#publisher ad platform

[gamoshi]

In the ever-evolving landscape of digital advertising, two methodologies have emerged as key players in maximizing ad revenue: Header Bidding and Real-Time Bidding (RTB). These technologies revolutionized the way publishers sell their ad inventory, offering more transparency, control, and ultimately, higher revenue potential. In this comprehensive exploration, we delve into the intricacies of Header Bidding and RTB, dissecting their differences, advantages, and implications for demand-side platforms (DSPs), video marketplaces, and video ad publishers.

#advertise on apps #audio advertisement #demand side platform #header bidding vs rtb #video marketplace #video ad publishers

[airtoryinc]

A good ad server is the core of impactful and effective advertising. It provides the best ways for publishers and advertisers to design ad creatives efficiently and run ad campaigns across media channels.

#publisher advertising platform #publisher ad server

[emberwhite]

I spent the last 11 months working with my illustrator, Marta, to make the children's book of my dreams. We were able to get every detail just the way I wanted, and I'm very happy with the final result. She is the best person I have ever worked with, and I mean, just look at those colors!

I wanted to tell that story of anyone's who ever felt that they didn't belong anywhere. Whether you are a nerd, autistic, queer, trans, a furry, or some combination of the above, it makes for a sad and difficult life. This isn't just my story. This is our story.

I also want to say the month following the book's launch has been very stressful. I have never done this kind of book before, and I didn't know how to get the word out about it. I do have a small publishing business and a full-time job, so I figured let's put my some money into advertising this time. Indie writers will tell you great success stories they've had using Facebook ads, so I started a page and boosting my posts.

Within a first few days, I got a lot of likes and shares and even a few people who requested the book and left great reviews for me. There were also people memeing on how the boy turns into a delicious venison steak at the end of the book. It was all in good fun, though. It honestly made made laugh. Things were great, so I made more posts and increased spending.

But somehow, someway these new posts ended up on the wrong side of the platform. Soon, we saw claims of how the book was perpetuating mental illness, of how this book goes against all of basic biology and logic, and how the lgbtq agenda was corrupting our kids.

This brought out even more people to support the book, so I just let them at it and enjoyed my time reading comments after work. A few days later, then conversation moved from politics to encouraging bullying, accusing others of abusing children, and a competition to who could post the most cruel image. They were just comments, however, and after all, people were still supporting the book.

But then the trolls started organizing. Over night, I got hit with 3 one-star reviews on Amazon. My heart stopped. If your book ever falls below a certain rating, it can be removed, and blocked, and you can receive a strike on your publishing account. All that hard work was about to be deleted, and it was all my fault for posting it in the wrong place.

I panicked, pulled all my posts, and went into hiding, hoping things would die down. I reported the reviews and so did many others, but here's the thing you might have noticed across platforms like Google and Amazon. There are community guidelines that I referenced in my email, but unless people are doing something highly illegal, things are rarely ever taken down on these massive platforms. So those reviews are still there to this day. Once again, it's my fault, and I should have seen it coming.

Luckily, the harassment stopped, and the book is doing better now, at least in the US. The overall rating is still rickety in Europe, Canada, and Australia, so any reviews there help me out quite a lot. I'm currently looking for a new home to post about the book and talk about everything that went into it. I also love to talk about all things books if you ever want to chat. Maybe I'll post a selfie one day, too. Otherwise, the book is still on Amazon, and the full story and illustrations are on YouTube as well if you want to read it for free.

#books #reading #childrens books #lgbtq #lgbtqia #autism #transgender #furry #therian #art #deer #queer #artists on tumblr #creativity #illustration

[gootarts]

as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)

as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.

the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.

Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.

A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.

The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).

Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.

Segments about the termination on the MBN 7 o' clock news and MBC's morning news

Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.

Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.

A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.

Digging up verified reviews from previous employees regarding the company's poor management practices

Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.

Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.

To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.

[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]

[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]

let me know if anything needs correction or if anything should be added.

#project moon #limbus company #obligatory text post tag #that's all i've got for now. highly encourage y'all to not open limbus until they make a statement

[strangesmallbard]

hey so. i’ve seen many people reblogging some variation of “israel spent millions on a superbowl ad to distract everyone from the airstrikes on rafah” and decided to do some fact-checking. the ad was produced by the kraft foundation to stop jewish hate, founded by robert kraft, who owns the patriots. kraft also partnered with dr. clarence b. jones—who advised dr. martin king luther jr and helped him write the i have a dream speech—to create this ad. according to tara levine, the fcas president, this ad was made in response to rising antisemitism on social media platforms, which her team tracks.

here’s a link to the foundation’s about page on their website. their mission statement solely focuses on combatting antisemitism and does not mention i/p or the ongoing war. the ad itself does not mention i/p or the ongoing war. it’s pretty ironic, and yet not surprising, that an ad created to stop antisemitism is currently the eye of the antisemitic storm on social media. if you sincerely believe netanyahu secretly funded this ad campaign to “distract everyone” from the idf’s airstrike attack in rafa, then you have bought into two different antisemitic conspiracy theories: that jews control the media and that diasporic jews have dual loyalty to israel. while political zionists have used accusations of antisemitism to invalidate pro-palestinian efforts, that’s not what’s happening here. all this information is obtainable via google. please learn to fact check yourselves before posting. thanks!

(bonus: here’s a 20-minute video where kraft and dr. jones discuss the civil rights movement, anti-black racism, antisemitism, and the history of solidarity between black and jewish activists during the civil rights movement.)

EDIT 2/23/24:

after publishing this post, i researched robert kraft and fcas' funding source and pro-israel efforts more deeply, then analyzed my findings in a reblog, which you can read here. tl;dr version - in 2019, kraft was given the genesis prize, a $1 million dollar award. the awarding foundation has direct ties to the israeli government. kraft used part of these funds to finance fcas. this additional information does not negate my original post, however; i can't find any conclusive evidence that the israeli government directly funded kraft's superbowl ad. there is also no evidence that kraft is targeting anti-israel sentiment in the ad rather than antisemitism overall. assuming this connection is still evidence of antisemitic conspiratorial thought, as i detail above.

i'm including this information because i believe it's important to acknolwedge wider context. i don't share kraft's politics re: israel and believe his stance compromises his foundation's overall messaging. i also condemn any efforts to silence pro-palestinian efforts with accusations of antisemitism, but that is still not what's happening here. i also want to clarify that i'm only discussing responses i've seen to kraft's ad, not the ads produced by the israeli government. thanks again!

#i/p #antisemitism #yell.txt

[epublisherworld]

Best Advertising Platform For Publishers

Which advertising platform is the most effective for publishing companies? Because there are so many various choices available on the market today, the answer to this issue is not immediately evident to a lot of different individuals.

In addition to that, each of these distinct platforms offers a unique set of perks and features, and each caters to a little different audience, which may make it challenging to choose just one. But there’s no need to panic since we’re here to assist you.

This guide has been compiled with the intention of assisting you in selecting an advertising platform that is suitable for both you and your company by taking into account your existing circumstances as well as the kind of traffic that is currently accessible to you.

What are the benefits of using your advertising platform?

Direct placement of adverts inside the Creator is an option that is made available by our company. However, we are aware that there are often methods that are already being used. Support is provided for all of the typical operating systems used for this.

In addition, we provide digital advertising solutions that may assist you in the launch and expansion of your company. Our advertising platform is simple to use and assists you in connecting with the people you are trying to reach.

You have the option of generating your own advertisements, promoting them on social media or in blog entries, or using our services to drive traffic. Using our ad builder tool, you can even incorporate advertisements into already-existing websites.

This means that you do not need to worry about compatibility concerns with any of the other advertising systems that you are presently using.

How can I increase my earnings with the most effective Advertising platform?

Paid advertisements that are shown on digital platforms, such as websites, apps, social media, and other similar venues, are referred to together under the umbrella term known as “digital advertising.” One kind of digital advertising is known as online advertising, and it enables companies to target and communicate with customers via the use of the internet.

for more check out

#advertising platform #epublisher #publishing #ads

[mostlysignssomeportents]

Why Millennials aren’t leaving Tiktok

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me TOMORROW NIGHT (Mar 22) in TORONTO, then SUNDAY (Mar 24) with LAURA POITRAS in NYC, then Anaheim, and more!

