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purple-babygirl · 28 days

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don't call me daddy IV

Pairing: Bucky Barnes x little!f!reader

Word count: 5,540

Summary : In a world where littles are openly themselves, they volunteer to help and be helped by willing caregivers. In spite of himself, Bucky finds himself stuck with one and to keep the nagging away, he has to learn how to be around her with everything that that entails.

Warnings: crying, a flu, coughing, shots, age regression

A/N: forgive me for the lateness with this one. i was very sick, like bed-ridden sick, and when i got a little better i got to writing right away. please be kind to me with this one, i'm still high on meds:" please enjoy xx💜💜

“Call me daddy.”

“What?” She was suddenly pulling away as if Bucky was made up of scorching metal.

“Isn’t that what you wanted?” He asked with a small smile, wiping any residue tears on his face.

What she wanted… he was only suggesting that she called him daddy because he thought it was what she wanted? Was this his way of returning the favor because she hugged him after a nightmare?

Now she was really hurt.

Bucky was unknowingly emphasizing the fact that he didn’t want this type of relationship, didn’t want her. He was only doing it to show gratitude.

“No.” She shook her head, getting up from the floor.

“No?” Bucky was genuinely confused as he followed her with his eyes.

He thought he was finally making things right, giving her what she wanted.

“I wanna go back.”

“What?!”

“I wanna go back, please take me back.” Her voice wasn’t even sad or frantic, only small and disheartened.

“Back where?! The couch is right there if you wanna go!” Bucky became angry again.

He felt rejected and he felt small. Was it his touch that made her pull back? Was it the daddy thing? Was he so repulsive?

“No, back, out of here.”

“Back where?! It’s the middle of the night!” Bucky raised his voice in frustration, the nightmare nerves barely out of his body.

Has she lost her mind? Why was she acting like this now? What was he supposed to do to please her and her little mind?

“Take me back to Mrs. Morrison,” she insisted calmly as she collected her slippers and stashed them back in her bag.

He looked at her with wide eyes and an open mouth, not getting what happened or where he went wrong.

She wasn’t even tearing up, it was like a switch has flipped inside of her.

“Just— just talk to me, okay? What happened?” Bucky fervently needed her to stop, needed to understand.

“Bucky was right. This isn’t gonna work. Please just take me back.”

Her words reopened Bucky’s wounds that her sweet gestures had once closed. What did she mean “isn’t gonna work”? Was he just deemed irredeemable? Again?

“But why?!”

“I just wanna go back.” Was all she gave him; no explanation and no reasons.

Bucky wouldn’t understand.

“You know what? Fine! I’ll take you back first thing in the morning. Go back to the fucking couch, stay away from me!”

She silently got the wolf stuffie, leaving it on the kitchen counter, and went back, no crying and no trials to correct him on his choice of bad words.

Did she really want to leave? Was she really going to leave him come morning?

When it was lit up enough, Bucky went for a run, trying to blow off some steam because he felt like he was about to explode.

Why did he let her in? He shouldn’t have done that. She didn’t deserve to get this close, no one did.

Did he seriously think he was accepted and understood by this stranger after 7 days of time together?

No matter what the purpose she was serving was, she could never understand how hard Bucky had had it.

Still, something kept pulling him to her. Something inside of him didn’t want her to leave him. Not now that he was used to her; that he wanted to be used to her.

It's been only a week and Bucky was ready to give human relationships another chance. She made him feel like healing wasn’t a faraway dream.

He was going to try and talk to her one last time and if she still wanted to leave, he would gladly let her.

When he opened his door, she was dressed and waiting for Bucky on the couch, ready to go.

“So you were serious about leaving?” Bucky asks as he kicks his shoes off.

“Yes. Bucky is gonna take me back, right?”

“If that’s really what you want?”

She didn’t trust her voice so she just nodded.

“Why?”

“Just because.”

“Talk to me like I’m talking to you!” Bucky snapped.

She remained silent this time, not ready for a fight.

“Why do you wanna leave? What did I do?”

“Bucky didn’t do anything.”

“Then what is it?!”

“That is it.”

“What?!”

“Bucky didn’t do anything. Bucky didn’t even look at Doll’s file. Bucky never even called Doll Doll.” Only now did her tears come back, rolling down her cheeks with ease as she spilled out all that she’s been holding inside of her, “Bucky never wanted Doll.”

“I— I didn’t have time to look at the file. We were in a hurry so I picked the first one in the batch!” Bucky tried to explain, but quickly realized what he'd said.

A sob escaped her at the revelation that she was picked at random, that it could’ve been anyone else and that he really never wanted her.

“That’s not what I meant. I— listen, at first maybe I didn’t want you, but it’s different now!”

“Bucky never even picked me?” She cried, her broken voice crushing his heart.

“I—”

“Please take me back.” She wiped at her face, trying to steady her breathing.

“But—”

“Please, Bucky, please.”

The way she begged him with teary eyes and a shaky voice made Bucky stand up despite himself to put his shoes back on to take her back.

He might’ve not gotten a chance to explain himself, but he’s done her enough damage and he wasn’t going to continue being the reason she cried when she has been the reason he stopped.

“Let’s go.” Bucky pursed his lips and opened the door for her, her bag in hand, knowing it will never be the same when he came back.

“Doll, now that you’re big at least tell me anything, dear. Did he do anything—”

“He didn’t do anything, Mrs. Morrison. I promise you. Bucky was nothing but a gentleman with me.”

“Then what is it?”

“It’s nothing. I just think I wasn’t ready. I shouldn’t have listed my little self as ready.” She shook her head with a polite smile.

Mrs. Morrison wasn’t buying it, but she couldn’t push her anymore.

“Alright, dear. I’ll go finish the report so Bucky’s therapist can get her copy in the morning.”

“Mrs. Morrison, please,” she held the older woman’s hand imploringly, “Bucky didn’t do but good. Make sure you’re just to him in your report.”

“Okay, doll. Whatever you say, dear.” She woman shook her head, giving up the argument before standing up and leaving the room.

It wasn’t the full truth, but she did believe she wasn’t ready. She wasn’t going to be ready for a long time, so it was better if she just went back home and let herself be grounded a little.

“Please, I need to see her.” Bucky begged in front of Mrs. Morrison’s desk.

“Not before you tell me what you did to her, Mr. Barnes!”

“I— I didn’t do anything.”

“That’s what she said too, but I know it’s not the truth!”

“Wait, what? I— please let me see her.”

“She’s not here, Sergeant Barnes.”

“What? Where is she?”

“Home,” the woman replied shortly, still mad at Bucky.

“I thought that was where they lived?”

The woman shook her head in disappointment, “you never read your copy of the file, did you?”

Bucky remained silent, too embarrassed to speak. Why did everyone keep asking about the damn file!

“No, they don’t live here. She went back to her life at her house.”

“Well, can you give me the address?”

“Of course, not! That’s private information and you two don’t even seem to have ended on good terms!”

“Please? I need to fix this.”

“You already had time to do that, Mr. Barnes.”

“Well… At least give me a chance to apologize.”

“I don’t know.” The woman hesitated.

“Please, I’ll do anything.” Bucky begged sincerely.

“Anything?” Mrs. Morrison smiled suddenly, making Bucky worry a little, but he meant his words nonetheless.

“Anything.”

“Corgi, calm down!” Bucky heard her sweet laugh as she approached the dog’s barks.

“You call your corgi Corgi?” He asked her with a smile.

“Bucky, what are you doing here?” Her smile quickly disappeared and a surprised frown replaced it.

“I—”

“Okay, I finished moving the new planters to the right side like you wanted— hello?” The man who cut Bucky off was offering him a hand.

Bucky shook it coldly, his signature frown staring the man down, “hey.”

“I’m Adam,” the man said with a friendly smile.

“Sergeant James Barnes.”

“Bucky, this is Adam, my best friend and neighbor, Adam, this is Bucky… a friend.” She introduced them, not sure of what to say about Bucky.

Meanwhile, Bucky felt something weigh down on him. Was it the fact that he wished she said more than just “a friend”? Was it the presence of this Adam guy? Was that… jealousy?!

“Right, so I’m gonna go now, but call me if you need anything, okay?” Adam said, looking at them both suspiciously.

“I will. Thank you for today, Adam. You’re the best.” She gave the man a hug, smiling from ear to ear as she did it, too.

That was a smile Bucky has never seen.

“I know I know. Bye, Corgi! Bye, Sergeant, nice to meet you!” Adam shouted as he walked out of her porch.

Bucky only nodded even though he knew the man couldn’t see him. He didn’t care if he was rude. Who was that anyway?

She was expecting Bucky to talk when Adam was gone but he just stood there, fiddling with the bag in his hand as he stared at her, so she didn’t say anything either.

She was done initiating. If he came all the way here on his own, he could start a conversation on his own.

“Who was that?”

“Really? You came all the way here to ask me that?”

He stuttered and swallowed, knowing fully well that he had no right to such a question.

“You seem different.”

“You mean big?” She smiled sadly, noticing how much more comfortable Bucky was dealing with her like that.

Bucky nodded guiltily, scratching the back of his head.

“Yeah, I do have a life and responsibilities after all.” She shrugged, gesturing to her house and the puppy by her feet.

She was disappointed to say the least. First, he gave her a terrible week with him, then he returned her and never looked back and now he was on her porch for no clear reason or explanation, questioning her and her life?

Still, she felt a spark of hope in her chest at the fact that he was standing before her. There must’ve been a reason he came and it couldn’t be so he could fight more.

Bucky felt embarrassed, tongue-tied with guilt as he’s forgotten everything he has been wanting to say.

Then the sky started speaking for him, thundering loudly and making her jump with a hand on her heart.

“Oh, it’s gonna rain. Let’s go inside.”

For some reason, he assumed she was talking to the puppy but when she kept looking at him, Bucky gratefully moved his feet.

Her house was the epitome of coziness. It was a true home and it was nothing like Bucky’s.

It had actual furniture, colorful pieces he knew were carefully picked. It had wallpaper and picture frames and kitchenware and cute mugs and plates.

Only now did he know how much shit she could’ve given him for the place he made her stay in, but she didn’t.

“Bucky!”

“Yes?”

“I asked about your favorite tea.” She smiled, motioning to a number of varieties on her shelves.

“A coffee would be fine.”

“I’ll just make you earl grey with me.” She shrugged, ignoring his choice for a coffee at this relatively late hour of the evening.

“Hey!”

“It’s my house, my rules, old man!”

Wow! Big her was kind of feisty and it was making Bucky smile.

“What do you have there?” She asked, looking at the small plastic bag that Bucky’s been carrying in his hand.

“Oh, I- this is for you.” He handed her the bag, cheeks burning as he was still brand new when it came to such gestures.

“Oreos! And wolfie!” She called out happily when she looked inside the bag, “thank you so much!” She squeezed the tips of his fingers, smiling at him like he’d gotten her a rare diamond.

When she let go of his hand to open the package and taste the cookies, Bucky felt fear settle in his chest at the idea of having lost her forever.

He watched her try to hide the hug she was giving the white stuffed wolf before slipping it to her curious dog, “careful, Corgi.”

She didn’t lecture or blame him about his treatment of her, yes, nor did she even bring up the week she stayed at his house, but would she be willing to forgive him? Would she give him another chance?

Instead of screaming at him, she was sitting him down on a comfortable couch that had a soft blanket draped over it and serving him tea and cake. What kind of angel was she?

“If you don’t like it, I’ll make you coffee. But taste it first,” she set the tray with tea cups and a plate with a couple of cake slices on the little wooden coffee table and Bucky knew the smell of this tray was the only thing missing from her living room.

Now it was all perfect. It suited her so well.

“I made lime key cake this morning so you’re in luck. It goes really well with earl grey,” she told him, trying to get him to talk, to tell her why he was at her place a week later at 9 in the evening.

But he only nodded.

She didn’t push him. She has done enough coaxing and enough pushing. She didn’t have to do that anymore. If Bucky wanted to talk, he would have to talk on his own.

But he didn’t.

An hour later, she was getting sleepy and the rain was pouring even harder.

“I— I better go.” He stood up, patting his pockets nervously as if to make sure his belongings were in place.

So he came all the way here for nothing? He found her house and rode on his motorcycle all the way here for nothing?

“No way, you can’t drive your motor cycle in this rain!”

“I’m a super soldier, I don’t get sick,” Bucky argued with a smile, heart swelling at the idea that she still cared for him.

“I don’t care. The roads are slippery. It’s dangerous!”

“But—”

“No buts. You can have my bed, let me show you the room,” she said, never giving him space for a reply as she led the way to her bedroom.

“You really don’t have to. I can take the couch.” Or the floor

“The couch is mine. Corgi cries at night and doesn’t like to sleep alone. He’s still just a puppy.”

“Why don’t you just move his crate to your bedroom?”

“Because there’s a system in this house, Sergeant. We’re disciplined people.” She smiled playfully, “good night.”

And just like that, Bucky was alone in her bedroom, with her bed and sheets and blankets, where all the pillows smelled like her hair shampoo and the air was light and sweet. He was in heaven.

Bucky took his jacket off, draping it over the armchair by her vanity and her perfumes caught his eye.

He knew he shouldn’t be doing this, but he couldn’t help himself as he picked up the first bottle and neared it to his nose.

Oh, lord, was this sexy. He imagined himself eating her up if he was to smell this perfume on her skin. It was captivating and it went well with her playful grown up personality.

He tried another bottle and it was a softer scent that he knew all too well. It was the one she wore when she was staying at his house. It smelt angelic, soft and welcoming.

Bucky had to stop himself from going down the line of perfumes because he didn’t think he could keep going.

He’d better go to bed and try to catch a few hours of sleep before the mind attacks started.

Grabbing a pillow that smelled like her, Bucky made himself as comfortable as could be on the wooden floor next to her bed, draping her overly soft blanket on his body.

“You call it a disciplined house but you don’t even have a dining table,” Bucky teased as he helped her bring the rest of the plates to the coffee table.

He was right actually. She lied last night. She could easily take Corgi to the bedroom with her, but what kind of hospitality would that be to give Bucky the couch when it was his first time visiting?

“At least my coffee table has space for more than 2 noodle cups,” she teased right back, hardly biting a smile.

Bucky raised an eyebrow at her sassiness, smiling like an idiot at how easy she made everything.

Talking was easy around her. Existing was easy around her. Breathing was easy around her. And oh did he miss her.

“So…” she trailed, pouring orange juice in Bucky’s glass.

She couldn’t stay silent anymore. She had to understand why Bucky found her house and came to her after he’d clearly proven he didn’t want her. She wanted and tried to be the bigger person, but if he had something to say, she was ready to hear it now.

“I— I came here to say I’m sorry,” Bucky finally said the words that have been sitting on the back of his tongue for so long.

“Bucky…” she locked her eyes with his for a second, unable to read him, “you didn’t have to come all the way here. I didn’t tell Mrs. Morrison anything.”

The way she reassured him broke his heart. It was as if she wholeheartedly believed that all Bucky cared about was the final report.

But he cared about so much more. He cared about fixing this. He cared about her.

“I know. I did.”

“What?!”

“I told her everything.”

“Bucky— why?”

“I had to make it right.”

“Well, what did she say?” she chewed her lower lip nervously, worried everything has been ruined for Bucky.

“She made me serve a few hours at the institution and only when she got everyone’s approval did she agree to give me your address.”

“Everyone’s approval of what?” she furrowed her eyebrows in confusion.

“Of my storytelling skills,” Bucky replied proudly, putting some cheese on her plate for her when he noticed her freeze.

“Your storytelling— what?!” she couldn’t believe what she was hearing, a huge smile breaking on her face.

“I spent a few nights reading bedtime stories to the residents there and I’ll have you know I did a pretty good job, though most of them wanted lullabies so I stole some of yours—”

“Hold on! You, Bucky Barnes, read bedtime stories and sang lullabies to littles at the institution?”

“Yes, I did.” Bucky nodded with a shrug.

“You did all of this so you could have my address?”

“Yes.”

“Why?”

“I missed you, doll.”

“Doll?” Her eyes instantly teared up at the sole use of the name coming from him.

“And to tell you that I got to meet everyone that was available at the same time you were and none of them could ever compare. They’re all amazing people, but none of them made me feel like you’ve made me feel in that short week,” Bucky admitted softly, eyes hesitant to leave his fingers.

“I was terrible to you and you didn’t deserve any of it. I’m sorry. I know now that I should’ve been better.”

“Bucky, it’s okay,” she said with a content smile, simply satisfied with his presence as she passed him the bread. That apology was genuinely enough for her.

