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#placed narrative
elinbean · 5 months
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a win for tortured writers and haunted artists everywhere
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qiinamii · 10 months
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You gave Xiao your heart.
He thought it was a spar invite.
[Next]
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hajihiko · 8 months
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A surprise visit
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destiel-wings · 7 months
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this is dean directly speaking to us with the fanfiction writing power and living outside of the narrative he's trapped in, asking us to do what chuck and the cw don't allow him to have
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comradekatara · 1 month
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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magpie-trinkets · 10 days
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continuing that "maya tries to contact claire" post, i present you the post-Spirit of Justice follow-up
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withdenim · 4 months
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Sorry for the stupid line callback he was just like. Specifically requested or something. Idk .
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flashhwing · 11 months
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i love the kirkwall squad because they all have such protagonist energy. any of them could be the main character. except for varric but he did that on purpose. any of the rest of them could be the main character
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mecachrome · 5 months
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Alex Albon for High Performance
It was this weird thing, because — for example with Yuki, I wanted to take his seat! He was a potential candidate that I could replace. And I remember having that chat with Helmut Marko, and he told me at the time, "You need to driver-coach this guy." And I was like, "I'm not going to. That's a potential seat." And he said, "No, he's already signed. He's guaranteed." So I was like (throws hands), "Okay, fine. Then I'll help him."
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something about the fact that so many players think (understandably) that ghost is the eponymous hollow knight until they're confronted directly with their existence. your protagonist is the knight—not the hollow knight, just the Knight. like the game is quietly saying, "this one isn't hollow." and then you get further, and you learn more, and by the time you've reached The Hollow knight, you've realized that oh, this one isn't either.
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mortispoxi · 2 months
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Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….
I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.
Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.
Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!
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vaguely-concerned · 1 year
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Merrill banters I am thinking about all the time always 24/7
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merrill truly will incessantly worry she's stupid and missing the point all the time and then take you out with the most beautifully worded and compassionate breakdown of the thematic spine of DA2 you've ever heard. no actually daisy I think you're the only one getting the point here slowly but surely
especially this one, actually: (also why I could see how bioware would bring merrill into DA:D on solas' side, but also I really really don't want them to because her arc is just -- it's just incredible and I don't want them to mess with it lol)
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'I don't think people are cleansed by fire'. people make mistakes and you have to believe in them anyway. yeah basically that's the thesis of dragon age huh
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robinfollies · 1 month
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Been really pondering Fantoccio and the cursed citizens lately… like, if you’re stuck in a city for 15 years with some of your only company being these cursed globby versions of the people that used to surround you normally, you’d start to Notice Things that remind you of who they used to be, right?
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ragesingoddess · 4 months
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Odysseus, on his journey home to Ithaca, was visited by a ghost.
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jahiera · 8 months
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one of the things that hits really nicely for me with Astarion's romance is that he never really encourages or wants you to be some kind of "protector." there are several instances where you can offer him that; protection, swear to him you'll kill cazador, or after his personal quest--I don't have the screencaps on hand, but you can directly say to him that he'll never have to need something like the ritual, because you'll protect him, and HE says back something along the lines of "It would be nice to not need you as my grand protector.... but I appreciate the thought." -- there's tinges here early in act 1 maybe of distrust of faulty promises yes, and considering Tav naive / not comprehending the power of cazador and therefore unhelpful, but even as you proceed, he's never interested in trading a lack of protection for a dependency on a protector.
in fact, the only time he's like "I'm doing it for US... to keep US safe <3" is when he's trying to manipulate/convince Tav into letting him do the ritual. "You want whats best for me right <3333" is the thing he actively uses to try and sway you over to his side, because he knows that's an emotional string to pull on.
there's an insistence of preferring equality in the subtext there; that protection or a skewed imbalance is not what Astarion wants, at his core. he doesn't want a nurse, or to be pitied, or be beholden to anyone. to try and pity him invites his irritation, even outrage. trying to swear to protect him at best gets a fond "I appreciate the Thought" and at worst a "don't be a fucking idiot." it would be veeeeery easy for the narrative to slip into something generic about being able to fix him, but it insists on someone to depend on as equals. give and take in true partnership. and in the post-ritual ending you can really feel the lack of equality there too--only now, he's in the position of both """"protector"""", and more so than that, obsessive beholder of Tav, and he exercises it in overt fashion; of course he'll protect you, your future, your life, is his after all. (and there's a LOT about that that's very interesting to me, and equally as complex & intricate as the no-ritual route in which two people meet on equal footing.) the game never shames this approach of wanting to protect him either, it acknowledges the good intent, and simply shows in Astarion's reactions that there's more here to it than that.
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sometimes i think about an AA universe where Edgeworth didn't have to be shuffled off every 5 seconds so he could maintain credibility as a rival....where Phoenix didn't have to win every case...yes AA is a game yes i understand why it did that for the narrative. but when I look at those lonely scared 24 year olds from AA1 i can't help but think that their version of a happy ending would be to be able to get used to each other. to face each other over stupid cases and small things. Sometimes one winning, sometimes the other, until it hardly matters anymore, all that matters is finding the truth together. I want them to take each other for granted!!! i want them to look at the other across the courtroom and say "time to face this bitch for the hundredth time i guess!!" these poor bastards have never had anything approaching emotional stability before let them have each other damn it
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