The news that Gen Z users have abandoned Tiktok in such numbers that the median Tiktoker is a Millennial (or someone even older) prompted commentators to dunk on Tiktok as uncool by dint of having lost its youthful sheen:

https://www.garbageday.email/p/tiktok-millennials-turns

But "why are Gen Z kids leaving Tiktok?" is the wrong question. The right question is, why aren't Millennials leaving Tiktok? After all, we are living through the enshittocene, the great enshittening, in which every platform gets monotonically, irreversibly worse over time, and Tiktok is no exception:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

To understand why older users are stuck to Tiktok, we need to start with why younger users relentlessly seek out new platforms. To some extent, it's just down to youth's appetite for novelty, but that's only part of the story. To really understand why people come to – and leave – platforms, you have to understand switching costs.

"Switching costs" is the economists' term for everything you have to give up when you change products or services. Switching from Ios to Android probably means giving up a bunch of your apps and purchased media. Switching from an airline where you're a high-status frequent flier to another carrier means giving up on free checked bags and early boarding.

In an open market, rivals have lots of ways to lower these switching costs (it's an open secret that you can call an airline and say, "Hi, I'm a 33rd Order Mason on American Airlines, will you make me a Triple Platinum Diamond Sky-Baron if I switch to Delta?"). Of course, big incumbents hate this, and do everything they can to increase their switching costs, finding ways to impose high switching costs that punish disloyal consumers who have the temerity to go elsewhere.

With social media, lock-in comes for free, thanks to the "collective action problem." Getting people to agree on a given course of action is hard, and as you add more people to the picture, the problem gets harder. It's hard enough to get half a dozen people in your group-chat to agree on where to go for dinner or what board-game to play. But once you're reliant on a social media service to stay in touch with friends, relatives around the world, customers, communities (say, rare disease support groups), and coordination (like organizing your kid's little league car-pool), the problem becomes nearly insoluble. Maybe you can convince your overseas relatives to switch to a Signal group, but can you do the same for your small business's customers, or your old high-school pals?

https://pluralistic.net/2022/10/29/how-to-leave-dying-social-media-platforms/

Taken together, switching costs and collective action problems make platforms "sticky," and sticky platforms inevitably enshittify.

Platforms, after all, generate value. They connect end-users with each other (say, little league parents) and they connect end-users to business customers (you and your small business's customers). That value needs to be parceled out among end users, business customers, and the platform's shareholders. A platform can make life better for business customers at its end users' expense by increasing the number of ads (hello, Youtube!), and it can make life better for its shareholders at its business customers' expense by decreasing the share of ad revenue given to publishers or performers (oh, hello again, Youtube!).

From a platform's perspective, the ideal state is one in which end users and business customers get no value from the platform, because it's all being captured by the platform's shareholders. But if Youtube interrupted every 30 seconds of video for ten minutes of ads and paid the video creators nothing, both users and creators would ditch the platform – and advertisers would follow:

https://www.youtube.com/watch?v=Dab8sKg8Ko8

So platforms seek an equilibrium: "what is the least value we apportion to end-users and business customers without triggering their departure?" Maybe that means giving more value to end-users (for example, keeping Uber fares low by suppressing wages), or to business-customers (crowding more ads into your social media feed).

Every business – including brick-and-mortar, non-digitized ones – wants to find some kind of equilibrium between the value going to its suppliers, its customers and its owners, but digital businesses have an advantage here: digital systems are flexible in ways that analog, hard-goods businesses are not. Digital businesses can alter pricing, payouts and other dynamics from moment to moment – second to second – and make a different offer to every supplier and customer. They have a bunch of knobs, and they can twiddle them at will:

https://pluralistic.net/2023/02/19/twiddler/

Well, not quite at will. Businesses face constraints on their twiddling. If they get too greedy, users or business customers might weigh the cost of staying against the switching costs and decide it's not worth it. But the more expensive – the more painful – a platform can make leaving, the more pain they can inflict on the people who stay.

In other words, there's two ways to keep a customer or supplier's business: you can make a better service so they won't want to leave, or you can make leaving the service so painful that they stay even if you mistreat them.

There's three ways a digital company can make things worse for their customers and users without losing their business.

First, they can eliminate competition (think of Mark Zuckerberg buying Instagram to recapture the users who'd fled Facebook to escape his poor management):

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

Second, they can capture their regulators and avoid punishment for trampling their suppliers' or users' legal rights (think of how Amazon has raised the price of everything we buy, both on- and off Amazon, through its "most favored nation" deals):

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

Third, they can use IP law to prevent competitors from modifying their services to claw back some of that value (think of how Apple used legal threats to block an Android version of Imessage, blocking Apple customers from having private conversations that included non-Apple customers:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Companies can't just use this tricks at will, of course. Antitrust laws can block companies from making anticompetitve acquisitions or mergers. Regulators can punish companies for cheating their customers, workers and users. Technologists can come up with clever ways of modding or reconfiguring existing services with "interoperable" add-ons that let users bargain for better treatment by refusing to accept worse:

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

Day in, day out, the decision-makers at tech companies test these constraints, twisting the knobs that shift value away from users to shareholders. Their bosses and boards motivate them with "KPIs" that dangle the promise of huge bonuses and promotions for any manager who successfully enshittifies part of the company's products:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

Decades of pro-corporate, pro-monopoly policy has loosened those knobs. 40 years of lax antitrust meant that companies had a lot of leeway to buy or merge with rivals – that's changing today, but it's tough sledding:

https://pluralistic.net/2023/07/14/making-good-trouble/#the-peoples-champion

As sectors grew more concentrated, they found it easier to capture their regulators, so that they no longer fear punishment for price-gouging, spying, or wage-theft, so applying the same amount of torque to the "break the law" knob cranks it a lot further:

https://pluralistic.net/2022/06/05/regulatory-capture/

Once you've captured your regulators, you can aim them at your competitors. A monopoly-friendly policy environment has transformed IP law into a bully's charter, allowing powerful companies to strangle would-be competitors who dare to offer their customers tools to shield themselves from enshittification, like scrapers, ad-blockers and alternative clients. Big companies can crank the enshittification knob all the way over and know that smaller rivals knobs won't turn at all:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

At one point, bosses faced one more constraint on knob-twiddling: their workforce. Many tech workers genuinely cared about their users' welfare, something bosses encouraged as a sneaky trick to get techies to put in long hours without exercising their leverage by quitting rather than destroying their lives to meet arbitrary deadlines. These workers would fearlessly slap their bosses' hands when they reached for the enshittification knob, threatening to quit rather than allowing the products they'd given so much for to be enshittified. Today, after hundreds of thousands of tech layoffs, tech workers are far less like to challenge their bosses' right to twiddle, and far more likely to get fired if they try:

https://pluralistic.net/2023/09/10/the-proletarianization-of-tech-workers/

All this means that tech bosses don't have to change their approach at all, and yet, their services will grow steadily worse. The boss who twiddles the enshittification knob in exactly the same way as he did a year or a decade ago will find it turning much further, because his customers are locked into his platform, his regulators won't protect them, the same regulators will stop his competitors' attempts at countertwiddling, and his workers fear losing their jobs too much to speak up for their users.

That's the contagion that produced the enshittocene: the forces that constrained companies (competition, regulation, self-help and labor – all melted away, allowing every company's MBA-poisoned knob-twiddling leaders to shamelessly caress their knobs with every hour that God sends:

https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel

Which is why people want to leave platforms. When a platform loses its users, those users have weighed the switching costs against the pain of staying and decided that it's better to bear those costs than to stay.

So why have Tiktok's younger users found the costs too high to bear, and why have their elders remained stuck to the platform?

For that, we have to look at the unique characteristics of young people – characteristics that transcend the lazy cliche that kids are easily bored, fickle novelty-seekers who hop from one service to another with unquenchable restlessness.

Whether or not kids are novelty-seekers, they are, fundamentally, a disfavored minority. They want to do things that the platforms don't want them to do – like converse without being overheard by authority figures, including their parents and their schools (also: cops and future employers, though kids may not be thinking about them as much).