“No, doll, it’s not. I— I did the opposite of everything a caregiver should’ve done. It's just… you made me nervous, scared.” Bucky admitted.

“I scared you?” she scoffed in surprise. She wasn’t expecting this one.

“Yes. The way you were fully yourself, the way you weren’t afraid to show it, the way you did the effort to relieve yourself of whatever you were suffering from, it all scared me. How you openly cried when you needed to. It scared me because I didn’t know how to be like you. I didn’t know how to choose trust and kindness again after everything that had happened to me. Your courage scared me.”

“Oh, Bucky.” Tears rolled down her face as she desperately felt the need to hold him and kiss every inch of him better, “why didn’t you talk to me? I would’ve understood.”

“I tried… that day… but talking about it made me wanna close up on myself even more. It made me more scared. It wasn’t easy. It isn’t easy. And I can’t help it,” Bucky’s voice trembled as he fought his own tears.

He couldn’t believe he said those words out loud to someone else.

She left her seat and went to sit next to Bucky on the couch, her hands finding his and holding onto them for dear life.

“But when I came home to an empty living room after dropping you off at the institution, I knew what I'd lost. I realized what an asshole I’ve been to you. And I missed you. I missed you so much when I closed the door and you weren’t on the couch looking at me,” he poured his heart out to her with tears in his eyes.

She squeezed his hand more, trying to hug his fingers with hers but they were too short to fully cover his hands.

“You don’t have to give me another chance, but I felt like I could’ve died if I didn’t tell you how sorry I was and am. I’m sorry I didn’t give myself time to understand you and appreciate you for everything that you were, doll. I’m sorry I was so stupid and let you slip away from my hands. I’m sorry I was undeserving of your kindness and softness and love,” Bucky told her with tears pouring down his face, matching hers as she finally got to listen to all that he had to say.

“I really am sorry. I’m sorry I didn’t know how to be a good daddy to you and I’m sorry I didn’t try to learn. It’s all my fault because you, doll, deserve someone who would bust their ass trying for you,” Bucky sighed, “but if you’d let me, I’ll spend as much time as you’ll allow me doing that.”

“Thank you for finding me.” She threw herself in his arms and Bucky felt his soul come back to him as he held her tight to his body.

“Thank you for welcoming me back in despite everything I’ve put you through. I know I don’t deserve it.” Bucky squeezed her closer, the smell of her hair calming his senses.

“You’re welcome.” She pulled back to wipe his tears away, giving him a smile prettier than anything he’s ever seen, “now let’s eat before the eggs go cold.” She wiped her eyes quickly before grabbing the spoon and putting some eggs on Bucky’s plate.

“Does that smile mean you forgive me, doll?” Bucky asked hopefully.

“I forgive you, Sarge.” She smiled at him, what was in her heart showing in her eyes.

“You won’t regret it,” he promised, putting some food in his mouth to stop any upcoming tears.

They ate silently in peace for a second before Bucky spoke out.

“Seriously though, who was that Adam guy?!”

“Way to ruin a moment, Bucky,” she teased.

But Bucky didn’t smile. He remained silent waiting for her answer with a tiny frown.

“I told you he’s my best friend and he lives next door.”

Bucky’s frown deepened slightly. So that man got to see her every day huh?

“With his wife,” she added, biting back a smile as she watched his face relax.

“Don’t toy with me like that, doll.”

“I couldn’t help it. This is all new to me and I’m having fun!”

“Does he come here a lot?”

“Yes, Bucky. It’s what friends do, they visit,” she laughed.

“I don’t see Sam that often and we’re fine,” he shrugged unconvincingly, making her laugh more.

“He’s a good man, you’ll come to like him. Plus, he helped me a lot those past weeks and took care of my garden and Corgi while I was away so I owe him.”

“So I’m seeing a farmer now?” Bucky teased.

“Oh look who’s not so quiet anymore!” she teased back with a giggle, “at least my fridge never runs out of tomatoes.”

“Can I ask you something?” Bucky asked, his face serious again.

She nodded in reply, a smile gracing her patient features.

“Why did it bother you so much when I told you to call me daddy?”

She hummed, letting go of her fork.

“It’s okay if you don’t wanna answ—”

“It made me feel like you were returning a favor. Doing something because you felt like you had to do it, like it was the right thing to do, but not because you really wanted it. Yes, I wanted to call you daddy with my whole heart, but only if you wanted it too. It hurt because at the time I knew you still hadn’t accepted me for who I was and was just saying that so you could repay me for the hug I was giving you.”

“I’m so sorry.” Bucky shock his head in remorse, “I will never understand how you managed to put up with me for a whole week.”

“It’s because I know what it’s like to feel unwanted, Bucky. I know what it feels like to be unloved and unaccepted, especially by those who should give you unconditional love.”

“Family?” Bucky asked with a sad smile.

She nodded with a similar smile, “I know what it’s like to be more than your pain and anger with others only seeing the snapping and frowning. Little me doesn’t want anyone else to feel unloved like that because she knows how bad it all is. So she gives. She’s patient and she’s kind and sometimes I don’t think I could’ve accessed that part of myself if it wasn’t for her.”

“How so?”

“Grown ups are more cautious because they always have the consequences to things like vulnerability right in front of their eyes. We’re more likely to be afraid to show our hearts because we know we could get hurt bad because of it. Little me isn’t scared of that. She wakes up brand new every day. She wears her heart on her sleeve and trusts her love to do the magic.”

“You’re an amazing person.” Bucky raised her hand to his lips to press a timid kiss without much thought, “I guess I have a lot to learn from you, doll.”

“Don’t say stuff like that!” She whined playfully, cheeks going hot as she turned away shyly, “plus, do you have a death wish?” She raised a playful eyebrow.

“It’s true though— what?”

“I didn’t give you permission to kiss me,” she teased, reminding him of the time she kissed his cheek on her first day at his house.

Bucky smiled sheepishly, whispering out an apology even though he knew she was joking.

She shook her head, still coughing as she ran to the bathroom, needing to find any sort of cold medicine. She knew what this was.

Bucky stopped himself when she started coughing abruptly.

She’s been coughing a little here and there since morning, but he didn’t think anything of it.

Bucky hurried behind her, “what’s wrong?”

In a second, she was bending forward, coughing her heart out.

“Are you okay?!”

She shook her head again, trying to calm down, “I thought it was just a sore throat but it’s getting worse.”

“Let’s get you to the doctor,” Bucky said, worry eating away inside his chest as he watched her cough more.

He quickly grabbed her jacket and keys, leading her out to her car.

“It’s because I let you sleep on the couch, isn’t it? You got cold,” Bucky said, running his fingers through his hair nervously as he paced around the room.

He hasn’t stopped blaming himself since they’d returned from the doctor’s. She caught a bad flu and Bucky quickly believed it was his fault.

“No, Bucky. It’s not that.”

“You don’t have to defend me, doll. It’s because of me. I’ve managed to hurt you again. And I don’t even use beds. I should’ve never let you sleep out here.”

“Hey! Calm down please! It’s not you... It was me.” She released a sigh, biting her lip.

“What do you mean?”

“Well, when the rain got even worse after you went to bed. I thought I’d come out and cover the motorcycle so that it wouldn’t get all muddy and you’d have a hard time cleaning it,” she explained, fiddling with her fingers.

“That’s still because of me,” Bucky sighed.

“Come on, it’s not like you made me!” Her hoarse voice tried to reassure.

Bucky only ran his fingers through his messy hair again, not knowing what to say or do to make this one right.

“Bucky, please, I’m sick. All I want is for you to stay beside me and not blame yourself.” Her frown was back to her beautiful face and Bucky didn’t like it, “can you do that for me?”

He didn’t like how sick and scratchy her voice sounded either so he wasn’t about to make talk more with a throat like that.

“I’ve already proven I suck at taking care of you, doll,” Bucky chuckled sadly.

“Do you want forgiveness or not?” She joked.

“Okay, okay. I’m sorry. I’m right here.”

“Is it dangerous for you though? I don’t want you to get it too.”

“I can’t get sick, remember?” Bucky smiled, rubbing her back lightly, “I’m your nurse now.”

“Is that so?” She giggled.

“Yeah.” He nodded confidently.

“You’re definitely not dressed for it,” she teased, giving him her tongue.

“Oh, are you into that kinda thing, doll?” He raised an eyebrow, a playful smile she has never seen before on his pink lips.

“Bucky!” she squealed, hiding her face with the covers, making Bucky laugh.

The sound was heaven to her ears and despite being awfully sick, she couldn’t wish for a better outcome for Bucky’s visit.

“Shit, here it comes again,” she gulped before starting another fit of harsh coughing.

“Bad word,” he whispered to her, making her smile tiredly as she continued coughing.

“I don’t wanna go,” she whined as Bucky gently forced her arm inside her jacket.

“We have to. You need your shots to get better.” Bucky covered her head with the hood of her jacket to make sure she was warm before leading her outside.

“But shots hurt,” she whined more with teary eyes.

“I’ll be right there, remember?”

“That’s not gonna do anything!” She whined further.

“Hey!” Bucky pretended to be hurt as he helped her inside the car.

She sighed with a grateful smile, “fine, hugs or I don’t go.”

“Hugs it is.” Bucky smiled back, taking seat next to her before starting the car.

“No, no, no, please. I’m not ready, I don’t want it. Give me pills instead, give me pills,” she cried in Bucky’s chest as she saw the doctor get the shot ready.

“Doll, it’s okay, I promise. I got you,” Bucky said, feeling as helpless as ever.

He wished he could get the shots for her, but it wasn’t possible. He could feel something different about her. She looked like she was slipping into her little headspace and it made Bucky nervous, oh so nervous, that he might mess up and not be able to deal with her again.

She barely calmed down enough for Bucky to help her small hands lower her pants just enough for the doctor to have space to push the needle in.

She moaned in pain as she hid her face in Bucky’s chest, crying for real when she felt the strong medicine inside the needle spread inside her.

“It stings. It stings bad,” she sobbed, hands clutching Bucky’s shirt as he covered her behind again and made sure she was properly covered.

“I know, I’m sorry. I’m so sorry. We’re going home now, it’s over,” Bucky cooed, rubbing and patting her back with his big hand.

“It hurts, daddy,” she sniveled in his ear and Bucky froze.

Those innocent teary eyes looking up at him like that made him feel a lot of things. But most importantly, they made him feel like he could do this. He could take care of this sweet girl without messing up this time. Her love would show him how.

“I got you, doll. Daddy’s got you.”

part V

Tag List:

@ihavetwoholesforareason

@harrysthiccthighss

@tinystudentfirepurse

@lavendercitizen

@tumblin-theworldaway

@pretty-pop-princess-hs

@lilymurphy03

@idontwannagomrstarkk

@glxwingrxse

@littlelioncub43

@mathletemadison

@canned-rootbear

@pandaxnienke

@loveisallyouneed1125

@floral-recs

@littlemoonkiller

@hallecarey1

@vespasianphantom

@vicmc624

@winters1917

@ionlyeverwantedtobeyourequal

@blkmystery

@millercontracting

@trappedwriter

@am-3-thyst

@obsessedwithquinn

@sydnielauryn

@alittlerayof-pitchblack

@olipiaa

@peterparkersgirl-blog

@buckybarnessweetheart

@thealyrs

@colorfulbluebirdpainter

@stuckysgirl27

@princess-bee0

@pastel-noah168

@steeph-aniie

@buckitostan

@onthr-dream

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purple-the-turtle · 6 months

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TW// Major Character Death, Non- Graphic Descriptions of Blood and Death

Something is terribly wrong.

Donnie feels it in their very bones, as they struggle to open their sleep-riddled eyes. Since when did they get enough sleep for their eyes to be melded shut? Nice, They think, managing to blink themselves awake.

Only to double-take at the sight of their brothers lying on a railroad track not so far away.

They lurch forward, but is held firmly in place by some kind of magic. They glance around, spotting writing engraved on a stone in between the two tracks. A promise. They pale.

The sound of a trolley rings in the distance, uncomfortably close.

Donnie starts screaming, all ration replaced by pure fear and helplessness. “Raph! Mikey!” they screech, their voice breaking. They don’t know if they can be brave for them. But Mikey and Raph don’t move. Donnie squints, seeing Mikey’s slow breath– he’s asleep. They turn to Raph, who’s as stiff as a board. Awake. Thank god.

“Raph,” Donnie cries, pure relief filling their voice. “There’s a trolley coming. I need you to get Mikey and go, okay? I’ll be right behind you.” The lie comes surprisingly easy to them. Raph doesn’t move. Donnie grinds their teeth together.

“Raph.” They say, with all the firmness they can muster. “Get. Up.” The trolley rings again. Panic pools in their stomach. Their tail thwacks anxiously against the tracks. Someone sighs. Donnie’s head whips toward the sound, eyes wide.

A hand rests against the lever, one that would change the direction of the trolley. The being the hand belongs to has an infinite amount of faces, each of them flickering from one to another every second, each mouth pulled into an indecisive frown.

Pick Donnie, or their brothers.

Their brothers, who won’t leave. Who… can’t. Donnie wrenches their gaze away from the figure, their eyes throbbing. They try calling out to their brothers again, and Raph turns to them, his face… annoyed?

“Don’t worry, Don.” He grumbles, expression nonchalant, rolling his eyes like he does at Leo when she goes into Mamanardo mode. Donnie’s mouth is agape, words lost. Raph scoffs. “I wanna see what will happen. This is the ultimate test of my strengths!” Donnie inhales.

“By getting hit by a bus?!” They screech, their voice high with fear, anxiety, and slight anger. Raph turns away, his shoulder hiked up to his mask tails. This isn’t their brother. He’s bullheaded and proud, but he wouldn’t put Mikey in danger. He wouldn’t cause another heartbreak for their family on purpose. And Donnie. Donne panics, throwing themselves at the force shield as if they’ll be able to break it.

The trolley is practically upon them now.

Donnie sobs, begging Raph, screaming for Mikey so he’ll just wake up–

None of it works. Mikey snoozes away. Raph remains rigid. It reminds them, in a morbid and extremely inappropriate way considering the situation- reminds them of The Great Mouse Detective, when Sherlock Holmes as a Rat had lain there, waiting for Professor Rattigan's trap to go off. They laugh hysterically, the tears falling from their eyes in droves now.

The figure at the lever pales, chewing the inside of their cheek. Like their trying to pick what to have for dinner. Donnie snarls. “Don’t fucking touch that goddamn lever.” They hiss, tensed, and ready to lunge. The figure only looks at them with fondness, as if they were seeing a scared cat, who only needed to be cleaned and fed. Donnie bristles.

The trolley roars into view, chugging chipperly toward them. Donne pales, their hisses turning into pleas.

“Hit me,” They gasp, tears starting all anew. Their not even sure that they ever stopped. Suddenly, the figure’s face shutters, becoming solid and indifferent.

The trolley reaches the divide. The figure leaves the lever untouched.

The blood splatters at their feet.

They scream.

Donnie lies there, shaking with indescribable grief coursing through their veins, sloshing around in the newly formed pit in their chest for who knows how long.

Something brushes against their fingers. They lift their heavy head, blinking through the tears. It’s a pink flower, brushing innocently against Donnie’s fingers. They thumb the delicate petals with careful fingers.

The flower born of blood seems to wash away all the bad. When had Donnies ever felt this light? They smile, infatuated by the simple plant. The strange red liquid has no meaning now, as Donnie stands on surprisingly – why surprisingly?-- steady legs, stepping off the tracks, leaving the broken bodies of people they used to know behind.

Why were they ever crying?

Something’s happened.

Leo feels it in every fiber of her being, as she struggles against the rope she had found herself in. Her siblings were gone, and her instincts were pinging around her body like a chaotic game of ping pong.

She struggles for a bit longer, digging her teeth into her cheek before she starts hyperventilating. And then, without warning–

She feels something drop from her chest.

Mikey. Raph. Donnie. Gone. Stolen.

She pitches forward, sobbing, held fast by the rope wrapped around her, burning her skin. Her tears lap at the feet of faceless beings, the ones, she knows instinctually, who did this to her family. She’s burning now, her skin flaking off and twirling into dust. The rope turns into greedy unknown hands, grasping at her mask tails.

Blood oozes from their hands, staining her shell, and clogging up her mouth and nose.

She knows it’s not theirs.

She’ll make it, one day.

She hopes they never untie her, for their sake.

