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#pop culture podcast
sexlovelitpodcast · 4 months
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In the interest of sharing past podcast episodes that tumblr might like, here's our two part mini-series on the top tier CDrama Love Between Fairy and Devil that we released at the beginning of this year!
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In the first, spoiler free episode (Ep 23), we give some context about the fantastic storytelling, the fabulous cast of characters, and all the reasons we think you should give LBFD a try. The spoiler-filled second episode (Ep 24) covers the show’s multifaceted depictions of love, the scenes that made us cry, and a spicy take about the show’s finale.
You can find us wherever you get your podcasts, but here are some links to Spotify for ease:
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thelookofyourshoes · 1 year
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jermare · 1 year
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This is Pop Kulture! So excited for the launch of my new podcast #PopKulture! The moments begin tomorrow! 🤍 Click the link in my bio to follow/subscribe wherever you get your podcasts!
Or: https://linktr.ee/jermareharrison
“The goal is to share more of my personality with the world, something clear beyond the mediums of music or acting. In this day and age... that seems required from artists and entertainers. Someone relatable. People see a very pedicured image of what I attempt to portray... they know I love entertainment, celebrities, divas, nostalgia, glitz and glam... but I am also the biggest nerd. I have a whole Star Wars episode planned!”
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bryceypants · 2 years
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SOME
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BODY ONCE TOLD ME
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Today on Groovypants, my friend Nick and I are gonna put together our dream playlist for the next hypothetical Shrek movie, and in the process we'll discuss the franchise's role as a perfect time capsule for pop music.
If you wanna listen to the full episode of the podcast, click these words!
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barone-zone · 12 days
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NEW EPISODE: Welcome to the Barone Zone / Bridge to Season 4! Check it out wherever you listen to podcasts or at https://postfun.org/raymond!
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dualredundancy · 4 months
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thoughtportal · 8 months
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In this episode we explore a relatively new subgenre of science fiction called Solarpunk, which aims to imagine better, more ecologically harmonious, futures on earth. In many ways Solarpunk is a reaction to both the real-world climate crisis and to the many apocalyptic visions of collapse filling our screens. Andrew Sage from the YouTube channel Andrewism joins host Jonathan McIntosh and friend of the show Carl Williams for this conversation.
References & Links • The Andrewism YouTube Channel • Walkaway by Cory Doctorow • Ecotopia by Ernest Callenbach • Sunvault: Stories of Solarpunk and Eco-Speculation • Fighting for the Future edited by Phoebe Wagner  • Parable of the Sower by Octavia Butler • Princess Mononoke from Studio Ghibli • The Ones Who Walk Away from Omelas by Ursula K. Le Guin • Emergency Skin by N. K. Jemisin • Monk and Robot book series by Becky Chambers • Dear Alice from THE LINE • Dear Alice’ Decommodified Edition by Waffle To The Left • Our History Is the Future by Nick Estes • 3000-Year-Old Solutions to Modern Problems by Lyla June  • Capitalist Realism by Mark Fisher
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bisexualbreakdown · 2 months
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Hello Bisexual Besties! We are back with a brand new episode, this time we are joined by our good friend Em (@merlinoutofcontext) to talk about all things Merlin! We discuss how we discovered the show, why it's still so beloved after so many years, and share some hot takes about queer baiting.
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moosecow · 1 year
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To all the people out there that had that one show, game, movie, song, book, podcast, fanfic, or whatever other obscure thing that had just kept them going, that suddenly got canceled, dropped, deleted, or discontinued…
I see you, and I feel you. I hope you get another season, a revival, or I hope you find something that you can love deeply again, or whatever it is you need to get you through the hard times.
❤️💜💙🧡
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sexlovelitpodcast · 4 months
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Lost You Forever S1 Podcast Mini-Series
In a continuation sharing of old episodes on our shiny new tumblr (although these ones aren't that old, actually), check out our most recent episodes on the truly stellar CDrama, Lost You Forever S1! We meant to record two episodes, and instead recorded a whole mini-series, so if Xiao Yao, Tushan Jing, and Xiang Liu are still living rent free in your head, too, we've got you covered 🙃
If you haven’t seen this drama, don’t worry–the first part of our mini-series is spoiler free! In Part 1, we give some context about the show’s set up, share some spoiler-free reactions, and wrap up with a game of Fuck, Marry, Kill. We also share all the reasons we think you should check out Lost You Forever–if it hasn’t already taken the top spot on your favorite dramas list like it has for Corinne.
