Uncool50 - finding my place
Part of the #Uncool50 project, a sort-of autobiography told through the memories of pop singles. This installment covers the second half of the 2000s. Nothing from 2005 or 2006, by now my head had been turned by European hits and the anglophone stuff just wasn’t fun.
The theatre kid who made it. "Grace Kelly" came out of nowhere at the start of 2007, as flamboyant and ostentatious and unashamedly queer as anything. Mika sounds like Freddie Mercury, the lead singer of Queen who was snatched from us far too soon.
The homophobes hated it. Of course the homophobes hated it, they cannot stand anything fun, colourful, honest. One review at the time said, "Like being held at gunpoint by Bonnie Langford", as if this was a bad thing!
This song is fun, it's catchy, it worms into your ears and is never going to leave. Might just be the greatest pop song of the decade. More power to Mika.
The greatest pop moment of the decade comes straight after the breakdown in "About you now". We hear the chorus line again – "can we bring yesterday back around?" But this time it's different – a little higher-pitched, a touch yelpy. And there's a gloriously discordant high tone, "coz I know how I feel about you now".
By this time, we're up to Sugababes 3.0 – Siobhan's long-gone, Mutya's been replaced by Amelle - but the songs still remain awesome. Dancey-electronica with a scuzzy overtone. And the video with the young man parkouring his way around south London, hopes to meet up with his date on the Southbank.
My long list of 300 songs had a lot of Sugababes – "Overload" and "Freak like me", "Too lost in you", "Ugly" and "Change" all featured. But none of them have this yelp of joy, that’s the clincher.
"This is the life", Amy MacDonald's defining hit. Breakthrough single "Mr rock and roll" had positioned Amy as a troubadour, sings songs about people's lives. She uses a few words to describe a scene, and whoosh – we're in it!
"This is the life" is a personal, probably autobiographical, song. "So you're sitting there with nothing to do, talking about Robert Riger and his motley crew". Life-affirming through its melancholy, drunken nights out and waiting in for friends and thinking both that this is excellent and this is terrible.
Number one for the year in Belgium, Netherlands; for some weeks in Austria and Czechia; top five in all civilised markets around the continent. And number 28 on Britain, because the playlisters and programmers in London are a complete waste of space and goodness knows who pays them. Amy's built a hugely successful career in Europe, and still makes top-drawer albums to this day.
So I started hanging out with a bunch of friends from the karaoke bar, and we went out to a maize maze, ears of corn up to eye level. Or for Caz, ears of corn over the top of her head. Caz managed to lose contact with the group, get lost, and had to be rescued by the tall stablehand.
We welcomed Anna into our friendship group, and she turned out to be the glue to hold us together, and we loved her dearly. "Bulletproof" by La Roux is one of many many songs from those years. This time, maybe, I'll be bulletproof.
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Rather than trying to prove Gaylor is real and that Taylor Swift is actually just trying to secretly signal that she’s a lesbian, why don’t y’all just go and listen to openly queer artists instead of forming conspiracies to try and make your faves queer instead?
Like it says so much about how people would rather waste their time trying to prove she’s queer instead of y’know looking into queer artists and their music.
It comes across as if y’all don’t actually care about LGBT artists, you just feel like you need some justification as to why you enjoy your faves.
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