Hahaha! Oh my God! First things first, how was it? I know its certainly not my best work, I wrote this in an hour- but it's my first official wholly completed fanfiction! This is for @probably-not-a-rutabaga 's Trolley Problem Poll they had with their Tmnt Aberration Au! Go check them out, they make super cool stuff.

Anyway, I hope I did you justice! This was so fun to write :))

#purple writes #tw death #tw murder #tw blood #sooo #im so sorry if this looks so bad #im so tired #againg i wrote this in one hour so it probably looks like a hot mess #but...#WHATEVS/lh #tmnt aberration fanwrites

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gayandbifiremenofmine · 2 years

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my 9-1-1 fics

(be not immortal since it is flame, but) be infinite while it lasts [ E, 200]

There's just something so beautiful about Eddie riding Buck.

#purple writes #911 fox #buddie

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aweina · 5 months

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౨ৎ. MANSPREAD ( 17﹢) ; mike schmidt

tags fem reader. established relationship. dry humping / heavy petting. begging. no reader orgasm ( boo ! ! ). cocky to submissive mikey + 1.8k words.

mike cannot seem to keep his legs closed. literally. sitting next to him was a total hassle. his legs covering every perimeter of leg space he could reach — leaving your knees buckled together and tucked in whatever corner you’re forced into.

you’ve mentioned his bad habit before, in which he mumbles an indolent “sorry” and then the next day, continues to do the same thing he’s half heartedly apologized for. at this point, you’re not sure he was doing it to press your buttons or his permanent restlessness has caught up with his memory.

then playful slaps on the knee became another idea. a quick sting to his skin kept his reactions stunned, buckling his knees together from your sharp touches. each slap garnered a short cry and a sudden flinch like some invisible string tied his legs together.

it worked, but only for a few days.

now mike catches your wrist halfway from making contact on his knees, gently tugging you down in the corner of the linen couch with a delighted chuckle. either that or he tosses you a knowing glance when you come by the couch, a raised brow and his hands protecting the caps of his knees — glancing his soft hazel eyes towards the tiny empty space beside him.

what a total ass.

all your solutions to stop his leg spreading habit seemed to do nothing for mike. instead, it made him even more repulsive — the spatial width between his legs could nearly reach the arms of the couch, leaving your poor body folded to regain any left over space. then his arms spread along the plush pillows — his rough hand would ever so often teasingly tug at your ears or play with the loose strands of your hair, pulling the ends while playfully twirling it in his finger.

in the corner of your eye, you swore there was a smug smile etched onto his face.

yeah, he’s totally doing this on purpose.

you thought a bit harder after that day. re-enacting different scenarios in your head without it resulting in some unneeded argument — nearly burning abby’s lunch in the process. but like a flash of light, it suddenly hit you. if mike was going to rob you of personal space, why can’t you do so to him?

“um … are you okay?” abby glances up at your blank eyes in concern, the chicken that was supposed to be golden brown violently sizzled from the bubbling oil, grimly layered under a blanket of black charcoal.

“o – oh, yes i’m fine abs.” you assured the smaller schmidt, transferring the hot pan away from the scorching stove — your inner victory delayed by your own clumsiness.

to salvage her burnt meal, you both shared a box of fresh delivered pizza for lunch.

but now it was that time.

it’s nighttime, mike was comfortably splayed on the couch, mindlessly flipping through channels. as it always was, his legs covered every crevice of the couch — body propped completely in between the plush cushions. the gray baggy sweatpants he changed into clung to his frame well — heavily ruffled on the parts you would love to get an eyeful of. his shirt was slightly damp from a warm shower, the gentle curl patterns in his brown hair glistened under the colorful glow of the television.

mike catches your lingering gaze, a pleased smile on his face.

“you’re not going to sit down?” he slurred a quip, patting down on the other end of the couch — seized by his thick thighs.

he refrains from teasing you for your blatant staring, but instead, for your multiple failed attempts to get him to stop his obnoxious leg spreading.

“oh yeah i will.” you mocked his sluggish tone, going to get yourself a cold drink before you make your way over to the couch.

blocking his view from the blaring screen, you purposely bent down in slow motion — distracting him from his vacuous browsing to simply put your drink down. mike quirks a brow at your little act, but still makes no effort to scoot over, barely moving a muscle.

then your body began to engulf his vision, fluorescent light spilling in the sides of your shadow. confusion knitted into his brows until suddenly, the air in his lungs were punched out from an added weight. the heavy crash of your body made mike rasp a curse, making him pathetically adjust himself after being nearly sunken in the folds of the aged couch — one hand clawing at the cushions for some stability.

“r – really? on my lap?” mike managed to breath out, holding your waist steadily with his free hand — your body felt so good flushed against his.

the innocent attempt to adjust himself ended up with him grinding on your ass, eliciting a low groan from his lips.

gosh, he’s too loud.

you hurriedly fish out the remote from his weak grasp, changing the channel to something that could hopefully muffle the pathetic noises that spill from mike’s mouth. abby’s room was still nearby the living room, the lights off and the door completely shut.

“well … you never give me room on the couch, so i think this is fair.” you explained leisurely, tossing the remote to the side as you grappled onto his spread knees, lifting off some weight to rub slow, shallow circles over his clothed cock.

mike fought back a needy whimper, biting his lip until fleshy pink turned paper white. the cooling sensation of his damp hair did nothing from how much his body was burning up. both his hands cling desperately onto the handles of your waist — kneading and lightly grazing his nails in your soft skin.

a throbbing warmth brushed against your clothed clit, mercilessly constricted by the confines of his sweatpants. you fought back a whine yourself, desperately tugging at the gray fabric with sealed lips. every steady brush of your soft flesh made mike see stars, the urge to lift his hips and grind harder into the curve of ass sat heavy in his lust hazed mind. yet his obedience seemed to glimmer brighter than his deviant instincts.

“ha ha- harder – ngh – please go harder.”

he sounded so sweet, so needy. you couldn’t deny him when the pool of his sticky precum oozes through the gray fabric — gossamer strings that weaved your dripping arousal with his own.

“s – stay still then.” you whispered, now fully pressing your weight against his hard cock — your back against his panting chest.

mike does what you ask, gluing his hips down to the cushions.

his heartbeat was racing against time, pumping all the hot blood that rushed down to his cock. his warm breath fanned the back of your neck, sending electric waves down your spine. his touches were sweaty, latching and kneading anything that pertained to softness. the open mouthed kisses he planted on your bare neck blossomed into purple hues, the drag of his teeth and muted whimpers coercing you to absolutely destroy him.

your hips rocked faster on his cock, the throbbing imprint tucked between the curve of your ass. his grip felt extra tight on your hips, reddish crescent marks decorating your flushed skin. mike throws his head back on the couch, his usual deep groans replaced with airy sighs. he closes his eyes, the same stars dancing in his eyelids — your heady scent making it harder for him not to hold you down himself and hump his cock against your pussy.

he’s so close, he can feel it.

“might cum – ah fuck.” mike warns with a high-pitched whine, the blasting audio from the television really doing him a favor.

you can tell too. his cock hasn’t stopped throbbing ever since he’s accidentally grind against you. his seeping precum never seemed to stop, only staining against the seat of the couch. he was like a horny teenager, so desperate to get off and trying so hard to compose himself. not like the asshole who was taking up all the space on the couch.

this was a great plan after all.

with one hard press against his cock, a spill of scorching heat nestled into your clothed pussy — eating through his soiled fabric and coating your covered folds. with no restraint whatsoever, mike’s deep groan vibrated the dimly lit living room, mindlessly bucking his hips lazily over your cunt like he could possibly pump some cum along your walls. the stars that whirled under his lids dispersed into a warm, satisfied feeling all over his usual restless body.

the very last minute, your hands flailed over his panting mouth — looking over to the direction of abby’s room. he seems to realize how loud he was, eyes widening as he hastily grabs onto the discarded remote, amplifying the volume to a considerate tone. not too loud to wake her up but definitely loud enough to cover the after effects of your intense heavy petting.

the light in her room remains untouched, her delicate footsteps nonexistent. she’s still asleep, thank goodness.

still both hazy from your lustful highs, mike drops the remote and snuggles into the crook of your neck — taking in your addicting scent while admiring the love marks he gave you. his cock softened under the soiled fabric, the sticky feeling making him furrow his brows. but then he realizes one thing, the sudden flinch of his body made you alarmed.

“i – i’m sorry. you didn’t get to cum.” mike sheepishly apologizes, fiddling with the waistband of your soiled shorts.

you shook your head with a relieved sigh, leaning back to gently kiss his stubble jawline — combing your fingers through his soft curls, dried on the top but the ends damp with sweat.

“i’m fine, baby, but you can make it up with one thing.” you mumbled in the base of his ear, a playful smile on your face.

in the corner of his eye, he can see the curl of your lips — the sight earning an eye roll.

“i already know what you’re going to say, but let’s hear it.” mike’s voice was baritone next to your flushed face, completely contrasting his previous whines and whimpers.

“give me all the space on the couch for now on.” you laugh when mike groans, still pulling your body closer to his despite this new ordeal.

“okay fine.” he defeatedly mumbles into your shoulder, his rough hands tracing over your bruised hips to your neglected chest — reaching under to knead your soft skin for his own enjoyment.

the moments of comforting silence were therapeutic, not even the continuous dialogue and sound effects from the bulky screen could ruin its peace. there was something still ticking mike off, he didn’t want to ruin this sweet moment but he couldn’t help it.

“are you sure my lap isn’t good enough?” he pleaded, a glint of hope in his hazy eyes — the couch being his only source of possession where he could splay himself comfortably.

you scoffed, rolling your eyes in the back of your head.

“no.”

it was an attempt.

he huffs in defeat, now kneading at your chest for some comfort.

“okay.”

#.୨୧ ina writes #.purple mark #mike schmidt x reader #mike schmidt #fnaf movie x reader #mike schmidt smut #josh hutcherson

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poorly-drawn-mdzs · 3 months

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Lap Pillow

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #lan wangji #Confessions of a missed opportunity: I almost had LWJ in purple for this comic.#WWX gives him one of his layers to wear and it's never specified what colour it is.#We all love the red inner robe from CQL (And other illustrations) but sit with me for a moment. Think about LWJ in Jiang Purple.#Right now. Close your eyes and give it 5-10 seconds of rotation in your brain.#Welcome back. It's beautiful isn't it. As I write these notes I am upset that I backed out of going through with it.#I think I will simply have to draw it another time. If we get gusu lan white wwx we *need* yunmeng jiang purple lwj!#Anyways; this comic is the pinnacle of teen wangji's bursting-at-the-seams-emotionality that I love him for.#For my sanity I need that teen losing his mind and following bird rules (get fluffy - get blushy - keep beeping)#He is a loser nerd with a begrudging crush on a boy that he doesn't know how to be normal about.#LWJ seems like your typical 'cool guy love interest' until you realize that he's actually kind of soggy and pathetic.#My favourite lan wangji trait is that he's funny as all hell. I feel like wwx a bit because I had a character epiphany when I realized this

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bathroomtrapped · 6 months

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my sister told me to caption this 'two lovely men' without any context so heres two lovely christian saw men 👍🏻

#peters wearing a purple chasuble bc its like for lent and humility etc #hes just a shame riddled man jesus #same woth the violets #theyre suppoosed to be a flower that bows down #hence the chasuble #its like a tainted garden of eden type vibe? strahm is pretty much thinking #its the way hes romanticized his issues in this universe ig #it may or may not be for a fic i plan on writing where peter is rly suspicious of the new priest who replaced the last #hes convinced that mark is killing off the corrupt priests #peter strahm #mark hoffman #hoffstrahm #coffinshipping #saw v #saw #also peep the snake bite 😈#i think i got the catholic out of my system for now sorry for that LOL #saw movies #larry art tag

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reimeichan · 1 month

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Signs of having DID that I ignored (note that these are not exclusively signs of DID but they were for me):

I don't have amnesia, that's just short term memory loss because I have ADHD!

I actually have a very good memory, I'm great at memorizing things (what do you mean that's not the same thing)

sure it may seem like my mood changes drastically but I've read online that's common in people with ADHD! it's hard for us to regulate our emotions!

so what if I have different preferences from time to time? that's normal right? like when your mood changes you may prefer different foods? what do you mean that's not the same as going from "I hate spicy foods" one day to "omg I LOVE spicy foods!" the next?

yeah okay I tend to space out in the middle of conversations then come back to and need you to remind me what you said for the past 10 seconds or so. that's just my ADHD inattentiveness. what do you mean that I only do this when stressed. what do you mean that's a form of dissociation.

speaking of dissociation, sure sometimes I feel like I'm watching myself say and do things without my own input but that's just because I was tired/stressed out

yeah sometimes I go on autopilot. my autopilot seems to have its own agenda sometimes though. weird.

sure I changed usernames a *few* times but isn't that pretty common? yeah I also wanted to change how I presented online and also my pronouns and stuff but again isn't it common for people to want to start over sometimes?

*making multiple accounts to play the same game because I play the game differently on different accounts and don't want to mess things up on one account*

oh yes, I'm genderfluid! I say that because my gender absolutely changes from moment to moment and sure it seems kinda tied to other aspects of myself like color preferences and energy levels and personality traits but I'm pretty sure that's just par for the course with genderfluidity?

"you're so different when you're around your parents vs when you're at school/work vs when you're hanging out with friends!" yeah that's called being a complex person we all have different masks we wear in different social situations and I'm no different even if it seems more extreme for me

"how was school/work/the hang-out/going to visit your parents?" I don't know I'm tired and have a giant headache and can't remember

"you said this to me the other day and it made me feel <x>" what????? I literally have no memory of this and that's so incredibly out of character for me wtf I would never do that I was probably just really stressed out and tired and had no filter on.

#did #dissociative identity disorder #actually did #actuallydid #did osdd #osddid #cdd #there's like. so much more but I have therapy right now and honestly this is a pretty good list #by green #by gray #by purple #putting this here in case other people may see this and relate and not feel as alone in their own journeys #we're going through a denial spike rn so it was helpful for us to write some of this stuff down

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heartnosekid · 2 months

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the wisteria reading journal by thequirkycupcollective on ig

#stim #books #journals #stationery #sfw #purple #gold #white #pink #mirrors #writing #pens #bookmarks #flowers #plants #shiny #page flipping #page turning #hands #ishy gifs #postish

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hedgehog-moss · 7 months

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One mistake I made a lot when I started learning English was writing both the auxiliary and the main verb in past tense—as in, "Did the rain stopped?" My English teacher had to really drill this grammar point into my head, she was like "the point of 'did' here is to indicate past tense, there's no need for another time marker." Me, genuinely baffled: "Why not?" Teacher: "Think of the 'ed' in 'stopped' as having migrated to the beginning of the sentence and become 'did'. So it's no longer in 'stopped'." Well I was sad to see it go. I pointed out that in French you'd say "The rain (itself) has it stopped?" and 'the rain' feels welcome to stay even though the whole point of the pronoun 'it' should be to replace it in a quicker way. But it would be sad if the noun & its pronoun never got to hang out together so we keep both <3

My teacher had a British look on her face that made my middle-school self wonder if maybe she thought my language wasn't optimally designed, and then she said that in English it would feel clunky to give the same piece of grammatical information twice, and "if you use 'did' then the -ed in 'stopped' doesn't add anything." That just sounded offensive, I mean since when do letters need to add something to a sentence? isn't it enough that they adorn the end of words & frolic with the others in friendship. If it bothers you so much just don't pronounce them. Idk, "did the rain stopped" felt so right to me. In the end my teacher said that "The rain has it stopped?" with the redundant pronoun is the more formal French phrasing anyway, and I was like yeah true we'd rather say "is it that it (itself) has stopped to rain?" and I felt like this really proved my point and I think she felt the same way

#i did the same thing with adjectives... eg my purples socks are warm #i know i know purple doesn't need an -s because socks already has one so it doesn't add any information :(#look i already managed to steel myself and not write ''are warms'' as would feel right #and it's already sad enough to have no way to indicate that socks are girls. give me something #spanish is even worse than english in terms of grammatical emphasis in some ways. it will give you nothing #spanish is like oh my god you don't need a noun NOR pronoun don't act like you can't remember who we were talking about just 1 sentence ago #in spanish the noun and its pronoun get to hang out together on the astral plane they just don't have a lot of work to do

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spoiledmilks · 4 months

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GLITCHED OUT - chapter 2

to be continued

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theotherbuckley · 3 days

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Fav lines game

Tagged by: @smilingbuckley @wikiangela @hippolotamus @daffi-990 @dangerpronebuddie @tizniz @cal-daisies-and-briars @diazsdimples @bidisasterevankinard @honestlydarkprincess

I won’t tag anyone because I think everyone’s done it already but if you wanna play consider yourself tagged <3

rules: share your favourite lines or paragraph you've written from one of your fics, posted or wip.