In other words, kids pay intrinsically lower switching costs than adults, because a platform will always do less for them than it will for grownups. This is a characteristic kids share with other supposedly technophilic, novelty-seeking "early adopters," from sex-workers to terrorists, from sexual minorities to trolls, from political dissidents to fascists. For those groups, the cost of mastering a new technology and assembling a community around it is always more likely to be worth bearing than it would be for people who are well-served by existing tools:

https://pluralistic.net/2022/06/21/early-adopters/#sex-tech

Pornographers didn't jump on home video because of its superiority as a medium for capturing flesh-tones. Home video was a good porn medium because it was easier to discreetly get into the hands of porn consumers, who could, in turn, discreetly view it. The audience for porn in the privacy of your living room is larger than the audience for porn that you can only watch if you're willing to be seen marching into a dirty movie theater.

Every new technology is popularized by a mix of disfavored groups and neophiles, who normalize and refine it – and yes, infuse it with their countercultural coolth – until it becomes easy enough to use to become mainstream. As more normies drift into the new system, the switching costs associated with leaving the old system declines. It gets easier and easier to find the people and services you want in the new realm, and harder and harder to find them in the old one.

This is why tech platforms have historically experienced sudden collapse: the platform that gets more valuable and harder to leave as it accumulates users gets less valuable and easier to leave as users depart:

https://www.zephoria.org/thoughts/archives/2022/12/05/what-if-failure-is-the-plan.html

If you're a Gen Z kid on Tiktok, you experience the same enshittification as your Millennial elders. But you also experience an additional cost to staying: as late-arriving adult authority figures become more fluent in the platform, they are more able to observe your use of it, and punish you for conduct that you used to get away with.

And if you're a Millennial who isn't leaving Tiktok, it's not just that you experience the same enshittification as those departing Gen Z kids – you also face higher switching costs if you go. The older you get, the more complex your social connections grow. A Gen Z kid in middle school doesn't have to worry about losing touch with their high-school buddies if they switch platforms (they haven't gone to high school yet – and they see their middle school friends in person all the time, giving them a side-channel to share information about who's leaving Tiktok and where they're headed to next). Middle-schoolers don't have to worry about coordinating little league car-pools or losing access to a rare disease support group.

In other words: younger people leave old platforms earlier because they have more to gain by leaving; and older people leave old platforms later because they have more to lose by leaving.

This is why Facebook is filled with Boomers. Yes, their kids bolted for the exits to avoid having their parents (or grandparents) wading into their sexual, social and professional lives. But the reason the Boomers were late joining younger users' Facebook exodus – or the reason they never joined it – is that they stand to lose more by going. Facebook deliberately cultivated this dynamic, for example, by creating a photo hosting service designed to entice users into uploading their family photos while disguising how hard it would be to take those photos with them if they left:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

The irony here is that tech has intrinsically low switching costs. All other things being equal, a new platform can always build a bridge to ease the passage of users from the old one. There's no (technical) reason that moving to Mastodon, or Bluesky, or any other platform should mean cutting ties with the people who stayed behind.

A combination of voluntary interoperability (where old platforms offer APIs to allow new services to connect with them), mandatory interop (where governments force tech companies to offer APIs) and adversarial interop (where new companies hack together their own API with reverse-engineering, scraping, bots, and other guerrilla tactics) would hypothetically allow users to hop between networks as easily as you change phone carriers:

https://pluralistic.net/2022/12/19/better-failure/#let-my-tweeters-go

Tech platforms tend to offer APIs when they're getting started (to ease the inward passage of new users) then shut them down after they attain dominance (locking the door behind those users). The EU is tinkering with mandatory APIs through the Digital Markets Act (though bafflingly, they're starting with encrypted messaging rather than social media). Restoring adversarial interoperability will require extensive legal reform, which is getting started through Right to Repair laws:

https://www.techdirt.com/2024/03/13/oregon-passes-right-to-repair-law-apple-lobbied-to-kill/

The people who are stranded on social media platforms shouldn't be mistaken for uncool, aging technophobes. They're not stubborn, they're stranded. Like the elders who can't afford to leave a dying town after the factory shuts down and the young people move away, these people are locked in. They need help evacuating – a place to go and a path to get there.

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/21/involuntary-die-hards/#evacuate-the-platformsr

#pluralistic

[dduane]

The Young Wizards series turns 40!

...And yes, we're having a sale to celebrate. But that can wait. :)

I'm sitting here looking at the date and considering how amazing it is that, despite the changes in the publishing world, anything can stay in print nonstop for forty years.

But this book has. Here's how it started:

...Well, not how it started. It started with three things:

A newbie YA writer being deeply annoyed with a non-newbie one for (as she thought) stripping their teenage characters of their agency without good reason.

A suddenly-appearing joke involving two terms or concepts that wouldn't normally appear together: the 1950s young-readers' series of careers books with titles that always began So You Want To Be A..., and the word "wizard."

And the idea immediately springing from that juxtaposition. What if there was such a book? Not a careers book, but a book that told you how to be a wizard—maybe some kind of manual? One that would tell you the truth about the magic underlying the universe, and how to get your hands on it... assuming you felt you could promise the things that power would demand of you, and survive the Ordeal that would follow?

Six or seven months after that confluence of events, there was a novel with that joke-line as its title. A month or so after that, the novel was bought. So You Want To Be A Wizard came out as a Fall 1983 book, as you can see from the Locus Magazine ad above (from back when Locus was only a paper zine). The first reviews were encouraging.

And by the middle of 1984, the publishers were asking, "So, what's next?" A question I'm still busy answering.

There's been a lot of water under the wizardly bridge since. In SYWTBAW's case, this involved a couple/few publishers, a surprising number of covers, a fair number of awards here and there; and lots more books. (I always knew there'd be more, but how many more continues to surprise me. Which is a bit funny, considering how much stuff that universe has going on in it.)

So here we are at forty, and looking ahead to The Big Five-Oh with some interest. More books? Absolutely. Young Wizards #11 is in progress at the moment, and YW #12 is in the late concept stages. More covers for So You Want To Be A Wizard? Seems inevitable. A TV series, perhaps? (shrug) Stranger things have happened: we'll keep our fingers (or other manipulatory instrumentalities) crossed. The New Millennium Editions in translation? and in international paperback? Working on that right now. The sky's the limit.*

And meanwhile, to celebrate, just for today we'll have a sale. (Except in the UK. To our British friends, the usual sad apology: the expensive bureaucracy of Brexit has made it impossible for us to sell directly to you any more. Details here, with our apologies.)

As has been mentioned before, changes are afoot at Ebooks Direct, so this kind of sale won't be happening again for the foreseeable future. (In fact I thought we were all done with them already. But the number 40 suggested one last opportunity that wouldn't be recurring, so I thought, "Aah, what the heck? Let's.")

New things first! Today, to mark this occasion, we're introducing the "All The Wizardry" Bundle. This is Ebook Direct's entire inventory of Young Wizards works; the contents of the bundle are listed on its product page. The $29.99 price listed there is for today only, to celebrate SYWTBAW's birthday, and will go up as of 23:59 Hawai'ian time tonight. As always, should you ever lose your ebooks or need to change reading platforms, we'll change your formats as necessary, or replace the books, for free.

Just click here, or on the image below, for the "All The Wizardry" Bundle. (Please ignore the category listings under the "Pay Using..." icons on the product page: they plainly think they're in a different universe. Kind of an occupational hazard around here...)

The other, older kind of sale folks will have seen here is on the "I Want Everything You've Got" Bundle, which is the whole Ebooks Direct store—obviously including all the Young Wizards books as well: more than 2.5 million words in 36 DRM-free ebooks. Just for today, in honor of the birthday book, we're dropping the whole-store price to USD $40.00. This, too, will go away just before midnight Hawai'ian time tonight... and it will never be lower. So if you want everything we've got at that price, don't wait around.

Make sure you use this link or the one associated with the image to get the baked-in discount at checkout. (If it fails to display correctly, use the discount code "40FOR40" in the checkout's "discount code or gift code" field.)

Meanwhile? Onward into the next decade. The new A Day at the Crossings novel unfortunately won't make it out before the end of 2023; other work in-house currently has taken priority. But as for early 2024... stay tuned.

