changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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Percy at ease
Percy calm, but a little on edge
Percy when mildly angry
Friendly reminder that Percy jackson - our beloved silly adorable seaweed brain - is absolutely terrifying. When he’s angry, when he’s scared, when he’s on edge - he’s not warm and fuzzy.
No other character gets that reaction from people. Jason (the sweetie) is perceived as calm and in control, nico (our favorite self-outcasted outcast) is perceived as solemn and creepy, reyna (girlboss queen slay) is perceived as confident and assertive, and annabeth (our girl) is perceived as fierce, clever, and formidable. They are all intimidating to an extent.
But not like Percy. No. Becasue even when he’s at ease, he’s described as wild and disobedient. And when he’s not at ease, even if just little bit, he’s perceived as powerful, dangerous, and scary. Someone who NOBODY wants to mess with. Nobody even questions his power. One look from him has literal gangs running the other way. One look from him has Leo so scared that he’s literally shaking, and feeling the same innate fright and alarm that he does when jason summons an ear-piercing, earth-shaking, deadly bolt of lighting.
like… HELLO??? can we all just sit on that for a moment?? good lord
One angry look from percy has people thinking one thing: Run.
Percy is, canonically, the character that people find the most frightening and intimidating.
And unless he’s in a good mood - which you better hope he is - the reality is that most of us would be completely terrified of him if we met him.
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when i draw overly specific content and then remember none of these characters have officially met (:‚‹」∠)
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playing around with some historical french fashions on furina (+ neuvi).. I think she should always get big silly hats
18th+19th century mens fashion is one of my fav fav fav things is ever so this was fun 🫡 love being fashion history neurodivergent
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two lonely rabbits, two hearts beating as one 🐇🖤🤍 (animated gif)
now on inprnt !
old sketch from march I decided to finish <3 usually when one of my sketches (intending to become a completed drawing) gets put on the backburner, it never surfaces. I usually have to prioritize other drawings and then months or years pass and once I have time, I lose interest and start other drawings in their place... but I'm glad I mustered up the energy to finish this one, ESPECIALLY since I strongly felt I needed more gothic pieces in my gallery hehe
the relationships between characters in this series are so interesting, because there are so many character parallels. I actually had to change the personality of white alice from the sketch to the final, since I .. think I misinterpreted her story! (so I think it turned out less gothic horror than desired but you know what I'll take this <3) I first read this story when I was 14 and I 1000% BET I'll still be finding nuances and new details in the writing years into the future...
I had a lot of fun with the animation albeit just being a blink animation 😩👍 but blinks can be animated in a variety of ways! in terms of my animation skills, I do consider myself on the weaker side. so if i can integrate more animation frames into my illustrations, it'll help me become more familiar and comfortable with the medium. I especially like the difference in how many frames it takes for dark Alice vs white Alice to blink. I think the blinks came out fluidly and I'm quite satisfied with how this drawing came out!
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