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#poetry writing month
fandom-trash-goblin · 1 month
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i beg you to love me, say that i'm enough, but you tell me— why are you like this? i think there's something wrong with you.
for @shestrying
thanks to @acelania for finding the unknowns!
in image / desperation sits heavy on my tongue, tumblr user tullipsink / mary oliver, ‘north country’ / virginia woolf, letter to violet dickinson / in image / blythe baird, from if my body could speak / Alice in Bed: A Play' by Susan Sontag (link in comment) / lynee rae perkins, criss cross / elena ferrante, Those Who Leave and Those Who Stay' (trans. Ann Goldstein) / rainer maria rilke, from rilke’s book of hours / in image/ in image
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cheekios · 2 months
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Please Bring Kaiser Home.
I have been having complications with managing my diabetes that have led me to be hospitalized twice. I live alone. Kaiser is a precious pup that specializes in detecting when blood sugar is too high or too low before it leads to complications. Something I have been struggling with. Kaiser would not only improve my quality of life but also be my companion and friend
I’m asking for community support get a Medical Alert Dog. It is a huge ask but any support is appreciated 💗
CA: $HushEmu
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thatsbelievable · 3 months
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ourobores · 2 years
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SEPTEMBER
song of the simple truth: the complete poems - julia de burgos / a september day - george henry / excerpt from a letter to aurelia plath - sylvia plath / french autumn - artem tolstukhin / earthquake weather - janice gould / blue shutters - kim english / a girl ago - lucie brock-broido / little women (2019) dir. greta gerwig / september garden party - jane kenyon / constanze saemann and charlotte foubert photographed by ryan brabazon / september 1st - dante émile
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iambrillyant · 18 days
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“april, magnify my awareness and shrink my fears, energize my purpose and starve any apprehensions. soften opinions i carry of myself so i’m not weighed down by perception, solidify my sense of self so it can’t be broken by anything that misunderstands me. lead me towards growth.”
— iambrillyant
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— Fyodor Dostoevsky, The Brothers Karamazov
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inkskinned · 2 years
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it's the levels of scrutiny too.
a movie that has a largely-female cast has to be well-written, well-shot, well-acted, well-advertised. people will spend 2 hours on youtube talking about a single plot hole; about a moment of bad pacing, about a singular background character's poor scripting. if there isn't something obvious, they will say - well there's nothing specifically bad, but it wasn't specifically good either.
they will turn out another all-male movie, and it's just a movie.
a book that has queer representation in it has to defy every convention of writing while also being true to traditional plot, structure, format, and pacing. it must have no boring chapters, no missteps, no awkward dialogue. it must be able to "prove" that any queer relationship "makes sense", their sparks must fly off the page and their love must be eternal. the writing must be clear and beautiful, the storyline original and fresh, the values traditional but with an undercurrent that is modern and saucy.
they will turn out another book without queer rep, where a man and woman just-fall-in-love, and it's just a book.
i am latinx. i am queer. i am nb & neurodivergent. my father said to me once: you will need to be exceptional to be just-as-good, and you will need to be beyond exceptional before they see you as just-a-person, and not your labels.
i am not beyond exceptional. i am a human person. i am skilled because i worked my ass off to be skilled.
i am currently reading a book that's so-bad-it's-good about a girl that falls in love with a vampire. i was 64% of the way through the book before she figures out tall-dark-fanged is not natural. i like books like these, i like letting myself relax while i just enjoy the read. but i do spend a lot of time wondering - would this have been published if it was about queer people? would this have gotten past the editors if the characters weren't white and sexy?
i want to write a movie about being a woman in a male space, and i want to start that movie with a 10 minute scene where the woman is lectured with the exact same whining that occurs in the youtube comments of even the trailers for those movies: "haven't we had enough diversity?" "we've had enough girl power movies" "sorry, this is just pandering. it's boring."
here's what's fucked up: it shouldn't matter, you're right. my identity shouldn't fold after my name like a battalion of stars: a cry of what i've gone through. what we all know i had to move past and through. i should just be a writer, plain and simple, without my work being shifted through with tweezers - i know everything i make, always, i am incredibly responsible for. beholden to. i don't like knowing that if i fuck up, i am also fucking up for every person like me. every person in a community i belong to.
once, back in undergrad, i wrote a short story about a girl who had been kicked by a horse. it was my first time writing about my experience with my ocd; i felt proud of it. the story was mostly about grief and slow recovery. the queerness of the main character was not important to the plot, my main character was just-queer. there wasn't even a romantic interest in it.
i remember one of my classmates being disappointed. "i just feel like you always write about girls who like girls, and i'm bored of it," he said. "you're a beautiful writer, but i'm like - oh, at some point, it's gonna be gay again." during the workshop, he folded his hands over my story and said, "and okay, i'm just going to say it. she's ocd, she's gay, she's depressed - it's a little much for me to believe is all happening to one person."
it is a little much to be that person (and more besides). i have therapy weekly, after all.
over and over, belonging to exception.