And for those of you who're Young Wizards readers, and have kept this book, and its sequels, alive for pushing half a century?

Thank you, again and always!

*Though actually, it's not, is it? As the proverb has it, "Wizardry doesn't stop at atmosphere's edge..."

#Young Wizards series #Young Wizards meta #So You Want To Be A Wizard #ebooks #Diane Duane

[gamoshi]

Server-side header bidding represents a paradigm shift in the world of digital advertising, offering publishers greater transparency, efficiency, and revenue potential. By moving the auction process to a server-side environment, publishers can reduce latency, increase competition, and optimize ad revenue through strategic optimization strategies. With the right combination of technology, data analytics, and a user-centric approach, publishers can unlock the full potential of server-side header bidding and drive sustainable revenue growth in an increasingly competitive marketplace.

#ad campaign #advertise on apps #publisher ad server #publisher monetization platform #server-side optimization #server side header bidding

[starryevermore]

the house of snow ✧ a royal coryo au

the king of panem is in search of a bride. and, for reasons you can never understand, coriolanus snow has set his sights on you. it would never be a happy marriage, you’re sure of that. but none of that matters, because when snow decides he wants something, he will do everything in his power to ensure it is his. (AO3) (pinterest board)

series warnings: 18+ MINORS DNI, royal au, regency au, arranged marriage, rivals to lovers, obsessive!coryo, jealous!coryo, protective!coryo, eventual smut, eventual pregnancy, more tags to be added later 

TOTAL WORD COUNT (up to this point): 38,801

i DO NOT consent to my works being reposted, translated, or published on any third party site or app. if you see my work posted on any platform that is not my tumblr, my wattpad (starryevermore), or my ao3 (illiterate), it has been stolen and reposted without my permission.  

reblogs and feedback encouraged. 

my blog is strictly 18+. by clicking on the links or read more, you are agreeing that you are an adult. any minors found interacting with my blog will be blocked. 

chapter one

your parents are convinced that you will marry the king by the end of the social season. and so, too, it seems does coriolanus snow. 

chapter two

though you want nothing less than to marry coriolanus snow, he seems intent on finding you a reason to comply.

chapter three

coriolanus will make you fall in love with him one way or another. 

chapter four

you realize there is more to this than snow just wanting a bride.

chapter five

snow does not like the idea of others playing with his toy.

chapter six

now that he knows of sejanus’s interest in you, coriolanus can only think of how to keep you away from him. 

chapter seven

snow is pushing his luck with you, but you will not let his attempted slights go by. 

chapter eight

sejanus crosses a line.

chapter nine

he is in love.

chapter ten

coryo haunts your every moment.

chapter eleven

finally, coriolanus can call you his.

chapter twelve

you can’t believe that this is truly a good thing. 

chapter thirteen

coriolanus doesn’t understand why you've shut him out. 

chapter fourteen

you try to reconcile your feelings. (you fail.) 

chapter fifteen

you cannot seem to stay away. 

#the house of snow: a royal coryo au #masterlist #starrywrites #starryevermore

[halcyone-of-the-sea]

ICARUS (XI)

NAVIGATION || RAVISHING ALLURE MASTERLIST || NEXT: CHAPTER XII

PAIRING: Nikto x F!Reader (Soulmate AU)

WORDCOUNT: 5.6k

WARNINGS: Angst, threats, exploitation, described stalking behavior, very dark/toxic modeling standards/expectations, explosions, blood, implied harm/injury, death, plot progression, dirty talk, smut/NSFW, dry humping, semi-public intimacy, light dom/sub dynamics, Nikto likes to be given pet-names because I said so, implied previous breath play/cunnilingus/ p-in-v sex/rough sex/finishing inside, clothed stimulation, etc. (Series 18+)

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

“I’m not going to let you do all of it,” you grumble, rubbing at your thigh with your right hand. 

“Walk to me,” Nikto’s dark brow raises from below his mask, pale eyes darting you up and down. “Without your knees shaking.”

Your face flares up, and you bite back a sarcastic comment as the driver of the car walks past, sending a glance to where the Russian packs the back of the vehicle with your bags. Nikto huffs a chuckle as another settles into the trunk, flattening it with his gloved hands.

“Rude,” you mutter, glaring lightly. “You’re getting bold with your words, Nikto.”

“Surely we have failed somewhere,” your guard grunts, trying to scrutinize his talent of fucking you senseless last night. “You are still upright instead of collapsed to the floor. Did I not find that spot inside of your drooling cunt that made you say you would not be able to walk—”

“Okay!” You loudly, raising your hands, breathless in reaction. Your entire body is seemingly being rolled on a spit as waves of fire lick at your neck, and you have to force words out from the dryness of your throat. “I’m going to sit in the car—you have fun packing with your dirty mouth, you brute.”

Nikto hums arrogantly, and the smirk is plainly heard by your ears as they ring in embarrassment. “You did not complain about this mouth hours prior. Nor the tongue, Птичка.”

“Holy hell,” you push a hand into your face, grimacing. Brief shadowed flashes of a half-masked face sitting in the clutch of your legs leave you stuttering wildly. “Nikto!” 

Taking a large breath before opening the dark door, you hear that loud hyena bark of a laugh in return, before you slip inside and firmly slam the barrier closed. 

“Oh my God,” your response bounces off the windows, but the infectious smile grows steadily over your flesh until it needs to be hidden by your hand, tiny chuckles making your eyes crinkle. 

Shaking your head, you settle back and grasp the seat belt, clicking the metal together as the straps pull across your chest securely. 

You were going back to Yekaterinburg, but the realization was…less than concerning. There was a sort of liberation in your blood now—something to be proud of even if it was such a small thing. 

Your eyes glance behind to the rear window, seeing the great form of Nikto continuing to pack the trunk in your absence, back in his regular gear with the suit in the hands of the stylists. You can’t say you didn’t miss it, but having him return to some semblance of normalcy was calming to you. Home was the destination, first and foremost: back to your trinkets and your treasures, fabric, and soft rugs. 

You’d stood up to AMA and the jobs they’d assigned to you. No more parties, you’d told Iakov, who you still hadn’t seen a glimpse of since last night. No calls either. He’d never gotten back to you, but you were sure a hellstorm was brewing above your head.

Lips pull slightly, but the thought is pushed to the back of your mind as just a result of hurt pride. He’d survive. 

But you weren’t too sure if you would.

“Home,” you sigh, bringing back your smile forcefully. Even with all the added challenges being back in Yekaterinburg would cause, you can’t help the thrill of your heart at the thought of familiar streets and faces. Your mom wanted to talk, and AMA was getting on you about showing up to the building for a meeting, both to-dos were competing like fighting cats. 

You still couldn’t tell which was worse. 

The trunk behind you is audibly closed with a heavy hand, the metal of the vehicle moving up and down as Nikto stands back to the sidewalk and rolls his wrist—walking to the door before slipping inside next to you. Cushions dipping, you glance over and tilt your head as Nikto’s knee hits yours, the Russian readjusting his thighs before he grumbles under his breath and glances to the window. 

“All set?” You ask, putting your hands into your lap as your foot hits the small crossbody bag on the floor. It holds a few simple items to help pass the travel time—your book, laptop, phone, and a few scrap papers for random notes or doodles.

Nikto nods, glancing over to you. “Make sure you do not forget anything.”

You huff. “I’m good. Trust me, it helps to pack light.”

You’re given a slow blink, the man’s eyelids narrowing. He hums. 

“You have brought six bags,” Nikto utters gruffly, hearing his frown on the air. 

“And you were very gentlemanly loading all of them,” you grin, sending over your amusement-tight skin as the blank mask offers only numb attention. “Very sweet on me, Big Guy.” 

Nikto makes an annoyed sound under his breath, rolling his eyes partially. “You would not survive a deployment. Too attached to your items.”

You laugh. “Sue me for buying things I’d like to keep. C’mon,” your attention moves as Nikto gives a sharp order to the driver to leave, which he does with a glance backward and a sneer at your guard. “You’re meaning to tell me you don’t have anything you want to have near you a lot—something important?”

