. what had you done, you wondered, for your very face to cause such an uproar? for two separate groups of people, divided in location, name, and faith to ally in their shared hatred of you? if somebody asked you what the millelith, matra, and eremites had in common about six months ago, you couldn’t have answered. you’d have thought about it, maybe, but drawn a blank outside of ‘defenders.’

but what were they defending? and how were you a threat?

when the first tear fell, so did something else.

you jumped at the dense thud, digging your nails—overgrown, bitten at, broken—into the bark as you searched for the source of the noise.

a large fruit had fallen, the one you were eyeing earlier by the looks of it. it sat atop the empty husk of another, magically fallen from the tree by seemingly nothing.

you weren’t going to complain.

you slid off the tree, reaching for the nut, grabbing the stem and pulling, but dropped it just as fast. a fungus was standing just behind it, large orange eyes looking up at you.

you were frozen. would it attack you? was it trying to eat? did they even need to? could you get sick from fungus spores? even if you couldn’t, getting hurt wasn’t worth the meal…

the fungus tilted to one side, then the other, bumping the large fruit towards you.

it… was giving it back?

you stared, but the fungus didn’t move. when you carefully tugged at the nut, slowly drawing it closer so you could properly pick it up, it didn’t move. it just watched you, the rim of its cap slightly falling into its eyes.

you sat back on the tree, pulling it into your lap. the outer leaves were coarse, softening as you pulled away the many layers. there was a high chance some of the inner leaves were edible, but you didn’t want to take chances. the fruit itself was a pale green, easily tearing under your fingers. it was soft, with the barest edge of sweetness that had you prying up more. it wouldn’t make for a full meal, but it was certainly far better than nothing.

you checked on the fungus every once in a while, but it just stood there. by your guess, it was the floating anemo kind, but where was its group? fungi rarely appeared alone, and part of you felt bad.

(felt bad. for a fungus. you’re in dirty, torn clothes and on the run for your life, and you still find the empathy for a fungus. at least you knew your morals were still intact.)

you offered a piece of the nut to the fungus, but it didn’t react. instead it turned, floating into the air and drifting away.

…alright.

you try to eat the fruit slowly, as to not make yourself sick, taking breaks to sip more water from the lake to dim the sweetness. you didn’t know how long the fruit would stay good now that you’d opened it, but you were trying to enjoy it. its not as if you were overflowing with excess, and you likely couldn’t linger here long. you don’t even know why you resorted to the desert anyway.. between cyno, the ruins, scorpions, the primal constructs.. to say it was dangerous was an understatement. even if you made it to the far west, the pari were there, and you didn’t think they would take too kindly to you. fontaine wouldn’t be much better, provided you somehow crossed the sea around it…

nowhere was safe. you supposed that was the point, that nobody would give you refuge, but it still hurt. you didn’t think you’d ever land in this situation when you first downloaded the game..

whatever. you’re not going to go down that path for the nth time. you hold the remains of the nut in one arm as you stand, picking off chunks as you walk toward the hilichurl hut. with any luck there would be something useful inside, or at least be a safe place to rest temporarily.

the camp looks like it’s been clear recently, which is both good and bad. good, because neither hilichurls nor patrols should come by here for a bit, but bad because it lowers your chances of finding anything useful. there’s no arrowheads or vegetables, not even embers in the fire pit, all the supply boxes long since broken.

at least it’s shelter. at least you had food today, and (hopefully) clean water. small wins, small wins…

you gather your strength and begin to drag all the rubble into the hut, using what was left of their training dummies to make a hollow pile. hopefully it would just look like trash to anyone walking by, and could maybe keep you warm. the scraps of furs littered over the camp were matted with something you didn’t want to think about, so this was your best bet.

man, you missed your bed.

you returned to the oasis for more water, scrubbing off some of the dirt from your arms and face. you wouldn’t be clean for long, what with the dirt floor you’d picked as your shelter, but it felt nice. a topical fix for a bone deep wound.

you didn’t try to clean your clothes, eyeing the sun dipping in the sky. having wet clothes wouldn’t help at night, even if it might feel good. perhaps tomorrow? yes, tomorrow. tomorrow you could scrub at your shirt—*blood doesn’t clean easily without soap*—and try to undo some of the knots in your hair, maybe even use leaves and some of the scraps of twine around the camp to bring some water with you.

tomorrow. you got this. surely.

(just ignore the fact that you don’t know where in the desert you are. or how easy it would be to get lost, or dehydrate. nope. this is a perfectly fine and normal situation that you have an okay amount of control over. you got this. you have to.)

you return to the hut, retrieving the other half of your fruit and taking it with you into your pitiful shelter. at least you didn’t have to worry about rain…

it was only slightly cramped beneath the pile of junk, but you had enough room for you and your food. you laid there for a long time, occasionally peeling off pieces to eat. you didn’t know how much was left, and you didn’t think about it, distracting yourself by thinking about tomorrow. if you were clever with some sticks you could fashion some wider soles for your shoes to get more grip on the sand, or maybe a hat to keep from burning… but there was water and food to worry about, but the area along the wall was certainly dangerous, but it might be worth it if it meant you lived a little longer…

you fell asleep at some point, the faint sweetness of your dinner lingering on your tongue.

normally, waking up to someone barely a foot from your person would be unsettling. in your situation, it was terrifying.

you immediately pushed yourself back, crawling backwards away from nahida. she was kneeling, seeming surprised at your actions. you almost wondered how she was out here, and in your survey of the area, it clicked.

you weren’t in the hut anymore. you’d missed it in your fear, but you were lying on grass, in a small meadow. you didn’t pay too much attention to it though, putting a hand to your chest to try and calm your heart.

