The rise in catalog acquisition helps to explain how we’ve arrived at a moment when the pop charts are littered with chunks of old intellectual property. Nicki’s “Super Freaky Girl” and Yung Gravy’s “Betty” are just two high-profile examples; you don’t have to look far for more. The Santa Clara, California rapper Saweetie’s “P.U.S.S.Y. (Powerful, Utopia, Supreme, Sacred, Yummy)” samples Mtume’s “Juicy Fruit,” the basis for Biggie’s “Juicy.” Atlanta’s Latto double-dipped Tom Tom Club’s “Genius of Love,” famously sampled on Mariah Carey’s “Fantasy,” for her song “Big Energy,” bringing in Mariah herself for bonus points. Samples don’t even need to be universally regarded classics to break through, a point Jack Harlow proved when he reused Fergie’s “Glamorous” for “First Class.”
The echoes have grown so constant that self-described music theorists have found fruitful sidelines in doing side-by-side comparisons of the plagiarism charge of the day, game-show style. Lil Nas X’s “That’s What I Want” contains a sly nod towards OutKast’s “Hey Ya” that almost seems like a dare to copyright lawyers or red meat tossed to TikTok detectives; typing the words “Lil Nas X Hey Ya” into Google unleashes a hurricane of conjecture, as well as citations by The Guardian and L.A. Times. Pop-star fashion plate Harry Styles’ “As It Was” so nakedly recalls a-ha’s “Take On Me” that fans did mash-ups of the two tracks, and Genius even lists “Take On Me” as a “sample” on “As It Was,” though it isn’t technically credited in the proper liner notes.
Peering at the pop charts with this mindset, every song becomes a potential whodunnit, rife with potential red herrings. When the brash British pop singer Raye sings “I don’t wanna feel how I did last night” on “Escapism,” is that an intentional reference to a certain Red Hot Chili Peppers classic? In some ways, the Hot 100 right now feels as recursive, all-encompassing, and allergic to new input as the Marvel Cinematic Universe.
Perhaps some of this recursion is a reflection of a changing guard. Gen Z grew up with even more media at their fingertips than previous generations, and a cohort for whom TikTok is the dominant medium might have fewer hang-ups about repurposing looks and ideas wholesale. But just as with the MCU, once you tune out the parade of surface nostalgia, it’s easy to hear the massive engines of corporate consolidation whirring beneath, and they’re being fed by companies like Primary Wave and Hipgnosis.
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Having trauma about a random ass thing is also so funny though? Like girl what do you mean you burst into sobs when you opened a scan of your old US work permit to send to the visa agency because (a) somehow the fact that you had a US work permit, let alone what it looked like, is yet another memory your brain completely blocked and (b) navigating to the folder where all your failed US worker visa applications lives is itself triggering? I'm literally here like girl how do you live like this.jpeg.
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I was like “I’m not tired, I’m gonna do so much stuff”, but that last dose of cold medicine just hit and I’m sleepy now lmao Lemme just bullet point some highlights from my phone that will be expanded on later.
1. Aylin is intrinsically tied to the gem in which the shapechanger + his army are imprisoned. They were made of the same life force. If Shar’s Chosen slays her, it unleashes that army. (Among other things [hand waves] Basically she’s the key to an apocalypse.)
2. Although Aylin had to train to become a proper paladin, it could be argued she was born with the Oath of Vengeance already sworn. She is to avenge Selûne against Shar’s attack that created the Tears of Selûne (aka her). This isn’t exactly an easy wrong to right, however, hence her acting as the Sword of the Moonmaiden. She will always oppose Shar + her faithful and will always defend Selûne + her faithful.
3. She was raised by Saint Erlona and John Meadowlin, often on the road but otherwise at Moonhaven and its temple to Selûne. I hc that the Selûnite Outpost below houses the remains of a true son of Selûne, a sibling Aylin never met. She has always been targeted by Shar, making the outpost the ideal place to hide her when she was especially young. She had a few “Heracles killing the snakes in his crib” moments as a child.
4. The specifics of Aylin’s nature are a lil wobbly, but she is, for all intents and purposes, an aasimar. Albeit one with unique traits (i.e. immortality). One of those traits is that she’s always been aware of who/what she is and what her purpose is. She was an unnerving child, to say the least. She will continue to evolve as she lives and serves her mother’s will, becoming less aasimar as her power grows until she undergoes apotheosis. This will likely take millennia. (It will also result in the Tears of Selûne forming a second moon.)
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