The bear-like man pauses as he settles back into his seat, the vehicle starting up. He takes a breath, and you see the Kevlar of his chest piece rise and fall. Nikto grunts, seeming to realize he’s staring at you as he pulls his eyes to the glass of the window quickly. 

“A handful.” 

You sigh before it ends in a soft huff. “Any specifics?” Your interest is obvious.

“None we wish to tell about.” He glances, and seeing your teasing stare, he shifts, scoffs under his breath with no real anger, and shrugs his large shoulders before coming up with a simple answer. “My notebook, then.” Nikto’s eyelids lower, thinking back to the item in the back of his consciousness and the importance it holds. You’d only seen it once, he knows—back when he had written you a grocery list for your penthouse. Hell, if only you could take a glance at the contents now. 

Nikto clears his throat, continuing in a deeper tone. “Rag to clean my weapons.”

It’s a small chuckle he gets from you. “Makes sense. I don’t think I’ve ever seen them dirty before.”

A steady silence falls before the Russian feels the need to speak again, and in his mind, he replays every word that you’d said to him throughout these fast-paced and eye-opening days. Being near you now was slightly different in a way he couldn’t have anticipated. 

Taking in the hues and colors of the city as it goes by swiftly, he frowns and spares you a side-eye as you dig around your bag—seeing your fingers slip out a book and lay it next to you before you flatten out the fabric of your pants. Nikto’s eyes softened gradually, but no one would ever notice unless they knew how to read him as perfectly as a midnight storm: trying to pinpoint where the thunder came from. He clears his throat and blinks, raising a hand to itch at his neck, pushing and pulling at the cover of canvas until his senses level out once more.

He enjoyed last night. Immensely. 

In his head, it’s all he can say about it without deeming himself a malleable fool. Some kind-coated idiot who hadn’t seen the betrayal that such a care can bring. Allowing himself to get emotionally involved is a death sentence, and Nikto was always pushing himself to be the perfect image of order. But with you, it was different, or, at least, that was what he told himself. The reminder of your sweat-heavy scent was firm in the back of his nose. 

The Russian’s body angles itself, and in a sure movement of his hand, his arm slips across your abdomen and steals the book at your side. 

Your attention darts up, your nice shirt pressed right up to your flesh as Nikto’s sturdy arm slides along it like a snake. You mutely watch him, your ribs being rubbed as all at once the man’s roaming grip leaves. Blinking, your heart beats a bit quicker as Nikto brings your book in front of him, tilting his head down to it as you watch. 

It was imperative that you remind yourself that having sex with the man didn’t make him yours. 

As you watch Nikto’s hidden fingers lightly brush the cover, your eyes follow the way he maneuvers the front to take a glance at the spine, seeing as the dust jacket is gone. 

“Crime and Punishment?” The Russian blinks as the car takes a right, slipping along the streets as the houses and buildings start to get more of a distance between them. Nikto looks over at you. “Fyodor Dostoevsky.” He pauses, keeping the book to himself as if trying to understand. 

“Aly recommended it,” your face goes heated at the newfound attention on you. “She read it in University.”

“It is good book,” Nikto hums. “Though, I found Notes From Underground more of an interest to me.”

“I’ll have to add it to the list,” you smile softly. “I’ve seen you read a lot when there’s time—do you like it as much as cooking, Nikto?” 

That seems to make him think, watching the Russian’s eyebrows pull in minute wonder. You wished you could understand what blue looked like…you were sure his eyes were beautiful. Especially when he was actively attempting to keep the conversation going. 

“We have not thought about it much,” he grumbles, flipping your book open to where you had placed a small strip of fabric as a bookmark—Nikto picks the thing up as he speaks. “Both are calming. Good distractions.” He looks at you. “I would not give rank, though there is a time and place for them.”

“Fair,” you breathe, shrugging. You lightly lean into his shoulder, and you hear Nikto grunt as his attention stays like a cat. “But I do have to say I think your cooking might be higher on my personal scale.”

A soft puff of air sneaks out of the mask and Nikto shifts his head down as you elbow the rough material of his gear playfully.

“Добро.” His tone is low, grating as every little ache from last night seems to flare in your muscles. “I…enjoy cooking for you.”

You stare at one another for a moment, getting lost in the intimacy of an open gaze, before you blink quickly and move back, chuckling as your body burns. Like a bird, if you had feathers, they would be puffed up by now. 

Nikto watches your fingers fidget in your lap as he twitches his digits against the cover of your book, setting it on his thigh as he spares a look at the driver. The man’s eyes are visible in the mirror, and when they lock, those dark brown orbs dart away as if on fire; blond hair cut close to his scalp. 

The ex-soldier watches the back of his head for a few moments, thinking. 

Hell, he would be lying by saying that he wasn’t on edge ten times more than he was before. Anyone glancing at you could be the person he’s after—it was maddening to the point of making him obsess over your safety to the tiniest degree. 

And yet, there had been no further texted images: no messages or dead birds. No bombs. 

Just that one.

‘I know what you did.’

Yes, Nikto thinks, sighing under his breath, you do know. But do you know what we did in that bedroom last night? Why don’t you come and punish me for it? Hm? 

“Pathetic,” the Russian whispers to himself, fingering the paper below him until he can peek at the next page to see where you were in the story. 

You turn your head from the window, watching gray trees finally begin making a permanent appearance. 

“What was that?”

“Nothing,” Nikto mutters, attention-catching on that point he’d made to himself. Last night. He backtracks, lowering his voice until it’s only you who can hear—side glaring at the driver like a skittish mutt. “You are...” Pale eyes dig, pulling into a narrowed form as if your mind was the same as the book he holds open. Something to be read. “Adequate?”

Your brows pull in. “Why are we whispering?” You ask, keeping the same tone regardless as you lean closer again; both nearly nose to nose.

Nikto glares, but you can’t see his face beginning to slowly change shade. 

“We are asking if you are fit for the long ride.”

He sees your eyes blink slowly. “I’m fine…Why wouldn’t I be?” 

The Russian stays silent, openly staring without any discernible emotion in his eyes. You hear him take a breath, glancing once more at the driver, before leaning in further. He huffs sharply. 

“Are you alright after what we did—” A kiss is placed on Nikto’s hidden cheek as your laughs echo in his ear. 

You lean backward a bit, amusement leaking from you. Sparking eyes meet the ex-soldiers, frozen and taken aback with unmoving eyes. 

“I’m just joking, I know what you’re asking me,” you tilt your head, smiling as Nikto’s orbs dip to stare as a swirl of emotions moves in his gut. He swallows, unable to look away. “I’m fine,” you mutter, feelings softening to a bashfulness. “Nothing to worry about…I don’t break easily.” 

“Hm,” Nikto’s form returns to where it was previously, and you can tell he’s blushing, even if you can’t see his face or name the shade he would be. Yet, he’s still as blunt as ever as the smirk comes back into his voice. “...Are we sure, Птичка?”

“Bastard,” you huff, motioning with a hand as the Russian almost purrs at the dirty banter. Your finger points to him as you unclick your seatbelt, shifting so you can put your head into his lap similar to how you had on the drive here. Looking up, smug eyes stare down—your finger in his face making him want to grab at it as a dog does fresh meat. He still remembers how your skin tastes; he’s not too far gone to admit he doesn't like how he’s addicted to it. 

“You’re getting confident now.”

“We were always confident,” he grates through his accent. “You’ve given us something to battle your need to annoy me with.” 

“I like to call it teasing,” you smirk and Nikto’s leather gloves grasp at your neck carefully, making you pause as your eyes widen. Instinctually, you open the skin more to him, head tilting back and legs shifting over the seats to break open before you stop yourself with a small gasp.  

Those sand-paper laughs make your thighs close in on themselves as you glare weakly, face lighting up with pure embarrassment as Nikto’s fingers squeeze. You’re ashamed at the pulse of your core. A dog in heat.

There’s a face in your ear.

“One good fuck has you trained, hm?” 

“I’ve had better,” you try to hiss, one eye going to the oblivious driver. A second hand moves your book to the floor before it grabs at your thigh, going to pry it open with fat fingers. You strangle a gasp, biting at your lips as you squeak at the sensitivity. “Nikto,” you breathe in warning.