“just a dream,” you breathed, and nahida’s expression fell. not into anger, more.. sadness?

“i’m sorry if i startled you.” her voice was soft, but flat, motions stiff as she stood up and dusted off her dress.

what a weird dream. first you’re lucid, then she’s here… maybe it was wishful thinking. maybe your brain had finally had enough.

“it’s fine,” you said, taking another look around the field. tall trees arched high above you, the bushes and ferns between them reminding you of the rainforest. in the center were three chairs, with various plates laid out on the table between them. you stood, automatically wiping for any grass caught on you, only to find that you were actually wearing clean clothes again—one of your favorite outfits, actually.

you mostly ignored nahida as you walked to the table, looking over the various dishes. you recognized a few as sumeru recipes, but not all of them, deciding to pick at a bowl of fruit instead. you’re not sure how dreams work here—you haven’t had many since coming to teyvat—but it feels safer to stick with a food you’ve actually tried before.

(you ignore the nut from the oasis. calculated risk.)

“i hope they’re to your liking?” nahida’s voice is hesitant as she comes to your side, sitting in one of the chairs. you don’t do the same.

“i’m surprised i remember so many of these,” you say instead, looking over the sheer variety of food laid out. your subconscious has done well.. almost a bit too well.

“eat. you need the energy.”

“i’ll just miss them in the morning, and it’s not like they’ll give me any actual nutrition.”

“…please, my god.”

your head whips to her in an instant, the fruit falling from your hand as if it was poison. it could be, considering everything.

even after all these months, you’d let your guard down. in front of the one god who had control over dreams, you ate of her food and showed that you were weak.

nahida raises her hands, and you have half a mind to grab a knife off the table. it wouldn’t do anything, but it would make you feel better. “it’s just me. there’s nobody else in this dream.”

you should have known better. “leave me alone.”

“i mean you no harm, i only-“

you put your hands over your ears and close your eyes, trying to make yourself wake up. you pictured the walls of the hut, of your makeshift shelter and the leaves of last night’s dinner. you pretend you can’t hear her voice, that the only sound is the whisper of the wind.

if only you’d remembered her powers quicker, or perhaps discovered yours sooner.

you don’t know how long it took you to break free from the dream, or if you managed to break it at all. you just knew that you woke up to the sounds of talking from outside your hut, the words were faint but still discernible from the wind. two voices, one soft and one rough, picking their way around the oasis.

you didn’t dare try to run, instead shifting some of the wood in your pile to cover the entrance. where could you even go if they found you? west was dangerous, east was deadly, north led you into either a sandstorm or a dead-end sea, and south was entirely uncharted, and that was assuming you even made it that far.

they came closer, and you reached for one of the smaller planks in your small shelter. it was still about the length of your forearm, and though the rest of the stack shifted, you felt a bit safer. maybe you could hide in a cave for a while until they left? no, that would mean you’d have to get enough of a lead to lose them, and you doubted you could run that fast.

“-abandoned.” there was a sound like a rock kicked against the side of the hut, covering the sound of your breath as you recognized the voice. “you sure this is the right place?”

wanderer.

“i’m certain, i saw it myself.”

and nahida. she probably tapped into your mind to see where you were trying to wake up to… it would be clever if your life wasn’t on the line.

footsteps drew ever closer, and it was getting hard to judge the distance. the hut was empty save for your little scrap pile, but how close was too close? could you even have a chance with wanderer’s skill? not to mention the dendro archon…

maybe you were doomed from the start. there was no good ending for you, just a constant delay of the fate that you dodged when you first set foot on this planet.

how long has it been? how much time have you borrowed? teyvat had ghosts, would you become one? would you return to earth? did your earth even exist anymore? this was not the time for this debate…

a shadow moved, and nahida’s voice was far closer than it was before. “divine one?”

you bit your cheek as to not laugh. ‘divine one.’ she already had a god, the one that had ordered this mess to begin with. the first person you ran into, ironically, who had on sight declared you a criminal. you didn’t want to be associated with that person at all, thank you. did she think that you thought you were the god? you wouldn’t be hiding if you did.

“buer. you’re talking to a pile of sticks.”

“i’m aware.” her voice grew quieter, like she’d turned around. “but we need to be patient.”

“there’s an easier way to do this, you know.”

“after all that’s happened? there’s no easy solution to this.”

“that’s not what i…” he sighed. “can i show you something?”

“what is it?”

the air hissed, your pile broken by a blade of wind down the middle. the anemo curved around you, acting as a shield as the wood splintered and flew. you quickly pushed yourself up, sitting against the wall and looking between the two of them. nahida looked terrified, and the shock on wanderer’s face is comical. looks like he didn’t expect you to actually be in there.

he removed his hat from his head, quickly dropping to one knee, nahida doing the same barely a moment after. “my god.. i apologize for my haste.”

pardon?

nahida lifted her head, meeting your eyes with a hand to her chest. “and i’m sorry for invading your dream earlier. i just wanted to find you, and when i noticed you were in sumeru..”

wanderer is too prideful to apologize to anybody he doesn’t absolutely need to, even for a plan.. jut what’s going on here?

you fix your attention on nahida and hope she’s not a good liar. “don’t you already have a god you follow?”

nahida flinched, looking away. “that… was a mistake. i should have trusted my instincts, and for that i’m sorry. i had no idea that my silence would lead to this…”

either she’s a really convincing actor, or she means it. given the severity of the situation, you don’t want to assume.