Here’s 3 paragraphs from random points of running from myself (and the memories of you) because I forgot I wrote this and it’s good I think so here’s some parts I like :)

So he stands, in an apartment that’s just too lonely and never quite home, tears streaming from bloodshot eyes into a tongue burnt from coffee he didn’t even get to finish. He spots his reflection on the TV screen. The person staring back is not him. It’s the shell of a broken man whose demons he can no longer outrun.

He throws the remote at the TV.

He just wants to run away from it all. But he ran too far, pushed himself too hard, and now his leg isn’t happy with running anymore and he feels like he doesn’t deserve calling an Uber, so instead he walks home, and he lets his demons walk alongside him.

Eddie looks at him then, a fond expression on his face, he smiles and Buck feels so vulnerable against his gaze, but in the best way; in the way that he wants to bare his soul to Eddie, let him explore every inch of him because he knows in his heart that Eddie would love him in every way that he can.

#Buck running fic #tag games #911 abc #911 fandom #evan buck buckley #911 buddie #911 fic #purple writes #911 show

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purple-babygirl · 2 months

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don't call me daddy II

Pairing: Bucky Barnes x little!f!reader Word count: 3,160 Summary : In a world where littles are openly themselves, they volunteer to help and be helped by willing caregivers. In spite of himself, Bucky finds himself stuck with one and to keep the nagging away, he has to learn how to be around her with everything that that entails. Warnings: Bucky is mean, a couple of insults, mistreatment of age regressed reader, manipulation, crying, mentions of the s-word, mention of the r-word, Bucky's PTSD & nightmares. A/N: I'm sorry I breathe pain but I love you:"💜x(also if you have any suggestions for these two just let me know). please enjoy💜 ~ Before Mrs. Morrison arrived, Bucky had made sure to make her a proper breakfast for the first time since she's been at his house. She couldn't need for anything today. Showered: check Fed: check Properly dressed: check

“And then what?” he asked, closing the peanut butter jar. “Then we pour the warm milk,” she instructed with a soft smile, helping Bucky prepare her meal. “I thought you were supposed to make this with cold milk.” “That’s just what the box says, but we’re not gonna listen,” she whispered as if scared to hurt the cereal box’s feelings. Bucky chuckled despite himself and finally, unintentionally allowed her a glimpse of something other than a frown. “You’re pretty,” she told him with a dreamy smile, already blushing at the fact that she made him smile. “Hey!” Bucky glared again as if he's just been insulted. “Sorry,” she huffed, looking at her breakfast being stirred. “You better be.” Bucky didn’t know why he acted so defensive or why he wanted her to be sorry. It was like there was something inside of him repelling anything nice or sweet that could be thrown his way as if it was a contagious virus. “Eat your breakfast so we can fix that hair of yours. Can’t believe you managed to mess it up again,” Bucky told her, walking away from the kitchen. “Bucky not gonna eat?” She tilted her head in question. “Mind your own business,” Bucky threw rudely, still avoiding her attempts at caring for him. She huffed again as she watched him sit before the TV, pretending to be focused on anything but her presence in his apartment. She had to take matters into her own hands. Ever so slowly, she rounded the kitchen counter and slightly opened the same cabinet Bucky had opened to get her a bowl out of. Thankfully, she found one other bowl. Twisting her hand side-ways, she pulled it out of the small opening she made in the cabinet door in slow motion in order not to alarm Bucky. And while he drowned in his own thoughts, she started preparing him a similar corn flakes bowl so he could have breakfast too. On the other side of the room, Bucky’s mind was attacking him with thoughts. What was he going to do during those three months? He’d already had his face flushed and his heart beat going a million per second when he had to give her a shower yesterday. He couldn’t believe the first time he got to see a naked lady after 70 years, it had to be her. A lady who wasn’t really a lady. He felt dirty. Like he shouldn’t have been doing that. She sounded so young but looked old enough and it messed with his head. How many more times was he supposed to do this again during those three months? “Here, Bucky,” she cut off his thoughts, carefully bringing forth a bowl of corn flakes in warm milk with honey. “Why didn’t you eat?” Bucky rolled his eyes, thinking she probably wanted him to feed her now. It was probably her chance while he was doing everything she wanted so that she wouldn’t rat him out to Mrs. Morrison. “It’s for Bucky,” she explained, setting the bowl before him on the floor. “Who said I wanted to eat that goo?” Bucky glared at her for acting like she knew what he needed. “It’s delicious, I promise. Give it a try.” She held a half full spoon up to him. Bucky was still as a statue, looking at her with a frown. He was too angry to even blink. “I. Don’t. Need. Your. Help.” He seethed through his teeth. “I know. But I wanted to share.” Her shoulders slumped, as she put the spoon back in the bowl. Bucky felt a tiny bit remorseful. No one’s made him food since his mom and internally, he was kind of grateful. But of course, he wouldn’t let it show. “Fine, gimme that,” he snapped, taking the bowl off the floor and shoving a spoon in his mouth. It was actually good, homely and soft enough to chew but not too saggy. Something about the taste of corn and the honeyed milk made Bucky warm inside. As Bucky chewed on his food, she ran back to the kitchen counter, picking up her bowl too and coming back to sit next to Bucky on the floor. “Do you like it?” She asked before slipping her spoon in her mouth. “I don’t hate it.” He shrugged, refusing to give her the pleasure of being right.

If only he knew she never cared about being right. “I’m happy you like it.” She beamed. “I didn’t say that.” “Fine.” She pouted, swirling her spoon around without eating. Bucky felt weird, almost like he felt bad. After all, she’s warned him about the visit and practically saved his butt from Sam and most importantly, his therapist. “Why didn’t you put peanut butter in mine?” Bucky nudged her with a question, refusing to utter a clear apology for his harshness. “Bucky doesn’t like peanut butter on cornflakes,” she whispered, still facing down and moving her spoon around the bowl. “And how did you know that?” Bucky raised his eyebrows because really, how did she know that? Do they give her a file too? “You said “ugh” while adding peanut butter to my cornflakes,” she explained simply. Huh. So she was observant and kind of… smart. “Eat your food,” Bucky said, holding the tip of her spoon to stop her from twirling it. He thought he used a gentler tone but apparently that wasn’t the case because she still looked melancholy. He didn’t have patience for this, for fuck’s sake! Bad word, his mind replied. So she was inside of his head now too?! “Ugh, what’s wrong?” Bucky asked, not sure why he did. Because he didn’t care.

He didn’t. “Why do you hate me?” Her small voice asked, sounding sadder than he’d ever heard her sound before. Her question surprised him and he stopped chewing. Bucky frankly had no idea why or if he hated her. He’d told himself he hated her on her first night here, but that was just because she invaded his space and overwhelmed him by doing everything he wasn’t used to. But now that he had to think about it, did he actually hate her? The answer was no and Bucky knew it. “I don’t hate you,” Bucky murmured, setting his bowl down and picking up hers. “You just confuse me very much.” Bucky held her spoon up to her lips. She looked at him and the spoon with so much hope that Bucky felt absolutely shitty for pretending to be nicer to her for the sake of today’s visit.

On the other hand, she couldn’t believe Bucky was offering her the spoon, feeding her. But Bucky didn’t care. He just needed this to go well, and he wasn’t about to let her ruin it because she wanted to have a long face today. “Confuse Bucky? Why? Doll never lies,” she said, her tone sincere and eyes begging Bucky to believe and trust her. Yeah, Bucky felt terrible. He decided that if he kept answering her with the truth that might take some of the guilt he was feeling away. “It’s not about lies,” Bucky replied, nearing the spoon to her lips more so she could eat. She complied and took the spoon into her mouth, wanting to hear more. “It’s that this is all new to me. This kind of stuff never existed in the 40s.” Bucky shrugged, getting another spoon ready. She ate the cereal obediently, chewing quickly so she can ask a question. “But Bucky doesn’t hate me?” She looked at him like her life depended on his answer. “No, Bucky doesn’t hate you,” Bucky chuckled at how cute she looked talking with food in her mouth, but quickly controlled himself. “Bucky just needs time to get used to everything.” She realized out loud, making Bucky swallow apologetically. Has he just been understood for the first time in years by someone other than Steve? It was the truth. Bucky needed time to get used to this and her. The only lies were that his actions weren’t because he really cared and that he didn’t want to get used to this or her. He tried hard to ignore the feeling the mere action of feeding her gave him, too. Taking care of someone like that? It felt good for some odd, unknown reason. Bucky nodded in reply, continuing to feed her, “yeah, I need time.” “I promise I’ll give you time, Bucky. I won’t annoy you no more.” Her eyes were genuine as humanly possible when she cradled his metal hand as it held her bowl and Bucky felt a pang in his chest. How could anyone be so patient and pure, especially these days? He couldn’t believe she still had it in her to consider how he felt in spite of the way he’s treated her. She must know nothing about him or his past. A knock on the door pulled Bucky out of his head and he swallowed nervously, putting the bowl down and standing up to answer the door. She took her bowl and his and quickly moved to sit on the couch, knowing it would look better that way. She was going to do her best to make everything easier on and for Bucky from now on and for the rest of her time with him. ~ After Mrs. Morrison has greeted them both and privately talked to Bucky in the kitchen, she took Doll to the bedless bedroom, wanting to make sure she really was okay. “Listen, doll, don’t feel like you have to do this. If Bucky is unwelcoming, you can come with me right now,” she reassured the girl, never wanting her to go through an unpleasant experience. “I’m okay, Mrs. Morrison, I promise.” She smiled. “Are you sure? Because I know he’s not the nicest I’ve ever met,” Mrs. Morrison joked, making the younger girl laugh. Of course, she had no idea that with Bucky’s enhanced hearing, he could hear them. He really didn’t mean to eavesdrop, but he couldn’t help it. “I’m sure. Bucky is not evil, he’s just misunderstood,” she told her, her tone sure. Now that had Bucky intentionally eavesdropping. What did she just say about him? “Is he now?” Mrs. Morrison smiled. “Yes, I swear! Even by himself.” She defended. “And how is that?” the woman was genuinely interested in making sure her girl wasn’t being abused.

“Big me read about him in the library before. He’s not a bad man. He’s a hero, Mrs. Morrison, but he doesn’t know it. He doesn’t think he deserves nice things but he does. He deserves all the nice things!” Bucky was wordless at her speech. Was that how she really thought of him? “But is he good to you, doll?” Mrs. Morrison asked. This was supposed to be the question he worried most about being answered, but Bucky was still frozen, trying to recover from the way her previous words hit him. “Yes, he’s good to me. Even got me a new stuffie!” She told the older woman excitedly without even taking a second to think about her answer, completely omitting the fact that she practically begged him to get her that stuffed animal. “Oh, really? I didn’t see it!” Mrs. Morrison was starting to feel good about this, thinking that maybe she’d misjudged Bucky. “I keep it in my bag when I wake up because I don’t wanna lose it. It’s a white wolf, just like Bucky!” “Just like Bucky?” the woman frowned in confusion. “It’s the name Bucky was given in Wakanda,” she explained. Bucky felt warmth spread throughout his chest for the first time in decades. She knew all that? “You’ve really done your homework huh?” Mrs. Morrison teased, getting up from the floor with Doll. “Big me likes history and research… and cute guys,” she giggled with a shy shrug, making Bucky huff half a chuckle. “Alright then, I will leave you with this cute guy and I’ll come back next month, okay? But until then, I want you to promise to take care of yourself, doll.” “I will, Mrs. Morrison,” she promised politely, giving the woman a tight hug, “thank you for coming.” Bucky closed the door behind the older lady, relieved that the visit went well. He let out a breath he was holding and stood with his back to her, unsure about what he should do. “Bucky,” she called out. “What’s wrong now?” Bucky huffed as he turned around. He felt bad when he saw her soft smile reaching her eyes at the sight of him just looking at her, but he couldn’t let it get to him.

He did what he had to do to save his ass.

She said a lot of nice things about him, but that didn’t mean he was going to yield to this unwelcomed, unwanted situation that Sam’s gotten him in. He didn’t need this. He wasn’t the one to start all this. “Do you wanna draw together?” She played with her fingers nervously. “I don’t know how to do that. You draw, okay?” Bucky said, showing no interest as he started putting his shoes on. “Bucky leaving?” Her voice was chocked with held up tears. “Yes.” He grabbed his keys, trying his best not to look at her dejected face. “But—” “You didn’t seriously think I would magically start wanting to spend time with you, did you?” She involuntarily let out a tiny gasp, hurt at the fact that he just manipulated her for the one reason that is Mrs. Morrison’s visit. “You gonna start crying again?” He made fun of her as he pulled his gloves on, not in the mood for the public stares. “Bucky!” she whispered, tears dripping down her cheeks. “Don’t wait up if you wanna fall asleep.” With that, Bucky slammed the door behind him, locking it and leaving her alone. She just fell on the couch, sobbing as her fists grabbed at her own knees.

How stupid was she? He’s already told her he never wanted her. Why would he suddenly want to spend time with her? Just because he fed her a couple of spoons? Stupid. Maybe she should’ve acted exactly the way he’d expected her to from the beginning. Maybe Bucky was right, there was nothing she could do to help. She wasn’t here to fix anything. Her presence was just a thing Bucky had to put up with, nothing more. ~ As Bucky walked down the street, he wanted to bang his forehead on the nearest wall. Why didn’t he just tell her he was going to get them food like he actually was? Why did he have to be mean and rude? He didn’t want to get her hopes up, he knew that. But that certainly wasn’t the best way to let her know. He could’ve talked to her and she would’ve understood. She was smart and far from a ‘retard’ like he’d so unfairly called her before. But no, he couldn’t get too close. He wouldn’t let her involve him in whatever she was doing. Whatever. Bucky didn’t want to think about her or her feelings. Or about the way her eyebrows knot when she’s about to cry... Or the tremble of her lower lip before the very first tear falls out… Damn it, he fucked up. Bad word, she would say… Bucky chuckled, shaking his head in defeat as he walked towards the nearest grocery store he knew of. ~ I'm sorry. I’m. Sorry. I am sorry Bucky quietly practiced before his closed door as if it was the hardest thing he’s ever had to do. He needed to make this right. It really wasn’t her fault that they were making him do those things. She was nothing but sweet to him despite everything he’s done to and with her. When he was ready enough to open the door, however, her eyes weren’t on him like he’d expected and wanted them to be. In fact, they weren’t on anything because she was asleep. Bucky sighed as he dumbly waved the pizza box above her sleeping body. She didn’t have lunch because she was spending time with Mrs. Morrison and now she was asleep without dinner either because of him and his stupidity. “Hey,” Bucky called softly, well, softer than he’s ever talked to her. She didn’t answer, pretending to be fast asleep with her face buried in the corner of Bucky’s couch. He couldn’t see anything but her stuffed ducky looking back at him as if in blame. Oh. She was back to hugging her old stuffed animal. Not the white wolf Bucky’s gotten her. Bucky understood now that he’d messed up big time. She clearly didn’t angelically forgive him without an apology this time. He carelessly threw the unopened pizza on the kitchen counter, taking his jacket off and his place on the floor. He had no appetite now. He turned on the TV on silent and turned the lights off before letting out one long sigh.

She felt so bad because Bucky hasn’t eaten anything all day either, but she was too sad with him to do anything about it. Bucky didn’t want her to care for him, so she was going to finally listen to his wishes. When Bucky woke up from his nightmares that night, she had to continue pretending like it didn’t wake her up too. She squeezed her eyes shut and continued to bury her face in the cushion despite herself. No lullabies were sung and no water or tissues were offered. It was just Bucky lying alone on his floor again, sweaty, traumatized and regretful as one could be. She heard him moving around and apparently he was dressing because a minute later he left the apartment. When she peeked through the blinds, Bucky was jogging down the street. It was 4 am and she knew she couldn’t pretend to be asleep forever, but she’ll continue trying for now. ~ When Bucky came back from his 3-hour run, he had finally calmed down and he had a solid apology ready on the tip of his tongue this time. He was going to make this right and he was going to do it now. “Bucky.” He heard her panicked voice call his name and instantly fell into a protective mode he didn't know existed within his system. “I had an accident.” Bucky followed her tearful eyes down and when he looked at her bloodied PJ pants, Bucky was panicked too. He's seen a lot of blood, shed a lot of blood, but the sight of blood on her clothes freaked him out more than anything he has ever seen before. “What happened?!”

part III

Tag List:

@harrysthiccthighss

@tinystudentfirepurse @lavendercitizen @tumblin-theworldaway

@pretty-pop-princess-hs @lilymurphy03 @idontwannagomrstarkk @glxwingrxse @littlelioncub43 @mathletemadison @canned-rootbear @pandaxnienke @loveisallyouneed1125 @floral-recs @littlemoonkiller @hallecarey1 @vespasianphantom @vicmc624 @winters1917 @ionlyeverwantedtobeyourequal @blkmystery @millercontracting

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purple-the-turtle · 6 months

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TW// Mentions of Character Death, Non-Graphic Descriptions of Blood

Casey is having the worst day of his life.