A palm cups your core, and you strangle the limb as the heel is rubbed against your clothed clit. He finds it with no trouble at all: already having you memorized.

You hear Niktto’s heavy breaths—his pulsing grip at your neck as you fight a whimper and your eyes flutter. Your pelvis starts grinding downward in broken stutters, and the Russian leaves his hand there, body completely hanging over you as he stares at the back of the driver's head, wanting to lick the flesh beside your ear, and for the first time, damning his mask. 

“Have you, yes?” Nikto wonders, words so steady no one would imagine what was taking place. “Hm. Maybe we will have to leave you alone next time, Little Bird. Get you to find someone else who gets you to scream like I have. Do you remember it?” 

Your panties are soaked, and the fluids leak out onto your pants as you continue to rut into Nikto’s gloved palm, back arching over the bulk of his thigh to push your body over his lap, getting a better angle as your guard follows. You listen, and Nikto’s getting harder by how your spine runs its vertebrae over his clothed dick. He jerks once or twice up into it, not above fucking you in front of someone else if this escalates any further. As long as you keep your eyes on him when you cum. 

He likes hearing the small noise you make as your orgasm hits.

Nikto breathes, finishing his sentence as you get yourself off to his palm like a good little charge, “How you pleaded for my cum inside of you, Seraph?”

Your cunt flutters, wildly sensitive from last night enough to a point where every grind of your hips felt like Nikto’s cock was still bullying its way in and out of you. 

“You cried, yes? As we were bouncing you up and down? How many rounds did that pretty cunt take as you took me so well? Four? Пять? Шесть? Oh, Птичка.” Nikto glances down at your work, smirking as his scars pull tight at the image of the slick over his glove. You were drenched—he almost felt bad. Almost. 

“No, we know better than to play with my meal.” He burrows his face into your neck, beginning to let his hand move up and down as your thighs shake, he knows that feeling—that little tell of yours. “No one makes that pussy as wet as I do.”

“Shit,” you whisper, eyes rolling back and your throat tight with the fight between rabid moans and curses. Have to be quiet.

Your flinching eyes worriedly darted to the driver, who still hasn’t looked back at the two of you at all. If anything, the idea of getting caught…well, your hand sneaks down to Nikto’s wrist, pushing him even closer as his smooth chuckles mar your eardrums. 

You whine under your breath as you force his palm into you, angling it just right against your clit before your eyes start to roll back in broken increments—lighting making your back arch and toes curl. There are tiny squeaks from the leather seats, but nothing else. 

“Good,” Nikto pants, rubbing his erection into your back. “Tell us we are right.”

“You’re right,” you hurriedly whisper to him. “So wet for you, Baby.”

His eyes spark, and he ruts a bit harder, making you stifle a squeak. “Say it again,” he orders, eyes glinting inside of his sockets.

“Baby,” you wince, legs trying to suck in his fingers as your thighs close and rub into them harder. “Nikto, Baby,” your teeth mark your lips heavily.

His shaky breath in your ear accompanies you as your eyes roll back and your spine arches, and, part of a sharp noise exits your mouth as your orgasm hits you, before the hand at your neck sloppily places itself over your drooling lips. 

Layers of electricity playing through your weeping cunt, you fight for breath out of your nose as your eyes glaze over, head partially hanging off of Nikto to the seat below as your legs slowly stop their thrusts. 

A minute or two passes before your guard leans back, taking his hands off of you and grunting in masochistic pleasure as the ache of his untreated erection still grinds itself into your back slowly—almost torture in the way it keeps him aroused and unable to soften. 

Nikto’s grip finds your stomach after he can feel his dick leaking out into his underwear, making a cold mess against his flesh. In a hidden idea, he pushes his hand down into you so he has a better angle to thrust against a firm surface, letting his head connect with the back of the seat as he fucks up into you with his flexing thighs and clenched jaw. 

Your eyes pull open to watch him, your mouth half open as your study of his panting chest falls to how you can nearly feel the way his cock drags. He doesn't care at all about anything else about how it feels to get off against you—it’s not as good as finishing inside of your cunt, but he can imagine the warm walls well enough as he begins to make cut-of groans in his chest. Using you like a doll, your wide gaze stays stuck on the sight like glue. 

“I am going to fuck you in your bed,” Nikto sighs, only telling himself as he’s still violently aware of the audience he keeps. “Use that penthouse as an excuse to lay you out on every surface. Yes, fuck you good. Keep you and your soft body pleased with every drag of my cock.” 

Yet, he’s less concerned with the driver’s eyes now that you’ve cum in his hand—his sex appetite is strong, just as his regular one is; embarrassment is a myth to him regarding it. How many times had he resorted to locking himself in a bathroom when he was in the military, just to jerk off while watching in the mirror as thick ropes of cum splattered his chest? How many sneaked sessions in his barracks until his eyes would roll back, and he had to grind into a pillow with the cold stains of previous loads making him moan?

As long as he could see your eyes looking into him, he could bust just by a touch at his crotch.

Nikto strangles a low groan, shudders violently, and then his thighs stop—sag, and he pants, going limp against the seat. The spurts of his orgasm leaves wet patches in his pants, and he can imagine it pooling, instead, out of your pussy as it should be.

The both of you lay in the sopping remnants of your insatiable lust, leaking out to one another, and only think about what you both can have once you’re back in Yekaterinburg and alone.

Maybe there won’t be a meeting with AMA or my mom, you think as Nikto rubs a thumb down your cheek—letting your eyes slip shut softly as your nostrils flare with every breath. He hums in satisfaction, petting your thigh as he massages your inner leg.

Maybe we’ll fuck so much we’ll end up forgetting our names instead. 

Hell, it didn’t sound like a bad idea at all.

—

Halfway through Nikto’s audible reading of Crime and Punishment—in which he sometimes lapsed into Russian rambles in the middle of a sentence—you shift against the seat and mutter out a question. 

“So, he’s going to try to get away with murder?”

Nikto pauses in his speaking, looking over from the page as his mask shines into the light. It’s a little past noon if you had to guess. “Да.” Nikto’s brows furrow. “We are four chapters in—have you just noticed?”

“You’ve been speaking in Russian for the last fifteen minutes.”

Nikto curses under his breath, glaring at you incredulously after he closes the book with a single hand. “Why did you not say?”

You smile slowly. “It sounded nice?” 

The man sighs out loud, bringing up a hand to push into the plate at his nose in a funny display of exasperation. A laugh makes its way out of your mouth, and you shake your head. 

“It’s alright—I don’t mind. I just like listening to your voice.” 

“Hm,” Nikto looks at you, huffing, but you can tell he takes it to heart by the way his shoulders sag a small bit. “You are strange, Woman.” 

“As I’ve been told,” you breathe, chuckling. “You’ll re-read it to me later?”

The Russian’s head tilts to the side. “In русский or English?” 

Your eyes glint, your smirk rising, and you let the question sit in the air until Nikto’s eyes pull in understanding the longer you stare at him. 

He hums deep in his breast, gaze molten heat.

“Русский, then. Да, I will not complain if you enjoy it, Птичка.”

You call out breathily as you stare into his eyes, “Thank you, Baby.”

Nikto’s spine goes rigid, and before you can snort you slap a hand to your mouth and level your head to the window, body shaking with muffled laughter.

“Нелепый,” the man growls out, pushing at the fabric of his crotch and shifting his abdomen as your loud snort slips out. “You are much too confident in your abilities now—”

The car begins to shake and the driver curses out loud.

Immediately, all teasing is cut like a blade as Nikto’s eyes slash forward: slitted. 

Both of your attention is locked onto the driver as he snaps in Russian, banging a hand to the wheel as your body pauses. 

“Nikto?” You ask the question under your breath.

Your guard slips forward in his seat, grasping the back of the driver’s seat and growling out a low question in his native tongue. He only looks over his shoulder to you after a long and heated discussion. 

“He says the vehicle is not acting correctly.”

“Not acting correctly?” Your face pulls, form getting more rigid as the car veers off the main road to the side, grumbling like an animal as the hood shakes. “Why? How? It was working just fine yesterday.”

“I do not know,” Nikto utters, eyes narrowing. He glances at you, tension growing in his spine. “Keep near us. Do not leave my sight.”