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In honor of the reverse harem-ness at all, in Part 2, we organized our discussion around leading lady, Xiao Yao, and her four suitors. We start the episode with Xiao Yao…and her many abandonment issues. Then, we get into our complicated feelings about her charming, ambitious cousin, Cang Xuan and his dangerous pursuit of the throne. As a treat (for Corinne), we also talk about Xiao Yao’s bratty half-sister, A’nian, because she’s the worst (and the best).
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In the third and final installment of our semi-accidental mini-series, we finally get to the last three main players fighting for Xiao Yao’s heart: Fenglong of the Central Plains; Xiang Liu, everyone’s favorite nine-headed sea snake demon man; and last but certainly not least, Tushan Jing, soft beta-baby-boy of the year.
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You can find all three parts wherever you find your favorite podcasts, but here are some Spotify links for ease:
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sciderman · 3 months
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Yk not looking at usernames sure is wild. I thought the Bob and Wade you were talking about were those guys from distractible
don’t know what that is but 👍 ok
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seaweedsawyou · 25 days
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oh wow it's so nice of emily to let matt damon and ben affleck out of jail so they could film that dunkin donuts commercial
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kiarpennington · 3 months
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Okay now, NBC Found startin to bug me. Before I take my hiatus, Imma gone head and get this out after last night’s episode.
One: This coulda been one of the best dark romance couples I’ve seen on tv in a hot minute if they had just aged Gabby up and made Sir’s motives more clear. Like, obviously ya can’t do romance now cause it would be hella weird, but like……he DOES wanna be her partner in EVERY WAY: a parent, a teacher, a…….lover, but…..we’ve already established that can’t be….like, why did we write it this way??
Two: Gabby, girl ain’t you tired of threatening Sir every promo?? Like, find another way to tease the next episode…..(also, actors can only do so much with cringe writing; at some point the acting is gonna get a lil……questionable if the writing is). And, OF COURSE HE BROKE THE CHAIN; we’ve already established he WANTS to be there, but if you gone act reckless, so is he
Three: and perhaps my biggest issue is that…maybe this show shouldn’t be a procedural…..We get too much of those plots (and yet, also not enough, cause it seem like they always solve the cases too quick or that it’s rushed) and not enough of Sir/Gabby…in the present. I appreciate the flashbacks, but I also feel like we need an equal amount of flashbacks (sometimes)/present Sir/Gabby, AND cases and I don’t think we’re getting that. Just a lot of case plot (which, I feel, is why they solve them so quick) and 2-6 minutes of Sir/Gabby working on the case or her dealing with her feelings towards their situation. Separate that time out as equally as ya can to well round the overall story as well as the case of the week.
Of course, just my feelings, but I definitely will be sat for that season finale and already eagerly awaiting 2 lol 😅
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barone-zone · 24 days
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🔒 NEW BarONUS EPISODE: B.20 Fanfiction Theatre: Everybody Loves Robert! Nearly 2 years after reading the first chapter of A Grayer Shade of Gray's Everybody Loves Robert  on our episode 1.12, the Barone Boys bring the saga to a close...for now. Pay what you want for lifetime access to monthly bonus episodes like this at postfun.org/donate!
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absolutebl · 11 months
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BL & Critical Analysis
Pop culture critique & a how to do it... or something
This meaty question came from the lovely @huachengeye Thank you!
Codicil: I do not get paid for pop culture critique (although I once wrote book reviews professionally, long story). So I’m entirely a dilettante. 
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The Question!
Q1: Can you can shed some light on your process (of critical analysis)
This is a little like training your eye to edit a document (I bet you can tell that's not one my strong points). Or training your mind to look at data and data collection in terms of the results it may yield and what the initial survey says about the questioner's bias (or can bias results).
First, I have to ask... 
Do you really want to train your eye to critique?
Because it will become a lot harder to immerse yourself in a piece of media if you constantly feel obligated to step back mentally and think about it from various perspectives. 
In other words, you may enjoy BL, or all live action dramas, LESS if you try to think about them critically.
I have an intimate who is a pretty well known writer. She mostly writes humorous fiction. She's open about the fact that this means every time she laughs, she stops and thinks about why that happened and whether is could be used in her prose. She never gets to be fully absorbed by narrative ever anymore because her critical eye is always turned on, especially for the written word.
What you may sacrifice for critique, is a certain level of childish wonder. 
I’m not sure i would necessarily advise doing this. 
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My Process 
My process is essentially now visible in this blog. As I watch a show I take a few notes on it (which show up in the weeklies) and then at the end I go through those notes, consolidate, try to be witty about it, and write up a review.