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poetryoutloud · 1 year
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sleep for the unfinished - v.w.
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mysharona1987 · 6 months
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fandom-trash-goblin · 12 days
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april is a cruel spectator, watching as i crumble under my own weight.
Virginia Woolf, A Writer’s Diary // Edna St. Vincent Millay, Song of a Second April // Naguib Mahfouz, Adrift on the Nile // Anne Carson, The Glass Essay // Edna St. Vincent Millay, Spring // Anne Brontë, Agnes Grey // Anne Carson, The Glass Essay // Alan Dugan, April // Sylvia Plath, The Unabridged Journals of Sylvia Plath // Charles Bernstein, Me And My Pharaoh..
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historical-kitten · 16 days
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Ancient Roman Poets on a Modern Date
Catullus (Gaius Valerius Catullus)
If you meet him before Lesbia, he will be charming, eloquent, and happy to go wherever you like, although his funds could be limited. Even so, he'll make sure you both enjoy yourselves. Theater or concert tickets in the plebian--nosebleed--section, for instance. If you meet him after Lesbia, there is a possibility he will spend the entire time trauma-dumping about his ex. If you also have one to complain about, this could be cathartic.
Virgil (Publius Vergilius Maro)
He takes you out to his beehive dressed in full bee-keeping gear to introduce you to his bees and then goes inside, where you sample different varieties of honey drizzled over fruit. He is sweet, but does talk about fields and bees a lot.
Ovid (Gaius Valerius Catullus)
Let's be honest. This might be more of a Tinder or Grindr hookup than a date. However, it's possible you met at a theater, race track, parade, or seaside resort. If you are aro/ace, run away. If you aren't and you are interested in seeing if he truly is proficient as a teacher of love, stick around. Don't expect him to be faithful, however. And although his manners are perfect, remember that it's an art and a game to him, so guard your heart.
Horace (Quintus Horatius Flaccus)
He'll take you out for a night of expensive dining and pay for it solely because the friend of a friend that owns the place owes him. He is charming company and can get you into any exclusive club or private experience you want to go to, but will expect reciprocated favors. Also, he turns on the charm, but absolutely expects to be complimented in return.
Sulpicia
She plays hard to get initially, not wanting to be too obvious with her affection. The first date will be YOUR choice. Pick well and she'll follow that with a candlelit dinner and eternal devotion. She does have expensive taste, however, and she would absolutely report you to her scary uncle if you break her heart.
Martial (Marcus Valerius Martialis)
He takes you on a picnic. Despite this being in the country, he'll opt for fine wine and gourmet food. He's easy to talk to, funny, and catty with his gossip. However, he'll also go on about his childhood in the country and how he went hunting and fishing and how he misses the simple country life. (All while sipping from an expensive goblet.)
Livy (Titus Livius)
He takes you to a museum and acts as your tour guide throughout the entire thing. Who knew that your date would double as a living and breathing audio tour? You're supposed to eat at the museum cafe, but you may not make it there before it closes... If you're a fan of history, you're in for a treat.
Iullus Antonius
Iullus is a huge romantic and just as charming as his famous father. He will show up with flowers and take you on a date in a small, undiscovered restaurant and to a lot of cute places that are off the beaten path. Whether you hit it off romantically or not, he's the kind of guy who could be your ride or die. (Spoiler alert, when he says he's your ride or die, he's extremely serious. 💀)
Albius Tibullus
When he falls, he falls hard. He takes you on a date in an orchard. This includes picking grapes and then tasting wines. If the date is before he was entranced with one of the lovers he wrote about, all is well. If not, he might get a little teary eyed about his past love(s). He is polite, sweet, attentive, and apologetic though.
Juvenal (Decimus Junius Juvenalis)
He takes you to an expensive restaurant and makes it clear he is only paying for HIS meal. The entire time he criticizes everyone else in the restaurant for being posers and judges them based upon appearance, status, and gender. His date is not a safe place for anyone who doesn't fit his definition of traditional values. Definitely talks about kids these days and the degradation of society.