“Right,” you nod, ears twitching as the driver parks the car and gets out in a huff, barking expletives and waving his hands. A sliver of nervousness slips into your blood.

Nikto has a bad feeling. 

The hair on the back of his neck stands up as he pops the door open, hearing his boots hit the asphalt as he breathes out. Standing to his full height, he keeps the fuming driver in the corner of his pale vision, holding the barrier open for you and keeping you from the mostly vacant road as a car passes quickly. 

“Slowly,” Nikto mutters, grabbing at your arm to make sure your lack of coordination didn’t send you to an early death. 

You give him a small smile, and he stares for longer than he should before the Russian blinks, holding you away from open traffic—his body keeps itself nearest to the road as you both move to the hood. 

“That can’t be good,” you murmur with a raised brow as the driver smacks the vehicle, waving his hand in front of his face as a thin tendril of dark smoke mists through the air like a grim cloud. 

“No,” Nikto stares, his fingers sliding along the fabric of your shirt—curling just at the small of your back. “It can not.” His unimpressed voice carries over the area as another car passes.

You stare lightly after, knowing it’s the second vehicle that belongs to AMA just by the make and model; especially by the license plate. It carries a number of personnel—most likely Iakov, your stylists, and a photographer or two. The car sees that you’re stopped, slows, and also pulls off the road a large distance ahead. 

“At least we’ll have another ride if this can’t be fixed,” you comment as you and your guard join the driver, Nikto grunting in Russian with an order to stop denting the car’s frame. A sigh slips your lips and you stretch carefully—raising your arms above your head and hearing your bones cracking. “Won’t be stranded,” you end in a strained voice before you sigh in relief and relax.

As Nikto and the driver descend into clipped words, your phone rings from inside the vehicle. Blinking, your body is quick to shuffle the way back and snatch the thing out, retreating to the grass to the right of the scene and a small way away—it’s still easy to see how Nikto keeps an eye on you, however. 

With his comment yesterday about a new picture from the stalker, you weren’t keen on being away from him either. The thought makes your skin crawl, but you know you’re better off never seeing whatever the contents had been…you’d already seen enough of that freak’s ‘pictures’ to last a lifetime. 

Answering the call, you push the phone to your ear. “Seraph,” you say, half-facing the road and half to the tree line. Your drive back home had barely started—already you’d run into trouble? These last few months were continually stacking on top of one another for the top ten worst moments in your life. 

Galina’s voice pushes through. 

“Where are you currently?”

Your face loosens, brows twisting. “Driving back to Yekaterinburg now, we just ran into some car trouble,” you pause, seeing Nikto going to open the hood but being stopped by the driver, who seems to think he can do it himself without any help at all. “...Is there something going on?”

Nikto only breaks away in attention to look over to you every so often, his fingers twitching and shoulders wound up under all that gear. 

Why is he so tense? You have to ask yourself in curiosity before your guard’s head snaps to where others from the second car spill out, beginning walking to you three—coming to help like little trees down the line of asphalt.

Running your free hand over the back of your skull, as always, Nikto’s nervousness makes you tense; especially when he shifts his hand to brush his beretta like that. That dark void of a mask is permanently stuck giving you half of a glare, and you can perfectly imagine his jaw clenching.

But everybody here was trustworthy, weren’t they? 

Iavov’s shorter stature makes its way forward quicker than the others, calling out words that you can’t hear. He holds something in his hands, and it glints in the light.

Galina spares no chance to breathe between rapid clipped sentences. 

“Sergi has had to be released from custody—Yaromir and I have little concern he was involved in anything that resulted in harm to another. We can not keep him.” You had expected that; it wasn’t surprising. “But he mentioned something that I believe you should know before you return.”

“What is it?” Your voice is low, concerned as Iakov and the rest raise their words. Nikto barks at them in Russian to stay where they are as his eyes glint dangerously for no discernible reason. The driver shifts his fingers away from the hood as you begin shuffling closer as well, spine straight with tension. 

The air was alive with a cord ready to snap.

“He mentioned something about knowing a man who works at Allurement in an off comment when he didn’t realize he was being recorded.”

Your feet speed up to the car almost instinctively. 

“Who?”

“We were unable to push for a name. Sergi got far too nervous and shut down on us; there was little left to do. But there’s another thing.”

Heart pattering, you call to Nikto stiffly, seeing him only hold a hand out to tell you to not come any closer. You frown, disregarding the concern, and are now about five feet away from the car and eager to figure out what’s wrong with it so you can leave—you feel eyes on you, and in a paranoid moment, your vision darts to the approaching group of six. Closer now.

“Seraph,” Nikto grinds out. “Stay there. There is something that we do not like about—”

Galina’s continued explanation interrupts your Russian just as the driver gets the hood finally open with a loud call of victory. You blink, your fingers over the phone gripping the device like a woman strangling a knife while facing a home intruder. 

“Sergi was spotted disposing of multiple cameras by way of selling them off to anyone who would take them all over the city. We’re trying to track down the buyers, but we don’t believe the cameras were his to begin with. He’s hiding evidence for someone.”

There’s a bright spark that makes your eyes flinch shut like you’d been staring into the sun. Head snapping to the side, you cover your face with a heavy hiss as you halt in your tracks, stepping back as Nikto’s loud voice carries. 

“Seraph!” You startle, legs dragging across the ground. “Get down! Немедленно!”

“—There is reason to believe that Sergi has a close connection and a willingness to protect whoever is behind these events. Perhaps even the evidence from the explosion at the bakery was tampered with—”

The car bursts into an inferno just as Nikto’s body connects with yours.

Meeting the ground hard, the man rolls along with you as the air is snatched from your lungs and skin whipped by fire—the sound of screeching metal so loud that the resounding ringing in your ears is immediate as debris whizzes past your head.

In the exit of all air from your lungs, your phone is lost as you gasp sharply.

There’s a sting of pain across your face—in your arm as well as Nikto drapes himself over you with a firm bark of a gut-twisting curse, gripping and dragging you until you’re stapled to his chest.

Far above, the screaming and the sizzle of flesh all melt together into the image of a gray sun. Smoke wafts away on a slow breeze, and the body of a panting man above you is voided until null even as hands pull you from him to stare down at you—at the crimson blood that he can see in such vivid detail.

There’s only the sensation of him calling your name frantically before it all gets sucked into oblivion around pale, horribly panicked eyes.

TAGS:

@anna-banana27, @random-thot-generator, @midwesternwitchery, @pumpkinwitchcrusade, @halfmoth-halfman, @alpineswinter, @blingblong55, @cryingnotcrying, @lxne20, @not-eclipse, @theecoffeebean, @phoenixhalliwell, @h3ll-guttz, @tiinkerbell, @genjilvr, @azush4rp, @escapefromrealitysm, @neelehksttr, @aeneanc, @finnigansxz, @cowboybaby2, @delaynew, @doggydale, @zapphir, @littlemisstrouble, @xxtmoe, @grizzersmamma, @andreas-river, @blogdddxx, @jade-jax, @emthegrace, @lovebugmsyd, @makariaspresence, @noisyprofessorhoundsalad-blog, @scythebot, @blueoorchid, @kra-rino4ka, @caramlizedtomatoes, @strawberymilk,@frazie99, @homicidal-slvt, @develised, @crispyhusband, @cathnoneofyourbusiness, @ghostslittlegf, @generalcloudtraveler, @azsteris, @rvjaa, @creminemisinthehizzyforshizzboy, @comsyki

#ravishing allure #cod #cod x reader #cod x you #call of duty #x female reader #call of duty x you #mwii nikto #nikto x reader #cod nikto #nikto #cod modern warfare #call of duty mw2 #cod mw22 #mw2 2022 #mw2 #call of duty x reader #cod mw2 #call of duty modern warfare #modern warfare 2 #call of duty mwii #cod x female reader #x fem!reader #female reader #call of duty smut #cod smut #x reader smut

[comicaurora]

As someone who might be interested to make their own webcomic one day: Why did you decide to put Aurora on its own dedicated website instead of a platform like Webtoon or Tapas?

Don't get me wrong, the site looks great but it gotta be a lot of work to maintain, right?

