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absolutebl · 1 month

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These Weeks in BL - This Is Very Late, Or Right on Time depending on where you sit on the temporal debate team

Sorry I got distracted by work. In my defense: I was paid.

Organized, in each category, with ones I'm enjoying most at the top.

March 2024 Wk 1 & 2

Ongoing Series - Thai

Cherry Magic (Sat YouTube grey) ep 12 fin - Unfortunately, there was singing. But what can we do?

A soft charming warm hug of a show about crushes and mind reading and self worth, with no-fuss execution from a consummate team and an OG lead pair proving why they remain eternal and deserve to grow up. Look, here’s the thing, Cherry Magic is a great Thai BL in its own right not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it still stands. This is a great show, a solid adaptation, and a pleasing take on the original yaoi. I personally like it better than the Japanese live action, but I think that’s because I just really like Thai BL and I LOVE TayNew. I doubted them for this and I shouldn’t have. They did a great job, as did the sides. I will say all the kissing was both present and better than any other iteration. As it should be. Definitely one for the rewatch rotation. 9/10

Deep Night (Thurs iQiyi) ep 1 of 8 (10?) - Damn it, I love it. And I don't want to. It’s more classic BL than I thought it would be, and far less Only Friends or Playboyy. (Thank fuck.) We got a big cast and a lot of tropes going down out the gate, including SMITTEN popular hot guy versus nerd with secret identity. (Incidentally, Khem did drop into rude / informal when arguing with his Aunt and defending his ma. Bratty boy.) The leads have good chemistry (First always does), and everyone is very pretty. The main boy reminds me of J-Min's role (and look) in Love Class 2. I am entertained. (And faintly wonder why this isn't a MosBank vehicle.)

To Be Continued (Thai C3 Thailand grey) eps 1-3 of 8- High school sweethearts who had a bad break up reunite a decade later when both of them have full time jobs (celebrity & doctor). Dr Ji is a familiar face (hi Dream it's been a LONG time) and everyone is way too old for high school, but I guess I prefer this to child actors?

I'm enjoying it, actually, the cast may be older but they're solid as a result and the chemistry is on point for a pulp. Whether our celebrity is on the DL or cheating or something else remains to be seen but he sure is smitten. The way he LOOKS at Ji = hawt.

Frankly? Celebrity/doctor is a good pairing and this is a solid Thai BL. I hope we have a nice angsty reason for the break-up and we're not in another Promise situation. I like the sides too. Carry on, little show, I'm disposed to be pleased with you.

City of Stars (Fri iQIYI) eps 5-6 of 12 - I am enjoying it, actually. It’s incredibly silly. But I don’t really mind. STOP SINGING.

1000 Years Old eps 3-4 of 12 - I love that these kids basically adopted a vampire pet. And one of them accidentally got a vampire boyfriend. This suddenly turned from a PNR into a family drama about domestic gays opening a food stall and I'm not mad about it. Nothing makes sense and I don't care because... rainbow umbrella!

A Secretly Love (Thai WeTV grey) eps 1 of 10 - I don’t love it. I make no bones about the fact that a pining uke rarely works for me, especially if he’s younger (cute supportive besties not withstanding), the power dynamic isn’t good. I always like Kimmon, he’s a stiff actor but v pretty. (I shallow af.) Still it’s time he started acting his age… literally. Having to watch ads again as well… for this? Ooof. I'm not sure I'm strong enough.

Ongoing Series - Not Thai

Perfect Propose (Japan Fri Gaga) ep 6 fin - It was very cute. I liked that there was uke instigated kisses. However I have some reservations on this one, much as I enjoyed it.

Adapted from Mayo Tsurakame’s manga, production team included Tadaaki Horai (My Love Mix-Up!) and Takeshi Miyamoto (Old Fashion Cupcake). Essentially Perfect Propose was about finding hope in a person when all other hope is gone. This show focuses on apathy, and perforce is somewhat apathetic and un-engaging especially as the pacing was off (and with only 6 episodes? now) However, this is countered by great visuals, good archetypes, and a clean story of childhood sweethearts reuniting after loosing their way in life. I landed on 8/10 mostly for a demanding younger seme and some great kisses.

Unknown (Taiwan Tues Youku YouTube) eps 2-3 of 11 - Oh it’s great. I love it. I’m still worried by how gritty and "Taiwanese short-esk" it feels, but wow does this hit all my favorite taboo tropes and buttons. I also adore the little found fam, they the cutest gay older bros ever. The younger one who wants so bad to grow up and take care of the older one and pushes himself because into self sacrifice that’s the only model of love he has. ARGH. BOYS. Why so much pain, just smooch already! Sheesh. It's on YouTube for some of us, here's the schedule.

AntiReset (Taiwan Fri Viki/Gaga) eps 6-7 of 10 - They remain questionably cute, and that is probably going to be my ultimate review of this show. Awe cameo! (Hi babies, hope the ghosts are leaving you alone.) The irony does not escape me that the person in the relationship with the most emotional acumen is, in fact, the robot and not the human. I'm sure that's meant to be deep.

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Gaga) ep 1 of 6 - A tortured second chance romance featuring a reported and a successful celebrity(?) academic. The kid actors look nothing like their adult counterparts, but they do look much younger. So, okay. Ah the utter embarrassment of first love. Oh I like it a lot, so very messy Japanese emo. Sigh. Here we go again.

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) eps 8-9 of 10 - They are a cute couple. They both trying so hard and so confused and awkward and polite in trying to understand each other but TERRIBLE at communication.

My Strawberry Film (Japan Thurs Gaga) eps 3-4 of 8 - I don’t know how I feel about this. But I do know it’s not my thing because it’s not BL. I’ll finish it because it’s short but… meh.

It's done, ready to binge, but I have no time

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.

The Servant and the Young Master (Vietnam YouTube) - I will try when I have a window of time.

Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will watch eventually.

It's airing but...

Dead Friend Forever (Thai iQIYI) - finished it's run and I won't be watching it. It's horror with BL elements and the ending, well, let's just say that's a "no thank you" from me.

Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… no. I'm not watching this. I dislike this franchise.

Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.

Takumi-kun (2023) movie version AKA Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa released on FOD 3/5/2024. The original project was a 6 ep series. Having seen all the previous iterations and read the (terrible) yaoi I admit to being intrigued. If anyone finds eng subbed please let me know with a link in comments or in a DM? For those intersted in this show, probably the world's first true BL franchise I chat all about it here.

