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I just keep circling back to “I find the artifacts/Cried over a hat/Cursed the space that I needed/I trace the evidence/Make it make some sense/Why the wound is still bleeding” as we slowly get more information about this album.
The Tortured Poets Department delivers some of her most cringe-inducing lines yet. The title track alone boasts the worst on the record, even if it’s a stab at sarcasm. “You smoked then ate seven bars of chocolate / We declared Charlie Puth should be a bigger artist,” precedes the clunky “I scratch your head, you fall asleep like a tattooed Golden Retriever.”
Elsewhere, on ‘Down Bad’ she’s unceremoniously “crying at the gym”, and ‘Florida!!!’, an otherwise cathartic, Southern gothic-imbued collaboration with Florence Welch is marred by the line: “My friends all smell like weed or little babies”.
I Can Do It With A Broken Heart’ highlights her unrelenting work ethic that doesn’t falter amid personal tragedy. But, it seems poised for internet virality than anything more substantial, given its restrained verses that plod along before catapulting into a euphoric, Carly Rae Jepsen-indebted pop chorus. Lyrics like “I’m so depressed I act like it’s my birthday everyday” are almost too glaringly obviously written to be lip-synced into an iPhone 13 front camera.
Musically, it’s an album mostly devoid of any noticeable stylistic shift or evolution. It descends into a monochromatic palette, existing in the same Jack Antonoff-branded synth pop as ‘Midnights’, yet struggling to capture any of its brightness.
Most bizarre, though, is ‘But Daddy I Love Him’, which seemingly exists as her response to the backlash against her brief relationship with The 1975 frontman Matty Healy. Their fleeting romance, which seems to be the muse for much of the record, triggered an explosive reaction from her fanbase who were distraught at Swift’s public association to the singer, given his slew of controversial comments (a few of which centred around her soon-to-be collaborator Ice Spice).
Swift seems to be in tireless pursuit for superstardom, yet the negative public opinion it can come with irks her, and it’s a tired theme now plaguing her discography and leaving little room for the poignant lyrical observations she excels at. It’s why the pitfalls that mire her 11th studio album are all the more disappointing — she’s proven time and time again she can do better. To a Melbourne audience of her Eras Tour, Swift said that ‘The Tortured Poets Department’ came from a “need” to write. It’s just that maybe we didn’t need to hear it.
“Poor Taylor, all she wanted to do was date a racist.” 🥺
Sorry, I can’t hear your “bitching and moaning” over the sounds of my country being bombed. Your complaints and laments over a bigoted man don’t mean anything next to the dead bodies of children in my home country that I’ve had to escape from.
Let’s get one thing clear: being racist is a bad thing.
Having to explain that to a fan base of mostly white people who are privileged is exhausting.
And hearing Taylor Swift call this a point of suffering for her is almost comical. I wonder how she would feel if she actually faced the dangers that people in the global south face on a daily basis.