“if it helps…” wanderer’s hands tighten on his hat, and he bows his head further. “my anemo protected you. even if i did mean to cause harm, that is more than enough proof of your identity.”

“…so i’m supposed to believe you? just like that?”

nahida shook her head. “i understand your apprehension. it’s hard to trust someone after everyone else has betrayed you, and i don’t expect you to come with me to the sanctuary right away. aaru village is close by, though, and i was hoping you would be willing to go there..?”

some part of you still thinks it’s a trick, that there would be a swarm of matra waiting for you. but honestly… running is tiring, and nahida is kind. you want to believe her, even if it does end up going poorly. what else do you have to lose, really?

you drop your poor excuse for a weapon, briefly checking your hands for splinters before standing up. you kick aside the remains of your dinner and dust yourself off, walking forward. “alright. i’ll go with you.”

nahida beams.

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artist-issues · 11 months

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I love Peter Quill's EMPATHY.

The second thing we learn about him (besides his love of music) is that he gets into fights with other boys because they "killed a little frog that didn't do nothing."

The filmmakers specifically give us a close up of HIS face when he notices that Rocket has scars on his back.

He goes to check on Gamora when the prisoners are trying to execute her, even though she tried to steal his orb and kill him and got him captured by Nova Corps.

He tries to keep Rocket and Groot and Drax from killing each other even though he has nothing to gain from keeping the peace, and he tries to comfort Rocket and looks distressed when Rocket says "I didn't ask to be taken apart and put back together over and over and turned into some little monster."

He has the most scenes of being willing to listen to insensitive Drax when Drax is trying to give advice.

Obviously he saves Gamora at the cost of his own well-being when she's stranded in space

He thanks Drax when Drax awkwardly proclaims them as friends, meanwhile Gamora snaps at him.

He rallies everybody into saving innocents and becoming heroes.

He notices Rocket, who has been nothing but a jerk to him, vaguely comparing himself to Yondu as a mean guy who miraculously didn't push his friends away. And then he makes this face,

Which is by far my favorite "Kind Starlord" moment, and says, "well of course not." Purely to comfort Rocket and reassure him that they're family, without actually SAYING all that mushy stuff, so Rocket keeps his pride without having to apologize.

And, you know, all of GOTG Vol. 3.

#Starlord is the Kindest Guardian #Star Lord #Gamora #Peter Quill #Chris Pratt #MCU #Guardians of the Galaxy #Rocket Raccoon

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sirtotallynotatimetraveler · 3 months

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Welcome To Confection Castle! (AU)

What in the World is Confection Castle? :

Confection Castle (formerly known as Candy/Candied Castle) is a role-swap AU of Pizza Tower, akin to the more well-known PT swap AU, Sugary Spire. Unlike Sugary Spire, Confection Castle only swaps the roles of the characters and not their personalities, with a few alterations. With the unchanged personalities of each character, this instead changes the mechanics, environment, and even story of Pizza Tower, with each character handling their swapped roles more differently than Sugary Spire's interpretation.

(This AU's concept was largely inspired by TS!Underswap. A reimagining and fangame of the Undertale AU, Underswap, which uses the same concept)

The Story:

Teddy is faced with the consequences of his own actions after pulling one too many pranks against a castle that was bought out by a huge confection company, Candyboy Corporations. A company that steals the competition against smaller sweets business owners. Teddy's given a warning by the corporation CEO's assistant, Granny Candydimples, that the CEO will destroy his and many other confectionary's shops, forcing them to all work for his company. Thanks to the warning, Teddy and his confectionary allies team up to take down the Confection Castle and its evil schemes.

The Characters (may or not feature some slightly outdated art):

Teddy Taffy (Theodore Taffy) - Noise in the Role of Peppino: A smug, witty, mostly down to earth, prankster who formerly premiered on the big screen before leaving it all to continue his family's legacy: making mouthwatering candy and sweets. He owns a quaint candy shop in a vaguely European town near a looming Confection Castle. He's obsessed with sugar and when he consumes a good amount of it, can become hyperactive and manic.

Suzy (Suzette) - Noisette in the Role of Gustavo: A kind-hearted, rule-following, and dorky dessert baker who owns a bakery/patisserie next to Teddy's candy shop. She's close friends with Teddy and secretly has a crush on him, which may or may not be obvious to everyone except Ted. Like Ted, her business was challenged by Candyboy Corporations, forcing her to rally against the castle with Teddy,

The Ingredipets - Role of the Toppins: Little creatures resembling confectionary ingredients that were kidnapped and enslaved by Candyboy Corp. to make the companies candy. Teddy and his allies will save each of them to defeat their competitor. Ingredipets may be different depending on the character being played.

Captain Crackle (Peppino Ravioli) - Peppino in the Role of The Noise: Captain Crackle is a well-known cereal brand pirate captain mascot for the cereal of the same name. He's played by a worn-out has-been TV and opera celebrity Peppino Ravoli who does the bidding of Candyboy Corporations to make a living. He takes on three jobs: Captain Crackle, a Candyboy Corp. gift shop worker, and the Castle's TV News Anchor. He just wants to quit everything and live a peaceful life making pizza, his real dream.

Mr. Gus (Gustavo) - Gustavo in the Role of Noisette: Mr. Gus is Captain Crackle's pirate sidekick who serves as the comic relief character, always getting the short end of the stick and being kicked/thrown around the place for comedic effect. His actor, Gustavo, has a similar story to Peppino's, working for the castle, trying to sustain a living. He owns a secret soda tavern hidden from where his boss can find it.