Gossip

James Supamongkon has withdrawn from the series Love Upon A Time and the NetJames pair is no more. Net Siraphop will continue with the historical BL project alongside a new partner. Can I interest you in Tod Techit... almost as pretty, legs for days...

The Complete Chronology of the Assault Case Against GMMTV Actor Win Pawin

I'm merely directing your attention to these articles, I do not wish for discussion of this content on this blog. Please don't ask for further info, I don't know the answer, follow the link that's why it's there.

Next Week Looks Like This:

Still Coming

3/21 Two Worlds (Thai IQIYI) 10 eps - announced here. One of those "he's dead Jim so time travel" thingames staring MaxNat. I'm over them but Asia flipping loves this trope and I do adore MaxNat. Phupha (Gun) and Khram (Nat) love each other but Phupha is murdered. Then Khram is pulled to a parallel world where, 12 years ago, Khram and Tai (Max) were in love. However, Khram was killed by Thai’s dad. Now Tai finds alter-Khram apparently alive. But then there is ALSO an alter-Phupha (played by Gun Thanawat who is Khom the repressed butler bodyguard from Unforgotten Night).

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

How flipping adorable is this vampire with his big gay umbrella? SUCH A DORK and we got more vampire dorks coming.

Thailand has found its vampire line and it's awkward and geeky and quite cheerful. 'Bout what we expected, to be fair. It's a good look for them.

And vampires.

In other news...

That's your random moment of thirst, Lim Jimin shirtless AKA my Just B bias (I mean, I could talk about how good his extensions are and how I love a husky voice in Kpop but really, just LOOK at him). I'm very very very shallow, remember? Full vid is here.

Why am I mentioning Lim Jimin (aside from the obvious)? If Just B doesn't break soon, I could some of them transitioning to BL. Jimin in particular would be a win for us, obvs.

Also, can we talk about Bain (my bias wrecker) KILLING it on Build Up? I had no idea he was that good. Anygay, this has been your Kpop end note.

Seriously tho, is ANYONE else watching Build-Up?

(Last week - well, 2 weeks ago)

Streaming services are listed how I'm (usually watching) which is with a USA based IP

The tag bragade: @doorajar

If ya wanna be tagged each week leave a comment and I will. Easy peesy.

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the-sappho-of-lesbos · 2 months

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#another lesbian pulp fiction novel!!!!#that I managed to get cheap #thinking I might start reading and reviewing them #because I know they are all pretty problematic but I love having this part of history #lesbian pulp fiction #lgbt #lesbian

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wonderfulworldofmichaelford · 25 days

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Michael After Midnight: The Films of Quentin Tarantino

There are few directors out there as ridiculously praised and extremely controversial as Quentin Tarantino. He’s done nothing his whole career but release films that garner critical acclaim and massive fanbases due to the stellar acting and writing within his films, but at the same time he’s been relentlessly criticized for his excessive use of racial slurs, his excessive homages to the point of plagiarism, and his habit of inserting his fetishes into every single one of his movies. What fetishes do I mean? Let’s just say his films have a lot of sole, and it would be no easy feet to go toe-to-toe with how in your face he is about what he likes.

While the man does have his problems (don’t get me started, I’m here to review movies, not gossip) and his style certainly isn’t everyone’s cup of tea, I’ve found myself enjoying his work a lot ever since I was a teenager, and his films are what pushed me into checking out a lot of more obscure films in the exploitation genre; in particular, I’m a pretty big fan of blaxploitation thanks to Tarantino’s work, and I doubt I would’ve ever checked it out if not for his constant homages. I can’t really hate a guy who helped make me aware of Pam Grier, can I?

What’s most impressive is that out of his ten films there’s not one I would say is genuinely “bad.” Sure, there’s at least one I think is a boring, middling affair, and there are a couple of heavily flawed but still solid films, but there isn’t a single awful movie in his filmography. That’s honestly pretty impressive, especially considering the sort of weird throwback films he makes. After finally sitting down and watching Once Upon a Time in Hollywood recently, I decided it was finally time to bite the bullet and do what was a long time coming on this blog: Review Tarantino’s movies. And then I just decided, hey, why not review them all at once, as an homage to Schafrillas Productions and his director rankings? Oho, see, I can homage things too!

To be clear here, I’m only reviewing the films Quentined and Tarantined by the man himself; the “Tarantinoverse” is a bit more expansive than his own filmography, as True Romance (which he wrote) is canon and Machete, Machete Kills, From Dusk Til Dawn, Hobo with a Shotgun, Planet Terror, Thanksgiving, and the Spy Kids movies are all part of the “show within a show” side of his world, but those are all topics for another time. Right now, it’s all Tarantino baby! Now let’s get on to the actual ranking, and pray that I don’t put a foot in my mouth with these opinions.

10. Once Upon a Time... in Hollywood

I feel pretty safe in calling this Tarantino’s worst film. It’s not necessarily awful or anything, it has good qualities to it, but it takes every problem Tarantino’s style has and cranks it up to 11.

The film is long and dialogue-heavy, with lots of that classic Tarantino writing, but while individual scenes are good such as when Leonardo DiCaprio’s character is filming a scene with a little girl or Brad Pitt’s character goes to the ranch the Manson Family are holed up at they never really feel like they congeal into a cohesive narrative, instead feeling more like a long string of vignettes. This is especially bad in regards to Margot Robbie’s Sharon Tate, whose numerous scenes really add nothing to the movie but constant looming reminders that Helter Skelter is going to happen and lots of shots of Robbie’s feet. The excessively padded runtime is so bad that when you finally get to the part where the tables are turned on the Manson Family, a historical twist that should feel fun and cathartic, it comes off as too little, too late instead.

It’s really a shame the film is so meandering, because in almost every other aspect it really shines. Every actor is giving it their all; Pitt and DiCaprio are absolutely fantastic, Robbie brings charm even to her filler role, and every single bit part actor is fully committed and leaves a mark. Standouts include Dakota Fanning as the de facto head honcho of the Family when Manson is out and Mike Moh as Bruce Lee in a scene that is at once deeply disrespectful to one of history’s greatest action stars and also very funny. This is a film you can tell everyone involved gave a shit about.