It was a couple week's worth of work to set up and polish, and I've had to do very minor adjustments every couple months. In return I don't need to deal with ads, I don't need to conform my story or layout to any sort of site standard, I haven't been locked into any publishing arrangements and I can customize the site however I want. For me, that's an easy trade.

When the channel started getting big several years back, we started getting approached by multichannel networks asking to absorb us in exchange for guaranteed clicks. We decided very early on that we weren't going to do that, in large part because even the multichannel networks that weren't scams were at all times one executive decision away from exploding and taking all their subsidiaries down with them. We saw it happen to Machinima, and recent years have seen even more cases where one boss's boss's boss who doesn't know what they're doing absolutely wrecks everyone's arrangement - like how Unity spontaneously destroyed everyone's trust in them by trying to retroactively charge game devs for user downloads of their game, or how the Escapist fired the one guy who was holding their channel together, or when CollegeHumor got corporate-mandatedly forced into pivoting to Facebook video and then everyone got fired when that turned out to be a terrible idea, or even the whole Channel Awesome thing. Big conglomerates of small indie creators tend to catastrophically explode on the regular, scattering those creators to the winds and potentially destroying the archive of their work.

We've even seen social media platforms thought of as solid staples of the online landscape start withering away because one idiot buys them out and starts chewing on cables. People whose entire professional networking presence is on Twitter have had a really rough year.

From my perspective, centralizing the world's webcomics into two or three baskets is a really good way to lose all of them at once. Also I put all this work into never having to deal with a boss, and it would be weird to go out of my way to change that.

#asks #behind the curtain

[renthony]

I know we all hate advertising but the way some of y'all treat small, indie, and self-published artists for their self-promo is so fucking nasty.

I don't know how to explain to you that there is a difference between Disney and Amazon ads that force themselves on you from every goddamn angle on every goddamn platform, and a small artist reblogging their own pay links trying to scrape together the money to pay rent.

If you can't tell the difference between those two, you need to figure it the fuck out and stop targeting the wrong people.

#original post

[halcyonhomie]

10k Celebration!

The blog has hit 10 Thousand followers!

That is absolutely bonkers to me and I'm really pleased that everyone is enjoying the blogs. Some updates that are coming: +Blog, Kofi, Blogspot, Twitter/X, and Tiktok accounts +Tip Jar hyperlink (Kofi shop) will be added to posts to help support the blog +Gay Fantasy Short Story Ebooks will be published and advertised +I'll be making a lot of GIFS out of NSFW videos and posting them on various platforms (The ones that won't boot me off, lol)

Thanks so much for following!

#gay blog #10k #celebration #followers #blog #gay #ai #gay ai

[wip]

just how many official tumblr blogs are there? i just recently found out that this one and changes exists which seems less than ideal

Hey, @limelocked!

Great question! We have, we hope, a great answer for you. First up is a comprehensive list of all of current active staff blogs.

You can find ’em by simply searching each name, + @, in the search bar. (i.e., @action)

@action: Highlighting Tumblr’s long-standing social justice priorities of racial justice, mental health, equality, and beyond.

@art Exploring and featuring original artists on Tumblr.

@artistalley: Supporting local artists on Tumblr by buying directly from their storefronts.

@artistpicks: Monthly curated experience by artists and creators on Tumblr.

@best-of-reblogs: A curated collection of some of the best reblog threads on Tumblr.

@bigweekon: Tumblr’s beloved podcast highlighting recent trends, memes, and more.

@blackexcellence: A showcase of things all Black, all excellent, past and present—literature, fashion, music, historical spotlights, and beyond.

@books: Exclusive interviews and curated content from authors, publishers, and book fans.

@changes: Your go-to for new Tumblr launches, bug fixes, and updates on platform.

@creatrs: A network that connects artists, makers, and builders with brands.

@emporium: The Official Blog of the Tumblr Shop™, run by Brick Whartley back from the Island.

@entertainment: Exclusive content and features from across TV, film, and streaming.

@engineering: Behind-the-scenes work on how Tumblr engineers build Tumblr.

@fandom: Home of Fandometrics, Tumblr’s weekly ranking of entertainment properties.

@fashion: Runways to streetwear and every style in between.

@featured: Featuring exclusive content from Tumblr’s many good, good blogs.

@gaming: Exclusive and curated content across mainstream and indie games.

@getloudr An in-kind ad donation program dedicated to amplifying marginalized voices.

@happytuesday: A blog dedicated to all our Tumblr Tuesdays, posts featuring users based on a weekly theme.

@humans: A blog we use so we can reply in the notes of various posts.

@kpop: Exclusive content and a curated experience of K-Pop on Tumblr.

@labs: A way for engineers at Tumblr to experiment in public.

@music: Exclusive content and features on all your favorite musical artists.

@postitforward: Supporting the community with resources for mental health, self-care, and wellness.

@prideplus: Your home for all things LGBTQIA+ on Tumblr.

@radar: Sharing four pieces of original posts from Tumblr artists per day, hand-curated by our team from across the globe.

@staff: The ultimate source for big news, platform updates, and everything that makes Tumblr, Tumblr.

@support: News, tips, and nerdy details from Tumblr Support.

@tee: A blog from your friendly neighborhood Tumblr user, Tee.

@todayontumblr: Daily curated content around trending topics on Tumblr.

@wip: Dedicated to feedback and questions from Tumblr users to Tumblr staff.

There’s more. For our global audiences, you can find all the localized Staff blogs. They’re linked here!

We also have a carousel in the feed somewhere called “Official Blogs,” but it might be that we need to make that more obvious or provide a dedicated feed or page somewhere.

Leave that last point with us, but we hope that helps! Thanks for your question, and have a good day.

(And a tip of the hat to you, @lizzieonka! Consider them tagged)

Best,

—Caragh, Cates, and Cyle

#editorial #blogs #wip speaks

[hermitadaymay]

-Removed double name tagging. This year, all submissions for each day's Hermit will only be tagged with the shorter version of their name (where applicable). For example, fanworks for Stress will be tagged "#stress," not "#stressmonster101, #stress." Notably, fanworks featuring Joel SmallishBeans will be tagged #joel.

=Updated desktop blog theme. (please look at it I did actual coding for this)

=Changed Bonus Days to Sundays.

=Time of rollover between dates will now be 12:00am US Central time (6:00am GMT).

+Added credits page.

+Added people to credit! HADM24 comes to you with the help of boatloads of my friends both online and irl and even some names you might know (keep reading).

+THE BIG ONE: Added a secondary goal for the Hermit-a-Day May event: a complete fundraiser for Gamers Outreach.

The way this community comes together to celebrate the Hermits and each other is incredible. There are something like 1,800 fanworks on this blog from last May and early June! And that's not counting what was posted on other social media platforms as the prompt calendar spread.

I wanted to do something with that momentum - something with a little more substance behind it than last year's spontaneous "hey we should all donate $14!" So I've partnered with two amazing fandom artists you may remember from their daily posts last year - @belmarzi and @rendiggitydog - so that as a community, we could make even more awesomeness come from this event.

I have created a Tiltify campaign so that donations can be made directly to GO - I will never touch the money - and tracked for our incentives:

GRAND TOTAL INCENTIVE: For every $150 we raise for Gamers Outreach (to a minimum of $300, and a maximum that is yet to be determined, but we currently have support for up to $2,100), belmarzi will make 10 seconds' worth of animatic, featuring as many Hermits as she can fit into the time frame. You can expect to see the animatic published in early July.

INDIVIDUAL DONATION INCENTIVE: For every $65 you personally donate to the fundraiser, Rae rendiggitydog will draw you a shaded flats commission of a Hermit of your choice. These will be finished in the order in which the donations are received, and may be sent to you in May or early June.

I've put a lot of work into making this happen, and I cannot tell you how excited I am for May to arrive! The campaign will be opened in mid to late April together with the posting of this year's prompt calendar.

We've got some great stuff cooking up for y'all this year, between the whole month of fanart and the fundraising incentives! Thank you all for being a part of it! The askbox is open for questions, if you have them.

Next time: the official release of the prompt calendar!

-Mod Luna

#hermitcraft #hermitaday #hermitaday ref