Mr. Lollygagger - Pizzahead in the Role of Mr. Stick: Teddy's accountant who both does and doesn't take his job seriously. He pulls many gags toward his patrons to get them to comply with his offers and tries to pose as a nice, patient, and understanding accountant who needs money in exchange for a good offer. Ted's annoyed by him, A LOT.

Sapphire - Snick in the Role of Brick: An adventurous, rule-breaking, and cocky rock candy Porcupine who loves to skate on his hoverboard at the speed of sound. He becomes friends with Suzy after pestering her rule-following morals and later helps her and Teddy's journey.

Murray Muffinman - Pepperman in the Role of Gerome: An experimental artistic genius restrained to the role of maintaining the paint job of the castle. When he's on break he goes to his supply room to unleash his creativity through all sorts of mediums. He can be found all over the castle. He will reward his own art if he is helped to find his supply room.

Gumther Gumdrop - Vigilante in the Role of The Priest: Gumther is a farmer who grows sweet-tasting fruits that grant magical healing abilities. He sells his fruits in fruit stands all over the castle but it comes with a price.

Butler Scotch - Gerome in the Role of Pepperman: Scotch is the butler of the Royal Candy Family, who were the original owners of the castle before signing an agreement with Candyboy Corp. Scotch is the first boss Teddy has to fight due to one of the Royal Candy's prince (originally intended to fight Ted) left Scotch to stand on guard as he goes out for lunch.

The Pope - The Priest in the Role of The Vigilante: The leader of the Caramelist religious group and overseer of the Basilicaramel Church. After Teddy destroys the church during one of the levels, The Pope seeks to cleanse Ted of his sins by fighting against him.

Granny Candydimples - Granny Pizza in the Role of Pizzaface: The oldest member of the Royal Candy Family who was demoted and forced to the role of the CEO's assistant. She's kind-hearted and honest with no ill intent unlike her boss, going out of her way to disobey him sometimes.

Uncle Candiesworth - Pizzaface in the Role of Granny Pizza: The Uncle of the Royal Candy Family. He's one of the few family members who rebels against Candyboy Corporations and agrees to help Teddy and his friends destroy the castle. He's grumpy, bossy, and insults people constantly, but he has a good heart.

The Teddy Doll - Role of Fake Peppino: A cursed doll resembling Teddy. It's been presumed to have been cursed with dark magic, cast on by a cult. It is unknown what the purpose of this doll was for. All we know is that you won't see it in the same place it was left at the second you turn your back towards it.

Cookie Blair - Role of Mort the Chicken: Oh boy! It's Cookie Blair from the hit 90's 3D point-and-click PC abandonware game Cookie's Bustle! Watch as she and Teddy travel across Cookie City as Ted tries to hide Cookie from the police trying to remove her entire existence for good. (To whom it may concern (looking at you), I am not profiting off this project, therefore not profiting off Cookie's Bustle. Please don't copyright strike me or this project.)

Nezukira - Brick in the Role of Snick: Nezukira is the world-famous thunder rat character from the equally famous elemental critter collecting and fighting video game "Sackicritt". Nezukira is heavily merchandised with its adorable appearance; from plushes, socks, gummies, and cigars. Besides Nezukira, there are several other Sackicritts to obtain, with "Net Handlers" who accompany them.

Jen Beam - Role of John Pillar: Jen is the older sister of Butler Scotch. She is the caretaker/ruler of all the levels in the castle, making sure that everything is in order and won't crumble to the floor. She guards the door to each "dimensional control room" that deactivates the levels in the castle. She will only let people pass if she is given gourmet candy with the finest ingredients.

Candyboy - Role of Pizzaboy: Candyboy was the prime mascot and face of Candyboy Corporations. He's a happy-go-lucky, fun-loving, eccentric kid with all the childhood innocence packed into one. He loves candy and is very marketable. Despite Candyboy's innocent presence being long gone, he is still the face of the company.

The Candyman - Role of Pizzahead: The Candyman is the man behind the whole corporation, mostly know as the CEO. Not many have had the chance to meet The Candyman in person, but he's been said to be demanding, ruthless, and manipulative to get what he wants. He will do everything to gain the title of being the best confectionary business. If it exists, he wants it in his company.

---------------------

And that's it for character introductions! I am planning on adding characters that will be entirely original in this AU like new friends that will accompany Ted, new bosses, and other characters that will build the world for this AU. Other stuff such as levels, music, and game mechanic ideas are in the works too. Lots of stuff is planned for this AU project!

If you want to make fan art for Confection Castle, go ahead! I love fan art! Just make sure to tag me if you post it. Other fan stuff like music is cool too!

Thanks for reading y'all.

(Also, I am not planning on making this an actual game as I have no experience with coding or stuff that is needed to actually make a game. But if anyone with experience with game design wants to make it happen...hit me up haha.)

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secretmellowblog · 7 months

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i just dont really understand why theyd target les mis? and like. its interrupting the work of actors and crew and house staff who dont have anything to do with fossil fuel corps. people who just paid to see the show who dont have anything to do with it.

i understand les mis is a show about rebellion and humanity but to me it doesnt make any sense.