Well, one of the worst days of his life. This belongs right on his top ten, right up there with the day Uncle Tello died and the way Master Leonardo and Michelangelo lost part of their smiles, and the day they died. Just below it, is the abstract feeling of losing his mom, and the worst and simultaneously the best birthday present he had ever gotten.

It just. Hurts.

Seeing Raphael, the looming, faintly familiar giant, so… small, in Casey’s memories. He was practically Casey’s dad as a kid. And Casey forgot about him.

But now, he won’t make the same mistake again. He’s bringing his family together, no matter what it takes.

He tumbles through more memories, blood spilling through the cracks, trying to ignore the carapace pieces that stab at his legs. It’ll all be worth it. If he did this for Uncle Tello, he can do it now. He has to.

Please, he thinks, as he sees a familiar picture book float by. Why is this taking so long? With Uncle Tello, it didn’t take this long. Not even going off two data points! A familiar voice echoes in the back of his mind. He smiles hysterically. Maybe this won't be so bad.

Then, he hears it—a creaking noise.

Casey rushes forward, trudging through the blood and- is that oil?- tripping over wires, before reaching the zenith of the tangled mass. Gasping for breath, his legs aching-

He sees Raphael.

And he runs.

I will say, this is a WIP! I just thought I'd show the first part. As a treat :)

for @somerandomdudelmao 's Cass Apocolapse Seires! Raph and Casey's part was my favorite and made me cry like a baby <33

#purple writes #cass apocalypse series #future raph #casey jones jr #uhh i will also mention this is un-betad #so if anything looks janky #thats why #tw blood #tw death

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milkweedman · 10 months

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learning to spin on a drop spindle: a beginner’s lengthy yet comprehensive guide

I put this monograph together for a friend, but many other people wanted to read it as well, so here it is !

Fig A: Parts of a Drop Spindle. (image source. notes are mine. Click for higher res !). Apologies in advance for the lack of image descriptions--for the most part I use images because I can’t figure out how to describe the thing in words, so describing the images is kinda the whole issue. If anyone wanted to write them for me I’d add them to the original post in a heartbeat !

How to Get Started Drafting and Spinning

So, you have your fiber and your spindle--now what ?

Friendly pre-tutorial reminder that radfems can fuck right off if they think I’m writing any of this for their benefit. I’m not. I hope they all choke on their spindles <3. This is a safe space for trans people first and foremost.

(Check out this post that goes into picking a spindle and your first fiber, if you don’t have one yet)

First, you might wish to practice drafting a little. Drafting is the process of drawing the fibers out from, for example, a strand of roving or a rolag, into a thinner, airy length. To draft, loosely hold your fiber in your dominant hand, and pinch the very tip of the fiber with your thumb and forefinger of your non dominant hand. Then gently pull. If you pull all the way, you should notice that your fiber detaches from the fiber source eventually. For yarn, we want very very long lengths, so we don’t want that to happen. To get a continuous length of drafted fiber, simply change where you’re pulling from as you go. For example, you can draft out 2 centimeters/1 inch of fiber, and then move your fingers 2 cm/1 in back toward your fiber supply, and draft again.

The thinner you draft (or pre-draft*), the thinner that fiber will spin up. Once we start spinning, you’ll see how adding twist immediately compacts the fiber quite a bit, so you need to draft much thicker than you actually want your yarn to be. When pre-drafting specifically, if in doubt--draft thicker. You can always draft it out a little more as you’re spinning.

Figuring out how to draft smoothly can be one of the harder parts of learning to spin, but even before knowing how to do it perfectly you can still create good yarn.

Check out The Joy of Handspinning website to see drafting in action, as well as several different types of drafting.

Also check out this video explaining pre-drafting roving. 1:00-2:30 is especially helpful. If it’s not clicking from this video, search youtube for “pre drafting fiber for spinning” and watch til you have a better understanding.

*pre-drafting just means drafting before spinning--so it’s the same type of thing as drafting while spinning, but without having to wrangle your spindle at the same time. I’d recommend pre-drafting at least a bit of your fiber until you feel comfortable doing it. Then you can spin with your pre-drafted fiber, and it’ll be easier than if you hadn’t pre-drafted.

Tips: If you have a bottom whorl spindle, you may also want to practice spinning the spindle before it has any fiber on it, just to get a feel for how it moves. You could do this with the bottom point in a bowl or on a flat surface like a book or table. Try rolling the top of the shaft between your thumb and index finger. Don’t worry about it toppling over frequently--your spindle will be suspended by the yarn that you’re spinning, so it won’t topple !

If you have a top whorl spindle, you might have a harder time getting it to spin without being suspended, because the center of gravity is so high. Instead, try tying a piece of thread or scrap yarn to the hook (if it has one) or below the whorl (look for figure B below) and secure it with a half hitch knot. Then try spinning it like that, and let it hang freely to unwind itself whenever it has too much twist before you try again.

You can also try spinning a bottom whorl suspended by scrap yarn or thread. The advantage of trying it while it’s suspended is it can allow you to watch twist being added and see what it does without messing with your handspun, as well as letting you get a feel for how it moves while suspended. If you have a bottom whorl, I’d give both a try !

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Now that you can draft, you’re gonna want to attach your fiber to your spindle. Some people use a leader to do this--it’s a pre-spun loop of yarn that you tie to your spindle. Then you loop some pre-drafted fiber through the loop of the leader, add twist til it holds, and off you go.

Another way to do it is without a leader. I’m much more familiar with this method, and I find it way easier, so I’ll go into more depth on this one:

1. Take the end of your pre-drafted fiber (you will need enough pre-drafted fiber to go from the underside of the whorl to the very top of the spindle, and then back again. If you’ve pre-drafted way more, don’t worry. We’re just working with this short amount for now, but it can stay attached). Make a slip knot at the end. You can roll the fiber between your fingers to add some twist if you’re having trouble making a slip knot with it. (Tip: if you’re having trouble getting the fibers to roll, wet them slightly with water or spit and it will be much easier)

2. Put the slip knot on the bottom point of your spindle, and slide it up so that it’s at the whorl.

3. Gently wind the pre-drafted fiber up the spindle shaft, until you are at the hook or top. Wind it over the hook (or do a half-hitch knot at the top--if there’s a groove near the top your half hitch should sit in there, otherwise it should sit as close to the top as possible while still being secure. You may drop it a few times while learning where the perfect spot is--such is life). Be careful with pre-drafted fiber--depending on staple length and fiber type, it can pull apart quite easily. The trick to keeping that from happening is to keep it a little slack and loose until you have added twist to it.

4. Pinch your pre-drafted fiber between your thumb and forefinger on your dominant hand, about 1 hand’s width from the top of your spindle. Turn the spindle in the direction you intend to spin your yarn (usually this will be clockwise, or to the right). Spin the spindle until you have the desired amount of twist. You should notice that all the fiber above the hook/half-hitch has twist, while the fiber below it has none. You need all of it to have twist, so let’s even it out--pop the half-hitch off with your thumb/unwind the yarn from the hook, unwind the yarn from the shaft so that the entire length you’ve worked with so far is stretched out. This will allow the twist to equalize. Now wind it all back up and put the half-hitch back/wind around the hook again. You may need to repeat this a couple times to get your starting fiber fully twisted (don’t worry though--you only need to do this at the very start. From here on you shouldn’t need to equalize twist like that until the next time you start from an empty spindle).

You’re done attaching the fiber--now you can spin !

Fig B: How your yarn should sit on a spindle, both top and bottom whorl

If that doesn’t make sense, here’s a video showing how to attach it with and without a leader. If that doesn’t help either, search youtube for “how to attach leader to drop spindle” and keep looking until you have a better understanding.

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So you know how to draft and your fiber is attached to your spindle--now it’s time to spin ! There are 3 different parts to spinning a singles on a drop spindle.

1. Adding twist. This can be done with just your hands, but the spindle makes it a whole lot faster. This is the purpose of a spindle--to add twist very quickly (and as a bonus, it’s a handy place to store the yarn as you spin it !). All you have to do is spin the spindle, and the only trick is to make sure you always spin in a consistent direction--don’t start a project spinning clockwise and end it spinning counterclockwise ! You’ll have an impossible time plying it then. There are a lot of different ways to spin a spindle--you’ll see a few watching the videos here, and more if you search out videos of drop spindling yourself. Whatever method is comfortable and practical for you is what you should do.

2. Drafting the fiber. You already know how to do this part !

3. Winding the yarn on. When your yarn is long enough that adding more length will make it hard to work with, you’ll want to wind it onto the spindle so that you can get back to spinning. To do this, pop the half hitch knot off the top/unwind from the hook, unwind along the shaft, and wind it near or at the base of the whorl, in the orientation seen in the very first picture. Always wind in the same direction that you’re spinning, to stop your yarn from flying off.

I would highly recommend starting with the method known as “park and draft” while you learn. In this method, you first add a ton of extra twist (usually as much as you can) and then put the spindle down and draft until that extra twist is used up. Then you wind on, and repeat. This isolates the actions of spinning so that you are only doing one at a time, which makes it a lot easier. Most people move on from this technique once they’ve figured it out, but you don’t have to--the drawback is that it’s typically slower, but hey, spinning is a slow craft anyway. There is no wrong way to spin, and everyone’s hands and bodies have different needs and work in different ways.

How to Park And Draft

First, use your dominant hand to pinch your pre-drafted fiber a few inches/6 cm above the top of the spindle.

Now just spin the spindle clockwise, until it won’t really spin any more. (Don’t try to get ~the most twist ever achieved~ or anything like that--your yarn can potentially snap from too much twist. Take your cue from the spindle--when it stops wanting to spin, you’ve got enough twist.) Don’t let the twist advance beyond where you’re pinching it off.

This is important--if the twist gets into your fiber, it becomes much harder to draft it. But don’t worry, you can undo this by pinching just above where the twist has entered your fiber, and with the other hand just below (pinching the actual yarn here). Now (with the hand that’s pinching the yarn) roll in the opposite direction that you’re spinning in. This will move the twist down into the rest of your yarn. Let go of where you’re pinching the fiber, slide your yarn-pinching hand to where it usually is as you’re spinning, and get back to it.

Your leader/yarn should be very kinked up and wiry. Now put the spindle between your thighs (or between your knees, under one knee, or under something heavy that won’t damage your spindle. Thighs are convenient, but if it’s uncomfortable, try putting the spindle somewhere else. It needs to be held firmly in place and not move around). This is the “park” part of “park and draft”.

Now, you want to be pinching the twist off at the same spot, but using your other hand instead. I usually pinch right above where I’m already pinching and let go with the lower hand.

First we’re going to just bring the twist up the pre-drafted fiber by sliding your pinching hand up the fiber, slowly and gently. You should see the twist follow behind your hand as it enters the fiber. If you have lots of pre-drafted fiber, you might wind on, add more twist, wind on again, etc. You could also draft out your pre-drafted fiber (this is what the majority of more experienced spinners who pre-draft do) while you go.

The “draft” part of “park and draft” is just like pre-drafting, but one end is attached to a spindle. This gives you something to lightly pull against, if you want. Draft slowly and with purpose.

At a certain point, you will run out of excess twist. At this point, wind on. If you’ve only done a short length, you can also add more twist, park it again, and go back to drafting.

If you’ve run out of armspan but still have lots of excess twist, unpark your spindle (let it hang free) and allow it to untwist a little, monitoring it closely. If this happens often, try to put less energy into twisting your spindle, or allow it to twist for less time.

The amount of twist that your yarn has matters a lot--it will impact your finished yarn hugely. A yarn without enough twist will be very limp and might even fall apart as you handle it. A yarn with too much twist will be wiry and inelastic. You want to find a middle ground where it’s got just the right amount for what you intend to use it for--a hard, inelastic wool yarn can make a good bag, but not a very good hat.

To see how much twist you’ve added to your singles as you spin, try a plyback test ! This is really quick to do on spindles--just relax the distance between your fiber supply and the top of the spindle. When the yarn is no longer taut, the live twist will cause it to twist back on itself. With too little twist, you may just get a few sad loops (or no loops, if it’s super undertwisted). With too much twist, you may get tons of tight little curls of yarn. With a good amount of twist, you should have a few good curls (just one if it’s a short length of yarn, or several if it’s your armspan) that aren’t too tight. Those curls are what your yarn will look like once 2 plied, so it’s a great litmus test for whether you’re adding the correct amount of twist or not.

Fig C: What different amounts of twist looks like in your singles.

To fix too little twist, just spin the spindle a little extra until it looks right. To fix too much twist, either draft more fiber or else let the spindle untwist a little.

You can and should do this before winding each new length on, at least while you’re still learning the motions.

Check out this video of how to spin with the park and draft method ! 0:00-4:45 is intro and attaching the leader. 4:46-9:00 is the method itself (note to friend: don’t watch past 9 mins). If this video doesn’t work for you, search “drop spindle park and draft” on youtube.

A few interim tips

1. It’s critical to hold your fiber supply loosely. If you find that you have put a lot of force into drafting, then you are either holding your fiber way too tight or your hands are too close together (or potentially both). Drafting should not require force. If it is requiring force, adjust your grip and your hand placement continually until it gets better, and refine from there.

2. Try to put some tension on the yarn as you wind it on. This will make it sit a little neater and flatter, so that you have a more stable cone of yarn and can fit more on it.

3. If you draft out your fiber so much that it runs thin and just sort of disintegrates, just pull off the most wispy parts from your yarn and the fiber supply, then hold the two together again, making sure to overlap by several inches/6-10cm. Gently draft out a little and add twist before putting that join under the weight of your spindle, or it will fail again. You can join from one fiber source to the next one (necessary with rolags, hand combed top, and strips off of batts) in a similar way; make sure to leave a little unspun fiber for a good join, and overlap the end of the first fiber source with the beginning of the second by about an inch/2.5 cm.

4. If your yarn snaps (rather than your fiber running thin as you draft), it’s because it was A) twisted way too much B) spun too fine for the drop spindle you’re using C) both A and B or D) your spindle has become heavy enough that it can no longer spin as fine as you were spinning.

For A, B, and C: remove as much twist as you can from either end of the snapped yarn, then put both ends in your upturned palm, overlapping them over the whole width of your palm. Add enough either water or spit to get them good and wet (not dripping, but they do need to be wet). Now place your other palm down on top, and rub vigorously for about 30 seconds until the ends have joined together. If necessary, you can also just tie the ends in a knot, although it’s not invisible and you can usually feel it in the finished yarn.

For D: is your whorl removable ? If so, remove the whorl and continue spinning. If not (and for the vast majority of beginner’s drop spindles it won’t be), your spindle is full ! Even if there’s still room, it’s too heavy to continue spinning on for that project. You could keep going spinning a thicker yarn, but that means your yarn will randomly get thicker somewhere near the end, which works for very few projects. If this happens to you when there’s still tons and tons of room on your spindle, that means in general you ought to spin thicker yarn on that particular spindle if you want to fill it up all the way.

Okay, I spun yarn, now what ?

So at the moment, you have what we call a singles (some people just say “single”). That can be used as is, or it can be plied--that is, held together with more strands of singles and twisted in the opposite direction. But either way, you need to get it off your spindle !

If you’re going to leave it as a singles, then you’ll be winding it into a skein (we’ll get into that later). If you want to ply it though, you’ve got a lot of options. (I’ll get to how to actually ply later, this is just discussing those options.)

Many Methods of Plying

Plying Straight Off The Spindles

First, if you’ve got multiple spindles capable of spinning the same weight of yarn, you could just set your full spindle aside and spin another one. You’d need at least 3 spindles (the third, ideally, a bigger plying spindle) to get a 2 ply yarn, and 4 spindles to get a 3 ply with this sort of setup. This is what I do with supported spindles, since I have many, and I can attest that it saves a lot of winding time and is terribly convenient.