But for me, it’s not enough for me to really love the film. I like a lot about the movie for sure, but I just hate how nothing ever really comes together in a satisfying way. Maybe if a bit of the fat was trimmed I would have a higher opinion of the movie, but as it is three hours of vignettes (even well-acted ones) is truly excessive. It’s mid at worst, but for Tarantino that’s still pretty shocking when everything else he’s done is above average at worst.

9. Death Proof

This is a truly underrated film, but frankly, it’s easy to see why it is that way. This half of the double feature that was Grindhouse is a throwback to films that were actually two movies spliced together, and it has all the issues that entails. The first half of the film is a more grounded, dialogue-heavy buildup to a terrifying conclusion, while the second half is a wild and crazy action and stunt showcase, and the two halves feel at odds with each other…which is by design, but still.

This might be a hot take, but I find the slow burning first half to be the superior part of the film. As much as I love Tarantino’s insane action films, Kurt Russell’s portrayal of the sinister Stuntman Mike is just just utterly gripping; he is easily one of the best villains in Tarantino’s filmography. The whole first half establishes him really well, building up the anxiety until he finally gets to show the girl he leaves with just how well he death proofed his car. He’s just so damn cool.

And then comes the second half where he’s reduced to a bit of a chump. And this probably wouldn’t be nearly as bad if the protagonists up against him were compelling, but they’re not. They’re a bunch of girls who are boring at best and relentlessly unpleasant at worst; the fact they leave behind one of their friends to an uncertain (but likely unpleasant) fate at the hands of a creepy redneck is especially appalling. Beatrix Kiddo they ain’t.

This is a wildly uneven film, so I can see why it didn’t find its audience right away, but I think these days it had garnered a minor cult following. If you can handle the flawed second half, this is still a really good movie with a captivating villain performance that more than makes up for its shortcomings, but I definitely can’t justify putting it any higher on this list.

8. Inglourious Basterds

Oh, this might be a controversial one. This movie is the same sort of beast as OUATIH, which is why I have it so low, but with one crucial difference: It does everything better. Yes, this movie is long and a bit meandering, but it always feels like it’s moving towards a final goal. Yes, it ends with a history-altering plot twist, but this one might be the most cathartic one of all time. And yes, there’s gratuitous feet shots, but at least they’re in plot-relevant scenes.

Of course, the best thing about the movie is the villain, Hans Landa. Christoph Waltz’s big American breakout is one of the most compelling villains of the 2010s, a charismatic, cunning, self-serving Nazi bastard who you really want to see get what’s coming to him. I might be inclined to call him the best Tarantino villain of all time.

I think what weirdly brings the film down is the titular Basterds themselves, and not because they ultimately feel superfluous to the plot; it’s the same sort of thing as Raiders of the Lost Ark, them being absent wouldn’t have changed much but we also wouldn’t have much of an exciting adventure. My issue is that Brad Pitt aside they are just not interesting or compelling at all. You really need to work hard to sell attempted filmmaker Eli Roth as the ultimate Jewish badass, and the film doesn’t really deliver. If only Adam Sandler took the role as was the original vision; we really were robbed. It’s all the worse because it cuts away from the actual compelling plot with Shosanna for these schmucks.

To be clear, I don’t think this is a bad film by any stretch of the imagination, but I find it falls short of the hype around it. I’ve seen it described as movie with a lot of great scenes that never really comes together to be a great movie, and I mostly agree with that assessment; there’s so much to love here, but also so much I don’t care about. It’s definitely worth watching but it’s also where you can see the seeds for the problems with OUATIH planted.

7. The Hateful Eight

This isn’t a Tarantino film held in a particularly high regard; it’s not exactly hated, but it’s not what anyone would call their favorite either. Its contentious nature boils down to something apparent right in the title: Every character in this movie is a fucking asshole. It can be genuinely hard to get invested in these people when they’re a big collection of liars, killers, sadists, criminals, racists, and rapists.

Now, if you can stomach these nasty characters, what you’re left with is “John Carpenter’s The Thing… but a Western!” And I have to admit as a huge fan of The Thing, this is a very solid reimagining of the concept in a grounded setting. I do wish there was any character to root for here, but watching a group of people slowly tearing each other apart in a claustrophobic, isolated setting is still fun to watch. I don’t think it’s nearly as good or insightful as Carpenter’s movie, but very few movies are.

This is definitely a movie I can see people hating more than the previous two films, but I feel like this movie is more consistent than Basterds or Death Proof. Those movies have higher highs, but this movie never hits the lows they do, and even if his character is a massive asshole Samuel L. Jackson is always great to see in a Tarantino flick. Plus that brief appearance from Channing Tatum is great, especially with how it ends. This is a very solid film, but “very solid” is about as high as the praise I’ll give it will get.

6. Reservoir Dogs

Tarantino’s directorial debut, and boy is that readily apparent. It does a good job at establishing hallmarks of his style, like the sorts of conversations his characters have, their love of racial slurs, non-linear storytelling, and his trend of casting himself as a douchey minor character. It does everything fairly well, and I’d go as far as to call it one of the best directorial debuts ever… and that’s about it, really.

Like this is a very good film with strong performances—Michael Madsen and Steve Buscemi being the standouts—but it definitely feels less refined than his later works with the same style. His sophomore film just completely blows this one out of the water, to the point it’s hard to muster up the interest to revisit this as opposed to watching Pulp Fiction for the hundredth time. It’s not that this film is bad; it’s just that Tarantino’s later films do what this one does better.

It’s definitely a good film, maybe even great, but there’s clear room to improve. Hell, there wasn’t a single shot of a woman’s feet in the whole movie! Tarantino was slacking.

5. Kill Bill: Vol. 2

Now we’re in to the really great movies. And yes, while it doesn’t keep up the energy of the first film, I would definitely call this a great movie.

Where the first volume was driven by action, this one is more driven by talking, and thankfully the characters are saying a lot of interesting things here (the standout being Bill’s media illiteracy in regards to Superman, which reveals a lot about his character). There’s also the reveal of Beatrix Kiddo’s name as well as her backstory, and there are some standout moments like Beatrix escaping from being buried alive and the tense final conversation with Bill. Overall, the film does a fantastic job at fleshing the story out and expanding our understanding of the characters.

Like I said, though, it just doesn’t keep up the energy of the first film. Budd is great and serves as a more psychological opponent, burying Beatrix alive as a way to test if she has the resolve to finish her quest for revenge, but both Elle and Bill himself are dealt with in a rather anti-climactic manner. It says a lot that O-Ren, one of Bill’s former lackeys, put up a grander and more impressive fight than her boss did. While I do appreciate the more philosophical approach, it’s hard not to be miffed when a duology called “Kill Bill” doesn’t kill Bill in a more grandiose way befitting the character.