( i say this as someone whos probably very unaware and very slow to realize the deeper meaning of things so i apologize if it comes off snobby i am just confused !! /genuine )

I'm very sorry if this comes off as rude but like.... "I don't understand why people would use Les Mis as the symbolic centerpiece of an act of protest/rebellion against the government" is just a very strange thing to say, and I'm genuinely not quite sure how to begin to respond XD. Like....it's literally Les Mis. It is Do You Hear the People Sing. The original novel was written to be a political rallying cry, it was written to bind together activists, and it has been used that way thousands of times since its publication in 1862. It's Les Mis, I don't know what else to tell you XD. Also I know this next comparison isn't perfect, but:

“I don’t understand why Les Amis interrupted Lamarque’s funeral. Obviously I agree with Les Amis’s goals, but was this really the right way to protest? Obviously the government is doing something bad— but was this symbolic event really the right place to talk about it? Why even choose to interrupt this event, and the lives of the workers leading it and everyday people attending it? It wasn’t responsible for what was happening!

Okay, yeah, I get the funeral is ‘symbolically significant.’ I get that Lamarque has become, in popular culture, a symbol of rebellion and resistance against a government’s unfair policies. I get Lamarque’s funeral is a pretty big public event that has a lot of symbolic significance ties to ideas of rebellion against the state.

I get that Lamarque’s words are often seen as a rebellious call to action, so illegally interrupting his funeral could be a statement about resisting tyranny. It could be a call to action playing off the popularity and symbolic role that Lamarque has in the public consciousness.

But at the same time— shouldn’t Les Amis have just gone to the palace and attacked the king directly? Why disrupt this symbolic event instead? They’re not really going after the people responsible!

After all, there were so many people there who just wanted a normal day. They weren’t responsible for what the government was doing and had nothing to do with it. They wanted to see the procession, to hear Lafayette’s speech and grieve a political figure they cared for. They wanted to hear people praise ‘resistance’ in the abstract, without actually doing it.

Weren’t Les Amis disrupting that?

Aren’t Les Amis bad activists? Isn’t disrupting people’s everyday lives for the sake of 'activism' always inherently a bad thing? I’m not against activism, but isn’t doing that kind of disruptive activism rude? Isn’t disrupting the lives of ordinary people just doing their jobs or going out for a special event evil— no matter why you’re doing it, or what your goals are, or whether the government actually is doing something vile that we should start to stage great events rallying against?

Even if this Lamarque's funeral has special significance because of its symbolic pop cultural ties to rebellion against tyranny—shouldn’t they have just avoided rudely interrupting some regular people’s everyday lives?

Protests shouldn’t disrupt things. they should be big parades that don’t make anyone uncomfortable, don’t interrupt anything, and don’t disrupt any aspects of ‘normal people’s daily life.’ No one should ever target symbolic events— like a funeral for a political figure or a musical about revolution— to make a political statement. Protests should be little quiet festivals that cause absolutely no interruption in everyday life so that we can all just safely ignore them, until the climate catastrophe they’re warning us about arrives.”

#les miserables #les mis #sklajdfsf sorry if this comes off as rude its also not my intention. im just a bit baffled XD #but slakdjfsdf #no hard feeligns though kinda #but protest is supposed to be disruptive and to prevent life from continuing as normal #and using Les Mis-- a story that is theoretically about rebellion against tyranny-- as the symbolic centerpiece of a disruptive protest #makes a lot of sense #and protests angrily decrying fossil fuel companies is important!#ive noticed its really easy to glorify the concept of protest/resistnace in the abstract #but its hard to deal with the fact a lot ground-level protest. is disruptive to every day people #because its suppsoed to be #and honestly the climate crisis will affect our daily lives far more than student activists interrupting a show #so people wll need to get refunds XD

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probablyasocialecologist · 11 months

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Approved by the Atlanta City Council in 2021, the plan has been met with months-long opposition from neighbors and protesters concerned with the destruction of the forest at a time of intensifying climate change and environmental racism. Protesters are also alarmed by the expansion of policing and its associated violence, and “Stop Cop City” has become a national rallying cry for environmental and racial justice movements. Law enforcement, in turn, has responded with a ferocious crackdown that has left one forest defender killed (Georgia state troopers riddled 26-year-old Manuel “Tortuguita” Terán with 57 bullets in January) and 42 charged with domestic terrorism. Three organizers with the Atlanta Solidarity Fund, a bail fund, are now facing money laundering and charity fraud charges, following SWAT arrests at the end of May.

[...]

Some union leaders say the fight to stop Cop City has significant stakes for the labor movement as a whole. “Working people always have to be wary of any repression against protesters, because there is a history in our country that once it’s used against anyone protesting government policies, it can be turned against workers in their union,” Carl Rosen, the general president of UE, says over the phone from Erie, Pennsylvania, where 1,400 UE members who work for Wabtec Corp. could soon go out on strike.

[...]

“Cops are the first line of defense for business owners and employers, so I think it makes sense for labor to be opposed to Cop City,” he says. “These cops are being trained at Cop City and will use the tactics they learn to crush our strike if we go out.”

