so i had an idea based on a horror manga i read forever ago
(not sure what to call this)
Emi Saito, a college student, lives a normal life with her nurse aunt and older sister, Kami... Until Kami, a famed geneticist, dissapears. A few months after, a horrible, unbelievable outbreak occurs;
All of Japan's regional and corporate mascots have become real, living beings, and many of them have a thirst for human blood.
Panic and terror rule the streets as hundreds of adorable (and not so adorable) mascots swarm and kill any human they come across. While there seem to be a few exceptions, most of the mascots are maliciously murderous. There doesn't seem to be a way to kill them either. Bullets, fire, acid, explosives...nothing fazes them. They regenerate at super speeds and bounce back seemingly no matter what.
Emi witnesses her aunt die trying to protect the patients at her clinic.
With no one left to turn to, Emi flees the city on her own, somehow managing to dodge the many mascots that prowl the streets. She makes her way to the countryside, attempting to find shelter or survivors. Eventually she's cornered by a small pack of wandering mascots, but just before they can take a bite out of her, she's saved by a rough-looking dog mascot.
He introduces himself as Uzu, the mascot of a small seaside fishing village. He asks Emi if she can cook, she says yes, and he whisks her (somewhat unwillingly) away to the village to be his lil' housewife- I mean maid! Housemaid!
Things are tentatively peaceful for the two for a while. Uzu is happy to have company-whohappentobereallycute-who can cook fish, and Emi is just happy to be alive and safe (even if her roomie is a bit terrifying).
Until some mail arrives for Emi. Her sister is alive, and is calling her to return home.
Uzu, who's come to care deeply for Emi (far beyond his stomach) doesn't trust the letter, and urges her to stay with him. They've built a good life here, he reasons, why rock the boat? But Emi insists. Her sister might still be alive, she has to know for sure. Uzu relents. He'll go with her, ever loyal, and kinda wanting to see the city for himself.
So they go, making their way across the countryside, fighting mascots and rogue humans along the way. When they get to the city, it lies mostly empty, ravaged and bloodied by the mad mascots. Emi, remembering her time before meeting Uzu, is now a bit reluctant.
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looking over my old spotify wraps why did i listen to so much jpop in 2020. it’s not a genre i particularly enjoy but idk i binged a ton of ai otsuka and chelmico and then never did it again 😭
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Boyfriend Material - Alexis Hall (2020)
This book has been compared to Red, White and Royal Blue on a few occasions in book circles, and frankly I do not understand how anyone would come to that conclusion. Everything about this book reads like a bad fanfiction or roleplay session someone wrote when they were twelve. From the one dimensional stereotypical characters, to the confusing prose (if you can even call it that at this point) the tired tropes and idea soup, it is more similar to an old "crack fic" you'd find on fanfiction.net.
The writing itself is bland and often confusing when it isn't downright boring. Thoughts that aren't spoken aloud are written in quotations right next to things that are said out loud. Two characters share a name (James Royce-Royce) with no distinction between the two in scenes where they both have dialogue. It's atrocious and- while I don't wish to rain on anyone's parade -I cannot fathom how this book has so much praise. Did all our brain cells collectively die out before we could review it or did people simply put the book down and walk away, trying to will it from our minds?
There seems to be more focus on the comedic aspect of the book that I almost want to think that Alexis Hall wrote this in order to troll us all.
Let's start with Luc O'Donnell, our all-too-angsty protagonist who is reminiscent of a teenager with severe self worth and mental health issues. If an asshole is aware that they are an asshole does that make them any less of one or more of an asshole? If I had to answer in the case of Luc I'd easily choose the latter. He spends most of the book hating himself, making crude jokes, being an all around nightmare to be around, and talking to the reader as opposed to interacting with the man he apparently falls in love with. Luc's also the son of two 80's rockstars, I guess? His father walked out on them as a child which is most of what he bases his dreadful personality on. It's also a major plot point at one time in the book all the way up until it isn't anymore with no real climax or denouement, which is quite unfortunate because if this book had any depth at all it would have been interesting but that is sort of the theme with Boyfriend Material.
Oliver Blackwood is the only saving grace of this book (for the most part). He's a lot like if a singular normal person with far too much patience was put on a reality TV show with the most ridiculous people you've ever met. The stark contrast between him and all the other characters gives me whiplash at the very best of times. His vast vocabulary proves that Hall can write somewhat interesting sentiments without using yassified dated internet terminology and simply chooses not to.
All of the characters, specifically Luc's friends, some form of stereotype and have no real value in the story aside from taking up space and doing whatever Luc needs them to do for him at any given time. All of his friends have somewhat elaborate backstories that are never really expanded upon beyond getting mentioned every now and again in passing. He often ignores other characters unless he can get something out of it or needs something from them (this briefly changes and then continues on subtly) and only hyper fixates on Oliver because he can instead base his worth on a man which is inherently toxic. Luc's boss is every stereotype of a person on the autism spectrum thrown into one. The list goes on.
The vast majority of this book consists of one character being awful to everyone around him, especially the man he supposedly fancies while the latter just allows it to go on. There's no real pining, no significant conflict, no relationship building or anything to denote a true enemies to lovers arc or even a strangers to lovers arc. There is no build up to their relationship, it simply spawns up out of seemingly nowhere after Luc spends a good chunk of the book being in half assed denial about his feelings and Oliver just continues to be a semi-regular guy who's just sort of along for the ride. Why in the world is this book 400+ pages aside from the fact that the author clearly picked several ideas out of a hat and just ran with it, stringing it along together as they went?
I'm not even going to get started on how and why this book is problematic because the one star reviews before mine have done a fantastic job of illustrating that point. The concept is intriguing but the overall story felt like one long slow walk towards nothing and I am genuinely glad that it's over.
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