Tumgik
#punisher wolverine african saga
xmencovered · 11 months
Text
Tumblr media
Punisher and Wolverine in African Saga Vol 1 #1 / Published: January 1990 / Artist: Jim Lee
9 notes · View notes
themarvelproject · 3 years
Photo
Tumblr media
Marvel house ad for The Punisher War Journal 6-7 (1989) in which the Punisher and Wolverine team up to go after an African poaching ring.
139 notes · View notes
classicmarvelera · 4 years
Text
Tumblr media
The Punisher-Wolverine: African Saga
Buy it here
9 notes · View notes
ungoliantschilde · 4 years
Photo
Tumblr media Tumblr media
Punisher War Journal, Vol. 1 # 07 Pages 22-23 by Carl Potts, with Finishes and Inks by Jim Lee, Letters by Jim Novak, and Colors by Gregory Wright.
22 notes · View notes
comics-manga-videos · 7 years
Text
[MARVEL] THE PUNISHER AND WOLVERINE IN AFRICAN SAGA [ENG] 1989
[MARVEL] THE PUNISHER AND WOLVERINE IN AFRICAN SAGA [ENG] 1989
#PUNISHER #WOLVERINE by Carl Potts  (Author), Jim Lee (Author) Published in Oct. of 1989, It’s the Punisher vs. Wolverine! Softcover, 48 pages, full color.
THE PUNISHER AND WOLVERINE IN AFRICAN SAGA [ENG]
via Blogger http://ift.tt/2iyTiTO
View On WordPress
0 notes
classicmarvelera · 5 years
Text
Leading the Surge: Tom DeFalco era
Tumblr media
The year was 1987 when Tom DeFalco was announced as the new Editor-in-Chief of Marvel Comics after the sudden termination of Jim Shooter from the same post 
DeFalco, a veteran writer with Marvel at the time, was a story-teller whose work for Spider-Man, Thor, FF and The Thing was gaining traction among fans. According to the late Mark Gruenwald, (unlike his predecessor) he didn’t have a vision of his own for Marvel which made him open to other peoples’ ideas about the company’s core products i.e. superheroes 
DeFalco accommodated others’ visions while ensuring that quality content was delivered as the final outcome with the story or the arc reaching a resolution as Shooter had always insisted. Compared to Tom, Shooter was more on the Management side of Comic Books Publishing business. The latter ensured that books reached the market on time, editorial guidelines were being adhered to by staff, Creator rights (with respect to their creations) were honored and (where possible) a collaboration be done to increase company’s profitability (Secret Wars with Mattel, G.I.Joe and Transformers with Hasbro) but when it came to DeFalco, he made way for new talent like Jim Lee, Todd McFarlane, Erik Larsen, Rob Liefeld and Marc Silvestri to name a few. This new talent’s work proved to be an instant hit among readers so much so that a title was able to establish a world record in 1991, proving more successful than McFarlane’s Spider-Man: Torment that was released a year before 
These new artists and writers were paired with established legends and the result was one great success after another. New characters were introduced whose popularity hasn’t waned to this day: 
Venom
Darkhawk
The New FF (Joe Fixit Hulk, Spider-Man, Wolverine and Ghost Rider)
Carnage
Deadpool
Domino
Thunderstrike
Tumblr media
Anniversaries:
An important juncture in Marvel’s history were the anniversaries of its flagship characters. The company was 50 years old by 1989 but a there were at least two generations of readers who had grown up with characters from the Golden and Silver ages. A lot of work was produced and anniversaries offered a tremendous opportunity to Marvel Comics to celebrate their superheroes but also chart future editorial strategy with respect to them 
During Tom’s tenure, Captain America was 50 years old while Iron Man, Fantastic Four, Hulk, Spider-Man celebrated their 30th Anniversaries but the grandest of celebrations were reserved for X-Men and Avengers that saw title cross-overs, lots of gimmick covers with some of the best stories ever told and related limited series
But the most successful of anniversary celebration at the time was of X-Men. With the amount of special editions released (limited series and one shots), the Fatal Attractions cross-over was the one that stood out. Each issue was embossed with a holographic card and it served as the conclusion to Chris Claremont and Jim Lee’s Mutant Genesis saga 