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ourobores · 2 years
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OCTOBER
l.m. montgomery, anne of avonlea / claude monet, autumn on the seine at argenteuil / carol bishop hipps / maryanne nguyen, ...and i don't know who i am anymore / sarah guillory, reclaimed / f. scott fitzgerald, the great gatsby / girl in red, we fell in love in october / jacqueline woodson, if you come softly / leon spilliaert, october evening / w.s. merwin, the love for october / richard o. moore, a reminiscence / when harry met sally (1989), dir. rob reiner / ray bradbury, long after midnight / ted kooser, a letter in october / victor charreton, la terrasse, automne / richard shelton, october / katherine blower / oamul lu / anne sexton, a self-portrait In letters
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twinnedpeaks · 10 months
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memory shopping, salem m. s.
donate
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cnjosephs · 11 months
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POLARIS TRANS*
A poem for Pride. Continued under the read more.
As I grew from a little girl to a teenage boy, They said I should call myself trans*, with a star at the end: A star for something unfinished; a star for possibility.
As I grew from a teenage boy to a femme young adult, They said I should call myself trans, with no star at the end: That the star’s sharp points only served to cut and divide.
As I grew from a femme to a gloriously butch dykefag, I thought again about the star of my youth And about all the things it can stand for:
Trans* is for transgender— It’s for language that grows and shifts Like a living being; like a tree; like a child; For Sylvia’s Transgender Action Revolutionaries And for the kids at their high school GSA Walking into the club with their hearts in their hands.
Trans* is for transgressive— It’s for shattering expectations Shattering societies, boundaries, and binaries Like panes of fractured glass; The glass was breaking already, you know, But now we can turn it into a mosaic.
Trans* is for transsexual— It’s for those who pick up an old word That they’ve been told is “outdated” And brush the scorn off of it Like dust off of fine China To display it with pride on the shelf.
Trans* is for transformation— It’s for the little girls who became men, For the little boys who became women, For everyone who became everything, For everyone who became nothing, For everyone who became.
Trans* is for transvestite— It’s for shedding the skin you were forced into Like a snake shedding too-tight scales And growing something that fits you better; Making something new and beautiful, Wearing something beautiful and yours.
Trans* is for transitory— It’s for those of us whose gender shifts Like the phases of the moon; For people who fall asleep a femme fag And wake up a butch dyke And repeat the process again in a week.
Trans* is for tranny— It’s for picking up the stick they beat you with And sharpening it to a spear; Holding it up to defend yourself, To defend your kin, and saying: “You really wanna mess with us?”
Trans* is for those who reject the New Queer Binary— Who answer “Are you transfem or transmasc?” With an annoyed “Neither, actually”; Whose gender is not silence, but absence of noise; For men who are also women, For lesbians who are also gay men; For people so outside the binary That “nonbinary” feels like a chain around their throat; Maybe you can’t be cis and trans But I know you can be cis and trans*, And I know that you can’t draw a line between genders Like the respectable queers pretend you can.
Trans* is for all of us— For boydykes and girlfags, For queens and kings and crossdressers, For masculine women and feminine men, For my oft-excluded intersex darlings; For FTMs who wear suits and MTFs who wear gowns, For MTFs who wear suits and FTMs who wear gowns; For those on hormones and those who eschew them, For those who change their name and those who don’t; For those who want surgery to get a penis or a vagina, And those who want surgery to get both, And those who want surgery to have nothing.
Trans* is for everyone who marked the path we walk on now— It’s for Lili and Dr. Barry, For Roberta and Christine, For Marsha and Sylvia, For Stormé and Miss Major, For Leslie and Lou; And for so many others whose names we do not know Because they were blessed with the safety of privacy Or cursed with the violence of erasure.
If you asked me to name trans-with-a-star I’d tell you to call them Polaris Trans* The gender-variant community’s guiding light.
Trans* tells us where to go— To follow the paths cut by our predecessors, While keeping their drive to explore untrodden ground. To offer our hands for each other: Both to raise each other up when we fall And to fight when we’re under attack.
Trans* tells us who we are— We are faggots and dykes and sissies and queens, We are a bunch of rowdy queers who won’t shut up; We are armed with bottles and glasses, With bats and pens, with guns and paint; We are the people who have only survived Because when nobody would take care of us, When respectable queers treated us like a stain on their flag, We took care of each other.
Trans* tells us who to be— It tells us that we must be so brave and so strong, And so scared and so soft. That we must save our anger for those who hurt us, And not turn it on each other. That we must hold each other accountable for harm, But understand we are all flawed humans, And that mistakes are not unforgivable. That we must not hurt our trans* siblings For daring to be trans* in a way we cannot understand, And that you don’t need to know exactly what stars are made of To love how they shine in the sky.