But it’s also probably not doable for many people, and it’s ridiculous to buy 3 drop spindles when you’re just getting into it !

Wind And Store

Second, you can wind your singles onto something for storage, and then use your now-empty spindle to spin another singles. Two great things to store yarn on are small rocks and empty toilet paper (loo) rolls.

Winding it around a small rock is better than just winding it into a ball for plying, since the rock will weight it and stop it from flying up in the air once you start plying. A big pebble works great. With this setup, you’d want to put all your balls of singles in a bowl or container of some kind, hold the ends of each, attach it to your spindle, and let them roll around as you ply.

They can tangle (mine usually don’t, but it can happen), so the toilet paper rolls might be an upgrade--these can be put on a stick, and the stick can be put on something (or you can poke two holes in a cardboard box, put the stick through one hole, load the rolls onto it, then put it through the other hole as well) to keep it stationary so that the rolls... well, roll. This requires some storage space (usually if you do this often, you don’t wanna make a new one every time, so keeping it is preferable) and is honestly not a huge upgrade... unless you have a ball winder that can wind the yarn onto the TP rolls for you, in which case this is a big time saver. If you don’t have one and don’t have issues with tangling, the rocks will probably work just as well and take up a lot less space.

Fig D: Diagram of a Simple Ply Box

Ply Bracelet

Thirdly, if you want a 2 ply yarn specifically, you could wind it onto your hand and make something called an Andean Plying Bracelet. Here’s a link to a page that goes into it in detail. I highly, highly recommend learning how to do these. They look a little complex, and I couldn’t tell you the motions if my life depended on it, but I can do them with my eyes closed while not paying a whit of attention. They rely entirely on muscle memory, so once you learn them, they’re easy as pie.

The whole point of a plying bracelet is to get 2 strands of yarn out of 1 singles. You could of course wind a singles into a ball, then wind half of it onto another ball, and then ply from there. But a plying bracelet is a lot faster, and will always match up exactly.

One downside of a plying bracelet is that, as the name implies, it goes on your wrist. So if you keep needing to put your spindle down to take care of other things, you’ll need to pull off the plying bracelet as well (or carry the whole thing with you). They can be stored on a cylindrical object that’s smaller than your wrist, or sometimes also draped on hooks or put on the spindle shaft itself. I don’t usually encounter problems when pulling on or off my plying bracelets--it doesn’t seem to tangle them--but if you’re plying while cooking or watching a child or something else that might require you to stop immediately and hurry over to whatever needs tending, then you might want to save the ply bracelet for another day.

Chain Plying

Fourth, you could wind your singles into one ball, and then chain ply it. Chain plying is a way to turn one singles into a 3 plied yarn. It also preserves stripes in your singles (we’ll talk about this in more detail later), so it can be perfect for a very colorful singles.

Chain plying is simple. Do you know how to tie a slip knot ? Of course, because you needed one to start spinning ! (Although here’s the link to how to tie a slip knot again, if you need it.) So that means you basically know how to chain ply as well.

Step one: tie a slip knot at the end of your singles (you want a very short tail, since that’s basically waste). Make the resulting loop nice and big, and lay it over your singles. Pull the singles through the loop--now you have a new loop ! Make it nice and big as well. Lay it over your singles. Pull the singles through. Repeat until you’re at the end of your singles (try to have your last loop be a very small one). To finish, place the end through the loop, and then just pull on it until it tightens the loop. Note that you typically are adding ply twist and winding on as you do this, but you can also just chain ply an entire single and wind it into a ball as you go, then add twist once you’re done. That can be a lot easier to wrangle, if you’re having difficulties.

You might notice that this is basically a really open crochet chain. Yep ! It needs to be open so that the twist can enter the yarn, but you can do very big or somewhat smaller loops--although no matter what, you need to keep the loops large enough to at least hook a couple fingers through them so that you can make the next loop. Note that sometimes, the bump at the start of each loop can be felt and/or seen. Also note that chain plying is best done with smooth singles that can slide against each other. It can be done with a bumpy, lumpy yarn that sticks to itself, but bumps and lumps will catch as you try to chain, and if the yarn sticks to itself then it won’t slide nicely, which can really slow you down.

You may find that you prefer holding the ball of singles as you chain, or you may want it in a container on your lap/on the floor. You could also make a little wrist pouch to hold it, although take friction into account--if you make it out of wool yarn, choose a smooth one.

Ply Ball

Fifth is a sort of hybrid of a few of the others I’ve already mentioned, called a ply ball. To make a ply ball, simply wind two or more singles together into a ball (I’d suggest winding them around a small rock for a ply ball, too). The number of singles you wind in your ply ball will be the number of plies your yarn will have. A chain plied single wound into a ball is also functionally a ply ball.

Ply balls are extremely portable--you only ever need to work with one at a time, so you can just keep it in your pocket without worry of tangling, and it’s not attached to you or a box or another spindle. The downside is that it generally requires you to either have multiple spindles (ex: fill up two spindles, wind both off into one ply ball) or do extra winding (ex: fill up your spindle, wind it off to a rock for storage, fill up your spindle again, now wind from the spindle and the rock to get your ply ball. Add more winding for more plies).

However, you can also wind a ply ball from plying bracelet (yes, that’s more winding--but now it’s portable, and you’ve just turned one singles into a 2 strand ply ball) or even chain a singles, but wind it into a ply ball instead of plying it then and there to get a 3 strand ply ball (this also might let you play around with really long or really short chains without having to think about ergonomics as much, since your spindle isn’t involved).

Ply balls can also be helpful if you’re having issues wrangling your singles while you try to ply, since they’re laid together already--so they’re worth an attempt if you are having trouble keeping your yarn in line while plying.

There’s a short (but full of tips) article on ply balls here.

There’s even more ways to ply--look into "plying from a center pull ball” (similar to a plying bracelet, but requires a ball winder or a nostepinne) and “ply on the fly” (chain plying at the same time as spinning the singles--highly portable instant gratification). There may also be others that I’ve forgotten or not heard of, hopefully mentioned by others in the notes !

So Many Ways to Ply--How to Choose ?

So, every plying method and every number of plies has its own effects on the finished yarn, and you can use those effects to get the yarn you’re after.

By the way, if you’re not familiar with yarn weights such as lace weight and worsted weight, you should read this first !

A singles is great for your soft, fluffy, luxury stuff--cowls, hats, mittens that won't get a lot of wear, or shawls. It also preserves the colors that you spun exactly--so if you spun a beautiful perfect rainbow singles and the most important thing to you is that it stays a rainbow, you could leave it as a singles ! You can knit, crochet, weave, and nalbind with them like normal (I actually really prefer them for nalbinding--they felt easier so the joining is quicker), although because they haven’t been plied, they’re a lot weaker to abrasion and snapping. So they’re not ideal for things that need to be durable, and if you’re spinning short and/or fine fibers, you may find that even with some care they still don’t last very long, so keep in mind that stuff made from singles probably won’t be passed down or anything like that. But still, I’ve knit several small pouches from singles that have held up just fine being tossed around my room. One advantage to note is that you have the most yardage and the least spinning time this way, so it’s a very ‘time cheap’ yarn--you spin 100 yards/90 meters of singles, and you get 100 yards/90 meters of yarn. No time spent plying. However, it is as thin or thick as you spun it, and however consistent or inconsistent your spinning is, that’s your end result ! A lot of spinners (me) balk at this.

2 ply is next. I use 2 ply for almost everything besides socks--it’s quick, it’s fairly durable, and it looks very pretty (and an error correction: is ideal for lace). A 2 ply halves the amount of yarn you end up with--if you spin 100 yards/90 meters and 2 ply it, you’ll end up with 50 yards/45 meters. It also has a distinct ‘handspun’ look--2 ply knits up to a messier fabric. I really love that effect, but if you want a neat, uniform fabric, don’t do a 2 ply ! I’m not sure how it affects crochet or weaving, unfortunately, but do I suspect it’s similar with crochet. It also bulks up your yarn--it’ll be a little bit less than double the thickness of your singles, usually. 2 ply holds up alright to gentle/moderate daily wear, and is great for hats, gloves that don’t need to be hard wearing, scarves, and bags that won’t need to bear a huge amount of weight. It’s a workhorse yarn--you can use it for almost anything, and it’ll probably be okay. The only thing I would never use it for is socks--that’s a 3 or 4 ply project.

Let’s talk 3 ply ! 3 ply can be achieved either through chain plying or else as a traditional 3 ply--meaning 3 separate singles all plied together. You’ll get very different effects from these two methods in terms of both color and even-ness. If your singles had any stripes of color, with chain ply they will remain as stripes (this could be an alternative to your rainbow singles !). With a traditional 3 ply, your stripes will all blur together, and you’ll get a varied and multicolored yarn. You will get 1/3 of the yardage/meterage of your original singles, so a 3 ply yarn takes longer to make than a singles or a 2 ply. But it is also about 3 times thicker than your singles, so if you’re struggling to spin thick singles but want a thick yarn, 3 ply is a great option.

If your singles are very even, you’ll see no real different between chain ply and traditional 3 ply (except for the bumps at the start of each loop--they are usually visible as well). However, if your singles are kind of all over the place, chain plying magnifies this. On the other hand, a traditional 3 ply really evens out any inconsistencies. Even though I’ve got a few years under my belt, I am not a very consistent spinner, simply because I can neither visualize nor remember the weight I ought to be spinning, so it’s always a total guess (damn aphantasia). Beginners are also often inconsistent spinners, just due to lack of muscle memory. Either way, a traditional 3 ply can be really helpful in creating a fairly smooth, even yarn from really wild, inconsistent singles.

Fig E: comparisons of chain ply and traditional 3 ply, in terms of consistency

Lastly, 4 ply. 4 ply will turn your heavy laceweight singles into a light worsted, if it puffs up in blocking enough. I love 4 ply for my supported spindles mostly, since those spin very fine yarn and I don’t have a use for anything finer than sock weight yarn. It’s also very durable, and a laid 4 ply (like a traditional 3 ply--just 4 strands held together) make good socks. A cabled 4 ply (take two 2 ply yarns and ply them again) makes terrible socks, but is still very durable and has an interesting rope like appearance and texture. 4 ply in general is great for socks, bags, blankets, and especially sweaters, as it doesn’t pill much and will stand up to heavy wear. However, you have to spin 4 times the singles to get your finished yarn--a 100 yard/90 meter 4 ply skein requires 400 yards/360 meters of singles, and then more time for plying. So these are rather slow. They’re an awesome option for a fiber that refuses to spin up to anything other than the finest lace, and they will make great objects and garments that will last for a good long while.

Past 4 ply, you kind of just get rope. I haven’t ventured past 4 ply much--give it a shot if you’re curious !

The Why of Ply is a great article on the different aspects of different plies, and touches on some stuff I don’t mention (like stitch definition and cables) if you want to know more ! Highly recommend it.

How to Ply

So... you know at least a few methods of plying now, know how many plies you want your finished yarn to have, and you may have even already wound a ply ball or filled all of your spindles. Which means it’s finally time to ply everything.

To start, you need to attach all your plies to your spindle. For the methods that I’ve discussed (with the exception of chain plying), you’re going to do the following: gather the ends of your plies together, and make one slipknot with all of them. Then put the slipknot on your spindle below the whorl, the same way you would when spinning singles (and when not using a leader).

For chain plying: chain your singles until you’ve got about a foot or a third of a meter. Now you want to attach it to your spindle. Take the very first slip knot loop and slip it onto the spindle, below the whorl.

Now, secure your yarn by wrapping it around the hook or else with a half hitch knot, and spin the spindle counterclockwise (anticlockwise). You should immediately see the plies twisting together to form plied yarn.

From here, you will proceed basically the same way as you did when spinning singles--you’ll add twist to your plies, then wind on. This can be a really great opportunity to practice doing things while the spindle is in motion; you won’t be drafting, but depending on the type of plying you’re doing, you may be chaining, pulling from a ply bracelet, or simply letting the plies slide through your fingers (you do want to tension them and keep the twist from getting past your hand). If that requires too much coordination, feel free to park and ply--that is, spin the spindle to add excess twist, park it and let it into your yarn, then wind on.

If you try to ply your yarn the same direction that you spun it, you’ll notice that it doesn’t really turn into a cohesive yarn, and instead becomes wiry and the plies don’t slot neatly together. If you notice this happening, turn your spindle in the other direction. A yarn that is both spun and plied in the same direction won’t be stable or strong, and will tangle the second you try to work with it.

This is why it’s helpful to be consistent in which direction you choose to spin your singles, by the way--if you always spin wool clockwise, then you can know with certainty that it will be plied counterclockwise.

We refer to yarn as having either Z twist or S twist (this refers to whatever the finished twist is, so a singles that you’re never going to ply, or a 3 ply yarn, for example). This just makes it a little easier to talk about and recognize what we’re doing.

Fig F: S and Z Twist in plied and singles yarn

It’s essentially a mnemonic device that allows you to glance at your yarn and go “Oh! I spun these three singles counterclockwise, so I should ply them all together clockwise.” I often have to draw an S or Z in the air (just like I sometimes have to draw an L in the air to pretend I can reliably tell left from right), but it is pretty foolproof and will prevent you from, for example, trying to ply an S twist singles with a Z twist singles and then wondering what on earth went wrong.

By the way, this page has a really helpful chart on what direction you might want to spin in based on what you intend to do with the finished yarn. For example, crocheting (right handed style) with S twisted yarn will remove the twist as you work, but knitting in continental or English style (or crocheting left handed style) with that same yarn will add twist. Most spinners spin their singles to have Z twist and ply them with S twist--but if you’re a crocheter or knit Eastern style this will unply your yarn as you work, and you are encouraged to try reversing things to have better results with your handspun projects. The more you know !

Now, back to your plying. You may be wondering how you’re supposed to know how much ply twist to add, which is a great question, because plyback tests don’t work when you’re actually plying. Those are for when you’re spinning your singles. Instead, I do what I call a “hanging test”. Just hold out a length of plied yarn between your hands and let it hang (not pulling it taut--the yarn should have a nice downturned curve). A balanced yarn--that is, a yarn that has equal and correct amounts of spin and ply twist--will just hang nicely. An underplied (or underspun) yarn will usually also hang nicely, but you will see gaps inbetween the plies. This is no good at all. Gaps won’t just make your yarn look bad, they'll also make it split when you work with it, and will be less durable and more prone to pilling, felting, and eventual disintegration after much use.

On the other end of the spectrum, an overplied yarn (which may have both too much spin and ply twist, or may be underspun and then overplied in an attempt to fix ones mistake--which won’t work, by the way. You need to go back and add more spin twist to your singles) will twist in the middle instead of hanging. If it only twists a tiny bit, you’re fine. But if it twists a lot, there’s problems. Overtwisted 2 ply yarns tend to be aggressively smooth--this is only relevant for 2 ply, since those have a sort of pearled silhouette. If your 2 ply is smooth, then you’ve most certainly overplied it. 3 and 4 ply are always smooth, however, so a smooth profile for one of those is to be expected.

Fig G: Ply twist in 2 ply yarns. Do these yarns have S or Z twist ?

Don’t worry if your first yarns aren’t perfectly spun or plied (really--they won’t be). Every spinner is striving for something different with their yarn. Some are aiming for total technical perfection, some aim for exquisite fineness, some aim for beautiful colorways and for finding the softest and most lovely breed of sheep. Some just want to spin, some just want usable yarn, some just want a pair of socks that last on their feet and find commercial sock yarn to be about as durable as wet paper (that would be me). You certainly don’t have to know what you want to get out of spinning right away, but the point is that every single spinner has their own standards that they hold themself to, and you don’t need to (and shouldn’t !) try to meet others standards. Especially when still learning, but also just all the time and forever.

I’ve Plied My Yarn, Now What ? OR I Just Want Singles, Now What ?

Now your yarn needs to come off the spindle ! But not the way we’ve been taking singles to ply off the spindle--we need to make what’s called a hank. A hank is basically a loop of yarn that’s been tied so that it’s nice and secure. These loops can be pretty big (mine are all 2 yards/1.8 meters) or as small as the distance around your hand--it all comes down to what you wind your yarn onto.

I have already made a tutorial that goes into quite a bit of depth (and has pictures, even), so I’m gonna speed through this part a little bit.