#tortuguita #cop city #atlanta #unions #police #emphasis added

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merge-conflict · 21 days

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thinking about Goro ever leaving Arasaka is such a fun but heartbreaking thing to think about because like– what would truly make him leave? what would destroy his faith and his loyalty so utterly that he'd walk away from his identity? because it's not just a job, being a soldier is who he is, and he's specifically an Arasaka soldier. when he expresses any doubt about the life he's had or what he really wants it's always with an air of inevitability that Arasaka will exist and continue to exist. what's the alternative? he asks V, because he truly doesn't believe there can be one. he can't believe it, or if he does he has to believe it's not worth the cost, because otherwise what has his life been in service of?

but while he's stubborn and loyal, he isn't stupid. he'll deflect v or get angry when they dismiss corporations entirely not because he thinks they're shining forces of good but because he sees fighting against them as naivety. the world is hard, but that's how it is, and fighting against it will only cause more suffering.

and yet. and yet. he is blind in a particular way, that I think comes from his success and the reward for his hard work. certainly there are plenty of people like him, who were smart and worked hard and came from nothing but were never rewarded for that because they didn't do it in quite the right way, or they weren't liked, or they were simply one among hundreds and thousands, just a number on a spreadsheet– they were never someone noticed personally by Saburo Arasaka. he's absolutely conditioned to believe that the system works because it worked for him.

so to come back around to the question– what could shake his faith in that so entirely that he can start to see the lie he's pledged himself to? that this empire, this corporation is truly no better than any other, and is just as disgustingly hypocritical and pathetic when threatened as any other power?

I can see a lot of possible answers to the question, and though I'm a romantic I can't say the answer is just love– he could deny himself that, I'm sure, and any personal sort of happiness. he could tell himself anyone he loved deserves someone who can give their full attention (and how could he ever give Arasaka less than everything he has? even for his suicidal revenge he means it as a warning, a rallying cry, for Arasaka to save itself from those who would destroy it).

but! the thing about corporations is that they will tell you the rules, and their ideals, and they will enforce them. and you at some point will become a representative of that corp and make promises according to those ideals, and the corp will make a liar of you. whatever trust you've built, whatever standards you hold yourself to in order to maintain your reputation? meaningless. and that more than anything is something I think that Goro would be unable to accept, that something that was his responsibility and his promise was broken without remorse or even consultation. perhaps he could counsel himself through that doubt, and remain in the fold, but it would be one of those moments where he is truly vulnerable to break away, and certainly a reason to shake his faith.

even then– even then I don't think he could see it all at once. he's in too deep, and he wants to believe that Arasaka can work so badly, that he's blind to the reality of its existence. so even if he does break free, then what? and I think the answer to that is that he will always want to believe that if juuust a few things were fixed Arasaka would be on the right path, or would be redeemed.

and that deprogramming will take forever to undo, if he ever lived long enough to try it.

anyway I started writing this post because I'm writing that initial break from his pov where he's struggling with it and internally he's just thinking: Maybe if I kill myself righting this wrong Saburo will understand and Arasaka will go back to being something I can feel proud of! and I want to chew through the drywall why doesn't he get it (I know why)

#goro takemura #this is a VERY long ramble under the cut please be warned #the one question every goromancer must ask: what about his obligation?#you can take the soldier out of Arasaka but you just can't take the Arasaka out of the soldier #anyway not to make another parallel between him and Johnny but they are both Believing so hard it gives them brain worms

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zvaigzdelasas · 11 months

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13 May 23

16 May 23

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melishade · 30 days

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Me after Reading the Optimus Dinobot what if

Love your what ifs

Previous Episode of the Dinobot Timeline

I guess this is a timeline now lol

So Optimus is obviously in hot water for not revealing this form to the Survey Corps and Megatron, even though he has explained that he can't control it. Hanji immediately wants to run experiments, but the Survey Corps has to take care of the coup. The bad news is that the ruling party got wind of Optimus' chaotic form and used that to slander Optimus' name throughout the public. Now the titan that was lauded as being a Savior was now being seen as someone to be feared.

It makes Optimus feel bad, obviously. All that hard work and he's being scorned and ridiculed. He can't blame the humans for their fear. However, the Survey Corps and Megatron are obviously pissed off for this injustice.

Reiner and Bertholdt are still in the Survey Corps, helping them out and obviously buying time to try and get at least Annie back. Pieck managed to worm her way into the outer rim of the rulers of the inner wall. So she's getting a substantial amount of information. Specifically about Annie's location and their experimentations on her, Eren holding both the Founding Titan and the Attack Titan, and Historia Reiss being of royal blood. Meaning the most valuable players that could turn the tide in this war and make up for the loss were standing right there. Zeke and the Jaws were no doubt a small price to pay if they could somehow get Annie, Eren, and Historia.

Rod is still able to successfully replicate the energon serum and use it on Annie while also making spares of the energon. Pieck, being closer to the inner circle, is able to find Annie, free her and take her out right before Armin, Mikasa, and Megatron get there. Pieck also manages to spot a spare energon titan serum and grabs it before bolting. Armin, Megatron, and Mikasa don't find Annie, but after a little more digging, the trio find notes on the energon serum, and now there's more of an urgency to find where the rest of the serums are and where Annie is.

The coup itself plays out like it does in the anime, not like in AOP. Because Optimus is currently feared for his titan form, Hanji thought it would be unwise to use him, and the people of Trost probably wouldn't rally behind him when marching to Sina considering what they've learned.

So the Survey Corps and Megatron break into the underground cavern to get Eren and Historia back. However, Pieck is close by, debating her options on whether to take the energon serum. She knows if she doesn't, the chance to take Eren and Historia are gone. But, she has to take a chance. Pieck takes the serum and transforms into her titan form, busting through the ceiling of the underground cavern, startling everyone. They try to use their weapons on her, but because of the energon, she's immune. The Survey Corps have to take cover, but Reiner and Bertholdt use the distraction to get to Eren and Historia. Megatron sees this and immediately bolts after them.

