Okay but, Flapjack is a part of Hunter now right? So, what if Hunter can access Flapjack's memories therefore now he knows the exact details of what happened between Philipp, Caleb and Evelyn + whatever Caleb told Flapjack about his life in the human realm? And he uses this new gained information in his battle against Belos?
Also, due to the short-time we can't have a proper Witterbros flashback, so we get paralells Evelyn + Caleb against Philipp with Willow + Hunter against Belos, in the fight Philipp-Belos having deja vu, switchings images from Belos to Philipp, from Willow to Evelyn, from Hunter to Caleb, the story repeating itself, only this time Caleb isn't murder and Evelyn can't get her proper revenge on Philipp, but Hunter defeats Belos and Willow helps him do so taking revenge for all the harm Belos has done to her loved ones.
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Similarities between Andy Barclay and Sam Winchester :
Their stories start with them. Sam in his crib as a baby/andy making breakfast
An evil force has been planning to possess them since childhood and the narrative hints it as destiny.
Children of monoparental homes with a struggling, widowed parent ( Karen struggles mostly finantially while John struggles mentally)
Jesus coded /" suffered more than Jesus"
Arround their teenage years / college age they tried to get away and be normal, but shit forced them back in.
Youngest sibling with an eldest one devoted to protect them
They have no friends that are only theirs, since the people they meet tend to connect easier with their sibling.
After hitting a certain peak canon didn't give any of them a good plot or character exploration for years.
Because of this there are certain sections in their fandoms that forgot or haven't realized they are protagonists that can't be replaced.
I'm devoted to both of them
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Okay other people have probably pointed this paralel out already, but here, look, oh my god :
MAG 154 - Bloody Mary
MARTIN
Why?
ARCHIVIST
Uh, because… because, because I trust you. I, I’m trying to think about what to do, and I… (exhale) If I did try this, I don’t want to do it alone. But we could leave here, you and me. Escape.
MARTIN
(weary) John. Don’t do this.
ARCHIVIST
Do what?
MARTIN
Make it my decision.
ARCHIVIST
I’m not –
MARTIN
I mean, (mirthless laugh) Could you even survive at this stage? Is there anything else keeping you alive?
ARCHIVIST
(squawk) Uh, I, I don’t know. I don’t – know. But… maybe it’s worth it? The risk – y-you and me, together, getting out of here –
[MARTIN SNIFFS.]
ARCHIVIST
– one way or another.
MARTIN
John.
MAG 200
ARCHIVIST
Cut the tether. Send them away.
Maybe we both die. Probably. But maybe not. Maybe, maybe everything works out, and we end up somewhere else.
MARTIN
Together?
ARCHIVIST
One way or another. Together.
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"Anna Karenina'yı okuyanlar bilir. Sade, kadife ve siyah bir tuvalet giyer Anna. Bu tabloyu görür görmez Tolstoy'un tutkuyla yazdığı o cümleleri hatırladım." (Zeynep Merdan)
(Tablo: Gerald L. Brockhurst / Portrait of Sarah Mellon Scaife)
Tolstoy / Anna Karenina, (s. 142)
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here's the thing. if i were at a play and it was getting uncomfortably close to my plots and schemes i would simply not notice. my goth nephew would be staring daggers at me but it's not like that's any different from normal.
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annabeth is similar to a spider in the way that when people are in battle with her. and look away for a split second to find a weapon to defend themselves against her. they turn around and discover that she disappeared. and eternal doom courses through their veins.
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I'll never stop being obsessed with the way Stiles comforts Derek here, or the way he stands up against Argent here.
Because Stiles knows, he knows how it feels to blame yourself for the death of someone you care about, even if it wasn't really in your control. Stiles and Derek both have that same feeling of guilt on their shoulders, and Stiles comforting Derek after he experiences that same pain another time? Stiles being furious on Dereks behalf? It's devastating, and one of my favorite things about their relationship.
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