Obviously, I don’t think it brings the film down much, and this is still a good conclusion to the story. I just can’t help but feel it could’ve amped things up just a bit, y’know?

4. Jackie Brown

This is probably the weirdest film in Tarantino’s filmography, being an adaptation of a book that lacks a lot of his usual style and features a lot of people he didn’t work with afterwards (like Robert De Niro and Pam Grier). This has led to a lot of people praising it as one of Tarantino’s best works for being unique among his oeuvre… and also a lot of people deriding it for how different it is from his usual style.

I definitely think it’s up there with his best works, but I don’t think it’s the absolute best. It’s sort of like how I see Christopher Nolan’s Batman movies; they’re great films (well, the first two anyway) but I can’t in good conscience hold them up as the best Batman media because they ultimately lack a lot of what makes me love Batman as a character. And this film lacks a lot of what makes me love a Tarantino movie; it’s a fantastic, realistic crime drama, but that’s not really what I’m watching Tarantino for, you know?

Still, its placement on this list should tell you I still see this as a must-watch. Starring Grier alone makes it worth checking out, and it definitely showcases Tarantino has far more range as a filmmaker than you’d expect.

3. Django Unchained

Right from the opening song, you can tell this is going to be an epic movie. Tarantino truly nailed the Western on his first go around, adding his own spin to the genre and making a truly stellar film. However, it’s not without a few issues.

The main cast is fantastic. We have Christoph Waltz as a noble and heroic abolitionist, an atypical role he pulls off flawlessly; Samuel L. Jackson as a sinister house slave who is all about licking the boot that treads on him; and of course Leonardo DiCaprio as a hammy, egotistical slave owner, a stellar villain role that should have nabbed him an Oscar. Even minor roles are great, with Don Johnson appearing as a plantation owner early on and Jonah Hill of all people popping up as a proto-Klansman.

You might notice I didn’t mention Jamie Foxx as the titular Django. That’s because, unfortunately, he’s a bit of an issue with the film. It’s not Foxx’s performance; he makes Django cool and likable, and his awesome trademark Tarantino roaring rampage of revenge in the third act sells him as a truly badass character. No, the issue is the narrative seems to seriously sideline him in favor of Waltz’s character, to the point for large swaths of the film he feels a bit like a side character in his own story. I don’t find it to be a huge issue, but it can be frustrating, especially since this is a very long movie and a few scenes drag on a bit longer than necessary. You really couldn’t give the title character a bit more to do until the last half hour, Quentin?

Still, I don’t think its issues hold it back all that much. This is an incredibly fantastic film whose highs easily overshadow its frustrating lows. Frankly, if any Tarantino movie deserves a sequel, it would be this one; I think Django has a lot of interesting stories in him, and a film where he actually gets to be the central character the whole time would be great.

2. Kill Bill: Vol. 1

This right here is pretty damn close to being my absolute favorite Tarantino film. Where something like OUATIH is all of Tarantino’s flaws compounded into one film, this is all of his strengths together in one film. Fantastically violent action, stellar casting with not a single weak performance, an awesome soundtrack, tons of great homages to the works that inspired it, non-linear storytelling used effectively, and more style in a single frame than some movies have in their entire runtime.

Frankly, I don’t have a lot of issues with the movie, though I kind of don’t like how all the action is front loaded while all the character insight and dialogue gets shoved into the second part. It’s nothing that makes me think less of either film, but I think maybe sprinkling more insight into who the Bride is in this movie and putting some more action in the second part would keep the sequel from feeling a bit anti-climactic. I also wish we got more of Vernita Green, the first assassin we see dispatched onscreen and the one who gets the least characterization; with a third film increasingly unlikely at this point, meaning we won’t ever see her daughter seek her vengeance, it’s a shame we don’t get at least a little more of a look into who she is as a person like we did with Budd and especially O-Ren.

Aside from that, though? This is Tarantino at his best, and Uma Thurman’s crowning achievement as an actress, one that cements her as action royalty alongside the greats like Schwarzenegger, Stallone, and Weaver. There’s just one film Tarantino did that, objectively, is a much better film, and I’m sure as soon as you saw this ranking you knew exactly what it’d be...

1. Pulp Fiction

Of course this takes the top spot. Was there ever any doubt? This movie is everything Tarantino is about rolled into one supremely satisfying package.

The cast is nothing short of phenomenal. We have Bruce Willis in his prime, we’ve got John Travolta pulling out of a career slump, we’ve got Uma Thurman and Ving Rhames in roles that put them on the map, and we have a veritable buffet of talent in minor roles, the most memorable of which is Christopher Walken telling a child the delightful story of a pocket watch’s journey home from war. There’s not a bad performance here. But of course the real superstar is Samuel L. Jackson, who gave a career-defining performance as Jules, the baddest motherfucker around (it says so on his wallet).

The great performances wouldn’t matter much if not for the great script, though. The dialogue in this film is unreal with how good it is, with characters having very odd yet also very realistic and natural conversations. Jules and Vince discussing burgers, for instance, is one of the most memorable sequences in the film… and it’s just them driving! Some of the writing is a little contentious (did you really need to have your character say the N-word fifty times, Quentin?), but none of it is really bad.

I will say Tarantino as Jimmy is one of my few issues with the film, but also an issue I kind of like anyway. His acting is a wonky and there is genuinely no reason why he should be spouting off all these racial slurs (even in-universe, since his buddy Jules and his wife are black), but the sheer audacity of the whole thing saves it. Still, I can’t help but feel the scene hasn’t aged as gracefully as a lot of the film, and the amateur performance from Tarantino sticks out all the more because he is standing right next to two of the most talented actors ever.

Another aspect of the film I think has aged pretty poorly is the gay hillbilly rapists, but I don’t think this aspect is as cut and dry as “hey maybe the white director who has little acting training shouldn’t play the guy who says the N-word.” On the one hand, having the only queer characters in your movie being depraved rapists is not a good look, though this was par for the course for the 90s. On the other hand, the movie treats Marsellus getting raped with the same level of deadly seriousness that a woman in that position would receive in a film. That’s a pretty bold, progressive plot point, especially since men getting raped (especially male-on-male) was and still is used as a joke. And watching the movie in a day and age with tons of queer characters in media does soften the blow a bit, because these aren’t the only gay characters you’ll see in fiction anymore. I think it’s important to have discussions about these sorts of archaic portrayals of queers in film, but I don’t think this breaks the movie.