But because of Pieck, there's a delay. And Historia still makes the decision on her own to judo flip Rod while Kenny is watching in delight. But Rod still takes the energon serum and becomes that massive titan with energon in its system now. Kenny manages to leave unscathed because his team isn't coming in to break his focus. Reiner and Bertholdt come in to 'help' rescue Historia and free Eren. And as they're ready to bolt out of there, Megatron screams at Eren and Historia to run before fatally shooting Reiner in the neck. However, Reiner uses whatever energy he has left to transform into his titan form to take Bertholdt, Historia, and Eren out of there. Megatron is ready to pursue in his bipedal mode, but there's the matter of the Survey Corps still being in danger and the massive lumbering titan heading towards one of the walled towns. Pieck does manage to catch Reiner in titan form running away and quickly bolts after him, surprised at how fast she's able to run now. Reiner gets out of his titan form and he and Bertholdt take a depressed Eren and screaming Historia away. The Survey Corps do manage to escape the rubble, and so does Kenny, but not his team as they get crushed. Megatron informs them all that Reiner is a titan shifter and he took Eren and Historia. Ymir quickly turns into a titan and bolts after them, ignoring the screams of her comrades. She barely manages to see Pieck climbing over the wall and screams Historia's name in titan form, while Historia screams Ymir's name.

Normally, the Survey Corps would have pursued, but again, Rod's titan form. They have to focus their resources there to prevent civilians from being killed. Megatron and Optimus end up tag teaming to take out Rod's titan form with the civilians in the walled town watching. Optimus also uses his Dinobot form during the battle, and everyone is in awe to see Optimus and Megatron work together like this.

When it's over, Ymir informs them in sorrow that Historia and Ymir have been captured by Marley, and everyone is devastated, but Megatron is the one asking what Marley is. Ymir explains that's its the most powerful nation in the outside world, and that humanity is not extinct at all.

A few notes:

-The monarchy government is replaced with the military government, but because of the Survey Corps actions and Optimus and Megatron's battle prowess, the public don't seem to mind them being in power. Megatron and Optimus were able to prove they are trustworthy.

-Because Reiner and co flee to Marley, the Survey Corps are able to retake Wall Maria with no casualties, using Optimus, Megatron, and Ymir to eliminate the titans.

-Kenny's been captured and interrogated for obvious reasons, but Kenny is willing to spill what he knows. Specifically how Eren's father Grisha stole the power of the titans from Rod years ago. With Mikasa's help, they do find the basement and manage to pry open the drawer with the notebooks with brute force. And they get more history about the current outside world since Ymir's knowledge is no doubt outdated.

-Ymir, Armin, Mikasa, and Optimus are the most devastated out of the loss of Eren and Historia for obvious reasons.

-Megatron does notice the photo and how the kid looks similar to Zeke, now that he's completely healed. No one actually knew Zeke's name up until the notebook's discovery. So Megatron brings it up during interrogation of Zeke. He brings up his name first, which gets a visible reaction. Then Megatron shows the picture, which Zeke is surprised by, then Megatron brings up Grisha Jaeger by name, pointing at the standing man. Zeke realizes that the Founding Titan is being held by Eren Jaeger, his brother and decides to offer his help to the Survey Corps on the condition he be granted immunity. Megatron questions why he should even bother doing that, and Zeke retorts that if Marley has both someone of royal blood and the Founding Titan, that it's only a matter of time before they get around the vow renouncing war. They need him in order to stop Marley's continued reign over the world and the abuse of Eldians everywhere. Megatron says he'll run it by the military first.

(Man this was not something I was not expecting with the Dinobot timeline)

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vague-humanoid · 8 months

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Tech mogul Elon Musk has called for a boycott of global law firm Latham & Watkins for providing legal support to a San Francisco nonprofit that’s suing the city over the rights of homeless people.

The lawsuit, brought by a local advocacy nonprofit called the Coalition on Homelessness, alleges the city has broken federal law by displacing and destroying the property of homeless people without providing them shelter beds.

Latham & Watkins LLP is working with the American Civil Liberties Union of Northern California and the Lawyers' Committee for Civil Rights of the San Francisco Bay Area on behalf of the coalition in the case, which resulted in a preliminary injunction in December that restricted the city from enforcing laws against lodging on the street.

Musk, who owns X Corp (formerly Twitter) and runs Tesla and SpaceX, joined fellow Y Combinator CEO Garry Tan, who demanded the law firm resign from the case following a controversial hearing that featured dueling rallies outside a federal courthouse last Wednesday.

“Let’s ask our companies to cease all work with @lathamwatkins,” Musk tweeted in reply to Tan on Friday.

“They want war? Let’s give it to them. We cannot let these snakes win or San Francisco will end up like Detroit,” Musk tweeted in a separate reply to Tan on Saturday.

#scumbag

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radiofreederry · 2 years

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Happy birthday, Howard Zinn! (August 24, 1922)

An incisive gadfly against capitalism and thorn in the side of American militarism, historian and political scientist Howard Zinn was born to a Jewish family in Brooklyn. Growing up in the Great Depression, Zinn found himself drawn to the Communists who championed the rights of workers and minorities, and joined them at political rallies. During one such rally, the police arrived and brutalized those assembled, including Zinn. An earnest antifascist, Zinn enlisted in the Army Air Corps during World War II, but was shaken by his experiences and would come to oppose war in all forms. Educating himself and becoming a professor after the war, he taught for a time at Spelman College in Atlanta before being fired for supporting some of the students' radical activism. He then came to Boston University, where he would teach for 24 years. Zinn was a career activist, organizing with the SNCC during the Civil Rights movement, railing against the Vietnam War and war in general, annotated the copy of the Pentagon Papers read into the Congressional Record by Senator Mike Gravel, and campaigning for alternative perspectives in pedagogy. Zinn wrote A People's History of the United States, a seminal work which is still widely read and discussed to this day. Zinn continued his activism until his death in 2010, spending his last days in strident opposition to American foreign policy and the War on Terror.