The review usually has something about:
characters, tropes, plot 
narrative & story structure & pace
how this BL fits in with the greater BL genre & history
any thoughts I have on the quality of the production, acting, and/or directing 
my own personal feelings about the show
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Thus my reviews tend to take into account several criteria.
For #1-2 I have a background in lit crit as an undergrad (and, like I said, I did once review books for a living) so these are kinda ingrained in me. I’m working on seeing the influence of soap operas, fan fic, and non-western story structures as critically valid, so these are the things I’m actively learning more about the most these days. 
For #3: How does this fit into the history of BL? Since I’ve made it point to watch pretty much all BLs, I feel like I’m set up to think and talk about this. AKA the spreadsheet made me do it. But since I also have anthropology in my academic history, I’m very interested in how a BL represents for its country’s BL oeuvre. I try to judge KBLs against other KBLs (and Kdramas) and look for patterns and trends in how that country’s interpretation of what it “means to be BL” shift over time. 
For #4: my IRL job is tangential to the entertainment industry so that’s accidentally trained my eye for film. I don’t know that I like this part about myself, but it’s happened whether I like it or not. And I don’t have a proper background in film critique. 
Final #5: will discuss further in a bit.
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Suggestion? Establish A Rating System 
Come up with your own personal 10 star (or 5 star) rating system.
Write it down. Don’t be afraid to modify or adjust it. It’s yours, your tastes change, nothing is set in stone. 
Pick one ideal example BL for each category that you’re very familiar with for your reference point. Then you can ask yourself, after you’ve watched a new one, whether you liked it more, less, or about the same as that show. (relative rating, similar to grading on a curve) 
I change my examples regularly as my taste changes and as new BLs are added. The bar gets shifted, so to speak. 
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My Rating System 
Your reasoning for rating a BL will be different from mine, but here’s mine as an example. 
(Also I never feel bound by this, sometimes I give a show a 8/10 just because it feels like that’s what it deserves.) 
10/10 - HIGHLY RECOMMENDED - my favorite precious squee!, faithful to tropes, happy ending, good chemistry, few flaws, high rewatch potential, makes me happy, examples: Semantic Error, Until We Meet Again 
9/10 ABSOLUTELY RECOMMENDED - loved it and good rewatch potential but probably a few pacing issues or one big flaw, still made me feel good/comforted, examples: Cherry Magic, Bad Buddy
8/10 - RECOMMENDED - some concerns around tropes (like dub con) or story structure/filming but still satisfies as BL, moved me emotionally, rewatchable in parts or not rewatchable but important, examples: Love By Chance, Between Us
7/10 - RECOMMENDED WITH RESERVATIONS - i.e. isn’t quite BL, convoluted, not strictly HEA, too short/long, and/or chemistry issues, may have impact on other BL fans but not me (or on me but not others) examples: Make it Right, KinnPorsche
6/10 - WORTH WATCHING BUT FLAWED - probably around the ending or in narrative structure/cohesion or censorship, disappointed expectations, unlikely to rewatch, examples: My Gear and Your Gown, Love Mechanics
5/10 - WATCH IF YOU HAVE NOTHING BETTER TO DO - but don’t expect much, it’s a total hot mess interesting only because it's BL and I'm probubly pretty conflicted about it, examples: Advance Bravely, Even Sun
4/10 - FATALLY FLAWED - but still basically BL, however... do we want to support this kind of behaviour? examples: Precise Shot, Work from Heart
3/10 - I DON'T KNOW WHAT I AM WATCHING AND NEITHER DOES IT, just seriously why did this get made? examples: Blue of Winter, Physical Therapy 
2/10 - IT'S DEPRESSING - they killed/tortured/etc the gay, save yourself, examples: The Effect, HIStory 3: Make Our Days Count
1/10 - IT'S AWFUL, I WATCHED IT SO YOU DON'T HAVE TO, has all the flaws of 4-3 plus something even more egregious, personally triggering, example: My Bromance series, Round Trip to Love
dnf - self explanatory, but usually I drop because I feel like the narrative is already a #3 and/or headed for a #2 or #1 and then I’m told later that is went there, example: My Tempo
I hand out the fewest 1s & 10s. The most 8s and 7s. Everything else is pretty much on the bell curve you’d expect. 
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Q2: What resources do you use to build your reviews?
I listen to a lot of pop culture review critiques in podcast form, often about stuff I'd never watch. But I like the way professionals talk about these things, even if they aren't MY things or don't jive with my personal opinions.