In modern times the film has gotten a reputation as a “red flag” film loved by toxic guys, and I think that’s unfair; is it the movie’s fault dudebros fail to see the movie is a refutation of crime and violence? Think about it: The only person in the film who gets an unambiguously happy ending is the one who has a spiritual awakening and abandons his criminal ways to walk the Earth. Every other major character pays in some way for their continued violent ways: Butch goes through Hell and ends up in exile, Marsellus Wallace gets raped, Mia overdoses and nearly dies, and Vince does die. Hell, there’s an entire segment where Jules and Vince are repeatedly chastised for careless violence causing a huge mess; as you may recall, Jules’ pal Jimmy was not too keen to find Phil LaMarr dead in his garage, and had some choice words to say about it. Stupid people see the blood and slurs and take it at face value, but the narrative itself tells these sorts they’re well and truly fucked because when you live by the sword, you die by the sword.

Of course, my favorite interpretation of the film is that it is espousing the belief that Beatles fans are superior to Elvis ones, as an extension of Mia’s comment in a deleted scene that you’re either an Elvis person or a Beatles person. Vince is clearly an Elvis guy, and he is presented as an unprofessional, careless buffoon who causes numerous issues and ends up dying due to his own inattentiveness; meanwhile, Jules is vaguely implied to be the proverbial “Beatles guy” (he calls the robber in the diner “Ringo”) and escapes the film unscathed. This is even funnier when you consider that one of Tarantino’s first onscreen roles was as an Elvis impersonator in Golden Girls, something that implies he might be an Elvis guy himself, which would make the film the most epic act of self-deprecation ever.

This is one of the greatest sophomore releases from a director ever, and one of the greatest films of the 90s. This film frequently finds its way to the top of “best films of all time” lists, and with good reason; it is, to this day, just that good. I think there’s a temptation to call any of his other films his magnum opus due to just how acclaimed and pervasive in pop culture this film is, but it got that way for a reason. It is a damn good crime story with all sorts of twists and turns and plenty of stuff for viewers to ruminate on and interpret as they please. Hell, I thought I liked Kill Bill more than it until I rewatched it, but boy does this just blow even that masterpiece out of the water.

If nothing else, the film is incredible for one simple reason: Tarantino managed to insert his foot fetish into the film without it feeling as needlessly gratuitous as it is in some later films! Bravo, Tarantino!

#Michael After Midnight #Review #movie review #Quentin Tarantino #Reservoir Dogs #Pulp Fiction #Jackie Brown #Kill Bill #Death Proof #The Hateful Eight #inglourious basterds #once upon a time... in hollywood #django unchained #action #crime #drama #exploitation #grindhouse #feet

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pricelesscinemas · 9 months

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#letterboxd #movie #movie review #movie reviews #movies #movie recommendation #movie recommendations #review #reviews #quentin tarantino #death proof #once upon a time in hollywood #ouatih #pulp fiction #inglourious basterds #kill bill #django unchained

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jaysterg5 · 7 days

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Xenozoic Tales Vol. 1

by Mark Schultz

After the Cataclysm, the Earth has reawakened and the dinosaurs walk the world again. But man still has some artifacts of old civilization - ruined cities, firearms, and mechanical marvels that power the cities and can move him around this new world. But there are still dangers around every corner, and you need a man like Jack Tenrec to keep you safe.

Quite the phenomenon in the late 1980's and early 1990s, this book reprints issues one through six and includes the very first Xenozoic story from Death Rattle #8. The first issues featured two stories each and served to really set up this world. In fact, this entire volume is Schultz world-building and establishing his characters. The world is a different place and much technology has been lost in the 500 years since the Cataclysm. Some people retain the ability to work with machines, but others have degenerated to a hunter/gatherer state. While people still huddle in cities, the interior of the land is very wild and dangerous and hides many unique secrets.

While there are still scientists hoping to bring mankind back to a greater form of civilization, there are also criminals and politicians that only look out for themselves. The more things change, the more they stay the same! The complexities of this new world only offer more issues and more conflict.

Jack Tenrec is a mechanic and a de facto leader in the tribe of the City by the Sea. While he chooses not to be an official member of the government, others look up to him and respect him for his ideals. He warns that people should live in concert with the world, not try to change it for their benefit, but those in power don't often listen until it's too late. Jack's affinity for machines has him living and working in a garage separated from the rest of the city, where he works on his archaic vehicles and converts them to guano power from whatever those ancients used. Cleaner energy for sure!

Jack is introduced to Hannah Dundee, an ambassador and something of a scientist from the distant land of Wasson. She seeks to initiate trade and knowledge exchange between the tribes. She is insatiably curious and headstrong. Just like any woman should be in the post-Cataclysmic world.

There's a lot of commentary in the undertones of the book, and some that's not exactly undertones as well. This book forms a cautionary tale about ecological and political disaster that we can still take to heart almost 35 years later. And all of it is draped in a lot of pulp action and gorgeous line art.

Schultz is in the same category of the Dave Stevens (The Rocketeer), Al Williamson (Flash Gordon), and Milton Cannif (Terry and the Pirates). His art style is gorgeous with detailed lines and a style that borders on the cheesecake. You won't find any ugly women in this series! He takes special care in rendering the animals and dinosaurs as well, and his backgrounds are full of detail and shadow that just draws you into this world. From complex machinery that has a real Jack Kirby feel to the expanses of the Xenozoic world, each panel is a joy to explore. This book is worth your time even if you don't want to read the story. Just page through it and absorb the artwork.

Filled with monsters, machines, and mysteries, Xenozoic Tales is certainly worth a read. Escape the current world for an afternoon and disappear into Mark Schultz's creation. You won't regret it.

#xenozoic tales #mark schultz #jack tenrec #hannah dundee #cadillacs & dinosaurs #dark horse comics #comic books #comic review #pulp art

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girlreviews · 26 days

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Review #162: Different Class, Pulp

I distinctly remember Pulp having their moment in the mid 90s. I was 7 when this record came out, and I burned into my brain is the sound of whatever cool young presenter was rotating in at that moment (I’ll say this was probably peak Zoe Ball/Jamie Theakston era) saying “it’s Friday, it’s seven thirty, it’s TOP OF THE POPS”, and you know, I really absorbed a ton of music being glued to that show so religiously but I particularly remember Pulp’s videos airing because I really felt it and was like, what is this?