"In a world already moving in certain directions, where wealth and power are already distributed in certain ways, neutrality means accepting the way things are now. It is a world of clashing interests – war against peace, nationalism against internationalism, equality against greed, and democracy against elitism – and it seems to me both impossible and undesirable to be neutral in those conflicts."

#birthdays #howard zinn

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mads-nixon · 4 months

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100th Bomber Boys: Major Robert 'Rosie' Rosenthal: Pt. 1

Ahead of the show's release, I bought Donald Miller's book and am reading it! Here is a little bit about Major Robert 'Rosie' Rosenthal (played by Nate Mann) from the prologue of Masters of the Air (pg. 13-14)!

Lt. Robert "Rosie" Rosenthal had not trained with the Hundredth's original crews. He and his crew had been assigned to the group that August from a replacement pool in England, to fill in for men lost on the Regens-burg raid. "When I arrived, the group was not well organized," Rosenthal recalled. "They were a rowdy outfit, filled with characters. Chick Harding was a wonderful guy, but he didn't enforce tight discipline on the ground orin the air." Rosenthal didn't fly a mission for thirty days. "No one came around to check me out and approve me for combat duty. Finally, my squadron commander, John Egan, had me fly a practice formation. I flew to the right of his plane. I had done a lot of formation flying in training and I was frustrated; I desperately wanted to get into the war. I put the wing of my plane right up against Egan's, and wherever he went, I went. When we landed, Egan told me he wanted me to be his wing man." Rosenthal had gone to Brooklyn College, not far from his Flatbush home. An outstanding athlete, he had been captain of the football and baseball teams, and later was inducted into the college's athletic hall of fame. After graduating summa cum laude from Brooklyn Law School, he went to work for a leading Manhattan law firm. He was just getting started in his new job when the Japanese bombed Pearl Harbor. The next morning he joined the Army Air Corps. He was twenty-six years old, with broad shoulders, sharply cut features, and dark curly hair. A big-city boy who loved hot jazz, he walked, incongruously, with the shambling gait of a farmer, his toes turned inward and there wasn't an ounce of New York cynicism in him. He was shy and easily embarrassed, but he burned with determination. "I had read Mein Kampf in college and had seen the newsreels of the big Nazi rallies in Nuremberg, with Hitler riding in an open car and the crowds cheering wildly. It was the faces in the crowd that struck me, the looks of adoration. It wasn't just Hitler. The entire nation had gone mad; it had to be stopped. "I'm a Jew, but it wasn't just that. Hitler was a menace to decent people everywhere. I was also tremendously proud of the English. They stood alone against the Nazis during the Battle of Britain and the Blitz. I read the papers avidly for war news and listened to Edward R. Murrow's live radio broadcasts of the bombing of London. I couldn't wait to get over there. "When I finally arrived, I thought I was at the center of the world, the place where the democracies were gathering to defeat the Nazis. I was right where I wanted to be." Rosie Rosenthal didn't share these thoughts with his crewmates, simple guys who distrusted what they called deep thinking. They never learned what was inside him, what made him fly and fight with blazing resolve. Later in the war, when he became one of the most decorated and famous fliers in the Eighth, word spread around Thorpe Abbotts that his family was in a German concentration camp. But when someone asked him directly, he said "that was a lot of hooey." His family-mother, sister, brother-in-law, and niece (his father had recently died) were all back in Brooklyn. "I have no personal reasons. Everything I've done or hope to do is strictly because I hate persecution... A human being has to look out for other human beings or else there's no civilization."

Rosie was part of the 'Bloody 100th' Bombardment Group of the 13th Combat Wing, of the 'Mighty Eighth' Air Force with John 'Bucky' Egan and Gale 'Buck' Cleven (played by Callum Turner and Austin Butler) His plane was called Rosie's Riveters, and him and his crew were an integral part of the bombardment group.

On October 8th, 1943, the 100th went on a bombing run to Bremen, Germany, and Buck Cleven was shot down. Two days later, Egan and the rest of the 100th went on a supposedly "easy" mission to Münster, accompanied by P-47 Thunderbolts almost all the way to the target. Rosenthal and his crew were not flying their beloved Rosie's Riveters due to damage from their two previous missions in Bremen and Marienburg. Instead, they flew Royal Flush.

Rosie's crew was worried about flying a brand new plane, and became incredibly nervous. Bringing them together under one of the wings, he calmed the boys down and lifted their spirits. This mission proved disastrous, and Royal Flush was the only one in the 100th to make it back to Thorpe Abbotts (the 100th's air-base in East Anglia).

Needless to say, I love Rosie already!! I've read up to chapter 6, and I feel like my brain is going to explode with all the information I've taken in :3

lmk if y'all want more posts like this one or would like to be tagged in them!!

#thank you for coming to my TED Talk #this is for everyone who doesn't have access to the book but wants more info on the guys!!!#can you tell i'm a history major??#masters of the air book excerpts #hbo war #bloody hundredth #100 bombardment group #major john egan #donald miller #major robert rosie rosenthal #masters of the air #major gale cleven

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