1. Find something to wind your yarn around. A Niddy noddy is the preferred tool for the job here, and will make it much faster to wind and thoughtlessly simple to calculate the yardage/meterage of your yarn (I’ve seen people use yarn swifts as well, and they certainly look very speedy), but they are by no means required. Substitutes include: a large hardcover book, the back of one or two chairs, your hand (ideal for very small amounts of yarn), your forearm (for smallish amounts of yarn--wrap between the thumb and forefinger and go down to the elbow, then back up), or anything else that won’t deform with pressure and is holding relatively still.

2. Wind your yarn around that thing. You may need to start with a slipknot to attach it to whatever it is you’re winding on, or else a piece of tape. If you’re using your forearm or hand, you can simply pinch the end to hold it in place. Unlike when winding your yarn onto your spindle, when winding your yarn into a hank, you want to use as little tension as possible so that you can get a more accurate measurement of length later on. Also try to keep your winding tidy--in an ideal world, the yarn should be traveling almost the same path every time, not a few inches to the left one time, then wildly skewed to the right the next time.

3. Tie off your hank. Once you’ve finished winding, you need to secure your hank so that it doesn’t tangle. You can use either scrap yarn or else the ends of the yarn you just made (I prefer the latter, since the ends tend not to be very good anyway, so at least they don’t go to waste. In this case, snap off or cut both ends--the length you should cut depends on how thick your hank is). Find where both ends are--you will need to tie knots near the ends so that you can attach the ends to them. Tie an overhand knot a few inches/5cm below the first end, and then hold that end alongside one of your strands of knot-tying yarn, and tie another overhand knot. Repeat this with the other end. Make sure you haven’t overlooked any strands of yarn and left them out of the tie--that’s a very easy way to get tangles.

4. Remove your hank. Gently push your hank off of whatever you wound it on. Put it to the side--now we want to measure. Use soft measuring tape (or a piece of inelastic string or yarn, if you don’t have one--you will then need to measure that against a rigid measuring tape) to span the entire path that your yarn traveled. Write down that number, and now count the number of strands in your hank. Multiply the two numbers together. Now convert your inches or centimeters into yards or meters, and you have your yardage or meterage !

Ex: You wrapped your yarn around your palm, which measures 10 inches. There are 41 strands. 10x41=410. 410 inches is roughly 11 yards. Or: You wrapped your yarn around a small book, which measured 21 cm. There are 50 strands. 21x50=1050. 1050 cm is of course 10.5 meters.

Fig H: Winding a hank on a hardcover book.

It can be very helpful to label your handspun yarn. The yardage/meterage is critical information when it comes to using patterns, less so if you don’t use patterns. But there’s other info that you might still find handy to know later on, such as what the fiber is, where and when you got it, when you spun it, how you plied it, any info on the dye job, what the yarn weight is, what spindle you spun it on, whether it is part of a set, how much it weighs, etc.

Some of my really verbose labels might look like this: Avocado dye and copper mordant hand dyed in the fleece 2020 Cormo Bought 2019 Spun for 2020 TDF 2 plied on wheel 210 yards 3.4 oz light worsted weight

But most of my labels just have the yardage and breed, if I label them at all. I tend to document things online and also remember spinning my yarn better than I remember anything else going on in my life, so I’m a little lazy about labeling. Your labels should include the information that you think you’ll find helpful in the future, or that you know you won’t have another way to recover if you end up forgetting.

Blocking your yarn

Don’t attach that label just yet--we aren’t totally done with our yarn. It has one or two more steps before it’s ready to be used, and that first step is called blocking. There’s a few ways to block yarn--wet blocking, steam blocking, and resting.

Wet blocking: Get your hank of yarn wet, using anything other than very hot water (this could start felting your yarn). You could run it under the tap for a minute or else let it sit in a bowl of water with a little hair conditioner for about half an hour, if you wanted your yarn to be a little softer, then rinse the yarn. Squeeze as much water out as you can, then hang it to dry. You can (and should) also snap or thwack it--but I've gone into detail on that in a link below.

Steam blocking: Get a source of steam going--like a pot of water simmering or a very hot tap running. Using tongs or a long wooden spoon, hold your yarn over the steam and slowly rotate it until the whole skein has been steamed. Don’t let the yarn touch the water.

Resting: If neither option above is possible, you can also just let your yarn sit for at least a week. This lets the twist settle down, so it’ll be a lot easier to work with. However, it doesn’t do anything else that blocking does, so it won’t really show you your “finished” yarn, and may lead to problems down the road.

So--why did we just do that stuff ? Well, we blocked our yarn to reset the fibers, basically. During the spinning, we put the fibers under tension, and they more or less stay in that slightly stretched state. But it’s not really stable--the next time they get wet, they’ll spring back into the natural crimp that the wool wants to have (this changes drastically depending on breed and even individual sheep), and will often puff up. The hank might lose a little length and your yarn’s weight (not as in ounces or grams, but as in lace, dk, or bulky weight) often increases some. So if you’ve made your yarn into something before blocking it, with the perfect gauge and nice drape, the first time you wash it you’ll find that it’s thicker and a little smaller and has less drape. It might not fit anymore, or the seams might be messed up.

This is all entirely avoidable if you just block it before you do anything with it, so I highly recommend that you do.

The other thing that blocking does is set the twist, so your yarn won’t kink up as you work with it--even a perfect, balanced yarn can kink up as you work if the twist is live--which makes it a lot more pleasant. Resting sets the twist as well, as mentioned above.

I’ve gone into blocking in more detail in this post here, if you’d like to know more--I’d especially recommend reading the last section about snapping and thwacking your yarn.

Once it’s fully dry (and remember--wool can hold a lot of water and still feel dry, so give it a little extra drying time just to be sure) it only needs to be wound into a ball before you can use it ! Congratulations on your handspun yarn--that’s a real achievement.

Storing your yarn

If you don’t plan on using it right away, you may want to skein your hanks up to keep them compact and tidy. To do this, put your thumbs on the inside of your hank, and pull it taut. Then, one thumb at a time, twist in the opposite direction that you plied in. Your hank should start to kind of look like rope. Once it has a lot of twist (enough that you’re struggling to add more), find the center point of the hank, and fold it. With 2 yard hanks I tend to fold it over my knee, but a doorknob or something else would work just as well. It should immediately look like an oversized piece of yarn--that’s because we just twisted it one direction, and then folded it in two and let the excess twist twist it in the other direction, which is the same way you ply yarn ! There should be a loop at each end where your thumb was--take your thumbs out and put one loop through the other. Now you can attach your label and you’re good to go !

If it’s a very small hank (one that’s been wound around the palm, especially) you’ll probably just want to wind it into a ball instead. You could do this with any length of yarn--it’s not an ideal way to store wool yarn ultra long term, since staying wound into a ball can stretch out the fibers again, which means you’d need to wind it into a hank and re-block it if you wanted to make an accurate gauge swatch or something. Short term (a year or less) it’s just fine.

If you’re wondering how to wind up a big hank into a ball without tangling, just sit down with your knees up, and put your knees inside the hank, then move your knees apart until the hank is taut. Now you can wind in relative peace, free from tangles. You can also use a yarn swift, if you’ve got one.

I would recommend, by the way, using up some of your first skeins as soon as possible (you might want to keep your very first skein so that later you can see how far you’ve come--I really wish I kept mine). You won’t know how your spinning is until you’ve used it, so to prevent you from getting to skein #40 thinking you’ve been doing great, only to discover that your yarn is actually unusable... use your early yarn ! Evaluate it, make judgements, and learn from it. Does it need more twist ? Is it very lumpy ? Are there lots of spots where it went thin ? Do you like how the colors turned out with the plying method you chose ? These are all good questions to ask yourself as you use your yarn.

Moving On From Park and Draft

Once you’re comfortable with the park and draft method, you might want to try moving on to true suspended spinning. As I said earlier--it may not be for you, and that’s fine, but you won’t know if you don’t try. True suspended is quite a bit faster than park and draft, so if you want to speed up a little, you should give it a shot.

In park and draft, you first add twist, then park the spindle to draft your fibers into yarn. In true suspended spinning, you set the spindle going and draft while the twist is being added. This eliminates the whole ‘standing/sitting there with your arm outstretched, waiting for your yarn to accumulate twist’ section.

The easiest way to get into true suspended spinning is to work your way up to it--try drafting just a little bit while your spindle is building up twist during park and draft. To give yourself more time, set the spindle spinning slower. Then try drafting a bit more. The goal is to draft at the same rate that twist is added, meaning that you can wind on pretty much as soon as the yarn is too long to keep spinning.

The trick here is to adjust the speed at which your spindle spins rather than the speed at which you draft. You can only draft so fast before your technique gets sloppy, and past that you’ll be focused far more on keeping pace with the twist being added than on drafting evenly.

So if I find that I spun my spindle too aggressively, I still it immediately and try again, but slower this time.

I answered an ask about this a while ago where I went into a little bit more depth, if you’re interested.

And if you haven’t seen it, the pinned post on my blog is a lot of stuff like that all collected into one post for easier perusal. Some of them I’ve already linked to earlier in this post, but others I haven’t.

Small Projects, Scrap Projects, and Big Projects: Tips for All

You may be wondering, What the hell am I supposed to do with this yarn ? This isn’t even enough for a pair of fingerless gloves !

Which is a fair concern--endlessly accumulating small skeins of yarn can be frustrating if you don’t know how to use them up.

Drop spindles are limited in how much yarn you can make on them, and while you can make huge skeins by joining smaller skeins together, they may not all be the same weight ! Or they may not match. Or it may just be really boring.

You may also be doing a lot of experimenting, and ending up with 30 yard/meter skeins that you can’t even make something tiny with.

Small Skeins: For single skeins that are too small for gloves, hats, etc, you may still be able to make things like pouches (for yarn, crochet hooks, dice, coins, etc), baby socks or hats, coasters, or other small items. My spinning wheel oil holder is a little basket crocheted out of some handspun, and I have a mini tape measurer on my keys with a cover crocheted over it from handspun as well. You might have to invent things to do with your handspun, but using items that you made enriches your life--I promise.

Scrap Projects: What about tiny skeins ? Or maybe you’ve already made all the coasters and baby socks and spinning oil holders that you could possibly need, and now the small skeins are piling up again. I humbly submit the Scrap Yarn Project--my favorite type of project by far. I’ve been slowly working on a handspun scrap blanket for about 2.5 years, using tiny scraps, small skeins, and leftovers from projects alike. I knit 5x5 inch stockinette squares (some have colorwork, some have different stitch patterns, but mostly I let the yarn be the star) and for the most part just try make squares that are thick enough to stay warm but thin enough to have a little drape. It’s an incredibly satisfying project.

Fig I: An older image of the author’s handspun scrap blanket in progress. The yarns used range from fingering weight to super bulky, and are spun in all sorts of different ways. But it still feels very cohesive.

I like the square approach (and of course if you wanted to crochet granny squares, that would work perfectly too) because it’s modular, so you can decide halfway through that you don’t want a sweater, you want a bag--and then just sew the squares into a bag, instead. But it doesn’t need to be squares by any means--you could also make scrap yarn sweaters, hats, socks, scarves, etc., that are constructed normally.

The only thing to look out for is yarn weight--in some cases, you might want the weights to all be very similar. Socks, for instance, won’t do well if you have parts that are bulky weight and parts that are light fingering weight. You could hold yarns together to get similar weights if necessary, or just only add to the project when you’ve got another scrap skein of worsted weight or whatever. For squares you can use any weight of yarn if you want, but you should change your hook or needle size to get a fabric that’s a similar density, so your stitch count will change from square to square.

Big Projects: These can be difficult even for experienced spinners, because consistency is key to ending up with an even fabric. Not from armspan of yarn to armspan, but from skein to skein--if the weight changes, things can suddenly get much more complicated while you try to correct for the skeins that are too thick or too thin.

One way to try and mitigate that is to not ply anything until you’ve finished spinning all the singles--that is, if you need 10 skeins of 2 ply, spin 20 spindles worth, then go through and pair off your stored singles, thin with thick and average with average. It can definitely be more tedious to do it this way, but if you’re worried about consistency, it might be a good idea.

It also might not be necessary. Try to let your mind stretch back over the whole course of human history--as a species, we’ve been spinning yarns for pretty much all of it, and until very recently, what you spun was what clothed you. If the skeins you spun for your new cloak were all different weights, well... you probably either repurposed those skeins (IF you could, and that’s a pretty sketchy IF) or you shrugged, wore a lumpy cloak, and got on with life. Perfection isn’t everything, my friend. Either way, do what’s going to make you happy. For me, I’d be just fine with a lumpy cloak.

Out Of The Basics: A Few Further Pushes Into The World of Spinning

There’s many, many techniques out there, and an infinite variety of yarns to be spun. Some require tools, some don’t. Some are very advanced, and some quite simple. There are many other tools to spin on besides drop spindles. There’s also processes related to spinning--such as dyeing, fiber prepping, and wool washing--which can greatly enhance your spinning enjoyment and variety. I can’t teach them to you today, but I can certainly tell you about them so that you can look into them yourself !

Changing Up Your Fiber or Techniques to Get Different Effects

We touched on this earlier in the section about the number of plies--a 2 ply yarn will knit up into a bumpy, slightly irregular fabric, and a 3 or 4 ply will be very regular and neat. But that’s not the extent of what you can do to change your yarn up (without buying anything new). I’m going to throw some terms around now--you’ll need to google them, because this is already absurdly long.

For one thing, if you have roving, you can try splitting it lengthwise and fractal plying your yarn for a very beautiful self-striping but marled effect. You can also try spinning it from the fold on multicolored roving, which keeps the colors separate instead of muddied, which can happen otherwise.

With any fiber, you can always mix and match, or add pops of color ! If you’re spinning a bunch of gray rolags, for instance, you can occasionally detach the rolag, spin a tiny bit of blue roving, reattach the rolag, and go back to spinning. Depending on how you ply it, this could produce almost specks of blue or else slips and streaks.

Speaking of plying, the way you make a 2 ply can really change the colorway of the yarn if your fiber is a gradient or multicolored. Say you’ve got roving that’s a gradient from white to purple--if you do a plying bracelet, your yarn will be part barberpole, part gradient: a purple ply with a white ply at one end, and then gradually transition to the midpoint of lavender-pink in the middle, with both plies the same color. But if you plied it the other way, by wrapping your singles onto storage rocks and then plying from those, you’d get a yarn that’s got one pink ply and one white ply at one end, and one pink ply and purple ply at the other.

Chained 3 ply versus traditional 3 ply will make a huge difference as well. If your fiber has stripes, chain plying it will preserve them perfectly (as long as you’re careful to start a loop at the color change--or if you wanted it to fade in a little, you could start partway through a color change), whereas a traditional 3 ply will always marl them, no matter how careful you are about evenly splitting your fiber into 3 sections.

If you like really colorful and bright yarns, you might enjoy cabled 4 ply (where you ply two 2 plied yarns together). If your starting 2 plies are already colorful, you’ll get super colorful yarn with a cabled 4 ply--to me it always looks like dashed lines in different colors.

A laid 4 ply can also make some interesting color combinations, and is perhaps the ideal candidate for mixing random singles together, since it has 3 other plies each singles can hopefully be tempered by. And a yarn that has 3 plies of one color and 1 ply of another color can be interesting indeed !

It’s not just color that you makes an exciting new yarn, though--you can also try making boucle, or thread plying or autowrapping, or spinning beehives, spinning beads into your yarn, spinning thick and thin yarn... the possibilities are almost endless. I’d highly recommend giving “The Spinner’s Book of Yarn Designs” by Sarah Anderson a read if you can--she discusses all of these and many more, and shows how to do them. Other good books that’ll show you how to make lots of different kinds of yarn, or how to tailor your yarn to your needs, are: “Yarnitecture”, by Jillian Moreno, “Spin Art” by Jacey Boggs, and “Yarn Spinning With A Modern Twist”, by Vanessa Kroening. Your library may well have copies, and if not you could likely request they buy it.

You Don’t Have to Drop Your Spindles

...Because there’s other kinds of spindles ! And things that aren’t spindles, but on which you can also spin !

There are Turkish Spindles, which are functionally almost identical to drop spindles (and you can drop them, to be fair), but you wrap your yarn around two detachable interlocked arms that also function as the whorl. When you remove the arms and spindle shaft from the turtle (not cone) of singles, you can then 2 ply with it immediately using both ends. Turkish spindles are great if you love 2 ply and hate winding.