Tumblr media Tumblr media
Merchandizing: 
As a franchise, the X-Men’s popularity reached the peak with a total number of seven X-Family titles being published on a monthly basis as on-going series but the least talked about feature of DeFalco’s tenure is the level of merchandizing which saw Marvel action figures by ToyBiz and launch of Marvel Universe & X-Men Trading Cards  
Tumblr media Tumblr media Tumblr media Tumblr media
The late 80s was a booming time for Video Gaming as the shift was occuring from Arcade gaming to gaming consoles which can be played at home and Marvel at the time, came out with video games that were connected with much of their popular comic book storylines. These games were launched for NES, SNES, Gameboy and SEGA Genesis as these consoles dominated the scene back then but what is more surprising is the diverse range of games that were out there from Marvel. Punisher had a video game and so did Wolverine as well as Silver Surfer besides the flagships like X-Men, Avengers and Spider-Man 
Tumblr media
As if this wasn’t enough, Marvel Comics were now being widely distributed and sold in far away markets such as the Middle East and Asia. It wouldn’t be wrong to say that the seeds for Marvel becoming one of the most preferred brands in the world were planted during Tom’s era. This was a time when there was no Cinematic Universe nor was there a thing called the internet 
The DeFalco Legacy:
Looking back at the DeFalco era, one cannot find a time period which is a close equal to this one. Tom’s scorecard out of all the Editor’s that preceded him is most balanced: His leadership & advisory influenced positive outcomes for Marvel comics on all fronts. It wouldn’t be an over-statement to say that the DeFalco Era in Marvel Comics history remains the most successful...overall. Maybe the reason behind it was his knowledge about the art of story-telling and how it could resonate with the readers on various levels to the extent that they would be willing to pay the extra buck for merchandize besides the comics. His stamp on Marvel’s present can be seen on Amazon, Facebook Groups, Instagram accounts that offer comics, tpbs and merchandize that was produced during his era
If Stan Lee era is a yardstick for Creative Story Telling or Content Creation that resonates with readership and Jim Shooter’s era is the yardstick for Best Managerial Practice in Comic Book publishing business then Tom DeFalco’s era is the yardstick for overall success (incl. huge financials) 
End Note:   
Tumblr media
There are 3 main facets of Tom DeFalco’s era: 
If you are a Spider-Man fan, his stories are at par with greats like Stan Lee, Roger Stern, Gerry Conway etc.
As an Editor, he led the process of building up on the successes of Shooter era to the extent that Marvel was able to go Public (due to successful merchandizing and increased comic book sales) 
Again as an Editor, his leadership resulted in the following great content from Marvel: 
Kraven’s Last Hunt (Spider-Man)
X-Men: Fall of the Mutants 
Iron Man: Armor Wars 
Incredible Hulk: Beyond Redemption
Launch of Excalibur, Wolverine and Punisher: War Journal ongoing series
X-Men: Brood Saga 
Avengers: Futures Imperfect 
X-Men: Inferno
Joe Fixit Hulk & Patch Logan cross-over
Wolverine: The Gehenna Stone Affair 
Captain America vs US Agent 
Doctor Strange & Doctor Doom: Triumph and Torment 
Avengers West Coast: Vision Quest 
Atlantis Attacks (multi-title cross-over) 
Acts of Vengeance (multi-title cross-over) 
Iron Man: Legacy of Doom
Silver Surfer: Thanos Quest 
The New Fantastic Four
The Punisher-Wolverine: African Saga
X-Tinction Agenda
Infinity Gauntlet 
X-Men: Mutant Genesis
End of New Mutants and launch of X-Factor and X-Force ongoing series
Smart Hulk 
Marvel Comics Presents Wolverine: Weapon X 
Iron Man: War Machine 
X-Cutioner’s Song 
Infinity War 
Captain America: Man and Wolf 
Hulk: Future Imperfect 
Spider-Man: Maximum Carnage 
Cable: Fathers and Sons
Fatal Attractions (X-titles cross-over/X-Men 30th Anniversary) 
Sabretooth, Gambit and Deadpool limited series 
Spider-Man 2099
Daredevil: The Man without Fear
Phalanx Covenant (X-titles cross-over)
MARVELS 
Hulk: Troyjan War 
54 notes · View notes