That would have been either Disco 2000 or Common People, it doesn’t matter anyway because I love them both. There are a few songs in life that have massive commercial success and infiltrate general popular culture. Sometimes that can really spoil it, because it’s everywhere, it gets overplayed, people aren’t really listening to it, they’re missing the point. To be honest, all of that is probably true for both of these songs, but again it doesn’t matter because I’ve never stopped enjoying them. They’re just as good every time I hear them. Every time. How is that? How?

It’s the subject matter that they’ve chosen to focus on. A particular nostalgia and way of life. It’s the incredible detail that you only know if you know (wood chip on the wall). But mostly it’s the way the emotion seeps out of literally every sound, verbal and non-verbal. Sometimes Jarvis Cocker lets out these little tuts or gasps and you can just feel his disdain and the roll of his eyes. He whispers “Deborah” in such a way. He plays with his delivery and tone so that if you are paying attention you can pinpoint the exact points where he switches from sweet earnestness and sincerity to cutting sarcasm and biting, snarling social commentary that is seething in resentment. There are few artists that can take “ooooohs” and “yeahs” and pack it so full of emotion:

What are you doing Sunday baby?

Would you like to come and meet me maybe?

You can even bring your baby

Ooooooh, ooooh oooh ooooh oooh ooooh ooh

Oooh oooh oooh oooh oooh!

On paper, you read that and think, that’s not great. But you hear it, and you think, damn that’s really something. How? HOW?

That’s just Disco 2000. I really am going to have a hard time not writing an entire dissertation on Common People. It’s incredible. The intro is just iconic, and everyone always loses their minds when it starts to play any time, any place. Rightfully so. It’s so clever. It’s so particular. It captures so well this very particular British feeling of hating, loathing, and having such disdain for rich people who cosplay as poor. We all know someone who’s been that person and it just rubs you the wrong way. Musicians and creatives especially who like to play pretend that they are starving artists when really they have a nice little bit of mailbox money and couldn’t even comprehend the reality of struggling with actual poverty. Their romanticization of being “working class” is condescending, insulting and pathetic. Summed up perfectly by this song, and delivered with absolute perfection, as if Jarvis is really trying to hold back losing his shit at someone. There’s a part where he inhales and holds his breath for a second, and it genuinely feels like he is fucking livid. Seething.

“Like a dog lying in a corner

They will bite you and never warn you

Look out, they'll tear your insides out

'Cause everybody hates a tourist

Especially one who thinks it's all such a laugh

Yeah and the chip stains and grease

Will come out in the bath

You will never understand

How it feels to live your life

With no meaning or control

And with nowhere left to go

You are amazed that they exist

And they burn so bright

Whilst you can only wonder why

Rent a flat above a shop

Cut your hair and get a job

Smoke some fags and play some pool

Pretend you never went to school

But still you'll never get it right

'Cause when you're laid in bed at night

Watching roaches climb the wall

If you called your dad he could stop it all

Yeah

Never live like common people

Never do what common people do

Never fail like common people

You'll never watch your life slide out of view

And then dance and drink and screw

Because there's nothing else to do”

Fuuuuuuck. You give us all of that, and on top of it, it’s an undeniable banger too. Iconic. I loved it when I was 7. I love it now. I’ll never, ever, be mad to hear this song.

Moving on, which I’m proud of myself for doing because it’s difficult for me to not spend more time picking apart Common People. I could easily go on, but instead I’m going to talk about Something Changed which is quite a different vibe from those two singles. It’s very sweet, and has lovely strings in it, just about how your life changes when you meet someone new and fall in love. Everyone spends time asking questions about how you ended up meeting, what if this, what if that? It’s really lovely. You can meet someone and suddenly everything is different — for better or worse.

Giving a nod to Sorted for E’s & Wizz, which, again, through their talent of perfectly describing specific scenes — I’m taken back to days of frequenting muddy festivals or going to some raggedy show at a pub in Camden that really felt like it wasn’t structurally sound and that if we didn’t stop dancing the top floor might actually fall beneath us. But it was okay you know, because we had our drinks and/or substances. Except, then comes the days following, which aren’t so good:

“In the middle of the night

It feels alright

But then tomorrow morning comes

Ooooh, ooooh and you come down”

Yes. You do.

2020 was the 25th anniversary of Different Class, and on social media it was being posted a lot with the question of what song was the best from the album. Everyone had a lot of opinions, of course, but my correct opinion is that Underwear is the best track. If for no other reason than for this line:

“If fashion is your trade

Then when you’re naked

I guess you must

Be unemployed, yeah”

Don’t go too much longer in your life without hearing this song. It’s classic Pulp, that same thing: earnestness, longing, sincerity, mixed with resentment and bitterness. Delivered perfectly. It’s like hearing someone expressing that they want to save someone that they kind of hate.

Something I think about all the time. And I mean all the time. Is how at the 1996 Brit Awards, Michael Jackson was performing Earth Song. It was this very hammed up thing where essentially he was portrayed as the messiah and it really obnoxious (although I loved this song, but in a comical kind of way, once sang it at karaoke — do not recommend). Anyway, Jarvis Cocker was genuinely appalled at the display and rushes the stage to moon MJ. What should have just been an amusing moment turned into a whole thing. There were children on stage and he was even questioned by police. It was all fine in that there was no serious wrong-doing found to have taken place, but his mental health sure did take a hit after that.

BUT I SWEAR, I swear, and I can’t find it and can’t find any evidence of it, but I swear on my life that in the following few weeks, Pulp were on TOTP again, and they made light of the situation by having Jarvis performing from a set that looked like a jail cell. It’s so specific I don’t feel like my brain could be making it up, but it’s possible I’m wrong.

They had broken up or at least gone on hiatus by the time I was old enough to see them live, which really hurt my heart. Fortunately they would reunite occasionally and I did get to see them at Hyde Park once. Now they actually tour fairly regularly, and are even returning to North America after a long-ass time, who knows. Maybe I’ll see them again. Maybe he’ll cover Earth Song (again, do not recommend).