There are Supported Spindles, which come in many forms but are essentially fancy sticks with pointy tips that you spin in bowls. These have more winding than drop spindles because you spin in very short lengths at a time and wind onto a temporary cop that’s just below the tip (it’s much faster than if you wound all the way down to the cop near the bottom). However, you use them while sitting or even (with a bit of wrangling) laying down, and your arms stay in a comfortable, much more relaxed position while spinning. It also spins, as a default, finer yarn than your average drop spindle (I can achieve a very fine and consistent laceweight on any supported spindle, but have only managed that on my tiniest and lightest drop spindle). And they are very fast tools--with proficiency, they can be much faster than drop spindles. Supported spindles are great if you find drop spindles painful, if you have low energy, if you’re mobility impaired, or if you want to spin finer yarn.

There are Spinning Wheels, which come in many shapes and sizes but are the fastest way to make yarn by hand. There are a few objects which could fall under the umbrella of a spinning wheel (namely Walking Wheels, Charkah Wheels, and Electric Wheels) which do not have treadles, but the majority of spinning wheels are powered by foot treadles and can spin faster than you can spin a drop spindle. They also remove winding from your list of duties (for the most part), since the flyer will wrap your newly spun yarn onto the bobbin as you go. New spinning wheels can be prohibitively expensive, but you can also find used ones for ludicrously cheap on craigslist, at estate or garage sales, at antique shops, or other places where old items might be sold. (You can also often find them at affordable but not cheap prices at fiber festivals). Be sure to research the parts of a spinning wheel before you try to buy a used one from a non-spinner--there are many SWSO’s (Spinning Wheel Shaped Objects) out there that will fool you. Spinning wheels are great if you want to make larger amounts of yarn, or want to make yarn faster.

There are Electric Wheels, which are small machines that will add twist and wind the yarn onto the bobbin for you, so all you have to do is draft. New low end models are much cheaper than new spinning wheels, and they take up far less space. They also remove the element of treadling, so if you are intrigued by spinning wheels but have weak legs in any capacity, these can save you a lot of pain. I have a spinning wheel and can’t spin on it much anymore, because my knees and hips dislocate almost immediately. I switched to supported spinning primarily, but an electric wheel would be a good substitute as well. Electric wheels are great if you want to make more yarn faster, but can’t afford a spinning wheel or don’t have the space for them. They are also one of the more accessible tools for those with severe mobility impairments.

And there’s still more, although I can’t do a pitch for all of them xD. There’s Tahkli Spindles for spinning cotton, Navajo Spindles that are long thigh-spinning tools, Medieval Spindles that are easy to whittle replacements for if you break your spindle a lot, and even more beyond that. Many cultures have their own traditional spinning tool, each with their own techniques and strengths, and if drop spindles aren’t doing it for you but you still want to spin, I implore you to check out other kinds of spindles !

From Sheep To Sweater (Washing and Processing A Raw Fleece)

Most people learn to spin from roving (even if it might not be a very good beginner’s preparation), although there’s also rolags, batts, top (both commercial and hand combed), sliver, and cloud. But what if you could start with a raw fleece (unwashed, with vegetable matter and lanolin and who knows what else) and make things out of that ?

There’s some immediate advantages to starting with a raw fleece (even over a washed fleece). For one, raw fleeces tend to sell very cheap. This will depend on where you live, but the vast majority of fiber that I buy these days is raw fleece, and I’ve never spent less on fiber. At a fiber festival, I once paid $10 USD for 2 pounds (slightly under 1 kilo) of raw Shetland fleece. So--they’re cheap. As soon as someone starts putting work into a fleece, like washing it or dyeing it, the price immediately jumps.

Second, if you’re looking for the most bang for your buck, starting from a raw fleece is the way to go. You need to wash it, skirt it (take out the really terrible or gross bits), perhaps sort or grade it if it’s multicolored or there’s clear variation in fiber quality, dye it (if desired--I only dye my white fleeces, as I quite like brown and gray and black), process it into spinnable fiber, spin it, ply it, and then knit/crochet/nalbind/weave/do whatever else your heart desires with it. A single raw fleece can last me a month even if I work on it tirelessly, and I might have paid $20 USD--a little over an hour of wages for me.

It also brings you a lot closer to your work. I can’t say I felt very attached to my fiber when I worked exclusively with roving, but sorting through a pile of hand washed Southdown Babydoll locks while I comb them into top to spin into sock yarn on supported spindles that I whittled myself--I can tell you, I feel pretty damn connected to my work, to the ridiculous little sheep whose wool I have, to my socks, and to the wool itself. It adds a lot of depth, both to the experience, and to my understanding.

It’s also honestly pretty easy. To wash a fleece, you need a dedicated wool pot (as in, don’t cook in it again), a bit of dish soap, and some time. Put the fleece in--don’t crowd it, just work in batches if your pot can’t easily fit all of the fleece--add cold water and a squirt of dish soap, and let it cook on the stove for about 45 minutes, without a lid. Don’t let it boil--ideally it should be steaming but not quite simmering. You can use a dedicated wool spoon/tongs to gently and infrequently stir the wool. The water should get pretty gross. After 45 minutes, start the tap running (you need to rinse the wool in very hot water--if you let temperature shock happen, it could felt), drain the water, and rinse the fleece. Then repeat--filling up the pot with hot water now--until the water stops looking dirty at the end of the 45 minute cooking time. Rinse it one more time, and then let your wool dry, ideally on a clothesline but over a vent/spread out flat on a towel is fine too.

Yes, it really is that easy. If you’re worried about felting or otherwise ruining the entire fleece, you can always start by washing just a handful, so that way if you ruin it there’s not much waste. But I’ve washed at least a couple dozen fleeces that exact way, and I’ve never ruined one.

After washing and drying your fleece, you need to prepare it. I typically prepare enough to spin for a day at a time, but you could also do it all at once if that’s more your style. There’s many ways to prepare wool, and I’ll discuss most of them at least in brief, but we’ll start with teasing. This is where you take a lock in your hands, and tease it open. Let any VM (vegetable matter) fall out or pick it out yourself, and open the lock up to the point that you can no longer see any lock structure. It’s now spinnable, just like that ! This is a pretty slow method, but if you start out your raw fleece journey buying just a few ounces/50ish grams of fleece, it’s perfectly doable to tease it all open by hand.

If you have money to put into the endeavor, a humble pair of hand cards (70 TPI will card most wools), or you can kind of make do with two pet brushes like these (although at that point, spend $10 USD more and you have a pair of hand cards, so idk what the point of that is, unless you already have them) is a very good place to start. Load the fiber onto one card, card it until it’s uniform, roll it into a rolag, and it’s spinnable !

You also have hand combs, which are a lot more expensive than hand cards, but which can process very long fibers and can get out all the vm. Cards don’t remove a lot of vm, so combs is the way to go for super vm-y fleeces. They also produce hand combed top, which spins up into a very compact, strong, and abrasion resistant yarn--great for socks.

Past that are drum carders, which are machines in the way that spinning wheels are machines--manual, but they certainly automate the processing of fiber for you. These can be expensive indeed, but process fiber very quickly and are a great choice if you plan to sell the fiber, if you want to start with raw fleece but haven’t the dexterity to do it by hand (and there are electric drum carders as well--otherwise, you are turning a hand crank), or if you want to process high volumes of fiber because you just go through it that fast.

Honorable mentions include flick carding (both cheaper and slower than hand cards--you work with a couple locks at a time and open them up by flicking them with a tined brush), blending boards (these don’t process raw fiber, but they turn already processed fiber into batts--so you can blend many wools very easily for different textures or colors. These are like painting with wool--so fun !), and willowing (I haven’t tried this one yet, but you lay out your wool and repeatedly hit it with willow branches or other bendy sticks, which opens the fiber and also sends it flying all over the place. It looks very fun, and rather slow, and is also free as long as you can find a willow tree).

This website describes some of those methods (and one I didn’t get to) if you’d like to check it out.

Colors to Dye For

Wool takes dye very readily, and you probably come into contact with several natural dye materials every day--onion skins, avocado pit and peel, daffodils, coffee, black tea, thyme, even grass ! You don’t have to be working with fleece to dye it (although dyeing fleece gives you so much color variation and is very fun)--you can also dye roving very easily. Batts, rolags, and top less easily, although it’s possible with a lot of care.

For most natural dyes, you need to collect quite a lot of it, and then let it cook overnight on low heat. Boiling (sometimes even simmering) can kill the color, so you’ve got to be patient. Crock pots on low or medium are great for this. If you can cook it two days, all the better. Let it sit and cool for at least 12 hours, then strain it. (Tip: you can store natural dyes in jars in cool, dark places for at least a year without any ill effects--so you don’t need to use the dye immediately)

The majority of dyes need something called a mordant (I go into more detail about mordants in this post if you’re interested). There are many mordants, but some easy household ones are alum, baking soda (bicarb), copper (put a few bits of copper pipe in a jug of white wine vinegar, let sit for a few weeks at least before using), or iron (same as copper, but with rusty nails. Use a plastic jug !!! Metal will rust and glass can break). Most people mordant their wool by putting it in their dedicated wool pot with some water, adding the mordant, and letting it cook on low for an hour. Then drain the water and add the dye.

Natural dyes need to cook for a while to set--I usually let them cook overnight at least.

For batts, rolags, and top, you can do something called solar dyeing--carefully mordant your wool as usual, then place it in a jar with the dye, and put the dye outside in the sun. Over time (at least a week--often months, especially if you don’t live somewhere warm and sunny) the heat from the sun will warm the water and dye the wool. You could also try storing the jar somewhere you know will be warm, such as near the stove or fireplace.

You don’t have to use natural dyes either--there are also acid dyes, or food coloring, kool-aid (sugar-free), etc. I’m a lot less familiar with those, so I can’t go on at length. They can be a good choice if you don’t have the time for natural dyes, or if you want to get specific colors and not guess what your wool will turn out as. Look into them if you have any interest !

Dyeing your own wool is immensely satisfying, and can be a very cheap (or free, in the case of many natural dyes if you’ve collected or grown them yourself) way of obtaining more color, if you find that you keep ending up with a lot of white wool.

Endless Breeds of Sheep

There are many breeds of sheep on there (not endless, sorry--although there will always be new breeds being developed, so endless in a way !), and they all have different qualities, both in terms of the sheep themselves, and the wool they produce.

Do you want your wool to be very hard wearing ? Down breeds such as Southdown (one of my absolute favorites), Shropshire, or Dorset can be quite durable, and are resistant to felting. You could also go for stronger, coarser wools such as Jacob or Romney--coarser means stronger with wool, and softer tends to mean weaker.

Do you yearn for a softer wool ? Cormo is fantastically soft, as are Rambouillet, Debouillet, and Merino. Many lambswools (meaning the fleece from a lamb--the older a sheep gets, the coarser its wool tends to be) can be softer than their breed standard, so seeking out lambswools even from breeds like Jacob or Rya (both usually strong wools) can lead to soft fleeces.

Of course, there are more considerations than just soft and hard wearing, but there’s pretty much a breed for everything. If you’re interested, “The Fleece & Fiber Sourcebook” by Carol Ekarius and Deborah Robson is an incredible resource, and covers just about every breed under the sun (with pictures, samples, notes, recommendations, and interesting bits of history), as well as most non-sheep fiber producing animals as well ! Speaking of...

There’s Not Just Wool

There’s also many non-sheep fibers, and plant fibers too !

Animals with easily usable fiber include: alpaca, llama, angora rabbits, goats, camels, musk ox, and more ! Their properties are usually different from wool--all of the fibers from the animals above have little to no crimp in their fiber, meaning that they aren’t elastic like wool is. They’re also varying degrees of warm (cashmere--the undercoat fibers that come from many different breeds of goats--are extremely warm, but still not as warm as musk ox down), and some are unbelievably soft. If you can, I highly recommend getting a little cashmere, a little camel down, or whatever other exotic fiber strikes your fancy. They’re very fun to experiment with, and small amounts can easily be worked into projects to add warmth, drape, or softness.

We can’t forget about silk, either--produced mainly by certain species of silkworms, although most insects undergoing complete metamorphosis produce silk of varying quality as well. Silk is a very interested fiber to spin--but it can also be reeled instead of spun, which is how you can get extremely thin silk pieces without even needing to spin thread-weight yarn.

But in early human history, before we domesticated sheep and bred them to have better wool than they started out with, we spun things like inner tree bark, flax, nettle, and cotton. These all require very different techniques than wool, but most of them can be spun on the same tools (and all but cotton can be hand twisted into cordage instead, if that’s more up your alley). They are also inherently cooling--fabrics made from linen will keep you very cool indeed--so if you live somewhere hot where having wool objects is mostly pointless, don’t despair ! There’s still stuff for you to spin.

Connect With Others !

I’m about done with this monograph, but there’s a few last things I want to share.

First is the existence of Fiber Festivals--you may or may not have some in your area. They’re extremely fun, and you can meet many spinners there. They’re also usually a very cheap source of fiber, as prices are often a lot lower at festivals.

Second is the existence of Spinning Guilds--again, you may or may not have one locally, but if you do, you might want to join ! There are also spinning clubs and groups, which might be a little lower-key and more welcoming to beginners.

Then there’s TDF, or Tour De Fleece. You may have heard of the biking tournament called Tour de France which happens in July--well, every year a lot of us spinners do a tournament ourselves, but it’s generally not competitive (except on Ravelry--there are teams and points and everything). For the most part, participating in TDF just means setting a spinning goal for yourself from July 1st to July 23rd (the end of the race) and then trying to achieve it. For a lot of people, this means spinning every day. Some set goals like “get through this whole fleece I bought 10 years ago” or “spin a sweater’s worth of yarn” or “learn how to spin flax, finally” (that’s what I did last year). Or maybe it is just spinning every day--even if just for 20 minutes. On tumblr you can see other’s work and post your own under the tag #TourDeFleece2023, or #TDF2023 (there’s many variants as well)--we’d love to have you !

Lastly, there’s International Spin In Public Day ! To be honest, nobody can really agree on what day that is--allegedly, it’s the 3rd Saturday of September. (For me, it’s literally every day that I leave my house, but I digress). But I’ve also seen posters for October, for September 10th or earlier, and just generally lots of different dates. I’d say play it safe--if you see someone say it’s International Spin in Public Day, go spin in public just in case :D. The purpose of a day like this is to bring spinning back into public knowledge--let’s face it, most people in the western world have zero clue how yarn is made, and couldn’t differentiate a spindle from a spatula. This sucks ! Spinning is such a great activity--it can be meditative, calming, fun, exciting, or a background motion to other activities that allows you to actually pay attention (if you have ADHD). And I think a lot more people would spin, and would enjoy it, if only they were exposed to the idea. You certainly don’t have to act as Spinning’s public outreach officer, or anything like that... but when people ask what you’re doing, explaining it patiently and encouraging them to look into it does everyone a favor.

In Conclusion

I hope this has been helpful and not too confusing ! It’s really important to note that I’m just one guy--I don’t know everything, and I might not always have the best techniques. Looking for information on spinning from multiple sources is a good way to get a well-rounded understanding, and to correct common misconceptions that you might have already learned. Perhaps more importantly, there’s pretty much an infinite number of ways to do almost every single step I’ve described here, and if the way I showed you--or the video I linked to showed you--isn’t working, don’t despair ! There’s nothing wrong with you, you probably just need to do it a different way. I must have watched 3 dozen videos of people drop spindling before it finally clicked with me.

I hope I’ve opened up the world of spinning to you at least somewhat ! There are many things I didn’t touch on, and lots of stuff I wish I could talk more about, but at the end of the day I mostly wanted to 1) show you how to make yarn and 2) pique your curiosity about the whole rest of it. If you have questions, I’ll try to answer them (Purple, I will of course answer all your questions and also attempt to mind read your questions before you’ve even asked them so that I have a 10 million slide power point done by the time the question is out of your mouth), but check the comments and replies first ! Someone else might have answered it already.

Thanks for reading, and happy spinning !

Fig J: The author holding his old drop spindle, spinning at a doctor’s appointment. The spindle now belongs to the friend for which this monstrosity of a tutorial was written ! :D

#spinning #drop spindle #beginner spinning #tutorial #handspinning #handspun yarn #fiber arts #i truly have no idea how to tag this #its over 13k im so sorry #swords i did end up adding tipping to this blog bc of your recommendation thank you !#i cant seem to add tips to posts that i made after tipping was enabled tho. which is very annoying. so its just on all my posts for now #hopefully will fix that later #this did take about a week of writing ! so if anyone #(BESIDES PURPLE FOR SEVERAL OBVIOUS REASONS THIS WAS A GIFT FOR YOU <3)#wants to show some appreciation if it helped you at all #i would be very thankful as i am so goddamn broke lol

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