Mark Kermode is my favorite film critic and we like the opposite stuff, but the way he talks about film is very interesting to me. His podcast mini series on the "business of film" is probably one of my must listens. For his main podcast (Kermode & May’s Take), I always skip over all the interviews, people talking about their own films bore me to death (especially if they are actors on the promo junket, save me please). His rants are some of my favorites of all time (try Pirates 3 or Iron Man 2). Someone else’s list. 
I also like Pop Culture Happy Hour from NPR because it brings in multiple perspectives and varied cast of critics who often disagree and the "things making me happy" is a grab bag of fun.
The Bechdel Cast is a feminist critique podcast from Hollywood insiders and they do recaps as well as critique, and it's always fascinating to me to hear what people latch onto in a narrative. However, I only listen if I am already familiar with the film they are discussing.
My background is in anthropology and I've lived all over the world so that helps train me to think in terms on culture's impact on narrative as well as linguistics and so forth. As a personality I’m also quite reserved and deadpan, grumpy, stiff, strict, and kinda cold. I think I gravitate to being an observer and an outsider which helps if you want to analysis stuff. Which is not a claim to objectivity, I don't think there can be objective analysis of pop culture.
But it does make me pause to think, "that made me FEEEL something" why? What am I feeling? How did the actor do that? The script? The direction?
These shows are meant to entertain, whether they are successful or not, for me (and what "successful entertainment" means to me) and how they are doing it is the first question I always ask myself.
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Q3: What are the things you look out for when watching a BL?
I ask myself a lot of things I would when looking at any piece of art. Or even when shopping for clothing or a new car or reading a book.
Did I like it? Why did I like it?
Did it move me? Why did it move me? 
Did I react? How did I react? To which bits? Why? 
What tropes and narrative beats was it using to manipulate me and my expectations? Did it meet those expectations? The promises it set up at the start? Did it fulfill the watcher-contract during the course of the narrative? 
Did the filming successfully telegraphy the journey I was meant to take? Did the actors? 
But also... would I rewatch it? Am I tempted to do so the moment it ends? For which bits?
The statistician in me wants to point out that these questions say a lot more about me and my relationship to art than it does about the art itself.
For example
Did I like it? Means... I'm motivated by pure taste and personal preference and complete subjectivity. This is in part formed by a person's background, life state, whole experience with culture and pop culture and society, family, friends. Taste is also just "that" bit. You know, that bit? Likes lemon deserts over chocolate ones, gravities to spicy food, favorite color is green, decorates with potted plants. Just my taste is my taste. I like what I like. 
Yes I have some criteria that subconsciously come into play: I look for clever story structure, subversion or manipulation of tropes, parody, not hitting any of my dislikes (like dub con). But also I have other biases impacting whether I like it (like physical appearance) which I can try to check but usually can't fix. (For example GMMTV's Gawin/Fluke looks so much like an ex of mine I really struggle with his screen presence.)
Did I like it?
The fact that this is the first question I ask myself also should tell you I'm motivated by the emotion these narratives engender. I want them to transport me and move me. I my case I want to feel comforted and satisfied and happy. The ones the make me feel discomfort, especially for too long in the narrative, I am simply going to like less. Sometimes less than I feel like I should (see my struggles with masterworks like ITSAY, YNEH, or The 8th Sense). The very BLs that most professional critics would tout as the best examples of the genre for a wider audience often turn out to be the ones I struggle with the most. (They are also, fortunately for me, the least representative of the bulk of the genre.)
In other words there is ALSO a part of me that genuinely likes and enjoys the trashy stuff. Even the trash I trash watch.
So I would advise you to come up with your own questions. Ask yourself what you want from these shows when you watch them. 
What motivates you? 
Why are you watching them at all? 
What brings you joy from an art or entertainment experience? 
What do you want them to do for you? To you?
You are going to experience them (and therefore analyze them) from this perspective whether you like it or not. So understand yourself is paramount. It's about your relationship to the art, not the art itself.
If I were to give you an assignment I would say start with one BL you really enjoyed, perhaps not your favorite but one level down. And then do one you really did not enjoy. And think about why... 
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Happy analyzing! 
(source)
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xmiramira · 2 months
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The Pretty Petty Podcast: Episode 7 " Don't be a Mulatto to Society While Playing Some Love and Basketball on a Podcast"
Tiffany Haddish continues to disappoint, but Love is Blind does not. Reesa Teesa ain't getting paid for all 500 of them mins Cedes ADHD continues to jump from topic to topic. Discussion/Recap of Romance movies we loved in the 90s. We continue to make yall listen to 2 hour long episodes.
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