#album review #music #music review #rolling stone top 500 #pulp #different class #jarvis cocker #common people #disco 2000

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smallgraygames · 1 year

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Let it be Pulp

I've been watching this Cabinet of Curiosities show from Guillermo del Toro, and I particularly liked the second episode, "Graveyard Rats." It was simple and straight-forward pulp horror, the kind of thing that it seems like the show wants to be, and fully delivered on that level. Kind of goofy, kind of spooky, with monsters and stuff.

I glanced at some reviews after I was done, and one complaint I kept seeing about the episode was that it was too simple. It wasn't putting a new spin on the genre, wasn't giving you anything beyond what you expected. It kind of rubbed me the wrong way, because it didn't seem to me that the episode had any intention of doing that. How can you complain about pulp horror being what pulp horror is?

If it set out to do something and failed, that'd be worth criticizing, but so often reviews seem to fall into this trap. I see it in game reviews constantly: "this didn't build on the genre in any meaningful way," with no argument made for why that was something the game should've done. It feels like a strange assumption to make, almost like some kind of unconscious carry-over from the basic mechanisms of capitalism that insist on continuous growth for survival.

Not everything has to reinvent the genre. A straight-forward entry in a well-established genre is a perfectly valid thing to be. It's called "Graveyard Rats," so I went into it hoping to see, at a minimum, a graveyard and some rats. I was not disappointed.

#cabinet of curiosities #graveyard rats #guillermo del toro #pulp horror #horror #reviews #vincenzo natali

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toomuchhorrorfiction · 1 year

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gtetrahedron · 9 months

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Other Worlds, Other Gods

finished "other worlds, other gods" a '71 short story collection focusing on religion in science fiction. lots of it is real pulpy, with only the slightest hints of new wave shining through (mostly via john brunner), but its some good pulp. not a long or heavy read, only a day or two.

most of the stories were from the late 50s and early 60s, with a few from the 40s and late 60s. highlights include lee suttons soul mate, john brunners the vitanuls, anthony bouchers the quest for saint aquin, and damon knights shall the dust praise thee.

i would recommend it with the caveat that theres nothing super weird, unfortunately (which would be my main criticism). it mostly stuck to christianity (primarily catholicism!) and pastiches of such, with a few jewish cameos and one of hinduism and buddhism each. no alien religions, really. weirdest one was definitely soul mate. nothing ubik-level, lol.

side-note if any of my followers is more learned in hinduism: id be curious about your reading of the vitanuls; im not sure how accurate of a representation it is, being written by a brit, but it seems decent enough? i have very little knowledge of the religion, though, and am supremely unconfident saying that.

#literature #scifi #new wave #short story #short stories #review #john brunner #arthur c clarke #anthony boucher #damon knight #lee sutton #pulp sci fi #pulp science fiction #pulp art #aliens #religion #i would have tagged this with bookblr but from what i can tell that tag is comprised #entirely of people taking dark academia pictures #lol

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esonetwork · 1 year

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'The Shadowed Circle #2' Book Review By Ron Fortier

New Post has been published on https://esonetwork.com/the-shadowed-circle-2-book-review-by-ron-fortier/

'The Shadowed Circle #2' Book Review By Ron Fortier

THE SHADOWED CIRCLE # 2 Editor/Publisher Steve Donoso A Renaissance Press Publication 62 pages

Last year pulp enthusiasts were treated to the premier of this excellent new magazine devoted to arguably the great pulp hero of them all, The Shadow. The magazine was crammed packed with excellent, informative articles, and great artwork all beautifully designed. Now comes the second issue equally as good only with an additional 12 pages. Talk about making a good thing better.

The first article “Stories of World History and The Shadow” kicks it all with a look at the greatest Shadow graphic adventure ever published, Marvel’s “Hitler’s Astrologer” as written by Denny O’Neil and illustrated by artists Michael Kaluta with gorgeous inks by Russ Heath. We think so highly of this book, we own two copies.

Next Will Murray offers up memories of his time working with Tony Tollin on the Sanctum Shadow reprints series. Murray’s anecdotes are always fun and sometimes eerily revealing.

Editor Steve Donoso then ushers in a truly wonderful pictorial of old New York by photographer Berenice Abbott that showcases a 1030s landscape that was clearly the landscape for many of the Shadow’s adventures. It is a nostalgic treasure we greatly enjoyed.

Tim King’s “The Dark Avenger in Military Heraldry” was really fascinating stuff.

Donoso then reviews Will Murray’s “Master of Mystery: The Rise of the Shadow.” Something we did as well when the volume was first released.

Todd D. Severin and Keith are their histories of the character with “The Shadow – Mysterious Being of the Night – The Pulp Years – Part 1.” Again informative and fun. Will be eagerly awaiting future segments.

“The Shadow and the Explorers Club” by Julian Puga is a short two-page article and a nice finale to a wonderful issue.

If you’re a Shadow enthusiast by any degree, visit their online website and pick up a copy…of both issues. You’ll be richer for it. Tell them the sun is shining by the ice is slippery. (www.theshadowedcircle.com)

#book review #ESO Network #ESO Network Book Review #Pulp Adventure #Pulp Review #Renaissance Press Publishing #Ron Fortier #Steve Donosco #The Shadow Circle 2 #The Shadowed Circle

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absolutebl · 1 month

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This Week in BL - People of Earth we have VERSE rep in 2 Thai BLs! Amazeballs!

Organized, in each category, with ones I'm enjoying most at the top.

March 2024 Wk 3

Ongoing Series - Thai

Deep Night (Thurs iQiyi) ep 2 of 8 (10?) - Everyone seems to be a bit of a player and I’m not mad about it. It’s nice to see high-grade flirting, and I really love how very gay the leads feel. Not BL gay. Actual gay. We shall see how it goes, I suspect we are in "messy gay" territory in which case, I predict utter carnage and that this show will drop ranks precipitously for me. But right now? Of all the Thai BLs airing, I'm enjoying this the most. How bizarre.

I like the side couple (thrupple?) too, despite the prat fall kiss and possible cheating. They very pretty:

To Be Continued (Thai C3 Thailand grey) ep 4 of 8 - oh dear NO honeychild, face masks are gross tasting!

Rule no 966 of the BL world. He’s never asleep.

Argh Achi wants Ji so bad. Nice mutual kiss tho, despite Ji's baggage. I guess Ji knew what would happen if Achi stayed? But why is he so scared? Just deeply closeted? The backstory is very high school achy and I feel like it explained Achi but not Ji. And the crying in the movie was lovely, so we totally understand Achi's but Ji is just messed up and confused? I admit to being a bit confused too. Why is Ji the one so angry?