Historical Notes
The figures referred to in the thirteenth stanza are, in order: Lili Elbe, Dr. James Barry, Roberta Cowell, Christine Jorgensen, Marsha P. Johnson, Sylvia Rivera, Stormé DeLarverie, Miss Major Griffin-Gracy, Leslie Feinberg, and Lou Sullivan.
Sylvia Rivera is the same Sylvia mentioned in stanza four. In the 1970s, Sylvia and Marsha founded the Street Transvestite Action Revolutionaries together. They provided housing and care for homeless gay and trans* youth while working towards broader goals of achieving trans* liberation. Sylvia and Marsha kept their kids fed and housed through funds they raised via sex work. 
Sylvia would later say that the death of STAR came at the 1973 Christopher Street Liberation Day Parade, where trans* activists were told they couldn’t speak on stage. Sylvia and drag queen Lee Brewster physically fought their way to the stage and criticized the gay community for abandoning the trans* community after the trans* community had spent years fighting for rights for all of them. Lesbian activist Jean O’Leary verbally attacked them both, claiming that drag was “misogynistic” and “demeaning”, and that trans* people had no place in the gay rights movement. Receiving such a devastating rejection from people Sylvia had considered friends pushed her out of working in activism for many years. 
Marsha was tragically murdered in 1992 at the age of 47. Eight years later, in response to the murder of trans woman Amanda Milan, Sylvia resurrected STAR as the Street Transgender Action Revolutionaries. While Marsha and Sylvia were both integral to the initial work of STAR, I refer to it as “Sylvia’s” in the fourth stanza to make it clear I’m referring specifically to the later incarnation, which used “transgender” in their name. You can read more about Sylvia’s life in her essay “Queens in Exile, the Forgotten Ones”, written just before her fiftieth birthday in 2001. The closing paragraphs of the essay are, in my mind, both a profoundly valiant rallying cry and an agonizing indictment of our community’s failures:
Before I die, I will see our community given the respect we deserve. I'll be damned if I'm going to my grave without having the respect this community deserves. I want to go to wherever I go with that in my soul and peacefully say I've finally overcome. Editor's Note: Sylvia died on February 19, 2002, from complications of liver cancer. She was 50 years old. 
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boysaints · 1 year
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a weird little poem i wrote for the new year :)
[transcript: Oh God. Hand me the champagne, / I think it’s finally happening. Ladies and gentlemen, / it’s the moment we’ve all been waiting for, where / I realize it’s all bullshit: everyone knows / when you say my new year’s resolution is to / work out more you really mean that your sadness / has become a beast too big to wrangle with / your own two hands; when you say there won’t be / any more clothes on my bedroom floor / there’s always the unspoken caveat that / you would be perfectly happy if those / clothes belonged to someone else. Oh God. / Hand me the champagne—no, scratch that, let’s celebrate—hold my hand, dance with me— / because I have found yet another reason to live. / I have found yet another copy of the same / poem to scream about living, living, living, / as if my body is my soapbox, my pulpit, as if to say come one, come all, we made it nowhere / again, cue the Springsteen, ‘cause baby, / we were born to run. Oh God. / Hand me the champagne, I think I’ve lost / my mind. When the clock strikes midnight / I promise I’ll become a new person entirely, / erased and redrawn in new colors. I’ll prove everyone wrong about me, even myself. I’ll lie down and / let the water decide. Oh God. Hand me the champagne, it’s all too much. And I know you can’t stay but / I need someone to kiss me now, right here / on the sidewalk before the sun comes up, / while you’re still beautiful and backlit / in silver. When was the last time you saw / a moon this bright, anyway? It’s almost / enough to make you believe someone’s / up there looking out for us. Almost enough / to make you trust the universe again. And now, / at long last, my bullet-train brain has meandered / along to the point, which is, of course: here’s to / another year of being ordinary, of having coffee / and napping and sitting around each other’s houses / doing nothing. So long and thanks for all the fish— / I trust that this year, if nothing else, / you will keep on walking / towards the light at the end of the hall.]
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inkskinned · 2 years
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i love being gay on this site i love how many gay people are on this site i love that this is the blue hair and pronouns site but also i hate being gay on this site bc when you're like "please for the love of god any gay person just talk to me" when you wake up the next day 34 gay people will be like "praying for you, king... may a gay person talk to you soon...."
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