On a totally different aside, I really like how the set dressing is done in Ji’s apartment. It looks lived in and not staged. Super rare in Thai BL. I'm reminded of Ai & Pond's dorm room in Love By Chance, which actually looked like a real college dorm.

City of Stars (Fri iQIYI) ep 7 of 12 - Why is it always the pulps that actually trot out the best communication, conversation, consent, and healthy relationships? Yes I'm still wincing over the truly bad acting but I’m enjoying their good relationship. The sex scene was sweet and tender, although the likelihood of rose petals getting stuck places wigs me out. (Flower petals + lube = terrible combination. Just FYI.)

ALL PRAISE VERSE REP! And a bottom who owns it! Yay!

1000 Years Old ep 5 of 12 - How ridiculously colorful and flirty they all are. There is nothing at all vampire about this show. I’m a bit bored by the restaurant plot but I'm tuning in for the bonkers approach to goth. How dare they be so cheerful with my precious emo youth, but also, how very Thai pulp of them.

Ongoing Series - Not Thai

Unknown (Taiwan Tues Youku YouTube) ep 4 of 11 - oh it’s SO GOOD. Reading the yaoi and crying. COME ON TAIWAN HAVE MERCY. The red wrapping of the hands (red thread, yes yes we get it). The boy who doesn’t want to box for so many reasons. Not the least of which is how unpleasant it is to spar with a lover.

This is easily the best BL currently airing and it is going to hurt us. But I don't care. I love it.

AntiReset (Taiwan Fri Viki/Gaga) eps 8 of 10 - This show is dangerously cute and I’m scared for everyone involved, including me.

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Gaga) ep 2 of 6 - Poor baby thrown in all willynilly amongst a pack of queeny bitchy gay intellectuals. I'd be lost too. It's the worse kind of fight, one you have to philosophize your way out of.

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) ep 10fin - They are extremely adorable and it was a very good ending - mature, adult, and bittersweet. I liked it a lot. But I didn’t love it the way I wanted to.

The promise of this show, younger cook courts older divorced office worker, should have been my catnip. I mean if someone pitched this to me in an elevator I would have downloaded it by the second storey. Unfortunately, it did not exactly fulfill that promise, not in the way I'd hoped. Did I still enjoy the ride, yes, but I feel just a little let down. 8/10

My Strawberry Film (Japan Thurs Gaga) eps 5 of 8 - Honestly now I’m just shipping the two girls getting together. Frankly, I really don't like this show, and normally I'd DNF but there's only a few eps left and nothing else is airing rn.

It's done, ready to binge, maybe I'll finally get to it this weekend

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps

The Servant and the Young Master (Vietnam YouTube)

Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will watch eventually.

It's airing but...

Time the series (Tue Gaga/YT) 10 eps - it's finished now, I dropped it at ep 4. Should I bother?

Close Friend Season 3: Soju Bomb! (Thai ViuTV grey) 10 eps - I'm exhausted by this franchise and the variety pack style of BL. If there is a particularly good couple (or installment) I might watch it, but I'm letting others decide for me.

A Secretly Love (Thai WeTV grey) 10 eps - I watched the first ep but grey is too much work for this inferior of a show. I may pick up and binge if it gets distribution but for now, it gets a DNF from me. KimCop might have held this crap together but Kim without Cop? No thank you.

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school, not my thing. DNF unless it turns a corner and is truly amazing for some reason.

Gossip

The choreo controversy - Deep Night vs OnlyOneOf. Look, like a musical rift, or a styling photoshoot, there are no new ideas in choreo, I feel like Madonna did this pose too, a long time ago. Certainly someone in the 80s. Or whatever. Anygay, it's an ironic thing to see a Thai BL being called out by a gay-branded Kpop group when both are exploiting eroticized homosexuality for commercial profit... just saying. (HOW DID WE GET HERE?) Not to mention that BOTH are ALSO exploiting the kink community. We live in interesting times, BLabies. In the end, it's a good publicity stunt all round. And I think Nine knows exactly what he's doing (and why he is doing it). Finally: Drama drama drama around coreo? That is V gay boys. Fun fun fun, carry on everyone.

Strike a pose.

You're being recorded for posterity.

Next Week Looks Like This:

Starting

3/21 Two Worlds (Thai IQIYI) 10 eps - One of those "he's dead Jim so time travel" thingames staring MaxNat. I'm over this concept but Asia flipping loves it and I do enjoy MaxNat. Phupha (Gun) and Khram (Nat) love each other but Phupha is murdered. Then Khram is pulled to a parallel world where, 12 years ago, Khram and Tai (Max) were in love. However, Khram was killed by Tai’s dad. Now Tai finds alter-Khram apparently alive. But then there is ALSO an alter-Phupha to deal with. (Phupha is played by Gun Thanawat who was Khom, the repressed butler bodyguard from Unforgotten Night. We like this, we scared of the love triangle aspect.)

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Forgive me a moment of industry noodling?

Have ya noticed that it's slender pickings right now but it shouldn't be? This is not the mid summer slump nor end of year lull. We should be getting some heavy hitters on first quarter release. (Side eyes GMMTV. Perhaps those painful Japanese acquisitions were a bigger issue than any of us realized?)

Anygay, IMHO, Thailand's BL bubble has popped and sponsor money is drying up. This is my shocked face:

Look, the 2021-2023 level of release and growth (exponential) was never gonna be sustainable, so I'm not surprised. I suspect that in 2024 Thailand will actually produce fewer BLs than 2023 (73, 64 in 2022, and 40 in 2021).

I know I'm sticking my neck out predicting any film industry but... I have seen this kinda thing before and it just *feels* like shrinkage. Thai BL's load has been shot, my peeps. (Not to be crass or anything.)

Oh, don't worry you pretty head about it, it's not going away, just getting less prolific.

Don't we all in our old age?

THIS WEEK’S BEST MOMENTS

My favorite trope, sniff him!

Queen. (both Deep Night)

King. (City of Stars)

Verse rep verse rep verse rep!!! Can you see me doing a little dance this side of the screen?

(Last weeks summation)

Streaming services are listed by how I'm (usually) watch, which is with a USA based IP, and often offset by a day because time zones are too much work.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

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